Techno News

Introspection Recordings is proud to present his new limited 300 copies series.

A four-track EP that practically oozes class, the debut offering from Italian label Introspection is nothing if not an auspicious one. Featuring four tracks from an evidently shrewdly chosen bunch of artists, Introspection001 takes on numerous different styles and sounds, with the end result one that's thoroughly uncompromising and always engaging throughout. Featuring the work of four Italian producers; E-dward!, Matthew Redden, Lorenzo Magnozzi and BCFHBH, it's a release that dazzles from start to finish.

We get going courtesy of Edoardo Scarpellini aka E-dward!'s 'Got It'. A firm fixture in discerning Italian circles, as a DJ he has played in practically all of his country's foremost nightspots, not least Cocoricò in Riccione, Spazio 900 in Roma as well as Tenax and Fortezza da Basso in Florence. Equally renowned as a producer, his sounds have brought him to a wide range of respected outlets, including Bosconi, Stardub and Apparel Music. A minimal track that's but a sum of a few parts, Scarpellini's contribution here is a dubby, weighty, emotional cut that's high on intensity throughout.

Next up is Matteo Salvadorini aka Matthew Redden. A native of Livorno, Redden's contribution here, the whimsical, curious strands of 'Melancholic Probe In A Sad Space' serves up a very different sound to what's come before. A nimble, microhouse-inspired cut that's both happy and sad while serving up a host of introspective vibes, Redden's contribution here is truly a joy to behold.

The B side kicks off courtesy of label owner Lorenzo Magnozzi and his track, the wonderful 'Acid Morning (Space Time)'. Another track on display here that's been suitably named, it's teeming with peak-time prowess, with its sporadic vocal stabs only adding to the sense of drama. A considerable move into a different sound sphere, it signals the EP's intentions with some prowess. Supported by a host of respected names such as Ricardo Villalobos, Dana Ruh, Raresh, Tobi Neumann and Nastia, his is a sound that defines categorisation but one that always follows a discerning script.

Born in Huntingdon in the UK but raised in Pisa, BCFHBH started his musical journey at the age of 11, meddling with his parent's vinyl collection, a move that would ultimately inspire a life-long love affair with all things electronic music. His deep house flavoured track, 'Kin' is a wonderfully deep number that harks back to the days when deep truly did mean deep. A classy, sophisticated and wonderfully restrained track, it signs off the release in some style.

clear green vinyl

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

For DSD026, Vitess joins the Dansu Discs family with his ‘Hacking System’ EP.

The Parisian delivers an EP jam packed with classic house and early trance, a sound that Vitess is becoming more and more renowned for. On the flip, We welcome crew member ADMNTi back with his tasteful remix of Eurostep.

Repress

After launching their own De Stijl label last year, Artefakt are back on Delsin with Icarus, a sparkling new four track outing. Known for their intricate sound design and deep yet hard hitting grooves. Always serving up atmospheric music that is artful and filled with rich detail, they continued on their own path once again here. Starting with the smooth and hypnotic, stripped back grooves from Icarus. Followed by the cavernous and immersive ambient trip Ganzfeld Effect. The darker Vapour is still heady and meticulously crafted with deft little details, a rich sound field and supple techno drums getting you in the zone. Delphic then offers crisp breakbeats, dubby drums and electrically charged synths that are physical but emotional. It's another perfect fusion of light and dark, thoughtful and physical techno from this ever impressive pair.

Nous'klaer Audio is proud to present the new concept album by Koraal: La Casa del Volcan. A voyage of nine tracks echoing the spectacular landscape of Lanzarote, from damp, fathomless caves to deserted planes of volcanic rock, from a solitary palm tree to a fertile oasis. Intense, spacial atmospheres and reverberating drums combined with dark textures and dubby rhythms. All written and produced in chronological order in November 2019 by Oriol Riverola, in a three-night session on the island. The album cover comes in eight different versions with pictures taken by Oriol during his stay there. Heavy weight sleeve and vinyl.

Keith Farrugia aka Sound Synthesis returns to his home and he has done it again. After his now deleted work on Electric Eclectics, you will have a second chance with this new EP. Don't miss out... Very limited units on colored vinyl, packed in a really nice way as we have come to know by the Fundamental crew.

Bart Skils has returned to the label with a new solo EP after playing numerous gigs for Drumcode this year. He has also featured on celebrated labels such as 100% Pure, Break New Soil and Cocoon. His world-renowned event 'Voltt' has seen him play with a whole host of international DJ's and has seen him leave his own mark on the Djing scene. Also featuring a mix on Drumcode Radio that was seen with huge applause, we welcome Bart back to Drumcode. Bart Skils kicks off the three track single with 'Fight Club'. 'Fight Club' uses rolling drums before the unusual melodic synth phrase bursts in to give the track a lift and add distinctive character. 'Base Camp' uses a throbbing, militant synth that emanates in and out to add dynamic and tension.

