House Vinyl New Releases - News

La Vie D’Artiste Music proudly present The Thirsty Guys, Knuckle G, Le Hutin and Vanderkraft, also known as De La Groove, and they are the coolest monkeys in the club! The french crew deliver here 4 wonderful House tracks representing their musical universe. It sounds deep, it sounds classic, in one word it sounds authentic, enjoy!

"SUCIO is a series of weekly parties, which take place at the Goethe University of Frankfurt/ Main since 2010. The idea to start a record label under the same name is as old as the event itself. SUCIO is also a platform for local DJs, artists and music lovers. With this record we want to offer these people a medium.

A1 - Phonk D opens the release with a great hybrid of Disco Edit & Housebanger. The raw and funky loop heads up to the peak which exposes the sample source more and more.
A2 - After a joint gig at the SUCIO Homebase ‚Café KOZ', Jacob Stoy & Le Rubrique recorded their experiences in a session. The result is a classic Deephouse track that reflects the evening with all its facets and emotions.
B1 - The young live artist Dan Bay is adding an experimental piece that connects House with Bass Music. The low frequencies and the dreamy melody drive the listener into absolute trance and melancholy.
B2 - This dark Downtempo Edit reminds you of early 1990s smoky folk evenings in New York. Raw & dirty, he rolls down everything that gets in his way."

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Freerange Records are happy to present the first of two EP’s taken from Crackazat’s forthcoming long-player, ‘Evergreen’. Featuring a stunning remix from Chicago house innovator, Ron Trent, the jazz-soaked EP serves as a tantalising preview of the tour de force that will soon follow.

Few artists have made a more powerful impact on the deep house universe over the last decade than producer, Ben Jacobs, better known as Crackazat. Consistently striking the sweet spot between dancefloor heat and cerebral musicality, his unique take on the house sound elegantly incorporates elements of jazz, garage, funk, hip hop, Latin, neo-soul, and beyond. Eagerly awaited album ‘Evergreen’ sees Jacobs soar far beyond the confines of his existing catalogue, incorporating a whole new level of songwriting prowess while making his full vocal debut. Bridging the gap between the soulful house underground and jazz- inspired crossover realms, 'Evergreen' is Crackazat’s most accomplished work to date and unquestionably primed to further enhance his already glittering reputation.

Blending the purest forms of deep house with authentic jazz sensibilities, EP opener 'Beacon Of Light' bursts with themes of positivity and gratitude. The virtuoso instrumentation endows the track with a distinctly live feel, while Jacobs’ inspired vocal charges the track with soul-rich sentiment. Intelligently crafted to bring the heat in all-manner of settings, its floor-focused beats and compelling arrangement combine to affect maximum impact whether played in the clubs, bars, or on the airwaves.

Next up, deep house luminary Ron Trent steps in with his awe-inspiring take on Crackazat’s modern jazz ballad, ‘Simple Things’. Trent needs little in the way of introduction, a bonafide Chicago house legend whose spiritually-infused sound is unmistakably his own and never fails to mesmerise. Lifting elements of the Robert Glasper-inspired original while spacing out the stirring falsetto vocal, Trent stretches the track into a meandering deep house epic. Voyaging through waves of Latin percussion, ethereal piano keys, and psychedelic synth sweeps, Trent takes us on a profoundly affecting dancefloor journey as only he can.

Next to arrive is Crackazat’s ‘Maritime Dub’ take on ‘Beacon Of Light’. Evolving over skippy house drums and thick bass, chords rise in to caress the looped and filtered vocal, periodically opening up into the full chorus line to add shimmer to the heads-down house bump. Aimed squarely at moving dancefloors while delicately tripped-out, this simmering groove sure to hit home with fans of the trademark Crackazat sonic.

Finally, the LP’s title track 'Evergreen’ launches with a sprightly jazz swing before dusty drums add weight to the sophisticated instrumentation. Here we find Jacobs presenting jazz and house as a single entity, with carefully orchestrated wind instruments, keys and mallets dancing over an improvised walking bass line, as the distant vocal elevates the track far into the stratosphere.

