All Vinyl New Releases - News

Mall Grab joins the AVA. family with this hand stamped and stickered release! This record also contains a Damiano von Erckert remix.

Layout By Studio Tape-echo
Nightside Black Vinyl
One Time Pressing
Limited To 300 Copies

Fokuz Recordings' Eighty Eight - This is Fokuz is the labels 2017 Various Artist compilation including tracks by label regulars Anthony Kasper, Satl, Mutt, The Vanguard Project, Silence Groove and remixes by Break, Gerra & Stone and others. For the 12'' vinyl sampler drum & bass legends in the making Spectrasoul and Technimatic pick up remix duties for Phaction's Fantasy and Departure by Anthony Kasper. Two quality soulful and intricate cuts for the DJ's aiming to make dope moves.

Progression..., like a spark shooting through fiber optic cable or a bullet train churning through the next tunnel, the acid-techno arrangements of Detroit-based DJ/producer Rebecca Goldberg have a velocity to them that's spurred by reverence for the roots of electronic and techno music conceived in her hometown, from the Belleville Three to 'the Godmother of House Music,' DJ Stacey 'Hotwaxx' Hale.

Palpable in the pulse of Goldberg's latest EP 313 Acid Queen is an urgent and inspired, cool and confident sense of picking up a proverbial torch, of propulsion along with preservation, of continuation as well as re-invention. Born vigorously forth upon the blooms and grooves of her synth scores for these five songs is the sharpest demonstration, yet, of her signature sound and vision.

313 Acid Queen reaches to and re-enlivens the traditions of Detroit techno with Roland's contemporary iterations of the 808, 909 and 303 drum machines, quintessential sonic characters utilized by the region & genre's seminal producers. The title refers, also, to the Detroit area's predominant telephone area-code, as she audibly reaches out to touch the essence of her city's distinct and dynamic neighborhoods and landscapes, most evidently with the field recordings from city streets and the animal populace inhabitants in the majestic Belle Isle Aquarium.

These kinetic, contemplative and coolly exhilarating tracks were conceived to carry on the tradition of Detroit acid techno in the contemporary world. Fittingly, Goldberg's first vinyl release comes on March 13t h (3/13), distributed internationally through Detroit Underground, a multidisciplinary arts collective & record label. Goldberg's fellow Detroit producer Ryan McCray has a deep sound and keen sensibility for acid techno all his own; he fell in love with the 313 Acid Queen track 'Aquarium' and remixed it to be an exclusive bonus track for the vinyl release.

A warm human hand sculpts the icy machine-like sounds into a meticulous harmony over undulating bass and entrancing snares, clasps and industrial heartbeats. This continuous circulation of sound and its ever beating rumbling-flexed sub bass found in Rebecca Goldberg's newest batch of acid-techno arrangements effectively replicate the natural functions of omega 3, or -3, fatty acids albeit in musical-form. Whereas ingesting the special carboxylic acids found in plant and marine oils woll fortify your vascular system into a well-oiled machine, Goldberg is using a table of various analog machines to manifest a similar, yet uniquely propulsive flow of energy through a composite of frenetic hi-hats and trudling kick drums, looping under spacey Rolands waving out reverb splashed frequencies coiling synthetic intonations.

The beats reach the feet, the bass unlocks the hips and the synths pull and twist the shoulders, staving off stagnation or decimating a collective clotting - we are loosened in restorative ways to the sleek assemblages of one of Detroit's leading DJs/composers on the electronic music scene. Goldberg's 25-minute odyssey is unceasing in its sinuous stream of mesmeric techno music, as if powered on by relentless agents found in the healthful acids for which this EP gets its title.

Goldberg has distinguished herself by cultivating the seeds of techno into something that designedly meditates on the enduring vitality of the organic and the holistic in our lives--even as our socialization, and maybe even our dance floors, are predominantly digital in character and operation. -3 continues to stimulate our brains in two ways, just like 2017's 313 Acid Queen. Her previous record used field recordings and found sounds from the shores of Detroit's Belle Isle and other neighborhood sidestreets to thread the simple majesty of the flora and fauna that sustains even if at the corners of a concrete metropolis. -3 is bringing you from the outdoors into the inner workings of your body--particularly the blood cells that act as fuel for your limbs, your lungs and your brain. It's the -3 fatty acids that keep your system strong and smooth. It's Rebecca Goldberg's latest acid techno fever dream that keeps you perceiving that (and other things) even as you dance...

