House Vinyl New Releases - News

New York's Marcos Cabral steps up for his first full release on Dimensions Recordings, with the Nature Walk EP.

Following on from his epic Prochainement masterpiece on Dimensions 002, the EP provides a glimpse into the mind of a well-established and hugely respected artist.

Nature Walk is a broad EP that demonstrates just why Marcos's records have been finding their way into a multitude of DJs' bags for the last fifteen years.

This year, as it happened, we turned 10. A decade since the three of us took over a dodgy basement on Barnhusgatan (“Orphanage Street”) in Stockholm, with fuzzy plans to build a studio and maybe
release some music. The first Studio Barnhus record, featuring our latest and best tracks at the time, came in late 2010 and since then Studio Barnhus has grown into a big old loosely-knit global collective
of music lovers like us, with whom we’ve put over 80 records and all sorts of art into the world.
This special 2020 anniversary EP is our way of celebrating 10 years of Studio Barnhus with you. For the first time since day one, just the three of us filled a 12'' with our own tracks, again the very best
we had lying around, all three premiered earlier this year in our first ever Radio 1 Essential Mix.
The record also features collaborative track “Sverige”. Artwork (as on that first record) by Robin Ekemark. Released digitally and on 12'’ vinyl in December 2020.Thanks to everyone who’s been with
us these 10 years. Studio Barnhus is our baby, our life and happiness! Here’s to the next 10 years, surely the best is to come!
~ Axel Boman, Kornél Kovács & Petter Nordkvist - Stockholm 2020.

The freshness of the youth, the knowledge of pioneers, Rosario, Buenos Aires, Montevideo, Manchester and Berlin, key cities in serious music development history connected in this 4 tracker. Could be this a great cocktail? Have a listen and find it out by yourself.

We’re Going Deep is a new label run by an old head – Paul Wise aka Placid, born out of a lifelong affair with the many shades of deep electronic music and a thirst for collecting records since 1989.

Rather than staying too hung up on the past, the label’s mission is to release new music for the dance floor, your front room or even just your headphones. If you’ve come across the We’re Going Deep forum – you’ll know all about the journey and the collective digging that goes deep into Acid, Electro, Techno, Deep House and even the odd foray into downtempo territory.

Kicking things off in style, Volume 1 is a four track ep made by four brilliant artists. First up, a legend in the 303 business, Tin Man drops an up-front 303 workout as he takes a large slice of ‘88 influence and delivers a jam packed full of purist panache. Next up, Derek Carr brings his own unique sound of warm detroitesque techno, replete with catchy electronic hooks that draw you in and stick in your head for weeks. On the flipside, close friend and fellow TB-303 enthusiast Posthuman delves deep into his box of tricks. Keeping the acid to the bare minimum on his contribution, he provides an epically deep slice of melancholia led by beautiful chords that keep everything moving. Last but not least, Dircsen slows everything right down and takes us on a journey of pure 303 bliss that will delight newcomers and old heads alike.

Maybe some older club music fans know Fred, Deep House maestro from Quebec, Canada.

All is well is his new moniker. We have been checking his release on Trumpet Community,Internatjonal. The music is updated modern Deep House but not too modern. It’s what we like.

“Tortue Jaune” is timeless atmospheric Deep House. There are three versions.

Sarasota reminds us I: Cube stuff bit.

Both tracks could be in your all-time playlist.

Hope you like.

SB Traxx returns for their second outing, flexing four original club Traxx from Anthony Fade. 'Mind Games' opens things up - a Jackin' acid drum machine workout awash with 707 hits and 303 squelch. The A2 'M1 Cause Everyones Gotta Have Fun' then hits you with a piano rave weapon - gritty and hard hitting coupled with those classic M1 stabs. Flip it over for a top-down summer anthem in 'I'm Weak' marrying RnB tinged vocals and shuffling rhythms before 'Dr. Ice' closes it out with a golden-era hip hop inspired deep house groover.

On this White 7” vinyl Axel Boman and furniture company Massproductions present” BAM! (Massproductions Dub)” - a creative sound experiment, where Swedish music producer Axel Boman explores Massproductions’ new sofa BAM! The rhythmic A-side was released digitally in February 2021 and is now followed by a full vinyl release together with the B-side” A Meditation On Furniture By Chris Martin” which is a hypnotic acid rap with Massproduction's head of design
Chris Martin (not THE Chris Martin).

