House Vinyl New Releases - News

The project Adriatique is approaching its 10th anniversary, but to just call it a project would be a fierce understatement. Adriatique is friendship; creativity; compromise; being together for days on end; experiencing things together for the first time; birth; rebirth; joy and pain; but above all, Adriatique is music.

So, in order to commemorate these past 10 years, Adriatique bring you “X”.

Not only does this record celebrate 10 years of Adriatique; It is simultaneously catalogue number 10 on their very own “Siamese” imprint, coincidentally occurring a decade after their consortium. Fate is a peculiar fellow, but he is smiling.

This release comes on limited purble marbled vinyl!

But the continuous stream wouldn't provide sufficient answers for long. Observing rudimentary structures sewer sender became tantalized with a vision of reverbation fromlower vaults of confinement. Waves reminiscent of solid concrete yet deeply seated below the ocean surface form and merges with the narrow surroundings.
Manitou takes the first step by setting a clear form for something deep seated. Proceedingextends the notion of martinous inaugural appointment Procedure' with a take on industrial
drums reverbing from the depths. Never (Anthem) takes the first part of the EP to fruition with stripped anthemic stabs and alarms to a strict and cleanly distorted beat. Jargonsolidifies concrete solid with enigmatic percussions over jaunty kick patterns. I have lost again focuson a dramatic narrative with hypnotic vocal stabs rolling over an intense kickand climatic builds. Needlessness frames the entire release combining both the concrete solid and the deep sea seated with again a take on martinous inaugural release Needless, leaving the frail thematic stab subdued by syncopated kicklike percussion and soaring
hihats to create a toollike appearance.

Infectious and charismatic dream trance track by debuting mystery producer Moon Intern. Remixes by Helsinki-based artists ODJ Pirkka, RAD and ER transform the original track into mellow jungle, hypnotic trance and funky electro.

Silverlining's debut EP, Simulacra, was released earlier in 2021 to wide critical acclaim and support by diggers the world over. One of the most loved tracks was undoubtedly Aura, a keyboard driven, Detroit-inspired jam with a succinct but feverish vocal. For the eleventh edition on the South Londoner's sought-after series, Silverlining has pulled together three sublime remixes of the aforementioned. The first is by Detroit native and Atlanta resident, Kai Alce, who harnesses the original's latent deepness, building an entirely fresh, jazz-driven groove. Next up, is an acid-laden revision by London legend, Voigtmann, who keeps it dark and dirty for the first half of the remix, until he drops in some surprises from the original towards the latter end of the track. The flip sees Silverlining returning to Aura for his Double Dub, that pulls the track into authentic 90s deep house territory before drifting off seamlessly into 5 minutes of ambience.

Blurry as the night and bright as the stars Mäteriet joins the fray by levitating into the system. They open their gem-covered robe and reveal all the treasure collected throughout their many journeys.

The Hon (A1) sets the mood just right alluring us into an almost hypnotized mindset. Moniker (A2) extends the grip Mäteriet has taken around us further over a rumbling bass fit for the system we traverse.

Rolling Thud (B1) gives off an almost machine-like air around it, hissing and blowing off excess steam while moving seamlessly between syncopated rhythms.

Shine Grooves Acoustic Remix (B2) opens up to a link to the outer reaches of space for B1 and lets Mäteriets work sing, in their own words “my synthesizer and sequencer painted this picture”... and oh what a pretty picture they have painted for us.

The infamous Bladehouse Crew comes around with another installment of their unknown BHO series.

Four freshly brewed cuts between the bars of Deep- and Minimal House, suitable for any situation, no matter if it’s after hours or undergrounds. Tested on floors from Berlin to Copenhagen these tunes have shown enthusiastic reaction throughout audiences of all types. This record is a must have for any timeless digger of the 4/4 sounds.

Back in 2021 Dungeon Meat released a special sample pack called Enter The Dungeon created by Brawther which was all run through his rare 12bit Sequential 440 sampler to give that extra grit that we love. A competition was run to allow producers to submit a track that would potentially appear Weapons Of Ass Destruction vol III. Overwhelmed with submissions Brawther and Tristan da Cunha chose A.M projects track which end up on the WOAD release. However they were left with even more bomb tracks from new exciting artists and decided to a whole EP dedicated to the project. The results are 4 killer kutz on one super solid lab of wax that demands to be played all through the night into the early morning. Are you ready to Enter The Dungeon?

Super nice repress of classic these Nu Groove classics from Bobby Konders.