Eglo Records are proud to present the second official solo album by the forward facing producer and vocalist Steve Spacek. The album, entitled 'Natural Sci-Fi' originally began production in 2005, shortly after the release of the now classic 'Spaceshift' album (which included the J-Dilla collaboration 'Dollar'), but was never completed. Over the last few years Steve has added a some tweaks and changes - including a new song and guests vocalists Oddisee and Natalie Slade - eventually finalising the project and readying it for its release in 2018. The album continues the post Spaceshift vibration of Steve's signature production style and effortless vocal delivery. Swinging spaciuosly from past to present, packed with soul, sounding as fresh and relevant today as it did when it began back in 2005.
Since the albums inception Steve has released projects with Mark Pritchard as one half of Africa Hitech on Warp, an instrumental LP as Black Pocket for his brother D-Bridge's Exit Records and a concept LP as Beat Spacek for Ninja Tune. Following a string of EP releases for Eglo over the last two years we are thrilled to finally be able to bring to you a full length release from one of the UK's most unique and talented artists.

The artist André Walter is looking back on a countless number of releases and remixes with different projects and artists, as well as on his long term studio partnership with Chris Liebing.

The project he´s certainly most passionate about is STIGMATA, without doubt! After the succesful release of - Chapter One - The Complete Collection , which was mixed by Chris Liebing, it´s time for STIGMATA´s first concept longplayer PARASPECTRAL.

PARASPECTRAL is a symbiosis of Modern and Old School Techno from different decades. You will find EBM-influenced sound from the 80ties, 90ties-rooted Rave & Acid, old school STIGMATA tracks and of course, proper Techno of nowadays on this spectacular album. You can be sure: No two tracks sound the same! On top of this, all vinyl lovers are going to enjoy an exclusive bonus track on the limited record edition.

For two very special songs, STIGMATA teams up with RASCAL from ROTERSAND to add some brilliant vocals. So be prepared to hear something completely unexpected in - No Heaven and - Menacing & Sullen .

Whether with vocals or not, all tracks have one thing in common: Uncompromising TECHNO, made to kick some ass on the dancefloor!

A Must Have For All BassHeadz !

After a very successful first release with a huge support from Petre Inspirescu, Stowaway is back with 002. Early support from Raresh, Praslea and more.

finally repressed

After The Success Of The First 2 Releases Moral Fiber Is Back! This Time With: Faster, Andreas Bergmann, Archie Hamilton & Stathis lazarides , Silat Beksi & Not Him. Experience The Sound Of These Talented Artists on This Various Artists EP!!

Rooted reaches 008 Release with great aditions to the family!

Side A with Pressure Traxx founder and artist Einzelkind and owner from La Pena Records Records and Swoy from Djebali and Politics of Dancing.

Side B comes with label owner Bolumar and newcomers Laurent Ci & Andrea Caioni from Ewax and Hoarder labels, as allways vinyl only!

After contributing a smashing remix to the first release on blank, UK producer Kalyde is coming back to the emerging German imprint with a fantastic EP of his own. Growing up in Detroit, he never got involved with electronic music until he went to university in Bristol, where he honed his production and DJ skills before resettling in London. Not long after that crucial step, an impressive string of releases followed on great labels like Skint, Madtech, Avotre and Roush. Kalyde has rapidly advanced to be one of the most exciting new talents in the UK's modern house & techno scene, and also has become a sure shot on DJ sets of big players from the likes of Annie Mac, Loco Dice, Eats Everything and many more.

Kalyde is famous for his fantastic ability to provide a huge energy boost without getting reckless, no matter if at one of his legendary extended DJ sets or in the studio cooking up the next big dancefloor banger. The Clone EP on Blank is the perfect representation of this sentiment. Every single track is a bona fide floor filler designated to land in the crates of the best house & techno DJs on the planet. The title track explores Kalyde's very own vision of acid house, combining a frenetic bassline with his infallible energetic signature.