On this White 7” vinyl Axel Boman and furniture company Massproductions present” BAM! (Massproductions Dub)” - a creative sound experiment, where Swedish music producer Axel Boman explores Massproductions’ new sofa BAM! The rhythmic A-side was released digitally in February 2021 and is now followed by a full vinyl release together with the B-side” A Meditation On Furniture By Chris Martin” which is a hypnotic acid rap with Massproduction's head of design
Chris Martin (not THE Chris Martin).

Dr. Rhythm was a short-lived house project by a British musician Mark Woollard who would later go on to become a library musician. As Dr. Rhythm, he released two 12" on Chill music subsidiary Danceteria in 91 and 92. Joining Mark on production and remix duties were Jason (E.M.U.) and Neil of Liquid Son whose house hits we also reissued in 2021.

Cold Blow is proud to resurrect these irresistibly fun house works as a remastered compilation, right on time to brighten up the promised summer of 2022.

Limited Vinyl Only Edition Of Two New Edits On Kaskadeur Records with the perfect deep house flavor for your summer party....

For an understanding of the past, you have to look to the future – or was it the other way round? No matter how you want to put it, some things are an aesthetic choice, and the meaning of style does not necessarily go hand in hand with the latest fashion fad or an incurable retromania. Chinaski’s debut (album under that name) on Running Back seems predestined to resume these discussions. Drenched in sepia colors and faded VHS tapes memories, fed by a science-fiction that never became a fact, essentially made with the ultramodern instruments of yesteryear (see back cover for further reference) that became redundant through their own relatives and a need to ensure efficiency (time, space, money), it’s either concept art, an ode to Disco Piu, a post card from the early days of Frankfurt’s Dorian Gray or the search and itch for a time machine.

All of the debate above is rendered useless by the title though: No Pop, No Fun! And those are the main musical reference points here: instrumental pop that you can dance to, pastel melodies that stick with you and fun frequencies. Downtempo ballads for video game characters in love meet cabriolet anthems and scooter songs. Perfectly composed and carefully made.

If John Hughes would have ever aspired to make a high school movie set in a post-apocalyptic Italy: this is what the score would probably sound like.

Colleen ‘Cosmo’ Murphy presents Balearic Breakfast Volume 1. An eleven track compilation of gloriously transcendent genre-hopping music inspired by one of the most listened to shows on Worldwide FM; most tracks impossible to find on vinyl.

How does one make a Balearic Breakfast?

You need to obviously start with one part blissful sunshine, rising over one part white sand, set to the sound of the sea looping back and forth. But what else - that perfect, idyllic backdrop aside - sums up that most important time of the day, specifically when spent right in the heart of the most glorious archipelago in the western hemisphere?

Luckily, DJ, broadcaster and producer Colleen ‘Cosmo’ Murphy has perfected the recipe.

Colleen has been mixing together Balearic Breakfast shows on Worldwide FM for the last few years after starting in earnest during the first pandemic lockdown. Her shows offer a remedy to the pressures of the outside world; each is curated with the admirable aim of trying to “create a musical atmosphere for escape”, be it from bad weather or bad vibes.

Inspired by formative experiences at The Loft in NYC and on the terrace at Space, Colleen’s Balearic Breakfasts are endlessly eclectic and always inspiring, pulling together - in her words - a “hodge-podge of chill out, spiritual jazz, deep soul, percussive house, quirky disco, indie-dance and what may ‘traditionally’ be called ‘balearic’ (whatever that may be).” Basically, the kind of music you want to hear as the sun breaks over the horizon.

For her first Balearic Breakfast album (lovingly compiled for the ever-visionary Heavenly Recordings), Colleen has put together a set of songs that allow the listener to drift with her between myriad genres and join the unseen dots between them. The journey takes in shooting star ambient sounds, deep soulful hypno-house, ecstatic Neu-esque locked grooves, ethereal sea-shore jazz and Southern Hemisphere starlight disco, with tracks by artists such as Friendly Fires, Mildlife, Linkwood and Lady Blackbird (a track praised by Elton John, who called it “a groove that blows my mind”) and producers such as Andrew Weatherall (under his Asphodells alias), Ashley Beedle, Coyote, the late, great Phil Asher and Cosmo herself.

