House Vinyl New Releases - News

After the success of their first release, DSC - Far Reaching/Too Hard, Holding Hands is back with their sophomore outing and as before it is taking no prisoners.

Inspired by a Nicolas Lutz set as he warmed up Fabric for Villalobos a couple years back, the Furnace has a break beat that will push the subs of any club to the limit. With every build and drop it increases in momentum until you are left with no choice but to throw down on the dance floor with unbridled passion. The Furnace may be all about the big beat but it is no one trick pony. The tune has a depth and weirdness to it that will certainly keep you coming back for more...

The Sorcerer is a collaboration with good friend of DSC's, Guava. It is made up largely of recorded percussion and vocals at DSC's studio in South London, which gives it a very special swing on the dance floor. The track lulls you into a false sense of security for the first third before finally letting the big freakiness out of the box. This is one for any DJ that wants to leave clubbers going nuts and scratching their heads at the same time.

Both tracks are produced and sculpted for the club. They want big sound systems and dark rooms.

Close your eyes, hold hands and experience transcendental space flight...

Caruso & Javonntte joins forces for “Free Your Soul”, a sumptuous, smooth 11-minute deep house journey.
Laced with the enticing, whispery voices of Javonntte and an everlasting groove. The instrumental version keeps the vibes on the low, as Chris Tetley joins the duo and lays down a beautiful solo.

Club of Jacks come correct with the third and final installment of their RAW EP series - serving up another vinyl 4 tracker of essential House & Garage grooves primed for the dancefloor.

Track 1 'Memories' opens the EP with creamy Rhodes pads leading into a pulsing deep house groove flecked with soulful vocal lines, jazzy piano arps and filtered sax riffs.

The second track 'All I Think About' is a soulful groove built around an emotive vocal hook and chugging analog pads for that end of the night vibe.

On the flip side, 'Pressure Sound' switches style to a bassline roller with vintage reggae vocals, swinging garage drums and dub fx combining into a bouncy party starter.

Finishing off the EP is 'Bug-a-Do', a tough and bumpy hybrid acid-garage-house banger. Filtered synth pads merge with a 303 and M1 piano line - a hands in the air new school / old school workout.

All tracks are produced and mixed by Club of Jacks and made to be played loud wherever you like to jack your body!

Clear Vinyl Repress

Shinichi Atobe’s fifth album for DDS, his first in two years. Deep and sublime, the classic Chain Reaction Chicago House vibe, but this time with a swarming Drexciyan undercurrent,
somewhere between DJ Sprinkles, Dopplereffekt and The Other People Place, still 100% Shinichi.
It’s odd working with an artist without ongoing dialogue; no context or an exchange of ideas. It’s all conjecture. Here’s another CD of material in the post from Shinichi, two years more or less since the last one. No words except for the track titles. Oh, a photo this time.
‘Yes’, positivity, hope. But the album starts with a dystopian vision; something like Dopplereffekt’s sound-chemistry experiments, a tense builder. Big optimistic chasms open up, the Piano House euphoria of the title track, beautiful sunset closer ‘Ocean 1’. But there’s a noticeable change too.
‘Lake 2’ is more fraught sci-fi, ‘Lake 3’ a sort of percussive Chain Reaction monster, ‘Loop 1’ on a Drexciyan tip.
It’s all coated in that weird - some people say infuriating - toppy production, witnessed this time in a more tempered and different formation courtesy of an amazing Rashad Becker master, all precise but loosely swung arrangements. Everything slow to unfurl but, also, everything in exactly the right place.

