House Vinyl New Releases - News

Founded in 1990, Art of Dance has always been described by it’s founder, Kenny Larkin, as a “phantom label.”

“When I first started Art of Dance, I wanted to obviously release my own stuff, but I quickly learned I didn’t have the time or brain cells to run a label. So I instead licensed my music from my label to other labels. It existed, but it didn’t, in that sense, which is the reason I call it a “phantom label.” Given my low output of music projects, over the years, and my new found desire to put out quality tracks, I decided to relaunch the label, and use it as an outlet for my brother and I to build the Art of Dance brand, and most importantly, release great music!”

For his debut release, Kelvin presents what would be described not as “tech house”, but instead a blend between house and techno. Never straying far from his roots from Detroit, the title track of the single, Tell Me, samples “house diva” Loletta Holloway’s “Sweet Sensation.”

With the interplay between the techno inspired percussion style bassline, and Loletta’s perfectly placed soulful wails, Kelvin creates a beautifully powerful dance floor burner.

“The Force” is all Detroit. Kelvin gives a gentle nod to the past with this slow burner featuring classic 90’s style rolling snares, funky baseline, and horn stabs. This playful track is perfect for buildup for techno or house sets.

Rich NxT returns to Fuse London for his 6th solo EP and it is perhaps his most crucial and striking material yet.

Mysterious Works return with a superb VA following the success of EP's from Krewcial & Jank earlier this year. The imprints attention to high-quality basement cuts is ever prominent, with a number of underground kingpins bringing the artistic vision throughout the EP.

Kicking off proceedings is underground heavyweight, Chicago Damn, who's 'Uncle Bob' provides an exquisite, low slung, downtempo slab of boogie fusion. Osaka's Kousuke Koga (aka Jank) makes his second appearance on the label, this time teaming up with Preston's finest Simba for a deep, brooding, soul-laden number, mysteriously entitled NLA. On the flip side, label co-owner Jonna steps up the intensity with a no-nonsense, loop-laden workout while fellow co-owner Darran P provide's an infectious rework of a lesser known 80s classic! Keeping the momentum going is Iceland's Intr0beatz who's track 'Start To Make Sense' is a huge club friendly cut already a favorite with the like's of BBC Radio 1's Artwork.

DJ Support from -

Artwork, Marcel Vogel, Norm Tally, Horse Meat Disco, Red Rack'em, Pablo Valentino, Bill Brewster, Mad Mats, Soul Phiction, Charles Webster, Jimpster, Fred P, Crazy P, Gerd, Loco Dice, The Black Madonna.

Two tracks on this split release from Grammy Award-winner. Inspired by the musical landscapes of lands near and far; like Puerto Rico and Brazil

2nd double A sides paying tribute to Afro-Latin culture. Side A is a tribute to Miami Beach w/it's street percussion & sultry vibe bleeding into a slink house track.

LTD repress !

Young Parisian producer, Vitess is a member of the new wave of House artists to follow. After releasing noticed EPs on Sure Cuts and STRCTR Records, he signs a new quality release on Pulse Msc. "Panama Peppers" EP was composed in Australia, and is inspired by the city of Melbourne but not only. Full of South American inspirations, the EP is also a tribute to Jazz and Hip Hop with vocals from artists he likes like Gil Scoot Heron or Kendrick Lamar. An EP that will make you travel to the four corners of the world, and that you must discover without waiting !

After shifting through a few different monikers the last year Deepblak Rhythm Czar Afrikan Sciences returns to form. Laced always with his elastic funk forward grooves the "Resprasde" EP continues to build on his legacy. One that has consistently morphed diasporic rhythms into new colors. Creating new space on the dance-floor as well inside the mind. Four independent yet intertwined tracks all meant to make you oscillate inward outward.

INCLUDING MANDAR & DIEGO KRAUSE REMIXES!

