House Vinyl New Releases - News

Thomas Mullarney III and Jacob Gossett are unstoppable. The New York artists, collectively known as Beacon, have been on a productive hot streak since 2012, and their e­fforts continue to pay­. "When we weren't writing," Mullarney starts, "we hit the road and didn't really look back. We toured the US five times since The Ways We Separate came out, building this project the old-fashioned way." And Beacon's natural, time-tested process has brought us Escapements, their sophomore album for Ghostly. "We went into this feeling liberated," continues the singer/producer, and Gossett seems to echo his thought: "This record is in part our attempt to formulate what Beacon is going to look and sound like going forward." Escapements is about time, to put it simply, and all of the baggage it brings. The title is taken from clock mechanics, escapements are timekeeping regulators designed to transfer energy at a constant pace. "I was attracted to this concept because of the entropy it implies," Mullarney explains. "Friction and changes in amplitude over time mean every escapement, no matter how well crafted, will lose its accuracy and e­ectively slow down time via its own decay." This theme is delicately explored through Beacon's music and lyrics, engaging ideas of pain and loss with a surreal palette. Whereas the duo's debut was more streamlined and defined, Escapements thrives on an amorphous, free-flowing nature.
More than just a central concept, time manifests itself in these 11 songs quite literally, too. Take opener "IM U", a slow-swelling cut of electronic pop that has knocked around in Beacon's arsenal since the beginning. As Gossett puts it, "In its final form, 'IM U' is a track that has the history of the project embedded into it, an old idea filtered through years of growing interests and experience as songwriters." His idea is reflected by the remarkable cover photo, a single shot taken by Caleb Charland in darkness for eight hours. "The arc of the star trails show the rotation of the earth," Gossett points out. "I can't imagine a better representation of time, process, and discovery. It's how we wanted Escapements to sound."

After the initial demos were written, Escapements was refined and recorded over the course of nine months at Beacon's Brooklyn home studio and Gary's Electric, where it was mixed by Al Carlson. Tycho drummer Rory O'Connor was brought in to perform, unleashing new energy onto the Beacon sound and helping expand it to unheard places. Which is another notable theme on the album. "I hope this record proves our restlessness and shows that we really aren't content to have only one approach to creating music," says Mullarney. "Every part of our process is linked to discovery." And that meant trying out studio tricks and recording techniques on the fly, getting lost in the process until they came out the other side. Like on "Cure", Escapements' frenetic, breakbeat-inspired penultimate track. Mullarney explains: "There's a moment where I was simply playing chords on the studio Wurlitzer and singing while the mic recorded the room. The idea was to escape the produced electronic music, just for a moment, and capture the energy in the room."

Suffice it to say that Escapements tackles the difficulties of a sophomore album by ignoring their existence altogether—this is a record truly free of constraint and expectations. But because it's still a Beacon album, the duo's identity continues to shine through. Mullarney's voice sounds full and confident, even as it floats weightlessly over limber dancefloor constructions in songs like "Backbone" and "Better or Worse". It's a precise balance, and yet feels wholly organic. "When you don't give yourself a specific place to land you never really miss," Gossett adds. "We just tried to trust ourselves and not put limitations on what this record was supposed to be. In that sense, it's exactly the record we were meant to make."

The followup to the hugely successful "CATCHIN' THAT GROOVE". 90s STRICTLY RHYTHM-styled grooves referencing MK, RON TRENT & LARRY HEARD with a twist of acid. 4 tracks from UNKNOWN DEETROIT pushes the sound nicely between house and techno with a certain deepness throughout. Hand stamped whites. HOUSE TECHNO

