House Vinyl New Releases - News

In this various CMDRPX releases 4 tracks produced by some of the best artists of the moment.

with cmdrpx002 we can listen to different sounds the first two tracks by Samuel jabba and bakked have a solid techno imprint while on the B side with Elias Sternin and Rizzi & Lapucci we find two overbearing tracks for the dancefloo

Dance floor gems with influences ranging far a wide from house, latin, spiritual all with a jazz infused grooving sound, exiting arrangement and instrumental solos. A journey of party music for an eclectic taste.

Following our deep & dubby vibes, this time is our good friend Areon from Greece, as usual, there is no
digital promotion and it’s limited edition.

Vinyl Only - Limited Edition

Epic deep house production originally released in 1990 produced by Bobby Konders and Boyd Jarvis, and also featuring Peter Daou on keyboards.

Following up to a pair of choice transmissions on Aussie operated imprint Vulcan Venti, Perth-based rising talent Hame DJ turns up on KOC with a debut four-track platter oozing pure elegiac acid vibes and transient, sci-fi-infused ambient, seamlessly hedge-hopping from UK bass to liquid jungle, through gauzy atmospheric techno and bastardized shades of Rephlex-style electronica.

Fresh as a cucumber, opener ‘On 1’ ushers its listener in a world of keys-loaded, faux-organic layers and rippling ’90s motifs. Threading its way betwixt garage, dub and piano house, the track brushes an equally vivid and dynamic tableau of shape-shifting floor-ready electronics. Starting off as a further mischievous affair, A2 ‘Zoot’ sounds like the outback cousin to Paul Woolford’s seminal steely burner ‘Erotic Discourse’ but soon evolves into a top-shelf breaky chugger that shall jam alien radars as much as it should have everyone on the dancefloor down on their knees in a jiffy.

Breaking the B-side in, slo-mo drifter ‘Nightlife’ turns the tempo down to ‘after-party sunrise’ mode. Implementing a lushly arranged battery of swampy 303 arpeggios, soft-spoken piano stabs and vaporous vocals, this one’s custom-cut for daydreaming with a bunch of friends by the Gold Coast’s idyllic seaside. Topping off that otherworldly journey is ‘Erosion’ – a FX-laden, hip-hop drums-strewn slab making the rounds between sepulchral, Kraut-dunked broken beat a la Tolouse Low Trax and post-Drexciyan synth wizardry. Proper mind-expanding stuff from a producer on the cusp of real big tings.

As our catalogue number KM053 appears on the horizon, we are happy to announce that it comes in shape of Keinemusik's own Reznik and his studio-buddy and friend Good Guy Mikesh's first full-fledged EP for the label. Them getting together can result in somewhat variable stylistic outcomes and so this batch of tunes certainly adds some exquisite nuances to the Keinemusik sound- portfolio.
"Human Factor" on A distinctively affirms that Reznik and Mikesh are kids of the 80ies. Effectively it is synth-heaven, layering riffs, melodies and chilly beat patterns on top of each other, building a foundation to be pinnacled by that hook you might not be able to get out of your head for quite a while. So, little trigger warning right there. A strongly crafted tune that balances Pop-sensibilities, educated references, club qualities and that name giving, at all hands needed human factor into a soon-to-be classic.
"It's Not You It's Me" on the flipside insinuates itself in a rather emotive manner, introducing a mantra-like organ motive, switches between stoic and dynamic drum patterns and an all-over organic feel, altogether adding up to what would be one of this season's most sensitive ways to get a floor going (if there was a season after all).
Closing things off is Adam Port's take on "It's Not You It's Me", a remix that breaks the original's dynamic down to a more loop-based club-approved modus operandi, re-shaping the beat with toms and shakers, implementing drones and variations of the organ-hook, upping the ante to meet the requirements of a rather post-peak application.

Repress

Fifth part in the very exclusive 'Schatrax' repress series. Handstamped 180 grams coloured vinyl.

We_r house strikes back with a 4 track EP by London's new talent Revivis. After contributing tracks to VAs on several labels this is now his first solo EP featuring 4 original tracks by him for any time of the night.

Like a US house producers' version of the fabled grime MC battle competition 'Lord of the Mics', Brawther and Chez Damier came up with the idea of a producer contest to bring together the members of the Interweaved community, with the winners of the first round of submissions sharing their stems with the rest of the community, inviting remixes.
French born Roy Vision received the most votes in the online poll for his track '4 One Another' - a house bomb full of sub-bass pressure, craftily employed vocals and deft drum programming. The original is featured here, alongside mixes from Australian underground hero Marley Sherman, who took the trophy for his uplifting remix. London Based DJ Rouge, meanwhile hails from Ireland but loves original Italian deep house of yesteryear, and his offering was the second most voted work and is included here, slower and more wistful but still chunky in the beats department, with Dunique's spoken word part adding a quietly philosophical dimension to both the original and chirpy, cheery sounding mix from Montreal wonderkid South Shore Garage.

