House Vinyl New Releases - News

Making his debut on Crosstown Rebels, AEON founder Alex Niggemann takes us on a sonic exploration of the African continent for his next musical venture.

Allow yourself to melt into the hypnotic rhythm of Zoulou. Ambient sounds are textured with percussion that lures you in. Tribal chants and explosive drums seek add drama as the abundance of intricate layers pull you along for the journey. Bwana is more progressive than its predecessor with a soft drumbeat underpinning it. It utilises that same tribal vocal stab contrasting against harder synths.

Alex Niggemann is an artist who prides himself on being innovative and forward thinking when it comes to electronic music. Over the years, he's had releases on Last Night On Earth, Watergate and Poker Flat Recordings. In 2013 he set up his own impressive imprint, AEON, in a bid to release music that breathes quality and originality and blurs the line between house and techno. Recently celebrating its fifth anniversary, AEON is now a fully fledged brand and has played a part in bringing now established artists such as Denis Horvat, Speaking Minds and TVA to the forefront of the scene.

Temporarily back in stock..!

Vega Records are proud to present the re-release of EOL Extensions by Elements Of Life, the second album from Louie Vega’s critically acclaimed live orchestral project. With an allstar cast of remixers the lineup is a who’s who of worldwide talent. On the repertoire are Jazzy Jeff, Kenny Dope, Dj Spinna, Joe Claussell, House of Rumba, & Dj Gregory, along with EOL Alumni lead vocalists Josh Milan, Anané & Raul Midon. The Vinyl release is in two parts, two double packs, get it on your turntable, close your eyes and listen to the cosmic sounds of EOL. The new tracks “Messin’ About”, “Our People”, and the unreleased mix of “Love Is On The Way” are ones not to be missed.

Since launching a few years back, Half Baked Records has consistently served up high quality fare from a mixture of underground heroes and rising stars. We'd put Luca Piermattei in the latter category, even though he's been releasing music for a few years and recently featured on Rawax. Memories of a Wonderful City is genuinely excellent, with the Italian doing a good job in combining vintage synth and drum machine sounds in a fresh and ear-pleasing way. Choose between the pleasingly bouncy, sci-fi-fired deep house dreaminess of 'Galaxy', the sleazy late-night brilliance of 'Vintage Style' (which incidentally features a frankly filthy acid bassline), the bustling sweatiness of extra-percussive opener 'Busy Life' and the undulating, analogue-heavy jazz-funk-goes-house hustle of '80's Sound'.

Basic Mind returns to Good Company Records for the first time since their stomping remix for Tourist Kid back in 2017 with an EP of 100% fully-organic, bio-dynamic, and naturally psychedelic dance music.

On the menu at Rhizome Rhythms?

Platter “A” delivers two juicy Balearic breakbeat burgers with a side of deep-fried techno, served very well done and dripping special sauce.

Option “B": For the health-conscious, your choice of two cold-pressed smoothies: “Body of Water”, lightly acidified for good digestion, or the deeper cleanse of “On Spectrum”, high in aural fibre... Or have both at no extra cost!

WARNING: Side effects may include feelings of peace, love, unity and respect.

thisisnegentropy is back with bang! For the third release we welcome our dear friend Nat Wendell who has perfected his sound over the last few years, blending his native UK roots with the minimal flavours of his current dwelings in Berlin. 4 trance inducing tracks that will hook you from the get go, taking you straight into hazy territory, perfect for those after parties where people actually dance like nobody's watching. File under: "Dope AF Timeless House music". Limited Supply!

Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.

Constant Black is one of the many labels run by the prolific Brit Burnksi aka Instinct aka Constant Sound. Here he signs up Niko Maxen for four deeper house cuts that are designed for small and intimate spaces. There is a trippy sense of melody to 'Denali' that soon has you enchanted as the rubbery drums bounce below. 'Logan' is built on another bulbous fusion of rubbery kicks and gooey bass that is stripped back but characterful. Things head into rather spooky worlds on 'Jaya' with its mysterious leads and swirling pads, then 'Elbrus' rounds out on a slick minimal house vibe that is perfect for the wonky after hours.