Collecting orders for repress.
This is the first EP taken from Detroit Swindle's upcoming debut album 'Boxed Out' to be released on the 24th of March 2014 on Dirt Crew Recordings. To heaten up the anticipation on the long awaited debut album by Amsterdam's finest Lars Dales and Maarten Smeets we give you three tracks from the album as a little teaser to what is to come on the full length. First up is the title track 'Huh, What!' a true Detroit Swindle banger that takes us back to pumping Chicago old school house times. Much like their last EP on Dirt Crew that included 'John Doe' this new tune will (and we don't like this expression but can't think of another way to explain the sheer brutal power of this track) 'destroy' the dancefloors! If that wasn't enough bass in your face we got Leon Vynehall and A1 Bassline under their 'Laszlo Dancehall' moniker to rip 'Huh, What!' to shreds, resulting in a dark, pounding, straight up jackin' techno groove. Very raw and edgy, tweaking the original's key elements perfectly to join the dark groove going on. Definitely not for the faint of heart. The B-Side takes us back to that sweet and deep Detroit Swindle house groove. 'The Fat Rat' is much in the style of their last 'The Make Up to Break Up' release on their own 'Heist' imprint. A groovy percussive and soulful stabby house excursion, Amsterdam to Detroit via New York and back! 'Monkey Wrench', the last track on this EP, is just beautiful and quite possibly one of the highlight down tempo house tracks of the Album. It has this slow groove we all love from the Swindle's and a combo between the warm sound of the rhodes and the electronic feel of the arpy bass that really makes you love the track more and more each time you play it.

Detroit Swindle are back on Dirt Crew, after their tremendous succes within a year of their first release we are very happy to have them follow up the great - Nothing Else Matters EP' they released in April 2012. So what can you expect here, the same stab driven deep bassy house joints like the previous release of course. The boys are currently ruling the club scenes with amazing releases. With their - Creep EP' on Jimpster's brilliant Freerange label they cemented their place in the House music scene in 2012 for sure. Here you will find three new original cutz and a contribution by Leftside Wobble who remixed the title track. As one of the edit kings in the UK right now, he took the original towards a new direction as in an edit kind of way and kept most of the original feel and sound of the track. As a bonus on the vinyl edition of this release we put their biggest track to date - Jick Rames' that was released earlier this year digitally. So it's up for the next round for Detroit Swindle to even make it bigger in 2013!

The classic KB's Groove gets a re release from Initials with 2 new mixes including Kris Wadsworth's epic 10 minute 'A love letter to dance music'

Dance with a smile in your face and be happy.
sTOURETTE DE MAR - this refers not to the sometimes declared tics - it´s the newest EP out of the house from HANNE & LORE, released on the Berlin based Label STYLEROCKETS. Multilayered and with a well-known female vocal from the early 90ies. Dee Dee Na Na Na - let´s go out, it´s Saturday night. Unconventional and individual - pressed ahead and in an extremely sophisticated detailed track.
Let´s move! Second track is a remix made by the two Hamburg Boys aka Piemont. In their version the track has more volatility.
Also the B-Side deserves special recognition. POOR BOY is made in the well-known HANNE & LORE Style, full of playful details and multidimensional Sound Effects. The Remix is made by TONI HAUPT. A earing experience at its best, experts an lovers of music will smile while listening. So dance with da smile in your face and dance.

We are very proud to present the first release of our vinyl series. This year has been incredibly special for us, and we are filled with satisfaction to release our music in a format we always looked up to. Scrambled Rhythms' features two original classic house tracks from the outstanding Hector Moralez alongside two brutal remixes. The real house gangster DJ Sneak is guilty of an acid interpretation of Ten 30 One 33', while the prolific artist Tuccillo completes the B side of the release with a different approach to Scrambled Rhythms'. Roush continues with the hard work while we expect you love our first vinyl press as much as we do.

BRAND NEW IMPRINT FROM JORDAN PEAK INCLUDING A REMIX FROM THE DETROIT LEGEND MIKE HUCKABY.

Debut album from swedish Joy Boks

Oscillat Music is back with the mighty Danish Producer, Kasper Marott.

That man, Craig McNamara AKA Last Magpie, is proving a popular choice round here at Hypercolour/Losing Suki HQ. With various EPs and remixes for both our labels, it's also rubbed off on some of our artists too, with the likes of Maya Jane Coles being a big supporter (getting a Last Magpie re-rub of her 'Everything' track on her new label I/AM/ME). His always on point blend of genres, from bumpin' garage kissed house to hardcore bass monsters mark him out as a very versatile producer, and on the 'She Won't Let' EP, the Magpie once again spreads his wings over four cuts.