After the success of Burnski's debut album DNA, now come the remixes from Mandar, Diego Krause and Laura Jones

Edward makes his first appearance on the legendary Trelik label with three tracks of reduced, refined and utterly psychedelic house music for the witching hour. Gilles Aiken has been prolific since first emerging more than ten years ago, initially releasing his otherworldly jams through White before joining the Giegling contingent. His acclaimed Desert Sky alias has been an outlet for more experimental fare on Assemble Music and PAL SL, but as Edward he offers up a distinctive take on minimal house and techno that matches studio flair with warmth and personality. From the meditative sunrise lilt of "Mikko" to the uneasy machinations of "Groaning Ghosts", this record finds Edward at the top of his game crafting utterly workable club tracks for adventurous souls.

Der in New York lebende Produzent und DJ Galcher Lustwerk agiert in seiner eigenen Spur von Low-Key-Hip-House-Musik. Tief, glatt, psychedelisch, gleichermaßen geeignet für den Club, nach Feierabend, Nachtfahrten und Kopfhörer. Der Sound ist ein rauchiger Strom des Bewusstseins, ein Bariton-Schattenboxen mit Beats, informiert von Funk, Rap, Rhythmus und Blues. Er leitet das Label Lustwerk Music, ein Underground-Label für die Arbeit von Freunden und mehrere seiner Veröffentlichungen, darunter das Gemeinschaftsprojekt Studio OST. 2017 veröffentlichte er sein Debütalbum "Dark Bliss" via White Material, im folgenden Jahr das 20-Track Mixtape 200% GALCHER, auf dem er sein Handwerk verfeinerte. Galcher Lustwerks zweites Album "Information" und Ghostly International Debüt ist ein heimliches Rendezvous von halbtraumhaften Nightlifes und verschmutzten Club-Dossiers, die wie verblasste Erinnerungen bearbeitet wurden. Stilistisch sind die Tracks auf "Information" sicherlich im selben Bereich wie die vorherige Produktion von Galcher Lustwerk, aber Live-Drums und Jazz-Saxophon schaffen eine neue Dynamik.

After an extremely successful first release from Krewcial which was supported by the likes of Disclosure, Horse Meat Disco & Crazy P, Mysterious Works returns with more meticulously sampled dancefloor-friendly cuts.

This time we've called on the services of one of Japan's hidden gems in Jank. Jank EP.1 delivers 5 dusty MPC jams that ooze soul & hypnotize with his sublime beatdown style.

Cruise Music Vinyl Jams is a vinyl format of "Best Of" from Cruise Music. A1 "Superlovin" is one the best selling tracks from the Cruise Music owners duo, Mark Funk & Danny Cruz.B1 "That's The Way" is a beautiful soulful track from Mirko & Meex, pure quality.

Newman returns home with four tasty dance floor grooves. There's a certain latin vibe to half of the EP. You just can't keep your hips from swaying the way they do. Eastern vibes also return to the EP with "Kiss Of The Seraph“ breaking down to ethnic wails. His sound continues to evolve while maintaining it's own recognisable identity.
Newman is here to stay and his grooves light up the dance floor every time.

Does anyone knows how difficult it is being Cultureless and releasing worldwide your culture.

We guess Slow Crime is familiar to that releasing his new EP «My Culture» on 12'' this autumn on his dearest Spaghetti Monster Recordings. A raw synthetic house track pressed with looped vox as an original to start the extended play. Slow Crime Culture presence has beed confirmed by a techno remix of a BPitch Control hero Kiki, groovy and melodic remix by a freshly baked resident from Indian Bangalore already highlighted by Microcastle and Movement - Praveen Achary and a hustling classy house edit by regular Spaghetti Monster resident and Catalonist - Ivan Latyshev. Get your grove on - choose your best!'

GEORGI BARREL RHYME GOES ON (w/HODINI + KEREM AKDAG REMIXES) (01/02). Georgi Barrelis a producer whose reputation is enhanced with every passing release. A musician in the truest
sense of the word, Barrel is a sound obsessive with a penchant for knocking out quirky and unusual -but always enticing - house music.

