House Vinyl New Releases - News

Traveling to space, through music.

Vinyl only, limited copies, no digital promotion.

Die Berghain-Reihe auf Ostgut Ton geht weiter - mit Volume 07 und acht neuen, exklusiven Tracks auf zwei EPs, alle auf dem Berghain 07-Mix von Function enthalten. Auf Part I finden sich Beiträge von Steve Bicknell, Post Scriptum, L.B. Dub Corp und Blue Hour.

repressed !!!

This October sees Jay Lumen drop a new album, appropriately titled 'Lost Tales', via his Footwork
imprint comprised of a medley of productions he's been road testing over this year.

My 'Lost Tales' album is a special collection of unique tracks that I've never released before - tales that were never told. Most of the tracks had been dreamed up previously but never physically written. Some of them may have been started and tested but then stayed in an unfinished phase, never reaching their final form. I've now compiled all of these "Lost Tales" into one massive album.' - Jay Lumen.

Appearing on Drumcode, Saved, 100% Pure and Octopus Records, Jay Lumen has certainly earned
his stripes when it comes to releasing on high-profile labels. Likewise as a performer Lumen is in very
high demand, reflecting on a globetrotting year appearing in Miami, London, Amsterdam, Detroit,
Barcelona and Toronto. The international DJ and producer is now set to drop his debut album on
Footwork, a year after the imprint's launch.

Lumen takes no prisoners from the off, kick-starting proceedings with cavernous cuts 'Pulsar' and
'System'. Tracks like 'Lost Tales', 'Old Machines' and 'Passion 303' are ominous productions built on
muscular kicks and echoing stabs, whereas the likes of 'I Am', 'Quiet Storm' and 'Azure' provide more
atmospheric and mesmerising alternatives.Crunchy snares and piercing melodies form 'Black Stabs', before 'Fallen Angels' reduces the tempo with intricate percussion and a cacophony of synths. The down tempo 'Outer Space' then concludes the package with syncopated drums, tranquil melodies and epic pads.

Material special Series grows 25th release and with tracks available only on vinyl that played by MArtinez Bros.

Following a run of local transmissions from A Sagittariun, Crump, Rob Smith and Atki2, Idle Hands turns its attention to Berlin and the straight-up, no-nonsense techno thrust of Johanna Knutsson and Hans Berg. Both respected artists and DJs in their own right, the pair have been turning out 12"s together for The Free Spirit Society, Klasse and Crime City Disco over the past few years, but most importantly they've been steering the excellent UFO Station Recordings as a vessel for their punchy, primal techno tracks.

The sound on this EP taps into the pure form of stern, dark dancefloor tackle favoured at Idle Hands - no extraneous filler, plenty of space in the mix, but equally built with warmth and personality rather than monochrome functionality. If you need further proof, just look to the fact the EP is named after a Swedish soap opera from the 90s.

The bleeps and bass tones that pulse through "Taggen" are so finely crafted they need not skip and dance around the arrangement. The melodic interplay on "Klimax" is subtle but ultimately uplifting and optimistic where so much techno concerns itself with oppressive gloom. "Bimbo" finds the pair embracing a more psychedelic approach, but even here the modulating effects processes are kept within certain boundaries so as to not dilute the impact on the floor. After all, this is music to dance to, to be felt over a large system (where possible).


Moving from leftfield bass excursions to minimalist 2-step, UK techno and now onto this much more continental sound, theMälarviken EP continues to widen the range of Idle Hands' musical tastes without losing sight of the complete picture.

Super Rhythm Trax welcomes phenomenally talented producer John Heckle to the label . John has rightly picked up quite a following due to quality output on labels like Mathematics, Tabernacle, Creme and more, not to mention his killer series of Techno 12's under the Head Front Panel name.
On this release you'll find heavy nods to Detroit as the music is bursting with soaring chords and emotion but all the time underpinned by the heaviest of 909 beats !
Enjoy !

Innocent Music presents their 9th vinyl only release called Vinyl Only Tools vol.5! This time our label boss Aney F. invites Giuseppe Cennamo, 12 Tones & F.eht!

