Techno Disponible

Superb third full-length album of veteran Swedish producer Ola Obergman. A heavy collection of 808 based electro-techno fusion tracks in classic Pariter style. Massive!!

Olof Dreijer (ex-The Knife) returns to Dekmantel with Iris, a new 4-track EP out this September, just in time for his North America tour. Featuring remixes by Nidia and Verraco, Iris follows his 2024 collab with Diva Cruz, remixes for Björk ft. Rosalía and Röyksopp, plus acclaimed solo EPs on Hessle Audio and AD 93.

Think breakdance-era energy, sound-humour, and body-synth mischief. Iris plays like a garden of sonic creatures—synths mimicking bodily sounds, chopped-up vocal textures, and ‘90s-style chord stabs inspired by Olof’s high school b-boy phase. It’s playful, raw, and weird in the best way.

With over two decades of shapeshifting behind machines and decks, Dreijer’s been a force in electronic music—from festival headliners across Europe to pushing the boundaries with his Oni Ayhun alias. He also co-founded Stockholm’s Bamba Club, a hub for progressive, percussive sounds.

Further recent highlights include co-producing tracks on Fever Ray’s latest album, producing Houeida Hedfi’s debut LP, contributing to projects by Planningtorock and Zhala, remixing Nine Inch Nails, Röyksopp & Robyn, and Emmanuel Jal.

Omar S returns to the wax 12" after a slew of heavy-hitting double packs. 3 tracks, raw yet smooth like an uncooked sausage.

Ribe & Roll Dann serve up potent techno on Mutual Rytm with 'Virtus Occulta'.

Built around concepts of unacknowledged work and enduring merit, the release marks their first EP on SHDW's widely
respected label.

Based in Toledo and Madrid, Ribe & Roll Dann are exciting residents at Laster Madrid and Lanna Club, two of Spain's leading venues. Emerging as driving forces in their national techno scene, they have also made an impact on the global landscape, making wider moves through collaborative releases on Klockworks, and individual outings on a number of other influential labels. Having previously featured in the label's Federation of Rytm IV compilation, the pair make their full EP label on SHDW's Mutual Rytm imprint to open March with a deep dive into their expansive sound.

Opener 'Sub Terra' is a pure club tool that is direct, physical and rooted in the underground with a seriously heavy low end. 'Extra Lumen' is more restrained but still built on a steady, forceful rhythm with controlled energy that prefers to operate in the shadows. 'Ars Non Placens' stays true to the idea that music is not made to please, but to exist on its own terms with hunched drums and dubby undercurrents. Next, 'Meritum Negatum' fizzes with static electrical charge and minimal drum funk and is a direct reflection on overlooked skill and unacknowledged work, before closer 'Virtus Persistens' delivers a continuity and a steady pulse rather than an explosive ending, keeping you locked throughout.

In addition, three digital bonus cuts come alongside the vinyl package. 'Labor Inauditus' speaks to hours of technique, production and booth experience that remain invisible. Next come the taught, rubbery rhythms and unrelenting atmosphere of 'Silentium Testium', while 'Sine Aplausu' - which means without applause - brings a ghostly late night vibe that you will never want to end.

Venerated clubland legend Robert Dietz graces Kalahari territory with a clutch of sinister techno-trance variants.

The evolution of the Dietz sound continues unabated as he pivots from minimal scene mainstay to purveyor of big techno dramatixxx. Still just as finely-tuned and potent as he’s always been though, and this is no means a drastic departure from more recent work.

Running tempestuous heaters from the eye of a storm, there’s a tough, menacing edge coursing throughout. Four decidedly Euro spins offering visions of dystopia and ominous portent, but we forge ahead unperturbed, headfirst into the shadowy void.

Gone is the playfulness of releases past, set aside in favour of heat-seeking ballistics. Strapping accelerators big on drama while allowing space for a bit of dancefloor introspection. More of that all thrills, no frills kinda flex as the Frankfurt native goes about his business like it’s effortless.