3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reection of the label and what it has always stood for. The move back to vinyl in 2015 has rmly planted the label back
in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been rm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's inuences & styles, having been buying records since the mid-80s &
playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it...

Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is danceoor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed
(Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

Igniting the flight for number 20 on Anthea’s prolific Partisan label is the young and talented Argentinian, JUAAN. His direct and energetic productions have nudged him on to the radar of the underground, moving further in an upward trajectory with his “Soy Piola” EP.

Built upon distinct and hypnotic synths is the A1 “Eclipc”, its transcending energy will become etched in your memory, creating a particular mood on the most discerning of dance floors. Bringing a spaced out yet dramatic vibe to the EP is “Mestreso”, an acid infused quest to an otherworldly atmosphere.

The enormous “Puede Llegar” launches us into the B side, the tight and punchy drum arrangement creates a sophisticated groove, playing co-pilot to the enthusiastic elastic bass that bubbles throughout. Rounding off the EP is the sub-heavy title track “Soy Piola”, a tripped out and stripped back voyage, laced with acid splashes ready to stretch the mind of the listeners.

Although only young Juan F’s outlook with music is mature, he draws inspiration and influences from the 90’s, molding this ethos into his own modern day interpretation, aiming to create something timeless for the dancers of today, but reminiscent of the dusty sounds of the past; something he also aims to enforce within his DJ sets, never restrained by genre.

Dropping on Rekids this May, Butch remixes 'Good Luck' - Basement Jaxx's ubiquitous 2004 single featuring Lisa Kekaula.

Appearing on 'Kish Kash', Basement Jaxx's third studio album, the unforgettable single was nominated for a Grammy in the Best Dance Recordings category and also reached number 12 on the UK Singles Chart and number 2 on Hot Dance Club Play in the US. 'Good Luck' also featured as the opening theme of 2004 anime movie Appleseed, Victoria's Secret fashion show in 2003 and 2005, and a version without lyrics was used for the opening sequence of BBC's UEFA Euro 2004.

Real name Bu¨lent Gu¨rler, German producer Butch has been a formidable force within house and techno for over two decades, enchanting crowds from all across the globe with his technical performances. Highly regarded for producing compelling grooves, his releases have appeared on labels like Desolat, Cocoon,
Rekids and Sei Es Drum, not to mention collaborating alongside Virginia, C. Vogt and Ricardo Villalobos (as Butric).

Receiving regular early support from Villalobos, Butch has provided three different renditions of 'Good Luck' and the 'Remix' is a rhythmic roller from the off, featuring numerous elements from the original whilst generating a cacophony of percussion as Kekaula's iconic voice is chopped and looped - the result is highoctane and geared for the dancefloor. The 'Dub' strips things back, purely using segments of the vocal for instrumental purposes as a whirring bassline joins deep synths and mesmerising effects. Tying it all together, the 'Drum Tool' is a high-tempo percussive cut produced for peaktime DJ sets.

Boston's Dana Kelley aka Callisto is a man whose music has long been the subject of much deserved adulation. A student of the deep and soulful, an explorer of the melodic and galactic, and an artist who manages to capture imaginations with his supremely crafted sonics. He is a much missed artist, someone who departed the physical too early, but the body of work he left behind has spoken to generations of listeners, DJ's and fans in equal measure.

This is the third and final instalment of 3 compilations focused on Callisto's golden period of productions for the legendary Chicago label Guidance Recordings. As with the other volumes that preceded it, it's an outright and joyous celebration of his music, his vision and the forward looking nature of his music that is still intact today. It's hard to think of someone with a more unique style and with a truer idea of their own sound-world. Callisto takes us deep inside, into other worlds with his own individualistic take on house, techno, ambient and even jungle and D&B.

These compilations celebrate one of the most idiosyncratic artists from the second wave of US house music producers, a truly essential body of work presented here respectfully, sourced from all audio sources courtesy of Above Board Projects, Guidance Recordings and Dana's family. Mastered by Curved, London and with special artwork by Atelier Superplus featuring a never before seen image of Dana from his family's photo albums.

