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Collecting orders for repress

Sophisticated deep and athmospheric techno by Les Enfants Terribles. An extra fine release number one to start this fresh venture by Dutch dj/producer JP Enfant, who previously released on Don Williams's a.r.t.less label. These terrible kids all ready made name in their local scene and are now ready to step over the border. Tip!
Luke Hess (DeepLabs, FXHE, Planet-E):
"full support!"
Kirk Degiorgio (ART):
"Dreaming Backwards - nice."
Truncate/Audio Injection (Truncate):
"Yeah these are cool... Dreaming Backwards real dope"
Marcelus (Singular):
"i love subconscious leverage, exelent stuff for me! thank you very much!!"
AnD (Horizontal Ground / Inner Surface Music):
"subconcious leverage is the one!"
Palace (Unknown To The Unknown, Hot Haus Recs):
"all great traxx"
Kabale Und Liebe (Soweso Records):
"congrats on the first release guys! subliminal message... is my favourite here, but all three tracks are dope!"
J. Tijn (Pennyroyal):
"Last track is the shit!"
Gingy (Clone):
"All are great. Subconscious leverage is my fave."
Basic Soul Unit:
"Feeling Subconscious Leverage."
Tommy Four Seven:
"Subconscious Leverage!"
Mosca (Ann Aimee, Not So Much, Prime Numbers):
"Subconscious Leverage has a great atmosphere, like being in some dialled-the-wrong-number' purgatory"
Rødhåd (Dystopian):
"great tracks jp. i like all of them for different times in the night. happy first LET!"
Truss / MPIA3 (Avian):
"Subconscious Leverage is ace."
MaSpaventi (MaSpaventi):
"Nice and smooth EP, support!"
alex cortex:
"i really like subconscious leverage."
Markus Suckut (SCKT):
"i am into Subliminal Message Of Fear"
Dan Curtin (Metamorphic):
"nice dark spacy sci fi atmosphere, diggin this one.."
Marco Zenker (Ilian Tape):
"sounds nice!"
Maarten Mittendorf (Indigo Aera):
"Superb Stuff JP :) full support!"
Bleak (Skudge / Delsin):
"Serious stuff! Dreaming Backwards is the one."
Dimi Angélis (A&S, ANGLS, Traut Muzik) (Dimi Angélis):
"Nice one JP! Subconscious Leverage is the one for me!"
James Priestley (secretsundaze):
"Dreaming Backwards sounding great... good work JP!"
Vince Watson (Bedrock / Cocoon / Ovum / Planet E / Poker Flat / Yoruba):
"Dreaming Backwards is the ones for me. sweet."
Najem Sworb (Clone, Ai):
"Subconcious level is a beautiful advanced track, I also like Subliminal Message Of Fear is funky and reaches some kind of balance between deepness and tension."
Eric Cloutier (The Bunker NY TANSTAAFL):
"my man!!!! slamming it!!! "subliminal message of fear" is the bomb on this one, but the whole package is flawless. :)"
Volte-Face (Bleed Music):
"I'm considering relocating to The Netherlands. There's something in the air over there!"
Angel Molina (Sonar Music):
"promsing new label! feeling the 3 tracks on here, but especially into 'Subconscious Leverage' (the most) and 'Dreaming Backwards'. Thanks a lot!"
Paul Mac (Stimulus Records):"Not a bad 001 at all liking Subconscious Leverage the most on first listen"
John Osborn (Tanstaafl Records):
"Dooope 1st release!"
Slam (Soma Records):
"moody and dark electronica - thanx"
Karim Sahraoui (Transmat/Cocoon/Mirakles):
"Nice production I'll try it for sure."
Dario Zenker (Ilian Tape):
"sounds like dope record!"

