An artist who's making a huge name for himself right now with sell-out releases on the likes of 1080p, Shall Not Fade and Church.
Based in Australia, I've Always Like Grime' is a track that has a serious amount of hype behind it with people talking about this tune for some time, the reaction to hearing of its release was strong across UTTU's social networks.
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MR101
The club slaying MOTHER RECORDINGS has another mighty new EP up its sleeve here with two big tunes from Spanish titan Piem.
PIEM is a driving force behind the Barcelona scene, curates the MOODs party at W Hotel in London, and releases slick house on Relief, Crosstown Rebels, Superfett Records and plenty of others.
He kicks off here with MESSING Ft. RION S, a playful house tune laden with great vocals from RION S. The grooves swing low and the chords and strings add soul and colour. It's the sort of tune that cannot fail to tempt people to the floor.
LA MADRUGADA is then a churning tech cut with tribal vocal chants and chunky drums all getting you into the beat and keeping you there. This is another winning effort from all involved.
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Our good friend DILBY ́s last solo EP on MOTHER RECORDINGS was huge on all fronts. Dominating charts and streaming as well as being served up by everyone one from Claptone to Boysnoize at the biggest clubs and festivals around the globe. It goes without saying that we are excited for more of the same with his latest dancefloor delivery.
HOLD OUT opens up the EP all guns blazing with a chunky drum groove, a big piano riff and a powerful female vocal. This energetic house anthem is guaranteed to lift the roof off any club!
TEMPERATURE RISING is another house bomb with warm analogue synths and a hooky vocal that builds and builds until the track reaches boiling point. The tough beat and punchy bass is balanced perfectly with the lush warmth to create a truely timeless record.
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The Vivus family ends 2018 in style with its fifth instalment in the vinyl-only series VRV. This release brings back some familiar faces in label founder Daniel Broesecke and an old friend in Silat Beksi.
These two close friends who share their passion for music are fresh off their release on Curtea Veche back in September but they bring some raw energy on this one, resulting in timeless and hypnotic music from two creative young artists.
The first track, Mistral, starts off as strong as you would expect from its name, deriving from the cold northwesterly wind that blows from the south of France to the northern Mediterranean. The heavy bassline floats just above the surface as a cool breeze of atmospheric sounds make their way across.
Next up, on the B side, we have Get Some More, with a calmer approach but powerful nonetheless. An unexpected vocal greets us at the beginning only to make way for a steady flow of uninterrupted intertwined noises that go hand in hand with the firm bass line just underneath.
Arupa music has always been a digital label, until now.
As the first step in building our brand, we are extremely pleased to present our first vinyl release on Arupa Music Limited, 'Crazy Comedy EP', put together by talented Argentinian artist Alan Castro.
'Crazy Comedy EP' demonstrates the perfect blend of minimal and funk, with clinical sax, melodic pads and harmonics floating across passionate drum work.
S.A.M from Mander has jumped on and reshaped 'Crazy Comedy' giving us a remix which brings out the funk, groove and sexiness with a few added riffs and a real electric synthesiser.
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The Virgo label boss Ilario Alicante presents the first in a series of
collaboration EP's with many recognised artists of the Electronic music scene.
The first episode consists of two collab-tracks with Kevin De Vries, who is well known for his releases on Afterlife. The track “Dystopia” merges a driving bass-synth line with mysterious melodies, the second is “Lotus” recognised with retro-wave arpeggios and pads, orchestrated by a refined techno groove making a unique adrenaline rush.
Kevin himself includes two of his own solo-tracks, including the noteworthy “Dragon of Eden”, that is already known in many of Ilario’s DJ sets. The track takes the listener on a voyage through charming melodies accompanied by the unmistakable groove of the Berlin-based artist.
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On the A-side shines the clubs longtime friend Iron Curtis (who is up to release a wonderful album on Rippertons label Tamed Music) with a classic 909-driven house track and the sympathetic title Relaxer.
The B-side is opened by Daniela La Luz, who follows a similar timeless and classic approach and has often convinced us with her rousing live sets.
B2 comes from Christian S, who gets a bit more psychedelic and weird in his musical style —just the way we like it.
House is a feeling!
It is with distinguished sensuality that Mazargues Affair have crafted this release for Sentaku, an EP effortlessly blending the sizzling sunshine of Southern France with the decadent personality of Tokugawa Ienari. By infusing their melodies with a delicate touch of extravagance and an intoxicating yet delicious buzz, the collective are set to captivate the imaginations beyond their local scene of Marseille. Electrifying beats pulsate throughout the tracks, with intricate and vigorous sonorities reverberating against the floating soundscape. This indulgent house composition is reminiscent of the Edo nightlife under the reign of shogun Tokugawa Ienari, a time where the senses are consumed by nothing but absolute pleasure.
