House Vinyl New Releases - News

New single from Studio 6 on Lobster Boy Records. Two brand new tracks. Mastered At Metropolis

We are happy to be announcing a new series of 12's under the - Uzuri The Wilderness Sessions banner . The wilderness sessions will represent all things leftfield , whilst regular Uzuri releases will be strictly high quality dancefloor orientated , the wilderness sessions , will meander into all different directions , whether it be ambient cuts , jazzy cuts e.t.c. music that works on the dancefloor as well as your home or car stereo . Our 1st signings under this banner are Stump Valley .
Stump Valley stormed into our consciousness when they 1st connected with us on Facebook . we were immediately taken in by the skills they were displaying .
we were not the only ones clearly impressed . Off Minor , Jordan Czamanski, that of Juju & Jordash and Magic Mountain High fame signed them . soon followed by Rush Hour .
Needless to say the proof is in the Music . Enjoy !!

Unblock label boss Tuccillo strikes again with another solid release with the EP Black Talk. This is the 5th release on this respected vinyl only imprint that has previously showcased talent such as Tomoki Tamura and Djebali but this time, comes from Tuccillo himself with his unmistakable signature sound.
Headlining track "Black Talk" has a great rolling baseline with plenty of swing with some subtle vocal snippets thrown in here and there."Ride on" has a tougher edge with some old school flavours driven by a rhythmic snare with lots of energy perfect for the height of club DJ set Shopwork offers a more percussive sound over an infectious warm chunky groove, again with some cool short reggae influenced vocal snippets. A timeless release that can stay in the box.

Keith Worthy The Price of Non-Conformance Long established Detroit talent Keith Worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, The Price of Non-Conformance. T.P.O.N.C. is a conceptual project that takes you on a virtual walk through the streets of Detroit. From a musical standpoint, the sound and feel of T.P.O.N.C. aligns with Worthy's own DNA, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition.

Enter 2016 - Fresh out of the Midwest Keith Worthy (Detroit), Jamal Moss aka Hieroglyphic Being (Chicago), and Steven Tang (Chicago) bringing some of that notorious Midwest D.N.A. on this deep acid banger! This limited quantity release is sure to be a collectors classic!

Stallone the Reducer's debut release on EST. 83 Records, a division of the FIT SOUND label. Stallone has been kickin' around in various guises and outfits for a generation (Tamion 12 Inch, Adult., Bad Thoughts) always delivering a distinctly anarchic take on synthesizer and drum machine composition. The EP opens with "Drug Pusher"- system shredding bass unevenly paired with 808 gravity that comes on like Young Boys Inc. taking the lead in a slasher flick. You're already dead before the dinky disco arpeggio lends a hand to squeeze. "Cop Gets Off" - a double sided protest sign. It says fuck you' but it says fuck me' too. On the flip, you better call shotgun before you "Do The Seatbelt!", and other crazes for well behaved kiddos. Non-triggering guaranteed. Rounding out the legalese suite is "Trade Show" - a slinky cauldron of brzap and flower power - sounding just like candy hiding in the electrical socket that you'll happily lure out with yr tongue.

2x12" Best of STYLE ROCKETS!

big with: Andrew Grant, Brothers' Vibe, Damian Lazarus, Maya Jane Coles, Mr G, Tensnake, Huxley , Terry Farley,.. The Holic Trax label has released a wealth of well-formed house and techno from the likes of Mr.G, Rick Wade and Tuccillo before now, and on April 30th the label offers up its second compilation. Put together by label boss Tomoki Tamura, the selection features a
range of artists old and new and will be released on two slabs of vinyl as well as digitally, with an extra bonus track. Tomoki is probably one of the most successful Japanese DJs in the world having held down residencies at places like The End as well as running his own Holic events, and now proves he also has a
great ear for A&R with the tracks he pulls together here. First up is MÔME aka Bertrand Lacroix, a big collector of phonographs who owns a lot of 78RPM American Jazz records. His 'The Good The Big The Bad' is firmly rooted to the ground with its big air kicks and grinding drums.

Material goes to the next level with the exclusive vinyl release. the XXX Series started with vinyl only releases - TOP for part1

After the success of Aboutface's debut EP on Amirali's Dark Matters Imprint in October of 2015, Aboutface performed his project 'Vaga' the River Wye as a metaphorical representation of the journey of humanity, live at Freerotation (2016), the performance was also broadcast on NTS Radio on 16/7/16. Following this mesmerising and exploratory project, the young London based composer and DJ returns with a new release. 'In The Tepid Shine We Breathe' is due out on the 19th of September.

