House Vinyl New Releases - News

Kiko Navarro has released on some pretty impressive labels - Nite Grooves, Third Ear and even King Street Sounds to name a few! which makes us very excited to have him as part of Plastik People. Kiko delivers us some straight up dance floor house killers, first track, Bates Dance has infectious strings combined with moody drums & rhythms that are reminiscence of early Point G sounds that came out on Basic Recordings back in the day, Kiko then follows up with a groovy hip shaking track called Camon Yo! which will certainly move any floor.
Remixes come from Cotterell who's previously released under this moniker on Various People Vol.2, the remix keeps that old school garage vibe with deep shuffling drums and moody chords. The EP is rounded of from man of the hour and part of Rhythm Plate - Matt Rivem, he keeps lots of the original feel from Camon Yo! while given it a late night 5am Goshawk regurgitation.

Written and Produced By Kyle Julian Hall

"We've reached Honey Butters 2nd instalment. After the sought after Club Flamingo, the spotlight is now aimed towards Germany where our good friend M.ono is residing.
The eminent producer delivers 3 club ready tracks for all hours of the evening. Starting the journey with the title track Peanut Butter Lover, where M.ono takes you to the moon and back on the rainbow express train.Flipping the plastic and you will hear the some exquisite and uplifting rhode action and the occasional saxophone stabs in Bummi, this one will leave you smiling and thinking about drinks with small umbrellas in them.
Wrapping up the EP we have the piano-groover Made in Montana which not only works great when you have most comfortable socks on but will also leave you wanting more."

SHAZZer Project created by Shazz and Jean-Marie K on their respective labels : Batignolles Square & Electronic Griot. These long-standing friends were left with an ambitious project to reissue Shazz's most outstanding titles over the past 25 years!

The SHAZZer Project was born out of the desire of these two enthusiasts to help discover or rediscover Shazz's emblematic titles from his albums or F Communications releases remixed by big players of the electronic music scene. The "A" EP is composed of remixes by French rising stars Folamour & Tour-Maubourg as long as established artists such as Ian Pooley & Oliver Dolar.

"SHAZZer Project" you're back from the future!

Butter Side Up Records keeps up its early momentum with another standout EP, this time from Parisian beat maker Sweely. Of course, the 12" once again comes with artwork by Sophie Doulala and expertly explores a mix of heady and spaced out grooves.
William Montana is right at the vanguard of the current French scene. Blurring the lines between minimal, electro and house for the last few years, he has been installed as resident at the cult Parisian club Concrete and has previously impressed with releases on the likes of Lobster Theremin, Negentropy and Automatic Writing. This latest outing marks another tasteful step up.
Opener He's Mine has a slick and squelchy bassline carrying crisp broken beats off into the cosmos. It's a journeying track that really takes you somewhere. Next up, the Girls Are Watching is a rubbery minimal pumper with buoyant kicks and warped, tripped out synths that bring brilliantly off-kilter feelings. The flips side features the hard hitting title track - a driving fusion of electro sound designs, propulsive drum work and a killer baseline that burrows deep. Last of all, Hotel Corsica zones you out with dreamy pad work. Icy and slippery hi hats add to the late night atmosphere while withering chords bring the warmth. Private Navigation is an EP prime for plenty of classy dance floor adventures.

Label boss Tonbe is back after 2 years with 4 fresh and new tunes. Disco, Nu Disco, Funky, Jazzy and House grooves are all around this EP. They are very different, but in some point also very similar to each-other, so we hope it will fit for all House and Disco heads.

Yuzo Iwata has made one prior appearance to date on Pluie/Noire in 2018. This EP for Malin Genie's label finds him exploring further deep cover plains of expression through the medium of experimental house and techno, leading in with the rippling textures and haunting piano refrain of "Spoit."
The delicate gamelan chimes of "Mount Castle" that follow collide with rugged drum machine beats and artful sonic interference, while "Tiger" fuses jagged off-centre beats with gnarled acid lines and fluttering melodies lingering in the middle distance.
- Touch - seals the deal on this highly distinctive EP with a writing, organic mass of sound design strapped to a forthright four to the floor stomp.

