House Vinyl New Releases - News

DeepLabs is a Detroit based record label run by Luke Hess. The focus for the label is to release Detroit influenced techno for the dancefloor and to build a strong community of likeminded artists. The second installment of the Warehouse Sessions Series highlights four artists: Brian Kage, LIIT, Regen, and David Hausdorf - all of which are masters at their craft. Enjoy the music and play it loud. With Love From Detroit.

Amazon Club opens the new Rotterdam based 'Voodoo Gold' imprint with a 7 track mini album. Operating from the depths of the South-American jungle, Amazon Club brings us a collection of tropical, 70s disco-influenced house tracks combined with some dreamy, cinematic soundscapes. Let the upbeat vibes and rich instrumentation of these tracks carry you away on a journey to the rainforest and the hazy shores of the Amazon river.

1x each customer!

The rumors are true! The Inner Sunset Recordings crew is officially back with the release of Deep Cut Collective, Vol 3 by Homero G. Featuring a unique combination of new material ("Days of the D.C.C.", and "Feelin' Understood") and archived unreleased material from the label's earliest days ("By My Side", and "Makes Me Feel"), this four track EP is as true as it gets to the deep, gritty, dark, garage house sound that put San Francisco's acclaimed Inner Sunset Recordings on the map over a decade ago. Sure to delight heads, aficionados and collectors alike, this limited edition underground release is not one to miss! Act now!

Nino delivers his first well-deserved solo EP on Batti Batti. Originally from Bosnia, but based in Brussels (Belgium), Nino's tracks have always been a perfect representation of a purely deep underground sound. Starting off with a soothing piece of ambience to set the mood , Odysseia EP is aimed for club use and hence depicts Nino's evolving style yet maintaining his secretive and atmospheric element as a common factor.

1x per customer!!

Release no.4 on Omena LTD is a special one.After delivering a whole jar of tasty tracks for Sleazy Beats Recordings, Boogie Cafe and Banoffee Pies in 2015, Bristol's Admin a.k.a Adam Wickens waved the magic wand over his sample library and put together three new ones. Spirit Boogie you say Yes, it's a beautiful thing.

Hot release! Riverette is back with another reference this time produced by Cliff Lothar. Old Jams Die Hard #1 stands as a classic and old school release full of techno and nasty acid bass lines. Warning! Beware of the dance floor! Want to miss this one

Fresh from his contribution to the Butter Sessions' Sounds From The Suburbs V.A., Bayside lab-rat Dan White delivers three disparate tracks of alien electronics.On 'The Hammer (Think Mix)', White takes a heavy inhale before descending deep sea with a near 11 minute Junglist house epic! 'Just A Beat' sells itself short with its club ready distortion while the blissed out meditation 'Sacoid' cleanses the peaking dawn raiders.Some of the finest work from this Melbourne prodigy, with artwork by Lloyd Collins.

Italian House producer Nicholas is back on Home Taping after a string of releases on labels like 4Lux, Quintessentials, 20:20 Vision and Nu Groove. And it's straight back into business as usual on this release as he picks up where he left off with his best-selling Love Message and The Music Lives EPs and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. All the cuts sit perfectly on that line between House & Disco for maximum dance floor work.The Bonus Beats are back!

Saft welcomes 'Nortasun' to it's expanding roster of artists. With not too much info being available about the artist, the music should do the talking. 'Nortasun' comes up with a sample drenched EP that consists out of swell basslines, mind expanding chords and outlandish percussion works. ''Untitled 1'' opens up with a carefully placed disco sample that hovers over the rhythms very nicely. The percussion section and the ascending chords serve the overal ambiance while Nortasun plays with the extended loop pattern that maintains of interest. ''Untitled 2'' serves as a very deep but functional voyage into tribal territory. A vary of percussion sets in and smartly exchanges tones with FX cuts. On the B side ''Fudge Fingas'' debuts on SAFT with an atmospheric beast of a remix for ''Untitled 1'' that constantly grows and cleverly uses vocal cuts that change up the original atmosphere and makes the overall a very broad work of house music. The Stevie Wonder like clava hit + piano solo's that come in when the remix progresses are all in courtesy of the Edinburghian producer himself.