Following on from 2014's 'Hantasive' LP on Opal Tapes, Kaumwald have returned with a new suite of totally bugged out improv techno and electroacoustic burn out's entitled "Rapa Nui Clan"... They're a hard act to define, unifying the tabletop thrift attack of AMM or early Wolf Eyes against bold modular driven beats rich with crust. The albums title and tracks speak toward a sense of new discovery, voyaging and exploring. The duo's machines interlace this time with more pronounced vocals often rendered in absurd pitches or drawn out into oblivious texture. Tracks like 'Leil' and 'Minorque' request you to strap in as almost painful sound is slapped down over chunky 4/4. Opener 'Ortolan' and closer 'Albert Le Thouet' are lighter and more playful but overall it's a heavier and much denser affair than previous outings and all the better for it. As with any voyage there is a wealth of information to process, this is the sound of information frying in the pan as the ship readjusts it's course.

Alex Warren, AKA Kiwi, debuts on Futureboogie for the label's closing release of the year. With previous releases on labels like Optimo Music, Blasé Boys Club and Sneaky Music, the versatile producer serves up four tracks of deep and driving underground goodies. The London based producer/DJ has genre hopped with ease over the last few years, building up an impressive arsenal of productions and remixes. He has been called upon to reshape for artists like The Klaxons, Duke Dumont and Bonar Bradberry, and his music has been warmly received and supported by Andrew Weatherall, Daniel Avery, Erol Alkan and many more. On his Futureboogie release, Kiwi blends energetic Italo styles on lead track 'Orca', whilst 'Minke' fuses gnarly technoid house with deft melodies and soft touches. The spatial synths of 'Logman's Break' create a highly infectious earworm of a track and the brass melodies freestyle over a sturdy production, whilst the closing 'Pygmy' gets spaced out with tweaking acid bass and moon stomping beats.

MIKE WALL has become a regular guest at the our club, the Suicide Circus, and this is for a reason. His sets are banging, and so are his productions.
When Rain Falls on A1 is a techno monster with a DAF-influenced bassline ripping it. The Black Chamber on A2 comes along as a dark and spooky tune with lots of playful sounds in it.
On the B-side The Black Chamber is being turned into a superfunctional and effective dancefloor weapon by SAMUEL L. SESSION in his remix.

For the eleventh release on Caduceus, Myles Sergé has provided us with three original tracks along with a remix from prolific Argentine producer Jonas Kopp.
As a self professed reclusive perfectionist, and owner of the Suare Music Group which is home to his imprints RE(FORM), Space, (MS), and Dosed Recordings, Myles Sergé has firmly established himself as a DJ, musician and recording artist.
Myles has a haunting production style, which can be heard in his own releases as well as those from his other alias, Sergio MF Valente, and in collaboration with other artists as PNM and One Peoples. Bright hats and deep stabs echo throughout opener "G", building a percussive groove that builds slowly before culminating towards the end with a dirty aggressive lead taking over and taking the track to it's peak time limits.
Title track 'Reeds Lake" is a more subdued affair with metallic percussion and spaced out pads meandering in and out as the track takes us on a journey of old school sounds that is easy to get lost in. On the flip, "Memories Of Dismay" slows it down once more, with organic bell noises floating ominously over deep bass notes and an array of hats.Blissful chords add to the natural feel of the track, complimenting the bells and synths beautifully.
Jonas Kopp finishes off the release with a rolling remix of "Reeds Lake". Kopp adds an acid bassline and a hypnotic lead to the spaced out pads of Myles, taking "Reeds Lake" to the higher echelons of the dance floor.

For our first limited edition on Showreel (SR001X), we want something special and we are proud to present our new artist: Plusculaar. This new release has only two special tracks, but has awesome groove and amazing sounds. Two strong tracks that surely will fit perfect on your music style, club-sets or podcast.

Truesoul Records are proud to announce the release of 'Let Your Soul Outside', the debut album from Reset Robot in April 2014.

Behind the Reset Robot project is Dave Robertson, a producer who has released standout singles on labels like Dogmatik, Intacto and Adam Beyer's Truesoul imprint over the past 5 years. Now he steps up with his debut album, the stunning 'Let Your Soul Outside'.

