House Vinyl New Releases - News

A highly sought after dream-house track from 1989, only released on white label promo, now gets an official release with new versions & remixes. RSD release.

House anthem Slo Moshun “Bells Of NY” is one of the most iconic gems in the Network catalogue and gets a timely reissue.

The lovingly remastered 12” includes the epic nearly 9 minutes long “House To House Mix” which started the fuss in the first place, plus the much loved by DJs “Xen Mantra Beefy Bells Mix” which like fine wine seems to have matured with age.

It’s almost impossible to explain the hype that exploded when the first copies of this landed in 1993. Network pressed a limited run of the first copies on the Dansa label with
bogus New York producer credits in an attempt to create mystique.

The combination of that relentless uptempo house piano and the break where everythIng slows down underneath a hip hop sample hypnotic proved irresistible, and saturation radio plays from KISS in London turned the track into an instant anthem right away.

The the boss of a rival label boasted they had sourced the track and paid “a fortune” to licence it for UK release. He was making it up as a stampede by labels to locate and release the track began.

Network sensed an opportunity to create major mischief and create even more of a buzz. New York garage producer and Network ally Andrew Komis was enlisted and happily donned the bogus ID of a new kid on the block NYC producer to do phone interviews with UK dance music publications.

His pretend story that Bells Of NY was his homage to the UK House scene laced with Big Apple Hip-Hop was eagerly printed by the magazines.

They were left red faced when the truth emerged that former Nexus 21 and Altern 8 member Mark Archer and his new music making partner Danny Taurus had in fact come up with the gem in homely Staffordshire and not glamorous New York for Network.

All the PR spin in the World would not matter a not if the record didn’t live up to the hype.

Bells Of N.Y did and still does.
It gave Network a first chart hit on their six6 label and more importantly is an all time House Music Classic.

Adeen Records presents the next installment in the series of 2021 releases, delivering an expanded set of remixes of two infamous tracks by Detroit house legend Alton Miller featuring Rydm Sectors, Nico Lahs, & KETAMA.

Christopher Mcfarlane aka Big Miz debuts on Aus with ‘Fools Mate’. Christopher’s self released ‘Flashbang’ EP, ’Good Thing’ residency at Room 2, Glasgow and his monthly Rinse FM show have teed him up for a stellar 2022. The Glaswegian’s five track EP ticks all the boxes, deep, soulful, melodic and raw. Washington lends an elegant vocal to ‘Still Deciding' and Sally C rounds off the EP with a remix that has a dangerously punchy bassline expect the Big Saldo’s Chunkers boss to be spinning this one at Pbar, ? , Pitch, Lost Village and many more this summer.

Second release, vinyl only. Roche Madame, A natural harbour for a crop of artists for whom sounds, histories and futures dance together. 

Aleksandar Grozdanovski aka Herzel makes his debut on Massimiliano Pagliara's Funnuvojere Records. This release follows a series of EPs on labels like Dubwax, Uncanny Valley and Hivern Discs, as well as a couple of recently self released ambient LPs.

The four tracks exemplify Herzel's mastery of cosmic soundscapes. The rarefied synth lines of A1 - Bitter Tears animate an ecstatic dancefloor. This is deep psychedelic House at its best and it resonates with the arpeggiated and enveloping B1 - Shaking Slightly. A2 - DSCN is unexpectedly raw reminiscing Ghetto House washed over with Cold Waves. Closing the record B2 - Ghosting rises in a dome of fuzzy yet penetrating frequencies. All the compositions sound exquisitely sharp and alive thanks to the skilful beat structures that create a very solid groove.