This four-track collection is destined to turn heads, alerting the extended dance community to the sheer scope of Crackazat’s forthcoming album and offering a glimpse into the breathtaking musical universe that awaits

Welcome to Purveyor Underground Limited. For our first release we are very excited to present Hymn of truth by Demuir. Leading off the A side we have the original mix starting with a banging bass line and snares leading into a spoken word that is reminiscent of those gritty 90's tracks from the likes of Green Velvet a la Preacherman The track quickly builds from there into a late night juggernaut that does not slow down! This is peak time underground house music at its finest. Up next we have the Dub mix for those who like to get down on the instrumental tip. On the flip side we get that remix treatment from house music heavy hitter Byron The Aquarius (Axis Records/Sound Signature/ Shall Not Fade). Byron has taken Hymn Of Truth into deeper territory and the result is absolutely stunning. Layered pads and beautiful strings accompany a slightly subdued bass line which turns this track into something totally different while maintaining the integrity Demuir's original vision. For the last track we have Demuir's Stripped accapella which is just that, a bare bones version of the title track that is very useful as a tool or to blend between the dub or any other version of the track.

New Soundwaves from our HOUSE, this time Lucianno Villarreal (Weirdtracx) strikes with a personal EP with 4 tunes for House music lovers and Power Bass.

In 1990 Ronald Lee Trent Jr. was the teenage creator of Altered States – a raw, futuristic techno-not-techno anthem, which in retrospect was something of a stylistic anomaly for the young artist. Across subsequent years, with time spent in Chicago, New York and Detroit, came the development of his signature sound, and renown as a world class purveyor of deep, soul infused house/garage. This story has already been told, and on casual inspection, the well-worn platitude ‘house music legend’ is an old shoe that still fits. However, in fact, he’s actually so much more, and has been for quite a while. A genuine musician, songwriter, and ‘producer’ in the proper, old-school sense, the artist today has more in common with Quincy Jones than he does your average journeyman DJ track-hack.

To those in the know, these broader skills haven’t gone unnoticed, which is why on the highly collaborative, career-topping new LP ‘What Do The Stars Say To You’, it took little persuasion to recruit serious star power. Brazilian royalty Ivan Conti and Alex Malheriros from Azymuth, violin maestro Jean Luc Ponty, ambient hero Gigi Masin, hype band Khruangbin and more performed, whilst NY cornerstone François K provided mastering duties. At various points Ron himself played drums, percussion, keys, synths, piano, guitar and electronics.

Harking back to the 70s and 80s boom in adventurous, luxurious albums, WDTSSTY is a love letter to the longplayer, where rich musicality and a liquid smooth, silky flow make seemingly odd genre bedfellows acquiesce harmoniously. Each song its own high-fidelity odyssey, Trent incorporated a broad range of live instruments and electronics into a sophisticated, euphonic whole. Described by him as being “designed for harmonising with spirit, urban life and nature”, this is aural soul food, gently easing you into balmy nights, where everything is alright.

Originally wanting to be an architect, Trent’s views his approach to collaboration and music in general as having the same principles. A firm believer in the nourishing qualities of sound, he sees direct parallels between the two disciplines, being as the purpose of good architecture is to improve quality of life. “With WARM, through sound design, I built frameworks for the musicians, who furnished and occupied these structures beautifully, which was a big compliment for me”, he comments.

The conditions required for a good collab are more than simply structural though, as Trent expounds, “I’m a huge fan of everyone on the record, especially Jean Luc and Azymuth, who’re part of my DNA. Each track was made with that guest in mind – for example, when I started writing ‘Sphere’, I immediately thought ‘this IS Ponty’. I played the keys in his style, and did a guide violin solo using a synth, which he then re-did, amazingly. ‘Cool Water’ is based around Azymuth themes, so when I sent it to Ivan, he could immediately see himself in the piece; He got what I was going for straight away. For ‘Melt Into You’ I hit up Alex on Instagram, sent him the track, he liked it, and within 24 hours he’d sent back six different bass passes!”
“Conversely, Admira began with a sketch sent by Gigi and became something combining Jon Hassell-esque chords and the feel of ‘Aquamarine’ by Carlos Santana, which links back to Masin’s recurrent nautical theme”, he adds.