The LP was written at Reset Robot's home studio in Portsmouth and is an album of fascinating textures inspired by "all the music I listen to and love!" says the producer himself. "I've wanted to do this for a long time and all of a sudden I had 8 or 9 tracks together which were a little bit different. I added a few more and asked a close friend, Tom Powell from Mister Woo, to add vocals to a couple of them and it was ready."

The result is a full length that touches on many different moods and emotions, starting with the melodically soothing tech funk of 'Guitar Man'. Tracks like 'Little Alice' then pick up the momentum thanks to slick beats and crisp percussion and 'Sizzler' introduces a soulful vocal element over more tortured sounding, synth-laden grooves.

It's not all full on dancefloor material though, with tracks like 'Desi Beats' it allows you a little time to breath thanks to their more widescreen and laidback vibe, whilst 'Sausage' strikes a truly emotive pose that has your thoughts turning inwards.

With this album Reset Robot proves both his range and his dexterity - no two tracks sound the same, and instead the Portsmouth producer explores every nook and cranny with a fine attention to detail that really makes the whole thing sing. 'Let Your Soul Outside' is a stellar achievement.

Skirting the bleeding edge of American dance music, proving without a doubt that he's mastered his own minimal sound. Lean, hypnotic, & syncopated, & dedicated to 2 parties he played in Ohio in '15, In Training (Cleveland) & Midwest Fresh (Columbus).

Shcaa joins Grow label with a record of eerie atmosphere and mercurial mood, completed by an extended Denis Kaznacheev remix.

Despite his artist name and his trademark sound, Steve Murphy does not come from Chicago, but from Mira, a little town on the suburban area of Venice.

Steve has been djing since 2001, and in the past years has been rocking almost every club in his region. He is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal.

Steve has produced together with Die Roh an album ("The Chasm") and one e.p ("Windy City") on Chiwax, and a solo 10" ("Planet Earth") on Rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic Warehouse sounds.

In 2012 he has started the Riviera project and has founded the Muscle Records label, together with Lucretio, Dj Octopus, Caio, Madì Grein and Chevel. The label is a facility to spread what has been called "the sound of Brenta": a raw, nasty, machines powered clash of house and techno. In 2012 he also released "The Dove Ultimatum" on Vae Victis Records, under the moniker of Durant: an unfriendly 12" of distorted electro and funky acid beats produced with Die Roh and Lucretio.

4 tracks of spaced-out, moody, atmospheric, Detroit-techno-style tracks. "Verged", originally released on Aesthetic Audio (Detroit) gets a remix by Tang's alter ego, Obsolete Music Technology after being dropped in OMT's live set in the past year.

Argo Repress !

Chicago-based producer's most fully realized work to date, weaving live orchestration & irresistible synth lines through tough percussive frames. A great leap forward from the sample-clad disco house of her previous records.

Church Volumess 002 ft. DJ Aakmael, Aquarium, Laurence Guy & Debukas.

Castanea Records present its second release by Andrey Zots.
This vinyl includes 1 track for each side: "Into Oblivion" on side A and "Into Oblivion" Verrina & Ventura remix on side B.
Vinyl only

Tobus Limited X are proud to present a fabulous third vinyl. «What I Like EP» from ICS and Sammy W & Alex E, setting things up nicely for your dance floor workouts. Including slamming remix by Medeew & Chicks Luv Us stepping things up a gear with a bass driven tech vibe.

Marvin Zeyss is back with the 3rd issue on his own imprint. Again featuring 4 exclusive cuts. Be fast - vinyl only & gone when it's gone...

ME & her are back featuring Billie Fountains vocals with their new Lost EP'. The title
track, highlighted by wavy sounds combined with shakers and rainy percussion, turns
into a sphere of late-released Bass and a melodic-melancholic vocal that takes the
soul down to dusty places. Lost while dancing.