Bondage Music label-founders Pornbugs return to the imprint this September with their 'Pacho' EP, backed with remixes from Pablo Bolivar and Phillipp Gonzales.

Leipzig/Berlin based duo Pornbugs make a welcome return to their own label here with two new original cuts, 'Pacho' opens the package with stripped-back drums, a bulbous bass line and choppy piano chords running alongside a bubbling arpeggio lead and tension building stab sequences. Pablo Bolivar's 'Rawmake' of 'Pacho' follows, edging things into deeper territory with dropped tempo dusty drums, airy pads and an amalgamation of wandering, resonant synth lines.

The second half of the release, pencilled for release as vinyl only features another original from Pornbugs, entitled 'Larica' and featuring a similar aesthetic to the lead with fluttering dubby chords, a refined drum groove and unfolding atmospherics carrying the groove before label regular Phillipp Gonzales turns in his remix to complete the package, taking things in a more raw direction with heavily swung crunchy drums, pulsating filtered stabs and billowing vocal murmurs.

Telephones is back! This time with true norwegian underground vibe-archaeology, rescued from a humid attic on the rural island of Sotra, outside Bergen, Norway. Long presumed lost, the material featured on the first release on his own label, was originally conceived and programmed by a juvenile Mr Telephones on ancient PC-software at turn of the 90s/Y2K - at a time when the local Bergen-scene was percolating with main dogs Torske and Erot, a time when norwegian DJs were still allowed to play Peacefrog-records on national FM radio, and house, techno and disco was all-in-one. 20 years la ter, the tracks have been salvaged, exported and meticulously overdubbed, re-recorded and edited to current high standards of Telephonic Communication. One for the true heads!

Real D, Jus Jam, Kerstone and Robin Riccitiello joined forces with the creative director Morning Gradient to launch a vinyl label : Khasia Hills.
Located in Meghalaya in Eastern India, the Khasi Hills are hosting some of the most majestuous palm trees in the world. For its first release, the French record label has been willing to serve 4 house traxx of its founders with a strong themed artwork.

Deviation is proud to welcome long time friend and collaborator Waajeed to the label for their second release of 2019. The former Slum Village member & Dirt Tech Reck label founder presents four brand new tracks that once more showcase the Detroit-born producer's natural talent for creating house music with layers of soul, hip hop, R&B and jazz. As is always the case with Waajeed’s work, the EP is imbued with deeper meanings and concepts. When asked why he wanted to call the EP “Hocus Pocus”, Waajeed simply described what Magic means to him:"Magic: the use of means to have supernatural power over natural forces. By definition music is magic. It has the power to incite peace and chaos. My new EP is called 'Hocus Pocus'. It's an acknowledgment and claiming of the authority of my music. Along with a select group of Detroit-based alchemists, we conjure a spell of that embodies the cycle of birth, death, love and interdimensional travel." - Waajeed 'Abracadbra' and 'Let Your Love' see the producer orchestrate a small cast of fellow Detroit musicians like DeSean Jones and Khristian Foreman. The music further adorned with Mark Flash of Underground Resistance on conga & bongos for 'Abracadabra', while Ideeyah brings a light touch to her vocal contribution to 'Let Your Love'. 'Lotta Bounce' and '32oz' meanwhile bring a tougher, club-ready edge with their sharp instrumental workouts.