MINIM Records gathers a quartet of bumpin' sleek sounds from around the globe for the anticipated 002 VA. 'Stardub' finds Romanian producer Mano Andrei layering ethereal, muted pads over some raw percussives, tight driving kick and body moving bassline, while Montreal gearhead Pheek's 'Glad I Say' mates tech house bounce and sine-wave wubs to a creaky, industrial sonic palette. UK trackslinger TIJN pictures the 'Cosmos' bursting with angular breakbeats and 4/4 subs, as the talented Ukranian producer/dj and Tvir label boss Komponente tweaks percussive tones, punches the kick, and adds a coating of sonic grit on the brain-bending 'Amigdala.'

The next strike!!! Techno-Legend Andre Walter (STIGMATA) and Newcomer Miles Nogic are coming up with a massive follow up on Complexx Music after the bombastic - Japanese Afternoon EP'.
- Silent Hurricane' is a fantastic Techno Bomb on this incredible release, the disco-flavoured Anthem - She´s pervy' completes the great COMPLEXX-Story and includes although two deep and superb remixes of Cocoon - Legend Toni Rios and Label-Head Alex Dior himself.

REPRESSED !! Stranger days are here and the Italian maestro has returned with two new soundtracks for the dance­floor apocalypse.
The world is soon to end, Lory D will be its last man standing.
Early warnings from Ben UFO, Joy Orbison, Kema and Tale of Us.

After delivering the 8th Polybius Trax's release under Myriadd's alias, Craig Stainton strikes again. And this time he does it under the name of Mantra with 4 tracks of jackin', acid house and acid techno.

Besides publishing as Mantra in mythical labels like Bunker, Solar One Music and Abstract Acid, he has done so in Djax-Up-Beats, Crème Organization, Chiwax, Gnosis, Boe Recordings and many more with his other alias and projects: Acid Phreex, Craig Stainton, Monofonix, Myriadd, Modular Men and Nite Vision.

With this EP "The Seventh Seal" (PT009) and with its predecessor in the label "A New Day" (PT008), shows us of his mastery in the art of invoicing dance music under the different strands of acid.

Following a big EP from Richy Ahmed, Play It Say It returns with a talented collaboration in the form of Mark Fanciulli and Rob Cockerton, with Honey Dijon on the remix.
Mark Fanciulli has carved out his own sound that takes the best of House and Techno, turning in his own infectious releases on the likes of Joris Voorn's Rejected, as well as the legendary Planet E and Intec. Long time friend and collaborator Rob Cockerton joins Fanciulli, who's own credits lead to labels including Suara and Snatch!, and together the duo cook up a storm here.
'Slave To The Rave' is the fantastic opening cut and is a real party starter with an old school feel. Acid stabs bring raw energy alongside chattery claps straight from Chicago in the 80's, whilst the whole production is bolstered by slick drum programming that won't fail to work crowds into a frenzy.
The excellent '10 Channels of Bliss' is equally massive, with robust kick drums down low and huge incendiary hi-hats up top. Swaying claps and rolling bass all help lure you in and shape shifting synths bring all that important looseness and colour.
Next up, Classic Music Company artist and New York tastemaker Honey Dijon steps up to remix 'Slave To The Rave'. Her version is dark and intense, with an unbridled sense of frantic raves bottled up in the train-track grooves and the cleverly filtered vocals,This is a powerful EP of high class, high impact dance music.

It obviously had to have a great effect when Kling Klong head honcho Martin Eyerer could convince legendary german producer Patrick Chardronnet (Eve By Day) to spend some common time in the studio. And the result should definitely spank any festival floor this summer.

We present the Decay debut of TIJN including a killer remix from Pezzner. Label boss of In Haus Wax & self titled TIJN Label, both vinyl only outlets, & Digital Label Deep Edition Recordings, UK-born TIJN has been making house records since 2007 as Martijn but more recently as TIJN taking a more direct analog approach in the studio. Recently he has dropped a string of releases on labels such as Overall Music LTD Isgud Records & WORX topping vinyl buzz charts . 2014 saw TIJN start his own eponymous label, with the first vinyl-only 12" release featuring French master Djebali, being played by the Francophone-trio Apollonia also gaining support along the from Tuccillo, Ryan Elliot and DJ W!ld. An ccomplished producer as well as DJ, TIJN has played alongside renowned selectors like Steffi, Jordan Peak, Sossa and Dyed Soundorom, playing his own particular take on house and techno.