Lex first grabbed our attention following his brilliant release on B2 Recordings which became a staple vibe setter in Jimpster’s DJ sets and Sofa Sessions streams in 2021. Gaining his deep musical knowledge through his own revered record store Radical Soundz, the Greek DJ and producer has been immersed in dance music for over 20 years and considered one of the key figures in the Athens underground house scene. With releases and remixes on labels such as Leng, Samosa, King Street and Black Riot, Lex is making waves internationally with a unique sound that fuses live elements and expansive arrangements taking influence from masters such as Ron Trent but adding a warm, cosmic glow. Fellow Greek artist Locke joins pro- ceedings for this EP bringing his own psychedelic sound garnered from his years playing crazy events taking in South American jungle parties, burning hot African desert raves, the underground clubs of Berlin to the sparkling coastal shores of Baja California. Locke is more than just a DJ. He is a connector, educator and traveler whose soulful music has the crowds chasing the sun as he brings love and celebra- tion to the events he plays.

On title track 7 Day Path we’re treated to a beautiful spacious jam which unfolds across 7 minutes, driving, live percussion keeping the energy high whilst Herbie- esque synth leads help to create a beautifully paced and dynamic arrangement.

Next up we have Italian legend DJ Rocca onboard for a remix of 7 Day Path. The prolific producer and DJ has been a tour de force since the late 90’s collaborating with the likes of Howie B, Dimitri From Paris, Chris Coco, Daniele Baldelli and Jazzanova producing singles, remixes and albums for labels such as Sonar Kollekt- iv, Compost, Classic, Rekids, Futureboogie, !K7, Tirk, International Feel, Defected, Rotters Golf Club and Faze Action Recordings. Here he adds his trademark dubby disco wiggle pushing the original in a jazzy direction with live flute. Definitely one to be heard under the stars on a Croatian beach for maximum Adriatica effect!

Flipping over, things head deeper and darker with See No Ball featuring Locomot- ives, a more straight-up heads-down stripped back club jam with a repeated vocal, funky guitar chops and a smattering of improvised synth and Hammond B3 keeping things jazzy and musical.

Closing out this brilliant EP we have Catch Up With The Sun which drops the BPM’s for a low-slung cosmic jam loaded with good vibes.

At the start of 2021 I realized I hadn't paid much attention to my own productions lately, rather spending time doing remixes
or mixdowns for others or like many others, worrying over what the future will bring.

I started going through tracks and ideas I had started on but not completed and now as another annus horribilis nears the end
I have 2 albums ready for release, entitled "8" and "9".

Although I promised myself to never say it I personally think they're my best work so far and I hope someone else will get the
feeling of "a light at the end of the tunnel" when listening to these tracks just like I feel when listening back to them.

There are contributions from the very capable hands of Bugge Wesseltoft("8") and John Carroll Kirby(on both "8" and "9"), besides that it's just me.
Prins Thomas December 2021

Following on from big recent releases from Neue Grafik & Oliver Night, CoOp Presents Sivey, with an all-new double-header of heat, 'Nobody Else' and 'Somebody Samebody'.

For those that don't know, Manchester-based Sivey became a player in the future beats scene a couple years back, releasing music with the LA-based collective Soulection, as a solo artist and via collaborations with Evil Needle, which came to fruition after a series of online beat battles, as well as releases and remixes with labels like Astral Black and Ninja Tune.

His last wave of output was greeted with enthusiasm by fans of soulful beats championed by artist collectives such as HW&W and Darker Than Wax, and saw Sivey subsequently spinning at events across the UK, and perform shows as far afield as Los Angeles and Tokyo.

Rooted in hip hop production, Sivey's largely instrumental tracks have brought together elements of millennial R&B, neo-soul, UK garage, jazz and 80s funk. In the few years since his previous releases, Sivey has continued to experiment with new ways of exploiting his diverse influences in his productions. As his listening habits became increasingly orientated around jazz and obscure 70s fusion records, his own productions began to reflect the shift.

The recent resurgence of the broken beat movement was something that also inspired him, admiring the balance between musicality and danceability of the genre. He made his first experiments with bruk in 2017 and found that it mixed perfectly with what he'd already been creating. Eager to share the results with the world, it made perfect sense for his first offerings of this ilk to find a home here with us at CoOp Presents.