The three track EP opens with 'In The Tepid Shine We Breathe feat. Darker', Aboutface's subtle skill imbues his work with a stillness and precision even when blending analogue forms of media 'such as 1/4" tape, Cassettes and VHS as a part of the sonic palette,' he is able to create additional depth in his music. Darker aka Jenna Whelan's Vocals gently break the tumbling elements with an airy beauty.

'There Must Be Chaos Within You To Give Birth To A Dancing Star', the second track on the EP showcases Aboutface's use of field recordings, light rain spatters the ground as a warbling synth line gradually becomes bolder. Eventually this is joined by a simple drum pattern, somehow managing to maintain the eery melancholia Aboutface is so adept at creating.

Redshape steps up for a remix of the title track. He highlights the vocal sample before rearranging the drums into a punchier and more streamlined rhythm. The track morphs into a dance floor heater, perfectly complimenting the slower pace of the originals with a faster and straightforward approach.

"made of CONCRETE" release number 11 sees a joint effort from Danny Kotz and Avi Caspi in the form of an incursion into the deep end of spacious techno.
"Reject" unfolds steadily, as spatial loops intertwine with piercing zippy synths. The laid back melodic outline is aptly layered with sombre French vocals by Laurie Eve Jasmine de Larohe which giving the track a mysterious yet groovy appeal.
Starting off with a subdued bassline, "Canopy" follows a slowly ascending groove, as progressive synths and wavy hooks further the track into deep tech territory.
For the B side, Myles Sergé swiftly jumps in on the "Reject" remix, stripping down its embellishing elements and shifting focus towards the bassline. What ensues is a compact backdrop where the bass and percussion take the lead, resulting in an intensely danceable reinterpretation of the original.
Stepping away from the murky ambiance present in previous tracks, "Karat" boosts a slightly more vivacious range of harmonics. Energetic synths set a peppy, 70s-reminiscing mood, while the melody keeps the cut anchored into present day electronica.

Duplex goes DIY. Dark techno track from a live jam as a first to get their label started. Comes with Alden Tyrell remix on the flip.

As an export of one of the fastest rising electronic hotbeds in the UK, established Belfast DJ and producer Jordan is developing his eponymous night into a brand new label for 2016. Featuring on point and house and techno from the man himself, Nocturne will also call upon plenty of high profile remixers and really aims to keep the spotlight on the exciting Northern Irish scene.

Nocturne, which started out as an illicit afterhours gathering and has also spawned a weekly Saturday offshoot, The Night Institute, is a party that is very much setting the local agenda and as such has gotten plenty of kudos thanks to tasteful bookings like Roman Flugel, Session Victim and Gerd Janson.

After the success of the parties, the logical next step is to develop the brand into an outlet for quality club beats. The man behind it all is Jordan McCuaig, someone who has impressed with releases on Luke Solomon's Classic Music Company, Extended Play and Made Fresh Daily. Like his home city, he is very much a star on the rise, as this first new EP on his own label proves.

Expert opener 'Killing Mockingbirds' is a jostling, busy cut with warm and dubby drums, loose claps and a fat bass line that rips right through the middle. It's fresh and inviting and has some well sculpted synths to add colour and heat. On remix duties first is Borrowed Identity, one of the breakout stars of recent times who releases on DVS1's Mistress label and the infamous Ostgut Ton. His take on the original is expressive indeed, and the result is a peak time cut with hulking drums, catch chords and knotted bass riffs that really get you going.

Next, 'The Block' is a classically inclined house cut with a wild and rich bassline spraying about between pinging kick drums, spangled synths and explosive snares and is a truly dynamic workout that will make every dance floor jack. The last of the originals is 'Strung Out', and it has rinsing breakbeats, wild, pitchbending tones and a dark jungle energy that makes it perfect for freakier late night sessions.

This one gets remixed in style by Adesse Versions, the acclaimed British techno talent who runs his own label and relates his killer wares on others like Numbers and Local Talk. In his hands it is an expansive, tough house groove with punchy kicks and perfectly smeared synths bringing a great sense of soul to the table.This is the start of a sure to be exciting new label that pays homage to its local roots as well as to Jordan's own well informed dance music understanding. As such, you should waste no time in getting behind it.