Deviation is proud to welcome long time friend and collaborator Waajeed to the label for their second release of 2019. The former Slum Village member & Dirt Tech Reck label founder presents four brand new tracks that once more showcase the Detroit-born producer's natural talent for creating house music with layers of soul, hip hop, R&B and jazz. As is always the case with Waajeed’s work, the EP is imbued with deeper meanings and concepts. When asked why he wanted to call the EP “Hocus Pocus”, Waajeed simply described what Magic means to him:"Magic: the use of means to have supernatural power over natural forces. By definition music is magic. It has the power to incite peace and chaos. My new EP is called 'Hocus Pocus'. It's an acknowledgment and claiming of the authority of my music. Along with a select group of Detroit-based alchemists, we conjure a spell of that embodies the cycle of birth, death, love and interdimensional travel." - Waajeed 'Abracadbra' and 'Let Your Love' see the producer orchestrate a small cast of fellow Detroit musicians like DeSean Jones and Khristian Foreman. The music further adorned with Mark Flash of Underground Resistance on conga & bongos for 'Abracadabra', while Ideeyah brings a light touch to her vocal contribution to 'Let Your Love'. 'Lotta Bounce' and '32oz' meanwhile bring a tougher, club-ready edge with their sharp instrumental workouts.

Combining forces, Audiofly and Patrice Bäumel draw on unique inspirations from the desert to deliver the monumental Atacama on Crosstown Rebels. Having focused solely on his own productions in the past, label boss Damian Lazarus steps away for the first time to complete this exceptional release with a profound re-shape.

The hypnotic Atacama intricately builds with a certain intensity that never drops, stimulating the senses and transporting the mind as deep, grumbling pads drift in and out of play. Damian Lazarus remembers 'the first moment I heard this track I knew there was something very special about it, not only did it strike me as a killer club record but I also felt the textures completely appropriate to my own experiences in the Atacama desert.' On the flip, Damian changes gear as a deep, chugging beat leads the way through an impressive re-shape of the original.
Anthony Middleton and Luca Saporito aka Audiofly have established a creative empire, which includes two record labels and their Flying Circus global party brand. They met Patrice during a US tour and immediately hit it off. 'It wasn't long after that we decided to invite him to Barcelona for a session that proved to be nothing short of Inspirational.'

Internationally renowned DJ and producer Patrice Bäumel has had a busy start to 2017 with a release on Tale Of Us' Afterlife imprint, plus remixes for Sasha & Policia and Depeche Mode amongst others. He truthfully said of the this release, 'it's a labour of love that came together within a few hours of jamming in the studio, unlike many 'collabs' this one really felt like we all equally contributed to the end result.'

Damian Lazarus & the Ancient Moons return. After Damian debuted and played 'I Found You' as the last record at this year's Day Zero Festival in Mexico, it has become one of his most requested track id's.

The first fruits from the band's recording sessions in Italy, 'I Found You' features the sublime vocal talents of Zulu and heralds a more soulful direction for the group. The original is accompanied by two remarkable remixes courtesy of Black Coffee and Patrice Bäumel. A phenomenal package which is set to major waves in the coming months.

London based DJ and producer Dan Shake is set to release his new EP ‘Daisy’s Dance / Bert’s Groove’ on Denis Sulta’s ​Sulta Selects ​offshoot ​Silver Service​ this September.
Dan’s latest 12” outing features two polished club cuts in his peak-time bigroom style: lead track ‘Bert’s Groove’ is a high-impact dancefloor weapon with a funk-inflected disco bassline and riotous percussive pulse, whilst B-side ​‘Daisy’s Dance’ is a fine-tuned disco house heater, with looped-up sampled vocals, jubilant horns and an infectious bassline. After lighting the fuse on his own career back in 2014, with a CD keenly thrust into the hand of a surprisingly reciprocal and un-moody ​Moodymann​, Dan's ​3AM Jazz Club / Thinkin About U ​on Mahogani Music carved out some well-deserved early notoriety as the record reached ubiquity on house dancefloors, spun by every DJ worth their salt.

Shake made it into a springboard for his ambitions to work crowds the world over. His love of groove – ranging from sparky acid to Brazilian samba, itchy funk to heavyweight house – fuels his drive to make those around him dance as keenly as he does. At a party, Dan Shake isn’t just loaded with peak time weapons: he is one.

