Apollo is a new concept project from me, spread across 3 EPs which throw back to the 90s melodic Techno and Progressive Trance sound. Although my roots are firmly in Breakbeat-Rave, I was also captivated by the big room sound of labels like R&S, Guerilla, Hard Hands and Sven Väth’s Harthouse from that same period of time. My studio is full of old equipment that fuelled that original European sound so I quickly found myself focussing on a bunch of tracks that are heavily influenced by some really special music that often gets forgotten." SC
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" ‘Entity EP’ encounters both a happy spirit and two fathomless spirits who dwell in limbo ready to tell the first tale. On side A Wendel Sield displays two original cuts who embody the label's direction.
‘Missing Chant’ is an uplifting rhythmic track full of liquid Rhodes and layered percussion followed by sonic fm synth line. Where as ‘Obeah Rhythm’ takes the EP to a deeper spectrum with evolving pads and hypnotic percussion. On the B side Trinidadian Deep took a deeper organic take on the main track making an infinite flow of percussion layers accompanied by ever evolving moog synth line.
Obia Records' name is inspired by the Obiaman - a spiritual healer from Surinamese and Caribbean culture, often good, sometimes evil. Obiaman resides in the jungle where he practices magical sessions to heal the mind, body and soul. Rhythm and chanting is his tool to guide those who seek a deeper meaning or healing through a journey of music and dance. "
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'LoveHrtz' return this Valentines Day with another two track, vinyl only single, and the vibes are set to maximum on this one. The previous release in the LoveHrtz series sold clean out, and is swapping hands on Discogs for silly amounts (not our doing!), so diggers are advised to get on this one without delay.
LoveHrtz chop out another brace of feel good, disco bangers, with ‘Music Makes Me High’ and ‘Sweet Style’ already picking up BBC Radio 1 airplay from Annie Mac and Danny Howard, and a handful of DJs such as Jamie Jones, Butch, Martinez Brothers and Seth Troxler giving these cuts some serious road testing in the clubs.
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Producer & DJ Mall Grab has announced his new EP 'How The Dogs Chill, Vol. 1', on his brand new imprint 'Looking For Trouble.' The new release arrives ahead of Mall Grab's upcoming 'Looking For Trouble' tour, including a London headline show on 6th October at E1.
The 25 year old's latest record follows one of last summer's biggest house releases - 'Pool Party Music' on DJ Haus's ever-excellent Hot Haus Recs, as well as a collaborative EP earlier this year alongside Loods on Steel City Dance Discs, the label he runs with his friends Jarred Kennedy and Jackson Fitzsimmons. Having emerged in 2015 with the infectious 'Feel U' EP, the strength and evolution of Jordon's productions has firmly established him as one of dance music's most exciting talents.
The new EP arrives in the middle of another busy period for Mall Grab. Having played well over 100 shows in the last year, he just curated the London event Long Live Southbank - a one off fundraiser party supporting the restoration of Southbank's hallowed Undercroft skate space, which was streamed by Boiler Room. Having grown up skateboarding the event's cause was a particularly special one for Jordon. About to embark on his much anticipated 'Looking For Trouble' tour throughout September and October and with more shows through November & December in Japan and Australia, Mall Grab will close out 2018 on a high.
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Romana Records 003 Takes a slightly different route this time we got a original from Ted Amber Botanic Minds sunset Series and a remix from Magnus Asberg and a stella remix from TIJN Curte Vache,Moss Co. The original has been been a firm favorite for Arapu for some time now.
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After the first debut EP Theory Of Swing Records comes back with its second title by The Evidence, the south Italian duo amigos Davide Disanto known for his productions under the name St. David and Michele Lamacchia known as Rhythm Of Paradise delivering four dirty, dub hypnotic live arrangements strictly for clubs.
Dancefloor essential stuff here. You simply NEED this one.
Vinyl Only- Limited Copies.