Up next from the Rhythm Buro label is an EP from Cyspe, who might be better known as Robin Koek or for being one half of the almighty Dutch techno duo Artefakt. RB003 marks a special occasion for the label in releasing a full EP from a single artist. After This World seems to proceed forward fittingly on the same path once paved by Cyspe's debut record 'Amnesia', released on Koek's own label, Insula, in 2014.

From the label's inception, Koek has been a supporter and close friend of the Rhythm Buro team. Playing live at Rhythm Buro parties as Cyspe as well as live with Artefakt, the two have worked and partied close together. A release from Cyspe became a very welcome natural step for all.

A1 bursts open with 'Nexus,' a cerebral-atmospheric-blanket of a dance track, arguably the strongest offering on 'After This World'. Apparently, quite the story can be told in just seven and a half minutes for those attuned to listening. 'Mindscape' comes next, providing a notably nice ambient contrast to its dance floor-feeding predecessor. A2 maintains a similar vein and flavor of the sublime, if not a further development toward the heavenly and spiritual. The B-side proves to be a prime example of what 'deeper techno' is capable of: grooves that drive the dancer from this realm to the next. Both 'Earwitness' and the title track are sure to be rich vehicles for those sacred 'closed-eyes' moments on the dance floor.

We come back with a fresh single “Nowhere In Milano” by Dumming Dum featuring Rush Midnight. The 21st release in the label catalogue brings the original composition together with three remixes from Alex Schaufel, Rafael Cerato and Justin Cholewski.

Dumming Dum together with Rush Midnight has become the members of the Runemark family with their debut “Three Pills Into A Fist”.
This time the tasty original “Nowhere In Milano” created by Dumming Dum and Rush Midnight maintains deep and cozy characteristics yet also keeps it groovy and tight for the dance floors.
Amazing and full of energy remix from Alex Shaufel delivers the great feeling of togetherness blurring the boundaries between Nu Disco and energetic House music.
Rafael Cerato’s remix grabs it from the start. Uplifting, powerful and charismatic. Acidic and aggressive bass line, confident beats and massive synths pushes the levels of House and Techno.
The last but not least remix in the package comes from Justin Cholewski. Raw, unstoppable with a taste of trippiness is the signature of Justin. Technological and machinery resound overlayed with creamy vocals from Rush Midnight fulfills the whole release.

“Nowhere In Milano” is available in both physical vinyl and digital formats. Enjoy the music!

Runemark team.

Der Münchner DJ, Produzent und Live-Act Innellea gestaltet die neunte Ausgabe in Diynamic's "Picture" Serie. Innellea regte mit seinem melodisch-melancholischen Clubansatz schnell weltweites Aufsehen, das Groove-Magazin zählte ihn zu den besten Newcomern 2017, nach ersten Releases auf Upon.You, Musica Autonomica und Underyourskin folgten Produktionen für Innervisions, TAU und Afterlife. Auf "Picture: Innellea" verbindet Innellea diverse Facetten seiner cineastischen und post-apokalyptischen Soundlandschaften mit einem einzigartigen Novum, seiner eigenen Stimme, zu einem intimen Hörerlebnis, das irgendwo zwischen Isolation und der Sehnsucht nach Kontakt schwebt.

Much may have changed over a two-decade period, but Drumcode's commitment to releasing the scene's most cutting-edge and refined techno remains resolute.
The label pushes forwards again in 2017; bringing fail-safe, club-ready music to the techno community. In the past 3 years, Julian Jeweil has released on highly regarded labels such as Drumcode, Minus and Mobilee. One of the most consistent performers in the Beatport Techno chart, this prolific producer is as comfortable in the studio as he is in the booth, with his 2016 show's spanning five continents including an appearance at Space for Carl Cox's Final Chapter, as well as London's Egg and LA's Exchange.

2017's first Drumcode release comes in the form of chart topping regular Julian Jeweil, who'll be putting out his first solo effort on the label. Jeweil's 'Rolling EP' showcases his skill as a producer and kicks off with the emphatic title track 'Rolling'.
The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he's at the top of the game right now. 'Venice' and 'Blue' illustrate his signature sound to a tee, with the EP's final track 'Traffic' an acid-tinged behemoth, guaranteed to light up any set

Following on from his 'Rolling' EP that dropped in January and featured the outstanding 'Blue', an early contender for one of the strongest tracks of the year, Julian Jeweil drops the crisp intergalactic techno trip 'Space'.

we wanted something to listen to in the car...”

