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Germany is not known for soul music but some of the hotterst disco artists of the 1970ies and 80ies were based in Germany. To be more precise in Munich. Donna Summer, Moroder, Faltermeyer, Boney M or Silver Convention who created the „string disco sound“ came from Munich’s wild disco scene in the 1970ies. And that's the vibe you get with the new GOME guys. The 25 years old guys originally come from Munich. The have the Munich disco DNA. Which means: They feel the funk, they know about Soul music and good basslines, they know how to groove (not to bang) and they have that slight sense of irony and easyness you need to make good disco music. (Some say the dark days of Berlin techno are over after Covid, Munich disco is the opposite.)

GOME are a live act. Their disco is played on several drummachines, keyboards, sequencers and microphone. (Check their live on Insta). Their first EP got massive props from the likes of Laurent Garnier („Love love love for this EP“) and other more funk oriented house DJs.

The new one goes further. It's 80ies disco. The first track „Teach you“ was produced in the raw style of early Prince or the legendary Sexual Harrassment. A pumping bassline, driving 808 beats and funky rap vocals is the only thing you need. Erobique, King of German disco and member of the band International Pony (DJ Koze & Cosmic DJ) did a stripped down remix showing that less is more.

Los Angeles disco/funk lover LUXXURY’s latest EP "Set Me Free" - five slices of dreamy 80’s disco and funk influenced bedroom pop - got on the radar of in the know indie dance fans after repeated airplay on LA tastemaker station KCRW. But the grooves, rubbery bass lines and shimmering synths barely mask the anxiety in the vocals, as LUXXURY (Blake Robin) sings as if he were peering into the future from the world we’ve all just - and so, very recently - left behind.

Support from: Polo & Pan, The Reflex, JKriv

Damavand is a Dub Minimal Vinyl Only Label based in Teheran, Iran

We set a focus on deep minimalistic releases dedicated to the aspects of dub minimal, bringing this sound together with analog equipment and almost forgotten techniques of old roots music.

First release comes from Massud Matin and his Be Rahe Dast EP full King Tubby Jams outta Bremen.

Milanese producer Nelson of the East sets out on a deeper exploration of percussive house/techno on Sub Erotic, the first release on Tartelet Record’s new dance floor-focused sub-label DANCEMPORIUM – out May 6th.

Following his 2021 album release of Kybele, Nelson of the East (Nicolas Meyer) is embarking on a new area of sonic exploration rooted in club music motifs. His forthcoming EP, Sub Erotic, builds on his accomplished artistic imprint, balancing the urgent pulse of dance music with the rhythmic sensibilities of non-Western cultures. “After the release of Kybele, it took me a while to figure out what would be a good sequel, and I found myself deconstructing tracks from the album,” says Nelson. “I came to the conclusion that the most important thing on the new EP would be the relationship between the different elements, while trying to use fewer layers.” While the lilt and sway of organic musicality remains at the heart of his sound, the Berlin-based producer applies these qualities in a variety of ways. On “Ellipsis”, for example, live percussive patterns were recorded and recreated using synthesis, which Nelson found to be more effective than the acoustic originals. The result is three tracks that pivot around danceable structures while moving well outside the established norms of house and techno. From the pinging textures and staggered beat impulses of “Ellipsis” to the Go Go-flavored funk of “Sub Erotic” and the trance-inducing acid incantation of “Memoria”; Nelson’s distinctive inspirations spill out of his music in intriguing formations.

Danish mainstay Kasper Marott rounds out the EP, applying a seductive pulse to push “Ellipsis” towards a psychoactive peak. The perfect brooding partner to the original, while reinforcing Nelson’s vision of an electronically minded album. Sub Erotic marks the first release on DANCEMPORIUM, Tartelet Records’ new home for dance floor-oriented music. Having grown to become a broad church of musical modes and expressions, the label is now breaking out into more focused sonic spheres. With his use of rich timbres and adventurous spirit, Nelson of the East is the perfect inaugural candidate.