With community, history and the need for racial equality never far from Ron’s mind, ‘Flos Potentia’ translates from Spanish as flower power, but rather than promoting some hippy idyll, instead it refers to plants which drove the slave trade: tobacco, sugar and cotton. Joined by Khruangbin, together they propel Dinosaur L, Hi-Tension and afrobeat into an ethereal, clear-skyed stratosphere.
Aside from these esteemed guests, other key influences cited by Trent include ‘Gigolos Get Lonely Too’ by Prince, ‘Beyond’ by Herb Alpert, David Mancuso, Jan Hammer, Tangerine Dream, The Cars, Trevor Horn, Alan Parsons Project and pre-Kraftwerk incarnation Organization. A multitude of others are audible too, including George Bension, Vangelis, Loose Ends, Maze, Flora Purim, Weather Report, Atmosphere, Grace Jones, James Mason and Brass Construction.

On the subject of influences, although opposed to the fences erected by genre tags, to understand where Ron is coming from, and where he’s at, it’s important to acknowledge just how big the palette is from which he paints. Traversing jazz funk, quiet storm, sophisti-pop, new age, new wave, kosmische, Balearic, samba, afrobeat, Latin rock, soft rock and yacht rock, his deeply entrenched digger’s knowledge pays off in dividends.

On the inaugural release of Västkransen Variations, Salary Boy and Ari Bald team up to explore four shades of house. While both these Stockholm producers have been hailed for their tasty sample-based dance tracks, they now reveal a deeper side of themselves.
On the A-side, Salary Boy gives us “Newland Court”, whose bassline and jazzy soundscapes might bring a certain Larry Heard to mind. However, the production is a timeless piece of house beauty. On his remix, Ari Bald infuses the track with punchy breakbeats and wild arpeggios. On the AA-side, Ari continues with “Daytrippin’”, a retro-futuristic saga which plays out in a dreamlike, almost druggy, haze. Salary Boy then closes the record with his own interpretation of the track, stripping it down it into a powerful four-on-the-floor spinner.

The crushing news of Kenny Gino’s sudden passing in July of this year hit very hard. Having only just come out of hiatus to release new Solid Gold Playaz material for us here on Freerange, the US underground house heroes are set to introduce their uncompromising deep, jacking sound to a whole new audience. And with Kenny’s partner Mike T’s blessing for the previously scheduled follow up EP to go ahead, we are proud to present you with the Solid Gold Playaz Next To You EP. For the hardcore fans out there, this music will blow you away, and feels to me at least, like the ultimate SGP release, even without the added weight and poignancy the tracks now carry.

Opening up we have Next To Me which is as deep as it gets with beautiful floating synths drifting on top of an unrelenting rolling groove whilst Kenny’s vocal adds a powerful and emotive edge.

My Soul Is Quiet follows with another incredible piece of music, drawing you in with its hypnotic mood and simple yet ridiculously compelling bass and synth hook. Again, the drums are unapologetically minimal - not a fill or breakdown in sight - but that is what locks you in and creates something entrancing which makes you feel like it could go on for eternity!

Flip over for Who’s Playin’ For Ya, a more old school Chicago-inspired slice of raw, underground house which cuts up Rhodes, strings and snippets of vocal samples around a glitchy FM synth sequence. The funk is real on this one.

Closing out this very special record we have Do You Think, going deeper still with expansive pads, soprano sax sample and chiming percussion all underpinned by a massive, dub bassline.
Rest in peace Kenny Gino. You left a powerful legacy of amazing music! - Jamie

No-one never quite knows which side of the deep / minimal house divide the latest on Constant Black is going to fall. The one thing you can be sure of, however, is that both sets of fans will find plenty to love in this sweaty, trippy, stealthy cauldron of house beats. We're offered four slices of the Sota sound, and they're quite the quality set, the wonderful 'Lafayette' bringing the jacking glory days of Ferox to mind, while 'At Least 10 Words' has a tactile feel to it that puts it up there with the raw tech of Transmat or other early Detroit. Simply reeks of quality.

Handy Records returns for round two with another obscure electro flavoured EP. This time from the illusive, East London dwelling; Adam Curtain. Known for his own imprint ‘Troublemaker’ and his analogue heavy productions which dance between broken electro, huge sound design and cheeky melodies and rhythms. We are excited to have him up next with his offering for Handy Records. Teaming up with ‘UTTU’ Club’s very own DJ Haus for the remix duties this time round, it’s sounding rather naughty.

Opening the EP we have ‘Escape Velocity’ It’s a clear nod to the bleeps and bass scene of Adam’s native Sheffield stomping ground. A fusion of a paranoid electro-esque beat flecked with bouncing acidic squelching bass, ominous synths and mesmerising vocal hooks that dip in and out of the mix keepsit flowing. Following on we have; 'Pressure Point', from the go this is a weapon of a track, the creeping bass that sneaks around and follows the alarming leads. Minimal madness but also full and sonically curious.