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Freshly anointed as one of DJ Mag's labels to watch in 2019, Enclave Records returns with one of its strongest packages to date.
Remaining faithful to its ethos of getting behind talented emerging artists, Enclave's sixth outing presents a split EP that is as deep as it is immediate.
Ausburg native and former hip-hop prodigy Mode Panta opens proceedings with two missives that waste no time in letting you know what he's all about: snotty 909's, melancholic old-school trance sounds and groovy basses are joyously melded to contemporary house and techno motifs absolutely of the here and now.
Heading to the flip, Stockholm-based Niklas Andersson pushes on with two cuts that drive at opposing ends of the night-time agenda. As a founding member of the 1991 collective and the music and arts project MÅL TVÅ, Niklas effortlessly supplies both peak-time and after-hours ammunition of the highest order.
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Opening with "Absolut Bond (Sascha Müller My Name Is Acid Mix)" the pairs first collaboration effort weighs in a deep, hypnotic take on spiralling Acid music for strobe-lit underground raves whereas their second conjunctional joint "What I Mean (Great Evening Mix)" brings forth a darker, more pumping and minimalist approach whilst employing a creepy little motif that gets under your skin like the main theme from your favorite horror flic. On the flip we see Sascha Müller going on a double solo tip with "Work My 303", another masterly crafted Acid piece harking back to the finest twisted clubbing moments of the 90s, before the final cut "Generator Man" explores grinding, distorted Broken Techno / Wonky Techno realms, sucking each and every listener into a cold dystopian, post-apocalyptic future within seconds. Get this.
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My Little Dog turns 10 years old and celebrates it with this massive vinyl only ep. This record perfectly defines the eclectic style of the label, always fluctuating between the different sides of tech house, but keeping a very genuine and particular sound. Kicking things off there is Mollono.Bass with his deep techno masterpiece Purple Fog. This track is called to be one of the hits that will be played at any good open air party during this summer.
The next track comes by the label owner, Oscar Barila, who delights us with "Push The Button", a song 100% true to his style. A powerful base, hot percussions, a fat bassline punching you in the chest and catchy vocals that won't get out of your head during several months.
When we flip the vinyl we find the vato loco Pinto. The Mexican house master really got the groove and "Motion" is not an exception. A sweet and hypnotic catharsis of synths and strings that will keep your crowd dancing like there is not tomorrow during its 7 minutes length.
Finally, the also label owner, Sergio Parrado, has teamed-up with his usual production partner Chinonegro to build "Enjoy The Night". Tribal, deep and hypnotic tech house with psychedelic synths. What else do you need? Just the perfect icing on the cake to celebrate that the little dog has been wagging the tale and barking loud during 10 years.
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After a year of silence, XIII is back with it’s 3rd release coming from Len Lewis, a prolific UK producer that needs no introduction. 4 genre-bending original tracks, no remixes necessary. We won’t bore you with trying to describe them with words, the music will do the talking here.
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MOTHER RECORDINGS has built a amazing relationship and great connection to
Latin America. The latest signing from the region is fresh Ecuadorian talent
ORDONEZ, resident of the world famous Lost Beach Club. THE SPELL EP
is definitely one of the biggest releases of 2015 so far, which says a lot as it has been
an amazing year so far!
THE SPELL
Smooth grooving percussion pushes this track along while ORDONEZ weaves in the
melody from a gritty Rhodes organ and adds to the magic with spiracles of electric
piano. But then, the seductive vocals come to the front and the whole track opens up
to become one of the catchiest tunes of the year. The drop after the long break is
just... no words can describe it! House Music all night long, yeeeah!
HOW YOU DOING
Next up is a funky sample-lead house burner. Nice earthy drums and a catchy guitar
riff offer a warm vibe for smiles and laughter on the dance floor. ORDONEZ clearly
has a very creative mind and this is demonstrated here with his intricate and creative
use of sampling and arrangement. Another very strong offering from the newest
member of the Mother Recordings family.
SUPERLOVER - the man who brought us Steam' - one of last year's biggest
tracks on MOTHER RECORDINGS - is back in full force this summer with a
new two-track EP. The Berlin born and based producer has brought us
another solid release that is perfect for the outdoor festival season. The
tracks LOVE FLUTE' and LOVE MACHINE' bring together melodic deep
house and disco for sunny, funky grooves and peaktime pleasure.