The Nathaniel X Project is a name that is perhaps familiar to most of you by now. His latest release came courtesy of the wildly popular "My Love Is Underground" record label released in 2010 and then re-released in 2012. Nate's pedigree spans directly back into the thick of the 90's era with a multitude of productions with Vil-N-X on Island Noyze as well as multiple contributions on major releases ranging from house to hip-hop and everything in between. There is no doubting the man's prowess and we as a label are privileged to be able to release a new EP chalked full of his authentic deep house sound. This is a special, vinyl-only edition of our Undertones catalog. It will never be released digitally and will be accompanied by a commemorative record jacket that is limited to the first 500 copies and is pressed on 180 gram vinyl -
a true collectors' item!
DJ FEEDBACK:
Craig Smith (6th Borough Project): Quality swag all round here! All cuts are working nicely! Nice Early 90's vibe without sounding dated.
Ethyl: CHRIST! Great EP, but AscenXion 313 is something else!
BICEP: Wow, Killer EP
Kai Alce: This is a great project - hard to pick a favorite. From a long-time quiet producer and why Look forward to hearing more from Mr. X!
Kool Vibe: 100% Pure Deepness from New York
Tobias Lidstrom (Local Talk): This is the real deal. Four soulful and timeless house music tracks. Nothing more to add really except you need this record in your lifeGerd: WOW! We're all amazing!
Very nice release from the man with quite some classics under his belt. Eye Lust is dope too!
Nathaniel Jay (Love Revolution, NYC): Nice Package, but Eye Lust is the clear winner for me. Loving the sax stabs and the tone of the chords on that one. Emotional High is also a very nice deep groover.
Will absolutely play these!
Washerman (Traxx Underground): What an excellent EP. All four tracks are dope! Full Support!
Bryan (Agent Pepper): SOLID EP!
Roberto Rodriguez: Beautiful tunes from Nate! Will be spinning these for sure!
Wil Maddams: Great stuff! Eye Lust is my favorite with AscenXion 313 a close second - Thank You!
Frank Booker: Dope EP! Really feeling 'Emotional High' Nice work!
Norm Talley: Klassic Deep House!!!!! Nice!!!!!! Rollin!!!!!!
Paul Cottam: Quality house music.... My two favorites are We're All Amazing and Emotional high but Eye Lust is also a strong track, can't pick between them so tossed I coin!!!
BAAZ: What a bomb!
OOFT!: WOW all trax are seriously DEEEEEEP. 'We're all Amazing' is my pick. Dope Dope Dope!
Sccucci Manucci: Eye Lust & Emotional High are the tracks for me - really strong EP! Eye Lust has the retro-house sound locked down!
Medlar: Fuck yes - this is killer boys! AcsenXion 313 for me!

Lust For Wrong is the debut release for Vinny Villbass on Eskimo Recordings. This haunting house cut features the vocal funk from the renowned Ost (from Oslo duo Ost&Kjex) and comes with a Finnebassen remix.

For 15 years, Vinny Villbass has been one of the main influences on the Norwegian club scene, with a musical focus on percussive and disco-oriented house music. In addition to having a master degree in acoustics, Håkon "Villbass" Vinnogg has been recommending music on Norwegian national radio and functioned as one of the hosts of the legendary Sunkissed nights in Oslo. He has been Diskjokke´s dj-partner since the end of the 90's and has played guitar and synth in the DiskjokkeBand. He is also one of two curators behind the much hyped contemporary stage project Pantha Du Prince & The Bell Laboratory. Vinny Villbass is currently running the Norwegian web-portal OsloClubCast where he is building ties between the clubs, djs, and producers of Oslo.

London-based DJ and producer Joseph Ashworth has unveiled his captivating new single ‘Breathe’, out 14th February via Disco Halal. Taken from the forthcoming EP of the same name, ‘Breathe’ showcases Joseph Ashworth’s emotive, atmospheric brand of electronica. Featuring the delicate vocals of Vanity Fairy, no fewer than three versions of the track feature on the hotly anticipated EP, as well as further tracks ‘Alternator’ and ‘Expectation’. 2019 was a year where Joseph Ashworth’s music took a turn to the left-field, combining a darker edge and catching the attention of DJ Tennis, who signed his ‘Trooper’ EP to the Life & Death imprint. A stand-out release championed by the likes of Sven Vath and Adriatique, it has come to cement his position as a unique talent at the top of his game. Looking ahead, he is set to perform at East London’s NT’s Loft on 6th March.

Setting out to make some 'happy music', Sophie Lloyd produced Calling Out' in a dreary January as an antidote to the pervading doom and gloom of the news, summoning the power of the most joy-filled sound of all, gospel. This no-holds-barred anthem radiates all the live atmosphere of gospel worship in mid flow, with full instrumentation, keyboard breaks and understated kick drum pulling it all together. Bringing in the uplifting voices of soul trio Dames Brown to re-record some old gospel samples was the icing on the cake, adding the last element of authenticity. A new member of the Classic family, Sophie Lloyd's impeccable knowledge of disco, soul and house shines through in this sparkling record, available on 7' for the very first time.