On the flip we have 'Ratchet', bouncy baselines galore, reminiscent of 2007-10s darker garage and bass era and late 90s electro. Heavily syncopated rhythms, distant soaring synth lines and a 2 step beat make this an absolute gem of a production. Perfect for the nasty side really. 'Doping Scandal', another nasty one for sure. Adam’s characteristic haunting synth lines and squelchy bass notes flow endlessly over this clean and well thought out beat. With interesting synthesis and vocal cuts when needed. An excellent tribute to the music that shaped his youth.

Stepping up to the plate and offering us his take on Adam’s work is one of London’s finest, none other than DJ Haus. Taking influence from Adam’s synthesis and smashing it through the digital wonder machine that Haus’ has recently finished developing; the ‘Data Dump’. Haus has given us a slice of sonic madness for sure. Playing around heavily with the sounds of the original and applying that Haus touch, this one is sure to tear any dance floor up.

Cabin Fever brings us their second strike of the year so far, this time from the deepest bowels of the Swedish countryside. Arguably one of his country's most exciting talents in recent years, this top producer doth weareth a hat that others cannot reach. It's the music what counts!

Fresh out of the summer breeze, the latest Cabin Fever brings the FUNK!

Two brilliant mysterious edits straight outa New York working maximum dance floor devastation!

One of the most sought after releases on Sushitech is finally getting a proper reissue as part of the label 15th anniversary celebrations. This limited coloured 10" holds two tracks by Detroit House heroes Delano Smith and Norm Talley. Raw, classic and timeless music by 2 originators! Massive!!!

Jinn April is a South Korean born, now Detroit based artist who moved to the Motor City in pursuit of the music she loves. She has since established herself in the city as DJ PIA with sets at all the right venues and a cross-genre style that is the norm for the originators in the Mid West. Now comes her own self released first EP, and it's a fine one. "Heal Myself N Moving On" is raw, unapologetically rough house with hi hats, gauzy chords, wooden hits and knackered kicks all chucked into a loose mix and allowed to evolve on their own. "Somewhere Deep In My Heart" is another ramshackle mix of odd melodies and detuned jazz, while "Reincarnation" is a melange of keys and chords, occult synth sounds and icy hi hats that is purely experimental and "You Can Do It Baby" ends in similarly singular fashion. This is exactly the sort of unusualness you would expect of an artist who has established herself in Detroit.

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Paolo’s pumping it again! This summer the Squeeze The Lemon producer, and Outcast affiliate finds himself on LowMoneyMusicLove with his “Digital Deceivers” EP. Four dance floor dynamic beats with a bouncing spring in their step, all of them boasting tight and punchy arrangements, allowing you to cruise on the elastic melodies and grooves we have all come to adore from the young talent. Don’t be deceived, this one is ready to ignite the flight!

A rare and unexpected resurfacing of the captivating West Coast-based producer Ruoho Ruotsi, who released 9 records on his De’fchild imprint between 2005 and 2011, collaborating with Thomas Jirku and Hollis P Monroe among others, before vanishing into life’s many responsibilities. Ruotsi’s sonic jaunts draw upon the visceral aesthetics of dub, techno, garage and impractical melodic leitmotifs from exper- imental electro-acoustics, fusing them into imaginative new musical opportunities. His music has been described as “vaporous”, “aching and expansive”, “a wicked dub abstraction” or as “Jamaica-meets- Detroit with jazz legend Eric Dolphy.

The night after he sent me the tracks that appear on Prelude, I dreamt that someone had hand-painted strange, swirling patterns on a dark red tinted light bulb, and then turned the light bulb on inside my head.

Since then, I haven’t found a better way to describe them. They’re haunting, absorbing, enchanting. They create their own listening environment. They have the power to change your mind. Each track on Prelude is a unique spatial tapestry. “Prelude a L’apres midi d’un Buzz” meanders through an impressionist landscape, the chugging beat a tense counterpoint to the drifting, breathing melodic formations that fold in and out on themselves. “Na me U Dey follow talk”,(“are you talking to me”) in Nigerian Pidgin, is an exercise in psychedelic vocal experimentation tied to a dub backbone, "the cacophony of everyone talking and no one being heard." “La Brume Sur Buri Buri” hangs an understated rhythm in riveting suspended meditation, the melodies and textures recalling cloud formations and rolling fog unique to the Bay Area. The name is a reference to the https://en.wikipedia.org/wiki/Ran- cho_Buri_Buri.

