House Vinyl New Releases - News

The HARP EP is to be released on PRAH Recordings and offers a balance of movement and feeling. ‘Banshee’ and ‘Feeler’ are both dance tracks intended for the dancefloor, whereas ‘Why Can’t I Remember Your Name’ and ‘Heart’ are two tracks meant for times of contemplation.

Inspired by the time when hardware was the only real option for making dance music, applying the same limitation and tactile approach lead to the creation of these tunes from a technical perspective. The equipment used was primarily analog and outboard, with the utilisation of tape for recording ‘Banshee’.

London via Margate composer, producer and multi-instrumentalist Raven has collaborated with many well-respected artists including Kate Tempest, Paul Weller, Mica Levi, Kwes and Bullion. His music upholds a balance between the orchestral and electronic, abstract and conventional. Parallels can be drawn to the artist Arthur Russell,
in terms of their diversity, creating tracks you can dance to, but also songs and music for reflection.

All tracks are taken from the results of the second week of Raven’s PRAH residency in Margate which has seen the likes of Kelsey Lu, Adult Jazz, Ben Vince, Lone Taxidermist, James Greenwood, Deep Throat Choir, Flamingods Lung Dart & London Contemporary Orchestra. Each have spent time writing and recording in the studios
as part of a free artist residency program offered by PRAH Recordings’ arts wing the PRAH Foundation.

DJ Haus drops a slab of modulated bassline driven house music - backed with an incredible LONE remix - TIP!

Ludwig strikes back with his long-awaited follow-up release on his own Exo Recordings International. This release makes you feel like a champion free diver. Reflective, focused and totally at one with itself. Take a deep breath and JUMP!

LTD repress !

French record label Pulse Msc is back with a 4th release signed by the Canadian Jesse Bru. « That Feeling » EP is an invitation in a journey which gathers many influences by its variety of samples used. That release will bring you sunshine and all the sensations you need: good vibes and good mood with a selection of 4 superb deep house tracks. A must-have record to get in the bag !

There's no better man to mark the fiftieth release on WOLF Music than South London stalwart and OG WOLF family, Medlar. Marrying techy touches and UKG stylings, with sonar bumps and Medlar's signature, sample-heavy groove, it's a fitting way to bring in the half century.The Peckham powerhouse throws down from the off with the rubbery, wiggling, 'Novanta'. A garage infused lo-fi shuffle, springing samples and saturated stabs mingle with a choice vocal snippet. Looping up a Rhodes top line Medlar adds a certain swagger to this South of the river saunter.
'Pampas Drums' gets the room spinning with metallic percussive hits, twisting samples and wiggy zaps that form a cosmic swirl of echoes. Like a perpetually charging ray gun that's about to blow, the rising swells add layers of suspense to this hardy drum workout. Perfect laid over tracks or to shock dancers in it's own right.

Take to the flip for 'Paloma' showcasing Medlar's fondness for a dose of UKG. Swinging hats and skipping claps blend with offbeat vocal cut-ups that give a classic underground '90s spark. Rolling subs add a weight whilst a crunched-up soulful synth offers a fresh flavoured touch to this tough jam.
Medlar rounds off the E.P in the Rye Wax basement with late night slammer, 'Monday Boy'. Straight up, synth heavy club business, rich in analogue power and perfectly interlaced melodies, that has peak time written all over it.
Ten years in the game for WOLF Music and a landmark 50th release produced by a man who's been part of the brotherhood since the beginning.

The lifespan for humans is estimated at less then 100 years in this dimension. Due to this limitation, they seem to lack patience trying to attain their goals in this world. I’m sure that this is the case for most humans in particular, but the focus in this mission statement will be based on the Electronic Music Scene.

From the first arrival to this world and watching the current state of electronic music unfold, things seem a bit stagnant. There seems to be a drastic influx of so-called artist/ producers that are trying to influence the genre and the passive aggressive assault on what the pioneers have created. Until these souls truly study the art of music production, their track releases should be frowned upon. Their foundation should be to learn how this sound was created and how they can contribute to it moving forward.