LOVE FLUTE' radiates with warm summertime joy to get the floor grooving.
A hypnotic, melodious hook keeps the wave of love rolling. Its positive,
anthem-like character gives it big hit potential.
LOVE MACHINE' has a super catchy guitar riff and funky house beat. The
tension mounts as vocals chime in for an ecstatic embrace of love and
happiness, driving the pumping energy that is infectious from the start.
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Almost three years after their first EP on Tripalium Rave Series, 14anger & Dep Affect strike back! For their new EP, the French/Australian duo mixed a lot of their essential influences, including hardcore, techno, and of course rave. The result is a 4 track killer EP, including an insane remix from Codex Empire.
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Italy’s AGENTS OF TIME have long been on the KOMPAKT radar. It started thanks to their exemplary releases on Correspondant and other labels such as Stem, Ellum plus last year’s collaboration with Mathew Jonson (from whom their name is inspired by). Michael Mayer had chance to play with them last summer at one of their Obscura parties and their friendship was cemented. Which leads us now to their five track KOMPAKT debut, entitled MUSIC MADE PARADISE.
From our early days of releasing landmark tracks from JUSTUS KÖHNCKE, the label has never been shy of exploring the enigmatic fringes of disco in our own way. AGENTS OF TIME follow these footsteps but head into galactic territory with MUSIC MADE PARADISE. They continue their knack for bridging synth-wave with modern bass rhythms in a means which are purely designed for today’s dance floors. We’re proud to make their label debut with an incredible selection of music from this talented trio.
French touch meets Italo chic on Drive Me Crazy. At first, My Heart is A Microchip comes across as a segue track, but opens into cascading synths and a predatory breakbeat to lead its own charge. Under Control is classy Moroder disco brought to the modern age. Aptly titled Interstate 10 is an EP highlight – the percussion lead is infectious and ready for prime time exploration.
Auf dem Kompakt-Radar sind AGENTS OF TIME aus Italien schon länger. Grund dafür sind ihre Veröffentlichungen auf Labels wie Correspondant, Stem und Ellum oder ihre Kollaboration mit Mathew Jonson (der sie auch bei ihrer Namensgebung inspirierte). Auf einer ihrer legendären Obscura Parties letzten Sommer hatte Michael Mayer das Glück, mit dem Trio zu spielen und nicht nur die Freundschaft, sondern auch ihr 5-Track Debut “MUSIC MADE PARADISE auf KOMPAKT war besiegelt.
Seit den frühen Tagen - man denke an die Veröffentlichung diverser Meilensteine von JUSTUS KÖHNCKE - zeigt Kompakt sich nicht zaghaft, wenn es darum geht, Disco und seine schillernden Sub-Genres auf eigene Weise zu entdecken. AGENTS OF TIME folgen dieser Tradition, brechen mit MUSIC MADE PARADISE jedoch in galaktische Territorien auf: Dabei halten sie an ihrem Kniff fest, eine Brücke zwischen Synth-Wave und modernen Bass Rhythmen zu schlagen, die wie gemacht ist, um auf ihr zu tanzen. Wir sind stolz darauf, dem talentierten Trio ihr Label-Debut mit einer fantastischen Auswahl an Musik zu ermöglichen.
Drive Me Crazy kombiniert Italo Chic und French Touch. My Heart Is A Microchip kommt zuerst wie ein Track für den Übergang daher, öffnet sich dann aber in einem Wasserfall an Synth und einem gierigen Breakbeat, um auf seine eigenen Kosten zu kommen. Under Control wiederum ist klassischer Moroder Disco, der in die Moderne überführt wurde. Ein Highlight der EP ist Aptly titled Interstate 10 - die Percussion steckt an und wartet auf die Prime Time.
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Shinichi Atobe’s fifth album for DDS, his first in two years. Deep and sublime, the classic Chain Reaction Chicago House vibe, but this time with a swarming Drexciyan undercurrent,
somewhere between DJ Sprinkles, Dopplereffekt and The Other People Place, still 100% Shinichi.
It’s odd working with an artist without ongoing dialogue; no context or an exchange of ideas. It’s all conjecture. Here’s another CD of material in the post from Shinichi, two years more or less since the last one. No words except for the track titles. Oh, a photo this time.
‘Yes’, positivity, hope. But the album starts with a dystopian vision; something like Dopplereffekt’s sound-chemistry experiments, a tense builder. Big optimistic chasms open up, the Piano House euphoria of the title track, beautiful sunset closer ‘Ocean 1’. But there’s a noticeable change too.