Repress

Zeta Reticula returns to Mechatronica with a radiant tale of astronomical phenomena and deep-space molecular development - a more than ideal backdrop to the EP's four powerful and diverse electro tracks, built by the acclaimed Slovenian producer also known as Umek.

Following up on his "I Am Mensch" record released on Mechatronica last year, Zeta Reticula takes the listener on a light-speed journey from the earliest organic compounds, past the dazzling formation formation of life, between orbiting double stars - and finally into the unknown, stretching obscurely far-reaching parsec units.

Presenting a special limited edition reissue of a stone cold classic from the R&S vaults, 1993 style, remastered and repressed on special transparent wax.

Capricorn aka Dutch producer and DJ Hans Weekhout originally released the '20Hz' 3 track EP on R&S sub-label Global Cuts to much acclaim.

A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today!

This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.

Following our deep & dubby vibes, this time are our good friend Olly Vanc, as usual there is no digital promotion and it’s limited edition.

To celebrate 10 years since our first release in vinyl, Zingiber Audio brings a carefully selected special VA with artists we respect a lot in the scene. Fist side, UK’s Sy is introducing the vinyl followed by Wave Particle Singularity based in Germany. On the B side, French Dust Yard brings a deep summer tune and to finish perfectly, Nicola Brusegan & Steve Hammer. Very limited splattered vinyl with printed Sleeve designed by label boss.

A choice 4 tracker of sought after italian house productions from 1993 - 1994 !

In the nineties, renown DJs and producers Leo Mas and Fabrice, gave life to a group of successful music labels. Muzak, Pin Up, Models Inc., Spock and Informal became legends in their own right. Ultimo Tango decided to open their vaults and bring its contents back to where they belong: dancefloors all over the world.

The first in a long series of future releases, “Non Volevo Ma Volavo” captures 90’s Italian dance subculture. Sunburnt shoulders, flashy Fiorucci shirts, colorful cocktails and moderate doses of ecstasy: this small pill of pure euphoria will bring you back to the golden age of the electronic “dolce vita”.

Venice based outfit Caposile Music are accelerating into 2022 with another fantastic release, this time calling on resident and family member, Yaar Kü. The young and talented producer has come into his element in recent times, gaining himself solid support from diggers and tastemakers alike. His CPSL004 EP includes three originals, and an innovative remix from Berlin based, DeWalta. Classy and sophisticated minimal movements from a rising star, and a revered remixer.

Constructed upon a hypnotic energy from the get go is opening track “Aura”, crisp and accomplished drum work chugs the track along, giving space for the mystical pads and synths to work their magic. Next up is “Jobu”, a quirky and rolling trip lasting around 7 minutes. The rippling bass notes are teased by the flashing vocal samples, extracted from garage classics of the past. Certainly a track to move things up a gear in the club.

“OBE (Out Of Body Experience)” is structured with pure finesse, each element and sound placed perfectly, moving in obscure directions but all still conversing taking you in a forward motion, yet urging your thoughts to wander in new directions. Meander founder DeWalta has been invited to join the Italian collective for the remix, and as expected his “Half Full Time Remix” is crammed full with the experienced producer's distinctive sound, a hazy encounter built for the after party hours.

The Caposile brand is growing at an alarming rate. What started off as crafting their sound and propelling their ideas to their Venezian audience has now led to them spreading like wildfire through Europe and beyond with a series of events and releases in the pipeline. The Caposile effect is in full throttle.

100 copies only

Acid/electro mini album by Chupacabras. Download code included.


Support from: Elena Colombi, Timothy J Fairplay, L.F.T., Myn, Filmmaker, Kluentah, Chris Mitchell, DVS NME, Francois Dillinger, Acidic Male

Repress

Taapion Records open 2019 with a highly anticipated four track EP from rising talent Hadone, as he drops his 'Definining Persuasion' EP on the label on 1st February.