Title track, 'She Won't Let' contains dark flavors within, the brooding bassline and clattering breakbeats jostle alongside the down tuned vocals and drum rolls, music for long dark tunnels with sweat soaked walls, the Magpie flexes his hardcore influences right here. 'Chicken Shop' is equally disjointed but no less funky, some freaky deaky monologue (from the chicken shop, obviously) and looped vox phrases ride over the bare bones back beat, booming b-line and distorted low end stabs for a proper unique track.

'Initial' finds the Magpie immersed in modular synths, as the arps twist around a moody, skanking beat, like Carl Craig just showed up at a Massive Attack 'Mezzanine' recording session. Impressive stuff. And closing the EP, a re-rub of 'Roots', which first made its appearance on 2013's Losing Suki '1995' release, and was recently was used by move d on his most recent Fabric mix CD. McNamara revisits the track here and adds dollops of authentic 90's early jungle/breakbeat vibes all over it for that true M25 experience!


DJ Support

Craig Richards (Fabric)
Trikk
Hrdvision
Tensnake
Rob Da Bank (Radio 1)
Huxley
Moxie
Rivet (Skudge)
Maya Jane Coles
Monki (Radio 1)
Doorly (Rinse FM)
Deetron
Hodge (Outboxx)
James Zabiela

The first release comes from label owners LC12, formerly Rumore and Orphidal, Inviting us on a journey into their musical worlds. Intensely textured and melodic, these club focused tracks span all things deep and pumping whilst simultaneously lifting the listener to a higher place. Backed by a dreamy machine workout remix from Leonid, this is the full package.

Once again the *Space Dimension Controller* returns from the unknown sphere to the Clone basecamp. This is the first in the new ''Correlation'' series of releases by SDC. The vinyl version comes with a series of prints made by SDC himself. Five different prints, each reffering with mood and colour use to one of the tracks on this Correlation #1 release. With each record there is 1 print randomly inserted with the first pressing.

now repressed !!!! the burner with the new mixes by butch & popof !!!

Core Artist, Steven Cock presents his new energetic The Kickomat EP. Introduced by a Trippy deep bassline & Kicks, surrounded by some light shaker, the title track Kickomat steadily evolves until the stick-characteristic hihat tightens the mix.Following Daniel Stefanik puts the titletrack into a more spheric industrial background, highlighting different parts of the original.Last, there is the secret Weapon Aa2 of Steven Cocks new work. Mechanical percussion flanges through great halls, bringing up the formative chord, accompanied by slight-disruptive synth elements. A drifting new Peace that definitely can be taken down to the misty floor.

So, the return of Primate Recordings is gathering pace, and hot on the heels of the extremely well received 'New Transmissions pt1', comes the second part of the re-launch trilogy for the label, 'New Transmissions pt2'!!!!
Again the release features a variety of styles, and features friends, both old and new, to the label, each with their own take on the sounds that will move a dance-floor. We think that overall this release has a 'tougher' feel to it than the 'pt1', but you can all be the judges of that.


One thing is for sure though, and that is that this release highlights the undoubted talents of some of the most gifted producers on the global techno scene today.
'New Transmissions pt2' totally encompasses the labels philosophy of 'Techno Sounds For A Modern World', but with a 'Primate' slant to proceedings. All tracks will continue to contain the 2 most important of elements, 'groove' and 'quality'.
Have a listen, turn the volume UP, enjoy the music, and hopefully embrace and support the return of the label that meant so much, to so many people.

Support from: Marco Bailey, Tom Hades, Billy Nasty, Carl Cox, Paul Mac, Ben Sims, Chris Liebing, Dave Clark, DJ Remy,

Berlin's nightlife glowing star Alfred Heinrichs enlightens us once again with a new disc combining gentle sounds with soaring beats. His new work the 'Secret EP' will thus be brought to you in the original understanding of DJ art - on vinyl as well as in a digital form via the sup-label Moonplay Records. Including four different tracks, Alfred aims to surprise his audience by proving his vast artistic skills. Revealing the secret of this new and diverse EP, you will encounter the creative musical influences of Steven Beyer and the DJ-Duo Díaz & Parrée within the Remixes.