The B-side April , is a more upbeat instrumental, featuring energetic chords on top
of a techhouse groove.

Finally, Nakadia, possibly Asia's most beloved underground DJ, reworks Lost in a
progressive way, adding a taste of digital and plugged synthesizers, building a darker
sound-gate.

Co Written & produced by ME & her (Jen & Phuong) at Wired Studios UK / Mix by
Wired Studios UK.

vinyl only, limited copies

sale sale sale !!

It's time for sicilian power. Paul Ursin presents his Universe EP" on OFFSPIN032.

Title track Universe is covered by warm & drive-bass, percussion synths and a
wavy mainlead that hijacks the mind to deeper places.

Still waters run deep as Explorazione starts with strict but area-wide beats and turns
into an
Interaction of arpeggiated synths and powerful bass.

Followed by the last track Passage feat. Afterwards", whose sweet reverb-heavy
vocals glide through the Bassment , the EP constantly keeps up the danceable tech-
house elements.Definitely a flowing continuity of quality sounds.

After releasing three EP's in 2014 to great feedbacks such as 'standing up house music label', this January 2015 'Sound Of Vast' is about to hit its 4th release with an even greater selection and range of house music.
This new EP has a very unique sound, which is the result of Sierra Sam and Pascal Hetzel - two of Berlins most talented music producers - collaborating to make something a bit
different from their usual style. They 'wanted to make something dirty but organic'.

Both tracks 'Antennae' and 'Wild Things' could be described as very much acidic and raw. Their well built-up drum machine skills are perfectly combined with dirty and heavy acid synth sounds. Emotional melodies which emerge during the middle of the tracks make them even more exciting and involving. Truly the babies of passion and experimentation.

The third track, 'Fiction 2015', is a more typical 'Sound Of vast' style of track, that can deliver the right mood on the dance floor with solid drum beats and a futuristic synth,
combining the soul of old and new.

Tino Venditti is back on Metropolitan with a huge track! After the good feedbacks of "Let The Music Take Control" and "Against The War", he presents a new single from the sound of his "One Night" called Bassa Frequenza! The Original is a funky bomb with massive sinth and quality vocal, while on A2 we can listen the great work of a great new entry: Dayne S from Off Recordings, Noir and Suara! On B1 there is a remix by Mattei & Omich for a tech-floor, while on B2 Metropolitan is proud to present the second new entry: James Vorres from Sccucci Manucci ------> 100% Uk Garage Sounds! Limited Copies!

supported by: Marco Carola, Joseph Capriati, Simina Grigoriu, James Silk, Anna Ibiza Global Radio, Cari Lekebusch, Dj Simi, Alessio Collina, Roberto Palmero, Flavia Lazzarini, Varen, BUSHWACKA!, Fog, Horatio, Puce, Benna Schneider, Mirco Violi, Tomika, Benji Candelario, Josue Sousa (Pacha/Buddha-Bar/Mjuzieek/Perception-Music), Leo Aguiar and many more...

Terminal M doesn't seem to get enough off Italian artists at the moment. For our winter release we found 4 great tracks from Uakoz and Alex Lentini (Flash/Elevate Records)which are remixed by Drumcode artist Dubspeeka from Bristol to keep the balance right between southern and northern europe.

1 per customer, 180g, vinyl only

A key artist in the shaping of electronic music, Dan Curtin has explored many styles in his career and now he has come full circle. The hardware repopulates the studio, bringing with it the inventive, organic techno sound he is most fondly known for, this time with a modern twist. These tracks take you to the heart of the man and are some of his best work.

As the summer comes to a close, ItaloJohnson releases its fourth release thereby urging party people to get in the dancing swing once again.
On the long recorded side, you'll find a progressive house track that can be hardly surpassed in any type in its directness. An unfussy arrangement, a straight oppressive subject and a low flying breakdown compose the A-stamped side.