Network’s 30th Anniversary celebration continue with a dig in the vaults finding three timeless treasures from UK Techno pioneers Nexus 21.

The “Progression Logical” 12” highlights how skilfully the Stafford duo - Mark Archer and Chris Peat - combined their love of Detroit inspired Techno with North of London Bleep culture.

This is the first time the much loved original mix of “Self Hypnosis“ (that track with the ice cream vans sound)has been released on a commercial 12”. Up till now it could only be found on a sampler 12” for one of Network’s iconic bio-rhythm albums, and on that LP Itself, with a remix being done for a subsequent 12”.

That original still sounds amazing. The 1990 recording was made at Derby’s much lauded Square Dance Studio,

Next year saw a move to nearby Nottingham and Network (nothing to do with the label) Studio where “Mind Machines” was conceived. This is its’ debut on any format ever!

Listening to something so epic now, that decision not to issue it at the time seems bizarre,but as Mark recalls: “The mad thing is it’s just a live mix because we wanted to listen to something in the car. We never finished it. That was live with us muting things, and and me changing patterns on the drum machines and turning the sounds up and down. There are so many small mistakes in it, but it adds to the character of the tune.”

A later “proper” mix was never done as Nexus 21 turned into Altern 8 and life got ravey.

The third track is well and truly an historic piece of Techno history - Carl Craig’s first ever remix no less.

Nexus 21’s “Still Life” was conceived as a homage to Inner City’s “Big Fun” and “Good Life”. Upon signing to Network, the label thought a deconstruction by Inner City’s Kevin Saunderson would complete the circle. A kind of Stafford does Detroit and Detroit does Stafford back with 808 and 909 knobs on odyssey.

Kevin obliged big time, and arranged for other remixes by then young Motor City hippersnappers MK and Carl. As the intro to his version proclaims - Mental!

Age in Decline marks the 50th release and 5th year in operation from Manchester based label, Natural Sciences: a v/a comp of new tracks from the contemporary underground alongside choice cuts pulled from the labels annual Future Works series available on vinyl for the first time. Get ready for the beat down.

Ecke Records returns with its fourth release this November, the four-track ‘Grit’ EP coming courtesy of Xantrax with a remix from Addison Groove.

Taking the lead is ‘Tekline’, a murky, unfurling cut fuelled by off-kilter tribal drum work, bubbling bass delays and modulating synth flutters. Addison Groove steps up next on remix duties, reshaping ‘Tekline’ with choppy vocal cuts, dubbed out chord stabs and organic percussion floating atop the originals hypnotic groove.

‘Linetek’ opens the flip, as the name would suggest acting as a counterpart to the lead track, taking a 4/4 approach rhythmically while introducing a similar modulating bass line alongside chanting vocals.

‘0121’ then rounds out the package, an angsty, dynamically unfolding composition laid out over four and a half minutes with droplet synth delays, heady bass swells, spoken word vocals and crunchy broken drums.

Vinyl Only. Grad_U again with a masterpiece of dub techno. Music speaks for itself.

Grad_U again with a masterpiece of dub techno. Music speaks for itself. Red-black marbled vinyl. Shrink wrapped.

REDSCALE 07 - attack / decay. The forgotten treasures. Two heavyweight cuts by grad_u. These gems were recorded on reel to reel tape back in the days, shelved for years.. Accidentally discovered after relocating to new studio premises. The Redscale mission of delivering stellar dubtechno continues.

Limited repress on black 12" vinyl, 180 gram and in matt black cover.

In the beginning, there was just a box of tapes and “Fate’s Gentle Hand.”

It was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic recordings.” The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of mouldering cassettes and ¼" reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: “Black Mill Sessions.” And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work.

Whether anyone believed it or not, this was the framing device surrounding Pye Corner Audio’s Black Mill Tapes Volume I: Avant Shards, which took the mysterious tactics of artists like Boards of Canada and Burial and raised them exponentially. Much like the narrator of a 19th century novel, the anonymous Head Technician purported merely to be the messenger of secondhand sounds. These were not compositions, we were told; they were tape transfers—“transcriptions” of an unknown author, slathered with hiss and thick with ambiguity. “Some of the tapes displayed an unusual amount of degradation and …an unsettling amount of background noise, whether electrical in nature, or otherwise,” wrote the Head Technician. “I chose to edit around the worst of the unusual break-ups, but some still remain.”