These two tracks exemplify the ever-evolving progression of Sivey's sonics; the familiar deep keys and synth sounds of his previous productions are there, but nestled alongside more uptempo grooves, and the lush rhythmic complexity of bruk. Tied in with his love for jazz fusion, 'Somebody Samebody' sees Sivey reinterpret a late 70's track by Japanese guitarist, Kazumi Watanabe; this one also enlisting the help of Trian Kayhatu on keys. As well as the original tracks, prolific Selectors Assemble crew member Danvers adds in his own tasty heads-down version of 'Nobody Else', and label co-founder IG Culture (who recently received a Worldwide Award for 'lifetime achievement'!) provides a dope bruk-funk flip of 'Somebody Samebody' to close out the set.

Part Four in a series of 12” vinyl EP’s celebrating 30 years of Z Records and the legendary Dave Lee. Featuring sought-after tracks and remixes by, Joey Negro, Horse Meat Disco, The Sunburst Band, Mistura, The Revenge and The Reflex.

First up, Dave Lee joins forces with London's super disco collective, Horse Meat Disco to rework the classic, 'Candidate For Love'. This 2014 debut collaboration for Dave and HMD also features long-time Sunburst Band vocalists Diane Charlemagne and Donna Gardier.

Kendra's original downtempo version of 'Smile' was a monster on the UK soul scene. JN gives it a housed up mix for the A2 with a clear nod to the classic Suburban sound of Musto and Simonelli.

On the B side, South African goddess Letta Mbulu has one of her classics, ‘Kilimanjaro’, reworked by edit royalty The Revenge before The Sunburst Band - The Secret Life of Us gets that magic touch from another standout re-edit wizard The Reflex.

Adeen Records 007 proudly continues to deliver more of the quality music you like. This time, producer Camille (real name Jason Wilkins) teams up with the legendary Chez Damier for a hand picked selection of 70's and 80's hidden Dance ,Funk and Disco gems retouched and edited by Adeen's own Nico Lahs. From one of Chez's selections of Coco Kane, to Camille's Gator Bait, Nico Lahs breathes bouncy party-like vibes into each of the 8 cuts. Whether you know these tracks or not, you'll fall in love with them for the first time, or all over again.

finally repressed
new Label Pleaszure Zone have the pleasure for the first release to welcome ali nasser (8 bit, connaisur, be chosen, mitu..)!

DJ Sneak is a familiar name across the world's club circuit playing the very best venues and events. A frequent visitor to Ibiza - the island of spiritual parties and Mecca of dance music culture, Sneak has participated in several events with the best UK production companies - Ministry of Sound, Cream, Manumission, and Miss Moneypenny's to mention a few. A favorite at United Kingdom's summer festivals (Homelands, Creamfields, T in the Park), Sneak shows no mercy on the sound systems and is a guaranteed crowd pleaser. Recognized as the disco filter innovator, his productions and musical style has maintained his status as one of the Top 100 DJs in the world for 5 consecutive years. Dynamic in style - from furious banging Chicago tracks and Latin tribal beats, to disco filtered reworks of retro classics and melodic rhythms to suit your soul. He continues to contribute to the evolution and definitive sound that is Chicago House Music.

Superb four track album sampler from Jullian Gomes’ sophomore LP “Slow Poison”. Taking a more introspective lookout, Jullian’s Slow Poison delivers a plethora of styles from his skill bank, ranging from storytelling soundscapes through trademark deep house and soulful house into neo-electronic-disco, it’s a wonderful journey of emotions and energy.

Housed on this EP are four of the standout tracks from the album.

- One side contains the brooding ‘Temple Of Snakes’ featuring Martin
Iveson and the bumping ‘Control’ complete with Jiandu’s soulful
tones.
- Take to the flip to find the sweeping synths of ‘Ghetto Ballerina’
starring Soweto’s FKA Mash and the Daft Punk channelling vocoder
joy of ‘Original’ featuring Los Angeles based B. Bravo.

Debut time! Leipzig-based DJ & music maker Max Lessig comes through with his very first EP. Max delivers full-on classy dance music filtering the very essence of what makes a crowd move. "Baila Resista" is made for peak time use. The arpeggiator tells us to rock our itchy feet - we will never stop living this way. "Jupiter Hymn" is an elegant piece of modern synth house music. Vocals in the back, pads in the front. "Lonely Ways" goes a little deeper but the message is still and will always be: take me to ecstasy. In his own words: "Dance! Unite! Resist!"

