Unic return with the second wave on their sub-label apă, as they shine a light on mystery producer Dorothy’s Dream with his debut 12”. There is an enchanting, fluid hypnosis that is cast across the Ep. As subtly warm pads, soothing vocal lines and resonant, bubbling basslines absorb the listener into a deeply meditative state. A stunning debut vinyl from an artist who’s just warming up.
Limited to 300 copies, no repress.
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Francois X presents Irregular Passion Reshape, a 12 track LP that re-works his album of the same name, due for release in November on Demented XXX. The original full length LP, released in 2018 explored themes of euphoria and melancholy. Entertaining the listener with sensual atmospheres and unpredictable fervour, all designed to mirror the emotions and intensities of nightlife. With Blade Runner-esque soundscapes and bassy club tracks, Francois X played with a variety of genres and references, holding the piece together with cinematic and hedonistic atmospheres. Francois X has invited an accomplished list of friends and artists, both established and newcomers, to re- imagine the album tracks for Irregular Passion Reshape, building a community of like-minded producers that boldy represent what XXX is all about. From Bjarki's frenzied IDM exploration of breaks and golden era dubstep on 'Blurry Youth', to Anthony Linell aka Abdullah Rashim's experimental reshape of 'Down Under'. The collection marks a beautiful transmigration of the original work, embodying the diversity and myriad influences in Francois' own music. 'I wanted a complete rework of my album, containing a wide range of musical directions. A good representation of what XXX is all about. The important thing for me was to have some real transformations on my original material, in a way its a complete new album.'
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botta records is born from the bonding of the ideas of three close friends that are in love with very good music and and that have been surfing the best dance floor of the world digging for the grooviest sound , the happiest vibe and the sweetest smiles .Our goal to bring to the underground movement innovation , serendipity , sheer fun and new artists that will add relevance to the scene .Whit no stylistic boundaries we hope to build a platform for our interpretation of contemporary dance music which will be uniquely focused on the output .We introduce our fist vinyl : BOTTA001 with the young talent dj producer Herck and the remix of our italian/french brothers Miroloja .
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Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.
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Unknown collective Lost Trax return for a third EP on Delsin following two previous outings since 2017. Also releasing on the likes of Tabernacle and Frustrated Funk, they deal in emotional music that comes direct from the heart and heads straight for the dance floor. 'De Laye' is a quick and slick, deep and dubby techno cut with plenty of room for the twisted bassline and busy, bristling drums. 'Surface Treated' trips you out with sci-fi sounds and electro influences that recall classic Detroit as they surge into the future and 'Interstate' then gets perfectly dreamy and far sighted, with thoughtful chords and keys drifting up top about tight, punchy drums. This most serene and sublime EP ends on 'Still', a crisp electro cut with icy keys and plenty of machine made drum funk. It makes for a most stylish and timeless collection overall.
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since long, chilean/swiss producer and dj luciano is a prominent figure in the global electron-ic club music circle. already from a young age on he was exposed to music profoundly, as his father worked as a jukebox repairman and possessed a large record collection.
when he was twelve, his mother gifted him a guitar, that turned luciano shortly into a mem-ber of a school punk rock band. soon after, his passion for electronic music rose. infected by detroit techno and engaged by close friends like producer dandy jack, he started to play rec-ords in local santiago de chile dance clubs and became involved in the minimal techno scene around friends like ricardo villalobos.
when luciano moved back from chile to switzerland in 2000, he established a residency at weetamix club in geneva, started releasing his own productions on labels like mental groove and joining the cocoon team in ibiza to play at the famous monday night at club amnesia.
since then he is a regular on the balearic island, holding residencies at clubs like dc10 or, with his “vagabundos” serial, at ushuaïa. besides playing around the globe with the likes of carl craig, richie hawtin or loco dice, he is releasing groundbreaking minimal techno and house on his label cadenza since 2003, featuring music by artists like nsi, ricardo villalobos, pikaya, reboot, maayan nidam and himself.