The Knowledge Imprint 'Selected Reissues' series brings together handpicked tracks from the label's back catalogue to be pressed for the first time on high quality vinyl. Previously available only as digital and small-batch dubplate editions, these tracks will also be given new life with fresh remastering and simple repackaging.

This second release of the edition brings together a collection of standout tracks that have been highly requested on vinyl since their initial releases between 5 and 7 years ago. Yant & William Arist's tracks were the foundation of the 10th label release back in 2020, while label-owner Deano's track 'Tension' was largely responsible for putting the label on the radar in 2018. VIL's 'Golpe de Estado' taken from the label's first VA back in 2019 closes the package.

Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built.

Winstone’s instrumental palette continues to reach out far from behind his keyboards, however the sound of ‘sifting through heaven’ is stripped back and pared down, putting melody front and centre. 'postcards and loose tea', a love song written for Winstone’s partner during a period coming to terms with health difficulties had previously self-released with heavy spectral and granular manipulation from the artist. Here Winstone re-presents the original: “the stripped back recording I made in my old damp and cold studio that was in a building that has since been demolished”. It reflects the composer’s own journey, doing away with veils and histrionics, and embracing emotional bliss wherever it can be found, warts and all. Even the rumbling dark ambience of ’hospital corridor’ - where distant chimings, groans, and droplets synthesized from field recordings made nervously in a hospital waiting for test results coalesce - harbours a sacred-seeming beauty and aseptic warmth within its very bleak sense of dread.

There’s no better way to describe Winstone’s method than ‘sifting through heaven’. The hymnal organ chords, sketched out acoustic guitar phrases, scattering drum thuds, and meditative field recordings may flit between tenebrous to incandescent, but his focus is always on the embrace of love; “a view of life that embraces positive growth, yet doesn't deny immense suffering,” as he puts it. The album is bookended by two of Winstone’s most outright peaceful moments, summarising his core message: 'in spite of it all...' '...love finds a way'.

Biomontana is just another moniker of the succesful duo formed by bassist Flavio Gemma and Massimiliano Bocchio (Urbanatribù). Based in Alessandria and devoted to all kinds of electronic wizardry, Biomontana, compared to Urbanatribù, is more related to their Progressive/Goa side. According to the artist, both records were only released as 2 different promo eps for just a few djs that were playing in the Indian state. As in the best "Goa tradition" the record had, on the flip side, a great slow tempo and acid infused number. Unfortunately the projects never had an official distribution until nowadays.

Der Dritte Raum kehrt mit einem neuen Album ins Harthouse zurück: Hypnotischer Techno, abgefahrene SynthesizerReisen, verspieltes Sequencing und eine hochmusikalische Interpretation elektronischer Tanzmusik. Mit einer einzigartigen Mischung aus analoger Wärme und futuristischer Präzision erkundet dieses Album die Welt unterbewusster Muster, Traumlogik und körperbewegender Rhythmen. Einfallsreich und gleichzeitig clubtauglich erzählt Replacement Dreams eine Geschichte von Bewegung, Introspektion und klanglicher Transformation. Minimalistisch in der Form und doch reich an Klangtexturen, verbindet das Album mechanische Struktur mit traumhafter Abstraktion. Replacement Dreams ist ein konsequentes Techno-Statement. Dieses Album ist eine unerbittliche Reise durch hypnotisches Sequencing, präzise Drum-Programmierung und die unverwechselbare Wärme und Härte analoger Synthese – geschaffen für die dunkleren, intensiveren Momente der Nacht.

Der Dritte Raum kehrt mit einem neuen Album ins Harthouse zurück: Hypnotischer Techno, abgefahrene SynthesizerReisen, verspieltes Sequencing und eine hochmusikalische Interpretation elektronischer Tanzmusik. Mit einer einzigartigen Mischung aus analoger Wärme und futuristischer Präzision erkundet dieses Album die Welt unterbewusster Muster, Traumlogik und körperbewegender Rhythmen. Einfallsreich und gleichzeitig clubtauglich erzählt Replacement Dreams eine Geschichte von Bewegung, Introspektion und klanglicher Transformation. Minimalistisch in der Form und doch reich an Klangtexturen, verbindet das Album mechanische Struktur mit traumhafter Abstraktion. Replacement Dreams ist ein konsequentes Techno-Statement. Dieses Album ist eine unerbittliche Reise durch hypnotisches Sequencing, präzise Drum-Programmierung und die unverwechselbare Wärme und Härte analoger Synthese – geschaffen für die dunkleren, intensiveren Momente der Nacht.