It was a good yarn, and the music was better still. Like his contemporaries Demdike Stare and Ghost Box, Pye Corner Audio seemed to be tapping into some hidden energy current, channeling spirits via electrical means. The pioneering transmissions of the BBC Radiophonic Workshop could be detected lurking within the music’s staticky swirl; so could the ominous throb of John Carpenter’s film soundtracks. Drones and flutes commingled with chugging machine beats; miasmic clouds of haunted tone alternated with death disco. It all sounded eerie, otherworldly, possibly occult—yet also, in tracks like the glimmering “We Have Visitors,” accented with a hint of mischief.

Over the next few years, Martin Jenkins—for that, after all, was the Head Technician’s name—would go on to release three more volumes of Black Mills Tapes. Among the dozens of releases he has put out since 2010, they remain among the most beloved in his catalog. Those original, digital-only releases—a rarity when they came out—reappeared on cassette, courtesy Seattle’s Further Records, in 2012; in 2012 and 2014, the now-defunct Type label would anthologize all four volumes. Now, 10 years after Avant Shards first appeared, Lapsus collects all four volumes —now remastered— along with a fifth disc of unreleased material and a limited booklet. The musical landscape has changed considerably in the past decade, but what is remarkable about the Black Mills Tapes material is that it hasn’t aged a day; its retro-futurist transmissions sound just as mysteriously compelling as they did the first time around. While they purport to faithfully transcribe the sound of yesterday’s technology, they end up being something more: a record of what we wish the past sounded like—a rickety tape transfer of desire itself, spooled and boxed, just awaiting discovery.

Part 1 of the 15 years Series !!

A new label from Lille, France, GAAZOL arrives with their first release from Japan's Yoshitaca, resident of the esteemed imprint Fasten Musique.

Title track "Induced Arousal" is a deep and funky acid tinged house workout that should prove versatile either later or earlier in the night. The A side is completed by Ittetsu's bass heavy remix with tight percussion and just the right touch of drama.

Finally, the entire B side is devoted to the rolling bassline of Yoshitaca's "Gypsy Queen" which never lets up. This fine package is exclusively presented on 180gr. vinyl.

Atom™ & Tobias bookend their Pomelo trilogy in style with "Enne", final instalment of their three-part series that started with "Cuando" and "Zahlenraum" last year. The EPs three tracks span the breadth and depth of Atom™ & Tobias's hardware techno sessions. From the slow-burning and punishingly addictive title track, to the jacking, rattling TR-909 grooves of 'NHMS', and the sprawling widescreen dubs of "Aux II", "Enne" simultaneously celebrates the delicacy, immediacy, and unmitigated power of twirling synth lines, grumbling bass spirals, and pounding techno rhythms.

Dream Ticket goes back to the source with electro wizard Binary Digit, presenting a set of
archive tracks from over the years. These range gleefully across the sound-field of illegal
raves present and past, especially UK ones, where pilled-up piano house darkens into
compressed techno and hyped-up acid jams, before wistful morning braindance
reassures those still standing that they’ve survived to dance another day. Limited to 200
copies.

Off the back of his debut album as Trance Wax in November, Belfast producer Ejeca returns with his new project of mixtapes of all original material spanning across his musical influences. The first instalment of the mixtape series comes in the shape of 45 minutes of hi-nrg hardcore and rave. The first run of cassette tapes sold out over a weekend and this new edition includes on body printing and fluo pink cassette tape. Limited run of 100 tapes.

Alberto Garralón Spanish guitar player and producer made a cassette 30 years ago...

Large doses of imagination, passion, heart, and with influences of contemporary classical music on the strings, pianos and winds and also a folk touch on the guitars with a mix of ethnic music in his percussions made Baila, Claridad! the first work in his career an unique collector's piece of the famous Spanish movement "Nuevas Músicas"

Here is the return remastered in LP format by Discómanos Records.
12". Limited Edition to 300 Copies.

6th one from the MOi camp. 180 Grams black vinyl only.

Supported by Ryuji Takeuchi, Manni Dee, Pacou, Christian Wünsch, Svreca, Angel Molina, Randomer, Marcel Dettmann, AnD, Distant Echoes, Tensal, Amotik, Marcel Heese, Donor, Leyla, Joseph Capriati, Paula Temple, Samuli Kemppi, Orde Meikle, Shlømo, Kwartz, Jay Clarke, Dax J, Stephanie Sykes, Irakli, Tommy Four Seven, Par Grindvik, Evigt Mörker, Lag, Samot, Chris Liebing, Billy Allen, A.Mochi, Bas Mooy, Echoplex, Truss, Jeff Rushin, DVS1, Reka and more...