Swinging from the chandelier and setting fire to the feast, our original raison d'etre is back to raise merry hell and we couldn't be happier as accessories to the crime. Ark was one of the biggest influences on Circus Company when it first formed from the freakier corners of the Paris scene, and since day one he has been a guiding force in maintaining an uncompromising attitude towards house and techno in all its most flamboyant forms. It has been some time since the Mr. Full Destructor graced our label, but he comes to us on a wave of productivity that has seen recent singles for Versatile and Thema boast developed studio skills clashing with the same punk spirit that has always forced Ark to stand on his own for the safety of the other kids on the dancefloor. On this new EP, Guillaume Berroyer has never sounded so urgent, so demanding, and yet so in control of his creative powers. 'Hall Of Confusion' is a brutal call to arms that channels rolling breakbeat badness into a nerve-jangling alarm while the samples come flying thick and fast throughout the jam. As if to complete twist with your fragile state of mind, the track's successor 'Tirés Par Les Chevaux' employs a horse to drag you by the hair back into some refined beat-head shit (as La Funk Mob would say), calling to mind some of those early downtempo interludes you would find on Brif Records but still played out like a psychedelic doodle pad of ideas and samples. Never afraid to wave two irreverent fingers at the electronic music establishment (with the utmost respect behind it of course), 'Troll Of Detroit' comes to life on some romantic Motor City strings before mutating into a bastard child of the early days of the Belleville Three, still sounding inimitably like Ark.

Check out the first remix ep from the Album Primavera Big Support by: Ricardo Villalobos , Luciano , Federico Mollinari , Loco Dice , Andre Butano , Felipe Venegas , Andre Butano , Aldo Cadiz , Tube & Berger , Dj Sneak , Guti , and more ...... enjoy it .....

Es beginnt mit ‚Alone at Home', dessen versunkener downtempo-Vibe beinahe noch eindeutiger von seinen Entstehungsbedingungen erzählt als sein Titel. Hier schon gleich das schwere Mollpiano als untrügliches Markenzeichen. Es folgen unter anderem ‚Spend the Night' mit einem Vocal-Loop als augenblicklich greifende Endlos-Hook und dem im Laufe des Albums immer mal wieder in Erscheinung tretenden, bassig intonierenden Bortz am Mikrofon. ‚First Love' in Zusammenarbeit mit der Sängerin Eva Gold, dessen an Goldfrapp oder Moloko erinnernder, Kick-verstärkter Disco-Vibe sich zum Pop-Höhepunkt des Albums aufschwingt. Oder ‚Satisfaction', ein zurückgelehnter Stampfer mit jeder Menge Club-Coolness, ‚The Misery feat. Nils Corßen' als Melancholie über eine Liebe, die sich auf halbem Wege verliert oder das dezent Drum-rollende, Harfen-streichelnde Erinnerungsseufzen ‚Pictures'. Es endet schließlich in ‚Friends', eine in Auslassungen knisternde Danksagung an all die Leute, die indirekt an diesem Album beteiligt waren. Weil sie die Erinnerung triggern. Weil sie da sind. Und bleiben.

First of all we're fans of Digitaline since the first hour. We're more than proud to present their third EP on Cityfox. Another time they combine their distinctive grooves with unforeseeable melodies. That's exactly what we love about them - always expect the unexpected. 'Wanna' is the best example for this winning formula. Out of the clear sky, suddenly you get hypnotized by a huge repetitive hook. Simple and complex at the same time. Dynamic in its purest form. 'Stuck Off The Realness' represents another well known strength of Digitaline - an irresistible rhythm construct combined with abrubt vocals opening a mental and psychedelic brightness. This is something for your body, brain and soul. We made the right decision asking John Tejada to remix 'Wanna'. He adds his own flavour but never loses the original spirit. Pushing it to an almost meditative point before starting all over again with Digitaline's main melody. We would describe this package as contemporary, yet modern and timeless music.

Amazing Brendon Moeller Release. Prologue is very excited to introduce Brendon as Echologist to the label with this massive deeper spacing and bleeby acid oriented vinyl. This EP is simply brilliant and Brendon completes the Prologue rooster in perfection. Let us together swing on the dancefloor..