Essential double-cd compilation collecting all 12" releases on A Made Up Sound's self-titled label (2009-2016) on the cd/album format for the first time. Completely remastered and featuring 3 new, previously unreleased tracks, ahead of the label's imminent final release AMS009. Comes in a deluxe gatefold sleeve w/ silver print on matte black cardboard and includes an 18" foldout poster featuring the full vinyl series' distinct label artwork by Lamanchanegra.

Temple's second release brings elastic, break-y energy to the floor via label heads Adam feingold, RR Wong and close affiliate Paul Trafford.

Raw machine shit for moving feet..." to quote Arttu himself. Don't think we could've said it any better. Four stomping ravers from the Finnish spacefunkateer.

Camea steps out of the shadows and heads towards Neverwhere as her new imprint lands this Spring. The Seattle born-Berliner local first became known in 2005 when she started one of the minimal techno era's most illustrious labels, Clink Recordings. Now she comes forth with a new label that was inspired by her highly acclaimed Bpitch Control single of the same title, which she subsequently furthered with her monthly syndicate show, Neverwhere Radio. NWR has had many guests contributing DJ mixes as well as her own, and has received a strong international following. For the first release, Camea has produced three elegant yet driving tracks showing her ever broadening sound. Most artists try to define themselves in one genre, but she feels most comfortable in the space in between them, and aims to focus the concept of Neverwhere to be a place for just that. All things in between; less definition and more imagination. Her many years of
production and DJ experience shine through on this EP, and defines her statement of who she is as an artist today.

The latest release from Guy Gerber's respected RUMORS label comes in the form of this 4-track EP from elusive producer Clarian. A regular Guy Gerber collaborator and remixer, Clarian has also recently released on the likes of Anjunadeep, Turbo, Life and Death, Supplement Facts and My Favourite Robot. Despite his mysterious persona, Clarian is regularly booked to play slots at some of the world's best clubs; Fabric, Watergate, and Output to name just a few.

This new EP is an exemplary slice of the kind of deep, enigmatic techno that RUMORS has become well known for, all whilst showcasing Clarian's own unique, imagery-filled style. Title track 'Fear and Self-Loathing' is a dark, dreamy soundscape of exotic Arabian flutes, subtle acid stabs and echoing synths that plays out like a hallucinatory trip through the desert. Hunter Game, who has provided the first remix on the A-side, takes things down a grittier road of rolling techno, led by a stomping bassline and distorted stabs.

Meanwhile, the second remix on the B-side comes courtesy of Christian Burkhardt, who has switched up the pace for his 'Vegas' take on the record; sliding, tense synths are offset by driving drums and flickers of whispering vocals, lending the track a cinematic, car-chase-esque feel.

'Absence' is the last track included on the EP from Clarian. Cascading electronic arpeggios are underpinned by a strong beat, building up to an echoing excerpt from a classic French film - a couple reflecting on love ends with the female confessing that she wants to leave, giving the track a sombre edge.

A well-produced four tracks showcasing varying shades of the techno spectrum, the 'Fear and Self Loathing' EP is set to further cement both Clarian's status as a unique producer, as well as RUMORS' well-deserved reputation as a reliable source of high-quality music.

Globetrotting DJ and producer Luca Venezia, better known as Curses, indulges in his nocturnal and romantic side, revealing a penchant for dark basslines. 'Jetzt Oder Nie' opens proceedings with a straightforward bass and infectious arpeggio line. Sebastian Voigt's reinterpretation keeps the focus in the deep techno territory, introducing a steady paced and anxious facet. Stepping into an industrial influenced soundscape, 'Power Of Darkness' revolves around the hypnotic vocal hook, gradually
transcending the listener into a late-night dancefloor trance. 'Infinity Maker' plays on the mesmerising repetition of the initial coarse drum pads, resulting in a straight-up techno tool. The synth lead stays in the deep end, progressing to a beautifully dubby and atmospheric finale.

The new artist EP of Map.ache goes by the name 'leave and keep'.Luckily he is not going to leave the label, but turns in three new tracks, where he is stressing the fine line between dancefloor and good listening. His indescision remains our pleasure.