Woods 786 is back. The alter ego of Roberto Bosco returns with “Exploration 01”, a live jam recording split in two tracks performed with Elektron Analog 4 and Analog RYTM. Last Drop Records and Sonorous Waves' founder has been for years both a producer and a DJ with dates all around the world, now takes another step forward into ambient music. His hypnotic textures invite the listener to travel without moving. Mastered at Mixmastering Studio, the first joint effort between Souterraine.org and Envlp_Imprint, “Exploration 01” is a dreamy continuum of twenty-five minutes or a way to escape from everyday chaotic life. Synthesizers brings you the sound of outer space.

"Dreaming Ties me into an irresistible magnetic field, fictional yet surrendered; Go far from nearer, the tendency of the instinct. I Return to love today; A sudden feeling that is stranger than tomorrow, let me unfold you. Space."

WHS 01 It all starts with Jalada, an ocean of possibilities. It commences with whisper, root-energy of the label, carefully and wisely performed by each of the four tracks part of this record. Danieli starts in medias res, with muffled sounds that seem to embrace everything, like mist surrounding a pond whose colors are reverberating all around. Jalada paints with sound the shades of spring, engaging in a beautiful dance with Mother Nature, exploring with attentive eyes, and ends with a delicate coda that leaves the listener hungry for more. Jalada’s first treatment is by Wa Wu We. We move to the outer world, still being anchored to a natural environment: meditative, collective dance. Dense soundscapes, immersive pads, frequencies in constant motion, techno filled with lifeblood. Happily walking in nature, the listener is invited to look around. The wind blows constantly, shaping melodies, expanding textures, bringing darkness at times, light altering the surroundings at others. However, nothing can change the direction and determination of this joyful stroll. Feral steps in for the second rework, where his signature touch sets the scene at night. Little bells like stars lighting up create a multidimensional, shamanic atmosphere. Fascinating as the night itself, this version is both primed for the dancefloor and reminiscent of a ritual in nature, where space and time have no meaning. Haunting yet earthbound: the song of Syrens for nocturnal beings. The last treatment brings magic in: slower whispering, a diaphanous atmosphere, watery sounds forging an enchanted universe. Illuvia is the rain bringing the listener back to that misty pond, dripping sweat framing a candid smile after a night of dancing.

a a1 Daniel

Marbled Vinyl

Superb Dark Mid-Tempo / Doom hardcore... Opening with a slowed down Hardcore bloody killa, and followed by a Fifth Era skill tune... The flip brings two Doom HK cruisers. The Banging Dark EP you need !

Fresh from the silky deepness of “Back to Mine”, his standout contribution to the compilation Dixon Presents Transmoderna, Echonomist now steps to the fore with his debut EP, Virtuality.

Nach ihrem letztjährigen Album AurAA präsentiert Ellen Allien stolz das erste Remix-Paket mit vier neuen Versionen ihrer Original-Produktionen. AurAA ist das nunmehr neunte Album der Techno-Queen in ebenso vielen Jahren, sie steckt unermüdlich ihre kreative Energie in Release in Albumlänge und verschiedene andere Projekte. Die Schwierigkeiten des letzten Jahres hat Ellen aktiv und positiv gemeistert und eine konstante Präsenz gezeigt durch Live-DJ-Sets von ihrem Balkon oder an außergewöhnlichen Schauplätzen in Berlin und durch einen kontinuierlichen Flow neuer Musik, indem sie Künstler*innen durch ihre Labels unterstützte und so den Geist unserer Kultur am Leben hielt.

Maceo Plex joins Afterlife Recordings with ‘Lonely Tribe’. ‘Lonely Tribe’ is a festival-ready hit of epic proportions. It snakes through passages of woodwind melody and vocal samples, driven forward by typically powerful and crisp percussion. On the B-side, Fango is tapped for a remix, stripping back the original over a lean, sliding groove.

Electro Transmissions 004... You dont know what darkness is until you listen to Noamm! Six dope tracks to reduce your soul to ashes... Very limited units, this time on splatter colored vinyl, packed in a really nice way as we have come to know by the Fundamental crew!

Sometimes I feel something unfamiliar inside of me is screaming to get out. It makes me feel claustrophobic to suppress and keep it on hold. Then music takes the first step and I take the next. It almost feels like the tracks are writing themselves and I am just there to record. But obviously it comes from a place inside my soul.
Pneuma 1 came to life in a situation like that. On the journey Pneuma 2 and 3 started breathing as well and eventually I created and finished all three versions at the same time. These are some dark, agressive pieces but if you listen carefully you hear hope and optimism between the beats.

White Vinyl
Ruffneck Prime joins the Zodiak Commune Records family. Also Ad Nauseam and Jack Wax wanted to share some peaktime Acid Techno Rave. We feel these three cuts will burn the dancefloor and spread Acid Love all around!