Originally initiated due to its 10th anniversary in four parts throughout the year 2015, Kittball Records now continues the limited vinyl series each quarter as a Best of Kittball' special edition reflecting its most successful tracks within the past period. Having the inside tips from January till March on the spotlight, the first edition in 2016 includes originals by Demarzo with a track from his debut EP and P.A.C.O.'s Beatport-charting collaboration with Return of the Jaded on the A-side. The B-side presents Tube & Berger's latest single Set Free' together with Ghost Loft as well as Paji's enormous Venom'.

After the big success of its limited vinyl series starting throughout the year 2015, the annual summary of pearls, masterpieces and top selling releases continues with the Best of Kittball' special edition on black gold, reflecting its most essential tunes within the past period. Having the inside tips from May and June on the spotlight, the second edition of 2016 includes originals by Veerus & Maxie Devine with a track from their Nightmare EP and Simone Vitullo's amazing remix for Yves Murasca's collaboration with Rosario Galati on the A-side. The B-side presents Juliet Sikora's second single A Tribute To House Divas' with King Brain on the label, as well as Matt Smallwood's original version of Keep Pushin'.

After the big success of its limited vinyl series starting throughout the year 2015, the annual summary of pearls, masterpieces and top selling releases continues with the Best of Kittball' special edition on black gold, reflecting its most essential tunes within the past period. Having the inside tips from July to September on the spotlight, the third edition of 2016 includes the title track of P.A.C.O.'s latest collaboration with Return of the Jaded from their Rumble EP and Monte's outstanding remix for Walls' by Purple Disco Machine on the A-side. The B-side presents Tube & Berger vs. Juliet Sikora's rework of Kurd Maverick's classic The Rub' as well as Hanne & Lore's EP title Whatif'.

Following the success of the last Hypergroove V/A, here comes the Chapter 4 with another 4 groovy tracks by DHAZE & SABE - MARCMAN - ALEX TEA and the new Zurich Duo UNIVERSAL SIGNAL MIXER. 4 useful tracks from dusk till dawn!

Repress!

DJ Plant Texture drops his weirdo breakbeat house trilogy 'Lloyd goes To Mars' a warped lo-fi house brain melter. Added jungle and downtempo mixes complete side A. On the flip Simoncino offers up 3 sublime remixes, Acid, Dub and Bonus Beats!

We welcome DMX Krew back to Super Rhythm Trax with another EP crammed with highlights. The EP opens with the stunning 'Grand Tour' sounding frighteningly like a never heard classic from 1989 before the rug is pulled from under your feet and you fall into the menacing stomp of 'Death Blip' which pretty much does what you'd hope. Flip the record for the crafty jack of 'The Wiggly Worm' before the EP concludes with the wistful simplicity of 'Old Groove'. DMX does it again!

First release for the Yaww Limited exclusively in vinyl .
Three tracks similar between eachother (Melantha, Sol y La Tierra, Silos) are characterized by rythms of percussion, drums, bass, voices with tropical melodies that create a harmony of perfect dark club sounds that transmit at the same time a peacefull feeling. "Una Flor" is concentrated on an atmosphere of pianos, guitars and afro rhythms greatly mixed that make this track so fresh and summery.

* Camilo (Muan (Akbal/No.19))
'Very cool mellow tunes for special moments in your set'

* Lancelot (Anjunadeep, Binary Records, W&O Street Tracks)
'sol y la tierra for me thanx '

Marcus Frankowski (Marcus Sur (MBF LTD / Noir / RESOPAL))
'Very cool first release. Like it! Thanks'

Marc Poppcke (Get Physical / Freerange)
'Great stuff. Thanks for sending!'

Shane Johnson (Fish Go Deep, Innervisions, Defected)
'Good, distinctive sound going on here - stripped back but with enough music on to keep it interesting. Una Flor and Tilos standing out on first listen.'

Alexi Delano (H Productions / Visionquest / M_Nus)
'Very nice thank you.'

Thomas Koch (DJ T, Get Physical)
'thank you for the music!'

Gabriel Izarraz (Tenampa Recordings, Sincopat, Suruba)
'Nice Deep stuff that keeps your mind busy as well as your feet.'

Aldrin (One (Singapore))
'Diggin' Una Flor & Melantha. Thanks!'