"House Rhythms" is definitely a super iconic record in the deep house scene since its first release in 1990. 2020 official reissue by Groovin Recordings for the first time on a double twelve inch 45 rpm vinyl package.

Chaos In The CBD return to In Dust We Trust with Brainstorm, a twelve inch with 4 new cuts delving deeper into their take on dub-influenced house. Kicking things off on the A1 is ‘Echolocation’, a track whose groove has you locked from the first bar, subtly building with warm stabs and rhythmic vocals to draw the dance floor in deeper.

‘Liquid Experience’ fuses together dubby low end textures with light meditative melodies for a beautiful slice of ambient dub house.

On the B side, the title track ‘Brainstorm’ - a collaboration with fellow Kiwi ‘Mongo Skato’, is an addictive 7 minute gem that takes you on an immersive journey. Fusing quintessential house hooks with jazz elements, resulting in something truly contemporary.

‘Mind Massage’ closes out the EP with a hazy and comforting groove, creating the perfect tool to set the mood on discerning dance floors.

WAREHOUSE FIND!: Ilo's ChampaNeria has bee labeled as one of the essential records in history of Icelandic house music. It's laidback grooves captivated listeners when it first came out 21 years ago - and it still holds up. It begins with Poble Sec - a sampled-based deep house that transports into the middle of luxurious Parisian champagne suite. It's classy and seductive. Followed by BCN, which is a dark yet funky slow jam. Mysterious and somehow erotic. The flipside starts with Nico, a percussion-based playful house anthem which fits every environment and every moment. The releases end with Carlos. It's filtered pads mixed with thumping beat builts up a tension until we're greeted by Mancini's Lujon to give the track an unexpected height. A goosebump ride back into more simple times.

Classic 1995 deep house cuts by Glenn Underground under the moniker of Jellybean.

Pachinko Round 1 ..

The debut release for the Australia-based ‘Pachinko Records’. Jeff Sutton and JJ Fortune’s tastes combine to make up - Pachinko Records. The focus of the label is to provide spacey dancefloor orientated tracks from their favourite artists around the planet . Stock will be Vinyl only and strictly Limited . When its gone, its gone ! Don’t sleep on this !

This is GDWAX001 the debut vinyl release from GLBDOM, featuring four sumptuous, vintage tinged house tracks.

Up first is So Fly by Saint Paul, a soul infused jam with heaps of uplifting vocal samples, organs and synths a plenty, not to mention a subtly jacking beat that steadily bumps the vibe along.

Next up is Keep Me Inside by Yann Polewka, taking things back with that classic house piano buzz. A pounding beat, an understated yet driven bass line, strings, pads and some ecstatic vocals all combine for a truly heavenly touch.

Manuold follows on with Beating Heart, a super catchy deep house number. Melancholic synth stabs and subtly employed vocal samples, luscious pads and that unmistakable house sax sound: Beating Heart is the perfect track for getting the crowd moving.

Finishing the release off are Marc Brauner & David Silver with Gioia, an energetic house tune with an initiable beat and an exquisite bouncing bass line. A soulful, uplifting vibe from start to finish, Gioia is the perfect end to this awesome debut vinyl release.

Nerangs second time round and this time they have picked up some new family. Subjoi, Interplanetary Criminal, SLIM HUSTLA and Jesse Bru. Flames that cant be Tamed.

Limited Grey Vinyl Pressing!
We're very excited to welcome Detroit's Norm Talley to our Tsuba Colours series with the Palmer Park Project EP.......................

DJ support:
Ryan Elliot, Marcel Dettman, Ben Sims, Jonas Kopp, Sascha Dive, Rolando, Raresh, Agoria, Ryan Crosson, Cottam, Lawrence, ItaloJohnson, Mr G, Jimpster, Galcher Lustwerk, Ame & D'Julz.

Limited to 200 copies!! hand-numbered

Back with his second release on DEMO TEST, Roy Vision explores the different layers of an original, raw and multidisciplinary house music.
“4” represents 4 variation styles that the producer fell for many years ago. The selected tracks were produced between 2017 and 2019, with dance in his sight, as demonstrated by the success of the track “La Danse Groove” in the eyes of House Dance lovers.

"Nina’s Talk" give off strong and mastered rhythmics; the energy of the tracks sends us directly to New Jersey of the 90’s. “Feelings” stays geographically close since it crawls in underground New York, where jazz and house music met.