His debut on Sulta Selects follows a string of dance floor-igniting releases on his own label Shake​, the most recent of which continues to scorch the airwaves from ​Radio 1 to ​NTS​, garnering DJ support from the likes of ​Annie Mac, Gilles Peterson, Honey Dijon ​and The Black Madonna​.

This will be the fourth release on Denis Sulta’s ​Silver Service imprint launched in 2018, with previous releases from Berlin based producer ​Cromby​, a collaborative EP from ​Hammer & Atlus​, and Denis Sulta himself. The new label follows on from Denis’s Sulta Selects imprint – home to three volumes of his own essential 12” series.

Dan’s infectious charm and expert ear has resulted in a truly international list of shows in locations as far flung from home as Beirut to Buenos Aires, plus armfuls of Balearic visits, including closing the main stage at ​Dimensions Festival and playing b2b shows with ​Jeremy Underground​, ​Marcellus Pittman​, ​Alexander Nut & ​Jamie 3:26 to name a few. With a never-ending tour schedule, his own productions in the record bags of countless established DJ heroes and more new music planned for 2019, Shake is set to reach new heights this year

As Mood II Swing, production duo Lem Springsteen and John Ciafone became one of the most in-demand remixers in the late '90s. The duo's production career began modestly, however. After a failed attempt at R&B, the two turned to house music. Early productions such as Sylvano's "Helpless" and Wall of Sound's "Critical" were a step in the right direction, as were releases such as "I Need a Bitch" for Cutting and "Searchin'" for Groove On, but it was the duo's remixes of Ultra Naté's "Free" for Strictly Rhythm that struck gold. The song became a huge hit and soon Mood II Swing was remixing big-name producers like BT ("Remember") and King Britt ("The Reason") as well as the next Ultra Naté single, "Found a Cure," which also became a huge hit record around the world. Then, as a testament to the duo's success, the New York-based Nervous have dug up the remixes Mood II Swing did for the label during their seminal mid 90's period re mastered and re released on wax for 2016.

Malik Hendricks is a rhythmically inclined aesthetic enthusiast born in the 80's, and raised in the 90's. A DJ for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. Dance is the true language of the body, and a gateway to the recognition of our shared humanity.


Money Cat Records - Round black records bringing good luck. Linking motion with emotion, dance unites the body and soul of all who participate. Music from Brooklyn to the world. Established in 2018.

Up next for Moss Co. is the Split EP featuring the highly talented London duo OdD, mysterious collective Innominati and label founder Archie Hamilton, bringing a diverse 3 track EP.!The records opens with 'Abductee' from OdD, a dubbed out groove providing the listener with catchy tribal percussion elements, along with deep melodic chords, making this track perfect for any hour.Next up is 'Smoke and Mirrors' on the A2 from the mysterious Innominati - their first reappearance since their last outing on OdD's own label - who grace us with an hypnotic minimal house roller, ready to take any dancefloor on a journey!
The final track on the record comes from label founder Archie Hamilton. Vitamin D' is an excellent chunky house cut, blending the new age sound and the old; an addictive acid flavour bassline compliments groovy percussion to make this a perfect conclusion.

With his 3rd release on 4EVR 4WRD featuring a heavy lineup of some of his fellow Eastsiders, Jon Dixon returns with something very special. This EP features the smooth vocals of Amp Fiddler and Dames Brown and has edits from Waajeed, Jon Dixon and Hip Hop producer Darrius Quince also known as Inkredibeatz

Following her appearance on last year’s PAL compilation as part of the duo Plush Throw, Regularfantasy returns to Pear with the triumphant Anyways… a rip-roaring, joyous dance record featuring collaborations with D. Futers & D. Tiffany.

Party Girl Theme… A bump’n’grind house anthem that more or less defined Pear parties this year. Gracious, ravey fun... and then the piano kicks in. Woof woof.

MSN (with D. Futers)... Futers & Regfant collide for a balmy, breaksy trip through awkward conversation mantras and transportative sounds. Wanna hang?