Repress 2025

Classic Drexciyan dance floor moment like 'Digital Tsunami' is considered as the signature track of the 'Harnessed the Storm' album. It is accompanied here by three titles that are not present on the 2LP vinyl version of the album.

Originally released in 2002, 'Harnessed the Storm' was conceived as the opening chapter of the legendary seven Storms - a series of seven albums created within a single year and released via several labels under different names.

'Harnessed the Storm' was the sole one in the series credited under the main Drexciya project.

This 12' also includes 'Aquatic Cataclysm' which ranks with the most abstract, alien and stark in their catalogue.

Another masterful lesson in futurist dance music from one of its strongest forces.

Duo Drunken Kong step up for their Drumcode debut.

The residents at Tokyo’s legendary Womb have a distinct sound signature, as dreamy melodic and vocal elements rub shoulders with the pair’s trademark groove-orientated rhythms to create hypnotic techno outings that span the breadth of the genre, from heads down rollers to peak-time pleasure.

Their maiden outing on Drumcode is an inspiring four-track work ‘I Want To See’ that lays down this sonic manifesto, with each track built around different vocal samples used to skilful effect.
EP opener ‘It’s Then’ brings atmosphere in spades, mixing up a chugging bottom end, a sleek synth line and a sublime vocal that simmers throughout.

The title track is another late-night dancefloor affair that shifts between function and fun, as a slick mix of polished grooves and hypnotising melodies build towards a thrilling crescendo. ‘That’s It’ brings peak-time energy against a plump electro backbone and ’90-tinged vocal.

The EP rounds out with evocative ‘Need It’, as a stirring vox and metallic drumlines propel the track forward.

Unbridled introvert scooter crushers

FIRST GAJA ALBUM ON VINYL, FIRST GAJA RELEASE ON HIS OWN IMPRINT SINCE 2016. HARDCORE BLACK MAGIC VODOO DOLLS DARKANDHAUNTINGHARDCORETECHNODARKANDHAUNTINGHARDCORETECHNODARKANDHAUNTINGHARDCORETECHNODARKANDH

Galactic Peace Gathering Hymns

Ov Nils Maneuvers In The Dark: Win mega Mix + Super Dub

stompy raw techno cutz by a mystical source...

Ilian Tape have tapped up Jichael Mackson here for a double album of expressive and forward thinking electronic sounds. The atmosphere generally futuristic and intriguing, with tracks like 'Shangri La' riding on gentle breakbeats amongst air pads, 'Banana Jazz (Quartett)' is a high speed and live sounding jazz-breakbeat workout, 'A Jichalicious Something' is dubby and IDM inflected lushness and 'Good Morning Sunshine' is an interplanetary trip with distant cosmic pads and organic piano chords soothing mind, body and soul.

In the mid-90s, Ken Ishii rose to prominence, with a futuristic sound rooted in Detroit’s machine soul yet unmistakably his own. Hailing from Sapporo, Ishii quickly became synonymous with futuristic, cutting-edge productions, and ‘Jelly Tones’ – originally released on R&S Records in 1995 - was the breakthrough release that propelled the Japanese producer to global notoriety.



Driven by the success of its lead single ‘Extra’, whose iconic and surreal, anime styled video directed by Koji Morimoto (of Akira fame) became a cult classic - the album cemented Ishii’s status as a pioneer who seamlessly fused Detroit techno influences with forward looking sound design and uniquely Eastern melodic sensibilities.