‘Lake 2’ is more fraught sci-fi, ‘Lake 3’ a sort of percussive Chain Reaction monster, ‘Loop 1’ on a Drexciyan tip.
It’s all coated in that weird - some people say infuriating - toppy production, witnessed this time in a more tempered and different formation courtesy of an amazing Rashad Becker master, all precise but loosely swung arrangements. Everything slow to unfurl but, also, everything in exactly the right place.
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For the third time, we smash the history books with remasters of some absolute classic Sublove tracks. Some of the best in his catalogue, but thats no surprise, Sublove is an artist with no duds. Limited double vinyl as always, bound to sell out as always...This EP comes with 6 much sought after classic tunes, with the added bonus of a recently discovered version of the huge underground anthem..er…”Underground” as well as a brand new remix of 140 by Luna-C & Lowercase. All In all, an essential double pack for any true old skool lovers.
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Lust For Wrong is the debut release for Vinny Villbass on Eskimo Recordings. This haunting house cut features the vocal funk from the renowned Ost (from Oslo duo Ost&Kjex) and comes with a Finnebassen remix.
For 15 years, Vinny Villbass has been one of the main influences on the Norwegian club scene, with a musical focus on percussive and disco-oriented house music. In addition to having a master degree in acoustics, Håkon "Villbass" Vinnogg has been recommending music on Norwegian national radio and functioned as one of the hosts of the legendary Sunkissed nights in Oslo. He has been Diskjokke´s dj-partner since the end of the 90's and has played guitar and synth in the DiskjokkeBand. He is also one of two curators behind the much hyped contemporary stage project Pantha Du Prince & The Bell Laboratory. Vinny Villbass is currently running the Norwegian web-portal OsloClubCast where he is building ties between the clubs, djs, and producers of Oslo.
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Die Orakel presents the ORKL-0114 series: Three 12" white-label vinyl releases produced by Frankfurt based artists 386i, Benjamin Milz and Koga as a tribute to Sheffield's bleep techno era.
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Serial Error was founded as a New Beat project when Jacob Korn was asked for a submission to the 'Our Beat Is Still New' compilation series on the Belgian We Play House label in late 2014. Knowing the retro-experienced skills of his label mates from Uncanny Valley, he teamed up with Credit 00 & Sneaker and they produced Drum Abuse, a track that finally became the cue for their first full 12'' maxi single in 2018 on Rat Life Records; a label curated by Credit 00. Now they keep on malfunctioning with a 4-tracker featuring the bizarre title Afro Gothic. The eponymous track was the first shot when they got together for a second EP in Jacob's studio in now demolished premises (the typical daily Rat Life). The slow, steamy roller captures the amateurish live percussion skills of Credit 00, while - on the other hand - he played one of the manuals of Jacob's 'Son of GX' organ along with Sneaker playing the other manual of the leading voice synth. On top, they added a classic acapella - a sudden strike of genius - 'perfectly matching the solemn vibe' (in their opinion; artist quote). A2 'Unter den Helmen' is ripping off the same organ's preset drum patterns run through a brutal EQ. Talking of the 70s - a duet by two anti-nuclear activists from the German Sponti movement of the time became the theme of this politically charged protest song! Oh yeah, somewhere I had to paste the striking fact that all is mastered & sent via reel-to-reel at our TailOut studio. Check! B1 and B2 are two versions of the same song who share their lyrics drawn from school days. To be precise from the tacky Dresden art academy they both - Sneaker and Credit 00 - visited. The B2 of 'Art Academy Talk' features the typical Sneaker vocals on a 4/4 beat, while - due to Credit 00's lean towards electro - the B1 got the vocoder treatment while Jacob and Sneaker went for lunch. As Jacob came up with the bass riff on his Chroma Polaris, Credit fiddled the knobs of his Ensoniq ESQ1 like a rusty raver. The freaked out FX-sounds we can cherish thanks to the Pearl DRX drum machine; modded and played by Jacob Korn. Due to the odd look also fondly nick-named 'the VCR'. The Pearl, of course, not Jacob.
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Here we go with the twelfth edition of "Parquet Most Wanted", featuring another 4 top-notch productions by SOLEE, SEVERAL DEFINITIONS, ALYNE and THE DUALZ! Already huge DJ support by John Digweed (Bedrock), Victor Ruiz (Suara), Musumeci (Kompakt), Hernan Cattaneo (Sudbeat), DJ Hell (Gigolo), Marcus Worgull (Innervisions), Robert Babicz, Petar Dundov (Systematic), Bebetta (Monaberry), Dirty Doering (Katermukke), Kollektiv Turmstrasse (Diynamic), Mira (Katermukke) and many more. Don´t miss this master class collection of deep melodic House & Techno sound!