his very own music, so far issued on three albums and countless eps, was always ambiguous. there is his club leaning creativity that can dance slightly into pop spheres while never for-getting the power of precise sliced rhythms and subtle bass sensations.
and then there is a calmer luciano, that displays his love for “music to listen at home, done for a spiritual travel, an inner universe and a moment paralyzed in ether”, as he describes it.
on his first ever mule musiq album release “luci neu house”, luciano now delivers meditative journey music full of repetitive patterns that slowly playing tricks on the listeners subcon-sciousness. “i love music that has a dimension more than music designed for the radio or tv format. mu-sic, that is designed to bring you a higher level of energy and creativity.
so, there is no pretentious things in it ... more just sounds and dimension that will lead your head into the fall of jupiter” he reveals about the one-hour long composition “luci neu house”, whose esoteric deepness reminds on the intensely meditative class of his older pro-ductions like “behind my soul” from 2010.
an epic tune cut on vinyl into four 15-minute long pieces, who shift slowly, almost unper-ceived, whilst absorbing the mind of close observers into a micro-sliced world of moving gen-tleness.
maelstrom magnetism against the gravity of time, that also can be found on the additional mule musiq 257 12inch, which functions as a soothing footnote to luciano’s album.
the almost 13 minutes long trip “flags of himalaya” opens with restful percussions that unhur-riedly start to dance with soft string, piano and horn melodies. on the opposite, the nine-minute long “the evasion of the spiritual soldier” grooves laidback with jazzy rhythms and italo leaning melodies.
a perfect tune for slow dance sensations and endless sunset seaside drives. at a total length of almost 90 minutes, all new mule musiq music composed by luciano distributes a mesmer-izing healing spirit, that grounds organically, even if it is totally rooted in the digital, soft-ware driven world of composing music. “check your buddha” tunes, that somehow sound novel during each new listening circle.
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Scalameriya returns to Perc Trax after the success of 2016's
'Kepslok'. Since then he has continued to break new ground
both as a solo artist and via his ongoing collaboration with Italian
producer VSK, playing across Europe and releasing on a
number of key labels whilst growing his own Genesa imprint.
Now for his first release of 2018 he takes a giant leap forward
both musically and technically with the three track statement of
intent that is his 'Hellzone Megapunk EP'. Each track
demonstrates new techniques and approaches not heard in his
music before, from the 4/4 versus broken beat cage fight of the
title track to Crucible's rolling polyrhythms and the otherworldly
processed vocals of the closing track.
As the first Perc Trax release of the year this EP sets out
everything the label seeks to achieve, a combination of sonic
innovation that manages to keep attention fully focussed on the
dance floor at all times.
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„15 Yrs Systematic“ is the third part in the five year Systematic series where Marc Romboy’s esteemed imprint Systematic Recordings celebrates each five year milestone with a compilation of exclusive tracks.
This special edition on a limited picture disc features special releases from Bedrock´s John Digweed & Nick Muir, Rodriguez Jr., ARTBAT and label frontman Marc Romboy himself.
Marc Romboy: „Wow, 15 years with roundabout 200 releases of 50 artists are over and it feels like only three. I’m more than glad that so many friends have contributed fantastic tracks for the 15 years compilation. It’s worth giving all of them a careful listen.“
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Soma welcome back long time collaborator Tony Scott under his Edit Select alias with The Bridge. Having recorded such classics as X-Track under Percy X, Tony has since found new depths with his Edit Select moniker which has seen countless releases on his own self titled label and more. With an album currently planned for release on Soma in early 2018, Edit Select takes his first steps onto his hometown label with this new single.
Suitably deep production is always the order of the day with any Edit Select release and this one is no different. Title track, The Bridge, begins with a chugging beat before gradually undulating into epic soundscapes. Flux takes a darker turn as twisted synths resonate throughout the typical atmospheric backdrop. Tonalist creates more rhythmic scenes with intense percussive elements keeping the track moving.