Now reissued on vinyl for the first time since 2008, this 30-year anniversary edition of ‘Jelly Tones’, celebrates the album’s lasting legacy and continued influence with the dynamic rhythms, crystalline synth textures, and sophisticated arrangements that set Ishii apart - from the propulsive elegance of ‘Stretch’ and the layered complexity of ‘Pause in Herbs’, to the tribal, otherworldly darkness of ‘Moved By Air’ and the lush close of ‘Endless Season’.



Integral to this collection as well as the dazzling energy of tracks like ‘Extra’, comes the shimmering synthscapes of ‘Cocoa Mousse’, and the intricate futurism of ‘Pneuma’ - all of which highlight Ishii’s masterful command of both the dancefloor and more cerebral electronic spaces. ‘Jelly Tones’ remains a testament to Ken Ishii’s vision and to a moment when techno became a global language.

Repress!

Olver Chesler, John Selway : there are people keep going on !!!

And they were there since before you were born maybe ?
Musicians, electronic music, enjoying sound...

Recorded at Selway studio this EP is perfect...

Ninetynine dot ninetynine...

Or not perfect ?

Somehow it's never perfectly one hundered... Whatever it is... Not Techno, not Hardcore, not trance...

A superb repress, and remastered EP, with some re-organisation of the tunes (that's voluntary to get an optimal sound on each side...

And bringing a locked groove for 99.9...99.9...99.9...99.9 infinite effect !

Red sleeve (not the same red at IST17...) in the original Hub color respect.

BIG UP !

Ascendent Dutch duo LUSU shoot skywards with a stunning solo Drumcode release ‘Move 2 the Groove’. ‘Move 2 the Groove’ is supreme. The title track picks up from where they left off with ‘DIZZY’ (with HI-LO) in terms of dancefloor impact. Marked by a hypnotic rap line, elite drum programming and a thrashing mosh pit energy, this is a percussive beast that thrills with each listen. ‘Afterlife’ shows their range, a stunning cut marked by old skool chords and celestial end-of-night energy. Bravo!

2025 Repress

Invigorating Stomping Chakra Grounding

Trippy minimalistic Techno by Cologne based duo Metamorphic Interface

A stripped-back blend of hypnotic techno and abstract textures, Acid Futurism explores raw rhythm and spatial tension. Tomiie and Sadeghi push their sound into darker, more cerebral territory with precision and restraint.

Youcef Debbihi continues to impress and surprise after already his 3rd volume as Sea of Disillusions. This 4 tracker extends what was already started and established in the previous volumes, expanding his studio excellence into more break beat oriented directions, either at high speed in the form of almost Drum'n'Bass with "K2" or slowed down as a more trip-hop tempo with "Break Whale".

B-side slows down to upper 90BPM range of driving rhythm under atmospheric dubby hints of humidity "5deF", and, finalizing with a beatless Ambient mix of "Loon River" which sounds like the slow motion intro to an epic trance anthem that never fully takes off, setting the stage for something heavy to be mixed in. Essential for any reasonable DJ record bag.

Shawn Rudiman returns to Pittsburgh Tracks with his first full length since 2021’s Flow State.

“Reality in Quotes” is a complete statement from beginning to end... in the artist’s own words:

"Our perception, rational thought and intellect are the only way we discern what we even dare call reality. You can use any information you like, but we make our own realities from moment to moment.

Thank you to: my lady for understanding me; Pittsburgh Tracks for the friendship and wanting to release this album; Chase Smith for the great equipment help; Angie Linder / DTM for the live gig help and representation.

Thank you to everyone who has supported this release, and any release I've done over the last 27 years. It's humbling to still be able to make music and to play out.

Reality is the only word in the language that should always be used in quotes."

The Berlin-based artist Simina Grigoriu debuts on DCLTD. The opener ' Declare Me' steps up the energy with searing intent, while never losing a sense of deep brooding atmosphere. One for the marathon Sunday afternoon sets. ‘Astral Waters’ bubbles away with tight drum work and a deep Motor City vibe. ‘Technology of Prayer’ mixes late-night techno soundscapes with driving rhythms. An essential tool for bridging moods during longer sessions. And finally ‘The Right Calibre’ positions tribal rhythms at the fore for a rolling cut that doesn’t take a backwards step from creating plenty of tension through the mid-section via a stirring break.