Next up is the absolutely fascinating track Omulate', which features a highly hypnotic voice sample and recalls the dark uplifting feeling of immortal Detroit classics. With the last original cut on the EP White Shadow', the young producer delivers another acid techno stomper, this time taking a drift to darker musical spheres. Closing this massive EP, the UK techno veterans Mak & Pasteman step up for a unique remix treatment of Omulate', mutating this track into a huge techno bomb prepared to cause serious damage on big, dark dancefloors all around the world.

RRRC-030 is busting in with two solid techno tracks

by german-based producer Kinky T and by Orion from Helsinki, Finland.

You have the right to remain dancing!"

Vinyl Only, Handstamped.

Minimal hypnotic electronic dub sounds from Contrast Wax label boss Mark Graham.
The package includes two groovy remixes from Coffee Pot (Limo + Guido Nemola) and Herr Spiegelhauer

Forever cursed with 'deep-' and 'tech-house' labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, Avatism returns mildly angrier than ever before with 'Ate-Up', an EP the producer actually started writing during an MDMA-induced lucid dream after Vakant label boss spiked his drinks in 2011. To give his poor soul some credibility, we've enlisted AQXDM (Aquarian & Deapmash, fresh from their storming debut on Bedouin Records) and the mysterious Maenad Veyl (Veyl, Pinkman, Death & Leisure) on remix duties.

To sign off 2018, Malka Tuti are releasing a mega 4- tracker ep by Khida, in collaboration with their old time friend from back home Mihai Balabas. The 4 different tracks were written over the past few years, slowly plotted produced and perfected, each in its own 'twisted' direction. There are no dancefloor killers here, but instead 4 very unique voyages, experimental sonic excursions in time and space. It was the track Chloe that caught our attention, back in 2015. It's not a typical Khidja track, but the musicality and the composition in it reminded us of lost balearic moments. It made us reminisce on summery Sunday mornings back when life was still a bit more innocent, and naive. Out of our infatuation with that track came the idea of 'sitting on it' until the right tracks will be ready, and here we are, more than 3 years later.

repressed !

The 75th EP on Moon Harbour is one that connects the past with the present: the release is
made up of three remixes and re-edits of classic tracks by label boss Matthias Tanzmann.
Charged with serving up these goods are one third of Apollonia, namely Frenchman Shonky,
Saved Records boss Nic Fanciulli and his brother Mark and, finally, Matthias himself updates
one of his own cuts.

That cut is 2008's 'Keep On', taken from Matthias' artist album Restless. The newer version is a
tweak and tidy job that subtly injects a little more roll and slide into the original's shuffling drums.
The drunken synth sounds and infectious, never ending groove remain, but everything shines
that bit brighter: dance floors will no doubt be delighted to hear this one dusted off and dropped
once again.

The next track under the spotlight is 2011's 'Puddle Trouble' by Matthias in collaboration with
label regular Dan Drastic. English brothers and influential figures in the tech house scene, Mark
and Nic Fanciulli are the ones who remix this and do so with a keen sense of rhythm. Their
version hurries along in elongated rhythmic fashion with lots of wobbly synths, subtle drops and
distant sirens all adding to the hypnotic and increasingly intense sense of groove. It fits in
perfectly with the Moon Harbour canon and is a timely update.

Lastly, Frenchman Shonky, who is a DC10 regular with his comrades in Apollonia and has just
released his debut LP with the same outfit, edits Tanzmann & Stefanik's 'Basic Needs' from
2006. This one is a little more electro inclined with its restless bassline, slapping percussion and
jumbled drums. Prickly and kinetic but with a bulbous bassline holding it all together, this one is
perfect for those late night freak outs.

Proving that Moon Harbour have evolved on their own terms whilst always staying true to their
roots, this EP is yet another modern tech house masterclass.

LTD WAREHOUSE FIND !

Early support by: Stephan Bodzin, Joris Voorn, Dave Seaman, Troy Pierce, Hernan Cattaneo, Kaisderdisco, Monika Kruse, Alan Fitzpatrick, Pan-Pot and many more......
A new two track ep by Max Cooper sees vastly contrasting sounds and is lead by, "Fisted." Firing off like a gatling gun the snare drum is backed by single kick bass drum as we navigate this electronic battlefield.On the flip we have the aftermath of the battle and the beautiful soundtrack that is, "Ruptured." Stunning work from Mr Cooper once again.

finally repressed !