Flowing together, the tracks perfectly create that musical atmosphere for escape - a recipe for daydreaming yourself into a Balearic Breakfast state of mind. Tune in and leave the everyday behind. The sun’s rising overhead and the waves are at your feet, whatever time of day it is wherever you might be in the world.

The Art Of Us (TAOU) begins with the story of Blair French, a cosmic messenger raised in a house of 7 on the outskirts of a historic city. From dancing at mom's disco parties at a young age, to releasing rap tapes in middle school, winning best soundtrack for the multi-award-winning film DETROPIA and hitting the Billboard charts with his Pure Sounds of Michigan compilation; ultimately French found a home in the world of all things Detroit, Pan-African, Balearic, and ambient. TAOU is his first instrumental LP under his own name, (despite a 25 year career), bringing together his closest musical compatriots.

Yet another solid gold modern reimagining of the mighty Loleatta Holloway, this time her infamous 1977 smash 'Hit & Run' goes under the knife and is tweaked to devastating effect by 2 of Chicago's finest modern day editors - Jamie 326 & Cratebug. Anyone with even a passing interest in Disco or House will be more than familiar with these 2 guys names. Having edited and remixed numerous cuts in their own original ways, they take this all-time Salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. This edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the Windy City and naturally it was one of the cuts that stood out, finding favour with a wide variety of DJ's across the board from Motor City Drum Ensemble, Todd Terry, Jeremy Underground Paris, Theo Parrish and more. Drawing comparisons with Paperclip People's anthemic 'Throw' from 1994 in the way it snatches a killer loop from 'Hit & Run's' bassline, 'Hit It & Quit It' is a monster, a record you'll literally play over and over and over again, a relentless Disco juggernaut that oozes power. It made perfect sense for this legit single-sided reissue 12" to come out on Salsoul Records, the home of Loleatta Holloway's finest material and all of her classics. This limited reissue has been made in conjunction with Jamie 3:26 & Cratebug and Salsoul Records, 100% sanctioned and lovingly re-presented for your dancing pleasure. This one is HOT. Sleep at your peril!

Back in stock !

Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP's, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. '&' is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere - and the dancefloor in front of him. '&' is the rare manifest of an established artist who is willing to risk it all and challenge himself, and the world around him. 12 tracks, 12 single narratives coming from a group of very individual minds orchestrated by Michael Mayer - the DJ, artist, A&R but most importantly, obsessed music lover. Michael describes the process of curating and creating '&' as a constant battle between his three alter egos but 'the obsessed music lover has had the final say.' As diverse as they are, all the tracks that result from this long and winding road create a cohesive story and present the elasticity of Mayer's musical galaxy. Michael gladly leaves it to the rest of the scene to discuss the different grey shapes of club culture. For him there is only one club culture - a playful and open-minded one that's easy to comprehend after you hear ‚&'.

An ecletic musical representation of infamous Rotterdam Jazzclub BIRD with well-known and lesser-known Dutch artists from the black music spectrum, varying from Jazz, soul, hip-hop to electronic music. Compiled by BIRD musical curators Philip Powel and Guido van Dieren.

Freerange Records are thrilled to announce the arrival of Crackazat's latest long-player, the scintillatingly soulful and jazz-enriched masterpiece, 'Evergreen'.

There can be few artists to have emerged in the last decade or so who've made a more indelible mark on the deep house universe than producer, Ben Jacobs, better known as Crackazat. The accomplished musician's effervescent productions routinely hit the sweet spot between elemental dancefloor fire and cerebral musicality – thanks to a propulsive sound combining influences of jazz, house, garage, funk, hip hop, Latin, neo-soul (and far beyond). While he's already forged an instantly recognisable sonic palette all of his own, new album 'Evergreen' represents his most accomplished work to date. Making his full vocal debut while introducing a new level of songwriting prowess to his long-established dancefloor credentials, this is the complete Crackazat.

Composed during – and undoubtedly informed by – these trying times, 'Evergreen' explores themes of adversity and gratitude, arriving as both a masterclass in contemplative songwriting and a celebration of musical influences. Elegantly bridging the gap between the soulful house underground and jazz-flecked crossover realms – inhabited by the likes of Jacob Collier, Thundercat, Tom Misch, and Jordan Rakei – the album echoes of a time where jazz-funk sensibilities and popular appeal were not mutually exclusive. Few artists boast the musical aptitude or creative vision to attempt such a bold fusion of styles, and thanks to its exceptional execution and irresistible appeal, 'Evergreen' is primed to introduce Crackazat's sound to an entirely new audience.