Vinyl only!
After one year, Ilario back again on Pushmaster Discs with a new bangin Ep, the 'V_Chronicles#3' incl. the festuring with Tom Dicicco in the track 'Unbalanced #1' and a massive Mike Dehnert analog infected remix. Mastered and cutted at Dubplates & Mastering, Berlin.

Oh, the terror. L'estasi Dell'oro delves deeper into New York's gritty shades of techno. Returning after 2014's super-bold Iscariotic Lips', this new EP for Macro enforces his signature clashing of disparate ends within the same, driving beat. The A side's Pyrrhic Mundi' is endless drama, stages after stages towards eliminating mind/body separation. The B side holds percussive structure rubbed against edgy metallic sound first with Every Light Is Blue', and then unfolds into ultimate basement club action in Sky Unknown'. Heavy low end maintained throughout.

See Double is the new offshoot of Luca Cazal & Brigante's highly acclaimed Double Drop label. 'Maya' See Double's debut release by Luca Cazal, is a live 909 workout combining other-worldly vocals with Detroit inspired string stabs. Check out the killer dub on the flip as well.

Just six months after the release of their stellar ëRomantic Thrillsí LP and its two vinyl remix packages, NiconÈ & Sascha Braemer are back with a banger. For ëAnd I justí they enlist good friend Dan Caster as well as vocalist A.L.E.C. to dazzling results: a deep, moody bass groover whose synth motif climbs and climbs until it finally explodes into beautifully arranged vocal deep house territory. On the A2, the duo is taking you ëFor a Rideí of guitar loops, crunchy claps, lush synths and heavy bass-lines that revolve around a deliciously ambiguous vocal. Dale gives the boys a hand for title-track ëBroken Heartí on the flip. If heartache always sounds this incredibly satisfying, we hope the tripletsí vascular organs keep on breaking. Finally, ëLonelyí closes the EP on an epic, uplifting note by wrapping the listener in a blanked of bass. Welcome back!

Over ten years passed, and here we are with a 30th release on Warsaw's Recognition Records. The artist here is... Recognition, which is both new and old alias of label boss, Jacek Sienkiewicz. After years of experimenting and pushing further the boundaries of modern dance music, from minimal to truly maximum complicity, Jacek decided to go back to the very roots of primal, raw club music without losing his trademark, multi-layered, highly sophisticated sound.

If you hold a mirror up to a vampire for long enough, they will soon run away. 300 copies for the universe. Love is the answer. Nail x.

Who would have thought that, when OLIVER KOLETZKI released his 'Blackout' EP as SVT001 almost eight years ago, Stil vor Talent would reach the catalogue number 100 With our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends. We hear the surprising and unexpected, as well as a signature sound in constant development. Here, on the first of two vinyl releases we showcase some of the highlights of 'Oliver Koletzki Presents Stil vor Talent 100'. Classy and understated, SASCHA BRAEMER shines on 'Need Someone' featuring STEVO, a laidback, subtle and utterly beautiful track on the A-side. With 'Thinking About You', KELLERKIND then provides a fine nu disco bomb that re-contextualizes classic strings and harmonies in a contemporary framework, while focusing on his trademark sound and a catchy vocal sample. Staying true to our philosophy, we also warmly welcome some new faces to the family. The Berlin-based duo of MARLON HOFFSTADT & HRRSN kick off the flip side with the positively poppy 'Once Again', on which HRRSN's vocals make for a definite highlight. Last but not least and heavily anticipated, 17-year-old JONAS MANTEY's 'Sie ist Schön' exemplifies an impressive command over melody and arrangement - emotionally charged, tearjerkingly beautiful.

Wie der Bootsmann auf der Scholle sitzt The Micronaut inmitten der tosenden Klangfluten unserer Zeit. Mit versonnenem Lächeln lauscht er dem rhythmischen Murmeln, angelt hin und wieder einen Akkord heraus, mischt ihn mit den bunten Fantasiefrüchten seines kleinen Eilands und kocht daraus sein ganz eigenes Süppchen. Diesmal serviert er uns einen durchweg lebensbejahenden Hörgenuss namens What Else, in dem sich männlicher und weiblicher Gesang über entspanntem aber erbaulichem Groove vereinen. Im Remix dazu orientiert sich Mollono.Bass am song-orientierten Charakter des Originals, bringt das ganze aber etwas mehr den Punkt, an welchem der Sound auf der Tanzfläche optimal ist. Die B-Seite fischt dann in den Gründen des Friedfisch, und zieht zwei nie gehörte Remixes zum gleichnamigen Debütalbum von The Micronaut aus der Tiefe. Da ist zum einen die einlullend-hypnotische Dub Techno Nummer der Lake People, die Mairenke auf stehendem Subbass anrichten. Und zum anderen das perlende Klangspiel und die sprudelnden, gebrochenen Beats von Map.ache's Version der Rotfeder.