Why not study to be a techno historian, it’ll only be a benefit. If you don’t understand the past, then there is no real future. Life-forms in this dimension need to understand the past to change the future, otherwise we’ll make the same mistakes over and over and time after time nothing will ever evolve. These words do not speak for Eqwel, however my feeling is that Eqwel has been spawned to contribute quality music to this genre for the indefnite future.

The mass understanding of Techno is the main goal for Eqwel, because if you truly understand this music, you’ll be mentally teleported to another state of mind. This audio telemetry is the answer to get lost inside the relentless nature of the low end frequencies, that is filled with percussions of high intensity. It’s been over well over a year since Eqwel has been contributing to the electronic music scene on a deeper underground level, so it’ll take some time before the earthlings are ready to be introduced to some new ideas. This society has been programmed to only like what they are told to by massive advertisements, with such vast dimensions why listen to these commercial programmers.

Listen to yourself. Music keeps us feeling alive, during our stay in this sedative society. Words & Observations by: Shadow
Tracklisting:

7inch Side A: Float in the Air (5:59)
7inch Side B: The Spot (5:59)
CD Track 1: 2456K Intro (1:06)
CD Track 2: Receiver (5:45)
CD Track 3: Matter of Time (7:44)
CD Track 4: Pace the Ride (8:33)
CD Track 5: DSLBroadband Switch (1:29)
CD Track 6: Audio Telemetry- Eqwel Version (6:52)
CD Track 7: New Dimension (7:10)
CD Track 8: Bottom End (8:53)
CD Track 9: 5G Language (3:04)

DJ Nature follows up 2018’s ‘Ultimate Delusion’ EP with another set of pure heaters for Futureboogie.

The Bristol born DJ and producer, also known to many as Nature Boy, comes with an exemplary track record, but that’s to be expected from one of the scene’s early pioneers. Releases for Golf Channel Recordings, Jazzy Sport and Ruff Disco Records are considered true classics, and rightly so!

Breezy MPC house jams of the highest quality, ‘Flutter’ manages to fuse David Lynch style pads and earthy vocals with a marching rhythm, whilst ‘A Moment’ gets cosmically charged with a spiralling modular lick over a chugging guitar hook and spacey chords.

NB’s Mix of Siliconada goes straight for the jugular, with looping disco rhythms and off kilter jazz licks, whilst the Original Version lays heavy and disorientating synth work down for a killer techno injection.

As always, DJ Nature delivers a unique and distinctive sound that is often imitated but never bettered!

On HRM002 Marquis Hawkes delivers his take on Georgian myths. Each track of the EP is dedicated to one realm in the Georgian cosmology. A1 - Zeskneli" takes us to the white heavens, where the gods reside. A raw and hypnotic house track, deep and celestial. On the B-side we are bound to the earthly plane of - Ukana Skneli". Trippy yet percussive, Marquis Hawkes shows off his funky side. His vision of the underworld - Kveskneli" is rich in soul and unapologetically dancy. A beautifully crafted journey through mythology and sounds.

A story that is told through music, of a Japanese artist who travels to a foreign land and fi finds her true calling through the guidance of melody, rhythm, dance, mentorships and friendships.

Music by: Mental Remedy. Produced by Joaquin Joe Claussell For Sacred Rhythm Music & Cosmic Arts

Although the music on this CD Album was written, produced and performed by Joaquin Joe Claussell aka "Mental Remedy." it should not be mistaken as a Mental Remedy album. What is this, however, is a music soundtrack based on a story which was shared with Joaquin Joe Claussell by a good friend and fellow artist Naoyo Terada.

Born and Raised in Japan, Naoyo set out on a journey to America that began around 20 years ago. In pursuing her dream and new way of life; Naoyo set her sights on America. While there and within a relatively short period of time, she has been blessed with valuable lessons, as well as gained profound insights that would not only bring out from within-her calling as an artist, but more profound, bestow upon her lessons on spirituality, creativity and a love for music that would dramatically change her life moving forward…

It is important that you the listener are made aware that, “This is not a usual dance music CD.” Rather, it should be listened and absorbed as conscious, cosmic feel good music. But only if you open your mind and let a stranger in. The harmonic tones will do the rest of the healing…

Berlin Bass Collective are back for their 8th full record and with this we see a much called for full vinyl from so. mind.