When Bollywood meets Italo. Mysterious dance floor destroyer that put some parties on fire last months through the sets of Job Jobse, Palms Trax and Skatebård… to name a few!

House music pure & simple from one of Bologna's classiest imprints, 320KB music. Four tracks of cutting-edge deepness by Umberto (Nudge, Dumbo Beat) bringing all the flava's to the floor.

The hottest sounds of the DMV (DC, Maryland & Virginia)!! Neighborhood Watch Volume One featuring local legends NativeSun x JamesBangura, Sami, Juana, DJ Technics, Max D & THE KHAN!! Jumbo slice approved!!

#evildubs #ballroomflex #liquidbooty
#emotionalclub #burnouttek #deconstructedtrap

All the gems of Electronic Music in a 5 LP boxset with : Fakear • Kölsch • Fritz Kalkbrenner • Laurent Garnier • Bicep • Kerri Chandler • Thylacine • Bob Sinclar • Mr. Oizo • The Prodigy • Alex Gopher • Purple Disco Machine…

Founded in 2010 by German DJ and producer Marcel
Vogel, the 'Lumberjacks in Hell' label has won fans
over the world thanks to its deeply rooted, timeless
sound. Described by 5 Magazine as 'the best
Chicago dance music label not based in Chicago',
the imprint has seen legends such as Rahaan,
Soulphiction, Karizma and Jamie 3:26 (whose 'Taste
Of Chicago' compilation is coming soon on BBE) rub
shoulders with virtually unknown names, ensuring
that great music is always the star of the show

Get back to the rich musical universe of Daft Punk with this album dedicated to the legendary duo. Rediscover their best hits with versions interpreted by :Chilly Gonzales, Christian Prommer, The Dø, Señor Coconut, Chamberlain, Kid Loco, Soulwax and many more…

Adam Strömstedt's debut album features 11 tracks of elegant chords and softcore acid basslines that instantly fit perfectly into the KANN universe.
The LP as a whole works excellently with slippers and morning coffee, while individual tracks definitely also aiming at the dancefloor. Although more reminiscent of a very life affirming sunrise party than a 90s rave in Sheffield. Please check out the opening track "SWF" or "Desperate Housevibes" for further reference.

Ragoo Records celebrates its debut on wax with an highquality record, “Break It Down”. The release features an
original cut from Astratto & Brine plus three stunning
remixes from the best young talents in the Italian house
scene. Recorded and fully composed on the first day they
met in the studio, the Original Mix is a dusty deep house
jam perfect for the club or for chillin’ wherever you want
to. For Astratto, Ragoo Records co-founder, this
represents his first official vinyl release. Brine has
delivered hot tracks through the infamous Irma and has
recently appeared on Boogie Cafè Records and Trend
Records. On the A2 Sam Ruffillo offers an impressive
remix that merges the Original to the land of jazzy vibes
with some smooth Rhodes and an extra groovy bassline.
Over the last years Sam Ruffillo has been releasing great
EPs via Irma Records and the Bristol-based Boogie Cafè.
DJ Rou’s remix occupies the flip side with a real classic
deep house joint full of warm pads and rolling drums. Chief of L'Archivio record store in Bologna, charismatic DJ and
outstanding producer, DJ Rou has released his music
through labels such as Bosconi Records, Cognitiva, Red
Rooster and Daphian Prod. The B2 remix is produced by
D’Arabia, Red Rooster founder and House of Disco
affiliated artist, who accomplishes an hot groove
explosion, with a special Jamiroquain feeling, perfect for
burnin’ the dancefloor. This EP is intended to be a
snapshot of Bologna’s house music scene. All artists
featured on it are based in the city and contribute to its
musical landscape.

Blair French returns to Rocksteady Disco with an EP of pan-African dance floor heat. Picking up from where he left off with his The Art Of Us LP and his recent Razor-N-Tape EP, this 3-tracker sounds like being happily lost in a hot jungle. Tons of drums, chants, flutes, and basslines for the finest parties. Limited vinyl pressing, don’t sleep.