Krakatau man, Bodi Bill collaborator and all-around nice kid Thomalla with his debut on Running Back. Built for an universe in which James Holden is the caretaker, you get four slices of romantic Krautpop-Glitch-House that pleasantly diverge from the current state of dance affairs. Artwork by Stephane Leonard.

TIGER STRIPES ANTHEMIC DESOLAT DEBUT BACKED UP BY REMIX FROM tINI Since first bursting onto the scene back in 2004, Tiger Stripes has released on an impressively varied array of labels including Ibadan, Get Physical, liebe*detail, Drumcode and Strictly Rhythm. January 2014 sees Swedish artist make his long-awaited debut on Desolat on the 'Sisters EP'. Title-track 'Sisters' kicks things off off a bumping bass line and strong percussion and the track moves along until a distinctive vocal, which is sure to be one of the most memorable hooks of the year, enters the fold. 'Sisters' reminds us that there is always summer somewhere, a true anthem. Following on is 'Keep A Movin' which is a hypnotic rolling house track full of energy but with a darker vibe and an equally engrossing vocal - sure to be deadly on the dancefloor. On remix duties, tINI instantly marks her personal stamp on the original by taking out much of the vocal, slowing the BPM and infusing a woosy meandering bassline with the original melody. The end result is both brilliantly trippy and totally engrossing. Overall then, the 'Sisters EP' showcases Tiger Stripes considerable talent through three tunes of the highest calibre.

UNER is proud to announce the arrival of his latest album, Tune432. It comes on the Diynamic label that he has been an important part of in the last four years and proves him to be one of the day's finest house producers. 2013 has been another great year for the man having been a regular in Ibiza at parties like Insane at Pacha, Diynamic Neon Nights at Sankeys and Carl Cox's night at Space. So too did he release the excellent Phamovi EP on Cocoon in July, adding the label to his already impressive discography alongside the likes of Cadenza, and he also picked up an award as best DJ newcomer in 2013, got nominated for Artist of The Year at the Vicious Awards and undertook an extensive tour of the best clubs in America from Chicago to New York, San Fran to Miami. It has taken one year for TUNE432 to take shape, working while travelling and producing day and night. Says the man himself of the album... 'It's been a very intense and exciting process. It's taken a full year for Tune432 to take shape, working while travelling, producing day and night. It's been hard but also extremely pleasant to collaborate with artists I truly respect in my most important release to date. As a professional musician I love to surround myself with people who can contribute with special things to the creative process, people like Piek, Kafele Bandele, Negra and Lazarus, among others. They've contributed to their own music, amazing voices, lyrics. I think I've managed to come up with something very special. The result is completely what I had in mind when I started it.' The end result is spectacular.

It's that time again at CCB headquarter for reaping the harvest of another good year for the label.
The "Paris Club Music, Volume 3" is here and the journey is better than ever. Once again the full crew worked hard to deliver this time a more contemplative yet still percussive set of tracks exploring the dance music of tomorrow. First in the field Bambounou and French fries teams up for "Mizu Ni Idou Suru" an intimate slow mo thing playing with intricate rhythm textures and dusty key stabs fading away in the back. Aleqs Notal use some lush pads in "Ceos Vision" melted with delicate tribal percussions who would perfectly fit in a 8 A.M. set. Next in line is the digital voodoo vibes from "Ceremony", in this mental track Coni uses a more dubby approach to the sound, mixed with and industrial feel to it. Jean Nipon continues the party with a houser number, "Onibaba" focusing on soft elusive strings going through melancholy and a slightly more club oriented euphoria. Then there's the beautiful sonic schizophrenia of NSDOS in "Créteil Soleil" an hymn to the body and mind, full of modern bleeps, vapors and factory noises. In "Vertigo" the boys from Aethority invite us into a druggy haze where psychedelic drums and chords invade your brain slowly but surely. Closing the compilation, "Inorganic", is a playful jam where Manaré toy with effective repetitions and short accidents while sporadically cut by a sharp and filtered bass line. Mostly made of introspective cuts, "Paris Club Music, Volume 3" take the label aesthetic further than ever to a more mature and advanced way of thinking about dance music."