Matias Zeque (Akbal Music/InfraDigrecords, I Rec, Loco Rec.))
'awesome!! loving the koln & lenkh sound!! thnx :D'

Isaac Tichauer (French Express)
'una Flor is beautiful'

Chris Fortier (Thoughtless / Sullivan Room / Balance)
'i like it. '

Lee Burridge (All Day I Dream)
'sweet release. My favorite is Tilos but all are really cool.'

Speaking Minds (My Favorite Robot, AEON, Cityfox)
'atmospheric beats and nice melodies. thumbs up!'

This summer, the left of centre electronica label Greco-Roman hits its stride and celebrates 10 years of music.
And to celebrate they are reissuing their biggest dance floor records and remixes on a series of Ltd Edition 12's.

The beat has a rich and magnificent history...

Matthew Dear lands on Hot Creations under his Audion moniker. The electrifying Starfucker is remixed by house music veteran Ian Pooley and the notorious young NYC duo The Martinez Brothers.
In true Audion style, Starfucker takes a series of unexpected turns and the groove propelled track is made to shake up big rooms. Audion's second original Need Your Loving is equally intoxicating, with subtle vocals and driving drums. Matthew Dear as Audion is responsible for hit releases such as Suckfish and Mouth To Mouth. At the top of his game for over a decade, the talented artist has also released successful albums under his original name and performed with a live band opening arenas for Depeche Mode, Interpol and more. He also recently released the latest installment of the DJ Kicks compilation and an acclaimed Audion artist album.
Over twenty years into his career and Ian Pooley is still releasing on the biggest and cutting edge labels, with recent appearances on Innervisions, Ovum and Tsuba. He packs the swing into his remix and adds his signature style with a touch of class.
The Martinez Brothers remix is bursting with energy and demonstrates the duo's understanding for how to work the big stage. An unstoppable force, the two have been taking the world by storm with their energetic DJ sets, consistent output of music and running of their labels Cuttin' Headz and Tuskegee.

New 030303 release

What better way to mark the 20th anniversary of Tronic, his forward-thinking label, than creating a new artist album Christian Smith stands out as one of the world's leading exponents of inventive, diverse techno and "Stranger Than Paradise" continues his enthralling, ever-evolving musical journey with aplomb. The fact that Tronic is one of the Top 5 selling techno labels in the world is a mark of a man who stands for nothing less than pure quality.

Having previously released benchmark, critically acclaimed LPs - "Omakase" (2013) and "Director's Cut (2010) - Christian Smith is no stranger to creating supreme, dancefloor orientated albums, that explore and showcase his diverse musical style. Both as a DJ and producer, he is always innovative and bold, a leader not a follower.

Alongside the jaw-dropping excellence of the solo tracks, this new album also features dynamic, inventive collaborations with Wehbba (Christian's great friend and regular collaborator), the New York based house music legend Cevin Fisher, long-time studio collaborator John Selway (of Smith & Selway fame), and Christian's childhood friend and hip-hop artist Arcturus Ra.

DJ Support:


Agoria
Tocadisco (Tocacabana / Toca45)
Brian Cheetham (Global Dance Session)
Felix Da Housecat
Dave Angel
Mauro Picotto (Alchemy)
Luciano (Cadenza)
Stephan Bodzin (Herzblut / Systematic)
Markus Schulz (Global DJ Broadcast)
Anja Scheinder (Mobilee)
Oscar Aguilera (Row14 Monegros)
Gel Abril (Be As One)
DJ Lucas
Markantonio (Analytictrail / Drumcode / MKT)
Joseph Capriati (Drumcode)
Karotte (Karotte's Kitchen)
DJ Steven (Metropolis)
Spartaque (1605 / IAMT / Supreme)
Takkyu Ishino
Arjun Vagale (MakTub Music)
Chris Fortier (Fade)
Richie Hawtin (Minus)
DJ Chus (Chus & Ceballos / Stereo Productions)
Mario Biani (Row14 Monegros)
Pig & Dan (Igor / Cocoon / Soma)
Dubfire (Sci+Tec)
Alex Nemec (Mirablis / Respekt / SOA)
Rick Maia (FACT)
G.PAL (Swift Records) - great 9/10
Gabriele Gilleri (differentgrooves)
Rafa Siles (Barraca / Spain)
Tom Hades (Rhythm Converted)
Filterheadz (MB Elektronics / Intec / 1605)
Anderson Noise (Radio Noise / Noise Music)
DJ Stamina (BO18 / Beirut)
Rob Hes (Bedrock / Toolroom / Sudbeat Music)
Darren Emerson
Tony Dee (Agile / Tronic)
Ian O'Donovan (Bedrock / Tronic / KMS / Connaisseur)
Sian (Octopus, Barcelona)
Sasha - great 8/10 - The Urge / Original Mix
Vertigo Wu (Taipei)
Steve Parry (The Red Zone - Juice 107.6 FM)
Dimitri Nakov (Tronic / emFire)
Marco Lys (Greatstuff)
Luke Hall (Push / Hong Kong)
Macromism (Tronic / SCI+TEC / Break New Soil)
Koen Groeneveld (Absolut)
Hollen (Bitten / Respekt Recordings / Agile Recordings)
Get Synched (Admin)