Celebrating five years since its inception, 2018 revealed yet another impressive year for Parisian imprint Taapion Records, with a production debut courtesy of label co-founders Shlomo and AWB via their new Eysennah project in summer swiftly followed by the release of Shlomo's highly acclaimed stand-out debut album 'Mercurial Skin' to close out the year, also marking a first for the label in the process. Opening 2019 with authority, the label now returns to bring one of it's most anticipated releases to date to wax, welcoming Brussels based live act, DJ and producer Hadone to the label to deliver his 'Defining Persuasion' EP following releases from the ever-impressing Frenchman on the likes of Code Is Law, Grounded, Ravage and more.

Opener 'How To Fake Success' sets the tone immediately, with the impressive combination of entrancing synths, driving percussion and rich stabs quickly revealing why the production has become such a staple of label owner Shlomo's sets in recent months. Next up, the classy 'Optical Glasses' drops the tempo to provide pockets of serenity amongst breakbeat drums, hazy atmospherics and hypnotic melodies throughout.

On the flip, 'At The Beginning It Was Only Noise' picks up the pace as booming kicks, escalating leads and skipping hats collide to reveal a cut packed with both drive and emotion, before 'Party Monster' closes proceedings, combining haunting, twisting vocals, crisp claps and sharp menacing low ends to deliver a high-octane ride perfect for the peak time.

For the third release, Mung Records presents 12’’ Vinyl EP by acclaimed Ukrainian producer Yevhenii Kurylo aka Kurilo. His music passion goes back to playing percussion and drum instruments at the age of 12 and swiftly grew up into a desire to do DJing and create electronic music. Now, he produces electronic dance music, makes live performances, works on new vinyl releases and manages the Trance Pandemic label.

ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

‘Raiz’, the first release on the OITO//OITO Discos label, draws the musical focus towards the sound archives of Michel Giacometti, a French ethnomusicologist who dedicated his life to studying the oral traditions of Portugal which had become either lost or forgotten, with his collections still exhibited today in the Museum of Portuguese Music in Estoril. As with their previous releases, the duo carefully manage the source material and interweave it with their Acid House undertones, with both the original cuts ‘Ceifeiras’ and ‘A Poda’ doing a beautiful job at merging the powerful vocals with driving bass lines and rhythms. The opener in particular has a deep mysticism to it, the vocals leading the line as razor sharp pads craft a pulse alongside a steady but powerful drum structure. ‘A Poda’ takes things in a trippy-er direction, with the vocals stretched out in that prog house style that keeps the mind ticking over and the body left to its own devices. The breakdowns in this track are very effective, and really portray the soul of the original vocal performance and allow for the listener to connect with the wider feeling being conveyed. On the flip, the duo asked producers Switchdance and Terra Chã to put their spin on ‘Ceifeiras’, and the results only add to the atmosphere. Switchdance takes things down into murky depths, with a low slung beat expertly interspersed with driving bass notes, as sweeping chordal lines meander up above, giving a whole new angle to the original and winning over our hearts. Terra Chã’s version injects some swing into proceedings, with looping chordal stabs pulsating through the middle along with some beautiful melodic additions that exalt and inspire in equal measure.
Balanced, referential, blissful, dynamic. All this, and more, feature heavily on the first edition of OITO//OITO Discos, so why not come along and meander through time and space – it’s worth the trip…

Repress

New nheoma by label heads Exium, the Spanish duo presents a four-tracker of serious techno, ready to burn clubs down when doors open again.

आप पसीने से तर हो जाएंगे, इसे चालू करें और नृत्य करें

We are very please to welcome our skryptöm serial killers, WLDERZ, for a new crazy EP with 4 incredible weapons coming straight from the dark banging warehouses. All the tracks are developping a lot of energy and make us impatient to join everybody on the floor we hope very soon for sharing nice gathering moments.

To conclude that incredible EP, Jeff Rushin delivered a nice rework of the track Astray, huge !

FLAWEd are back with an ep from the talented young Uruguayan producer Braik. His last ep via the french griffe inprint showcased the young artists sound, and he continues on the path with his new outing via FLAWEd, crafting his own take on the moody Uruguayan sound that has come to prominence recently.