Five years on from her debut on the label, Surgeons Girl returns to Livity Sound with an EP of explorative, synth-rich techno. In the time since A Violet Sleep announced Sinead McMillan's fulsome analogue sound, she's maintained a considered presence with live, hardware-rooted performance and a select handful of releases.
On A Moment To Machine EP, McMillan showcases a widescreen strain of techno that leans into the expressive, emotional weight of powerful synth composition while maintaining a fierce physicality tuned up for the club. 'Under This Space' and 'Razor's Whip' dart along upwards of 150 without sacrificing depth and subtlety, while 'Steps Right' and 'Silken Place' shelve drums in favour of cascading arpeggios. 'Rested' brings balance to the record with needlepoint rhythmic exploration and pensive pads, rounding out Surgeons Girl's ever-developing, highly personal approach to techno.

Second release on 13130 series,
Always the same process, featuring old-school artists and current techno finest.
This time 13130 offers: FRAZI.ER, Invexis, Elyas, SERA J, AK1 & Benkhlifa.

Hess Publica rises again with a new chapter in our journey through trance, breaks, and techno. Gathered on a vinyl adorned with artwork by the talented illustrator and tattoo artist Coline Crétien, six creative minds come depicting some of the most body-shaking and optimistically headnodding facets of the club music spectrum.

BIG ONE AGAIN with Tetrabass crew ! Full nuskool dancefloor tribe sound !!!

defaultbox returns with its 20th release entitled "020".

This various artists compilation brings together five carefully selected tracks by Karenz, Gockel, TIKOA, 10.000 BC, and aem.aze, each rooted in a shared vision of deep, functional techno rhythms and subtle dub-infused textures.

The release comes on a limited run of 50 transparent blue splatter copies alongside the regular black pressing.

Four Hardcore rave classics remastered and pressed at ISL-egendary label :

A1 comes from ISR27 (1994), AKA Sal Mineo.
A2 was unreleased on vinyl so far.
B1 used to be a Bastard Loud 06 (1995) killer !
B2 comes from Industrial Strength 11... in 1993.

Enjoy Lenny Dee's selecta for this third Hardcore Rave Classics Volume 3 !

Primediv.space presents Hypnosis, the latest statement from New York producer Vincent Fiore. A stripped two-tracker built for late-night floors, the EP dives into hypnotic techno pressure with precision and force. Waves of repetition and drive unfold across the title track, while the included locked groove distills Fiore’s vision into a raw, endless loop. Pure, functional, and deeply entrancing - this is techno at its most focused.

Wild Workhorse Power Supply

Clear Vinyl


As Rune & Ruin’s initial release, the duo of Lynette Cerezo and Zanias present a new offering of brutalizing intimacy.

'INSHROUDSS' marks the first Bestial Mouths release entirely written and conceived by Cerezo, vocalist and frontwoman since the project’s roots in 2006. Through each of the EP’s five tracks, Cerezo’s commanding voice usurps the role of victim for that of destroyer
- with scars where wings once beat the sky.

Drawing from the initial Bestial sound of emotionally gripping post-punk, Cerezo crafts deeply personal lyrics of self-stagnation and trauma, while longtime friend and collaborator Brant Showers (∆AIMON/SØLVE) provides a heart-pulverizing fury of industrialized electronics.

Along with production by new collaborator Alex DeGroot (Zola Jesus), INNSHROUDSS remains infinitely body-moving on even the most discerning of darkwave dance floors.

ᴛʀᴀᴄᴋs ᴍᴀᴅᴇ ғᴏʀ ᴛʜᴇ ʀᴀᴠᴇʀs ᴡʜᴏ ᴀʀʀɪᴠᴇ ᴇᴀʀʟʏ ᴀɴᴅ sᴛᴀʏ ʟᴀᴛᴇ, ғᴏʀ ᴛʜᴏsᴇ ᴡʜᴏ ʙᴜʀɴ ᴛʜᴇ ᴄᴀɴᴅʟᴇ ᴀᴛ ʙᴏᴛʜ ᴇɴᴅs.