Having made his debut on Drumcode in January, the evergreen Italian producer is back with another four-track EP to follow up the enormously well received 'Prisma' EP. Supported by DJ's from across the spectrum from Drumcode stalwarts like Alan Fitzpatrick (Prisma) and Slam (Self Control) to house music legend Erick Morillo (Back To Zero), Paganini's reputation within techno circles is well established with a recent discography that boasts Plus 8, Form and Octopus Recordings alongside Drumcode.
Eros sets the tone for the EP with a hypnotic fusion of mechanical robot funk pitched to a shunting percussive groove that weaves its way through subtle washes of faint vocal snippets. Egoism ups the intensity with a cavernous big room workout that pairs heavyweight throbbing bass and harmonic rhythms to create a deep, snaking sonic ride.
The Gypsy slips back down through the gears to work up a bumping groove that combines exotic tribal rhythms with otherworldly effects and wonky vocoder vocals. Finally, Wooden Toys continues the percussive feel of the EP with a slamming tech cut built on a swaying groove and punctuated with distinct rhythms and drawn out pads.
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This 3rd of the Motordiscs opens with a slow and delighted beat by The JuanMacLean, which turns into an electro mesmerizing track. Is it slow trance or is it some kind of house ? Are we early in the night or late in the after party ? Are we still dreaming ? A2 « Mark 211 » by Javi Redondo takes the energy level up with some acidy synth and punchy snares, proving that the power of a track does not necessarily lies in its speed. It is now time to flip the disc, Naduve takes us later in the night, bringing a murky vibe, thanks to haunting pads and low frequency instruments, picturing a proper underground club. The sun now starts to rise on the Seine river, the last track sounds like an ode to the dawn, where voices and shiny synths will emerge and open the crowd’s eyes. It was « Peppi » by Fairmont. This was a night at Garage
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Vinyl Only, Limited to 400 copies, NO REPRESS Series.
This is one of those EPs that captivate the listener’s attention right away. The smooth melodic 2000’s sound combined with the contemporary groovy hi-hats make Ini’s new release a hybrid that cannot be unnoticed. The “Sirtaki EP” is a tripped-out and atmospheric realm of sound carefully crafted to fit in the loftier record collections.
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The suborbital German brotherhood Echoton, united by free creative intelligence and mutual expansion of the musical range, deciphers the mystery of the mind machine.
Detail-organic, avalanche-like electroacoustics of Alexander and Michael rushes to the top of the console futurism. The flow of sound, though not always obvious, manipulations creates a sense of dynamic balance.
The incomprehensibly abstract environment, saturated with biology and meaning of digital structures, finds its culmination in a Remix from the master of uncompromising grooves — Basicnoise! His boundless space Odysseys are echoed by a deep bass that abolishes ephemeral musical constructions.
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'A Box Of Goodies' is a limited edition reissue of 4 brilliant dubs released on Club U Nite Records between 1996 and 1998.
It starts with 'I Need A Rhythm' (from the E.P. 'A Trip To N.Y.'), which represents a timeless house sound with deep bass, killer rim shots and easy jazz chords. The second track on the A side is the classic 'Saturday Luv' (from the EP 'Manhattan Project Vol. 1' catalog no.1), which keeps the dance floor moving with its pumping beats and a unique sample mix.
'Be Free' (from the E.P. 'Manhattan Project Vol. 2') opens the B-side of the Reissue E.P. with dope swingin' beats and chords, jazzy scat vocals and sax licks... We highly recommend this one for real House music lovers. Deep ends the B-side with 'Life's Like Good Music' (from the E.P. 'Manhattan Project Vol. 3'), a track that not only works in the club. The Ingredients: Deep Rhodes Chords, smooth Baseline, Rasta Vox and Hypnotic Sax Samples... whatta goodie!
All tracks have been transferred from the original DAT tapes.
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We proudly present to you the second blissful vinyl only release on Capodopere Records headed by Mihai Pol. Side A will throw you inside a finger-snapping track with a satisfying beat that will be shadowing the composition for all the ten minutes of your experience. Going to the B side - dreamy keys and ambient sounds are the ones that guide this piece of art, leaving a hypnotic state - followed by an atmospheric and dubby finale. Taste it yourself.