Techno made for basements

A side Run-in etching
DIMI ANGELIS UNDERGROUND GARDEN ------ TAR007 black as tar --------- TECHNO MADE FOR BASEMENTS

A side Run out etching
K-Scope / Sasquatch - TAR007

B side Run out Etching
DIMI ANGELIS - Crunchy Water / Dark Sneak

Early support by Adriana Lopez, Alderaan, Ancient Methods, Angel Molina, Ben Sims, Cari Lekebusch, Dave Clarke, Deniro, Dj Bruce Lee, Earwax, Fanon Flowers, Farceb, Johannes Volk, JP Enfant, Juho Kusti, Kaiser, Kangding Ray, Lenny Posso, Lewis Fautzi, Marcel Fengler, Marco Bailey, Nihad Tule, Nuno dos Santos, O Phase, Pacou, Roseen, Somniac One, Stefan Vincent, The Advent, Tom Hades.

Release that shows the evolution and sound maturity of Niño Árbol in relation to his introspection and exploration of analog-electric instruments. The result is a well-rounded Ep with an original rhythmic base that leaves the paradigm of the traditional 4/4 metric, giving life to a new sound that'll serve as a turning point for Mexican Techno. Bittersweet atmosphere and emotion that go from the profound to the dreamy, through forceful percussive and organic psychedelic texture.

Transmitting Hypno Disco Vol. 2!

In this edition Sam Kin, The Apostle himself, takes us downtown with four cuts of retroactive house music. Deep bleep acid house, dystopian machine groove, street-lit dance tracks and live techno jams!

2022 Repress

Trip Recordings follows the huge success of its first three releases with a third double-vinyl album, once more curated by label owner Nina Kraviz and featuring gatefold artwork by in-house artist Tombo. The release draws on contributions from established Trip members Kraviz, Population One and Nikita Zabelin, in addition to new artists added to its expending roster including K-Hand, Philipp Gorbachev, Vladimir Dubyshkin and Roma Zuckerman.As established with the label's first three releases, TRP004 will function as a soundtrack to a scenario and its accompanying artwork from Kraviz and Tombo. The title 'Ivan, Come On! Unlock The Box!' (, ! !) is inspired by the track contributed by Philipp Gorbachev (Comeme/PG Tunes), from which Kraviz has extrapolated a story of a rule-defying Russian maverick who is 'searching for the key to the future'.Set for release in mid-November, TRP004's two twelve-inches orbit around a nucleus of talent drawn from label boss Nina Kraviz's homeland of Russia. In addition to 'I Believe I Can Fly (KLM Delayed Flight Version) - one of her own 'road tracks' produced during the producer's hectic global touring schedule - Kraviz has enlisted a quartet of her countrymen for this latest collection. Philipp Gorbachev contributes his most uncompromisingly techno track yet, while Moscow's Nikita Zabelin follows his label debut on TRP003 ('De Niro Is Concerned') with the sinister minimalism of 'Bells'. In addition, TRP003 marks the label debuts of Vladimir Dubyshkin and Roma Zuckerman, both of whom were recommended to Kraviz by Zabelin. The former - a true outsider, just 17 years of age and based in the remote Russian town of Tambov - follows an early 2015 LP for SUB-AMP Records with the disorienting off-kilter techno of 'Lose Yourself', while the latter marks his first ever release despite years of producing with the unsettling 'Geburt Part 2'.

Completing TRP004 are two defiantly individual international artists: K-HAND makes her Trip debut following a two-decade career that's seen her become on of Detroit's true underground, and relatively unsung, heroes. Her contribution, 'The Box', finds her clipping effortlessly within Trip's aesthetic, with a heady textured acid potboiler. Two more Barcode Population tracks, excavated from a mine of undiscovered Nineties-made rarities, complete the release with furiously paced techno rollers which will remain strictly vinyl-only.

Guy Maayan is a young producer from Tel Aviv, Influenced by tribal musical instruments and Middle Eastern cultures, Guy creates a unique style of music.

This first 4our Records vinyl release also includes THC, Riggel and Van Der Kirche remixes, resulting in a full release for both clubbing and lover of the House / Melodic techno genre.