Following up from Renato P's 2015 "Untitled" debut, Jay Simon's Atlanta based Must Have Records is back with its most substantial release yet. Unsung west coast duo, the Teflon Dons released several 12"s on their independent label Worldship from 1995-2000, and virtually all have become sought after records by deep house afficionados. Here, Must Have lovingly presents a double 12" gatefold anthology featuring four highlights compiled from several rare Worldship releases, as well as another four unreleased songs from the same era. Notably, the release contains the nearly forgotten garage classic "Tomorrow People" the first release featuring a then unknown Gregory Porter, who went on to become a Grammy Award winning jazz vocalist. In addition, the release contains several photos, and detailed liner notes written by Jay regarding the group's history.

Poly V.A. is the second release of Polycarp Records. It comes with tracks from Simon Ferdinand, Johannes Albert, Tilman and Basch - a colorful collection of Music from friends for friends.

Craigie Knowes First Annual Fundraiser in aid of international charity War Child orchestrated by the Craigie Cartel. All profits generated will be donated to War Child. Tracks from Daniel Waples, Lord of the Isles, Bicep, ASOK, Move D ft. Gerd Janson, The Burrell Connection, Neville Watson, Hammer & Ludd and Amir Alexander & Cecilia Bruun Hansen (The Binary Star System). Music spanning instrumentals to acid house.

Influenced by Detroit and post rave sounds, Casey Tucker presents an EP that mixes skippy house with percussions and acid bass lines.

This record was produced especially for Certain Music Records after he was approached by the end of 2015. Rather than providing projects coming straight from his hard drive, he decided to produce all fresh tracks from scratch.

Here we see Italian brother duo Elia and Niro Perrone, release their debut long player in the shape of 'Pescaiola' the name of the suburbs the pair grew up and paying homage to their musical roots growing up together.

Across the duration of the 'Pescaiola' LP Easy To Remember serve up a amalgamation of raw and intriguing electronic, house and techno cuts. Opener 'Hanckora' lays down a lo-fi infused Hip Hop style to kick things off, while 'Checkma Dem' lies in similar territory with the addition of some vocal stylings as well.

For the most part though Easy To Remember lay the focus on emotive house music, title track 'Pescaiola' plays on multi-layered melodies and retro synths, 'Hijack Percussion' focuses on gritty rhythm and soft atmospherics and 'Try To Escape' brings to light ethereal synth leads and snaking bass grooves. The duo instil some funk influence into the LP as well via 'Feelings' and some experimental touches as well with their Giulio Etiope collaboration 'Degolas' amongst others. All in all Easy To Remember deliver a refreshing take on modern electronica across the project and further prove Unclear is a force to be reckoned with in the underground.

* Tom Szirtes (Shur-I-Kan)
'Really interesting music with soul...'
* Moderna (Ghostly International)
'Some really nice sounds - liking the try to escape track! thanks'
* Sebastien Devaud (Agoria)
'Downloaded for Agoria, Thanks for the music!'
* Francesca Lombardo (Crosstown Rebels)
'lovely ep! love Hanckora and Chekma Den'
* 1 (Italojohnson)
'Good music!'
* Laurent Garnier (none)
'nice moody EP'
* Shadow Child (Dirtybird / Moda Black)
'dope.. love these vibes, '
* Sebastien Devaud (Agoria)
'Downloaded for Agoria, Thanks for the music!'
Andy Graham (Sei A)
'Liking Chekma Den track'
Doc Martin (none)
'Mental BLVD.!!! '
Dakini9 (Plan B Recordings / Sound Warrior)
'Amazing vintage sound, a love letter to classic 80s house. Well done. My fave is Pescaiola. Nice addition of a modern sound with Chekma Den. '
Shane Johnson (Fish Go Deep, Innervisions, Defected)
'Good listening music with plenty going on to keep the interest. Nice reverbs!'
Colin (Drums of Death)
'I like the slow vibe a lot.. maybe it's the sunshine.. the blend of hiphop and slow house is dope!'
Baikal (Maeve)
'pescaiola is dope'
Tim Toh (Ornaments Music, Philpot, City Fly)
'yes, digging those vibes a lot! Top release.'
Mystic Bill (Classic / Trax / Relief)
'Mental Boulevard, Pescaiola & Hijack Persuasion are incredibly beautiful '
Lauren Flax (Young Turks / K7)
'smooth jams'
Reza Athar
'All of them bring me to summer. Which is a very good thing and my head needed that!'
Ali Herron (Ooft)
'Digging this, the vintage sounds work a treat :)'
Charles Webster (Peacefrog)
'Pescaiola and Hijack are v v nice...thnx'
Jim Stanton (Horse Meat Disco)
'This track really took me somewhere '
Tensnake
'beautiful, looking forward to the whole LP, thanks'
Isaac Tichauer (French Express)
'excellent release'
Ricardo Miranda (Rush Hour)
'A breath of fresh musical air. Forgot what I was doing as the vibe just took me somewhere. Big SOUNDS. MUSIC!'
'Thought provoking sound design with solid groove tripp'n music. Better than super hot. Dig the tape. Top LP. '
Eric Duncan (Rub N Tug)
'Thanks.'
Jacques Renault
'sounding good to me, will test em out!'
Eli / Charles (Soul Clap (Wolf & Lamb))
'feelin it!'
Jackson Ryland (Holic Trax, Sccucci Manucci, DaBit, Music Is Love)
'lush and interactive, I love the interplay and all the moving parts on Hijack Persuasion and Pescaiola. Dynamic, interesting work. respect!!'
Dorsia (LOFT Records, Southern Fried, Chasing Unicorns)
'Hijack Persuasion for us!'
Soul Of Hex / Sebastien Vorhaus (Vicario LTD, Delusions of Grandeur, Faces Records)
'Interesting EP. Hijack Persuasion sounds dope. Love the 80's vibe. '
Ben Pistor (Disco Bloodbath)
'Mental Boulevard & Pescaiola are sounding ace'
Franklin De Costa (none)
'beautiful release.'