Slivarez Outstrip - Most techno-ish track with funky & deep elements, rebounding bassline & infectious groove! an hypnotic track that is able to make the audience dance & sweat on every dancefloor. Outstrip - Slivarez (Alex Ground Remix) Very mental piece of music with a fat bassline & a ghost-ish presence of insane hi-hats. A soundtrack for dark(room) after-hours.

Mihai Popoviciu: silvarez is cool for me, will play for sure!
Paco Osuna : Will try thanks
Nathan Coles : Support thanks
Someone Else : for me: Slivarez (Original Mix)
Nicolas Duvoisin : nice ep!
Maximiljan : Both Versions of Slivarez are great, support! thx
Pascal Feos: thx for sending
Manuel De Lorenzi : super tunes here. thanx. will try this week
Onno : heavy grooves here! not originals are alex's remix are big
Aney F : Nice tnx for promo
Dhaze : Alex remix for me! thanks
Martin Aquino : Wow the Armatura track...super up my alley! Thank you!"

Parisian Popof releases the second single from his stunning artist album 'Love Somebody' on Hot Creations. 'Going Back feat. Arno Joey' is also a collaboration with Animal & Me with a feast of remixes on offer.

Following in the same suit as the first single from the album, 'Going Back' also features the voice of Arno Joey and is a superior piece of electronic music with great crossover appeal. Oxia & Miss Kittin team up for the first remix adding percussion and hypnotic synths, spicing things up with Miss Kittin's vocals. On the B-side, Eats Everything mixes trippy FX and a big build for the main room, while Lee Foss keeps things deep and smooth.

Voted Best Newcomer artist at the Ibiza DJ Awards in 2009, Popof has gained notoriety for his work with Cocoon, and remixing the likes of Depeche Mode, Chemical Brothers, and Moby. One of the most downloaded artists in techno music, he was appointed the official mentor of the Paris Techno Parade 2013's fifteen year anniversary, a great honour he shared in front of 300.000 participants. Animal & Me is a French DJ and producer who is also known as Mono Dos on Definive.

French DJ and producers Oxia & Miss Kittin are big names in the game. Their successful track 'Housewife' released in 2012 can be found on InFine. Bristolian Eats Everything has been a leader of the new wave of British DJs and producers. His releases can be found on labels such as Pets Recordings, Hypercolour and Southern Fried. Hot Creations co-founder Lee Foss has been growing from strength to strength with a recent venture with MK and Anabel Englund as Pleasure State.

The Japanese producer Shu Okuyama has previously released his music from the labels like Milnor Modern, Minimood, also with his another name, Ragout De Lapin from Compost records. Now he sets up his own label Komabano Oscillation Lab with its first release KELLNERTHOUGHT EP. 2 tracks with shuffled beats and bass with his funk mixed with unique voice samples and jazzy feeling synth.

RECORD STORE DAY 2016 RULES APPLY

Original release date -Nov 1988.

Late 88 Acid House swept a cross the UK, as it took its hold in The Midlands, 17 year old budding DJ, locally know as Carl Boy was easy influenced by this amazing new sound and decided to purchased as much Acid as he could get his hands on and put on his own Acid House night.
2nd Sep 1988 'The Ecstasy Club' club night road block a small function room upstairs at The Power House nightclub in Birmingham. Lots of fun was had by all, the crowds chanted ACID ACID ACID into the night as they danced franticly to new funky sound of Acid House.
Less than 2 days later Birmingham's own tabloid The Sunday Mercury ran with the headline, 'SEX AND DRUGS DANCE CRAZE HITS BIRMINGHAM.'
The story went on to tell the tail of youngsters being corrupted by this evil new scene at The Ecstasy Club 2 nights before. 'This craze should be stamped on from a great height' was one Conservative MP's comment. The owners of the club the ironically named MECCA Leisure Ltd shut down the function room and banded Acid House from all its venues. This controversy caught the eye of Birmingham independent record label Swordfish Records who suggested this should be followed up by The Ecstasy Club's release of an Acid House single. Dj Carl Boy was thrust into a local studio with a Roland 101 an 808 a sequencer and an engineer. 3 hours later a track was written recorded and mix and 3 weeks later in Nov 1988 'Jesus Loves The Acid' by The Ecstasy Club was release on Swordfish Records as a 12'single. The track became one of 1st ever UK Acid House releases, sighted and favored by the likes of Aphex Twin, Carl Cox, Dave Clark, 2 many DJ's and Derrick May, over the years its also been reworked or remixed by CJ Bolland, The Glimmer Twins and The PSI Division. The track went on to sell over 30,000 copies in the UK and countless more with a multitude of European licenses. It became one of the biggest dance tracks of the time in Belgium this help with the confusion of at the time, that lots mistook it for a European Acid tune invading the UK. 28 years on The Ecstasy Club releases the 1st true new version of the track in as many years, remade from scratch using Ableton live and TAL 101 Baseline to mimic the original track, in fresh new take on this Acid House Classic, ACCCCCCCCCCIIIIIIIIIIIID.
TUNE IN - TURN ON - DROP ONE.