RESV001 features remixes by Nookie, Makoto and Seba, names widely accepted amongst peers as being among the most prolific producers of today. Also featured are vocal productions from the legendary MC Conrad, label favourites Outlier, and music from rising talent Governmentfun. A timeless release for connoisseurs of the deeper side of drum and bass that seamlessly blends heritage sounds, atmospherics, and futuristic grooves for the dancefloor.

After this endless seeming period of release abstinence your favorite imprint is back with a special ep by our friend and musical mastermind Speckman!

With his debut EP „Big City Days“ the producer and Golden Pudel resident Speckman shares his vision of the dancefloor, where he creates outbreaking sound textures on a soulful base and unfolds his unique and modern approach on dance music.
Dive right in with „Desperate Housevibez“, a dreamy & breaky intro to get you right in the mood. Next stop is „Something Still“ - heavy on the bottom, quirky at the top.
We finish the A side with „Big City Days“, the melancholic yet upbeat centerpiece of the EP.
Flip the record and you’ll hear the bubbly „Run“, a checked out synthie banger. With the outro „Meow“ Speckman goes back to his roots and let’s you of the hook easy.

Alexander Kowalski presents two wonderful track-highlights, produced in collaboration with Funk D'Void and Joris Voorn. This 12" wants to give you a taste for his upcoming album which was released for the first time in 2005.

The Funk D.Void remix of Alexander's "You Think You Know?" was the beginning of a really efficient team play between two exceptionally gifted musicians. Alexander Kowalski made a remix for Funk D'Void in return and after having a good collaboration both decided to compose a track. So we listen tot Alexander Kowalski's and Funk D'Void's first track in cooperation "Can't Hold Me Back", accompanied by the well-defined deep vocals by Fritz Kalkbrenner.

Alexander Kowalski and Joris Voorn have been knowing each other for a long time. They also did remixes for each other like Joris' Tribaliscious Mix of "Days Of The Liar" and by this way they found their musical solidarity. It was obvious that they had to do a track together: "She's Worth It" is their output of the team play in the studio.

"Alexander Kowalski with Funk D'Void and Joris Voorn" proves us that these three global-techno-players complement one another perfectly and let us listen how wonderful it can be...

Ad Libitum Tum Tunes comes back with the second EP, this time featuring a yellow crafted vinyl by Russian mastermind: Kirill Matveev.

Side A1, “Sleep On Stage While You Playing It (And I Have That Tape)” is the perfect Sunday morning soundtrack. It’s warm, emotive and floaty, which makes it a future afterhours hymn.

Side A2: “Meme Architect” is an especially sensory experience of serotonin boost for sure. The constant breaks float around as a sublime gesture to highlight the harmonic pads and chords that define the track’s essence. This style is jam-packed with very introspective soundscapes and sublime atmospheres that for sure will entrance any listener.

The record's most tantalizing moment comes on side B with: "You Left That Day / Life Goes On Again”, which rides atop a seamless combination of two tracks held by a filament of sound as if it somehow could not exist without one another, creating a history between both which is left to the listeners imagination.

Ad Libitum Tum Tunes is a division of MixCult Records.

Vinyl Only. Limited.

Founded in 1996, Adam Beyer's Drumcode has become synonymous with all that is exciting about techno. Having completed a landmark year in 2011 with their 15 Year anniversary that included a 12-date club tour and a 28-track various artist compilation, Drumcode gets back to the future in 2012 with a busy schedule of releases. Followers of the label will recognize familiar names within the schedule with projects confirmed from Adam Beyer, Joseph Capriati, Ben Sims, Alan Fitzpatrick, Kaiserdisco Gary Beck, Slam and Gregor Tresher, that will appear alongside debut EP's by Jay Lumen, Sam Paganini, Nicole Moudaber, Victor Calderone, Manic Brothers, Mark Reeve and Bart Skils.