He is back with yet another classic! Winter Tones is one of them nasty, jacky house grooves, topped with emotional synths and a hook which is pushing the inner-soul. Fred Everything manages again to provide a timeless EP of this music we call love. On top the incomparable Tuff City Kids also known as Gerd Janson and Lauer delivered two raw underground remixes just the way we love them. Enjoy and keep on jacking!

The second serving from Schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. S-Max has been doing his thing for some time, running legendary home all things bizarre in house and techno, Boogizm, and releasing a special kind of groove on labels such as Telegraph, 7th City and Karloff. His original track, 'Ms. Rosen Dub', swaggers and sways with the spirit of classic Yorkshire bleeps and bass. The groove is house, but the spirit of adventure is most definitely techno. His remix of Spatial's 'Corti' takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. Spatial leapt onto the bass music radar late 2008 with his shadowy Infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. Since then he's done things on his own terms, only releasing for himself and mutating his sound over a series of 10's. 'Corti' perfectly demonstrates Spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. Meanwhile on his remix of S-Max, Spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

STATUE is a live percussion based dance project, the brainchild of Melbourne drummer Tom Gould. Over the past five years he has honed his craft in cult Melbourne bands NO ZU and Worlds End press but now greets the dance world under the moniker STATUE. After featuring in last years Beats In Space - best of the year list with his debut 12", his second EP 'Monument' is a reflection of the human and a testament to dance floors both indoor and out. MONUMENT further establishes STATUE as a fixture in Melbourne's dance music culture, constructed for both warm afternoons and the sweaty early hours of Australian summer.The EP traverses multiple tempos, between techno, house and tribal percussion, creating a world of warm percussive dance floor odysseys arriving parched and thirsty for more at it's aural peak, Monument. The expedition ends with an expansive remix by Disco Halal king pin and recent ESP Institute alumni, Moscoman.

Last AVA. release in 2014 comes from labelhead Damiano von Erckert himself. Well known for fresh collaborations von Erckert links up this time with Chicago based soulful house legend Peven Everett. After a very successful year and a lot of hype around his name, von Erckert keeps movin' forward with 'MICKEY M. AND THE MARLBORO MAN' and represents the AVA. sound in its roots. Groove, dance and a big smile.Damiano's and Peven Everett's collaboration 'All about lovin' me' shows the connection and similarities between those two guys: Soul. Von Erckerts '4 O' Clock. You Are In A Club Mix' of 'All about lovin' me' is much more danceable and darker then the original version. House groover 'Diamonds and Girls' is released on this EP as well, which is on heavy rotation worldwide by lots of DJs and friends of AVA. We're very happy to welcome Max Graef on this release joining the AVA. family, who's responsible for some of the most influential jazzy house sound of Germany the last 2 years. His remix of 'All about lovin' me' is just another proof of his big talent. A big year for AVA. and von Erckert.