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Introducing a fresh new label concept from Robin Ordell. No Time County’s focus is music that brings a feeling of elegance to the dance floor. A deep interest for sounds has given Robin a refined ear and a unique personal style, which permeates into his vision for the label. On this first release we get three slinky cuts, each one representing the label ethos in its own way.
The EP begins with a cut from Robin’s collaborative project with Bruno Schmidt - Asper Bothrops. ‘Track 21’ is dainty yet punchy, rolling with vigour for almost 10 minutes. Throughout, the rhythm keeps you locked in tight, swinging beats complemented by an assortment of bleeps.
Up after that is ‘Backwash Intro’ by Robin on a solo tip. This track fuses soul and retro beats to create a captivating composition full of energy and mystique. Robin’s penchant for unusual sounds is evident from start to end with an almost frog-like motif in its croaky cadence.
Lastly, it’s Rudoh from Karachi. Featuring alluring atmospherics and a hypnotic bassline, this is an enchanting workout. A range of organic sounding percussion pushes the track along, while tactful production techniques ensure that the energy builds steadily.
Listen out for more from Robin Ordell’s No Time County...
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An integral part of the OPIA family from its early stages, and long time resident, Audri delivers their eighth release. ‘Tappo Di Ferro’ stretches across unexplored territory, making this a refreshing offering from the label. Opener, ‘Background Radiation’ steers through the synonymous rave energy we have come to the love from the label, chunky drums meeting with twists and bleeps. ‘Ihr Lied’ kicks off the deeper vibe, with distinct synths carrying the track. A different flavour with ’Zisco United’ upbeat, minimal flair, with a squiggling bass line funk! ‘Like A Train’ on the B side runs like a dream, ready for hazy mornings on dance floors again. Closing the EP is an intelligently arranged, sub heavy monster from the Italian entitled ‘9 Evolution’. It is no surprise the Demut founder has nailed this turn out on his closely affiliated OPIA Records. This marks his third outing on the label, previously found on VA’s ‘Elektropia’ and ‘Lyla’s World’ with single tracks, ‘Tappo Di Ferro’ marks his debut solo release on the imprint.
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Contemplate, reflect, observe and record. Constanijn Lange presents a story of reminiscence and memory, partial witnesses of past and present journeys. Ideas and ideals of what has been and what could have been entangled between complementing poles of drive and meditation. The result is his rst full length album and a personal story that unfolds all its details the closer you get.
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The second release on the Masaala label explores a brief time in the late 80s and early 90s, when musicians were fusing Acid House with Bhangra. One of Leicester's unsung DJ heroes was Cutmaster Singh, who for this record has revived a selection of his own edits from back in the day. Also included is Cutmaster Singh's massive 'Acid Agah', an unreleased 1994 dubplate that more recently you might have heard being championed by Mr Scruff.
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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno.
Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek's music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek's back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three EP's
Part three in Derek's starts with Cuba, probably the most sought after track in his back catalogue.
It's stunning simplicity and charming summer vibe puts it amongst Derek's greatest works and understandably so. Red then slots into the 'A2' position which was originally released under the radar on a Headspace compilation. As warm as Cuba but with an added touch of melancholy. Truly outstanding deep house.
Iceberg takes things back more into techno territory with a funked up bass line, stepping rhythms, Detroit strings and those trademark twinkly leads. Finally Penthouse Apartment 3 AM a lush electro breakbeat track from the very hard to find Trident release, rounds off the EP with aplomb.
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Serenity Records is a new not-for-profit record label, aimed at raising essential awareness on the growing epidemic of mental health within the music industry, whilst also donating all proceeds of its project to various mental health charities. One of the key features of the project is to allow the artists commissioned for each EP to have the opportunity to select the particular charity that their work will support. So for 001, John Shima & Mihail P's EP will support the work of Music Minds Matter - a charity unquestionably leading the way in making a difference to mental health issues in the music industry. The inaugural EP beautifully intertwines between floaty synth work and hypnotic percussion - adequately serving its purpose as a resource for music lovers looking to seek refuge away from whatever problems they may face.