Despite an international reputation and an ever-broadening roster of artists, Adam Beyer's Drumcode has remained distinctly Swedish throughout the labels 15-year history. Beginning the creation of the Drumcode blueprint via Beyer's own material, continuing through contributions from fellow Swedish trailblazers including Jesper Dahlback, Cari Lekebusch, Joel Mull, Par Grindvik, Patrick Skoog, and Thomas Krome and emerging Swedish talent such as Patrick Siech, Nima Khak and Nihad Tule, the vast majority of Drumcode's near-on 100 releases to date have originated from Sweden. As the label nears their century landmark it is fitting that they give a full debut to Manic Brothers, the latest production talent to emerge from the ever-prolific Swedish scene.

With their 'Moving Forward' track widely regarded as one of the highlight cuts from Drumcode's recent 'A-Sides' compilation, Manic Brothers make their full debut on the label with this four-track EP of elegantly industrial techno. 'Custom Illusion' sets the tone for the EP's mechanical yet melodic aesthetic, shunting and shimmering in equal measure as it weaves a tensely poised atmosphere. 'Black Bay' works up a full force groove punctuated by a pitch-bent elastic hook and panning effects. 'Restless' continues the exploration of sparse feelings with a marching, cavernous groove and abrasive pulsing pads while 'Gone Too Soon' conjures up an enchanting wall of sound with the distinctive melodic hook adding a warm hypnotic charm to a backdrop of resounding, pounding beats.

KOMPAKT fans should have been familiar with the name Nicky Elisabeth for some time now. At the beginning of 2019, Nicky joined the KOMPAKT family and from then on was spotted more and more often not only at KOMPAKT events, but also in the line-ups of renowned festivals (DGTL, Strafwerk, amongst others) and clubs. And who doesn't remember the legendary "Kompakt Pop Up Party" in October 2019 during the Amsterdam Dance Event, streamed live from Nicky's living room, where together with Michael Mayer and Rex The Dog she finally conquered our hearts in a flash?

Nicky Elisabeth lives and works in Amsterdam and is one of the resident DJs of De Marktkantine, one of the most established clubs in the Dutch capital and long-time host of KOMPAKT parties of all kinds. Anyone who has experienced one of these parties there will find much of the special atmosphere and punchy sound of those nights in Nicky's KOMPAKT debut 12inch "Celeste".

It seems obvious to interpret the two tracks "Celeste" and "Say" as a kind of loving homage to the KOMPAKT sound of the last three decades. With sparing means Nicky manages to elicit a maximum of energy and catchiness from her two tracks, always carried by a sure instinct for breaks and the right timing for small escalations - something that good DJs simply have in their blood. In the end, it's always about the dramaturgy.

The two remixes of the title track "Celeste" from the hands of the grand masters Robag Wruhme and Roman Flügel are no less "celestial" than the original. Robag Wruhme in particular gives the piece something wonderfully floating and dreamy in his arrangement, as he also managed to do on his 12-inch "Yes/Calma Calma“ (KOM EX 115). Roman builds in little deconstructions here and there, sometimes going left, sometimes heading right, to finally let himself be carried away by the good-humoured nineties vibe. One can hardly wait to finally experience all this on the dance floor again.

Aufmerksamen KOMPAKT-Fans dürfte der Name Nicky Elisabeth schon seit einiger Zeit ein Begriff sein. Anfang 2019 schloß sich Nicky KOMPAKT an und wurde fortan immer öfter nicht nur auf KOMPAKT Events, sondern auch im Line Up renommierter Festivals (u.a. DGTL, Strafwerk) und Clubs gesichtet. Und wer erinnert sich nicht an die legendäre “Kompakt Pop Up Party“ im Oktober 2019 während des Amsterdam Dance Events, gestreamt live aus Nicky’s Wohnzimmer, wo sie gemeinsam mit Michael Mayer und Rex The Dog endgültig unsere Herzen im Sturm eroberte?

Nicky Elisabeth lebt und arbeitet in Amsterdam und gehört zu den Resident-DJs von De Marktkantine, einem der etabliertesten Clubs der holländischen Hauptstadt und langjähriger Gastgeber von KOMPAKT Parties aller Art. Wer einmal eine dieser Parties dort erlebt hat, der findet viel von der besonderen Atmosphäre und dem druckvollen Sound dieser Nächte in Nicky’s KOMPAKT-Debüt 12inch “Celeste“.