Rotterdam based producer D-Ribeiro serves you 4 strong club tracks on his 4lux debut. Heavy syncopated & funkafied bizniz!

Please note: Artwork will follow later on.

Influencing the electronic landscape since 2010, Hot Creations has gained notoriety through pioneering a new and unique sound. Also recognised for tirelessly pushing boundaries of house, techno and disco across it's ever growing and innovative catalogue. One hundred releases later, the label is stronger than ever, celebrating with a mammoth EP from co-founder Jamie Jones.
An ultimate summer jam with elevating synth lines, Sound of Music is a cover version, originally released by Nookie and features chart topping artist Katy B on vocals. Kooky Chords is a dance floor bomb, with melodic breakdowns sure to set any dancefloor on fire. Next, Positive Pressure features label favourite Kevin Knapp, deep and gritty, the bassline swings with spacey layers. Last up, Parallel Universe is a deeply infectious chugger with vocal cuts.
'I'm so honoured to be releasing the 100th record on Hot Creations. It's been an incredible journey to reach this point and I can't wait for the next 100. As I opened up with the first release on the label, I thought why not start the next 100 on the same foot.' - Jamie Jones
Co-founded with Lee Foss, Hot Creations was the start of an empire, which went on to include sister labels HOT TRAX and Emerald City. Jamie also runs Paradise at DC10 in Ibiza, standing today as one of the most popular nights on the island, it enjoys a close connection to the label.
Remaining at the forefront of the dance world, Hot Creations continues to break new talent and play host to well established producers. Releases have come from artists such as Patrick Topping, Richy Ahmed, Route 94, wAFF and Roisin Murphy amongst many others including pop group Hot Natured. Critically acclaimed albums by Miguel Campbell, Digitaria, Popof and Phil Kieran have all been highlights on the label. Reaching this impressive milestone, it seems only right that Jamie Jones is the one to deliver the 100th release.

"Berlin based Cocktail d'Amore Music and Ene Tokyo join forces for Greenvision's debut - The Italo-American duo formed by Trent and Juan Ramos. pENE d'Amore Pt.1 is the name of their first 12 inch. This is one of those records that makes you start questioning matters of genre and music construction. Sit back, press play and enjoy this ultra-cosmic adventure. The different rhythm patterns included in Surdinia melt organically with the acid lines, the high UFO whistles and spaceship-like sound effects, exploding into an unexpected and comfortable piano house line, solving the puzzle and leaving you thirsty for more. Meccanica is a slow tempo gem, It combines elements of industrial and Balearic with a touch of submarine-like soundscapes. Ramos and Trent's music-making philosophy is as special as unique. The multitude of elements that compose each track has its own life cycle, its own ecosystem.

Klasse Wrecks label boss' Luca Lozano and Mr. Ho team up for the second in their Visions Of Rhythm series. Following on from the smoked out, trip hop inspired musings on the last EP the duo get busy with Trancey leanings, Deep-Beat and Minimal meltdowns.

UK techno & house veteran Neville Watson makes his I Love Acid debut, after headlining at their tenth anniversary party in London earlier this year. Mark Forshaw with remix duties. These tracks have been getting caned across the UK, Europe and the USA this summer by a list of DJs far too long to mention. This is the real deal, proper acid for the dancefloor. Strictly limited to 303 copies, on hand-stamped & numbered heavyweight 12' vinyl. No digital. No represses.

repressed ! 180g !