Midnight Conversation 2 is the new LP by the Italian duo based between Bologna and Berlin.

The album waves through progressions in jazz, hip hop, house, and broken beats featuring an exclusive collaboration on the track ‘123’ with Capofortuna.

Following their debut album ‘Midnight Conversation 1’ previously selected between the most exciting projects from Juno Records back in 2018 this new LP is truly something to behold.

Back with the Queen of DEEP. Roberta delivers the goods for People of Earth's first release of 2022.

‘Scenic Route’ is the leading single from Ruffien’s upcoming debut album – To Win in Silence. It blends the sultry with the psychedelic - consisting of rolling, tribal percussion and a constant whirling, dub-like atmosphere throughout.

The single’s remixes are courtesy of New York resident Cofaxx (Nous Disques, Atlantic Rhythms) who approaches the remix with a smooth & warm touch, and North Carolina’s very own sonic wizard Kwala (HLF/PIN, Project Mooncircle) – who flips the original track on its head and effortlessly delivers something hectic & unpredictable.

Also featured is a remix by Orlando Voorn that picks up slowly, then accelerates and gets your groove on. All the while, the peaceful backing melody counters the intense rhythm and turns this version into an absolute ear-pleaser.

Fresh off the critically acclaimed re-release of the Circular Motion classic BlakMuzic EP on limited edition colored vinyl. Anthony & his signature Circular Motion imprint come with a hefty portion of Boogie-inspired and JazzFunk inflected dancefloor burner. The juxtaposition of fat punchy basslines accentuated by the rolling and melodic chord structure creates a sublime undercurrent of complexity. “Just Do It” is reminiscent of a bygone era when R&B was a swinging and danceable. element of Club Music. One might find intricate parallels to Leroy Burgess & Patrick Adams listening to this tuneage. We feel ”Just Do It” reprises the delite one would feel on the dance floor of the Paradise Garage listening to this tune.

Repress!

The New Lazare Hoche & S.A.M. Establishement is presenting two massive weapon for the dancefloor on a deeper tip.

Off the strength of just two tracks (included here), Melbourne multi-instrumentalist Liam de Bruin has won the affection of like-minded locals Close Counters, Horatio Luna and Teymori as well as global tastemakers Osunlade, Jimpster, Mousse T, Gilles Peterson, Peacefrog, Art of Tones, Delfonic, Jazzanova, Red Rack'em, Smoove, Carista, Jazztronik and many more.

'Thinking About Dancing' is Liam's debut EP, with six tracks of soulful deep house and grooves, including a club-ready remix from Zeitgeist Freedom Energy Exchange that takes things more in the raw tech funk direction of Underground Resistance/Planet E affiliate Waajeed. A limited edition of the vinyl includes a felt cover (assorted colours) with stitched on Heard and Felt embroidered logo tag.

A project conceived during Melbourne's extended lockdowns, Liam found himself separated from his band projects and with lots of time to spend in his garage studio in the beachside suburb of Frankston, which has a surprisingly long association with dance music (Carl Cox/Butter Sessions/21st Century Dance Club/Andy Van, etc). There Liam recorded himself playing drums, bass, keyboards, guitar and percussion and then shaping those recordings into understated but funky organic grooves, full of hooks, twists and variations.

This is house made with a love of club and DJ culture, but from the perspective of a musician.

“Every time I play this, there is a large influx of interested emails wanting to know more.”
Gilles Peterson — BBC/Worldwide FM/Brownswood

Split EP of US & UK Garage Sounds with a nod to the R.I.P crew and the U.K garage legend Todd Edwards.