Mix)

Especial welcomes one Alphonse to the label. A true missing in action, last seen by his crew dancing atop a bus, here literally forced him to give up the tape of Same For Me. A peane to his life Possi bly. Mixing techno beats and (proto) rave breaks, all under his own unique and heartfelt message. Discovered on the outskirts of Letchlade, down the bottom of an abandoned traveller site in a delapidated caravan with just the clothes he was in, while clutching an armful of reel-to-reels masters, a pack of 20 B&H and 1 can of Strongbow, Alphonse's story is one of party obsessive gone AWOL. Mumbling periodically, words deciphered and names dropped. Frome, Stroud and whisper it,
Castlemorton, led to rehabitlation, a bath, shave and slowly enticing his musical knowledge to share. With a few scraps appearing here and there, including a micro(dot) of disco editing knowhow given, here though he finally is able to share his experiences by looking back through making music of the future.
Same For Me starts with Sterns intent, all hats, kick and fx to the max, a Fantazia of expression, before toms and 808 snap and the sermon begins. But wait, where is the bass Boom! Subs squeeze ribs while flute lifts minds skywards. "A valuable tool in life. Concentrate on something makes you happy..."
To bring this in to fold, the Junior family member is given the tapes to show what he can do. The most subtle start lulls you in to a sense of is that it There must be more. Building.
Building. Break and...hands to the Sunrise. "...Thank you. Same For Me. Same For Me."

Nach etwa fünf Jahren Veröffentlichungspause bringt Brent Cash via Marina sein drittes Album heraus. Man
ist geneigt, das mit einem "endlich" zu quittieren - so überwältigend schön gerieten die beiden Vorgänger von
"The New High". Schon das opulente Debüt "How Will I Know If I'm Awake" (2008) des Multiinstrumentalisten,
Sängers und Songschreibers aus Athens, Georgia, tönte mit Anklängen an Brian Wilson, Burt Bacharach,
den Carpenters und die Mamas und Papas wie ein verlorenes Meisterwerk aus vergangenen Epochen. Und
auch auf dem aufwändig inszenierten Album "How Strange It Seems" (2011) war praktisch jeder Song in
einen goldenen Sonnenschein getaucht, der so nur in Kalifornien existiert. Mit feinsinnigen
Orchesterarrangements, tollen Rhythmen, vielschichtigen Technicolor-Harmonien und heilloser Romantik
verwöhnt uns Cash auch auf dem brillanten "The New High", das von der ersten bis zur letzten Note zum
Träumen einlädt. Das ist kitschig und ziemlich "Retro", macht aber verdammt glücklich. Übrigens: Ganz im Stil
eines Todd Rundgren hat Cash hier - mit Ausnahme der Streicher - sämtliche Instrumente selbst eingespielt.
Grandios!

Following the highly acclaimed sell-out EP from Tom Ellis, for their 11th release the Black Key fold have joined forces with the extremely talented Cecil. Here, the Leicester (UK) based producer delivers three exceptional house tracks, all of which ooze quality & play-ability. On the remix, Fabric regulars Matthew Burton & Kate Rathod deliver a darker, stripped back take on Cecil's work, to great effect.Once again, Black Key Records show refreshing diversity in their release schedule, proving undoubted maturity as an established & well respected label. This one is bound to appeal to a cross-section of true house music & vinyl connoisseurs

Dan Shake returns for his highly anticipated forth release on his label with strong support from the likes of Jackmaster, Bicep, Midland and Moxie.

Ten releases it is now for Batti Batti Records and to mark this milestone we are delighted to present the second in our Atmospheres series. Featuring once again artists old and new to the label, the EP very much takes its cue from the spirit of the first Atmospheres release.
A
Young Berlin-based Italian producer Saverio Celestri, who shined on BBR05, the Crossover EP, sets the tone beautifully with the haunting and emotionally-charged Detroit Feeling. Having previously collaborated with Fred P for Deep Explorer, Brooklyn-based artist Jordan (Finale Sessions/Ornate) debuts alone here for us with the wonderfully dark, twitchy and yet persistently funky, Device.
A
Another Batti Batti newcomer, the vastly-experienced Dan Mela, rounds off proceedings with the stunning 10-minute tour de force that is Tenuta Ken (featuring acclaimed Italian jazz pianist Stefano Calzolari), which showcases to perfection the producer's passion for soul, funk and jazz.