'Evergreen' is endowed with a distinctly live feel throughout, with virtuoso musicianship combined with carefully assembled song structures – elements so often missing in the dance canon. “It's the album I’ve always wanted to make” says Crackazat. Soul-heavy vocals – performed by Jacobs himself – are a cornerstone of the collection, with the power and soul of his delivery proving something of a revelation. “By far the hardest part was getting my vocals to a standard I was happy with,” he says. “So I was over the moon when Freerange responded to the first draft with two thumbs up and a big grin.” The album's arrival on benchmark UK deep house label Freerange feels like a particularly natural fit. When, in 2020, Crackazat started posting clips of himself singing alongside live bass and Rhodes, it quickly piqued the interest of the label's ever alert A&R team. “Crackazat really nails the sonic realm where crunchy house beats inspired by the likes of Masters At Work and Mood II Swing meet contemporary neo-soul and jazz-influenced rhythms,” says the imprint's co-founder, Jimpster. “There’s not many that can fuse the two so well and I get a sense that big things lie ahead for Ben. We're very proud to be able to release this brilliant LP on Freerange!”

Blending the purest forms of deep house with authentic jazz sensibilities, opening track 'Beacon Of Light' lays down a tantalising statement of intent – with its combination of live instrumentation, heartfelt vocal, club-ready beats and compelling arrangement offering a vivid introduction of what's to follow. Illustrating the pop-centric focus of the album, 'Everybody Talks About It' explodes with emotion – its searing vocal rising over shimmering pads and bass before building to a horn-filled crescendo, showcases Crackazat at his song-writing zenith.

The deep disco of 'I'm Easy' sees blissful chords glide over weighted bass as the vocal powers across the panorama, bursting with Quincy Jones-inspired horns above delicately woven keys and raw house drums. Nowhere are the album's meditations on hardship more vivid than on the modern jazz ballad 'Simple Things’, This compelling composition blends shades of Robert Glasper with futurist deep house to dramatic effect.

Fusing modal jazz with UK garage, we segue directly into the warm throes of an enraptured dancefloor via the irresistible bump of 'It's All Different', its soulful vocal embellishing a heavy club rhythm as the trumpet solo and Rhodes chords cascade across the horizon. Title-track 'Evergreen' opens with a sprightly jazz swing before dusty drums add body to the sophisticated instrumentation, presenting jazz and house as a single entity as the well-orchestrated wind instruments, keys and mallets dance over an improvised walking bass line. The distant vocal elevates the track into the stratosphere before the arrangement resolves, neatly leading us into the Collier-esque accapella and vintage jazz aesthetics of 'Cedencia', where signature vocal cadences ascend to celestial heights for an interlude that ushers in a departure from the futurist first-half of the album.

Arriving in the funk-infused second act, the salsa rhythms of 'True Power' intoxicate as they propel the Peven Everett-inspired vocal, with driving percussion skipping over live bass and keys before horns add tension to the groove, dissipating for a dub-heavy outro. The scattered, broken jazz of 'Save Something' finds Crackazat and his live band in full effect. Fiercely dynamic while intellectually riveting, the track incorporates Latin energy with understated cool to devastating effect.

Once again illustrating an unparalleled songwriting prowess, the Hancock-esque e-piano solos, slap bass and enthralling lead vocal of 'Nominee For Love' prove spellbinding as they combine, the sing-along chorus interplaying with buoyant horns for an unfettered celebration of life. Maintaining the celebratory sentiment, boogie-themed 'Thank You' arrives as an exuberant outpouring of gratitude, once again marked by breathtaking orchestration and a proudly positive aesthetic as loose-limbed piano solos and boogie bass cement the track's authentic Stevie meets MAW feel. Finally, the immaculate collection comes to a close with the self-nurturing intention of 'Good Enough', where sparkling chords, emotive synth solos and impassioned vocal merge for an emotional modern soul ballad.

'Evergreen' is nothing short of a triumph, exhibiting all the hallmarks of a future classic while propelling Crackazat into stratospheric artistic dimensions. Expertly fusing primal dance magnetism and jazz dexterity with a flawless production sheen, this remarkable album is destined to find its way into the playlists of a multitude of admirers while enhancing this exceptional artist's already glittering reputation.