Outstanding union of vocals, rhythms and synth in an interesting and exciting way. These tracks are made for us to dance…

Stepping Hill EP Kicks off with a classic cut ‘Planets’ a straight up Bruk workout, reminiscent of the original CoOp days when Seiji’s Loose Lips was running the dance red hot! These crunchy Bruk step drums keep this jam running with vocal chops, talking philosophy about the planets and language, while lush chords, bleeps and a fat round bassline roll through to keep the energy moving, what else does one need to fling foot on the floor! (Try saying that fast!) One for the steppers!

The second track takes us on a more 2 step UKG vibe, baring the other strings to Szajna’s bow. ‘Pavement groove' is a proper soulful roller featuring London born, Manchester based Yemi Bolatiwa, a talented vocalist and songwriter who is a leading light of the Manchester music scene. Working with orchestras, bands and DJs in a range of different genres, a versatile performer as her recent single, ‘Water’, showed. On Szajna’s ‘Pavement Groove’ Yemi’s soulful vocals flow in and out of the 2 step rhythm and jazzy chords with low end sub basses laying foundations to the groove.

Then to finish off the A side Szajna pulls out Tape Cut, another sweet roller, more breakbeat than Broken-beat but still chopping it with that Bruk essence. Chords and percussion dance with the drums until a hypnotic flute introduces itself. It’s uplifting, playful, beatsy, bassy with dubbed out FX, a perfect bridge to the B side.

B1 rolls in with D.R Juice, a fave in the office, hitting all the right buttons in a Bruk dance floor sense. Dark and moody with proper chunky broken drums syncopated with this stab that gives the whole thing a kind of wobble while dubbed out sirens bleed through the tight hi-hats and deep bassline. We’ve been playing this one for a while and can’t wait to mash the dance with this one ! All you Bruk Steppers, S P R E A D O U T !

Like you’d need any more after that, Szajna lays down more soothing soulful garage esq beats on ‘Feeling’ with singer songwriter for The Darling Mundaring, London based, Crystal Alice, who has gathered a wide respect for encapsulating music that draws the listener into an unforgettable and intense experience, vocalist Crystal entices the listener with her soft sultry melodies that tell stories about love, loss, life and redemption.

Finishing off with Low ft Rosco G, skippy drum patterns once again keeping up that nod to UKG with piano chords and a muted Miles Davis style trumpet from Manchesters Rosco G. Smooth as you like, a laid back head nodder, that gangsta lean shit.

Early support from IG Culture (CoOp), Worldwide FM, Tuck Shop Music, Alex Nut (Eglo Records), Don Pascal, Mark Tilley, Mikey Do

One of Freerange’s longest standing artists Manuel Tur serves up another brilliant release in the form of Love Me Well. Someone who needs very little by way of introduction, Manuel has been honing his craft for nigh on two decades with a discography which includes some of the most influential labels and associations in electronic music. Running Back, Innervisions, DFA, Ovum, Objektivity, Mule, Drumpoet, Permanent Vacation, Andhim, André Hommen, Tensnake, Shit Robot, Tale Of Us, Ane Brun… you get the idea. Manuel continues to be in demand as a producer and remixer and remains relevant thanks to his golden ears, precision engineering and Midas touch.

For his tenth Freerange release (not including his three LP’s!) he delivers a diverse three track EP which spans the house spectrum from the deep, emotive late night mood of the title track through sublime, delicate and hauntingly beautiful Paperasse and rounding off with the driving, acidic, minimal disco groove of Touch Move.

Proper job!

After carefully searching the digital archives ones more,
Limited White Label kick's off the new year with a solid new
four-tracker EP spanning from Disco to Jazz-heavy House
tracks. De¦nite dance§oor material meets laid back tunes for
the afternoon – there is something for everyone.