Having previously featured on the label with a digital release that turned out to be one of the most uplifting and sought after BBC records from the summer of 2018.
This time he brings his unique deep but uplifting swagger into 2019 with an EP of super cuts that would grace any dancefloor... This record has more to it than most.

"Elevating Mind" gets things going on the right path, heavy machine rhythm, dusty thick pads and carefully curated acid make this track so deep and fulfilling.

Following that, and after many requests for a vinyl release, we have "Callin' For Ya". Having this monster track on vinyl is a treat for all with pianos and beefy drums, the Peanut butter and Jam of the music world.

"Good Conditions" and "Moonshine Shuffle" stretch things again, always well balanced and deep, tasteful to the point of restraint without ever feeling restrained.
This is the careful balance so. mind has worked so hard to get across, deep and full of different types of energy.

The balanced appproach is perfectly evidenced by the B2 "Sétif", closing out the EP with a huge arp, amazing percussive work and borderline balaeric vibes.

Solid minimal grooves by Dieru, with a rework from Romanian talent Bucurie for the third release of the Amsterdam based label Depth Over Distance. 300 unique versions with a mix between colored, marbled and transparant wax.

After the shift of consciousness in 2012, generations collided as Charlie and Eli from Soul Clap made contact with another very special duo; Chuck “Da Fonk” Fishman and Sa’D “The Hourchild” Ali. Chuck and Sa’D are one tentacle of the cosmic octopus which is the world of George Clinton / Parliament-Funkadelic.

This vitally important limb touches down in the worlds of Funk, Rock and R&B but also into Disco, House and the electronic beyond. Together with a roster of collaborators including Grammy-nominated producer G Koop, original Funkadelic bass player Billy “Bass” Nelson, Talking Heads and Sting vocalist Dolette McDonald, Midnight Magic’s Morgan Wiley, Philadelphia’s One Era and Michael The Lion, Angeleno Oz “Ozgood” McGuire, Bostonian Chas Bronz, Jamacalian David Marston and more, a supergroup of producers was established representing Funk, Style and Quality better known as FSQ! Lead by the mind of Chuck Fishman the FSQ remixes and reworks have always gone above and beyond.

Soul Clap launched the group in 2014 with the FSQ debut EP, “Zulu Congo Call” which got 9/10 in Mixmag and DJ Mag. Their remix work for other artists can be found across a variety of labels?—?Midnight Riot Records, Jalapeno Records, Wolf + Lamb, Bastard Jazz and many other dance music indies. Their full length album will be released in the winter of 2019 on Soul Clap Records.

Sa’d “The Hourchild” Ali unfortunately passed away in the early summer of 2018. “The Remix Special” an album compilation of unreleased FSQ remixes of their Soul Clap Records label mates was released in Sa’d’s honor with all proceeds going to his family.

LTD repress !

" After the successful "Mind Trip" EP, Pulse Msc releases its 4th release, a 4 track EP by Matthieu Faubourg with a stunning remix by the almighty Black Loops. With multiple kinds of sounds and influences, Scenario' is a beautiful dedication to Lebanon. The French producer was inspired by a trip there and has created these 4 pieces. The result is wonderful, colorful and conducive to the imagination. Expect to be strayed until you find your way. Hope is another important theme in that musical journey, well symbolized in the sentimental tune "Yaret" (which means "I Hope" in Lebanese Arabic). "

La Vie D’Artiste Music teamed up with Sub Urban for a very special release. "Hold On" is a limited 5 tracks sampler of the forthcoming Sebb Junior’s new album. Pushing the art of sampling a bit further, with authenticity and creativity, this is a new journey into Sebb’s musical influences, expressing nostalgia of the golden era, the early 80s, and spreading positive messages of love and positivity. Enjoy.