A1 - Ruffneck Prime - Sharper Than A Sword And Finer Than A Hair
Banging slab of Acid Techno by no other than Ruffneck Prime! He knows how to craft a huge kick. Combine that with powerful acid that gets squeezed and tumbled by the master himself. Woohoo!!

B1 - Ad Nauseam - Telomerase
A blunt kick and a distorted sequence leading into a sharp turn into the big rave hooversound. Warning: energy is high in this serious tune.

B2 - Ad Nauseam & Jack Wax - Dissonant Realms
Again Ad Nauseam share powerful energetic peaktime Acid Techno. Now in collab with acidveteran Jack Wax (!)

We at Zodiak Commune Records couldn't be more proud and exstatic with our Red Eye EP!

Enjoy Acidheads <3

Old School early hardcore inna Mokum state of mind !

Toki Fuko first album on Lowless is a package of 8 ethereal and meditative tracks. Downtempo and Breakbeat, all tracks are based on the same topic and the same human speech vocal. After several releases on labels such as Affin or Annuled, the russian under rated producer makes a notable arrival on the Parisian label and delivering a timeless and experimental work for the spirit and the mind.
All tracks are packed on a two vinyls release and share different deep emotions.

Tone Depth has been making music for many years but he doesnt seem to get older...... He just gets better and better. This is his 2nd release on Noir Music and I can assure you there's more to come in the near future. 'Escape' contain's 3 instrumental and very intense tracks. They are all cleverly build for the underground floors. They each have their own special signature and carry that powerful Tone Depth production level. Each track on this EP immediatley made me 'escape' into the music, took me on a journey and captivated my attention throughout the running minutes of each piece. I have been playing these tracks since the day I received them track by track and they really do grow on you (play for play) like great music always tend to do.

Minimal oldschool tribe from Italy.
Dry kick. Loops tracker style.

Electro Transmissions 005, say hello to the Sterilization Krew, six incredible tracks by Kan3da, Blackploid, Datawave, Electro Nation, Noamm and Acidulant. Very limited units, this time on splatter colored vinyl, packed in a really nice way as we have come to know by the Fundamental crew!

BAR04 focusses on Venderstrooik, a mysterious duo from the exotic lands of Alphen aan den Rijn. The EP starts with 'Espionage', a tribalist DIY distorted electronics track while the other original, 'Escargothic' sounds like an eerie halloween on ketamine. Two of our dear friends remixed the tracks. Pasiphae made a super dark goth version of 'Espionage' and Sacha Mambo returns to the label with a cheerful clubversion of 'Escargothic'

This is the first release from long time running party 'Lost Control' in Manchester and Berlin and NTS resident under the same name run by Black Eyes. The label itself is our new extension of the portal from the 7th dimension. Specialising in plasma house, sub-aquatic electro and cyber techno all brought back from the year 2097. The first EP is from Texan electro legend Cygnus. We don't need to explain how good he is. We just hope you enjoy the ride of cyber soul at its deadliest. There's even a tribute track to city of Manchester where Lost Control was birthed. The record is also mastered by Dutch synth genius Rude 66.

Unique 180 gram piece of matter invites you on a journey tot he far expanses of your universe. From label based in the Solar system, third planet from the sun.

The sixth limited vinyl release comes from leading Argentine artist Jonas Kopp. Known for albums on Tresor, Svreca's Semantica, Jeff Mills' Axis and his own label project Tremsix, he also has EP releases on Oscar Mulero's PoleGroup, Warm Up, Zenker Brothers' Ilian Tape as well as many other quality labels.

Expect to hear experimental cuts of hypnotic, modular techno grooves wrapped up in atmospheric sound design...

Buttechno is Pavel Milyakov, an unknown music producer from Moscow suburbs and one of the local rising underground scenes leading voices. His debut record SPORT is a soundtrack to Russian designer Gosha Rubchinskys AW15 fashion show and this synthy, spasmodic music proves to be as fresh as Rubchinskys works. The world of Buttechno is dark, experimental and ever changing whether he DJs or plays live, he puts audience in a state of deep self-reflective meditation with a variety of tools ranging from astonishing post apocalyptic techno soundscapes to melancholic house structures.

PRZ strikes on eudemonia with an acid-influenced 4-track EP. The Tel Aviv based artist who runs Chateau Royal and is a resident from the oldest running party series in the Israeli metropolis called ‘PAG’ shows his darker side with a haunting blend of Italo House, Electro and Techno.

PoleGroup number 033 features Reeko. After the successful releases in his own Mental Disorder imprint, he comes back home with this four-tracker.