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Capodopere are back with their yearly wax phenomenon, having Suolo on the sixth issue after stamping the catalog with Fanfaronade and Fenomen releases. He has seen touchable changes within the last couple of years as the visions morphed into more subtle and dusky ones, tailoring the pieces to the new eyes wide open conception.
The ready-steady-go is how we have seen the outset of this record as “No Proof” slams into the speakers with an assaulting force, taking over the surroundings and advancing into the layers of bass lines. Some elements of the piece are carrying geological provenience as Suolo has grounded the percussions and laid the path for the coming vocals. It is certain that the magic happens around the deliberate vocals that as well as their enchanting presence throughout - mark the lively beginning of a musical hike.
As we move to the next episode of the chronicles, “Rudiment” speaks a lot about Suolo’s founding bases, with the heavy lower notes being the first ones to reach the receptors. With no dissonance for ourselves, “Rudiment” is where he achieved the perfect balance between the low and high, inside a spiral of circling ambient buildup. Gently overlapping the A side, B1 is the piece that plunges between the beginning and the ending of this EP. He recreates imaginary sojourns through the layered dissociation of the field elements. It is as Susumu Yokota would produce music for club floors.
“Oasis” is a well-anticipated continuation. The gurgling sub-bass is noted at the first sight yet the rest of the cookout is at the preparation stage. A slashing indigenous voice becomes the companion of the piece throughout the deserted lands of layered pads. We reach the oasis when the sandy kicks are taking over the desolated fields, peaking into the various luminescent shots paired with playful melodies of a recreated xylophone. Is it a somber downhill or an elevating escalator?
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Christopher Joseph is back on his Flexxseal label with four enthralling tracks entitled "Eye in the Sky".
He's an emerging talent from from Massachusetts who now resides in Berlin. His productions encapsulate, his vast musical background which includes studying Jazz percussion and living in the vibrant musical hubs of New Orleans and Berlin.
"Eye in the Sky" sees Christopher return to his invigorating Flexxseal imprint following releases from himself and Philadelphia's DJ Richard which together garnered heavy support from the likes of Ben UFO, Call Super, A Made Up Sound, I-F and many more.
"Eye in the Sky" kicks off proceedings with ethereal leads floating underneath electro-fuelled percussion and swirling synths together sending the emotions skyward while vigorously, resonant drums fused with rave- induced modulations and twisted melodies lay the focus in "Lick The Honey".
On the flip, "Nothing69" delivers growling resonations, breaks-tinged drums and otherworldly arpeggios that keep you enticed throughout until "Leaving Ringworld" rounds things off with a vintage, warehouse techno track featuring an effervescent, rolling groove sequence, spiralling oscillations and industrial feels throughout.
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The entire label catalogue dwells in somber soundscapes, but Paradoxon takes schizoid catharsis to another level. Drony, loopy and moody, dotwav's newest vinyl is a powerful weapon in any bag. Raffaele Attanasio makes a guest appearance with a remix of the title track that breaks the original structure.
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A new chapter of the story is starting for our little child. The travel doesn’t stop and a new world is here with its amazing life and things. We welcome to one of the rising Romanian djs Vern, together with Barut and Mihai Pol for a 100% killer Ep. Supported by Sit, Arapu, Raresh, Charlie, Herodot, Prichindel, Silat Beksi, Lizz, Barac, Cosmjn, Sepp, Nu Zau, Petre Inspirescu and others
Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin where she was born and raised on the ever flowing current of electronic music coming from the city. Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence. Along with Diego Krause, Ed Herbst and stevn.aint.leavn, Cinthie represents the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels and most recently launching her 803 Crystalgrooves imprint to critical acclaim, a platform which will become a huge focus for her own productions for the foreseeable future. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint bubbling away with her debut for the label dropping in November 2018. Cinthie has also recently shifted focus towards Elevate Berlin, a label collective, digital and physical record store in the heart of Friedrichshain, a home for all of the label collectives output as well as releases from friends and affiliates.