Tribe is a record label created by like-minded artists from Barcelona, with a bold purpose of generating and sharing their idea of timeless electronic music. The debut EP Tribe01 comprises four different yet catchy and charismatic tunes that meet at the same point - the dance floor.

As you take off from the A side, you discover an audioreactive tune 'Inertia' - a creation of Baraso & Sonodab aka Barson. The track has a genuine ravy soul spiced with an acid touch and a memorable pad that will get stuck in your head.

As you continue exploring A side, you recognize the 1996 masterpiece 'Hamstrung' by Freddy Fresh aka Modulator, head of Analog Records USA. This exclusive re-edit made with Freddy's permission has a legendary groove of 90's and filtered hats that make a good party great.

Moving on to the B side, you meet a serious dance floor burner 'Chromatic Life' - a creation of Artes. The track is a travel towards the unknown depth of acid, house and techno sounds - a journey you want to make.

As you finish your sound voyage, you discover a phenomenal 'Gravitron' by a mastermind John Shima. The track breathes a melancholic tune, garnished with John's unique charisma: detroitish pads, acid elements, and a well-balanced groove that will hypnotize with its vibe.

Platform 23 presents the 2nd (of 4) EPs of music from Exquisite Corpse. In Between Rhythms II, a deeper, ambient, percussive selection again returns to the project of Robbert Heijnen.

As part of the post punk / alternative Tilburg music scene of the mid-80s, Robbert influences of expression and interest in industrial and EBM is apparent. The move from the metallic sounds (as a member) of the early incarnation of Psychick Warriors Of Gaia to embrace the sounds emanating from late 80s Chicago and Detroit saw the band develop from their early cassette '1989' to the fully formed and now revered 1992 debut album, Ov Biospheres And Sacred Grooves (A Document Ov New Edge Folk Classics).

The parallels between this deep, trippy and haunting melodies meets tribal percussions, highlights some similarities of PWOG and Exquisite Corpse's outlook during this period. Looking further, upon leaving the former, the bands sound developed a harder edge, with more focus on rhythm and their exploratory properties indicating the nature of Heijnen influence and part in PWOG and how this was further explored when going solo in 1992.

The release starts with Shadow Play from his second album, 1993's Inner Light. Darkness descends to echo'd drums as the vestiges of developing European techno worlds can be heard in the distance. What A Life, from the Reassembling Reality EP, brings things down with an ambient beginning moving to Reich loops and sequencing that create shifting melodic horizons. A personal favourite of the artist, the EP saw the realization of the collaborations with Debbie Jones in design and life.

With the consistent presence of 'third member' - in mixing, engineering and support - from Tim Freeman, the songs in the series have a unique, but familiar and inclusive nature. This can again be heard in Sacrifice from the highly sought after Dream Night Dance Music album. The interplay of drums, claps and swing are enough alone to warrant acceptance. To close, Tepu returns to the Inner Light album. Darkness, Questioning. Calling. Second(s) ending.

West London’s Slip 'n' Slide was one of the UK’s original house imprints. Starting in 1994 with early releases from artists such as Blaze, X-Press 2, Masters At Work and Kings Of Tomorrow, they set the benchmark for house music in the UK. Kevin Hedge and Josh Milan (aka Blaze) were one of Slip ‘n’ Slide’s most prolific acts, with ‘My Beat’ written and produced by the pair. The record sees Hedge don his Palmer Brown alter ego for vocal duties which, teamed with an up-tempo jazz beat, create this irresistible classic. Now Slip ‘n’ Slide return to release this 12” package, offering a chance to own this seminal track on wax, along with remixes from across the spectrum of contemporary dance music. Newly produced highlights include Folamour’s blissed-out interpretation and the more left-wing Javontte Jazzbug Mix. As well as the stellar original, the release also features Derrick Carter’s Disco Circus Mix, David Harness’ remix, the Solid Groove remix and dub and the Accapella.