Eight years after their first collaboration, ‘The Compass Joint’, slipped out as an ultra-limited white label, Charlie Soul Clap and Tom Trago have reunited to bring us a similarly warming, sun-splashed sequel, ‘The Compass Jawn’.

Like its predecessor – a now near-mythical 12-minute epic recorded late one night in Tom’s former squat-turned-studio close to legendary Amsterdam venue Trouw, and subsequently championed by DJ Harvey – ‘The Compass Jawn’ was inspired by the pair’s mutual love of both Caribbean keyboardist and FM synthesis enthusiast Wally Badarou, and the 1980s output of Chris Blackwell’s legendary Compass Point studio in Nassau, the Bahamas.

As sequels go, ‘The Compass Jawn’ is a bit of a belter. During the recording in 2019, Tom and Charlie sought to subtly evolve the original’s memorable lead line, reaching the for Yamaha DX7’s percussion patch – something utilized many times by Badarou during the 1980s.

The resultant ‘Studio Version’ is, if anything, even more emotive and uplifting than its predecessor. Underpinned by a shuffling rhythm pattern, the track ebbs and flows brilliantly, with jaunty synth stabs, undulating melodies and sparkling keyboard riffs ushering in held-note chords and a gorgeously rushing, ever-rising lead line. Throw in some starry pads and sunset-ready synth motifs, and you have another gorgeous, life-affirming treat.

‘The Compass Jawn’ comes backed with two top-notch alternative mixes. First up is an ambient ‘Dub’ mix from Trago that strips back the beats and instead focuses on the track’s many key melodic elements. Pushed forwards by drum machine handclaps, it’s a bubbly, sun-bright revision full to bursting with twinkling electronic motifs, jammed-out motifs, hands-aloft riffs and a bleeping take on the fluid and kaleidoscopic lead line.

Rounding off the package is the duo’s original demo mix – a raw, tough, and slightly more sub-heavy affair that’s notably more percussive and sweat-soaked whilst still sporting the key lead lines and FM synth sounds that make the studio version such a memorable and mood-enhancing affair.

(2022 Repress)

"The story: "few years ago in rehab - everything was forbidden there, including music, and for several months I learned to listen to music in my head and remembered the television game, called Field of Miracles, or rather I remembered the sound with which the wheel spins; this is a cult TV program in Russia.

Having returned from rehabilitation we got down to business. We took samples from this program, some changed beyond recognition, some rethought. We recorded this release with a balearic mood, despite the fact that at that moment it was winter and there were severe frosts."

after great rework of jan jazz classic “watarase” by fumio itabashi,henrik schwarz,kuniyuki, joe claussell reconstructed “watarase”.

it’s an epic cosmic jazz fusion.joe claussell meets kuniyuki are always best.

on b side, it’s a rare minyo(japanese folk song) version of watarase. it’s a live version that fumio itabashi played with the local orchestra and minyo singer. a lot of diggers have been wishing to be released on vinyl.

so this release is one of the most important catalogue on studio mule.

Repress !

Harvey Sutherland's latest 12 marks the inaugural release for Clarity Recordings, an imprint established by Sutherland for modern Australian records.The first new music from the Melbourne producer since last year's cuts for MCDE, the double A-side Priestess / Bravado features his live trio Bermuda at full tilt, with an ensemble of hand clapping friends. Self-described lounge room disco burners, the record summons the groove experiments of Patrick Adams, Bill Laswell and Arthur Russell, while retaining Harvey's soulful tones and club-ready arrangements.
Priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. Sutherland's piano lines bounce off drummer Graeme Pogson's unwavering four-on-the-floor, while one-man string section Tamil Rogeon travels skyward. Live standout Bravado is played with determined precision, locking into a tough backbeat that only breaks once Sutherland's warbling lead solo approaches its resonant peak.
Harvey Sutherland and Bermuda will release Priestess / Bravado 12 and digital worldwide on 4 November 2016, via Clarity Recordings and Above Board Distribution.

Here we are, finally pleased to present our fifth release.
We welcome another great friend, artist and selectors..Mr. Umberto one half of Nudge and 320kb music owner!
Together with him we have chosen to include a pioneer of house music, directly from detroit..Sir. Rick Wade!

Side A:
Subjectivity Original - Fat and hypnotic house music, a trip immersed in the darkest and thug ghettos of the city.
Rick Wade Remix - Power Detroit House, a banger missile directed into the mind and body.

Side B:
Hypnotic - Acid house carillon, a heartbreaking sound directly from the misty plain.
Was nice to see u dancin - Afterparty deepy in the Romagna Riviera mood, Deep neo-romantic post industrial.