Temp. back in stock !

Versatile presents part one of a two-part 7 inch series featuring dub versions of selected tracks from Etienne Jaumet's latest album, "8 regards obliques", in which he gathered and covered his personal jazz favourites.
The first volume sees DJ Sotofett turn 'Unity' into a proper digi dub on the A-side, whilst on the flip I:Cube revisits Miles Davis' classic, 'In A Silent Way', turning it into a stellar 135bpm version.

George Smeddles kicks off his new South label with a pair of standout tracks backed by his own different remixes. The UK artist is someone who has had heavily-supported releases on some of the biggest labels worldwide, and has played all of the most vital underground clubs. He now steps out with a superb first offering on this exciting new label.

Opener 90s is a throwback tune with tight drums and rich bass. The kicks power it along while old school chords add the fun and colour. It also comes as a Smeddles Piano Mix which is even more uplifting and feel good with diva vocal stabs and yet bigger chords.

Malt Whiskey then slips into a deep but dynam ic house framework. Bulbous bass underpins the groove, and twisted synths and warm pads fresh it out. Smart vocals add some soul and ensure maximum response from the crowd. The LDN Dub Mix then pairs it back, making it a tech house kicker perfect for those back room spots.

This is a great foundation to what is sure to be a vital & exciting new label.

US house legend Kevin Knapp returns to Crosstown Rebels six months after his last appearance with the three-track Dancing With The Devil. Detroit’s ‘First Lady Of Wax’ DJ Minx features alongside, serving up a standout remix of the title track.

Dancing With The Devil sets the tone, a murky, hard-edged house cut that brims with echoing vocal samples and swirling synths in the foreground. DJ Minx’s remix comes next, progressively building into a late-night dance number that showcases the Detroit legend at her best, before Tasty ends proceedings on a high. Kevin’s lyrical offerings feature, as fast-paced kick-hat combos merge with stripped-back percussion throughout.

US-native Kevin Knapp is a leading figure in the contemporary house sphere, having cemented his standing as a true heavy-hitter with recent releases on Cuttin’ Headz and Repopulate Mars. Renowned for both his productions and vocal contributions, the Crosstown Rebels regular now heads up his own imprint, Plump Records, welcoming the likes of Nathan Barato and Demuir in recent times.

DJ Minx is one of Detroit’s most esteemed exponents, remaining a stalwart of the scene for nearly three decades. Honing her craft at the city’s famous Music Institute, she runs two labels in the form of Women On Wax Recordings and W.O.W. B.A.M. Mixmag named her as one of ‘20 Women Who Shaped The History Of Dance Music’, whilst Time Out New York described her as “one of the best house music DJs of all time.”

Long time deep head Thomas Cox debuts his new label Q.E.D. Recordings with his first solo release. Sounding like these house jams were composed and then stashed at the bottom of the Monogahela River, this three tracker drips with the rusted out grime Pittsburgh was notorious for in its pre-gentrification era.

"How that time has gone, vanished beneath night’s cover, just as if it never had been! The wall, wondrous high, decorated with snake-likenesses, stands now over traces of the beloved company. The ash-spears’ might has borne the earls away—weapons greedy for slaughter, Fate the mighty; and storms beat on the stone walls, snow, the herald of winter, falling thick binds the earth when darkness comes and the night-shadow falls, sends harsh hailstones from the north in hatred of men.



All earth’s kingdom is wretched, the world beneath the skies is changed by the work of the fates. Here wealth is fleeting, here friend is fleeting, here man is fleeting, here woman is fleeting—all this earthly habitation shall be emptied."



— Exeter Book (1072)

After 10 years Illegal Series closes its operations with a final last EP.
As usual anonymity is the key, all we can say it that all tracks were written and produced in 2021 as a result of various studio collaborations between friends living in Barcelona

Part one of a new Salsoul Re-edits series launches with four reworks from disco aficionado DimitrI From Paris. Available on vinyl for the very first time, Dimitri adds his deft remix touch to Salsoul favourites from Loleatta Holloway, Inner Life, Love Comitte and Skyy.