hvmble is a newly-formed Berlin-based collective engaged in house music production and label work. Merging ideas in a fresh way is the intent of our approach and sound. Exchange in a diverse community is key to our spirit. hvmble aims at staying versatile. hvmble’s debut-EP series ’Textures’ features an eclectic practice where diverse elements of dance music are teamed playfully. Hypnotizing groove structures, vibrant hi-hats and a sublty-formed bottom-end unite and stimulate the bodymind. Textures invites the listener/ dancer to float through skillfully meshed patterns and dreamy layers, to experience promising new spaces. The sounds appearance and cover

2019 Repress!
One of the most autochthonous and valuable pieces of our particular culture, probably the main tool to create the most simple and basic culinary items in our lovely gastronomy, but at the same time are the most precious, healthy and elemental ones. We cannot be more identified with this, and hope you can enjoy our humble musical efforts. The BUDARE has their roots in the deeper lands of Venezuela, but is developed and created for the global community.

In 2017 Blair French came out of hibernation to release contrasting but similarly sun-kissed EPs on Rocksteady Disco and Claremont 56.

Here, he returns to action with a scintillatingly sunny and sensual six-tracker on NuNorthern Soul that may well be his strongest release to date.

Given French's chameleon-like musical history, that's certainly a bold claim.
Over the years, he's been a member of a multitude of musical collectives - most notably Cosmic Handshakes and Formless Figures - established his own DIY record label (Fat Finger Cosmic) and released music that touches on a dizzying array of styles, from award-winning movie soundtracks and Afro-fired deep house, to skewed techno, blissful ambience and experimental hip-hop.

On Patio Pastel, French is in full on sand-between-the-toes Balearic mood, delivering a range of lucid, ear-pleasing compositions that will sashay their way into your consciousness.
Contrast, for example, the drowsy organs, glistening pedal steel and undulating hand percussion of opener 'Patio Pastel' with the Serge Gainsbourg style chanson-goes-tropical bliss of 'La Playa De Tercipelo', which features some deliciously breathy vocals from Stephanie Lyon.

Then there's 'Morning Sail', a sumptuously evocative soundscape rich in toasty, dub disco bass, shuffling percussion and lilting, Jonny Nash style guitar solos (see also the effortlessly horizontal Lounsbury Gardens'), and the kaleidoscopic, saucer-eyed Balearic pop brilliance of ;'Human Make Human', where new age synthesizer melodies and the fuzzy vocal refrain of Kasi Seguin gentle dances above an Afro-flecked, mid-tempo groove.

Throughout the EP, French mixes electronic and acoustic instrumentation, drawing together musical elements from a myriad of styles to create sumptuous new fusions.
It's particularly evident on superb closer 'Belle Isle Sunsets', where colourful synth motifs, eyes-closed guitar riffs and Mediterranean-warm chords wrap themselves around a gently pulsating, impressively layered groove.
Like the rest of the EP, it's perfectly pitched, expertly executed and wonderfully atmospheric.

New York native David Berrie makes a welcome return to the Hot Creations fold this April. The latest recruit to join as a resident for Jamie Jones' Paradise night in Ibiza, Berrie gifts us with three heavy hitting tracks, sure to set dance floors alight across the globe.

Airplane To Madrid opens the EP with its steady groove and funk elements, underpinned by a tribal drum and old school vocal hook that culminate in a jazz influenced breakdown. On Talkin' Bout, Berrie utilises a fast-paced beat and bouncy, ghetto-house style vocals that lead into another intriguing breakdown. Closing the EP, the bassline of Acid Souls gurgles beneath the female vocal building to an insatiable drop before plummeting back into the heady bass.

Raised in the musical melting pot of New York, David Berrie draws influence from a variety of genres to create his signature style. He's released on a number of prominent labels including Cuttin' Headz, Play It Say It and Hot Creations. Last year's collaboration with Jamie Jones broke into the Top 5 in the Beatport charts and his music has been supported by some of the industry's biggest names such as Carl Cox, Marco Carola, The Martinez Brothers and Seth Troxler. 2019 is set to be a big one for Berrie, with a residency for Paradise at DC10 and fresh music due to be released.