Introducing DAT (Italy) debut release on M-Tone wax. A solid,
bouncy 4 track EP crafted for club use.

Escola Records is back in the game with their second release, a Broken Beat & futuristic Deep House odyssey.

On the first side Karmasound & Sara Bee open the EP with the uplifting soulful summer anthem “Esperándote,” full of choppy live drums, jazzy keys and sweet, melodic vocals.

Next, musclecars deliver a dreamy remix of “Esperándote,” putting a futuristic twist on classic soulful NYC deep house. Lush and sensual, with a beautiful vocal outro, the remix has a warmth reminiscent of nighttime summer heat.

“Trencacintures” (“waist breaker”) is the second original track of the EP, by Barcelona’s JP Sunshine & Guim. The title of the track is a playful reference to its “broken” rhythm. Magical keys and intergalactic pads create a cosmic atmosphere on this fun tune.

On remix duties we find the house producer Hugo LX taking the original on a deep excursion to the dance floor, adding breaks that make the track irresistibly groovy.

Ltd 12", Sleeve Including Artwork by Pepe.

Says Pepe Bradock:
Dactylonomy IV:

Dring Dring Dring ! the phone keeps ringing but nobody answers. Gone fishing, ( les gros matous sont partis à la pêche)

Biergarten delicatessen and kinder surprises.

(Certains murs ont des oreilles, d’autres ont la parole)

Mwah!

Killer Deep House EP, riding the slim line between a strong groove and deep sounds by L.D.F & Javonntte on this limited 12” Vinyl Release. Don't sleep on this. Will sell out quickly.

Released on the Amsterdam based label Q1E2 Recordings, the “Move On” EP is Papi Gaba’s modern take on old school- and Lofi House. Papi Gaba's music takes a surgical and alternative turn from conventional House and pushes the genre into a new direction. The EP is the result of Papi Gaba's first experiments with tape recorders
and cassette tapes, and characterised by warm, melodic, melancholic, and crunchy sounds. Papi Gaba’s tracks are suited for the club, while at the same time perfect for any old dusty living room sound system.

Russian Indie Dance / Nu Disco and House label Soviett return with the 4th vinyl release of their club-friendly series «Plastinka»! Ranging from 108 to 124 BPM this time, all four tracks are full-length DJ-versions exclusive to this vinyl and never been available before. «Patchouly Indonesiano» by Saint-Petersburg-based Pavel Korzhensky, aka Ksky, is a lively piece of modern analogue electro. Alexander Prosvetov, aka Marco Lazovic from Moscow, delivers an atmospheric tech-house track with a strong retro feeling of the 80s and 90s dance music scene; it emphasizes how deeply Lazovic explores the roots of electronica. Street Choice is a Russian duo of Artyom Vasiliev and Alexander Rodakov; the guys present a classic house production with a humming rhythm section and a memorable piano line on top. Buzz Compass is Andrey Bychenkov and his «Make A Baby» is a perfect laid back start to an evening pre-party with lots of live instruments and no rush. Plastinka 4 is a proper addition to your current vinyl DJ-set or personal listening pleasure!

„harmony stranger“ is the first 12“ from the upcoming 10cars album „sachtleben“.

Deep warm sexy & phunky electronic music made in berlin.
Perfect for clubplay, afterhours, lounge- and radioplay.

10cars – with the real name carsten thorwald – is a berlin based multimedia artist who always manages to create entertaining, believable miniature soundtracks in the field of tension between psychedelic hypnotic underground club culture and intimate listening.

this ep release features 2 remixes by the liquid sky artistcollective members mijk van dijk (berlin) and svensyntetics (munich).

The album will be available in november 2021 digitally and on cd.

The next release from the re-activated Frank & Tony drops on Scissor and Thread. Following on from Dream Vibration - which broke a five year hiatus from the much-lauded production pair of Francis Harris and Anthony Collins - Eastern Meantimes brings us a sublime set of tracks and remixes. The original features New York artist Eliana Glass, whose sultry vocals ride above a deep, atmospheric groove and lush pads and washes.
The track is also presented here with two stellar remixes from Timmy Regsiford, the New York legend who has been defining the sound of house in the city for nearly 40 years. Here his vocal and instrumental remixes are smooth, deep and infectious, sure to light up discerning dancefloors the world over. Frank & Tony’s Absence is the other original track here, a thick, pulsing bass-driven roller punctuated with sharp snares and the pair’s trademark ethereal pads.