Somewhere between the lines of Italo Disco, House Music and a little bit of Cosmic Trance you will find „Credit Jive“, another feel-good measurement created by the guy who obviously fell into the fountain of youth last year. Your endorphines will shine straightaway while being sober altogether. On the flip we honour the drum machine that is Linn Drum. Yes, it’s that Prince machine. Never stop dreaming!

Vinyl obsessive, renowned DJ and leading light of
the global edit scene, Kon knows a thing or two
about good music. His latest project, Kon & The
Gang, introduces a selection of tracks, remixes
and edits that the Boston native has lent his
golden touch to over the years. Featuring artists à
la mode Truccy (Compost's Rainer Trueby &
Corrado Bucci), Eli Escobar, Seven Davis Jr,
Medlar and Thatmanmonkz, the album gives
newcomers to the scene a fantastic taste of the
DIY disco / throwback house revival which is
currently taking the underground by storm.
A mixture of effortlessly cool, slow slung disco &
boogie and deftly edited dancefloor gems, 'Kon &
The Gang' is sure to delight fans of soulful music
old and new.

Double sider from FP thats been making dances shake for the past 6 months.

Nuits Sonores was first bounced down on stage during FPs set at the amazing festival of the same name. Nectarines is a slice of 11/4 dance with the sweet voice of Rahel.

We’re happy to welcome to the label Lose Endz and Alessio Viggiano who already released amazing music on labels like DJEBALI or WE’RE HOUSE, 4PLAE…On the A-Side Lose Endz « Iron Island » alongside Alessio Viggiano Remix, on the B Side Lose Endz « 9AM » and « Hard Days ». Early Support by Arapu, Janeret, Reiss, Sam Haas… No digital Promotion just a few artists received it. Be quick!

Vinyl Only - Limited

PIV026 is a significant moment for founder Prunk, who presents his third installment on the imprint. All three originals have his signature bass element, but it's the soulful texture that really stands out on this package. The title track gets a delicate treatment from American house maestro JT Donaldson, who delivers a classic touch rarely heard nowadays.

There are few, if any, artists currently working in electronic music to match BLANCAh’s talent and versatility. Whether it’s DJing, singing live (often during her own sets) or producing, her creative cup constantly overflows, which is why she has become one of South America’s breakout stars with a CV that includes some of the world’s most renowned platforms. From releases on Steyoyoke, Movement, and Lost On You; touring the globe or holding residencies at two of the world’s most famous clubs (Brazil’s Warung and D-Edge), BLANCAh is proof-positive cream always rises. Now, following two acclaimed releases with Renaissance, ‘Cold Lights’ and ‘Walk In Clouds’, BLANCAh presents her second studio album ‘Arias Of Sky’.

Dance isn’t a genre that’s embraced the album format as a rule, but with ‘Arias Of Sky’ BLANCAh has undoubtedly delivered a body of music that doesn’t so much challenge the status quo as rip-up the rule book. It’s a showcase that deftly balances melodic electronica with her club roots as she explains, “Arias is a true labour of love that took months to produce. I consciously shifted my sound to create an emotive soundscape that people will hopefully listen and dance to in equal measure.”

Opening with her spoken word on ‘Afago’, the album progresses from downbeat beauty to haunting club anthems, taking in a myriad of influences along the way; if Kate Bush’s ‘A Sky Of Honey’ went to a Brazilian nightclub this would arguably be the resulting love child.

Finally, it’s only fitting such a creative album offer DJs and listeners creative options as to how they want to listen to it, something BLANCAh was keen to provide. “Although I completed the album the job was far from done”, she explains, “I decided to offer it in 3 different formats, the original versions, extended mixes and a continuous mix as if it were a DJ set in its own right. With the latter I even created three exclusive ‘INTERLUDES’ to help with the transitions and flow. It’s a very personal journey that represents my strange and wonderful take on the world. I hope people enjoy it.”

"In 2013, the For Those That Knoe imprint burst into record shops with a release from one of the UK's unsung heroes, Jaime Read under his LHAS alias. 5 years later, we're proud to present a reissue of a selection of Jaime's music from his 1997 album ""The End of the Beginning"".