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'Radar' by Parisian DJ and producer NiKiT is Electronic Emergencies' first release in 2020. Two years after his debut, NiKiT has once again delivered a stunning mini-album. His idiosyncratic and particular style within the realm of techno flirts with electro, and sometimes even has a dubby touch. Compared to his debut 'Arcanes', NiKiT's sound has expanded and is more spacey, while staying powerful and very danceable. Celebrated Dutch painter Ditty Ketting conceived the mesmerising cover art.
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Constant Black continue to bring you the finest in minimal tech house from underground operators and upfront scene leaders alike. This time around they're welcoming back the ever-prolific Noha, who first inaugurated the label back in 2016 with the "Hamal" 12". This time around he's debuting the ISKRA alias, which comprises more of the keenly sculpted, propulsive but healthily unusual brand of minimal house he's been known for, but with an added emphasis on interesting rhythmic formations. "Every Day I Spend With You" is especially delightful on the ears, while "Escape The Sleep" should appeal to those seeking pure, unadulterated, deep grooves
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World-renowned British producer, musician and DJ Will Holland aka Quantic is set to release epic new orchestral-disco track ‘Theme From Selva’. Drenched in lush strings, bright horns, wah wah guitar and an irresistibly solid rhythm section; ‘Theme From Selva’ is a show-stopping entrance worthy of any Soul Train line. The 12”s B-Side features Quantic’s heavy disco cover of Paul McCartney and Wings’ spectacular ‘Nineteen Hundred And Eighty Five’ (from their 1973 album ‘Band on the Run’), putting centre stage on the song’s famous pounding piano riffs.
Called a "one man music factory" by Billboard, Will has released over 20 albums under various pseudonyms since 2001; bringing together a deep knowledge and heavy passion for soul, disco, Latin, African, dub, electronic and club based music. Working from Brooklyn for the past six years, and Colombia prior, his sound combines solid musicianship and a progressive attitude with a genuine excitement and sincere respect for sharing influences from around the world.
Selva was built and conceived by Will and his partner Aziza Ali. They conceptualized a recording space and studio with ample natural light, the wooden-furnished grandeur of yesteryear studios, and spacious enough to house Will’s vast collections of vintage recording equipment, instruments and records. Selva also operates as a production facility, where writing, recording, mixing and vinyl mastering takes place daily. Releasing records on Selva, all made in this unique analogue recording environment, was a natural evolution.
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A vinyl only label focused on music from deep house hero's Saison. V1 is a collection of unreleased music from the duo focusing on borrowed sounds and reinterpretations. The label focuses on deep, disco, and house influenced jams that have been supported by many of your favourite DJ's over the past year. We hope you enjoy them as much as we do!
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Finally Gorge delivers his first 8bit release this year with the brandnew 'Rai' and a 2020 update of his classic 'Erotic Soul' plus new versions from the winners of our remix contest: Crimsen, Sensoreal and Hazner. Great work!
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After his acclaimed debut EP « Cotonou » on Alma Negra’s record label, James Stewart comes back with his new EP Atlantic River Drive for Mawimbi Records, featuring two collaborations with Ghanaian kologo musician Ayuune Sule as well as two remixes from Simbad aka SMBD.
James Stewart met Ghanaian kologo musician Ayuune Sule, after booking several shows of kologo music star King Ayisoba in Lyon. Stewart was quick to witness the bluesy tone of Ayuune’s voice and his kindness as a musician, despite his impressive stature. Quite logically, Stewart invited Sule to record vocals on two of his ongoing demos at Bruno Patchworks’ recording studio (Voilaaa, Mr. President, Da Break), with the idea of making a rather unheard crossover between traditional kologo music and contemporary styles that would both appeal to Ghanaian crowds and a Western audience. Stewart then had a number of his arrangement ideas re-recorded by a talented cast of musicians, resulting in a brilliant mix of acoustic and electronic textures, sounding both vintage and modern.