'Rainy Days' is a subtle afterhours track, with an undulating groove and drums that feel like they've been carved out of marblee. distant groans, hints of studio ambience and druggy, moaned half-words "Edifeirwch" comes a long with the premise to sail off to vast open seas but also keeping you to the ground with it's 4x4. Fliping the side we have Franco Cinelli's Rainy Days extended remix focusing on intrincated percutions wich making the groove give you this 'forward and backwards' feeling

AOS-432-D - AOS432-Z

Panoram’s „vivid and eccentric new album“ (based on Philip Sherburne via Pitchfork) gets the remix treatment by Quiet Village and Luca Lozano. A cornucopia of possibilities, aural delicacies and pulsating sounds, Acrobatic Thoughts would be a rewarding task for any remixer and is a real gift for the relevant guests.

Matt Edwards’ and Joel Martin’s Quiet Village project can’t be beat when it comes to meandering, prolix and cinemascope-styled tracks and remixes (see their Allez Allez African Queen one for further notice). Thus, their version of „Seabrain“ is a 11 minute long interpretation. Propelled by ocean travel transmissions, deep sea fantasies, sonar tones and a bubbling bass line, it’s the finest piece of submarine house and feels like a long lost cousin to Link’s Amenity (we take a bow). Addictive and refreshing.
Wandering Frames follows a similar path on the desk of Luca Lozano. But instead of the abyssal-benthic zone, he takes it higher up in the air. Sitting comfortably on little fluffy clouds, reinforcing the UK bleep continuum and adding skippy beats, Lozanos remix appeals to hypno house collectors, slow-motion b-boys-girls and ecstatic dance fans alike. Peak time can have many hours.

Pool Boy is the side project of swiss-born Canadian producer Cyril Hahn. From an art student staying afloat with a menial job in a coffee shop to being Annie Mac-approved, his rise to prominence is a modern-day internet success story.

Rewind to 2013 when his pitch-shifted, game-changing reworks of
classics evolved from casual SoundCloud uploads to Annie Mac, Romy Madley-Croft-endorsed hits (yep – of The xx). This sudden trend was followed up a couple of critically acclaimed EPs on the great PMR Records. In 2018 as he started to move away from club-ready music, he started digging into a more pop-leaning, ambient, traditional listeing experience that led to the genesis of Pool Boy. In 2018, he releases his 1st Poolboy LP on Seb Wildblood's label Coastal Haze.

We are thrilled to welcome him back with a brand-new record to be
released on Noire & Blanche. 'All Inclusive', the upcoming 9 track LP, is a sun-drenched record bouncing between balearic, house, and ambient vibes. It has that light, exotic sound that you will be increasingly obsessed with and that will perfectly fit your sunset rides this summer.

Travelling along all these soundscapes and ambiances, Pool Boy invites his canadian fellow Pacific Colliseum (Teen Daze) on 'Pool House' for a cosmic house break. On another side, the LP will include a pack of 3 beautiful remixes from Gooch, Domenique Dumont and Khotin reflecting the variety of influences on this record.

Eduardo De La Calle and crew return with 4 tracks of deep off kilter electro and idm Big tip if you're into Bitstream, Gosub and Silicon

Your Planet Is Next is the nom de guerre of one Arvid Wretman –
multidisciplinary artist, live performer and noise maker from Stockholm, Sweden.
Since his 2014 debut cassette under the YPIN alias, through two floor-optimised solo EPs for Studio Barnhus, this self-proclaimed “Mr. Music” has terrorised us with the most gloriously disturbed electronic funk, all while cultivating his puzzling YPIN persona: part failed pop-star, part extraterrestrial threat. On his first fulllength release for Studio Barnhus, emotions range from acidic romance to pure paranoia. Rave, screw, electro, and chill vibes are all combined on an album that plays like an exhilarating journey through the mind of a mad genius.

Leonard "Big Strick" Strickland is perhaps best known for his family ties with Omar-S (they're cousins), though his productions are well worthy of praise in their own right. Here, he offers up a sampler 12" featuring cuts from his recent (and excellent) Reservoir Dogs LP. Perhaps the most noteworthy cut is "Family Affair", a lovingly constructed chunk of hypnotic, melodic deepness written with Omar-S. That said, Strick's solo effort "Armed & Dangerous" - a winding chunk of voodoo techno - is arguably better. The mazy techno-funk of Reckless Ron Cook's "Night Moves" is also outstanding.