The Mekanism's vinyl only label Worx gets it second outing courtesy of TIJN, a Uk born rising star of House Music. His music is straight on point House that has addictive qualities has won vinyl fans over with his recent EPs on his own Haus Wax and 124 Black. Here he offers 3 club cuts plus a jacking remix from House Of Warez of the lead track 9090. House of the highest order.

YOU KNOW FILMS & ATLANTIC FILMS FEATURE LENGTH DOCUMENTARY CHRONICLING THE INCREDIBLE STORY OF THE ROLAND TR-808 DRUM MACHINE

11th release on Going Good, fittingly by XI (Sex Tags Mania, SUED). With earlier releases fetching up to at least 3/4 times original value, XI's work is in demand and this will be only their 4th release since their first in 2009. Quality over quantity being the mantra it would seem.. Plus running labels, putting on parties, producing under various other guises and DJing/performing live around the world also feeding into the size of output.

Die Ausgestaltung der bei übervorsichtigen Zeitgenossen vielleicht einen gewissen Argwohn auslösenden KM013 obliegt dem immer wieder treffsicheren Adam Port. Alle Abergläubischen mögen beruhigt sein: Diese Single ist ein lupenreiner Glücksgriff.
Port zieht alle Register, deutet seinen Percussion-Fetisch an, cuttet die Vocals, dass es eine wahre Freude ist, verstärkt die Snare genau dann, wenn es drauf ankommt und lässt sogar mal ein Surfgitarrenlick aus dem Nichts auftauchen, wenn ihm nach einem extra Quäntchen Coolness zumute ist. Hier werden Soulfulness und Peaktime-Eignung so konsequent verschnürt, dass die angesprochene Suche nach der ganz besonderen Liebe in den nächsten Monat relativ einfach abzuschließen sein dürfte. Nämlich überall dort, wo dieser Joint als eine der denkwürdigsten Nummern des Abends eingesetzt wird.
Die B1 rundet diese Motto-Veröffentlichung inhaltlich bestechend ab, denn mit - I Love You' ist hier das Stück enthalten, das bereits in digitaler Form, erschienen auf Souvenir Music, so manches Herz erobert hat, nun aber auch erstmalig berührt, behutsam aufgelegt und in all seinen knisternden Grooves aufs Physischste angebetet werden kann.

The realisation of KM013 - a catalogue number that might cause suspicion here and there - is up to the always unerring Adam Port. But no need for superstition: this single is indeed a definite lucky pull.
Port is pressing every button here, he's hinting at his percussion-fetish, he's cutting the vocals like a top chef, he's amplifying the snare when it is supposed to give the audience this little extra kick and he's coming up with an unexpected surf-lick, to spice things up with some extra coolness. In 'Someone to Love', soulfulness and peaktime-suitability are melted that consistently, that the addressed search for love will be an easy one within the next months. Love can be found on all the floors, this sureshot will be pumped on.
B1 is rounding up this almost thematic release quite perfectly. It is Port's renowned 'I Love You', that has been winning hearts already in its digital form on Souvenir Music. From now on, it can be even touched, it can be gently put on a turntable and adored in all its physicalness.

The new Complexx Music Label is founded by Good Vibes Club - Head Alex Dior and Techno-Legend André Walter (Stigmata) and comes up with a massive Techno-House Trilogy from the production duo. Japanese Afternoonm is a 3 track EP could very well form a genre of their own. "Disco Geisha" and "Atomic Dance", combined with a special form of modern house & oldskool disco elements , are their special form of massive dancefloor anthems. "Japanese Afternoon" is dark, atmospheric and a rolling dancefloor killer !!

The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions, The compasses, to circumscribe and keep us within bounds with all mankind". However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.

A bass note blasts out
Joyous low end frequencies
The dance floor erupts.

TAT001's euphoric dance-inducing rhythms and spleen-squeezing bass will set the tone for Trippy Ass Technologies' sound. Christian Martin draws from over twenty years of experience on both sides of the speakers as a producer as well as a music fanatic, and these new tracks have been thoroughly road tested on some of the best sound systems in North America. Collaborations with luminaries Chris Lorenzo and Mark Starr are also included.

What first attracted me to electronic music was the way it sounded over huge speaker stacks. The way its kicks, basslines, & synthesis would pulse through the air & ground, especially outside. Trippy Ass Technologies exists to honor the tradition of giant soundsystems, and the tangible positive changes that they can create.' -Christian Martin