“LL Tribute” is a spiritual connection between Chicago and NYC. It’s a hidden tribute to one of the main characters of the underground New York scene, between The Loft and Paradise Garage, where all social and cultural background were blending, dreaming of a passionate freedom.

Spin Desire is a new Berlin based label run by Jeyoh, aiming to release music from his close ones. First release comes from the talented Italian Dj/Producer Ma.to bringing a strong four tracker EP.

Expect some serious groove ready to be played at any moment of the night.

Clear Vinyl

Bedouin is the Brooklyn-based production and DJ partnership between nomads Rami Abousabe and Tamer Malki. Bringing their unique spell of melodies and rhythms to Crosstown Rebels, they deliver their cover version of the famous Pink Floyd classic, Set The Controls For The Heart Of The Sun. Guy Gerber also steps in to deliver a deeply mystical dance floor remix.

Sharing an eclectic sonic vision that pulls from diverse influences owing to their Middle Eastern heritage, Western upbringing, and world travels, here Bedouin deliver some of their best productions to date. “Getting the chance to play the song to Pink Floyd’s drummer Nick Mason personally and him liking it was very exciting for us. We're also happy to have the very talented and our good friend Guy Gerber to be the first ever to remix one of our tracks. The b-side, ‘Guacamole’, is an original track conceived in Mexico and made for the dance floor.”

In 2016, as well as touring the world extensively, Bedouin curated a compilation entitled Kindisch Stories and had the honour of recording an Essential Mix for Pete Tong’s BBC Radio 1 show. 2017 saw the launch of their brand SAGA at Heart Ibiza, where they turn Ibiza Sundays into a mirage of musical odysseys. Guy Gerber also runs his highly successful Rumors party in Ibiza on Sundays, which takes the same name as his acclaimed record label.

"Yarra Valley" is Standalone Records third vinyl exclusive release brought to you by Melbourne based producer Dan Goul. The EP consists of 3 original works built on dreamy synths, deep basslines and solid structure to help create a deeply enlightening and uplifting journey through his inner works providing us a window of the diverse talents which this producer has to offer.

After its latest broken beat and deep jazzy split reléase Nómada White Pt IV, Nómada Records is ready to embark to a deeper and clubby journey with HOMES by Icelandic producer Oli Breidfjord a.k.a ILO; who has released music on well known labels such as Rebirth, Lagaffe Tales, True Romance and among others..

ILO is well known for his hypnotic deep long tracks combined with raw drums patterns, powerful deep basslines, gorgeous and subtle filters, rare and catchy sampling techniques, by playing and messing around with the dinamycs of each instrument and adding music tension arragements to put you in a trance and frenetic situation. And of course this reléase with Nómada Records is not the exception. Homes is a four tracker Ep where all the tracks were written and
produced by ILO back in the day in different times and places.

Yes Indeed, 2019 is about to finish and, what’s coming up next on the Record Label business in Colombia?

You’ve got that right, Nómada Records is getting ready to end up this 2019 with a new vinyl reléase on its Nómada White Series. After three Nómada White volumes,
the colombian label presents its number 4 by introducing two talented fresh faces in the Broken Beat and Deep House Scene.

Karmasound (Argentina) and John Tareugram (France) deliver three originals each. On the A Side you will find the uprising latin american producer Karmasound who is taking care of business with his Nu Jazz, Broken Beat and Soulful Vibes on
Atrapado, Raíces and Chichén Itzá. Meanwhile on the B Side is Tartine’s Records head label John Tareugram from France who brings to us his jazzy infused club deep house touch on Glorieux Passé, Laiton Sphére and Paul & Dave.

Small Great Things is a new label from Luca Olivotto of Endless Music and its first release sees the Berlin-based artist deliver an EP of modern takes on classic deep house sounds.

The 'Small Great Things EP’ kicks off with an eponymous cut with steadily unfurling pads leading to a breakdown of light, uplifting melodies while rooted to the floor with a jacking rhythm track and bottom end. Sometime Ibadan and B-Pitch producer DOS
serves up a remix of ’Small Great Things’ under his given name, Francesco Mami, where the Italian producer turns in a warm but propellant version with loose, rattling rhythms and saturated stabs creating a nifty, rounded piece.

On the B-side Olivotto opens with ’Swipe Out’, a gloriously detailed track that balances slick synths and gritty bass perfectly, allowing a beautiful vocal to shine through. We’re treated to a stirring song on closing track ‘Don’t Blame Me’, where soaring Detroit
influenced synth pads and staccato melodies combine to create the perfect foil to the vocals.