It’s incredibly easy to get a remix wrong — as the back catalogues of far too many major labels, whose slapdash commissioning of the latest hot remixer half-guarantees an unsympathetic mangling of the song, can attest. At their best, remixes can make you look at an artist as though positioned from a different angle or using a different camera; sometimes hearing a song in a different context gives it a completely new meaning. “So you take a piece of a vocal…blah” says master remixer David Morales. “That’s a remix? That represents the artist? That doesn’t represent the artist, it represents you.” In the hands of the insensitive a remix is like chucking a song into the washing machine for a 100 extra spins.

In the hands of a master, things are a little more complex. Heavenly was all but founded on the art of the remix; our departed friend Andrew Weatherall remixed the first ever release, and the label has built up an immense catalogue in the intervening years that demonstrates all that is good about the art form.

Assembled on this compilation are twelve sterling examples of the remix, from Hanspeter Lindstrøm’s reading of Doves’ ‘Jetstream’, which turns their glistening pop into Lieutenant Pigeon meets Italo-disco (in a good way), to Andy Votel’s gentle folk-funk version of Halo Maud’s délicieuse ‘Des Bras’. We delve deep into the vaults for Saint Etienne’s ‘Filthy’, Monkey Mafia turning it into a rump-shaking groove perfectly suited to Q-Tee’s rap, while more recently, Flying Mojito Bros, purveyors of Tex-Mex house groove, reimagine Katy J. Pearson as a lonesome Lone Star lover.

Though not purposely themed, beyond being judiciously chosen as the catalogue’s finest gems, there’s a tiny hint of psychedelia about this set that is hard to ignore. Firstly, there are the acid contributions from Gabe Gurnsey, who knows his way around a coruscating bassline, and from Graham Massey, whose impeccable credentials in 808 State are brought to bear on ‘Valleys’, by young turks Working Men’s Club (acid house being modern psychedelia, whether the rock press approves or not).

Jono Ma, meanwhile, flips Night Beats’ amazing ‘Sunday Mourning’ into ‘Warm Leatherette’ on benzos, creating a disorienting glimpse of a dystopian Sunday that most definitely doesn’t include a genteel read of the papers and a nice cup of tea. On the other side of the miasma is Beyond The Wizard’s Sleeve’s redemptive re-interpretation of M. Craft’s ‘Chemical Trails’, which, alongside Boy Azooga’s ‘Face Behind Her Cigarette’ (Mikey Young remix), Gwenno’s ‘Chwlydro’ (R. Seiliog remix) and and Katy J. Pearson’s ‘Take Back The Radio’ (Flying Mojito Bros Refrito Dub), is issued on vinyl for the very first time.


This dozen tracks — each one curated, remixed and delivered with love (and a teensy bit of impertinence) — is just a glimpse into the catalogue of one the UK’s finest indie labels.

In the alternative reality in which I’d prefer to exist, this what Top of the Pops might sound like; or, at the very least, the jukebox in the Korova Milk Bar. Pop disruption at its best.

For its eight instalment, and its first Various Artist, Finest Hour brings together old and new friends. Tolga Fidan and Voigtmann were in the plans since the label was created in late 2013, and it's with great joy that we finally welcome their contribution to our series.


A versatile EP that ranges from timeless house inspired by the deepness of the 90s to futuristic minimal cuts with a modular touch and a broken beat edge. The VA is completed with two individual contributions by label bosses Onirik and Pablo Tarno, fitting with the musical aesthetics that Finest Hour is known for.

As the First Rayonas Records 001 release has been sold out in less than a month we have decided to make it a little bit more special..
Rayonas Records 002 will be White Colour !

White represents purity or innocence.

Record label born in Lithuania • stands for the hood • stands for community • It’s all about Underground music.

Unknown artist / Vinyl Only

First publishing by Parallel Records, with two House singles made by Benjamin Campbell. Both tracks sound terribly good, they suit clubs and the more demanding DJs.

Discodelic records is back, this time with one of Detroit’s most prolific producers, Gari Romalis. The “Disco Tech” EP is a blend of raw house, techno and sparkles of disco, resulting in 4 rhythmic dancefloor tracks analogically produced. Really hard not to dance on this!

Selections Label proudly welcomes intr0beatz to the label with the outstanding Deep Dish Dank Ep!

Kemeticjust present their Just One project on Atlanta based label People Of Earth.