Reeko's sound has evolved over the years and he has become one of the most original producers in the scene. His special approach to sound and texture, coupled with his very particular view of obscurity and mentalism, shines here in all its splendour.

The first cut, "Empty Streets", is a journey through sound starting with subtle kicks that grow to find their own place in the mix, plus mechanical sequences and a melancholic string break.

"Bad Mood" is an exercise in modern techno: panned alien sequences, high pitched drones and extreme sound processing which result in maximum sonic amplitude.

"Dishonest Thoughts" is the ambient slice of the record: pads, atmospheres, sub-bass frequencies and darkness.

"Sunday Night" goes dubby and liquid by emphasizing the low end and reverberated passages, and adding a massive stereo work.

The final release on Fundamental Records is a special one. Not only is it a new album by Rhys Celeste aka Microlith, but also includes the first three albums that Rhys composed during 2015 and 2016. Three albums that were never released on vinyl before. This beautiful tribute to him is brought to you in a special way as a beautiful ultra-clear pressing with hand numbered full transparent plexiglass jacket. Of course this project has been authorized and has full support of the Rhys family.

ARTS is synonym of Future, this is an intensive work of Art, a big dedication to bring art on a solid form,
we present you Shlomo, our new add on the label rooster is a big talent able to bring strong Atmosphere into very deep grooves.
The 2 cuts are outstanding, on top of that we added 2 Masterclass remixes to complete the opera, Inigo Kennedy & Label Boss Emmanuel. Epic

Wa Wu We is the artist alias and vinyl only label from Sebastian Mullaert. This is the fourth chapter, crafted in the Swedish woods. The rst 6 episodes of the Wa Wu We label will form a collection of records, united by their signi cant and unique cover art and the way they’ve been recorded; this being the focus on improvising expression, resting in meditation and the nature surrounding Sebastian’s studio. All 6 of these episodes will be released as vinyl only and will be limited to 500 copies each.

THE STORY Wa... the Wu are We? Let the question appear, and dissolve in the dance! Wa Wu We is back with the third vinyl release, and like before its vinyl only. Deep jams nurtured by the Swedish woods, the home of Sebastian Mullaert.

Collaborative EP between ALPI & Essē has landed on The Gods Planet. Deep Hypnotic Techno explorations with reinterpretation by Feral and Cyspe.

Excited and happy as a banana can be

Third transmission of the SK11X series off-shoot helmed by Setaoc Mass comes via rising Belgian protege Border One. A staple figure of the respected Voltage Festival in his own country, Border One's raw, insistent sound has seen him release on Key Vinyl, Form & Function, and his own self-titled imprint whilst also featuring on DVS1's revered fabric mix. On the Restless EP however he hits his stride, steadily building intensity through restrained repetition and droning, hypnotic sound design on the opening pairing of "Crude". On the B-side, "Derail" clashes harsher hi-hats to a looping, angst-riddled groove, whilst "Restless" releases the tension with its bouncier pummel and high-pressure torque.

Limited hand stamped copies..

"After the recent success of their latest studio album - 3.0, Croatian outfit Cortex Thrill are back on Bonzai plastic, 26 years since their last Bonzai vinyl release with the 6 track - 3.0 Vinyl Album Sampler.
Still in the throes of celebrating their 30 years on the scene, Ivo T. Montina, Sven Gleda and Robert Grizilo make up Cortex Thrill, and together, they dug deep to create this legacy project across 3 different studios using video conferencing. They used new production and mastering techniques which shows their dedication and drive to move with the times. Back in 1994, fresh faced and full of energy, Cortex Thrill were signed to Bonzai Records and several top-notch 12’s soon followed as they carved a niche on the scene in just a few short years. Live P.A.’s all across Europe, propelled them to a bigger stage, playing at top events including Bonzai party’s Loveparade 2002, Vibe, Fantastica and Unite-Parade to name just a few. They’ve released over 50 vinyl records and just as many digital releases. It was Ivo who, after a couple of decades since they last graced Bonzai Records, decided to send some of their new, modern material to Bonzai Progressive. Four new releases followed, along with a raft of remixes for other artists. But Cortex Thrill had remained active throughout the late 1990’s and 2000’s, releasing several singles and two albums on various labels, and collaborating with a host of top producers. They have a unique sound containing elements of tech house, trance and progressive house. Co-incidentally, this latest adventure on wax features a contemporary remake of Deep Infinity, one of their bigger tracks which also appeared on their last vinyl release for Bonzai Records, the 1995 cut titled, Infiltration EP.