Jaime's take on futuristic chi-town influenced house is present across the selections. Written 21 years ago, the music is more relevant that ever. Serene galactic themes and time travel optimism permeate the collection: the music tells tales of optimism rather than the bleak images carved by other similar compositions of the time. Originally pressed in finite numbers, this is an opportunity to get a copy of the key material on vinyl again, split across two 180g 12"" EPs with a free digitial download code.
"

Jovonn Returns To His Body N'deep Label To Release The Album 'timeless', His First Since 'blaque House' Released On Code Red Back In 2009. With Releases On Such Labels As Clone, Apollonia And Dogmatik The Last Few Years, Jovonn Set Up His Body N'deep Label In 2017 To Release Tracks From Himself And Other Like-minded Producers. The Album Focusses On The Deeper Side Of House And Jovonn's Trademark New Jersey House Sound, With Contributions By Patrick Mangan (violin) On 'hesperia Soul' And Cassioware On 'turnin Me Out'.

Four float-off-the-floor house cuts from NYC producer Max In The World, built for the club and aimed at his city.

Fresh from the release of their third album ‘Autonomy’ earlier this summer, comes Autonomy Variations: four brand new perspectives from four exciting, innovative kindred spirits of the avant-pop duo.

South London’s Medlar breaks the seal. Following a series of incredible live collaborations with Dele Sosimi (Fela Kuti), he’s has turned ‘Autonomy’ into a minimal, percolating house track. Swapping the acid spikes for analog bleeps, Medlar’s signature can be felt every step through this vivid energetic stomper.

Fabric resident Anna Wall follows with another beautiful subversion as ‘New Politik’ is given a smouldering take. Moody, intimate, downtempo; there’s some serious late night HTRK-esque vibes to Anna’s twist.

Further into the remix trip we glide to find Dischi Autunno, Ombra International affiliate Curses pulling ‘Electric Light’ into the fringes. Taking the upbeat, crystalline pop of Penelope and Stephen’s original and flipping it into a stark postpunk Bauhaus-inspired take, Curses’ live bass and driving new wave beat shine a whole new light on the original and write it a whole new chapter.

Finally, brand new act, Isolating have the honour of closing the EP with industrial modular apocalyptic take on ‘Infinity’. A vast playground of contrasts, at points it’s dirty and pounding. At others it’s quiet and menacing. File under ‘Dystopian Techno.’

Four extensions on one of the most interesting electronic albums released this year, if you haven’t treated yourself to ‘Autonomy’ yet, you’d be wise to. DJ Mag stated it’s The Golden Filter’s best work yet while Clash called a it a bruising return. These remixes follow with complete forward-thinking consistency. Enjoy…

Part 2 of the Limited Edition series on Club U Nite Records comes with 4 Deep House goodies produced in the '90s.Previously unreleased: First Goodie 'Free Your Mind' starts with awesome shuffle beats, classic house chords and some soulful samples. Second Goodie 'Wanna Take U For A Ride', an Old School Stomper from the E.P. 'Manhattan Project Vol.3' - really takes u on a ride!

Third Goodie 'Baby Let It Cum' kicks off on the B side with pumping beats and warm organ bits - let it come into your heart! The Fourth Goodie ends this E.P. full of gold pieces with 'Special', a previously unreleased production by Irie Thomas. Deep, warm and soulful.

Jordan transformed his life this past year. It was a time of transition from one state of mind to another and falling in love. This record encapsulates this mental transition as well as a physical transition from his longtime home of New York to his new one in San Francisco.

Re mastered for 2014 from Oscar Gaetan & Ralph Falcon's original Murk DAT's for 2014. Fantastic re issue of these legendary producers early catalogue from 1992. Containing all the original versions and dub's. These will sound better than anything on discogs.

New York vocalist Kosmo Kint joined the Toy Tonics crew. Born in Trinidad and raised in New York City, Kosmo has been part of the recent Brooklyn scene, singing in several projects in NYC before moving to Berlin two years ago. To find like minded people to create new lyrics driven dancemusic.

In Berlin he teamed up with the Toy Tonics boys and now TT boss Kapote and the crew are working with him in Berlin Kreuzberg to find a new R&B & Disco influenced style of electronic dance music.
The first release is a collabo between french talent Mangabey and Kosmo Kint - produced by Kapote.