There are some records that are not created only for the digital market, and this new Vinyl release on Extravaganza contains a selection of the 4 best tracks in our first year of activity!! Expect to hear music from the hands of Luna City Express & SIS / Julian Perez & Loquace / our label boss Taster Peter and finally the mighty Seph from Argentina!!! This release is GOLD.

The EEE EP is the all fresh debut from Ensam, local vandal and core member of Solkyss. Born and raised troublemaker, he dropped out of school to make his way in to music. Luckily he could spend his days hiding in his fathers basement which resulted in his project progressing secretly over the years granting him a distinct cinematic groove with deep and atmospheric aesthetics.

Two of NY's finest collaborate as HAPPY FAMILY !
We're going back to strobe-lit, day-glo, warehouse territory for these extra large portions of Acid soaked dancefloor abandon.
Limited US Import - one press only
Get on it !

Cordoba based producer Ezequiel Esley's Lazer Shots EP, complete with a remix from Nadia Popoff, is set to become the inaugural release Beirut based label Fantôme de Nuit.

Rising star Ezequiel Esley has been given the honour of the first release on the new Fantôme de Nuit imprint. The young Cordoba based selector is at his best here, serving up two original tracks and calling on the talented Nadia Popoff to come in with the remix.
'Eze' opens up his new release with the title cut, 'Lazer Shots'. Clocking in at over ten minutes, 'Lazer Shots' is a track of epic proportions. Opening up with a solitary brooding synth, it continues to grow for the next two minutes. Sprinklings of ambient glitch and spacey stabs make for a bumpy, dubby rhythm that carry the listener forward. As the track progresses we're treated to intergalactic synths and cryptically filtered vocals. Across the tracks ten, sultry minutes Esley continues to show off his credentials as a top notch producer.
'Submarine' is a B-side with some serious attitude. Featuring some serious low-end, Esley has crafted a true late night burner. The track is ripped forward by a mean bass line. Again the producers uses ambient vocals to create a sense of atmosphere, this time one of the darkest nature. Esley lays a touch of acid and a the slightest wobble to round off a truly menacing effort.
Argentinian leading lady Nadia Popoff steps up on remix duty and delivers her own techy interpretation of 'Lazer Shots'. Using a loan kick drum, Popoff constructs, deconstructs and reconstructs the tracks over its eight minute duration. Her drum programming is top notch and her distinctly South American sound can be heard throughout.
Ezequiel Esley's 'Lazer Shots' is out on vinyl and digital for Fantôme de Nuit, Month XXth 2014.

Adventures in Deep Space is a reflection of the wonder and complexity of recognizing that we as humans are creatures with a limited capacity stranded on a planet somewhere in the universe searching for meaning and purpose while also recognizing that what we do every moment can shape the outcome of our future on earth and might ultimately become small and meaningful stitching's that could shape the fabric of our future in space. Pillars of creation represents the beauty of the stars on a clear night and the inspiring feeling that staring at the galaxy gives: how grand the universe is, how amazing it is that we have the ability to love, think, and reason, how small our problems really are in the grand scheme of reality, the idea that there may be a purpose much greater than ourselves, and that somehow we could be a part of this grand purpose. Gravitational Effects is about the parallel between the physical properties of science and creation and how we are also all physically and mentally attracted to certain people. The music speaks to the deep connection that is possible between humans and how we should all respect each other to form a more loving, peaceful, strong, and lasting community. Crate Digging on Planet Omnom is about a dream and a hope... Traveling through the universe in a nice space cruiser with your niks - stopping by planet Omnom (aka Gary's place) for some dope new records, a hike in the alien mountains, a dip in some hot springs, and then topping the trip off with some space dancing around a neon green campfire.