After the deranged chamber-edits of 'Vienna' for Where To Now, U returns to the well-trodden path between flattery and irreverence in dance music with a special edition 2-track 12" for Phantasy Sound.Friendly Ghost' enters with a splay of combat-bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu-wave perpetual motion, inevitably spiraling back on itself into a clattering reversal.On the flip 'Ascension Hymn' rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self-fulfilment over this blunted hardcore epic spanning 13 minutes.Pressed to heavyweight vinyl, designed and printed by the artist in an edition of 300ish.

Tokabeatz is back with Part 2 of Sampler 2015 !

Tokabeatz is back with Part 1 of Sampler 2015 !

Barker & Baumecker take Turns from techno, bass, breaks, and experimental terrain with their second album on Ostgut Ton.
Sam Barker and Andreas Baumecker's lives have always revolved around different kinds of music. That's partly why their productions as Barker & Baumecker are more unpredictable, harder to pin down than what you might expect from a label borne out of a techno club. And while their music is clearly built for dancing, listening to it reveals a deep love and respect for many forms of electronic music - bonding over more experimental dance forms is what brought them together in the first place. Imagining their music at any decent club, but disrupting the flow on the floor is what brings us to their second album Turns. An amalgamation of their unique musical minds, transcending electronic music genres and styles, while further developing and refining the Barker & Baumecker sound aesthetic.
Barker & Baumecker first met via their day jobs back in 2008, when the former was a booking agent and the latter was the booker for Berghain. Baumecker was instrumental in encouraging Barker and his colleagues at LittleBig booking agency to start Leisure System - first a party and now also a record label championing irregular dance music. Shortly after, their friendship - sparked by a kinship in musical curiosity - became a partnership in production. Now, with two EPs, an album, and almost 20 remixes under their belts, Barker & Baumecker continue to steadily explore and reshape their shared electronic musical interests, especially in techno, bass, breaks, and experimental terrain.
Baumecker's been a clubber pretty much from day one in his hometown of Frankfurt am Main. As he recalls, Frankfurt has a really good history in club music. There was a party series called Techno Club at the No Name venue, which began in 1984. It was an American gay club, basically. It was super tiny, but really happening. I went there for the first time in '86 when I was 18.' As the DJ nd_baumecker, he cut his teeth in the '90s playing house at Wild Pitch Club - an early party thrown by Playhouse/Robert Johnson founder Ata and Heiko MSO - and left-field techno, electro, and Warp-influenced sounds in Mannheim with Move D and D-Man. A regular guest at Berghain's predecessor club, Ostgut, he moved to Berlin in 2004 after an invitation to become a resident at the newly opened Panorama Bar inside Berghain. 12 years later, he's still a resident there, as well as a frequent DJ flyer worldwide.
Barker started out as a producer in Brighton's tight-knit experimental community, where, as he explains, it was an open-minded scene. Music as a platform for self-expression and originality were really the only judgment markers. Authenticity is Barker & Baumecker take Turns from techno, bass, breaks, and experimental terrain with their second album on Ostgut Ton.
Sam Barker and Andreas Baumecker's lives have always revolved around different kinds of music. That's partly why their productions as Barker & Baumecker are more unpredictable, harder to pin down than what you might expect from a label borne out of a techno club. And while their music is clearly built for dancing, listening to it reveals a deep love and respect for many forms of electronic music - bonding over more experimental dance forms is what brought them together in the first place. Imagining their music at any decent club, but disrupting the flow on the floor is what brings us to their second album Turns. An amalgamation of their unique musical minds, transcending electronic music genres and styles, while further developing and refining the Barker & Baumecker sound aesthetic.
Barker & Baumecker first met via their day jobs back in 2008, when the former was a booking agent and the latter was the booker for Berghain. Baumecker was instrumental in encouraging Barker and his colleagues at LittleBig booking agency to start Leisure System - first a party and now also a record label championing irregular dance music. Shortly after, their friendship - sparked by a kinship in musical curiosity - became a partnership in production. Now, with two EPs, an album, and almost 20 remixes under their belts, Barker & Baumecker continue to steadily explore and reshape their shared electronic musical interests, especially in techno, bass, breaks, and experimental terrain.