REPRESSED !!
Jovonn returns to London's Dogmatik imprint with another fine 12" delivering two new tracks with Jovonn's distinctive new jersey influenced sound.

Ursprünglich wurden die "Ballett"-Aufnahmen im Jahr 2000 als Teil der streng limitierten und natürlich schon
längst vergriffenen 10CD-Box "Contemporary Works" veröffentlicht. Wie Klaus Schulze in einem Interview
einräumte, hätten die Stücke auch einen ganz anderen Titel haben können, denn mit Ballettmusik im
eigentlichen Sinn haben sie nichts zu tun. "Ich hatte die vier Stücke ursprünglich als eine Komposition
gedacht - zu Ehren meiner Mutter, die Balletttänzerin war und 1998 gestorben ist. Weil es die erste
Produktion war, die ich direkt nach dem Tod meiner Mutter gemacht habe, habe ich ihr den Titel 'Ballett'
gegeben und die vier Parts einfach durchnummeriert." An den Aufnahmen beteiligt war einmal mehr
Wolfgang Tiepold, seit 1978 Schulzes "Haus-Cellist". Wegen des Cellos haben die Stücke einen leicht
klassischen Touch. Für KS-Fans keine Überraschung, bekanntlich verbindet der Musiker außerordentlich
gerne Elektronik mit klassischen Klängen und Strukturen. Die Neuauflage von "Ballett 1 & 2" erscheint als
Digipak mit 20-seitigem Booklet

The Albion crew release their sixth release to date, with a two track EP from from Phran with two heavyweight remixes from brothers Samuel Deep & Julian Alexander and Perlon favourite Ark.

Professor Inc returns to boe with a four track EP of low slung heady house vibes, thumping drums and searing soundscapes. Punchy 4/4 rhythms and throaty chords of Crazy grace the Aside where neat percussion sections break up dubby sweeps and deft ambient samples. The rolling loose beats and haunting synths movements of Undergound sit nicely inside and offer a pumping club cut. The glorious strings of Life After Asylum play nicely with vox synths, weird samples and some weighty low end. Rounding out the EP, Put Up the Vibe skips and swings with fizzy stabs, modulated percussions and warm grooving bass.

DX Recordings returns with a four tracker from Scott Fraser, folllowing on from the inaugural Dariana 12" earlier this year featuring a deep as hell remix from Chicago legend Mystic Bill. 3 different moods of analogue warmth starting off with "No Word Of Truth" a driving Detroit infused groove joining the dots across to Berlin's Basic Channel, with a Deep bassline, rattling tom's and shifting high hats. On B2 Mystic Bill takes the track deeper and darker, adding dubs, soaring vocals and tight percussion this is Mystic Bills trademark deepness at its best. Over on side B we start off with another Aslice of classic deep techno with a heady basslin. Thumping drums and driving strings keeping feet firmly on the danceloor, leaning heavily again towards Detroit a massive bassline rips in and the strobes come on . Finally on B2 another original remastered piece of deepness from the vaults finally see's a full release on vinyl. Simple, deep vibing house finding a loft space somehere that Metro Area were residing in 2000's New York.

Third release on Maciek Sienkiewicz's FASRAT label comes from a Polish wunderkind Selvy; three tunes showing his rare versatility, blending together deepest house, acidic techno, dreamy Balearia, all with a very special exotic feel. Groovy, funky, dreamy and trippy in equal proportions!