Named to celebrate the little things in life, Small Great Things is a label to firmly keep an eye on.

For their fourth release OTE's Jimmy Rouge heads east and delivers two oriental cuts.
The a side is on an acid disco tip with Japanese vocals while the flip is a jazzy percussive groover.

Lithuania’s Ponty Mython brings his signature style of dubbed out cosmic breaks to Not An Animal Records.

Twinkly title track 'Onimano X991' leads in with a heavy four to the floor bass kick laced with an eerie interstellar melody and signature broken beat drum pattern. Deliciously squelchy interludes and breakdowns are the cherry on the space cake here.

Music rearrangement aficionado DJ Fett Burger gives 'Onimano X991' an atmospheric massage. Launching with the eerie melody recognisable from the original mix but minus the squelch, Fett Burger transcends the track from a 2am floor killer to a 6am floor chiller via a cleverly reprogrammed drum pattern, drawing the stress right out of your deltoids with his beautifully formed fingers.

'Walkie Talkie' is a delicious late night squelch-a-thon from the get go, oozing Not An Animal style with its vocoder arps and space didgeridoos all over its four to the floor kick.

Finally, 'We Expect A Soft' Landing nails its orbital re-entry calculations, touching down squarely on the realms of ambient dub techno. A tasteful composition reminiscent of something from The Higher Intelligence Agency’s ‘Colourform’, and that’s a huge compliment. A perfectly paced build that culminates in chesty bass swells and bleepy arps.

Afterclapp is a creative metamorphosis of music producer and DJ Rodrigo Vellutini, driven by his long-standing desire to test boundaries between musical styles. Exploring the infinite possibilities of Brazilian music by mixing it with unusual rhythms and sound elements.

Veteran Chicago House pioneer Boo Williams delivers stand out genre melding EP on Italian record label, NICEPEOPLE. The three track EP meanders through elements of house and techno with real depth. This is the “LOL” EP, landing January 2021 on vinyl, and you can happily say this one fully lives up to its expectations.

The title track “LOL” chugs along with pure energy of sounds of the past, twisting beeps and bleeps whirring throughout. The shuffling drums make this one, brushing by as they continue to drive the opener. The clue is in the title here as Williams uses trippy samples of laughter which flash in and out throughout the duration.

Next on the agenda is “Backwards Run”, a blissful deep and emotive encounter with Boo doing what he does best. Trickling synths and pads meander around a clean cut house arrangement, voices circle around the belly of the track making this another hypnotic outing.

Elastic bass creates a sense of urgency in “Bangin Out”, the last of the EP which takes up the whole of the B-side. A real abrupt and direct track, the kind that leaves the crowd in a trance when utilised in the right moment, creating suspense in the club room before elevating to the next track. A tinge of acid and intelligent keys arrangement make this masterpiece.

This is Boo Williams at his finest once more, landing on a label that is not afraid to push a variety of sounds as long as the consistent quality is there. A real nod to sounds of the past, no egos in sight, just plain and simple effective dance floor sounds from one of the heroes of this vibe.

HDSN is an artist of distinct talent. Even he´s still flying under the radar of the broader audience chances are high that you came across his musical output that is singularly creative. His work not attached to any trends. Instead, he operates within a deeply personal sphere, working influence from experiences spanning his lifetime and old-skool records that inspire him. He made his name with balmy house thumpers carried out over twelve instalments on NBAST for the best part of more than five years now. So it´s no wonder that he follows up with a beefy sequel to his previous released joint “For My People” a release that did connect as closely with people’s hearts as it does with their feet in the club. “I House You But Love” marks another fruitful EP for the producer. A record that feels like he’s just cracking the next piece of the puzzle. By the time you get the opportunity to experience these tracks live, there’s no doubt they will pull you into the get down groove. That is to say: NBASTWAX013 is vivid and it will move you. Grab your copy #datsoulthang

On 9th July Crosstown Rebels present the third in a trio of EPs featuring reworks from Krust’s lauded masterpiece ‘The Edge Of Everything’. The selection of top-drawer artists delighted to rub shoulders with the revered master now adds UNKLE, Hodge and DJ Nature to a list that has seen Masters At Work, Four Tet, Damian Lazarus, Batu, Calibre, LCY and Flynn all deliver inspired re-rubs.
Linking back to a shared history that saw Krust (alongside Roni Size) remix DJ Krush’s ‘Dig This Vibe’, and also provide their own track ‘Tribetoon’ for the seminal ‘Headz 2’ compilation, both on James Lavelle’s label Mo’Wax, now the influential DJ/producer/A&R delivers arguably his best ever work under the UNKLE alias: This is deep breakbeat goodness which sounds both classic and perfectly now.