We are proud to welcome Felipe Gordon on this second episode of the Groovin Unreleased Series!

'Bringing The Old School Back EP' is a tribute to classic house.
With jazz instrumentation, and elements that resemble the musical group format (solos, phrases with responses, etc), Felipe Gordon conceived this release with the idea of being at the height of Groovin reissues, that goes from genre architects like Blaze, or Chicago pillars like Glenn Underground.

Drums and rhythmical phrases maintain dancing intention, while Jazz vibes play on top, the combination of elements that revealed in a certain era the musical potential of house, now created through the lens of a new generation prodigious producer.

What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

Completely new mastered vinyl re-issue of the classic and highly sought after New Jackson EP from 2011.

Dimensions Recordings present an all-new dancefloor-ready remix package of tracks from Charles Webster's 'Decision Time' LP.

The release of Charles Webster's highly-acclaimed 'Decision Time' in late 2020 marked his first album project in almost 20 years.

An undeniable master of his craft, Webster delivered a body of work that was well worthy of the wait and saw support from the likes of Mary Anne Hobbs, Gilles Peterson, Joe Muggs and Tom Ravenscroft. With collaborators ranging from Shara Nelson (formerly of Massive Attack), to Ingrid Chavez (Prince muse & Madonna songwriter) and of course the infamous Burial, the British DJ/producer demonstrated that his ability to draw the right partners to exactly the right projects and execute them perfectly, has only improved with time.

In this vinyl remix package, Webster once more demonstrates his draw, drafting in an impressive cast of remixers to deliver a varied set of fresh takes on his original works.

Tokyo duo Dazzle Drums, South Africa's Jazzuelle, UK stalwart Mark E and the global trotting DJ Luciano present their unique takes on three cuts from Webster's incredible full length release.

Another essential piece of wax for your crates, this one drops on vinyl & digital via Dimensions Recordings on April 1st 2022.

Did you get the memo?

Still waters run deep.
We're pleased to introduce you to mysterious Clive From Accounts; number cruncher extraordinaire by day, totally f'ing awesome music producer by night.
No seriously, we're amped that we are able to release this EP by the self proclaimed "regional tiddlywinks champion" and "all-round beige sky thinker" Clive.
Who says office workers are drones? Loitering around the coffee machine surely has had no bad effect on his creative juices!

When we got an email from Clive with a demo called 'Bisou' we were blown away. Production quality was top notch and it really stood out from what came in our inbox.
So over the course of a year we asked him to fill out an EP next to his busy work schedule. The end result is a record with three very strong tracks, each with its own character.
'Keep Movin' is perfect for big dance floors and filthy sweaty clubs and 'The Trouble With Clive' has that beefy garage thing going on.
With a name like 'Bisou' you'd expect something kissy kissy, but it's a floaty warm, stabby breaks affair with nods to the classic deep sound.

Ahhh, we need you to go ahead and buy this stunner on limited edition wax. So um, yeah if you could do that, that'd be great. Oh, and next Friday is Hawaiian shirt day.

The third and final instalment in Frits' 'Two Bar House Music & Chord Stuff' sees him continue to showcase his distinct style of lo-fi, wonky house - both quirky & unconventional, yet instantly endearing in the same breath.

Served up first in Frits' melting pot, 'Theme 09' kicks things off with a shuffling, UKG esque rhythm and RnB flexed vocal snippets, alongside floaty arps and that 'chord stuff' that swells and stabs in the mix. Throw in a weighty bass and Frits' trademark analogue wonkiness and you've got a prime example of a Wentink wobbler. Next up, 'Theme 10' hits you with an organ melody reminiscent of a warped Crystal Waters, before twisting and turning into an edgy off-kilter house track. A glitchy synth line, bouncing bass and dreamy pads will hook you till the end.