Vinyl only release featuring remix from Sakro

Sebastian and Chris have been close colleagues in the music scene since they both started their journey about a decade ago. Since then, they have joined forces on this magnificent release that includes two new original collaborations and two remixes by a couple of their favorite artists, Alan Castro and Coriesu. Both tracks, 'Alligator Alley' & 'Ode tu Udo' feature hints of afro-cuban rhythm patterns with the use of instruments like the cajon, congas and the udo drum to name a few. These sounds combined with punchy kicks, rolling bass-lines and melodic synth work are sure to reel in the listener closely.

Cédric K Gasaïda aka Starving Yet Full (singer of former Canadian band Azari & III) and Victor Karzalov (half of Russian duo BYPASS), are about to release their first vinyl EP, Drawn 2 U, under the moniker BLENT, on newly launched French label Empirical Magnetism.

Swinging between dub- & deep-techno, minimal and deep-house, BLENT's Drawn 2 UA-Side, lulled by Starving Yet Full's androgynous vocals, is the kind of song that is gut-wrenching to the listener, taking the audience to a dimension overflowing with deep and dark sexual feelings.

On the B-side, Ali X (also a member of the late Azari & III) is delivering a rather sinister and haunted techno remix — distinguishing himself nicely from the original, whereas French band dOP unveils a fairly more melodic and dancefloor-oriented interpretation while keeping the essence of what makes Drawn 2 U so unique.

We're finishing 2015 with what is pretty much a mini LP by Borrowed Identity, an inspired producer based in Freiburg.
There's a lot here and we think you should just listen to and enjoy the record, draw your own conclusions, but what we will say here is the A is ballsy house and the B is tough techno that touches on trance occasionally. Get why it's called The Contrast

'Good things come to those who wait'... Especially to those who wait for the next original Dennis Ferrer release on his imprint, Objektivity. 'Maniac 3000' is the second anthemic single from Ferrer's much anticipated upcoming album on Defected, 'Paranoia Aftermath', to drop early 2017. Tapping into his techno-roots for this one, Ferrer has managed to create an unlikely union between the groovy techno drums and the suspense of arpeggiated synth line. In Ferrer's own words the track was 'an attempt to go backwards, to move forward'.

Fjaak's path led them from the periphery to the centre and from there further through the world. Their self titled debut album for Monkeytown is as much of a summary of what had happened in the previous three years as it is an artistic statement. "FJAAK" combines the energetic peak-time sound of the Berlin-based trio's acclaimed Techno singles like 'Unten / Oben' with sophisticated breakbeat arrangements and atmospherically dense Ambient textures. These eleven tracks are the provisional highlight in a unique success story which started aside club culture's conventions and to this day refuses to compromise.

Felix Wagner, Aaron Röbig and Kevin Kozicki were still teenagers when they developed a distinct sound which positioned itself outside beaten paths, both geographically and musically speaking. The trio cut their teeth in Berlin-Spandau's open-air scene and celebrated their frst success in the city's center shortly thereafter before taking the Techno world by storm with their elaborate analogue sound. Having released a few records, they found a permanent home on Modeselektor's Monkeytown in 2014 while incessantly traveling the world.

Frag Maddin's wizard like studio techniques don't need no black magic - just solid ingredients, being boiled in his studio cauldron. In the process, the old becomes the new again. This time, in its most musical form for Kakudo Records yet. His EP is a magical kaleidoscope of sounds and feelings that work their charms on our souls, brains and hips. Think Chicago, think NYC's kinky trax of the early 90ies, think silly amounts of bass and think flourishingly funked out synths making for an individual musical language with Maddin. Timeless sounds! Point 0 is now, these ones will last!

A1: Bullish
This one rounds off the nervous and flippant, overwhelming energy of Frag Maddin's beat and chord worx while bowing down to his funk, rap and house-routines. Bullish is an agile fighter. Beware - or you miss some of the punches coming in!

A2: Teehaus
This ceremony churns the goods from the very depths. Classic house in a raw, bassy, dirty warehouse manner. Seering vocals keeping the tension and demanding synths that slowly but surely unfold th energy - like boiling water opens the teabud!