For 12 years deepArtSounds has provided the finest and timeless quality in musical delicacies crafted for authentic Deep House connoisseurs; in their highlighted curation of perfection, entry 028 is no exception- entitled "Never Enough" - this VA EP represents all parts of the World with true renaissance artists of the deepest House;

Side A welcomes you on a groovy ride past sunset shores and lush strings served with organic leaning vocal House magic from Africa courtesy of Benklawk & Mabutana -

Next up, Dan Piu and Roger Versey return as passport to mix the elixirs of raw Chicago and New York House essence via dreamy Zurich to St.Louis navigation seasoned with deep lyrics and soulful keys for the sensual imagination.

Rounding off the A side is Malta's Owen Jay with a healthy and steamy late night House groover, expertly arranged for the mind or the clubs as it commands a classy nocturnal mood perfectly with its slick drums & silky stabs saturated in sexy dub.

Tominori Hosoya of Japan beautifully opens up the B side in class vibes like a scene from the Pacific Ocean coastal tides with powerful snare layered kicks and therapeutic strings to provide quite the smooth ride
....Arriving in style from Spain is Manuel Costela with colorful vivacity merging deep House, modern funk, and late 70s/80s Mongo for a sure delight that will do colorful wonders when played early mornings or night.

Concluding the EP is Portugal's Deepbreath to take the journey further levels by way of introspective and melancholic atmospheres in cinematic fashion finely fusing deep, and techno in a captivating aura that doesn't let go

Surely that will always be the case for deepArtSounds; as Never Enough EP sets the right House moods for the night or day, and is the final chapter in a legacy that was never afraid to go deeper and let the records play.....

"Never Enough" hand pressed on vinyl with exclusive love for the deep frequencies in you; although we say goodbye, the deepArtSounds influence will only continue....

Mint Condition - A brand new record label focussed on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Here at Mint Condition we work overtime, lock ourselves away, make all the necessary phone-calls to Chicago and beyond to ensure that we could reissue a masterpiece of modern House music. If you're reading this then you already know our hard work has paid off as for our second release we're super proud to present the legendary "Emotions Unknown" by Chicago's Circulation for a special remastered 2016 edition.
Circulation aka Joshua Iz (Iz & Diz) dropped this incredible EP all the way back in 1995 on Ron Trent and Chez Damier's seminal Prescription offshoot Balance. "Emotions Unknown" is one of those rare specimens, an almost flawless record in every way, the type of nugget that gets people all hot under the collar, and rightfully so! The grooves contained within are simply dripping and oozing class... the deepest of the deep, top shelf stuff, ahead of the game! A record that still sounds contemporary, fresh... futuristic even now, 20+ years after it hit the streets.
Across it's 5 tracks we are treated to some of the most sublime, beautifully crafter deep House sounds that will ever grace your eardrums. Honestly. If, like us, your favourite hobby is digging for records and discovering old/new sounds then you'll understand what a big deal this record is. If you're one of the uninitiated you're in for a real treat... here's the perfect opportunity to own a record you'll keep coming back to for years to come, a timeless collection of cuts that will never tire - Sincerely!
MC002 has been remastered and reissued straight from Joshua's private DAT tapes and remastered by London's very own Curvepusher. 100% legit, licensed and released in conjunction with Joshua Michaels AKA 'Iz'. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!

This second release on Heads High brings an EP from label owner Mike Misiu under the moniker Day Out Of Time. Four diverse tracks forged from a year of studio jams, road tested on airwaves and discerning dancefloors and now honed and available for your delectation.

Opening 4/4 cut 'Rising Tide' builds the atmosphere and tension with synth stabs, morphing arps and a throbbing sub-bass. 'The Urge' struts in on a hybrid electro-funk tip, twisting, chopping and vocoder-ing an 80's rock vocal and sax into a dance-floor detonator.

On the flip side 'Private Ay' chugs along on a mid-tempo Moog bass groove that re-imagines and re-works some infamous guitar licks, before the E.P. climaxes with 'When Love Beckons' - a pulsing electro-discoid ode to love, powered by moody analog bass, acid lines and an impassioned poetic vocal.

All tracks produced by Mike Misiu, mastered by Curved.

REPRESSED !!
A nice selection of previously unreleased tracks from the studio of Scott Grooves, including "Movin' On" - the first vocal track Scott has released in the past 10 years!