From that perspective, his signing here to the Istanbul/Barcelona label, Petra Digital, is a snug fit. Flanked by some fittingly complimentary remixes by Hodini (of Max Graef and Glenn Astro's
Money $ex label) and Kerem Akdag (one of the Istanbul's most exciting new producers), this is a release that's characterized by good-time vibes throughout.

Opening the release is the sounds of the title track,'Rhyme Goes On', a discerning gem that metaphorically brings the listener to pastures new. An ethereal, dreamy cut, its dreamy soundscapes already has us longing of warmer climes. By the time the jacking vocal comes in to play, it's hard not to be charmed. Kerem Akdag's interpretation is no less emphatic. Akdag goes heavy on the synths, using them to give the remix its own sense of momentum. Pitching the vocal down considerably, he instead lets a stunning baseline and some clever
percussive tones lead the way.

The flip side kicks off with the other original, 'Recycling'.Clearly indebted to classic Dance Mania sounds, it sees Barrel deliver another almost effortlessly simple but devilishly catchy original. A majestic piece of peak-time house, it's rough-and-ready approach is sure to win it admirers aplenty. The release's closing gambit comes
courtesy of Hodini, who turns 'Recycling' on its head courtesy of an analogue-heavy jam that owes much to the dusty sounds of Moodymann and Theo Parrish. A gloriously melancholy cut, it's subtle but also striking enough to make an impression on the 'floor.

A classy example that sounds off an altogether exceptional release, Petra Digital's first release of 2018 is an an auspicious one indeed.

New York dance music royalty Louie Vega and The Martinez Brothers have joined forces on new single ‘Let It Go’, out 15th November via Cuttin’ Headz.

First featuring on The Martinez Brothers’ recent fabric presents mix, ‘Let It Go’ is a gloriously stripped-back dose of New York house. It features the nonchalant yet hypnotic vocals of San Francisco-born singer-songwriter Marc E. Bassy, who delivers a catchy hook that underpins the track. The record’s artwork has also been crafted by NYC graffiti legend Lee Quiñones, with its vintage style harking back to the golden era of the city’s music scene.

“We had been trying to get our schedules together so we can work and it finally came to fruition. Once we were in the studio we just gelled and complemented each other. Last winter in New York City during the holiday season we came up with some hot tracks, one was the music to ‘Let It Go,’” Vega explains.

“The Martinez Brothers were then in Los Angeles doing some recording sessions and they met up with Marc E. Bassy. Once they gave Marc the mic in the studio he just came with this super hot song on our track. I received the vocal stems, then myself and TMB got together and did some arranging on the vocals and this masterpiece was born!”

One half of legendary house duo Masters at Work alongside Kenny ‘Dope’ Gonzalez, Louie Vega has previously collaborated with everyone from Luther Vandross, Gloria Estefan and Janet Jackson to Will Smith, Jamiroquai and Madonna. ‘Let It Go’ marks the second time he’s released a track with The Martinez Brothers, following last year’s single ‘Shut The Door’.

Previously citing Vega as a primary influence during their formative years, The Martinez Brothers were touring the world with the likes of him, Dennis Ferrer and Erick Morillo before they had even finished high school. In the years since the bros have become one of the hottest double acts in dance music, again making Ibiza their launch pad this summer and throwing Cuttin’ Headz parties on the White Isle for the first time.

With two generations of New York’s vibrant dance music scene joining forces on ‘Let It Go’, it’s little wonder the results are so slick.

Rich NxT heads to FUSE to deliver his ‘Suburban Skool’ EP this November, backed by fellow London favourite East End Dubs on remix duties.