Aussie producer Captn K is dishing up another great slice. This time Marvin Gaye's Get It On goes from slow sex chant to upbeat sex bomb. It still maintains its smoothness with joyess synth stabs and a grooving electro 808 breakbeat. I Need Some Loving with a repative sample and hook has no kick and just begs to be slipped under some minimal beats. Side B sports Captn k's signature style in the form of an 8min dream wrapped in vinyl. It Will Take An Eternity To Break Us is littered with uplifting vox samples and the most gorgeous pads, you will lose time listening to this one.

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.

The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

RAGE is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out.

This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

Hear & Now’s 2018 debut album Aurora Baleare was undoubtedly one of the most magical full-length excursions to appear on Claremont 56 to date; a drowsy, mood-enhancing masterpiece full to bursting with tactile grooves, blissful guitar motifs, dreamy aural textures and seductive, slow-burn melodies. The culmination of two years of work by longtime friends Ricky L and Marco Radicioni – a pair of experienced deep house producers whose solo careers stretch back to the 1990s – the album was as finely crafted as it was musically stunning.

Two years on, the pair return to Claremont 56 with the hotly anticipated follow-up, Alba Sol, a similarly seductive and sun-kissed set that is every bit as beguiling as its lauded predecessor. Once again built around the pair’s trademark blend of colourful synthesizer melodies, ear-catching improvised guitar motifs, soft-touch grooves, enveloping chords and fireside-warm bass, the set’s eight tracks are vivid, vibrant and as memorable as watching the sun rise over the Mediterranean or Adriatic seas. This time round, listeners can expect a few more nods towards the kind of glassy-eyed ‘dream house’ that was once one of Italian dance music’s greatest exports – think Don Carlos, Sueno Latino, Keytronics Ensemble etc. – and synthesizer-heavy 1980s new age ambience, though the duo’s trademark sonic template is evident throughout.

These influences can clearly be heard on “Larus”, where jangling piano riffs, mid-80s new age synths and cascading David Gilmour style guitar solos rise above thickset chords and sparse beats, the eyes-closed, arpeggio-driven goodness of “Acqua Tronica” – which also features some of Marco’s funkiest guitar playing to date – and the head-nodding haziness of “Danza Delle Onde”. They’re there, too, within the mid-tempo rush of “Litorale”, an emotive and life-affirming mixture of metronomic beats, fluid piano solos, retro-futurist synths, locked-in bass and pads so sumptuous you almost want to reach out and grab them. While the subtle evolution of the duo’s sound is evident throughout, Alba Sol also contains a swathe of tracks that echo the slow-motion hedonism of their earlier work. Closing cut “Pioggia Sil Mare”, for example, is a beguiling and brilliant foray into kaleidoscopic ambient house territory rich in in slowly unfurling musical motifs, while “Polvese” chugs along on waves of stretched-out electric guitar notes, echoing percussion hits and the sort of stoned bass that was such a feature of Aurora Baleare.

Then there’s the album-opening title track, a gloriously epic, joyously blissful number that first wowed listeners on the recent Claremont Editions One compilation and already feels like a downtempo classic. It brilliantly sets the tone for a sophomore set that’s arguably even more wonderful than its stunning predecessor.

Especial welcomes Kim Ann Foxman to debut on the label with an ode to the power of the moon. The sample heavy, acid vocal cuts no slack and shows Foxman confidently developing as a producer and is backed with a stellar set of remixes from Roza Terenzi, Dawl & Sween and Violet. Revered by many as an on point clubber, dancer, singer, DJ and producer, her breakthrough in Hercules & Love Affair was a start, soon carving out her place as a solo artist and global DJ, while fitting in time to run the Firehouse - recently featuring Richard Sen and Kasra V - and SELF-TIMER labels - home to new project, Pleasure Planet. As veteran of the San Francisco 90s heyday, slipping breaks around a 4/4 kick is a blast of past meets acid future, as 303 meets M1, while Foxman's lyrics - written during the Blood Moon over London - extols the power of the tides, nature's internal and external flow. The remixes are a manner of breaks-heaven, as Roza Terenzi rips a steppas dub, Tone Dropout's Dawl and Sween master a latter day M25 anthem, before finally Violet, edits, strips, builds and takes things deep. Make me lust, make me bleed.