Baumecker's been a clubber pretty much from day one in his hometown of Frankfurt am Main. As he recalls, "Frankfurt has a really good history in club music. There was a party series called Techno Club at the No Name venue, which began in 1984. It was an American gay club, basically. It was super tiny, but really happening. I went there for the first time in '86 when I was 18." As the DJ nd_baumecker, he cut his teeth in the '90s playing house at Wild Pitch Club - an early party thrown by Playhouse/Robert Johnson founder Ata and Heiko MSO - and left-field techno, electro, and Warp-influenced sounds in Mannheim with Move D and D-Man. A regular guest at Berghain's predecessor club, Ostgut, he moved to Berlin in 2004 after an invitation to become a resident at the newly opened Panorama Bar inside Berghain. 12 years later, he's still a resident there, as well as a frequent DJ flyer worldwide.
Barker started out as a producer in Brighton's tight-knit experimental community, where, as he explains, "it was an open-minded scene. Music as a platform for self-expression and originality were really the only judgment markers. Authenticity is what we were looking for in those parties." But his move to Berlin in 2007, as part of the LittleBig team, and his subsequent exploration of DJ culture offered a new dimension to his musical philosophy: "The skill of DJing was something I had a lot of pleasure learning about. I was trainspotting DJs for the first few years. Music as a more communicative tool, this kind of, 'hey, let's all find a common ground,' - as opposed to, 'you can understand me or not, I don't care,' - didn't really make sense to me before Berlin."
While Baumecker had always thought of himself as a DJ, it was right around the time he met Barker that he bought his first synth from then-Ostgut Ton label manager Nick Höppner. "But then it went really fast," he explains, I bought a lot of stuff in a really short amount of time." With Baumecker having caught the bug, Barker readily admits that they're both hardware lovers heavily into technology and machinery. But while they own some classics, "most of the studio is under five years old." As Andreas reveals, they "want to create a new sound, and with the old machines it's been done." If you peek into the small studio they share with Höppner, there's a huge collection of synths, drum machines and all manner of gear. While Baumecker now has an impressive collection of Moog effects boxes, Barker has brought in several racks of modular synths.
While their usual aim is only to have fun and escape from "real life," they will admit to a theme or two. Talking about the title of the album, Barker explains, "the two of us have had quite a lot of ups and downs since the last record, and when you're in a collaboration where you only work together in real-time, in person, both people need to be in the right frame of mind." Baumecker adds, "Turns also had something to do with the tracks - almost every one turns towards the middle." The album also turns on the middle track of seven, a short interlude called "Technogate". "It's actually (the sound) of the gate right by our studio," Barker divulges.
But "Technogate" wasn't the only inspiration for Turns. "The title "Turnhalle" is German for a gymnasium or a sports hall," Barker explains about the album's fifth track. "And we are referring to Berghain," Baumecker notes wryly. Barker continues: "We checked every track out in the club, but "Turnhalle" we recorded playing back through the Berghain soundsystem. During the first two minutes, we tried to recreate the effect of ascending the staircase into the club." And while none of the tracks on Turns are merely functional, Barker & Baumecker do, of course, envision them in the club. "It's what I wish people would play at a certain time on Mornday morning, or sometime in the afternoon on Sunday," Baumecker explains. "There are certain periods in Berghain where I think it's really necessary to bring people down again and not keep them on the same vibe for six hours. I think something like this would interrupt that, and you can move on from there again." Tracks that mark a turn in a set, then.
There's nothing typical about any of these tracks, but they each share a clean aesthetic and sound palette with a sense of depth and compositional purpose. The ambient intro of album opener "Senden" morphs into a Reichian flow. "Encipher & Decipher"'s low-end drums weigh down dreamily melodic synths. "Club Entropicana" reduces rhythm and sound to machine signals, akin to Raster-Noton's starkness. Both "Turnhalle" and "Nocturnal" incorporate trance euphoria with breakbeats but in different ways, while closer "Statik" has a deliciously slippery garage pulse guiding it through a journey towards house bliss. You never know where they'll draw from next, but Turns feels like Barker & Baumecker are expanding and refining their own musical dialect. Like most of the music they're both drawn to, it's thoughtful, rich, and ever evolving - but always and completely committed to the club.