An artist that has remained a central part of the London electronic music scene for over a decade, FUSE residentand NxT records boss Rich NxT is an artist that embodies the sound of the city’s evolution throughout the years, taking influences from all pockets of the scene - from drum’n‘bass and jungle through to the minimal and tech house sounds that later took hold of the blossoming after-hours circuit.

Having touched down on the label earlier this year alongside East End Dubs as the pairing released the impressive ‘The Four Slip’ EP, whilst also recently providing two collaborative cuts on label boss Siragusa’s latest ‘A Decade Of Rave’ LP project, November sees Rich return to home turf to deliver his second solo EP on the label of the year, with Eastenderz head East End Dubs also returning to provide an energy-fueled remix on the flip.

Opening proceedings, title track ‘Suburban Skool’ offers up a trademark slice of rolling house music as slick percussion arrangements meet bumping bass stabs and scintillating electronic melodies swirl around old school rave samples, whilst the slinking ‘Rex Press’ keeps the energy high as echoed vocals ebb and flow amongst bright lead lines, crisp drum licks, intriguing breakdowns and builds throughout. Shaping up the package, East End Dubs steps up to offer up a dynamic interpretation of ‘Rex Press’, utilising punchy kicks alongside soaring synth lines and driving snare rolls to impressive effect.

More fun Disco/House Edits from Axe On Wax sub label 'PNP'.
This time on the compilation we have Let’s Play House honcho Jacques Renault and LPH alumni Lovers alongside Axe ‘s affiliates Fede Lng & Kirk The Flirt aka Physical Therapy & rising talent Hyas. As per every other release this will sell out very fast so don’t sleep on it! Limited copies, no repress.

No 5 ! from Francesco Del Garda's Timeless imprint.

Vinyl only imprint DMK (sub-label of Dogmatik Records) returns this November with the ‘Future Funk’ EP from Alex Jann.

Alex Jann’s material has amassed a wide array of supporters over the years, from Solid Blake and Alienata to Dave Clarke, Afrodeutsche and Posthuman his strictly hardware and modular synth workouts perfectly weave emotional synthesis with raw, gritty aesthetics. He’s released several EP’s over the years on labels such as his own Censor imprint with remixes of his work by such artists as Marco Bernardi & Animistic Beliefs, multiple EP’s with Clive Henry and shared label space on Rhythm Cult alongside Deadbeat, Barem, & Aquarius Heaven.

Title-cut ‘Future Funk’ leads with crunchy 808 style bumpy drums, tension building strings and squelchy acid licks at its core, while ethereal pad swells and wandering sub bass tones wander within the groove. ‘Robotic Prayer’ follows next, with shuffled percussion, soft atmospherics and a choppy bass line smoothly carried across five and a half minutes all subtly nuanced throughout.

Opening the flip side is ‘The Return’ which employs robust drums and murky synth flutters alongside cinematic string melodies before ‘Liberation Of Mass’ rounds out the release, fusing a broken rhythm and intricately programmed oscillating synth effects to create a hypnotic end to the EP.

New 4 tracker on Voiceless
Music by DJ NYX, artwork by ARCH/
Limited copies

Elkka - the London based DJ, producer and founder of record label and DIY art collective femme culture - has announced her latest EP ‘Every Body Is Welcome’ on her imprint, following a very strong year constallated of live perfromances and DJ sets throughout Europe, and a growing radio presence in London and beyond.

‘Every Body Is Welcome’ will be released on 22nd of November. Smudging the boundaries between eras and styles, Elkka’s free-wheeling dance tracks float between club beats, earthy sounds, full of warmth, soft edges and lovely instrumentation which all lead to a completely captivating and blissful listen. The infectious new five-track EP looks set to further solidify her status as one of the artists changing the shape of dance music in 2019.

The EP kicks off with an acid-sounding dance thumper that elegantly moves along the piano melody, for a beautiful house start to the whole project. In typical Elkka style, the EP moves from the atmospheric, sun-soaked rhythms of ‘Compromise for What’ and ‘LVURSLF’ Interlude, to the more club-oriented, 4am nightscapes of ‘Avant Garde’ - ending with ‘Breathe’, the perfect union to these two different sides of her artistry in one elegant, thumping, soulful track.