Isolate's Murat Uncuoglu and his extraordinary ability to create simple but remarkable melodies is back on Multinotes with a new three tracker.

There it is, keinemusik number seventeen. We know what youre thinking. You think you know how it works. You think, those
keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a Workparty-joint
venture at some point and then it starts all over again. Au contraire! This seventeenth edition is breaking the known beautiful, perfectly
curled cycle. Just like that, so that no one gets bored. This record here is an appetizer for a collaboration-effort between Rampa, &ME
and Nomi, the New York based singer that provided the recent movement of flamboyant Disco-queerness with its sexiest and
catchiest hooks, teaming up with Hercules & Love Affair and doing her own project Jessica 6.
Side B will take care of everyone who is expecting a safe playing house-rehash of the afore mentioned acts and tenderly let a lashing
snare slap every preconception out of sceptic faces. 'Enemy' makes no mistake about being manufactured in Berlin. Its stoic,
technoid intent to pave the way to the floor with utmost straightness might seem like a contrast in comparison with Nomis warm
timbre, but after some bars, youll find both in unrestrained, loving embrace.
On the flip they turn the heat on even more and go for the ultimate, heartwarming club-anthem. 'Broken Toy' is sneaking in with
discreet percussions and some random field recordings on top, until the intro gives way to an instantly touching piano-accord. As soon
as Nomis notably affecting vocal parts are hitting the mark, it should be evident, that this cut is applicable in various situations. It will
inflame floors into rapture of love, it will be perfect iPod-material for lonely midnight-strolls and it makes a perfect new choon for the
weeks and months to come.

Italian artist Samuele Scelfo is next to land on Hot Creations with his two-track release My Father in Ibiza 1988, which is inspired by his father’s unique record collection that he bought on the White Isle almost thirty years ago.

As a full time resident at Morositas Club in Siena (Italy), within a few years he brought his sound to some of the best Italian and European clubs, sharing the booth with many of the greatest artists in the underground scene. His releases can be found on influential labels such as Relief, Elrow Music, Snatch!, Müse, Deeperfect and Wow! Recordings. He also has an army of supporters that include Jamie Jones, Marco Carola, Green Velvet, Matthias Tanzmann, Lee Foss, Michael Bibi, Gorgon City and many others.

REPRESS: 'If you want something done right, sometimes you just have to do it yourself'. In a world filled with false gurus and misguided leaders, so goes the mantra of the New York duo Walker & Royce. After a swift rise in recent years - during which time they pioneered a sound that is often imitated but never replicated - Sam Walker and Gavin Royce have used this mantra as the impetus for their debut album 'Self Help', on their label home Dirtybird.

In order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. Their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one.

Walker & Royce's signature production is in exceptional form on their solo tracks, such as 'Why Tho', 'Warkin It', 'Best Track Ever' and 'Sunday'. The way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: 'Will we play this'

The pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. The legendary Green Velvet lends his vocal talent to 'Rub Anotha Dub', and longtime friend Dances With White Girls appear on two memorable tracks, including the hit single 'Take Me To Your Leader'. Other collaborators such as Sophiegrophy, OnCue, Forrest and Mr. JPatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the 'Self Help' masterpiece.

The road to self-discovery is filled with many bumps and obstacles, but with 'Self Help', Walker & Royce have proven that they've got the keys and in the driver's seat.

XI is back on SUED with this four track EP of brand new material. XI, SVN and PE's (DJ Fett Burger) long running left-field house project keep on exploring the deeper sound of house and techno. Deep analogue cuts recorded on tape in the now well known Neues Deutschland studio, with this duo’s true and familiar sound of the
underground. Not to sleep on!