A sonic son of Krust, fellow Bristolian Hodge works ‘Constructive Ambiguity’ into a proggy new school breaks monster that carves the original’s metallic bass into sharp new shapes, whilst West Country royalty and Wild Bunch founder Milo Johnson AKA DJ Nature provides wigged-out Martian house by way of New York – which, in one of Krust’s many thematic circles – echoes the Latin-tinged, blunted science of Nu Yorican Soul’s classics ‘Mind Fluid’ and ‘The Nervous Track’.

Lucas Buchta and Gary Pilz have been profound producers for a good chunk of the last decade. Throughout the years, their individual forces intertwined into a germafrican vision. Combining Luc's love for a detailed arrangement and Gary's exceptional sound design, their project "LADS" was born. The German & South African duo has seen their first releases dropped in 2017, including a debut remix on Nie Wieder Schlafen that climbed up various Spotify playlists and marked the start of continuous collaboration between the label and artists. Three years later, the team returns for an ambitious original release, pressed on black gold.

The 5-tracker EP "Bamboo" explores a broad array of sounds, from the orientalic "Cedar", including Gary's own beautiful vocals to the textured "Tin Pan Alley", including a special piano recording from Luc. Ambient atmospheres and funky house vibes with "EDL" and main title track "Bamboo" deliver the front and backend of the release, offering a diverse vinyl with various energy levels. The EP underlines the duo's incredible talent and showcases the potential of their capabilities. A next step for their project, worthy of an analogue pressing.


"Bamboo" also marks our second Vinyl pressing and we are incredibly excited to be able to deliver another physical release. An enthusiastic release, that further strengthens the bond between the artists and the label. We couldn't be happier to finally deliver you guys the results, the team has worked on."

Classic 1997 house cuts with disco samples by Boo Williams under the moniker of Moon Man.

Part Two of the "Sev Was Here" series. While Part One playfully flirts with edgy club bangers. This follow up continues with 4 new dance floor love songs.

2020 was a busy year with a lot of work, we focused all our energy on music while finding a way to survive and at the same time, collaborating with the development of the scene in our home country.
This 2021 will start with quality music a new chilean label was borned from the very roots of soulful and housy music and feelings.

Tommy Vicari Jnr presents his new V1 turbo EP, called Isawmagic, with three original tracks that capture the very particular sound of the consolidated artist.

The big leyend and Chicago’s master, Boo Williams, collaborates with a spicy remix of Isawmagic, that will blow your minds.
Enjoy yourselves and drive with style

American tech-house pioneers Omni AM and techno don Casey Hogan gave birth to Bunker Scraper in a clandestine recording session in a NYC basement studio deep underground. These now-infamous studio sessions were fueled by keg stands, mountains of pre-legal weed, and intensive striped bass fishing expeditions in the world-renowned Long Island Sound (not a micro-genre). Facilitated by legendary DJ/Producer Alexi Delano and NYC label/Record Store Sonic Groove, this highly anticipated collaboration was originally released in 1997 to much dancefloor and critical acclaim, and grew to legendary status in the following years.

Bunker Scraper (Omni A.M. Mix) opens proceedings, tight, infectious percussion underpins a deep rich b-line, while eerie synths interplay over the top, it's no wonder this track has become a staple in the sets of Villalobos and Raresh over the decades. Next up, 'In My Time of Flying' was a staple of Omni AM’s early post-Key live performances, swinging percussion, heavy bass and an addictive chanted vocal reflects the duo’s departure from ambient techno and shift towards more dj-friendly four-on-floor grooves. Written in Chicago (1996 or 97), it was performed and recorded live, straight to DAT, outdoors in the forests of Northern Michigan – all in one take, no edits, no overdubs. This bold production style was typical of Omni AM who began life as a live PA.

Over on the flip Casey Hogan's mix of Bunker Scraper picks up the pace with rolling bass shaking percussion, whilst retaining many of the original's parts and character.

Lastly this gem of an ep has been further enhanced by the inclusion of additional, never released before versions, most notably 'In My Time of Flying' (Live at Sassy...ss 1998), another special live jam, recorded at an unforgettable Winter rave that takes the track into whole new otherworldly dimension.