For our third release Stay Random Natasha welcomes sonic conjurer Bexu with his stunning “Sense of Perception EP”. This package weaves a web of sophisticated surrealist bounce throughout its decadent, liquid moods and sturdy club-ready production quality. A remix comes from label boss Vincent Casanova in the form of a restrained but mysterious interpretation of Bexu’s illustrious cut “Tirada”.
Vinyl Only - Limited
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Arts Gallery keep scratching the surface of the emotional part of our soul with a brand new Geinst record. With no need of introduction with his other two appareances on the label this artist keeps delivering beauty in his unique way translated into electronic music. "Mantra" is a work of art, that takes the listener to the deepest part part of techno, the artist keep delivering literally "rooms" in where the user can get lost and get inspired with.
Hand-stamped.
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Haunting, ethereal, sublime. This already beautiful composition gets the Roque treatment. No digital, no repress.
The artist has chosen to donate proceeds from this release to Black Girls Code, who aim to empower girls of color ages 7 to 17 to become innovators in STEM fields, leaders in their communities, and builders of their own futures through exposure to computer science and technology.
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Denis Kondraschenko emerges with his first solo release under brand new project Soultape.
A well-known member of duo Adjustment Bureau (Morning People / Mayak / Haze), the Russian producer unveils a crisp and captivating 4 track Ep.
Being a musician with many years of experience under his belt,
he does not adhere to certain canons and musical forms, but rather constantly experiments with deeply hypnotic atmospheres and lucid soundscapes.
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Dancefloor killer from the underground Milano connection !
new Milanese label (conceived by old DJs from the Italian underground scene, MNT & Qirex) dedicated to industrial and tribal sick techno, the first release is on 180 gr vinyl and the mastering is from the London transition studio
BLAM !
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Played and Supported by Chris Liebing, DVS1, Marcel Fengler, Inigo Kennedy, Bas Mooy, Oscar Mulero, Truncate, Markus Suckut and more. Kike Pravda presents his first release on his own label called 'Senoid Recordings', including a remix of Ben Sims. The vinyl starts with the track 'Exalt' .It includes a Roland 909 very processed, aggressive and distorted sound until the end, accompanied by a sequence of a dark bassline and dynamic,which Kike Pravda takes it to the limit of its frequencies in constant evolution.A track that makes it the letter of introduction of Senoid. In B side, Ben Sims remix 'Scared' to the most pure style of Mr Ben. Hi-hats unstoppable, unmistakable grooves, giving back to the sounds of the original, essential for its most faithful followers. Closes the record the original version of 'Scared', a continuous arpeggio with an accompaniment of a 909 ride pure, brilliant, subtle.Scared evolves from beginning to end, with touches of dark, analogic, atmospheres and glitches, which turns it into a space trip.
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Six years have passed since Sleeparchive aka Roger Semsroth produced the phenomenal "A Man Dies In The Street' EP series for Tresor. Semsroth then went on to produce under this and other aliases (Nordvest, Civil Defence Programme) on his own eponymous imprint.
With the "Revised Recordings EP', Sleeparchive continues to research and master the dense constructed rhythmic textures that have become his signature sound. The three titles are magistral demonstration of Semsroth's high-hand at designing such labyrinthine structures, ever so strongly rooted in an exalted past, yet always thrusting forward.
Ongoing with his Sleep Cycle series, he includes six tightly locked grooves cut on the A-side, only available on vinyl format.
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Anonymous label, VDK, return with their second release after their first, VDK001, sold out in record time. The hype surrounding the label is well deserved, as they step up with another triple header.
VDK002 kicks off with an energetic number. A1 features warm string pads alongside rolling percussion and subtle vocal snippets.
This segues us nicely into the flip, where the melancholy of B1 awaits. Haunting piano stabs are woven into a lilting synth arrangement. Guaranteed to make the hairs on your neck stand to attention.
The package closes out with the acid drenched peak-timer that is B2. Treated vocals float across the mysterious 303 line as a funky bassline lays the track’s foundations at the bottom end.
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Dez Williams returns to Mechatronica with a critical blend of deadly machine funk, hazy breaks and hi-octane electro, backed by L.F.T.'s menacing remix on the flip.
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A new split EP for those who like chainsaws, tinnitus, speech therapists and wonky machines. For those who know the smell of sweat on a TB-303. For those who enjoy drinking hot beers in stinking rooms.
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