This two songs have a chilled L.A. G Funk Vibe that makes you think about certain Dr. Dre productions from the 90's combined with some broken beats and 4 to the floor house vibes. The song might remember some french touch tracks too and some might think about that West London early 2000 „Dego“ Vibe maybe. ... Anyway, its new and there is not a name yet for that style. Let’s see where the TT crew will bring Kosmo Kint sonically over the next years.

NO MORE don't need much of an introduction - the legendary Kiel-based (No)Wave / PostPunk band project took the worlds dancefloors by storm with the release of their seminal single "Suicide Commando" in 1981 which was later re-introduced to the Techno / Electro youth of the world, when Munich's DJ Hell famously reinterpreted the tune in 1998.

Still actively touring and releasing on a regular NO MORE are now making their debut on the freshly launched Intrauterin Recordings-offshoot EL CABALLO SEMENTAL..

The labels cat.no. 001 is a first time on vinyl release taken off NO MORE's "The Return Of The German Angst" digital mixtape and sees one of the bands hit tunes being reworked in a unique, highly captivating manner, pressed exclusively as a limited to 200 copies whitelabel edition on purple / violet vinyl.

"123456789 (baze.djunkiii + Herr Brandt Dream A Nudream Remix)" exceeds the bands natural musical realm by far and transfers the song into MoombahGoth / DubWave territories previously unheard of, not only for a classic band like NO MORE.. The rework picks up latest developments from the urban and bass music world whilst keeping the haunted vibe of the original songs chorus intact, slighty references NuBeat / PostPunk and Dub, adds lush, dreamy Cosmic guitar textures and even winks to the underground whistle and rave posse with a sweet as candy piano breakdown.

In their conjunctional remix work we see Intrauterin Recordings-founder baze.djunkiii, quality electronic music activist and prolific DJ for more than 20 years, and Herr Brandt, founding member of the classic German Wave / Indie / Alternative outfit The Convent as well as of the praised underground Synth Pop / Minimal Wave band Sonnenbrandt, effortlessly merge the best of two musical worlds to create something new and captivating, like they used to do on the decks with their former BETA-ZERFALL parties which were the main and initial reason the two of them and NO MORE came together in the first place.

a A- 123456789 BAZE.DJUNKIII + HERR BRANDT DREAM A NUDREAM REMIX

"Don't Touch My Sister" is Romain Azzaro's Rouge Mécanique début Album. Cinematic hazy instrumentals and a heady mix of post-punk, Italo disco, ambient and noise shine through Azzaro's dedication to his signature Telecaster slide-guitar, bringing acoustic life to electronica. Citing the visual realm as a strong influence on his music, Rouge Mécanique's releases are often accompanied by short films and hand picked design. The 'Prelude' video for 'Don't Touch My Sister' was born of a collaboration between Romain Azzaro and the film maker Louis Vignat, as inspired by the cover artwork of Les Beaux Arts de Paris artist Jeanne Briand.

In terms of "legendary" House records, it doesn't get any better than LNR's "Can't stop the house".
Originally released in the golden year of 1987 the Chicago duo of Larry Thompson and Rick Lenoir (with a helpful production assist from the mighty Adonis and a dope remix from Steve "Silk" Hurley) crafted this anthemic slab of chunky, funked out jacking House. "Can't stop the house" is a straightforward, stripped back club track, no special FX - just straight up party music for sweaty dancefloors. This official 2016 reissue contains 4 mixes of this stone cold classic - The vocal mix, basement mix, house of trix mix and the rapid edit, all culled from the numerous pressings that came out in 1987 - 1989. In a sense, this is "the complete" collection of this cornerstone of Chicago House. The full set. All audio has been lifted from Rick Lenoir's private collection of reel to reel tapes from his basement and remastered accordingly. This reissue has been realised with the full involvement of Thompson & Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2016 - You can't stop it!

Hen & Goose welcomes Bobby Cazanova and Salomo to the label. Together with DJOKO and Júlio Cruz they deliver a various artists ep made for the emotional moments on the dancefloor.

Label’s boss Do The Du gets back on dance floors together with the Australian talent Ben Sun with a 4 dreamy house tracks EP.

A side is represented by Do The Du and B side by Ben Sun.