Flip it and 'Theme 11' offers up a chuggier affair where glistening arps are interspersed with squelchy and sustained synths. Elements and effects are combined throughout, mesmerising you with a glimpse into the wonky world of the Frits'. Closing it out Wentink leaves you with a quirky club stomper, coupling a gritty bassline, saturated loops and off kilter, lo-fi stabs all tied together with a driving kick.

Across this 3-part series Frits' has left the fancy titles at the door, letting the music do the talking and demonstrating his penchant for making interesting, engaging and distinctive house music.... not your average two bar house music and chord stuff.

Clear Vinyl Repress!

A producer known for his eclectic and melodic sounds, Guy Gerber has delivered the brand-new remix package of his very own ‘What To Do’ production, set for release on Friday 26th October.

Embodying a varied range of sonic arrangements that the Israeli DJ has become synonymous with, the original was released earlier this year and demonstrates varied cymbal-claps and a wide range of isolated percussive instruments. With &ME spinning his own dynamic rework of the track, the German - who has performed a number of sets across Ibiza this summer, playing at DC-10 ’s ‘ Circoloco’ - adds groove-fuelled elements to the mix, a stark contrast to the deep, and driving style favoured by DJ Jes. A great remix package of the beloved original version of ‘What To Do’

After debuting on Mr. G's Phoenix G imprint in 2016 with the Unfamiliar Territory EP, Jayson Wynters makes an appearance on DBA for this, his second release, backed by a Kowton remix.

Jayson Wynters is a DJ that is able to combine many genres in one set and make it work. Wynters was first known as a garage MC in Birmingham, before rising to prominence in the city's underground radio and club scene, where he showcased an impressive knowledge of rare groove and house music. As he got older his taste for music began to mature, his collection began to grow, and he soon began to DJ. Using music as an outlet for expression, whether in the form of DJing or having fun on some drum machines and synths, is one of the most defining features to Wynters. He continues to fuel his passion by keeping an eye on the future rather than the past and striving to remain different.

A transportitive 10 track debut LP, written and produced by Jeigo throughout a period of isolation.

DJ Feedback

I.Jordan FKA India Jordan:
"It’s all so sick, sounds lovely and summery and refreshing."

Midland:
"This album is amazing man. Congratulations!"

Gilles Peterson:
"Good vibes, like this."

Ciel:
"Loooooooove it."

Tom Ravenscroft:
"Played on BBC Radio 6."

Sputnik One:
"Really lovely textures / melodies on this."

Syz:
"Seriously good body of work!!! Jeigo always delivers."

Louie Vega remixes the seminal Sam Records Disco hit 'Bourgie', Bourgie'' by John Davis & The Monster Orchestra.
12' vinyl release on Nurvous Records on Sept 9, 2016
House Music legend Louie Vega continues to light fire to select tracks from the Sam Records 1970's Disco Catalogue. He previously remixed Vicky D's 'This Beat Is Mine' and Convertion's 'Let's Do It.' Now he has added his unique and legendary production skills to a remix of the Ashford & Simpon penned 'Bourgie', Bourgie'' by John Davis & The Monster Orchestra.
Originally released on Sam Records in 1979, 'Bourgie', Bourgie'' also features background vocals by Ashford & Simpson.
Louie Vega continues to be one of the most dynamic and respected dance music producers in the world. With a body of work that combines his timeless and trend-settings production with Kenny Dope as Masters At Work, and his own distinctive and equally impactful Louie Vega productions, he has always had a great knowledge and respect for the R&B and Disco music that laid the foundation of the current soundtrack of nightlife. The Sam Records catalogue is owned and administered by Nervous Records, with which Louie has a long history, dating to his creation with Kenny Dope of the label's signature tune, The Nervous Track by Nuyorican Soul. The distinctive string sections of 'Bourgie', Bourgie'' along with the Ashford & Simpson lyrics caught Louie's ear, and he has created a remix that has been destroying dancefloors and festival summer.