The Jazz Diaries is proud to announce NYC’s favorite underground papi Toribio will be releasing his sophomore EP June 14th 2019. Hot of-the-heels of his Gator Boots 12” for Soul Clap, which received hands in the air support from Seth Troxler, Adam Port, and Soul Clap, Toribio makes you feel at home in the club with his expressive new EP - Capicua!

Growing up playing Dominican percussion instruments from an early age, and being a staple DJ in the NYC circuit for the last 7+ years playing with a who’s who of DJs (Danny Krivit, Rick Wilhite, Louie Vega etc), Toribio expands the palette of what dance music is, fusing his Dominican roots, afro-cuban latin riddims and 90s hip-hop to create a cultural melting pot that signals a change in the guard for NYC House Music.

As Toribio rightly puts…
“Capicua!” is an expression Dominicans yell as they slam the last domino of a certain hand with belligerent righteousness. It means you win on both sides of the table no matter which way you look at it. Top to bottom. This my musical way of saying in a Dominican style... I won on both sides with this record.

This is certainly true of EP opener ‘Get Up’, which hits you on the upside with a nasty dose of p-funk over a bed of live and programmed house riddims. The record showcases Toribio’s penchant for the funky, yet rhythmically inquisitive. It is this trademark sound that permeates the record and continues its way through the acid tinged ‘Make Your Mark’, where long time friend and collaborator Byron the Aquarius steps in on remix duties - providing a lush reprise from the frenetic afro-cuban percussion found in the original mix.

Last but not least, Toribio rounds of the EP with a sensual, take your girl home cover of ‘Household’ by Totally Enormous Extinct Dinosaurs. The tune showcases the broad depth of Toribio’s musical portrait, prominently featuring his voice and guitar, further giving credence to the musicality and diasporic nature of the new Nu York, and further cementing Toribio’s place in it for years to come.

Second release from New York based label/party Frendzone. This compilation features two tracks from elusive label stalwart Ames Henry (with Paul Kav on A1.) + an experimental tech- breakbeat composition from seasoned Drum & Bass producer Fanu. Finished with straight up hardcore junglism from label veteran Octo Octa.

We are so pleased to be able to support Amonita. She makes music that makes us melt.
Her four track EP is bliss. The arrangements magical. The feeling yummy.
Each track a journey in itself you just have to push play and let these compositions roll.
Instantly accessible yet complex. Amonita leads the way and inspires all.

We are so pleased to be able to support Amonita. She makes music that makes us melt.
Her four track EP is bliss. The arrangements magical. The feeling yummy.
Each track a journey in itself you just have to push play and let these compositions roll.
Instantly accessible yet complex. Amonita leads the way and inspires all.

Mint Condition - A reissue label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in.... For this outing for Record Store Day 2019 we present the original mixes of Leftfields seminal debut release 'Not Forgotten'. This was the London duo's first outing and pre-dates their earth shattering and classic long player 'Leftism' by 5 years with an even more rave / club, underground orientated style. Raw, bass heavy, funky and driving, 'Not Forgotten' was a clubber and pirates anthem for many years to come. Classic UK House music Most certainly. One of the most influential records of the genre from these shores. Beautifully remastered by the UK's very own Curve Pusher and taken from Leftfield's original DAT. It will never sound better than this! This is the first time this 1990 UK rave classic from this crew has been repressed in 15 years. File under: 'Classic' / 'Essential'.

Liberation Party Records welcome the long-standing producer and vocalist Tempo O'Neil under his Project 16 pseudonym, for a new EP that draws on his long life of musical experiences having first started singing aged just 14. A storied life has seen this London based Luton-er become a member of the Saxon Sound System, key player in the acid house revolution, employee of Big City Records and producer with a long list of credits on numerous top labels. Always evolving his sound, he is as vibrant in the studio now as ever and still exploring new ground. Opener 'It's Alright It's Okay' is a gorgeous deep house track with warm, effervescing keys and bass and the sort of timeless vocal that immediately tugs at the heart strings. Pads swirl like cosmic clouds and add scale to this most heady groove. Next up we have the irresistible 'When Beauty Comes', with bleeping keys dancing about the scales as pained singing sucks you in and the weightless drums suspend you in space..