Saline is the third installment in a series of records from Ultramajic boss Jimmy Edgar. Features a track with legendary footwork producer DJ Rashad.

Saline is the third installment in a series of records from Ultramajic boss Jimmy Edgar. While the first part, Hot Inside, represented the element of fire, and its follow-up release, Mercurio, symbolized water, Saline is aligned with earth. It's no accident that the name refers specifically to the earthly compound salt, as desalination is an integral metaphysical process that helps to hone the third eye.

The EP rises from the ashes of Hot Inside and Mercurio with "Burn," a blazing acid-tinged banger that boats dry drums and a strangled wail. The reference to fire in the title suggests the evolution of Edgar's series of singles, while the name of the track "Decalcify" invokes a process closely related to desalination, as both play a role in making the body more attuned to supernatural experiences. Ultramajic's Chicago house influence enticed legendary footwork producer DJ Rashad, who's voice can be heard in the sampled squawk on metallic tune "Walk Show." The final track "Who's Watching," features Jimmy's own vocal, coy bleep-bloop instrumentation and hissing hi-hats. Taken as a whole, Saline and the other releases in Jimmy's series of dance singles are designed to instigate the processes they allude to and aid in the path of spiritual development.

SAY WHAT Josh Butler returns for his solo this time with don Hauswerks!
UK invasion once again on Material with a legendary EP! TIP!

Diynamic's sister label 2DIY4 is delighted to add a talented new artist to the ranks in the form of Lehar, their latest addition to the artist roster. He serves up one great original that is accompanied by two on point remixes from Musumeci and Peter Pardeike to complete a tidy package. Italian Lehar makes music that is romantic and carefully composed. He has a sublime sense of mood and groove and has released twice on Offenbach imprint Connaisseur Recordings. Here he serves up more slick bass and intriguing melodies and continues to turn heads as a result.
His original track 'Number One Hero' is truly emotive, with delicate synth melodies and warm, lush chords adding heartfelt vibes to the punchy drums. Dreamy vocals drift up top and lend the whole thing a sense of forlorn emotion that doesn't come along too often in dance music. This beautiful track is sure to make for some magical moments whenever it is played.
The first remix from Italian pal Musumeci, who runs his own Engrave LTD label and gets support from Dixon and Ame amongst others, is much more stripped back and reworks the track into a broody, rubbery, fulsome house cut for backrooms and late night hours. It is a real spine tingler before Peter Pardeike (a Cologne based producer and live act who has often worked with Marcus Worgull) goes just as deep. His angelic pads add a sense of elegance to the groove as it rolls on and on. When the tender vocals come in, it truly sets the track off and marks another fine release for 2DIY4.

When your feet just won't stop twitching,
When you're brain feels bubbly itching,
When dreams and fantasies come true,
Then it's clear: The Stormworm got you!

For our Seventieth release have the pleasure to welcome three creative forces from different wakes of life; Italian duo Proudly People & veteran Chicago native Halo Varga who conduct two sapient groovers - with the title track GrandFather Clock unmistakable voice of New York's Mr V. One Records Adam Shelton and Frankfurt's Einzelkind along with the help of Randy Fox and Robin Scholz opt for a housier foundation on the two remixes, leaving the sheen on V's iconic word-smithing.

Run your everyday marathon with the new Rubini's creation: from the frantic streets of Tokyo to the illusory stillness of Paraná's riverside. If you can't get physical, treat yourself with a sonic race.

Deep and moody House excursions.