B1: Point 0
A track that serves a basic backbone to the array of tunes here. Classic house, bowing down to Kakudo's Records beloved early nineties. Every sound a puncturing pressure point again. Machine grooves hammer home the message of this EP that has no fillers but offers raw fun(k) throughout!

B2: De Wizard
Quirky, flirtatious, somewhat trancy chords fly on high. While reminiscent Detroit sounds feed your brain and the bass tickles your guts. De Wizard's recipe is to conjure things in time. Take yours and observe, for building up tension is clearly one of Frag Maddin's best tricks!

The very talented Mr. John Daly delivers four master class House tracks for Couldn't Care More. 'It's All Around You' and 'One Four Tee' let deepness and passion rule in full swing while 'Rescue' rides smoothly on a huge bass line. And 'Stay Close' is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.

Groovers, drifters, modifiers: Berlin duo Mistake Made present their third EP on Vault Series.

Oscar Muleros contribution to the Token catalogue goes all the way back to 2008. The ferocious Take Seven EP was the start of a longstanding partnership between the label and artist. Between this first release and the more recent Suborbital Trajectories EP, Mulero also provided Token with 2 releases as Spherical Coordinates, producing sophisticated big room and bleep tracks. Through his lengthy and prolific career, Mulero has not contented himself with producing dancefloor tools alone. The full-length Perfect Peace, released in March this year on Semantica, demonstrates this well, with Autechre and Aphex-flecked IDM and electronica sounds dominating the work.The new Electric Shades EP also has elements of this extra depth. The record opens and closes with sci-fi theatrics: Electric Shades throbs and pulses under eerie space atmospherics, while Dying Asteroid sonically details the demise of a small celestial body in clinical detail. But this record also operates with the solid functionality of Muleros earlier work. The Voyage is agitated and bleepy, while heavy roller Signal Trace plays deeper with similar themes. Triad and Extension too are weighty highlights, affording the record plenty of utilitarian benefit for DJs and home listening enthusiasts alike.

We are proud to release a new outstanding record with interlactic housemusic by Dudley Strangeways, Pelle and All Black.

Born In Windsor Ct And Based In Bushwick Brooklyn, Acemo Is A Rising Producer / Dj In The Nyc Underground. Growing Up In A Nuyorican / Dominican Household Ace Was Raised On Salsa And Soul, Playing In Latin Jazz Youth Ensembles And Marching Bands. A Multi-instrumentalist And Lifelong Musician, Ace Started Producing In 2009 At Age 16. After A String Of Releases Culminating With The 'black Populous' Full Length On Bootleg Tapes, Acemo Returns With An Eponymous 4 Tracker On Vanity Press, Showcasing A Clean Style Of Production Balanced With Dirt And Grit.

As our maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records presents his previously unreleased electro/orchestral/experimental score for Andrzej Zulawski's surrealist 80s horror classic, Possession. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut - leaving many of the tracks on this spackage totally unheard outside of Korzynski's studio.

The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomise the well honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar.

This is the first time any of this music has been released outside of the films original context and is packaged on CD, 12" vinyl and conceptual green compact cassettes housed in miniature clamshell cases reminiscent of the films original VHS release that briefly adorned UK video shops in the early 1980s (before being banned by over excited censors as one of the unproscecuted 'video nasties' in the infamous 1983 tape cull). The important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer and Zdenek Liska - not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier and Nicolai.

Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

repressed!

It's winter in Detroit and Fit Siegel has given us "Carmine", a moody techno classic perfect for the lonely season. Subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and Blade Runner string swells. It's a high-tech driving song in the tradition of Model 500's low-key classic "Pick Up The Flow" and FIT sounds more assured than ever. "First Found" is Mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. Stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. Loose yet robotic, "First Found" is first-rate Detroit techno mysticism. The record as a whole is a worthy entry into the Motor City's storied canon from a leader of the new school.