Music written and produced by Blair French
Pressed at Archer in Detroit
Mastered by Pontchartrain

Mak & Pasteman finally make it to UTTU, something that has been in the works for a while, DJ Haus launches a new off-shoot 'Dancetraxx' for the occasion and here we are with Volume 1. Two tracks, a Deep House number and the crazy cool Garage inspired T2000'. Fresh from their release on Lobster Boy which is out this week.

A choice selection of four deep. sultry floorfillers from four different artists across this double 12" pack from 124 Records. 'Come To Me' by Chris Fry heads up the selection with sturdy four-to-the-floor foundations hinting a original US garage vibes, all embellished with classy, oozing strings and a stickier-than-gum vocal refrain. Heat Alliance's '74 Streets' is a tad slower and dubbier and as its title suggests, revels in its rude funk and sparkly disco influences processed through some subtly modern filtering action. 'Amsterdam' from Kit Mason combines tripper FX with an irresistible, chunky groove, reminiscent of the soulful delirium of Felix da Housecat's finer moments, while 'Bit Mania' by Nicola Brusegan draws proceedings to a close with a celebratory, summer-slanted slice of uplift built around a nifty 70s-style funky guitar lick. Lots of variety, but everything here is going to get feet headed towards the dancefloor without doubt.

Best before 2021 is a compilation of break tracks bringing together producers from different emerging electronic music scenes. Paris, Geneva, Tbilissi & Saint Petersbourg’s finest underground artists presenting what they do best : Sexy disco samples, low, distorted 808 basses & kicks marked with rolling break loops.

This collaboration hits a new step in the Sample Delivery catalog aiming to open up the label by showing diverse artists from across the globe.

If you haven’t heard of SD before, you can’t miss on us this time. Grab your copy and run that shit worldwide. Peace, Stay Safe

Oscuro London Records is back with a third instalment with Cristian Sarde & Alex Dima. With some wonderfully deep vibes and a twist of that classic 90s Italian house sound.

After a flawless debut on the label in 2018, Montreal’s Gene Tellem returns to WOLF Music with four, deep, lights-dialled-low, atmospheric voyages for those that like to get down.

‘Ain’t Got Everything’ opens - a late-night cruiser, with the kind of bass whose groove you'll get lost in and never want to end. Soulful, echoed out vocal samples add to the mesh of synths, arps and electronic rumblings that wrap you up from the off.

Staying on that mesmerising tip, ‘Mind Readers’ is a slice of heads-down Detroit business. A tougher cut of skipping percussion, buzzing subs and glitched up vocal madness from deep within the mind of Tellem.

Flip it over and Connecticut-based, Bu-Mako Recordings head honcho, Jenifa Mayanja works her magic on ‘Ain’t Got Everything’. Weaving in hypnotic arps and pulsating analogue textures that give way to a blissful piano breakdown, it's a grittier, heavyweight remix that still manages to maintain the ethereal tinge of the original.

Buckling up and closing it out, ‘2nd Time Around’ hits with over-driven sonics and magnetising synth melodies for this certified brain dancer.

The Motor City via Montreal, tied up with a quality we’ve come to expect from Gene Tellem.

3rd episode of RTC Series come from Mihai Pol! As always - first come/ first serve!

London's FREQUENCIES UNKNOWN return with 'INTAZONEZ VOL 3', produced once again from label operators INTAREALITY giving another 4 tracker that channels their recent transmissions for 2021.

Label boss SY delivers two well crafted, energetic & groove laden cuts for a highly anticipated debut on vinyl for EWax.

On remix duties we are very happy to welcome the extremely talented German and man of the moment "DJOKO" as well as another highly regarded artist and label favorite "Den Haas" who both provide two sublime interpretations in their respective signature styles.

This special limited release also marks 5 wonderful years of our label.


Support from Archie Hamilton, Janeret, Chris Stussy, Toman, Fabe & many more.

Fred Everything isn’t a name one tends to throw around willy-nilly. Fred’s contributions to the world of dance music can’t be measured and his ability to continually roll out quality music is unmatched in his field. A dear label brother to us here at ARCo. We’re always overjoyed to have the rare opportunity to release his solo creations to the world.