Early support from Cleric, Setaoc Mass, Reflec, Laurent Garnier, Regal, Tensal, P.Leone, Alfredo Mazzilli, Clouds, Gary Beck, Slam, Keith Carnal, Surit (NX1), Silent-One, Kmyle, Yant, Marron, Felicie, JC Laurent, Lawrence Kurt, Fundamental Interaction & Gareth Wild.

All tracks written and produced by Habgud // Art, Photography and Design by Jake Clewis & Elliott Habgood

Catapult yourself back to the early-'90s raves with this limited edition vinyl of Human Resource's 'Dominator'. Including legacy-championing renditions from Klubbheads, Frank De Wulf and Rebuke alongside the UK-charting original mix, this multi-track pressing represents the sound that's proven to be rougher and tougher than any other.

Industrial Romantico, ITG031 In a world obsessed with appearance, Poor but Sexy is popular music, not a populist one. Ghetto techno, breakbeats, Detroit sound, sacred chants and voices from the hood: raw and real ingredients for a deeper story. This EP isn't just for listening, it's meant to be lived. For those who can feel it, it will be a transformative journey. Enjoy the ride.

The long awaited second release on Obscure Unfound comes from the Manchester duo Kander.

Two original Straight up dance floor destroyers & two slamming remixes from RAW’s MAKORNIK & Peryl. The guys have enjoyed an absolutely storming year with gigs in New York, Philadelphia, London, Manchester & Berlin. Recent mixes for the Brvtalist & Instrument of Death along with smashing releases on Marked & ISMUS have gained worldwide support.

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

An elusive producer comes back with a new mantle: Ruff Cherry, last seen on the label in 2017, returns with an EP of shredded halftime drum & bass with jungle accents that etches out a dominating stance in the producer’s first foray outside the thresholds of techno. Hugely distant from a meager first stab at the genre, the Cork-based producer’s ‘Phantom Fortress’ EP proficiently demarcates a sparse battleground for conflicting and rhythmically harmonic drum flairs, enveloping bass, and taut sound design that is as compelling as it is exhilarating.

Schacke’s Make Them Remember is a point of genesis. From the insectoid trippiness of “Life Is Absurd” to the anthemic martial churning of “Make Them Remember” and the ocean floor pensiveness of “A Future Not Materialized”, the record mapped out the road ahead for not just Schacke, but for Copenhagen techno as a whole – a cornerstone in fast techno.

Young Boy Dancing Group
Young Boy Dancing Group was initiated in 2014 as a mercurial dance collective with an ongoing alternating cast. The group deals critically with modes of dance production, digital culture, originality and institutionalisation. Past performances include the Lithuanian Pavilion at the Venice Biennale 2015 and Manifesta 11 in Zurich, among others. The artwork for Schacke’s “Make Them Remember” is made up of a photo documentation from a performance by the group in Copenhagen in 2016.

In this fourth release from Vibes Addikt, the two versions of N.O.B.A, which were initially available digitally on Dolma Records, make their debut on vinyl, accompanied by two new remixes from the Dutch duo Rakkatack, known for their dynamic style and their work with labels like DSR Digital, Elektrax, and Eclipse Recordings.



Joining them are the legendary Filterheadz, celebrated for their iconic track "Sunshine" on Carl Cox's renowned label Intec, along with collaborations like "Tribalicious" on N.E.W.S and "Ymanya" on ID&T.

Simina Grigoriu returns to DCLTD with an EP 'Divine Assignment', delivering 4 brand new techno tracks. Divine Assessment - dub techno roller made for building atmosphere throughout the first stanza of DJ sets. Layers of Reality - slick slice of techno that mixes up dreamy synths with propulsive percussion. Love Honey - soulful techno as its finest, a cut with plenty of heart and warmth that makes an excellent bridging track to shift between moods. Shatter Pattern - a perky slab of deep techno with plenty of soul that works in the sunshine and club alike.