These super rare live tracks give an insight into Omni AM's unique performance and recording process in the early days, and all have been remastered with love by Lawrie at Curve Pusher.

Roman Rauch is back with another outing on his Life Is For
Living imprint. On the A-side he’s joined by his studio partner
Peletronic for a jazzy banger heavily influenced by some tasty
pizze before the session. The flip side offers a dancefloor
oriented, infectious tune named “Lawless”. Could this be a
reference to himself, a clue to the original sample or both? You
take the guess

With continued support from the likes of Ame, Dixon, Solomun and Black Coffee it’s no wonder MoBlack are regarded as the number one afro house label around. For volume 4 of their sampler series they’re back with another set of timeless afro-infused cuts, all harnessing that deep and powerful punch that the label has become known for.

The A side begins with a massive Kususa remix of De Cave Man & TonicVolts feat. Toshi - 'Mabudede' - a brooding electronic number with buzzed synths and celestial vocals that will shake the walls of any club it's set before. This leads perfectly into the big room bongo stomper from Max Doblhoff, ‘Mama Jo’ remixed by Sobek and featuring Nairobi’s very own Idd Aziz.

On the flip, Santiago Garcia unleashes a swirling synth heavy remix of Stones & Bones – ‘Masambe’ starring the wondrous Mpumi on vocals and finally Jonathon Kaspar hits with a pad-laden trance channelling remix of Emmanuel Jal’s – ‘Loje Bome’ to round off this stunning 4th sampler from MoBlack.

Hector Couto and Roberto Palmero finally drop their solo debut EP on Noir - two real house cuts !

Following the release of Masters At Work remixes of ‘Antigravity Love’, taken from electronic hero Krust’s critically-acclaimed album ‘The Edge Of Everything’, the A-list versions keep flowing with Four Tet, Batu and Damian Lazarus each re-working a different track from the LP.

Sparkling like stars with a pretty melody, Four Tet’s interpretation of ‘Negative Returns’ also packs a deceptively heavy punch, maintaining the original’s hurtling velocity, fuelled by a huge sub-bass engine.

The spiralling beat-and-bass science of fellow Bristolian Batu’s version takes ‘Space Oddity’ and deconstructs it like a cubist portrait, matching the main man himself in pure outside-the-box expression.

Crosstown Rebels boss Damian Lazarus maintains Krust’s epic adventure narrative, retelling the tale in his own words, taking recognisable parts from the original and transposing them into a groovy cosmic house odyssey.

Ecuador's rising son, Nicola Cruz, returns to Multi Culti with Cantos de Vision, a truly visionary EP backed by remixes from Jaja, Argentinian Uji, and Multi Culti's own Thomas Von Party.
One of the core artists in Multi Culti's diverse catalog of globally-inspired dance music, Nicola Cruz is deservedly becoming the poster-boy for a new wave of producers that fuse indigenous sounds with internationally professional production, creating something entirely new, sonically.
It's a genre that Multi Culti ambassadors Dreems & Thomas Von Party refer to as 'Folklorica,' a psychedelic replanting of folkloric roots, and nowhere is it more skilfully executed than on Nicola's tracks.Following up on his debut LP for Latin America's indie powerhouse, ZZK Records, the return to Multi Culti sees Cruz sharpen his focus toward igniting the downtempo dance-floors that have slowly been gaining ground in clubs and festivals recently. This new club sound is at the fore on lead track Tzantza, already an integral part of Nicola's live shows and DJ sets at festivals like Sonar and Mutek.
What stands out most, other than the sampled lead Marimba, is the sheer mass of the kick drum, the immense pushing power of this 102 bpm chugger.
Bruxo and Danza de Visión follow suit, flexing some seriously first-world mixing mojo, elevating Cruz's work to heights that the growing legions of flute-bearing imitators will only reach in their stoned dreams.
The vinyl package will also feature Mantis and Invocacion, off his debut Multi Culti EP, two incredible tracks that will finally get the 12" real estate they deserve.

Newly minted Berlin label Bulging Discs begins with a bang, with their first physical release from Novocastrian turned Berliner Okayokayokay. On the Zonts, is an introspective journey through a blend of nostalgic sounds from breakbeat, electro, garage, house and trance. While contrasting these eclectic and disparate influences via unexpected twists and turns, Okayokayokay uses these reference points to create something distinctly futuristic.