It is no exaggeration to say that Ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. One knows that being as renown a representative of the underground music scene as Sammy Dee is, he can easily sign music from any established artist he would like, the so called 'big names', however, when we look at the past seven releases on Ultrastretch, the agenda here seems to be another. What has become an apparent and admirable feature of this label/platform and of Sammy Dee himself is his clear support for new music from young and yet to be discovered talents. It is on that note that Ultrastretch 08 brings you Romanian artist Crihan.
Hailing from a small town close to Cluj, Alin Crihan moved to Bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. From dj'ing in the most various clubs in his home country, his first steps into Western Europe as a DJ came earlier last year at no less than the legendary Robert Johnson club alongside Petre Inspirescu in Frankfurt.
Producing under his real name for the past four years, Crihan's release for Ultrastretch brings two tracks, setting the listener into two very distinctive paths.
The A Side, 'Uelden' is a dance floor oriented track. The first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. The elements have been crafted carefully and therefore appropriately placed just where and when you need them. By simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity.
The B Side is called 'A Doua Dimensiune', literally translated from Romanian it means 'The Second Dimension'. Doing justice to the title the track does generate the feeling of being in another dimension. It is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. Attention to detail is apparent judging by the overlayering of elements featured in this track. A constant rolling base formed of 'water tapping' ambient sounds give way to harmonies made up of strings and random noises on top.

collecting for repress !!

'Vekton Musik' presents its brandnew 'vinyl-only' sublabel 'Vekton Black' and its second
release with unique deephouse tracks and a dubmonster of Alexandar Kyosev.Take care... ;-)

Astute wax enthusiast Brothers' Vibe brings forth the third installment of his Mixx Split series, meant to cast light on what the multi-label boss is notorious for: soulful house music! Also signing the opening track 0.95Lonliness', the American prodigy takes us on a deep incursion, skillfully layering classic house beats over uplifting sounds into a heart racing groove. Newcomer Eddie Merced follows up with a deep and dreamy offering, infusing trancy vibes into a futuristic bassline for a full 6:29 minutes of 'Midtown Cruisin''. Delving further into the deep ambient realm, Japanese producer Tominori Hosoya doles out some tribal sounds for his spatial track "Paradise". Closing tune "Deep Space" gives away just a bit of the surprise in its title, as George P injects his signature Tech House oomph in a contrasting murky bassline.

We got together so many wonderful tracks, we had to put out the next Secret Weapons on double 12inch again. Various artists plus various styles we love...get your own idea.

Nandu lands on OFF Recordings with a spellbinding three-track debut.

'Walk' opens proceedings, merging a chugging low end with forlorn vocals, claves and clangs, setting a dark and trippy atmosphere.

Label head Andre Crom reworks the addictive original, twisting it into a swirling trip of layered synths and subtle, shuffling hi-hats.

The exotic entitled 'Limon' sits somewhere in between. Its off-the-wall drum programming and moody, arpeggiated synth line gives this one a late night feel that is sure to blow the roof off of any dance floor.

What more can be said about 2016 for Red Rack'em apart from MASSIVE In March, he released the instant classic Wonky Bassline Disco Banger which has been one of the biggest selling house tracks of the year, picking up praise and plays across the board from Moodymann, The Black Madonna and MCDE right through to Disclosure and Mark Ronson. Repeated Radio 1 plays, festival bookings and licensing from Classic soon followed.
WBDB was the first single taken from the Self Portrait LP which is due out in Feb 2017 but before that we have another preview of the first full Red Rack'em long player in the form of Tomato Pope.
Tomato Pope is a slamming party banger. Somewhere between house, techno, African music and broken beat, the drums are driving, the bassline is huge and the vocal samples get mangled throughout the track. It's another guaranteed floor wrecker from Red Rack'em and gives a tantalising taste of the LP weight to follow. Ocaj is a demented funky leftfield house jam which twist and turns relentlessly like a Scottish broad without power steering. Imagine a hip hip cats jazzy jam session recorded on a ghetto blaster being diced by a hip hop great. The samples get chopped like garlic cloves in a top chefs kitchen. Bon appetite!
Rhodes House closes the single with a dreamy, drifty promise of greater things to come.Named in that super descriptive Red Rack'em style, jazz club samples are meshed with super uplifting Rhodes chops to give you that 'aaah' feeling. You can pull a jazz face to this. It's allowed. The artwork comes from an old school friend Abby Smith who painted a portrait of Daniel from a facebook screen grab. x

We left Hit Me and Karera One Yeah behind us. Also in 2014 we take erotic seriously.
The Sexy Beast by Bara Bröst is definitely on of the hot affairs we won't deforce from you in April.


Benjamin Quin and Markus Schwarzbrauer aka Bara Bröst prove how beautiful, erotic and clubby they can be. Mat.joe , Pammin and our Karera Act Elanetique refine this beauty with their remixes.
And because Erotic is the Shit furthermore we give you the release as Vinyl.
Sexy Shit !