Repress!

Eureka! is starting a strictly limited 12inch project with secret two tracks by UK crossover and broken beats maestro Kaidi Tatham.

'Mysticisms' prides itself on finding the groove, but with a nod (and wink) to discerning ears. However, sometimes it's right to just let it all out and go route one. Berlin based producer Daniel Scholz aka (DJ) Leinad was all about the dancefloor, releasing a series of simple but highly effective EPs of cut up, looped house music that summed up that late 90s Chicago-NYC-London-Paris influenced bombs.

The jack that house built the "heroes" with the "touch" Souvenirs embodies Leinad's sound. Moving from high-school DJ, to computer programmer to professional producer, DJ and soundtrack artist, remixing for the likes of Yellow and Peter Gabriel's Real World, moving from early classic mid-90s German techno and trance releases on to his 'Leinad' moniker (Daniel spelt backwards), the series of releases on JXP can now go for dizzing sums. In Souvenirs, taken from the Disco Part's III EP, Mysticisms found the source - elastic bass, filtered loops, watertight kick and twisted disco'n' strings, all cut back and forth 'for the party' to abandon.

Present day remixes come from Lewie Day's 'Deep Dean' project, offering a wonderful example of an artist at work, a laid back groove, pushing all the right dancefloor buttons, all presented with respect to the past, but with acres of modern day swing; Mysticisms' own cohort Piers Harrison, side stepping his edit school as one of Soft Rocks, to produce a literal peak time acid banger; and to close the 'DJ' returns, Leinad offers a bumping 2022 remake to show he's still a teacher.

Guru The Mystery.

Marc Cotterell brings 4 cuts of garage house & jackin' garage music to his own label.

DJ Feedback

Kai Alce:
"Marc shows that he can capture the 90’s sound, keep it fresh & update it on 8 Min of Pleasure, the sampled groove of Soul Glow goes great with this summer HEAT!"

Jeremy Underground:
"Great Ep, love "Soul Glow” great house version of Glow of love."

Danny J Lewis:
"Does this man ever stop delivering super dope releases? Marc 'Stamina' Cotterell drops yet another collection of slamming house cuts!"

Mike Millrain:
"Garage with a capital G. 4 beauties on one package. Plastic People always delivers the goods. Full support from me on this one, bomb after bomb!"

Tim Burnett (Tropical Disco):
"Standout tracks for me are ‘8 minutes of pleasure’ and ‘this love of mine’ Both are right up my street and will be supporting!"

Jeremy Sylvester:
"Standout tracks for me are ‘8 minutes of pleasure’ and ‘this love of mine’ Both are right up my street and will be supporting!"

Opolopo:
""Get That Feeling" hits the spot for me. Nice hypnotic groove, catchy vocal hook and a crazy filtered horn drone for maximum dance floor euphoria."

Belgian native and Entrepôt Records boss, UC Beatz comes correct with a double header of pure deep house brilliance on Masterworks Music’s 6th volume of The Master Series.

Two cuts that channel the buzz of a smoke-filled jazz bar through the medium of house music. ‘Mojoy’ is first up on the bill, fuelled by cosmic arps and squelching keys UC Beatz leaves his trademark touch as saxophone fills and soulful vocals drift over the hustle and bustle.

On the flip side, ‘Exotic Fruitz’ fills the air with glistening melodies that dip and dive between warm, welcoming stabs and brisk percussion. A spirited heater ready-made for the dancers.

German-born and raised product & our personal friend Steffen Baldo (aka Ugly Drums) has been doing quietly doing his thing for many years now. Not one for fluff, trends, or anything of the sort - he teams up with his mate Chesney for session of straight up deep, underground house business & the result is The Alec Holland EP.

As audacious as they get, round two of this LTD series takes a slice of late ‘90s gold, and layers it over a stomping house beat.

A pure masterclass in how to get a party started, with the kind of sampling that works oh so well when it’s juiced up into a cut like this.