'Alone (Together)' is electronic but rather organic and reflects the origins of Fred’s work. Sounding super-classic Fred weaves his arrangements in and out and throws drop after drop into the mix. 'Phoenix' is a little flipped in style, although still retaining the classic sound Fred has become known for, the beautiful cascading chord sequence takes you away and makes for a gorgeous listening experience.

Things just got real, po-lar-i-ty stepped in for remix detail! Yes, Osunlade & Burlie Mac in their newly found togetherness have flipped the script completely here, as they inject even more class to this already gleaming release. Their version bounces freely around a vocal loop, glissando harp flourishes, and swept lush chords.

Really classy deep-house gear to get your ears around on this very attractive release.

(Joe Claussell's remix)

Due to the short pressing of the last release here's another chance to get the A side + an unreleased mix on the B side

Now that his excellent free-to-download new double album, Stories From Sa Talaia, is out, HOSH is busy releasing the tacks from it on separate EPs. They come on the Ibiza based Diynamic associate's own fryhide label, and after part one comes part two with four more essential tracks.

The first is a collaboration with Tim Englehardt and is a supple track laden with emotive synth patterns. It has beats that rise up and down and take you on a trip to the outer edges of the galaxy. Then, Ocean Data is an eight minute deep techno opus with watery pads, a spacious atmosphere and icy hi hats driving things along as you get swept up in the groove.

On the flipside, HOSH links with Lehar and they come up with the brilliant O Fratello Mio, a driving track with physical drums and warped synth sounds. It is filled with subtle effects that add dynamism to the moody groove and again features some magical melodic sequences. Last of all, Fighting the Deamons is a dark and late night track sprinkled with cow bells. It's for heads down dancing on intense floors and closes out a perfect second EP.

On November 20th OG NY dons Masters At Work (AKA KenLou) deliver a set of peerless, platinum grade reworks of ‘Antigravity Love’ by Bristol innovator Krust, released via Crosstown Rebels.

Hugely important in their respective fields, this meeting of veteran titans is the latest chapter in an exchange that reaches back to 1997, when Krust sampled MAW alias Nuyorican Soul’s ‘Nautilus (Mawtilus)’/‘Mind Fluid’ on his game-changing single 'Soul In Motion’. This was followed in 1998 by Nuyorican Soul’s remix of 'Watching Windows' by Reprazent, of which Krust was a key member. Both Krust and Masters At Work were also labelmates on Gilles Peterson's Talkin Loud label.

Across four versions the duo known individually as Kenny” Dope” Gonzalez and Little Louie Vega deliver pure audiophile euphony, with a sonic depth and quality only achieved by years in the game. Somewhere between broken beat, real house, cosmic acid and future jazz funk, rich drums swing in classic NY fashion, weighty bass throbs and elegant musicality flows on these full-blooded productions, which ooze the inimitable substance of analogue.

Krust is the latest in an A-list roll call of artists to receive the MAW/KenLou magic, which includes Manu Dibango, Donna Summer, Bjork, Nina Simone, Janet Jackson, Madonna, Dua Lipa, Stevie Wonder, Kings Of Tomorrow, Neneh Cherry, Michael Jackson, Tito Puente, Cajmere, The Neville Brothers, Ten City, Soul 2 Soul, Ray Charles, Baba Maal, Saint-Etienne, Alison Limerick, Tito Puente, Everything But The Girl, Mr Fingers and Dee Lite.

With its frantic spoken word energy, ‘Antigravity Love’ shares lineage with Krust’s 1999 album title track ‘Coded Language’, featuring Saul Williams. The original version of 'Antigravity Love' is a collaboration with director Michael Williams, who wrote the monologue to which Krust composed around. Part Afro Futurist love poem, part current affairs tirade and part ‘12 Monkeys’ style mad rambling, it captures the confused frustration of someone untethered and lost, searching to find their way.

A collection of through and through breaks, things kick off with the 'Roll Mix' of the title track 'Life Signs', in what is an instant head turner as breaks grooves kick in dominated by rattling snares and deep pulsing bass. 'You Must Not Be Me' follows suit, if not on a more melodic tip as the breakdowns are carried by echoing melodic patterns and billowing synth pads.
On the flip, the tone is lowered as the lights go down for the 'Bleep Mix' version of 'Life Signs', this time around a more eerie approach with clashing melodies and harder hitting drums. 'Recollection' acts as the perfect come down for what is an intense listen as ambience takes a hold for the final four minutes.