Plushied (Plush Management's Mix)... Vintage house moves with a canny pop edge. Soaring vocals, guitars and hazy pads create a swooning, lover’s dream.

Sophie Lloyd’s debut on Classic Music Company ‘Calling Out’ came last year as an antidote to the pervading doom and gloom of the news and a dreary winter, and inspired remixes from David Penn, Danny Krivit, Riva Starr and Floorplan. On her second single ‘Raise Me Up’ sees her re-unite with soul trio Dames Brown to deliver a dose of gospel-infused, joyous, uplifting house music. Sophie’s impeccable knowledge of disco and soul shines through on the record, with organ chords and rhythmic percussion bringing the authentic gospel sound of countless classics. This 12” release also features two mixes from fellow Londoner Alan Dixon, who brings his signature disco-laced sound to the release, his remix upping the tempo and with a harder bassline that makes the track more club-focussed. Alan’s stripped-back dub rounds off the release with an essential club tool.

Two smooth slices of organ-bass goodness from Pager resident, Tiago Walter, as 2X turns their colours from white to red.

With 9 digital releases already under their belt, the time has come for the Sundries label to kick off their vinyl catalog with a bang.

Courtesy of Dream Raw Recordings main man gutinstinct, the '4 Real' EP is a sample-heavy four-tracker with it's sights set on sunsoaked floors. From the filtered disco delight of the title track to familiar feelgood vibes on the flip, this one is sure to do the trick.

Lone continues to thrive on his newly established label, Ancient Astronauts, with its second physical release of the year, the ‘Not Seeing Is a Flower’.Steering towards a new studio album from the Nottingham-based producer, the three-track EP takes its name from a Japanese idiom (見ぬが花), which suggests that reality cannot compete with imagination. Lapping at varied shades of the psyche, ‘Glyphic’ kicks things off with a heavyweight tribal techno cut inspired by Cutler’s experiences at Bass Coast festival this summer, fusing 303 acid with sweltering piano lines and otherworldly vocals for a transcendental dancefloor experience. The senses are heightened with title-track ‘Not Seeing Is A Flower’, which reaches beyond reality with slowly spoken samples effortlessly melting into a lush ambient techno backdrop reminiscent of early work from The Future Sound Of London, Orbital, and The Black Dog. Finally, ‘Boketto’ sees Lone embrace the same tone of downtempo trip-hop detailed on his albums ‘Lemurian’ and ‘Reality Testing’ with rolling percussion and meditative chimes drawing close on some of the producer’s most lavish work to date.

This winter, Fred Peterkin assumes his Black Jazz Consortium alias to continue his fascinating musical journey with a spellbinding new album entitled Evolution of Light - the first Black Jazz Consortium album in six years. The 12 track record is a further development of the American’s deeply enchanting
style and finds him influenced by the music and culture of Brazil.
A notorious album specialist who was once putting out one a year, Peterkin is most at home with the longer playing times of a full length. He is someone who needs time to tease out his
lasting emotions, to sink you into his musical mindset and allow you to marvel at its beauty.
“There has been a lot of growth since my first album,” he says, rightly, “I wanted to answer with a follow up that is honest, and along the way Brazil became a focus, so here we are.”

Cork native Colm K has been making waves on both the Irish and international scene since his selection for the Red Bull Music Academy in 2003. With releases on Bastard Jazz, r2, and his recent efforts on All City Records, First Word Records and Tiff's Joints, Colm K has earned his place on both critics' and fans' radars.

KFU(RN) sees Colm return to Tiff's Joints after 2018's Beginnings/Six Four Hundred with four of his heaviest dancefloor offerings yet, which have already picked up support and plays from the likes of Alexander Nut, Laurent Garnier, Detroit Swindle, Red Rack 'Em and more. One the A-side, Lady is a heavily swung uptempo house jam, built around a masterfully flipped vocal and piano line while "Apart" sees an ominous arpeggio dart between warping sub bass and gritty drums. On the B-Side, "KFU(RN)" delivers a riotously fun synth line backed up by a rock solid groove and "Diffraction" bounces from start to finish with a Mr. Fingers-esque bassline, driving the track forward and a celestial pad drifting in and out of the mix, bringing the EP to a close.