Limited one sided vinyl biz, grab it while you can!

Bocab is a Zurich based producer who loves his beats raw and uncut.
The A side “Preach On Sunday“ is a hypnotic sermon that provides redemption on the dancefloor for all those who can follow it’s lead. On side B we find Lexx favorite “Can I Get...Ahhm“. A back breaking piano bounce goes into overdrive after two minutes. Heavy echoes of the beatdown sound of the Motor City. The tune gives an unmistakable indication of the producers hip hop roots. Turn it up! This 12“ will be appealing to fans of early Theo Parrish and Moodymann productions.

Dutch producer Joren Edwards debuts on Archie Hamilton's Moss Co. with three trippy cuts entitled 'For The Terrace' EP.

Music production student at the infamous Herman Brood Academy, Joren Edwards is an exciting prospect from Utrecht, Netherlands, gaining support from the likes of Benny Rodrigues and Archie Hamilton. Beyond his production, he also DJs across Holland, performing at respected clubbing institutions like Shelter, Thuishaven, Straf_werk, Basis and the late Sugarfactory. Archie Hamilton's creative subseries to Moscow, Moss. Co has delivered many
dynamic projects since its birth in 2013, such as Ferro, Nu Zau, TIJN, Hanfry Martinez, Stephan Bazbaz, Dan Farserelli and Mariano Mateljan.

'For The Terrace' presents close to nine minutes of rolling drums, with
shimmering arps that envelope into acidy tones amidst warm vocals. 'Change' then offers a contrasting open-hat shuffle ahead of fluttering chord stabs, before 'Searching For You' delivers dreamy pads pushed by a steady bass groove and
clinical hats.

Lexx (under his LX72 moniker) got his mates Gerd Janson and Lauer on board to remix the “State Of Resilience“ EP which hit shores earlier this year. Lauer takes the looney marine mammal straight to the disco-tek to present one of his trademark piano tricks. The crowd has no choice but to throw their hands up in the air and reach
for la luna in the night sky. On the flip, Gerd Janson’s 808 Remix gives State Of Resilience a classy electro make over as he flexes his muscle on the rhythm composer rules the dance floors for close to fourty years.

Michael James debuts on Infuse to open the New Year, delivering three original productions in the form of his ‘Fat Earth’ EP. A surging name within the scene, Manchester’s Michael James is quickly becoming a staple name in the record bags of some of the biggest names in the game following an impressive string of releases via the likes of Constant Sound and sub-imprint Constant Black, Mulen Records and Hoarder.

Taking inspiration from artists including Ricardo Villalobos and Zip through to Raresh, Rhadoo and Barac, the blossoming producer, DJ and digger has forged a sound combining his own take on house, minimal and dub techno – resulting in appearances at the likes of fabric (London), S.A.S.H (Sydney) and DC-10 (Ibiza), not to mention his long-standing residency at The Zoo Project. Opening 2020, here we see James’ latest effort as he touches down on FUSE sister label Infuse to reveal the infectious three-track ‘Fat Earth’ EP.

Title cut ‘Fat Earth’ opens proceedings in slick fashion, fusing skipping hats and evolving electronics amongst swinging rhythms, whilst ‘O.H. Groove’ ups the energy as rumbling low-ends and slinking percussion licks go to work revealing a lively effort perfect for the peak time or the after-hours. Last up, ‘Guidance’ sees out the package as tripped out vocal snippets interject amongst sweeping synths and rich drum shots, rounding out an impressive label debut from the blossoming UK talent.