It's fair to say Malta's Sound Synthesis is associated with spacey, acid-flecked electro. But here, on his first album for Gated, a deep vein of old-school influenced breaks comes to the fore.

The infectious acid lines are ever-present - the hands-in-the-air breakdowns, the rolling basslines - but this is a different side to Keith Farrugia's prolific output that brings in influences from ambient to downtempo to bassbin-worrying bangers.

Take opener Ambient Talk, which kicks into life with skittish drums, or the woozy vocal-led All Night, which makes sharp use of the Amen break, as does album highlight 90s Chords.

Yes there are classic Sound Synthesis melodies throughout these nine tracks, but there's also a darker side, exemplified by the aptly-named 140BPMadness, which showcases Farrugia at his most ferocious.

7th Installement

The concluding chapter of Jamaica Suk’s 17-track ‘Uncertain Landscape’ series arrives with a bang, with another four explosive tracks to round it off.

Milton Bradley — aka Alien Rain — begins proceedings with a hammering assault in the form of ‘Driving Force’. Detuned, ravey synths produce a cacophonous barrage of sound as the rubbery kick groove intones more hardcore vibes. There’s a touch of John Carpenter vibes in the spooky arpeggios that permeate the more stripped back sections. Bone-crushing groove abounds throughout.

Italy’s Kill Ref delivers a distorted thumper on ‘Subbaculta’, slowly eeking out a rasping groove from the underbelly of his pummeling drums. The track keeps building throughout, the shuffling rhythm
bolstering some seriously raw machine funk in the latter half that emerges almost imperceptibly.

The ringmaster herself, Jamaica Suk, makes her contribution to the series on ‘Escape’. She conjures up a tripped-out soundscape where layers stack in potent combination. Squelchy acid licks do battle
with the stomping bass groove and heavily-reverbered sustained textures. It sounds as if there are monsters loose in the speakers.

Nicolas Bougaïeff closes this momentous four-part release with his second contribution, ‘Nocturne 3’. Rocking a stuttered kick pattern, it revolves around grunting swathes of industrial noise, on-beat
clap patterns and all manner of weird and wonderful sounds that pitch-bend, tweak and freak to delightful levels of intensity. It’s a very well arranged and sequenced track that keeps you guessing.

Introducing our new KAOS bomb, PROTOCYBERPUNK. This EP is a collection of heavy techno rave tracks designed as essential DJ tools to smash any dance floor.

Starting with Kontain - gunshots, a track that sets the tone with explosive stomping rhythms. Next up is Berlin-based Valerie Ace, delivering a ravy, hard-hitting track made for front-row ravers.Then, we dive into the groovy side with Marcus L from Seoul. This dark, club-oriented track is perfect for those foggy, intimate nights with a sexy vibe. Closing out the EP is Riko from Germany, drawing inspiration from '90s Euro-dance. This track is packed with powerful grooves and positive energy.

BRVTAL has taken a new direction in its sonic journey, moving beyond its early sound to embrace the raw mystique of proper techno. This shift has already been reflected in recent digital releases, but BRV007 marks the first vinyl of this new era, a powerful compilation uniting top-tier international and Hungarian producers.

The record features the driving force of Italy's Alarico, the relentless energy of Croatia's Insolate, and the raw intensity of New Zealand's Keepsakes, who already collaborated with BRVTAL in other ways. Joining them are Spain-born techno heavyweight P.E.A.R.L., alongside Hungary's own CVRDWELL and the fierce alliance of Indirect Movement & AGA2L.

This is BRVTAL's boldest statement yet, uncompromising techno, pressed to wax

Green Black Vinyl

With her second full-length album, Zanias condenses her post-punk, techno and italo influences into a collection of simultaneously brooding and uplifting pop songs. ‘Unearthed’ explores the multiplicities of human connections, written at a time when connectedness was a resource more scarce than ever before. Field recordings from nature, vocal samples and an array of acoustic instruments are manipulated within a structure of catchy melodic synth maneuvers and driving rhythms, accompanied by her familiar and powerful voice conveying personal musings on hopeless desires and stoic acceptance. ‘Unearthed’ seeks the light and finds it within the exquisite pain of reckoning loneliness.