‘Every Body Is Welcome’ was informed by Elkka’s own deeper understanding of who she is as an artist and what the dance floor means to her, claiming that “​Arriving in London in my early 20s I was a completely different person in every possible way and discovering club culture, the rave scene and queer spaces allowed me to explore myself fully as a woman and as queer person. For me, the dance floor has been a place where I have felt the most liberated, the most myself, unified with friends and strangers by the music and moment we are sharing. This EP is a celebration of those moments, of the dance floor, of dance music that has inspired me creatively and personally. Every Body Is Welcome symbolises what I hope the dance floor to be - a music utopia or haven, somewhere for everyone to feel safe to express themselves, to find themselves, to be whoever they want to be and feel part of a community of acceptance and tolerance. Idealistic? Yes but I think art should be a space to express idealism and where we hope to be.”

Her previous EP​ ‘​Full Circle​’​, released via femme culture, received acclaim and support from Annie Mac, Pete Tong, Tom Ravenscroft and Elkka was also named as one of the artists to watch in 2019 by ​Mixmag​. In addition, Elkka has garnered playlist and radio plays from acclaimed producers Four Tet, Floating Point’s and George Fitzgerald.

Elkka founded the femme culture label and collective in 2016 in response to the lack of support for womxn DJs, producer and artists, later teaming up with fellow DJ and creative Ludo who she now co-runs the platform with. Since then, the progressively minded collective have been swiftly gaining recognition with their boundary-free ethos that champions women, women-identifying, artists and the LGBTQ+ community whilst pushing forward-thinking music through their carefully, curated club nights and events.

Earlier this year they released their second label compilation ‘HeForShe x femme culture.’ Compiled in aid of the UN Women, the compilation featured fresh new sounds from the likes of Lone, Elkka herself, Martin Bootyspoon, India Jordan, Ouri, Nightwave and more - and earlier this summer they hosted their annual alternative Pride after-party ‘PROUD’, in which all the proceeds went to The Albert Kennedy Trust (a charity for homeless LGBTQ youthsworthy causes).

Fabe has become an integral part of the Infuse label, with his 'Square Town Story EP' and Ho Do Ri collaboration picking up various plaudits.

First, the intel: since the emergence of 100% GALCHER, his first mixtape in 2013, Cleveland-raised, New York-based producer and DJ Galcher Lustwerk has operated in his own lane of low-key hip-house music. Deep, smooth, psychedelic, equally cut for the club, after-hours, night drives, and headphones. The sound was set from the start: a smokey stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm and blues. He runs the label Lustwerk Music, an underground home to friends’ work and several of his releases including the collaborative project Studio OST. In 2017 he issued his debut album, Dark Bliss, via White Material, and the following year shared a 20-track sprawl, 200% GALCHER, sharpening his craft.

Now, the Information: Galcher Lustwerk’s Ghostly International debut is a clandestine rendezvous of half-dreamt nightlifes and smudged club dossiers, redacted like faded memories. Free associations on life as a recurring visitor, a deep house cover agent swaggering on and off the beat from city to city. As with most sleuthing, there are dead ends, transient (dis)engagements, faked documents, puzzles, and half-truths illuminated by strobe lights and cell phones. As he fills the file on Information, evidence suggests that Lustwerk is a singular and savvy logician.

Stylistically, the tracks on Information are certainly in the same realm as Galcher Lustwerk’s previous output, but a noted inclusion of more live drums and jazz saxophone create a new dynamic. As does a pivot in mindset, he explains: “Being from the midwest and with Ghostly putting it out, I think it’s fitting to cull together my most midwest-minded, ‘hookier’ tracks. I wanted to capture a bittersweet quality that I hear in a lot of other Cleveland producers.”