2021 Vinyl production on P.U.N.C.H.I.S. Records starts with a very strong Various Artists release featuring four awesome originals from the underground masters Blin Eff (Switzerland), Claudio Solis (Chile) and Djosh (Italy). Deep groove in every form of the Tech, Minimal and Breaks, mixed with some amazing vocals and bouncy basslines is an all around winner. Thirty minutes of quality organic music will surely satisfy any sophisticated dancefloor or the party.
Please support the artists and our label. Cheers to everyone!

Between producing landmark albums with the likes of Azymuth, Marcos Valle, and Sabrina Malheiros, recent years have seen Daniel Maunick flourishing as a solo artist with acclaimed releases on Eglo Records, Mother Tongue, Visions, AKO Beatz (under his Dokta Venom alias), and of course, Far Out Recordings. His sophomore solo album Persistence is an exemplary culmination of the momentum Maunick has built since his 2019 debut Macumba Quebrada, which earned support from Moodymann, Benji B, Gilles Peterson, Ron Trent, Palms Trax, Derrick Carter and Moxie to name just a few.

Since collaborating with Shy FX for his first ever release at the age of fifteen (a now impossible to find single sided jungle acetate), Maunick has remained embedded in the fabric of the culture, from early work for the legendary Talkin’ Loud label to notching credits with Terry Caliier, Paul Weller, Ski Oakenfull, Brenda Russell, and his father’s legendary brit-funk outfit Incognito. And for almost two decades he’s served as producer for a long string of classic and future-classic Far Out albums, most recently Alex Malheiros' Tempos Futuros.

As on his previous Far Out opuses (most recently the Musica Encantada EP), Persistence sees Maunick continue to playfully use foundations of traditional afro-brazilian rhythms, heard in the sultry samba swing of 'Arraiá', the pulsating batucada enveloping the bassy synth stabs in “Remnants of Joy”, and spectral cuicas throughout the blissfully bumping ‘Illusions’. But going beyond his trademark nods to Brazil, he reflects on his junglist roots with the emotionally charged ‘Love Is Gone’, and flexes his deep house muscles with the late night magic of ‘Just Deserts’ and ‘Addicted’.

The sheer variety on show is testament to the wide scope of influences and experiences Maunick has accumulated and absorbed in his career to date. It’s also evident that after years spent with jazz funk masters like Azymuth and Incognito, as well as hitmakers like Marcos Valle, Maunick has reached a new calibre with his compositional prowess alongside his astoundingly accomplished studio skills. Persistence is a modern classic by a veteran at the peak of their powers.

It's been a while since Local Talk presented a 12" with two artists doing one side each but it's time again.

Italian powerhouse Nico Lahs glides smoothly between labels like Delusions Of Grandeur, Adeen and Rawax, working with house royalty Chez Damier and keeps delivering top quality music.
His contribution to this split 12" is the track 'Everything Is Good', one of those moments when everything (!) works just perfectly.
A straight forward track that embraces loops and repetition with hints of HNNY's golden days.

On the flip Local Talk's very own Tooli moves through a series of moods and grooves with the 'That Cowbell Track', a cut which eases you deeper and deeper into the dance, with clever rhythmic programming.
A dub that focuses on the cowbell is also added for your pleasure, because you can't have enough cowbell, can you ?

It's debut time!

Making his first appearance on wax is Manchester's hottest property, Approach Release. When he isn't creating cross-genre chaos behind the decks, this genial gee mans the tram, so you gotta know he's comfortable at the controls.
In addition to a clean drivers license, the man is in possession of some seriously deep crates and this three-tracker sees him pick out a few obscurities in serious need of some scalpel.

The A side serves up the swooning space disco of 'Krypton Factor', a mid-tempo trip into the mirror ball nebula which pairs sweet female vox and dramatic sax with malfunctioning electronics and chest height bass riffs. File it under set opener, sci-fi frother and future anthem!

Over on the B side, A.R. indulges in a little beatific boogie via 'Coma', an outer national excursion building from bubbling bass and classy keys into the eventual heart-swelling vocal, an arms aloft moment if ever we've heard one.
We've been dropping this anywhere there's a CDJ and are just as happy as you lot to have it on wax. Approach Release makes it three hits out of three on the B2, as a slept-on slice of synth-pop Francais gets a necessary extension and leaves its lame chorus on the cutting room floor. Tune in for taut drum machines, playful melodies and a chic vocal.

100% Drum Fun Guaranteed.