Closing out this fantastic EP is the superb 'Take Some time out' that picks up the pace with a Larry Heard influenced house sound. Poised chords and sci-fi feelings permeate the crisp beats and more of O'Neil's syrupy, heartfelt vocals add rich and irresistible layers. This is a classically inclined EP that feels fresh while packing a real emotional punch.

Sechs Jahre Nach Seiner Letzten Lp "busted With A Bag Of Bliss" (my Favourite Robot) Kehrt Der Kanadische Indie-elektronica-meister Sid Le Rock (aka Pan/tone, Gringo Grinder) Mit Seinem Fünften Studioalbum "scenic Route" Zurück. Die Neue Lp Ist Ein Musikalischer Trip Durch Eine Breite Klangpalette, Die Von Dancefloor-tracks (kismet, Morgenfrisk) Bis Zu Electro-meisterwerken (speak Sweetly, Hiraeth) Reicht. Das Artwork Wurde Von Alex Solman Erstellt, "dem Mann Hinter Den Unverwechselbaren Zeichnungen Für Den Golden Pudel Club Und Einem Der Besten Bildenden Künstler, Der Heute In Der Musik Arbeitet" (resident Advisor). Die Lp Enthält 6 Tracks, Der Download-code Insgesamt 11 Tracks.

ANT ANTIC is the singer, multi-instrumentalist and producer Tobias Koett - originally from Austria, currently based in Berlin. On stage, he's joined by two musicians on drums and synthesizers to form a full live band. His signature sound: melancholy wrapped in contemporary R&B. Distinctive vocals that will stay with you forever, driven by a solid backbone of avantgarde beats of incredibly high-level production. Outside of conventional pop song structures, his latest single Whoop! blends stripped-down four to the floor aesthetics with an analogue approach to sound design. The result is as emotional, honest and relatable as it is catchy. Whoop!

Club U Nite no. 018 is an outstanding EP, presenting you the many shades of house including 6 Black Chunes.

'Love Cat' is a stompin' disco track with a jazzy mood, while 'Freaks' blows the classic NYC house beats in your ears. 'Go Ahead' brings the funk essence in carefully selected sample chops while the b-side releases a jazz-house monster 'Jazzin' Up'. Caution: Stumbling hazard!

Fine Deep House sounds complete the new EP on Club U Nite Records with the tracks 'Jump-N-Scat' and 'Smack That Ass'.

It's time for the fourth excursion on Late Night Burners, this time filled with uptempo acid and breaks.

For the fourth release we've asked two talents for a side each. On the A-side we have the Parisian Col. J with two uptempo and soulful workouts. Classic drums, classic acid lines, but fresh as ever. On the B-side we have the Italian matteo. providing us with two rough and fast-paced cuts full of lush synth lines and breakbeats. T(r)ip!

Radio Slave's R-Time returns with three unreleased Fabrice Lig productions from the vaults spanning over two decades.

Scanning through his discography, Fabrice Lig's reputation for producing some of house and techno's most brilliant music is indisputable. R&S, Subject Detroit, Planet E, F-Communications, Versatile, KMS... these are only a handful of respected labels which the Belgian artist has released on. Lig now joins Matt Edwards' prestigious vinyl reissue label with three never-released tracks showcasing a sound and style that have withstood the test of time.

'The Meeting' is the most recent track on the package, delivering glorious enveloping plucks over shining string chords before Lig's signature funky melodies glide amidst jazzy cymbal rides.
On the flip, 'Nebula 101' is a retro minimal track recorded in 2015 featuring a wonky rhythm, Shruti synth bass and piercing Roland Sh101 stabs until the high octane 'Noise Revolt', which was recorded in 1995, concludes the package with thundering 909 drums, echoing snares and relentless Sh101 synths.