Tiago's INTERZONA 13 label has quietly gone about its business across three acclaimed and sell-out EP's
His unique reputation as a DJ is matched by the distinctive and unrivaled quality of his productions
For his fourth outing Tiago treads an arguably more experimental path, and using Sem Titulo (Untitled in Portuguese) on three of the cuts here only adds to the mysterious nature of the sonic treats within.
Present, as always are the deft rhythm sections and powerful arrangements, as subtle elements of Disco, Techno & New Wave provide the bedrock for his trademark off kilter melodies and soundscaping.
The darker underbelly of club life may well be the inspiration, but the mood and execution are pure Tiago !
Another beauty then from this outstanding, diverse and incomparable imprint

Wayne Gardiner is something of an unsung hero in the deep House world.
His productions on numerous labels (Nervous, Strictly Rhythm, Ibadan etc) under his own name, as Classic Man, Logic, Track Masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound.

The EP features 2 mixes of killer A-Side "Come On, Do Anything", 2 mixes of the slamming B-Side cut "I Need You So Bad" and finally "The Basement Jam" which rounds things out. 5 tracks of pure 1992 NYC Garage, one for true aficionados and House heads!

A sought after record among collectors, often fetching around £50 in used condition and now made available again from the vaults, re-mastered, re-pressed and re-issued for the very first time in conjunction with Nervous Records, New York City.

Since her first single - City Watch Over Me', Seattle-born and Berlin-based Camea is one of the most emerging artists on BPitch Control. After her dub/electronica contribution - Love On The Balcony' for last year's - Where The Wind Blows' compilation, the latest - Neverwhere EP' encourages her sense of space-filling grooves and perfectly shaped melodies. Now appearing with four remixes, all interpretations show and add new facets to - Neverwhere'.
At the beginning, the Berlin-based Deadbeat provides - Black Sparrow' with a few sinister soundscapes that wins in emerging from the background - despite the rudimentary acid hints. The straight rhythm sparked a dynamic aura that consists of both, shy chords and almost inter terrestrial sounds - a dub-infected fibrillation with minimal spleen. Camea herself shorten up the length of her own track - Neverwhere' without reducing the sex appeal of bass and groove. Her emotional DJ tool version let the love for melody-driven tech house remain - a jewel for the first rays of sunshine after a long night. Following some excellent releases on Hotflush Recordings, the Belgian Locked Groove not only loop Camea's voice for his version of - Moon Walk Away', but also let the 303 make some sweet-talking circles. The acid spirals only deceive the muscle play, while the strings add some reverent grace to this piece. Finally Lee Jones radiates a profound magic that emphasizes the benefits of "Dream Of You". While a corrugated iron bass line enters into a dialogue with the illustrious semi-bleep-driven accents, the naturalistic setting takes us into a deep house meditation that embodies one thing for sure: sunken comfort.