Mit Ihrer Ersten Ep Für Diynamic Beginnt Magdalena Eine Geschäftige Sommersaison 2018.
Der Opener "mountains Of Es Cubells" Mit Seiner Warmen Und Intimen Deep House-atmosphäre Ist Eine Hommage
An Die Partykultur Ibizas. Mit "nautilus" Folgt Ein Verträumt-melodischer House-tune Mit Hypnotischen
Percussions Und Ordinären Synth-elementen. Und "radialis", Eine Brütender Und Düsterer, Minimalistischer
Techno-track Beendet Diese Sagenhafte Ep.

Limitiertes Triple-set Der Frühen Peacegrog-ep's Des Schottischen Techno-produzenten Neil Landstrumm, Der - Beeinflusst Von Der Sheffielder Bleep-szene, Electro Und Miami Bass - Oft Mit Christian Vogel Kooperierte Und Auch Auf Tresor Und Planet Mu Veröffentlichte. "threesome" Enthält Die "index Man Ep" (1995) Mit Dem Chicage-jack-highlight "takks", Die "m. Cap Ep" (1995) Mit Dem Dancefloor-zerstörer "swing/jerk" Sowie "inhabit The Machines" (1996) Mit Dem Raw-funk-stomper "sniff And Destroy".

The new album from Danish electronic trio System is a special kind of collaborative effort with piano magician Nils Frahm. His purpose-built improvisations on synth, organ and piano served as source material for the members of System (Thomas Knak, Anders Remmer & Jesper Skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks 'n' cuts electronics into vivid soundscapes. Over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. Ranging from the mellow bliss of the title track to echoes of 90's and 2000's electronica and ambient sequences frequented by mesmerizing movements and sounds. The blending of piano and digital tones and noises into emotive pieces might instantly recall the work of Alva Noto and Ryuichi Sakamoto, though System and Frahm come to quite different results.

Thomas Knak met Nils Frahm at one of his concerts in Copenhagen. They stayed in touch, exchanging thoughts and ideas. Two years later, Anders Remmer was also introduced to Nils. From then serious ideas for a collaboration formed. As Nils was a fan of System's self-titled debut album (released in 2002 via Pole's Scape label) their talks centred around Dub and minimalism, elements that constitute most of System's music as well as their side and solo projects. This in mind, System began producing sketches and brought them to Nils´ Durton Studio in Berlin in December 2015, where they recorded ten hours of him playing keys and effects to their drafts. Back in Copenhagen, they decided to change direction. - As Nils had told us about his fascination with our debut album, we tried to rediscover this minimal clicks 'n' cuts era. But hearing Nils playing to our rhythmic beds, we felt the need to scrap those beats and instead head in a more cinematic direction.'

So they started building new pieces from the Durton recordings, maintaining some of the minimal and static quality while new layers of synth sounds and noises created a richer and more organic quality compared to older System albums. The solo projects of Thomas (Opiate), Anders (Dub Tractor) and Jesper (Acustic) always relied on steady beats or rhythmic material, so the productions of 'Plus' with their focus on acoustic and melodic elements, ambient layers and cinematic moods, sees them pushing forward into new areas.

This way, the trio avoided copying what they had already done years ago, when they built a reputation as Denmark's prime originators within electronic music in the 90's and 2000's. 'Plus' is a triumphant example of collaborative experimentation and may be the dawn of a new era for System: - For us it was really satisfying to focus more on actual sound rather than rhythmic aspects. There is a lot of potential in this field, so it would only be natural for us to pursue this, maybe as a series of collaborations with other people who's music we admire.'

Ukrainian label Muscut celebrates its anniversary - Muscut X (10) Test Pressign II - is the tenth record in a row. The first release was published in 2012 on 7 inches and was called simply Test Pressing. Like six years ago, the current vinyl is a compilation of Muscut's 'residents', as well as new friends of the label. Test Pressing II is 12 inches on which there are exactly ten tracks. Both sides are significantly different in color of mood. Party A starts with dub-drone sketches of key figures of the Odessa underground - Wildstyle Crew and Bryozone. Then we hear the mantra-like M2 - the work of the creative union of Nicola Ratti, Mads Emil Nielsen together with Nikolaenko. The Canadian sound-artist Mark Templeton continues the line of rhythmic textures crowned with unhurried percussion - it is in all senses of Soft Education at number four. The first part is completed by an exquisite curtsy from the Andrew Pekler label frequenter called Underwater Nocturne as a soundtrack for the perfect tea ceremony.