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Indigo is Icelandic artist’s Exos fourth studio album, arriving almost two full decades after his last LP. In the meantime, the seasoned producer has never stopped to refine his production style, mastering an aesthetic that feels at once minimalist and yet richly detailed. Spanning the organic and the electronic, drawing from early dub techno blueprints and comprising the beauty of his austere homeland. From this Exos expands an absorbing atmosphere, sustaining the primal power of nature within compositions that hold an exalted presence yet never go over-board, instead, they gently push along even in their most intense moments thus vastly transcending the pure club context. The albums thirteen tracks are a sonic bliss to indulge in, each element is crafted so meticulously and balanced with care against its counterparts. Whether the luminous, spaciously glowing opening tracks “Reincarnation” or “í Skjoli Naetur ”the then-ensuing hypnotic techno-trips of “Sælureitur” and “Quad arcanum Leticia” and finally the deeply satisfying, dubbed-out backbone of the album’s main body – a series of Exos’ signature-style dub-techno cuts that he has been perfecting now for over 20 years. Seeing it all mesh together in this concentrated form, it’s the picture of an exceptionally experienced producer pushing himself beyond any limits to achieve his greatest feat yet. When the fog clears and the last tracks slowly roll out, the record leaves as smoothly as it had entered, allowing for reflection and contemplation of one of techno’s most exhaustive LP-efforts yet to date.
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It's been almost three years since our good friend Giorgio Maulini made his first appearance on the label. Since then, it's only been upwards and onwards for the young talent, between founding his own imprint and events label "Underground Town" and becoming a Modernity resident, to name only a few achievements.
Spaceport is a driving yet fairly stripped-back piece of music, somewhere in between tech-house and micro-house. The omnipresent synth riff is a backbone to a solid groove just right for buillding up towards middle of the night intensity. Atmospheric synth chords bring a delicate third dimension to the track for an overal well-balanced work, nice job!
On the remix, we couldn't be happier to welcome an artist who has been making serious waves with a very specific, easy to recognise signature-style: Mr Silat Beksi. The feel is slightly nastier and dirtier than the original and the energy is taken down a notch. Listen as your brain is teased and seduced by the female vocal FX braking the monotony and lovely delicate keyboard patterns contribute to a rich clever arrangement.
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One of the most eagerly anticipated electronic albums of 2012 is finally released! After a series of groundbreaking singles: 'Pain In the Ass', 'I'm Week' and 'Ghetto Kraviz' (featured here) Muscovite Nina Kraviz is set to release her eponymously titled debut artist album on Radio Slave's superb Rekids imprint.
Nina's album is a combination of stripped-bare house, deepest Detroit sounds via beautifully ambient pockets and more soul infused slo-mo jams, all coated with an authentic analogue finish and Nina exquisite vocals. The music is emotive and engaging, whilst being something truly original and inspirational. The album features collaborations with Hard Ton and King Aus. Playing out like a full artistic statement rather than just a collection of tracks, the odd time signatures, innocent and waify vocals, muted acid lines and hypnotic loops layered up by Nina all work subtly at pulling you into her world. A superbly, executed and accomplished debut album that has already set the bar high for electronic albums this year.
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UK producer Pierre Codarin launches his self-titled imprint with three rhythmic house cuts from himself this January.
Establishing a name in recent years by dropping solid releases on the likes of Leftroom, Resonance Records and Huxley & Jimmy Posters Saints & Sonnets, news of Pierre Codarins decision to form an imprint will please fans of his distinct sounding aesthetic. A burgeoning star that continually turns the heads of his industry peers, Codarins rise is indisputably envious having garnered early support from the likes of Mr. G, Rolando, Groove Armada, A Sagittariun, Laurent Garnier and Raresh.
The A side sees Codarin employ firm kicks and piercing snares in a mesmerising roller complete with a heady bassline, spectral atmospherics and various subtleties throughout the mix. B1 is then more understated in nature, featuring shuffling hats, chilling pads and intricate details, before the B2 delivers a fuzzy hook, acid licks and esoteric whirrs for a track geared for peaktime bedlam.