Nodding to Eddie Palmieri’s landmark record “Harlem River Drive”, “Atlantic River Drive” is a stomping dancefloor track, drawing from the 6/8 feel of kologo music and the energy of contemporary club music. The track can be read as a tribute to the musical cross-pollinations between the African continent and its many diasporas, which Stewart has dedicated a long part of his life to, but also as a more intimate story about his life and family. All words were written by Stewart and then translated by Sule in his native Fra fra language from Northern Ghana.
“Where Are We Going?” is a two-part journey that reminds us that we should care about each other, about our communities while we don’t know what the future is made of. An important and much welcome message to navigate through these troubled, uncertain times. Referencing congolese N’dombolo tracks, the track has two parts and rich arrangements, with its first part going deep with syncopated clarinet hooks and playful percussion parts, and its second part moving to a four-on-the-floor pattern and an entrancing baritone saxophone solo.
The EP also features Worldwide FM and Brownswood maestro Simbad, who delivers two dancefloor-ready reworks of the track “Where Are We Going?” under his SMBD moniker, turning it into a spiritual, dubby journey, as well as an emotional house music track.
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Hotly-tipped Glasgow duo Manakinz are next up on Jasper James’ budding imprint Mitchell Street Records with a vigorous three-track dispatch.
Behind the duo is Jasper’s father and house music legend, James ‘Harri’ Harrigan, and venerable selector Affi Koman. Both are steeped in Glasgow’s rich musical history, with Harri being one of the legendary faces behind Scottish institution Sub Club with its world-renowned flagship residency Subculture, and Affi Koman is known for his lauded Sunday Circus residency.
Established in late 2018, the duo’s productions have bagged support from a long list of respected artists, including Andrew Weatherall, The Black Madonna, Levon Vincent, Ashley Beadle and Bill Brewster.
“A week after I got these tracks, I dropped the A-side ‘Snakehips’ at a Boiler Room gig and the reaction was amazing. Approval doesn’t get much better than spinning it through a road test and I’m looking forward to kicking 2020 off with this killer EP. ” – Jasper James
The EP leads with ‘Snakehips’ a frisky peak-time brew loaded with propellant, tribalised drums and a soulful vocal cut set to stir. On the B side, ‘Yamaha Rumba’ runs with the headiness, amplifying the atmosphere with a maelstrom of synths and skittering keys, and it hits the spot with the release of a lustful, lascivious female vocal. ‘Partizan’ completes the package, giving listeners a robust, heavyweight club track.
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Limited 12" single featuring remixes of a Moby & The Void Pacific's track 'Are You Lost In The World Like Me', from the album These Systems Are Failing Us.
Blanck Mass adds his own twist to 'The Light is Clear in my Eyes' whilst Nava Ryan, Zarva and Moby (the man himself) remix stand out track 'Are You Lost In The World Like Me'
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Landscapes of dystopian worlds, both emotive and driving,
unveil new forms of life here as Nightdrive’s “Miracles” LP
travels through the far east regions of house and techno with
this 10-track release. As this marks “Rough Cuts 02” for Too
Rough 4 Radio, “Miracles” is as much a transcendent force
of ethereal tunes as it is effective for any dance§oor. What
you’ll uncover across this release from this St. Petersburg
based producer is a traversing blend through IDM, Deep
House, DnB, and Techno through the lens of lush,
atmospheric soundscapes
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Patrice Bäumel is on fire right now. Top remix after top remix and now he debuts on Afterlife with an impeccable two tracker.
Hypnotic styled cuts which will get all the plays they deserve & it's also a new direction for Afterlife which we warmly welcome... Top 12inch!
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Hence the label SAM has decided to produce a 4th EP-in
line with Eddie's three releases: "Eddie & Friends" is a
musical tribute to him and a new opportunity to enjoy his
musical direction.
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LowMoneyMusicLove presents 5 bassline driven dance tracks by two of its founders, Avos. This EP is tributed to all people who they met during their musical journey.