Black vinyl repress of this long out of press Omar-S 7"

Salin Records proudly presents Sable Blancs debut album
„Homecoming“. Each Salin Records release is about telling a
story and taking you on a journey. The day Sable Blanc told us
about the idea of producing an EP based on the memories of a
trip to New York City he made with three close friends in the
summer of 2018 we instantly fell in love with this idea. After a
few months of intense work, it became an LP - Sable Blanc‘s
debut album and also a debut for Salin Records as this is the
first album for the label. Inspired by the beautiful colours,
outstanding energy and peace all around New York City that
specific summer, Sable Blanc produced „Homecoming“. Every
track on the album is about memories and friendship. For two
reasons it felt like coming home for him. He lived a few years
in the US and went to high school there. It was amazing to
come back and finally meet a very close friend again. Sable
Blanc chose a photo for each track - taken by his friend Adrien
Philibert - which connects to the moment that inspired the
track. Daria Salin developed the photos using the cyanotype,
an analogue photo development process that was also used
for the cover background. Together with the stories that Sable
Blanc tells about each photo, the cyanotypes build an artistic
booklet that is a special feature of the album. Homecoming isan album for a quiet, cosy evening, where you sit back in your
favourite chair and hold the booklet in your hand to follow
Sable Blanc and his friends on their trip to New York City. Enjoy
the trip...Thank you for your support <3 Christophe & Daria

7 years after debut album “Universes” on Ninja Tune, Seven Davis Jr. returns with the official follow up titled “I See The Future” on his own Secret Angels imprint.

The 11 song adventure provides a fun concentrated blend of deep house, soul, disco, funk, electronica and underground textures. The album brings together Sev’s different flavors into a finely aged familiar yet new atmosphere.

First two tracks “Records” featuring L3ni (member of Natasha Diggs Soul In The Horn collective in New York) and “U Already Know” featuring bassist Neil White (half of Canadian Rock duo The Carps), were originally produced in London early 2016 at a studio provided to Jr. by Domino Publishing located in the basement of a run down home rumored to formerly belong to The Rolling Stones.

Title track “I See The Future” was produced in Houston Texas early 2017 and features fellow Texan Oye Manny (Sure Shot, Secret Angels), who co-produced the track. “Figure It Out” featuring LA soulful house DJ Juliet Mendoza (Dusk Recordings), was recorded early 2021 post-lockdown. While “Escape The Matrix” was a demo produced around 2013 then reworked in 2020.

“Share Your Toys” featuring Toribio (front man of NYC live band Conclave), “Boys & Girls” and “N’Joy” were all produced in Los Angeles late 2019 pre-covid. “Mission Completed” was produced during 2020 in Seattle Washington, where Sev spent lockdown. “Let’s Travel...” the most recent of the recordings, was produced in Houston Texas over the summer of 2021 in a hotel room during a road trip.

Closing track “New Life, Who Dis” was produced in early 2019 and has a different origin. The moody instrumental was first made for a celebrity that Sev had been invited to ghost produce for. We cannot mention said celeb (because, NDA). After many sessions it became clear the celeb only wanted criminally watered down and copy cat ideas. So Sev respectfully declined the invitation and decided to save this track for something special.

All vocals were recorded between 2020 and 2021 after Sev recovered from Covid, gratefully with no long term damage. A situation that caused him to retrain his vocals and breathing skills. An experience that he considers to have had a rejuvenating effect on his life.

Cover art by Carlos Parra (a.k.a Kako, Sure Shot, Secret Angels)

“The album’s called *I See The Future* because it’s mostly a collection of songs I’d been keeping in my vault for whatever reason. Instrumentals I’d been really sitting on, letting cook longer than usual. Songs that needed more time, in this case years, to form. Usually it hasn’t taken too long to get ideas out but for this project I wanted different results. Plus so much happened in the world it’s made me become a different person/artist. So my process is different. All in all it’s fun uplifting vibes about enjoying life and moving on to better, hope people pick up on that. ” - Sev

Days & Times Wax is back with another 4 tracker. These Jazz infused Deep House tracks are exclusively limited to 200 copies and only available on Vinyl. We wont repress them.

Carlo R brings 3 exclusive tracks which you never heard before
and Luv Juice' Postcards from the Future, is an re-edit of his Deep House Chart Banger and in this version, newly Mastered for vinyl, only available on this record!