“Cig Angel” bubbles to life after dark, with a skipped out drum break bouncing through signature murky melodies and a hazy incognito narrative; the gumshoe ricochets late after a chance encounter, bailing to dust for prints at the penthouse. Similarly, on “Another Story,” a tight drum groove with reverberated claps pace through hovering clusters of major/ minor synth structures. Every P.I. is due their own diligence, and here we see Galcher Lustwerk fronting lyrically, casting off idiosyncratic crows as he glides through the shimmering gutters of the city at night. “I See a Dime” bounds off at a chase sequence pace, with bongos and tightly wound high hats, syncopated lyrics and scratchy voicemail memos glinting in an out of focus, synth saws and clipped house melodies casting the sequence in hard lighting and deep shadows.

One thing is clear, straight from the man himself, “Information doesn’t equal knowledge, though we may be getting facts, the truth may not be clear.” He isn’t as interested in decoding reality as he is playing with it, letting fragmented memories inform his fiction, fusing the exaggeration of rap with the suspended belief of dance music.

Any uncertainty aside, on Information, Galcher Lustwerk is characteristically and conspicuously on point.

the debut release of uk dj duo 'secretsundaze' on mule musiq. james priestley&giles smith delivered two modern deep house versions and one melodic ambient version. it's all-round for house music lover.

collecting orders for repress

Acclaimed imprint Disco Halal reveals their 1st 2019 release with Moscoman & The Organism collaborating on the 'Rite EP2 due Feb 8th! The project includes the titled track as well as the atmospheric blisters of 'Chumbai' and ercussive textures of 'Rubab', a track steeped in the Middle Eastern sonic influences of Moscoman's home country of Israel. Flipping the leading track on its head, the Disco Halal remix of 'Rite' is turned into a loopy, hypnotic edit suited for the oddballs. The EP follows Moscoman's recent remix of Three Drives On A Vinyl's classic anthem 'Greece 2000'. With truth at its center, the sound of 'Rite' RP is an open-ended prospect; a shared vision which Moscoman rounds off with his own Disco Halal mix of the opening production.

People of Earth finishes 2019 strong with it's twelfth release from UK singer/songwriter OMAR. The track "Benefit" was written and performed by Omar and originally appeared on Boddhi Satva's "Transition" album in 2015. Now we have two legendary producers on remix duty, Alton Miller and Kai Alce.
Each lending their signature styles to the vocal.
Alton gives the vocals a special treatment. A silky smooth mix with a fierce baseline, jazz influenced keys and a hefty dose of rhythmic percussion. A peak time track that continuously bumps. Kai honors us with three mixes. His vocal mix has us dancing with old school chords, lush pads, a swinging house beat and an added Roy Ayers vibe. In addition to the instrumental dub we have a the Dub 2 mix which is a solid groove with vocal chops.

PLEASURE ZONE proudly presents the new album by Sons Of Immigrants aka Mario Liberti & Rafael Angel Pineda. The boys are the new Miami Sound Machine, delivering a journey between micro house, techno, space funk and athmospheric electro on their way to Planeta SOi.

Welcome to VL limited, part of the VL Recordings family selected by Hector. To kick things off, 12 outstanding tracks from fellow VL members to be released as a special 3x vinyl only edition. With the avid vinyl collector in mind, these tracks have been compiled for their timeless quality to be played out on wax as intended with that peak club set in mind. Newcomers Rich Nxt, Lauren Lo Sung, Sakro, Onno, Guy From Downstairs and Faster make their VL debut. Along with the classic VL sound of regulars David Gtronic, Sece, Javier Carballo, Chad Andrew and Randall M. We also welcome back Iuly. B and Jamie Lie A Kwie to round off this phenomenal compilation