Ephemera is the debut album by Fergus Jones, the artist formerly known as Perko, an Edinburgh-born, Copenhagen-based producer, DJ, and founder of the FELT record label. The nine-track release is out on Numbers on 18 October 2024.

Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, ELDON and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture.

“Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, ELDON and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future.

In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.”

The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.

Finally a repress of one of the most selling club records of the late 90s and early 00s! Timeless 12 minute long Nalin & Kane remix. Number one of the German Dance Charts. Supported by Joris Voorn, M.I.K.E. Push, Paul Oakenfold, John Digweed, Dave Angel, Umek, Mark Knight, Paul Thomas and many more.

Different Exhibition presents its first vinyl release masterfully crafted by talented Italian producer N:CK. My Turn is a blend of powerful and refined tracks fit for the most sophisticated dancefloors. All this is embellished with a brilliant remix by techno legend Dasha Rush.

The infamous "All Stars" series on End Of Dayz are back this 2024 with a selection of 4 of the most hard workers producers and djs the last times. Linear System deliveries "Dubbing" a hard and deep squizo party shaker, Not A Headliner comes with a funky percussive game as "Mystery Box", Anika Kunst arrives into the last sinapsis of your brain in her "Introspective Trip" and Decka will make the delights of the hard UK Techno lovers with "Vented. Lethal weapons as we like it in the End Of Dayz heardquarters.

Uruguayan Label as it is characterized, introduces the third conceptual 12” album that brings deep roots from Uruguayan culture once again. Unveiling truth bringing to light the hidden past known historical fact of Carlos Gardel "El Mago“ the most prominent figure in the history of Tango genre. One of the trailblazers of the video clip long before this term existed, promoter of the Radio broadcasting in Uruguay, and the first Movie shorts with sound from “el Río de la Plata”.

Gardel was one of the first artists to use “Lunfardo” and show it to the world in his lyrics, and long has been the debate of his nationality, but this time all is left clear.

This is how Lunfardo, brings 4 artists to represent this unique story divided into three nationalities Charlou from France with his track Les infernes tranquilleus, Fakk from Argentina with “Murmullo del chanta”, and the two Uruguayans “Cabanelas - Marivo” and Arturo with “ Bohemio”, the mystery will be unveiled...

Now its time for the new Bombsplit 03 on Bombtrap Records.

we´re very happy to share this Split ep which aims to blur the lines between EBM, Industrial, Electro and the harsher site of Techno.

2. Regular Edition Black 200 Pieces
Craftpack Black with glued Sticker


......the first Artist is Nojus aka BASK from Lithuana with two massive EBM Tracks.

....the second guy is the Italian producer Nghtly.....Techno, Acid and EBM kicks the floor

....and at last the Belgian guy Ethan Fawkes with his second release for Bombtrap with two Hyperspace Techno tracks......

Aphex Twin aka Richard D. James meldet sich mit der fantastischen "Cheetah EP" zurück, auf der er mit deepem und melodischem Techno und Acid im Früh-90er-Style überrascht. Benannt ist die EP nach dem Synthesizer Cheetah MS800, eines der am schwierigsten zu programmierenden Instrumente der Welt, mit dem Richard die meisten dieser Tracks aufnahm. Das Artwork ist ebenfalls im 90er-Retro-Style gehalten.

Repress!

After months of careful preparation, we're thrilled to introduce Hydrostatic Equilibrium HNT002--a full EP by our dear friend and inspiration, Arthur Robert. This release captures the essence of our sonic journey: the A side offers more energetic, driving tracks, while the B side dives into a more mellow and deeper end.

HNT002 features a unique collaboration between Arthur Robert and Aya on the track "Le Sense De La Vie." The artwork cover for this release was also created by Aya.

Open your eyesss and be free. Fly!