It´s certainly one of these rare moments, when you stumble over a record which really stands out ; a record which creates one of those moments that makes your day. A record that slowly makes your foot tap, and makes you drop out of the monotony of our everyday life.
Suddenly echoes of yet undiscovered sounds turn the beat from a localized impact into an environment with you inside. Refractions bounce back from any surface. No other artist manages it to make electronic music sound so organic, opening up rooms with a phenomenal spatial architecture. With his unique technique to arrange frequencies in space, Boris Steffen, better known as Jichael Mackson once more delivers an outstanding series of tracks with his first EP on his very own imprint Teledub.
The 'Foxy Lady' contains three tracks each with the unique dramaturgy Jichael Mackson is well known for, while adding a new almost sexy/funky freshness to his signature sound.
Apart from sounding beautiful and being undeniably serious bombs for any dancefloor, these tracks are simply different. The Foxy Lady EP builds a bridge to Jichael Macksons early releases and one thing is for sure, this is a record that will stay in our bags for a long time.
Jichael Mackson's Foxy Lady EP on Teledub. Grab your copy...

The third compilation EP to commemorate the 20th anniversary of the establishment is Coastal Haze under the umbrella of Church,

An up-and-coming duo from New Zealand, Manuel Darquart, released on Wolf Music and others. The long-awaited first vinyl version of the popular song released digitally only in 2016.

The dense sound world with a wide range, including the impressive synth bass that penetrates the song, is unique to vinyl release. Including mastering by

Mr. KUNIYUKI, this work that realized a thick groove that is different from the time of digital sound source, there is no doubt that it will shake the entire space.

The up-and-coming French beatdown house S3A, whose long-awaited first album from Dirt Crew was well received. It's no wonder that he grew up listening to Detroit house,

and his unique sense of exquisite combination of sleezy beats, muffled texture and breathing such as disco funk is an excellent work.

The space is gradually filled with layers of euphoria that folds down, and the feeling of exhilaration and sophistication is irresistible!

The Japanese twin duo SATOSHI & MAKOTO, whose two albums released from YOUNG MARCO's label attracted a lot of attention, remixed the songs of SATOSHI FEAT and KUNIYUKI.

It is a remix of the work that was recorded in the label's 20th anniversary edition "20 YEARS SOUND OF SPEED RECORDS VOL.2" and was well received, but it seems that they were strongly influenced by early techno, and there is a melancholic synth work that drifts. The finish that is drawn into. It's a wonderful remix with respect for the original and a fusion of your own colors.

KUNIYUKI is in charge of mastering

Moscow duo Odopt debut on the label with an EP of discordant, darkroom bangers for the end of days. Following acclaimed releases for Born Free, Discos Capablanca and Hivern. Ivan & Grisha - former residents of the infamous Denis Simachev Bar who glided aboard the Salon des Amateurs, Sameheads, Opium, Golden Pudel, 20:44 caravan with ease - present a 4 tracker of propulsive techno-house chamber music for these modern times.

Starting with A14 their nefarious, sonic industrial funk is on max. Samples reverberate around a dystopian shell, before playful tonalities swirl you higher. As hands to the sky as Odopt will ever witness. There is true beauty in the night.

A dense atmosphere prevails Keylat, it's darker EBM variations jack the master; voices scattering over schematic, metallic melodies before percussion is tamed, fading to a soporiphic realism.

Rolling, squelchy, acid, we embrace Sample Commerce Shot. Bending, growling, dive-bombing limbs and minds, its sleazy pursuit hard to resist as cavernous flashes lung from neo arpeggios to lock you in the groove.

Holy Motor$ the perfect finale. Brooding, virulent, hulking. A monage of momentum, menace, machine music; its haunting nervy bass for the slaughter. Take my hand. Let's walk. Most likely we'll laugh in the next life.