On this record Ben Sun presents an old style LP format - 40 minutes of moods and grooves interwoven with an intimate story, of individuals struggling to live freely in a time of oppression. After a sultry jazz opener where the characters are introduced, the LP kicks off with a sweet and slow soul track in Work Again, underpinned by a rotating acid bass. Third comes Salty Tears, the underground disco floor-filler (original limited 12" version) finding a second home on vinyl. Your Camera and Monday usher in some moody rhythms to complete the first side. Sin Casa opens the flip with some minor-blues improvisation that gives way to a spacious deep house jam, where the protagonists emerge again. Still Missing shows deeper shades of a Eurobeat style - an emotionally compelling club tune that sounds somewhere on the Italo side of 1980s Manchester. The story comes to a conclusion with Cowardice, and the casual jazz-house sounds of Maman's Lover. Killer album!!! Recommended.

In times where objectivity of genre barriers is ceasing to exist, Cueva Records aims at the curatorship and exposure of their open-minded personal taste.

A side of this first chapter presents two forward-thinking house tracks filled with Latin American percussions.

B side sets home for a long, smooth, textured remix. Nothing else to say, just feel the groove...

Fresh UK sounds define Space Tours inaugural release. Both Mitch Wellings and Harry Wills represent a new wave of exciting artists, prepared to take influence from multiple genres to create unique, futuristic, ultra-effective dance floor weaponry.

UK Garage drum programming, electro zaps and minimal vocal stabs can be found hovering over a thick multi-layered acid bass squelch on A1, ‘UK Hun’. Harry Wills takes the remix into a deeper, 4/4 driven affair, seasoned delightfully with melodic acid licks and some tidy breakbeat action.

The B side opens with the heavy hitting ‘Cold Beats’, distinctly primed to create electric scenes from its rubbery bass lines and wild sound palette.

Last but by no means least, ‘Space Baguette’ soundscapes an epic journey through the stars. Combining classy, deep chords, scintillating synth line goodness and occasional bursts of rude bassline gratification. This one’s sure to gain galaxy wide attention from those in the know.

HIEROGLYPHIC BEING'S Volume 3 of 9 "A SYNTHETIC LOVE LIFE VOL 3" features more uptempo freeform electronic mosh pit sonics that were created a decade ago to cassette. Limited & stamped for MATHEMATICS PLUS

London is without question one of the most important cities in
the world when it comes to dance music. From Breakbeat,
Drum & Bass, Techno, House to UK garage its inuence in the
industry is huge. Project London Raw series is here to
celebrate the sound of London's underground scene.

'Modd' finally return to dreamland with their new Nebosvod EP. Five tracks work together to create moods and feelings that carry you away to places familiar yet unknown. Dive into their deep musical infinity pool. PS. Love, Leee.

Naveed Akhtar is truly one of the unsung heroes of Manchester's ever vibrant music scene.

Under his Freak Seven & Sasso aliases, Naveed has enjoyed support and acclaim from hordes of dancers and discerning DJ's alike.

His expertly crafted productions speak for themselves, and we're more than happy to present the debut release on his newly minted Northern Life Records label.

The A side houses 'Day Come Through' a ridiculously uplifting, but bitter-sweet hymn crafted from the bones of Detroit Techno and the Soul of deepest NYC, via the rain-soaked streets of downtown Manchester
This wonderful ear worm is already attracting deserved plaudits and ecstatic reactions...

On the flip 'Largo' is a crisply rendered, heads-down jam, shot through with the heavy production dynamic, but melodic light touch - a hypnotic delight.
Finally 'Raspberry Toast' featuring the handsome guitar work of BEGIN is a beautiful homage to the sun-soaked Mediterranean, which has inspired so much of the Manchester music scene.

An incredible debut, we're sure you'll agree !

Limited edition 12" vinyl including a magic deep house track by Tony Lionni (Ostgun Ton, Madhouse Records, Wave Music, Freerange, etc.) and "Dissonite Bar" by Stefano Greppi (Schermate, Goldmin Music, Azuli and more)