The second side confidently sets a completely different compilation rhythm from the very start - the tribal tribal dance from the Berlin project Native Instrument instantly introduces into a trance. It is followed by a warm, enveloping minimal synth track from the Ukrainian trio Nisantashi Primary School. The middle of the second side is decorated with the pensive house-ballad of St. Petersburg producer Fadeev known as AEM Rhythm Cascade. Another Russian settled next to him - Muscovite Oleg Buyanov, aka OL, with a massive broken dub Nutmeg. The final composition consists of burning afrosint motifs from luminary Odessan Vakula.

This is the stuff your parents will either love or hate. Mysterious production and DJ tag team Alma & Mater cooked up some extraordinary disco edits out of some ancient music of the recent decades, that are guaranteed to crash your wedding or underground warehouse rave. Early support by: John Talabot, Axel Boman, Job Jobse, Ame, Kornel Kovacs, Toshiya Kawasaki.

The pampa, filled with enigmatic lines and geoglyphs known as Nazca, gives name to this record label.

Nazca Records was created to collect the music and art that Viracochas (beings of other worlds), shared with the ancient Nazca people, known for their love for music, dance and nature.

These recordings represent the music that was once played in another time and that will be played again in the future...They are the memories of the future.

Each vinyl and recording tells a story of the memories from each ceremony that took place in the Pampa Colorada, from music that was played, and of the figures and lines that the Nazcas used to show their gratitude to the Viracochas.
Maybe you're wondering how its possible or how we were able to capture those recordings in Nazca Records to then press to vinyl. It has been discovered that if an intelligent or exotic species wanted to connect to others,
they would use radio signals as they can travel any distance and require very little energy to send.
The logical wave frequency to communicate would be 1420 Megahertz, which is the frequency irradiated by the neutral hydrogen, when its atoms interact between each other.
Based on this info and knowing that hydrogen is the most abundant element in space, and after a lot of tries, in the end we were finally able to make the first contact with the Viracochas!
What is a cargo culto This word defines an ethnological phenomenon that happens when a technologically primitive society enters in contact with a technologically advanced
society.
This translates into a show of gratitude and admiration of one civilization for the other, in the case of Nazca, the cargo culto for the Viracochas, as a sign of gratitude, was represented by the lines, while the one of the Viracochas for the Nazca was shown through their music and art.
This fourth vinyl is divided in 2 parts, the first one collects the recording that beGun, a Viracocha, used to thank the Nazca people. His cargo culto is a record, a journey, a chapter
narrated through 2 original songs that are completed by 2 remixes, the first one by the magic Viracocha El Búho, and the second by Viracochas Klik & Frik.
The cargo cult used by the Nazca to thank these Viracochas' music and art was the line called The Tree.

Comma And A.fruit Land Two Unadulterated Bangers On Rua Sound, Backed With The Unmistakable Sounds Of Tmsv And Itoa On Remix Duties.

Oakland's Comma Roars Out Of The Blocks On His Rua Debut With A Crushed-up Glitchy Cut Entitled Gasworks. Comma Rams The Heavier End Of The West Coast Beat Scene Into The Uk Hardcore Continuum, On A Track Buzzing With Furious Energy.

If You Don't Know Itoa Yet - It's Time To Catch Up. Exit Record's Latest Addition Brings His Singular Production Style To The Remix With Whip-sharp Drums, A Colourful Sound Design, And Fresh, Unconventional Arrangements.

A Producer In Ascendency, Russia's A.fruit Serves Up The Darkness On The Flip With A Stepping Growler, Sodden With Bass. Her Production Is Tightly Bound Together By D.e.'s Intense Vocal And Delivers A Punch.

Rua Regular Tmsv Picks Up The Pace On The Remix, Rounding Off The Ep With Dancehall-infused Dread-rave Vibes, Like Only He Can.

Support From Deft, Fixate, Tim Parker, Breaka, Mister Shifter, Dolenz, Yorobi, Executive Steve, Coco Bryce, Hyroglifics And More.

Eary support from Olderic, Richie Hawtin, Leftfield (Neil Barnes), Dubfire, Agoria, Felix Da Housecat, Abstract Division (Dave Miller), Dj Fra, Hd Substance, Angel Molina