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Limited White Label kicks off 2020 with a new white label reissue record featuring 4 tracks by British DJ and producer
Gavinco. Known for his jazzy-electronic sound the Brighton
based musician delivers some of his most prominent works
for this bit of lacquer!
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- Summer is here to stay. Golden Boys Johannes & Tilman drop 10 minute percussion workouts ('Whips') and disco loops ('Season'/'Blow') for decades. You better get your beach body ready. Hurry and you will get some golden vinyl even.'
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Vinyl will feature Individual, hand illustrated sleeves.
Distraction combines thundering bass elements from darker techno with deeper, emotive pads and flourishes to create a meditative yet driving late night groove. Best used to hush dance floor chatter in favour of getting heads down and putting a shift in.
Static and Choke also play with juxtapositions of light and dark elements, with Choke being the firmer of the two. Both offer sounds ideal for creating trippy and introspective dance floor moments, while not allowing those hard fought for energy levels to drop.
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Flat White Records launch into 2020 with Meowsn’s, “Stages EP”.
This 7 track slice of genius showcases the Russians trademark style, with every twist and turn more wobbly and pleasing to the ears than the last.
The mysterious talent out of Russia is the second producer from his country to feature on Flat White Records, proving that they have a really good thing going on there.
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Following the successful return of Stress Records 2018, we pay homage to the history of Stress Records by resurrecting the iconic series ‘Club Culture’. A 24 track compilation showcasing some of the new talent that they have developed. The album captures the sonic essence of Stress Records featuring some of the hottest new names in dance music that Stress has built from the ground up, including talent such as Prospa, Will Easton, Tommy Farrow. The album also features a number of exclusive tracks from producers admired by Stress and that are tipped for big things to come. This is the sound of clubland.
Celebrating clubs and dancing - even if we can’t dance quite yet.
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The first volume of the Life Is For Living imprint is a double a-side of heavy disco infused house bangers. Cut on 180 gram vinyl at 45 revolutions per minute for extra loudness and a special 11' cut to protect those grooves from your dusty fingers.
We hope you enjoy our first release as much as we enjoyed making it. And don't forget life is for living.
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Following the release of his debut album, ‘sketches of transition’, UK house devotee Seb Wildblood has curated a brand new collection of remixes, inviting a cast of artists to reimagine tracks from the LP - featuring contributions from Suzanne Kraft, object blue, Ciel and Jenifa Mayanja. Running Back and ESP Institute affiliate Suzanne Kraft opens into the collection, offering a typically atmospheric, Italo-inspired take on sombre pop cut ‘amelia’.
Breakthrough experimental club producer and DJ, object blue, warps the easy-going pace set out in ‘sketches’, drawing focus to its woozy mood with muffled vocals and disjointed percussive hits. Swirling synths and a rich ambient tapestry make for an intoxicating rework.
On the B-side, Bumako Recordings boss Jenifa Mayanja puts a percussive deep house spin on the technicolor minimalism of ‘small talk’. A live bass groove pops beneath the track’s swaying synth beds and melodic chimes, making for the most “classic” dancefloor take of the bunch.
Discwoman affiliate and DJ/producer extraordinaire, Ciel, bathes ‘bahn’ in fluttering psychedelic percussion. Invoking the likes of Orbital, Boards of Canada and The Black Dog, with an emotional candour shining through the foggy atmosphere.
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Having re-launched the Secretsundaze label last summer with their 'Stand Up' EP, the Secretsundaze production team make a marked return with the aptly titled 'Devious' EP. This follows on from a bunch of releases on the label from Silvestre, Carista, Eliphino and Joe Claussell.Secretsundaze also recently started a new re-edit series 'Secretsundaze Edits' with a contribution from themselves and Ge-ology topping Juno's Bestsellers charts (no.1 All Genres) for a good stint of February, gaining love from the likes of Gilles Petterson, Mary Anne Hobbs & Antal along the way. The pair have also recently released on esteemed labels such as Live at Robert Johnson, Phonica and Mule Musiq.
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