Es liegt nahe, die beiden Tracks “Celeste“ und “Say“ wie eine Art liebevolle Hommage an den KOMPAKT-Sound der letzten drei Jahrzehnte zu interpretieren. Mit sparsamen Mitteln gelingt es Nicky ihren beiden Tracks ein Maximum an Energie und Catchiness zu entlocken, immer getragen von einem sicheren Instinkt für Breaks und dem richtigen Timing für kleine Eskalationen – etwas, was gute DJs einfach im Blut haben. Es geht am Ende immer um die Dramaturgie.

Die beiden Remixes des Titeltracks “Celeste“ aus den Händen der Großmeister Robag Wruhme und Roman Flügel sind nicht weniger “celestial“ (himmlisch) als das Original. Vor allem Robag Wruhme verleiht dem Stück in seiner Bearbeitung etwas wunderbar Schwebendes und Träumerisches, wie es ihm zuletzt auch auf seiner 12Inch “Yes/Calma Calma (KOM EX 115) gelungen war. Roman baut hier und da kleine Dekonstruktionen ein, täuscht mal links, mal rechts an, um sich schließlich doch vom gutgelaunten Neunziger Jahre Vibe mitreissen lassen. Man kann es kaum erwarten, all dies endlich wieder auf der Tanzfläche erleben zu dürfen.

Desolator solders militant breaks, warm pads, bleep flicks, horns, deep subs and dub vocals to a circuit board with precision. Kampala drops down to 144 bpm for a more moody affair showcasing swinging breakbeat culture.

The 197th 12-inch from Dev Pandya.

The twenty-fifth release in Runemark catalog delivers fresh Ten Walls EP called “Arcade”. EP contains three original compositions, each with its own character.

The title track “Arcade” has got a slow build-up till the main theme of the composition. Underground sounding grooves slowly evolve into a breakdown, with tasty sequencing bits and creates that Italo feeling.
B-Side starter “Casper” is a minimalistic uplifting track with melodic touches and electronic coziness. The most energetic track in the pack.

Last but not least “SSV Normandy” delivers a more atmospheric yet danceable as hell feeling. Composition comes from the background wavey sounds to make groovy waves by itself. The outro-ish ending perfectly closes the whole EP.

Ten Walls “Arcade” EP is pressed into vinyl and ready for orders with a following digital release. Enjoy the music!

THE CULT is back with 5 more burners for your ceremonial shake-downs and mind-elevating rituals.

Cult weapons certified for daily use against evil spirits. Prevail against the darkest of evil.

Good JUJU guaranteed.

This double vinyl GRASSWAXXーLTD.1 South Center e.p.(45rpm, 4 tracks)is produced by RAWFILA who is the head of Grasswaxx recordings. Including Lo-Fi and DJ Tool tracks like deep minimal dub track layered saturated noise sound, and old school style riff synth sounds. South Center e.p. was mastered by WaxAlchemy who has a lot of positive reputation from producers like Mala, Goth-trad and so on.

"Transmisiones Atlanticas" written and produced by Tensal "Hector Sandoval" who is half of Exium. This is a proper look on producers solo material mainly focusing on strong sequencer based hypnotic driving techno that would easily be in the same box as music produced by Regis and Sleeparchive. Modularz is very satisfied with the results of this massive 8 track release sold separately on two vinyls. There is incredible A list DJ support on this release highly recommended. TIP!!

For Tresydos’ third release, the Greek duo BODJ and Roksi debut their new, hardware only, live project Adult Sonics with "Hands in Motion" EP, featuring two of their freshest tracks to date plus a tasty remix from Vagara. The A side starts with “Ambedo”, a house track with minimal features and jazzy elements, a track you can listen to at any time of the party. A2, “Slow” is the perfect morning track, a nice combination of breaky beats, shuffled drums and dreamy pads. On the B side, Vagara takes over with his “Magic Morning Mix” of Ambedo, giving the track a more energetic take, bringing in acidic tones, stronger percussions, and new vocals.