Mit The Kiss und Need hat BPitch-Chefin Ellen Allien in den vergangenen beiden Jahren zwei punktgenau reduzierte House-Schieber produziert, die schon lange nach kongenialen Remixen geschrien haben - hier sind sie: Der, in Miami beheimatete DJ/Producer Jesse Perez hat sich The Kiss angenommen und dem kerzengeraden Originalbeat einen tiefen Zug Karibik-Flair genehmigt. Jesse ist vor allem in den Staaten kein Unbekannter. Seine Techhouse-Sets und MTV-Beiträge sind dort legendär, seine Veröffentlichungen, etwa auf Stereo Productions, landen regelmäßig in den oberen Rängen der House-Charts. Wesentlich weniger extrovertiert gibt sich das in Deutschland beheimatete Duo Snuff Crew. Ihre Credits sprechen jedoch für sich: Zwei Alben bei Gigolo, zudem Veröffentlichungen auf Killekill und ihrem eigenen, 2010 gegründeten Label Snuff Trax. Als Remixer sind sie u.a. für Alex Vazquez und die BPC-Kollegen Dance Disorder in Erscheinung getreten. Ihr Markenzeichen - oldschoolig knalliger Acid-Sound - hinterlässt auf ihrer Version von The Kiss deutliche Spuren und sorgt für einen athmosphärisch intensiven Afterhour-Kracher. Noch weitaus mysteriöser gibt sich der Mann mit der roten Maske, Redshape. Während seine beiden großartigen Alben beim Frankfurter Label Running Back, Redshapes musikalische Affiität zu bestem Detroit-Techno ebenso unter Beweis stellen wie seine zahlreichen Tracks auf Music Man, Delsin und Styrax Leaves, wurde über seine Identität lange spekuliert. Mittlerweile glauben wir zumindest zu wissen, dass Redscape den Behörden als Sebastian Kramer bekannt ist und er in Berlin weilt. Das fröhlich verspielte Need-Original bringt er mit viel Feingefühl ganz allmählich in Fahrt und steigert es mit spookiger Athmo und manischen Tribal-Drums zu einer Art 'Evil Twin' des Original-Tracks.

remixes !

Martin Enke aka Lake People returns to Permanent Vacation with his first original material since his debut album Purposely Uncertain Field". The three tracks on the 'Every Place You Go' EP stay true to the unmistakable signature sound of Lake People from the first beat to the last breath. It is also testament to how far Martin has built and refined his own sound universe. Cinematic soundscapes and hypnotic ambience meet razor sharp beats that will keep you on the right track. Your soundtrack for a romantic road trip through post-apocalyptic wasteland and abandoned cities.

Mano Le Tough spends a lot of time in the club. In 2014, the Irish-born artist played more than 100 gigs all around the world—landing at number eight on Resident Advisor's annual DJ Poll in the process—but when the time came to make Trails, the follow-up to his much-lauded 2013 debut album Changing Days, Mano knew that a little time away from the dancefloor was in order.

Marcus Meinhardts new record is there and with it a hole rig of remixes. "Checkpot" has become a typical Meinhardt that twirls with a cool funkyness and mysterious melodies through the dancers brain.

August sees the vinyl only release of a double a side release from cormac. Both tracks roll on clean stark percussion and warm haunting pads. more vocals on hypnotise side , while the feel track progresses into a breaking acid house ballad , perfect for panorama bar early mornings.

Debut EP of Cream Soda duo incl. remixes from Volta Cab (UA), Sasha Khizhnyakov (RU), Kings of the Universe (SE), Dirty Culture (RO)! Cream Soda - one of the most promising house projects in CIS. After only a year of producing house music, the duo's tracks have ended up in DJ sets by XXXY, Jimmy Edgar, Bondax, and DJ Caspa; the pair have featured on international blogs like OnlyVibez and in glossy magazines like FHM. Tracks from Cream Soda are spinning in spots on Fashion TV and since the end of 2013 have been taken in rotation on Megapolis FM. Since January 2014 guys started their own radio show on Megapolis FM (89.5 fm) and personal NO ME Podcast. Band already predicting a great future, comparing it with Disclosure, and Bondax, and, in our opinion, Cream Soda - it is a sincere 'festive' house music with right groove of the 90s, which would be appropriate in almost any good club.

In its sounding Moan aims for lightness and sound transparency, ease of reference,showing remarkable ability of working in different stylistic situations. His tracks have incomparable clear feeling of life reality, simple and tough at the same time, when they balance on the verge of a pop sound and underground garage. MOAN tracks reflect UK style in music, inspired by such direction of electronic culture as UK bass, Garage and simple, minimalistic, but at the same time deep and penetrating fashion is an image of Alexandra Wang and Maison Martin Margela's fashion show. Debut single "Another You" includes remixes from one of the most ambitious house projects of CIS countries - Cream Soda.

The new Petar Dundov is called Dancing Sun, and frankly, that's also exactly how it sounds. Happy, uplifting, but still the signature melodic techno sound you got used to from Croatia's number one techno producer. On remix duties is Forever Sound from Glasgow, a favorite of ours since his release on Horn Wax.