Having worked with L.I.E.S, Technicolour, Resident Advisor and Dekmantel, Florian Kupfer is no newbie to the House and Techno heads.
Here he delivers a 4 track Ep for Axe On Wax sub-label Axe Traxx full of hypnotic, club ready dusty house tools!
One not to miss!

Hot on the heels of ‘HUMBLE’, live electronic collective Girls of the Internet continue their winning formula of forward-thinking club tracks laced with a dose of future facing soul for the second single from their forthcoming album ’SYRUP’.

‘U Already Know’, invites NYC based rising star Jitwam to guest with the enigmatic troupe. Exuding a psychedelic soulfulness through his vocals, he brings a certified, yet hazy, swagger to the track. Capturing the bands live nature, chunky bass, crunched up percussion, thumping kicks and resonating chords blend with elasticated synths and tactile sounds that spring through the brain. As potent storming the clubs, as it will be taking over the radio waves.

On the flip side, star of recent Viceland documentary ‘My House’ and LGBTQ+ icon; Ballroom MC Princess Precious hits with an evocative and in-your-face set of vocals on ‘Your Love’. Striding side by side with rugged, shuffling live percussion, stuttering acid synthlines and a low slung bass - it’s a dress-to-sweat jackin groove, bringing an infectious underground punch that screams sexuality.

Supersonic spins and disco-looping contortions are on full show for the ‘Sports Mix’ - pushing the energy into overdrive for a Chicago-flavoured, house heater. Filtered sax funk, jazzy keys and galvanising drums compliment the brazen tones of Princess Precious in this fierce, voguing workout.

‘U Already Know’ showcases Girls Of The Internet’s ability to seamlessly blend genres, weaving them into creative tracks that strive to go against the norm.

DJ support from The Black Madonna, Motor City Drum Ensemble, Basement Jaxx, Jimpster, Simbad, Fouk, Luke Solomon, Butch, Tensnake, Graeme Park, Marcel Vogel, Crazy P, Hi Fi Sean

Elisabeta. Just hearing her name puts a grin on her face.

Originally released on Polychrome Sounds, "Elisabeta, the remixes" features a remaster of the original by Karpov not Kasparov and three truly unique and magnificent remixes.

The first one is Carrot Green, who gave the original the Brazilian Ritmo-treatment, with extra acid on top for a spicy touch. On the second remix, Belgian mastermind Strapontin created a smooth grooving tension-builder, slow rolling to a deep and beautiful introverted climax. Lastly, Pletnev took the atmosphere of the original and gave it a trippy ethnic-break beat twist, as only the Vilnius producer can do so well.

Warehouse Find!

Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP's for Greta Cottage Workshop as well as EP's for Plumage, Kolour LTD and Apersonal. Paxton's unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on edgling vinyl-only label The Bricks.

For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you've left the danceoor.

Flipping over we have Paxton going full-on jazz mode in Pacica 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum.

Finally we have a deeper note to close on with It's Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.

vinyl only!

Colleagues in Japan provided us with sample product of the following audio artefact – file number ST015 – believing that it may be relevant to the Safe Trip Institute’s ongoing research in this area of study. After rigorous testing and analysis, we would like to offer the following observations:

• The artefact contains two related pieces of music, which appear to be the work of a high profile pseudo-scientist known as Hoshina Anniversary.

• If you listen carefully to the first piece, “Hakkenden I”, the first thing you will notice is how the lead electric piano line and repetitive electronic motifs – known in colloquial slang as “acid lines” – follow the same melodic pattern, as if Hoshina Anniversary was sending the same powerful psychokinetic instructions to a number of instruments at the same time.

• In contrast, “Hakkenden II” is darker and more hallucinogenic in tone. The use of restless, arpeggio-style bass and creepy-sounding chord sequences suggest that Hoshina Anniversary momentarily lost control of his psychokinetic powers before wresting back the initiative as the recording progressed (the return of the melodies and instrumentation heard in “Hakkenden I” in the second half of the piece supports these findings).

We invite colleagues the world over to analyze and test this audio artefact further in order to increase our understanding of this thought-provoking item and its unusual Japanese creator.