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There can be little doubt as to the influence Alan Fitzpatrick has had on the current Drumcode sound. A consistent provider of musically inventive techno that takes its inspiration from a wide palette of influences; Fitzpatrick tracks are immediately recognizable for their refusal to conform to the norm. This latest release, the subject of much hype and anticipation, is no different. Lead track, 'Skeksis' conjures up an unlikely fusion of a pumped-up dub techno groove and a 90's Trance vocal to create a slow-burning, emotive bomb, while 'For An Endless Night' rolls out a steady driving rhythm that provides the backdrop for a distinctive chiming melody to sweep in and take over.
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mourad Sliti Aka Dj Mourad Is A Long Standing Veteran, Since 2010 On The Minimalsoul Roster. His 2015 tacotac' 12 Amplified His Deep, Diverse & Funky Mediterranean Production Style.
Hailing From Tunisia, He Was Heavily Influenced By The Sounds Of Detroit. He Brought These Influences To Boras, A Small City Not Far From Gothenburg In Sweden, One Of Europe's Cradles For Electro Music.
Electro Is De Facto The Main Stylistic Focus In This new Moon' Ep, But The Peculiarity Of Mourad's Work Goes To Show How Boundaryless
The Genre Is, As Well As How He's Able To Contribute In A Very Personal Way. This Is Clear Already By Listening To The Ep's Opener la Lune': A Triumph Of Multiple Synth Layers, Forged Into An Electro Frame, With A Slight Uk Taste, And A Fistful Of Acidic Resonance.
The Track Gets Then A Commando Rework By Detroiter And Direct Beat Associate Will Webb, Perfect To Rock Dancefloors.
On The Flipside, Mourad's Ode To Goddess Selene Continues With A Very Sensual And Soothing Track, new Moon', Which Includes An Even More Pronounced Level Of Syncopation, Another Feature In Mourad's Production Way.
The Release Closes With The Dreamy Techno Tenderness That ten Of Pentacles' Is. In 1909 The First Tarot Deck Featuring A Suit Of Pentacles Was Published, But The Pentacle Or Pentagram Has Been A Magical Figure Throughout The 15th Century And After, And In One Of The Most Famous Grimoires Of The Period - The key Of Solomon' - There Were Multiple Pentacles, Including Some Linked To The Moon.
Indeed The Feeling That We Get From This Swirling Of Chords, Claps, Cymbals, Bass Drum And So On Is That Of An Advice:
Play Your Cards With Honesty And Courage, The Powers Of The Moon And The Stars Will Be With You If It's Meant To Be.'
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Following on from his immense debut for Integral with Dutch partner in crime Djah and their gem of a tune “Fragile” from GLOW/3, we are pleased to announce Edlan’s swift follow up to the label. Coming in the form of three molten liquid dancefloor jams laden with beauteous future soul vibes including a superb collaboration with UK’s latest talent Monrroe, the fourth and final title track Tree Of Life is an absolute smasher!
Edlan’s Tree Of Life EP will drop this April across all formats. Make sure you reserve your limited vinyl copy now to avoid disappointment!
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After the success of their first white label series Haven returns with another special offering for all the Keepsakes followers out there. With 'Years Of Delirium Part 2" Haven is pressing the stand out tracks from Keepsakes' 2016 digital-only EPs with Dutch label Obscuur and France's T/W/B.
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aka gunjah & lexy (moensterfreak supported by hirtenfellner) - a1 is a primetime killer tune, b1 a freaky groover for fans of villalobos & luciano !!! supported by karotte, thomas schumacher, dj hell, jeff bennet, david k, stephan bodzin, solomun, afrilounge, namito and lars sommerfeld - wøenderlamp already licensed to sonnemondsterne 2008 mix-cd !!!
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This massive 12” EP combines some of Sublove’s rarest releases with a brand new surprise. Vexation is an AMAZING track that was recently discovered by Sublove sitting on a DAT. How this superb piece of amen mayhem wasn't released I just do not know, but finally it gets its day on wax, where it always deserved to be. A huge 1994 styled jungle Amen roller, truly amazing. This track sits next a bunch of other tough to find and mindblowingly good Sublove tunes. Get in!
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
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