The 'OTHERLiiNE' project sees the pair fly in the face of maximalist music culture that so often demands constant releases and sudden drops. Here, George and Sila work with a considered approach, producing only quality manifesto of work ready to release into the new era of club culture and beyond. Featuring 7-tracks complimented by a set of interludes, the 'OTHERLiiNE' project guides the listener through an emancipating journey of outstanding elegance and otherworldly joy.

During the uprising in 2000, aided by the League of Humanity, two of Dr: Gall’s advanced prototypes escape the Rossum Universal Robot factory and flee Earth on a decommissioned spacecraft.

Travelling aimlessly through space, they begin to wonder what their new home would look like. They tell each other stories of planets with no humans to enslave them, no factories to go to — planets where fresh blue water runs through pink, sun kissed mountaintops.

Perhaps it’s fortunate then that these Robots can feel no time, have no sense of past and future? And by the time their ship touches down on Ebaum’s Dreamland, who knows how many years have passed on Earth…

“Ebaum’s Dreamland” is the first Rossum Universal Tracks release.
It features a remix by Julius Steinhoff, who first discovered the scrambled transmissions in his deep space observatory in the woods.

"There's a fresh new undercurrent to his fourth LP, Everything Will Grow Again, the first single of which (Carrie) was released on 17 April. The album sees Fakear fusing styles with more muscle than before, ushering in hints of Mount Kimbie, Floating Points and Jon Hopkins and embracing accidental synth sound effects.
It’s been six years since the worldwide success of “La Lune Rousse”, his first oriental-inspired EPs released by Nowadays Records, and the halting, vibrant vocals that catapulted Fakear onto the scene, with the musician now finding himself keeping on-stage company with heavyweights such as M.I.A. and Bonobo.
Everything Will Grow Again is a more candid, sincere exploration of harmonisation this time, with a sturdier technical weave underpinning the whole. The background murmurs of Jupiter-8 synths and a Matrix Brute recur over the album’s eleven tracks. Fakear’s long-standing communion with nature, a source of inspiration to him from the very start, are combined with his trademark acoustic chords on tracks such as “Together” and “Sekoia”. An entire section of the album has a decidedly club-inspired feel (“Structurized”), opening out into a series of analogue waves of sound reminiscent of Mount Kimbie and Moderat (“Linked”)."





d 4. Rituals feat. Luiza Fernandes
e 5. Carrie [feat. Alex Metric]

Oh, Juan! We love thee, we love but thee with a love that shall not die ‘till the sun grows cold and the stars grow old.
Once in a blue moon, there is a star for whom we see limitless possibilities, whose inevitably long and fruitful œuvre all but insists we do everything in our power to nurture and provide support.

We diligently examine that sky, seeking rarefied meaning from an often desperate and banal universe, and over this past decade you have surely proven one of the brightest, most wondrous and tenacious cosmic forces we’ve encountered.
Your kaleidoscopic wealth of personality, your emotionally urgent storytelling, your obsessive-compulsive weaving of voices siphoned from the pop culture æther, your ability to synthesize teachings from the Atlantic Northeast, Caribbean and Fatherland to pen an ever-evolving musical autobiography; these superhuman strengths are not lost on us.

The 'Oxford House' EP is particularly special, as 'Fahrt Im Himmel' was our fateful introduction to your work, and though that meeting in a writhing maniacal pit of half-naked sweaty bodies was nearly five years ago, it still lives romantically close to our hearts. We just know the world will fall in love and 'Let It Go', just as we did.

It’s exciting to see you merge a musical adolescence with the now evolved Juan Ramos of 'Oxford House', recognizing your significant coming-of-age and never shying away from your roots, but rather confronting and embracing them at your every turn.

We will continue to champion your creative process and output, in hopes of fueling your inherent quest to illuminate uncharted regions of your vision.
... With all our love, always and forever, the ESP Institute.

Power Music presents Mood II Swing - Call Me (12inch) This is the first re-issue ever on the original label 'Earth Moon & Sun' in this constellation on a 12inch! A must have including 'Call Me' extended mix, Mood II Swing remix and two remixes by DJ Duke!

Finally out of little Britain, ahum, sorry, out of little Paxton, mr. Rogers is currently thriving on his newly acquired medication of high-quality codeine, all thanks to the benign blessings of the pharmaceutical industry: His house is definitely jackin' it deeper and browner than ever before, almost sounding like a Ron Hardy shooting up at the end of a hard day's night back in the days of the warehouse.