There‘s something about first timers, innit?! A whole new level of excitement and in some cases, pure joy and satisfaction. To not let this intro slide too much into ambiguity, let‘s cut to the chase here... Panthera Krause is dropping his first solo full length, going by the name „It‘s A Business Doing Pleasure With You“. For starters, don‘t you want to be friends with this piece of work already, just for its brilliant title? Well, wait until you hear the tunes then, and prepare for an everlasting bond of unfettered affection.

Travellin Music drops their first EP from Prakash. The EP features a stunning Jay Tripwire remix alongside a brace of stand out originals.

This EP sits solidly in the house mould, but offers a fresh and supremely refined edge that will make this a must buy for many djs. The versatility of the tracks are what really make this EP compelling.

Last Minute channels an almost minimalistic vibe, snappy beats and precise rhythmic flow give it a held tone vibe that you can really lose yourself in, perfect for warming things up, or changing gears.

That Room brings the punchy in this slowly building burner that mixes classic Chicago with thoroughly modern Tech. Subtle use of arrangement, stabs and intriguing percussive riffs keep the listener focussed whilst taking them far far away. A Dance floor burner.

Jay Tripwire drops his "spacial dubby" remix with his usual class, groovy bass and dubbed out synths take things in a different direction, adding a new dimension to an already versatile EP.

10th release on Delaphine. F0r th3 90'5 g4m3r5 8-)

Long-dawning long-player by Pacific Northwest producer Hunter P. Thompson aka Akasha System spins a suite of remote outpost rhythms and old-growth electronics variously inspired by “days and nights spent in the forests,” “long stretches of back road trails,” and “sitting alone under moss-covered trees.” It’s club music for misty mornings, towering redwood canopies, and overcast skies above uninhabited terrain: Echo Earth.

Recorded across the fall of 2018 at Thompson’s lava-lit Portland home studio, the album’s eight tracks trace cyclical arcs and seasonal tides, churning and yearning, meditative motion patterns flickering like holograms projected in the rain. Following key appearances on Elestial Sound, Neo Violence, and New Information, Echo Earth embodies all Akasha’s most evocative and elusive sonic strategies in a nuanced naturalist landscape of rust and radar, information and isolation, wires woven like roots beneath ferns.

A contemporary blend of lush dreamy synth washes, occasional acidic 303 meows & heavy hitting syncopated beats. Skilfully crafted playful arrangements work equally well both on peak time dance floors and on concentrated headphone listening. Australian DJ Life brings his esoteric ambiance on Finnish label, Echocentric Records after impressive string of releases on Gnork’s Blorp Label and Gestalt Records. This 4-track ep is sure to cement his place as a young producer to watch.

The first "Last Gas Station" compilation includes 12 new tracks and aims to showcase artists that the site has followed for many years, as well as promising talents to keep an eye on. Featuring LA's "daytime disco" duo Poolside,Vampire Weekend's bassist Baio, Italian duo Marvin & Guy, Brooklyn's duo Vito & Druzzi, Adelaide-based producer James Curd and Turbotito, California Balearic duo Woolfy Vs Projections, Disco Halal's Moscoman, Mexico's finest Zombies in Miami, NY unstoppable disco funkers Midnight Magic, DFA's Greek mastermind Larry Gus, Crew Love's David Marston, and - last but certainly not least - Peaking Lights Acid Test. This will be a ride to remember...

It's remix time! We open our vaults to let our favourite producers from 'round the globe play around with our releases. This is the first of 3 remix EPs, with fantastic reworks by the hanseatic hedonism force of RSS DISCO, the Australian psychedelic vibes of DREEMS, the Austrian psychedelic vibes of TIGHT PANTS and the Mexican dreams of SAINTE VIE.Tune in, drop out!