Mr.G returns with a brand new 3-track effort for his Phoenix G series. 3 very deep jams with mesmerizing vocals and spaced out chords. A true house record straight from the master himself.

CORDELL JOHNSON'S EXCURSIONS label returns with the first vinyl release from RONALD OVERBY (DJ RONNIE RON). Two tracks of the deep and funky bass driven grooves we've come to expect from EXCURSIONS. Full color label in paper sleeve. FYI the labels have the tracks listed incorrectly including an extra song not on the 12”. The tracklisting below is correct.

Dailysession Records affairs are back with a new Cerebral slow house and downtempo release. Infused with more solid
rhythms, Straightforward underground jamz.

For its 2nd vinyl release, Hi! Energy has gathered 4 of the finest Underground House Artists ! Melting Jackin House & funk infused
chopped samples with the new generation of deep and Garage sounds. Each track is a HIT!

Brand new label Four Framed Music kicks off with a fantastic four track EP from Manuold.

Emanuele Macagnone aka Manuold was born in Palermo in Italy and is a producer, remixer and DJ who has released on legendary labels like Kerri Chandler’s Madhouse Records, Esuoh Records, We_r house and Crystal Grooves.

He brings his many inspirations to the fore here right from the off. Life is Now pumps a slick 90s house vibe with swirling pads and a standout vocal. It’s full of warmth and soul and then Intense cuts up a more funky groove, with weighty kicks swinging down low and a killer bassline. The vocal really soars and brings a fiery vibe. On the flipside Metropolis then layers a classic vocal sample over glitchy drums and slick tech beats. It’s robust and designed to make a real impact in the club and last of all Palermo Centrale flies ahead on swirling cosmic pads, with wood block hits, raw textures and future facing vibes.

This is another fresh EP from the always essential Manuold.

Follow Da Groove is pleased to announce Rico Casazza for its second strike. Waves of warm sounds ranging from dub to electro. An EP that definitely has a sensuality and a charm with 4 tracks that tell a story.

A unique approach from this energetic label that's really working for us down here. Techno/dub lush soundscapes galore...tip for ravers!

Tracks are a natural Evolution on of what Visions Recordings is constantly developing, a sound that goes from jazz to deep techno mixing the new generation with the veterans producers.

The ep starts with a Broken house jam by ALEX ATTIAS featuring the magical keys of SOHAN WILSON, a mix between broken and house rhythms made with the MPC 2000xl and some lovely keyboards and Rhodes by the one an only Sohan Wilson taking you onto a jazzy journey . On the same side, LIFE RECORDER is back on VISIONS and delivers here a melodic deep techno house track for the late nights filled with soulful vibes and wonderful warm percussions .
On the B side, JUNE JAZZIN, known for his deep house releases, offers here a soulful deep house track with lead solo to make you dance and fly high into a killer journey into house music. The beat is groovy and the bass is dirty and this will for sure make people go mad on the dance floor . Last but not least, MARK E is serving a deep and moody slow disco deep house cut with a perfectly mastered sound that only Mark can provide. Subtle sounds and groovy rhythm with pads and atmospheric sounds.. Delicious

THE EVOLUTION – PHASE FOUR is an essential collection of grooves. Do not sleep it is a limited vinyl release!

Zeitgeist Freedom Energy Exchange is a collective that bring together UK jazz funk vibes that have been made popular by Kamaal Williams, Shabaka Hutchings and Ezra Collective amongst others with the energy of Berlin's electronic DJ music. In fact, head of the collective Ziggy Zeitgeist is a big fan of DJ tools which equally have a big influence on his music. His aim is to create a mix of jazz and tribalistic, electronic energies to create jazz raves that reflect a fresh modern touch of what could be a sound for the next years. Of course many elements of their songs come from the 1970ies - the chord progressions, the fusion keyboard solos, the driving rhythms. But the general sound of the music and its straight electrifying energy create a new and unique futuristic sound.

Once Upon a time... Four House Headz from UK, US and Europe were separated. But one day, their fate crossed the same road. As they shared the same vision of House Music and Harmony. They worked hard with some magical & musical beans... And one day, a piece of wax appeared which was called Magnetic'. Indeed, this wax has something definitely magnetic. The Melodies, the vocal hooks, the atmosphere Definitely! And yet it remained Underground until the magnetic power of this wax revealed!. Since that day, International DJ's like : Amine Edge & Dance, Sam Divine, Ben Mono, Mike Millrain or Dave Meyer, to name a few, play and support that magnetic sound... Today, this magnetic strength is revealed to you! (... and They had many children.)