All My Thoughts returns with DJ Heure who offers up a quality trio of electronic cuts for the dance floor.

'Spring Jam’ is up first in its ‘Elation Mix' form - a track built on warming pads, groove ridden percussive patterns and one hell of a bass line. Developing throughout, the energy simply rises as the hats become more prominent alongside the flurries of top line splashes.

The title track ‘Gradients’ features more intricate bass lines which take center stage, stepping aside only in the breaks where lush synth work swells around you before classic house rhythms return. ‘Make Sure’ makes a final appearance as an ‘easy mix’, featuring rich tribal grooves that partner perfectly around the hypnotic top line and bass patterns forming one fine journey.

We're glad to introduce you to our very first release from Moony Me. This Vienna based artist has already shown his talent with a recent release on Uncanny Valley alongside Max Graef, S3A and Cuthead.

Opening the record are PIN UP CLUB with ' Dilapidated '
The band was approached enthusiastically by Mireia Records' label heads RSS DISCO last year afterlistening to their first record 'Friends Of The Vortex' on Bordello A Parigi and seeing their live show on a dutch festival. Everyone was on the same page (of the book about Italo Disco's legacy) quickly, music was exchanged, and the fruits of this likeminded partnership can finally be heard out loud.
'Dilapidated' takes you from a state of pondering into the spiral of a fever's dream and back. Melancholic pads are balanced with an infectious bassline on the foundation of hard-hitting drums.
Two remixes deconstruct the original track for different parts of the night on the dancefloor: LAUER (Running Back, Permanent Vacation) recruits cow-bells, sirens and ... power to his arsenal and thereby shoots the song towards the sweaty ceiling of your neighborhoods basement rave. His knack for melodies and euphoria is widely known but he really manages to knock you out of the park with this one.
RSS DISCO channel the original track in to a psychedelic journey with a distinctive Italo feeling. A frayed lead melody interwoven with moist Oberheim chords and backed up by old-schoolish drums and a classic arpeggiated Juno Bassline ignite neon lights and incense at the same time.
On the flipside CONGA FEVER is bopping you deep into the thicket, accompanied by his ' Chihuahua '. Whirring synths, striding drums, and a bassline heavy as the setting sun make up this groover. The song feels moody and balearic, accentuated with strings in an arabian tuning, yet it's decidedly FUN and danceable. Conga Fever, who already had a solo EP and a contribution to the ' We'll Sea ' series on Mireia Records, impresses with music that sounds effortlessly thick and interwoven - surely achieved by playing all instruments himself and a keen ear on every frequency.
The remixer of this side is Jacob Korn (Uncanny Valley) who jokingly referred to his mix as the 'teutonic approach'. The incense has burned out, making space for a new-beat-esque groove, reflecting the cold neon. The bassline and chords still flutter playfully but make no mistake, it's a straight call to the dancefloor.

GOGO Music is delighted to present the first single taken from the
forthcoming "Ralf GUM - Never Leaves You" album, which will be released later this year. "Fly Free" is featuring "the voice of House Music" Robert Owens over a sleek and simmering track of Ralf GUM, that has a right portion of afro influences. DJ Spinna lends his first-rate remix skills to the project, to complete a choice release worthily GOGO Music's 50th vinyl single release.

Tone Series Remix Series Is Back At This Beginning Of The Year 2019!

On The Occasion Of Our 4th Release, We Welcome French Dj And Music Producer Djebali, Boss Of The Eponymous Label
( D J E B A L I ) And Co-owner Of Elephant Moon, As Well As Moroccan Artist Adil Hiani, One Of The Two Heads Behind Cosmo Records,
The First Moroccan Electronic Music Label. Whereas Djebali Proposes A Groovy And Swinging Tech-house Remix Of David K's Mind-blowing Featherhand (ts09), That Came Out In June 2016, Adil Hiani Delivers A Clear-cut And Thoughtful Interpretation Of David K's Sunny Hawaiian Jam (ts08),
That Oscillates Between Breakbeat And Dowtempo.