This 12inch is packed with deep, undulating rhythms laced with magical melodies and driven by surging basses. Each track has rich characteristics that set them apart, yet they share common traits with mesmerizing charm. On the A-side, we have the fresh progressive grooves of Quantum Pulse, Levitania and Stela Manis. On the B-side, the new progressive sounds continue with Eternia and Singularity, while the classic musings of Deep Infinity gets a 2020 makeover.

Tape

Acid freak-outs and gangsta electro by the cult figure from Rotterdam South, Hannibal Peck.

First solo artist EP by rising UK producer, DJ and label head Sam Bangura.

Three x warm techno cuts made for the club and afters.

Vinyl only - Limited to 200 copies.

clear blue vinyl

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

Extrawelt take it to the next level with one of the most anticipated albums of 2021.. Big Tip!

Extrawelt take it to the next level with one of the most anticipated albums of 2021.. Big Tip!

Our Next Release Is Coming From Our Dear Friend Franco Cinelli. After Having Released A Single On Raum Before Already And Also Participating In Last Year's 20 Anniversary Compilation, This Is Franco's Third Release For Our Label. The Title Track And A Side Is Aiming A Bit More At The Dance Floor While The B Side Is One For The Late Shifts Or Early Mornings. Two Proper Club Cuts Executed By A True Master. Enjoy !

The sound of MARTIN MERZ is a scenario of gloomy soundscapes and analogue bass figures, paired with elements from Industrial and EBM which takes the listener into the abyss of an urban future.
For his electronic compositions MARTIN MERZ isn’t only fishing in technowaters as he also lets his listeners glide through ambient landscapes which transform into pumping organic shapes of groove and synth melodies.
It’s those bubbly basslines making love to space-filling spheric sounds and tribal drums that turn everything into a timeless and dancy work of art.

Umwelt returns to his own New Flesh Records imprint with his unique EP to date this year. "Escape The Future" sees the French producer concluding his Future trilogy started in 2015 with "When Future And Past Collapse" and pursued in 2017 with "Encoding The Future" on Netherlands based Shipwrec. Fuelled by industrial and post-apocalyptic atmospheres, Umwelt's brand new 12" gathers together all of the elements that made his dark sound so recognizable, a digest of complex yet dancefloor rhythms fused into insane synth oscillations and Rave influences.
Melodic "Escape The Future" is a much anticipating five tracker blending Umwelt's unique aesthetic and style, obsessed by a pessimistic vision of the future.

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

repressed !

For their big debut on Moon Harbour, CamelPhat have linked up with Cari Golden, the voice of modern house music, for a superb new single that comes backed with a remix from label
head Matthias Tanzmann.

The British, Grammy-nominated duo CamelPhat have risen from the underground to go on to global prominence. Their big house sounds often feature guests and collaborators. They have released on labels like Defected, Sola and Snatch! and now serve up another of their
timeless tunes with Cari Golden, who has featured with the diverse likes of Groove Armada, DJ T and Roger Sanchez on plenty of Beatport number ones. She can sing on sunny boat
party sounds as well as raw warehouse tunes with equal style, and here offers something brilliantly intense.
The intoxicating 'Freak' is a high impact affair designed for big rooms. The techno tinged drums are overlaid with Golden's paranoid vocals. Her dark delivery is matched by the turbulent bass and taught synths that add to the sense of tension that will sweep the dance
floor off its feet.

Remixing is the German Matthias Tanzmann, who is in fine form as he strips things back to a bubbling, pressurised Tech House groove. He layers in sweeping white noise, chattery claps and the original vocal as well as plenty of freaky effects to make for a track that will flip
dancers inside out.

This is another high-grade release from all concerned.

Compilation of 4 of the ebst tunes from the Digital label.

Orlando Voorn groundbreaking rave monster - release from 1992 will be back soon on vinyl!

Following on from his Mud EP, one of this year’s most distinctive, body- and mind-contorting dancefloor 12”s, Haunter Records boss Heith fires up his Saucers private press for a KILLER collaboration with longtime sparring partner Weightausend. Seriously, this is the biz - broken, bionic, 4D dancehall / tekno battle-droids that carve out disruptive new geometries in the dance without once dropping the ball or getting on your tits. Feels like there’s a million different going things on in each track, and yet H&W build air-flow into their creations - there is room for reflection and bliss-out amid the tangles of twisted metal and reptile blood spatter! Massive tip for anyone into that recent Pharmakustik record, Mike Dred & Peter Green's Virtual Farmer...but this is totally it’s own thing. With suitably stomach-turning artwork by the great Tim Ryan.

Powerfull hardcor on the A side with Line Killas, bringing kick variations and braindead awaker dancefloor tricks... Followed byu The Death Chamber, my fave track here, a masterpiece ! Fucking weldone kicker... Full of breaks and speeding up the brain. The label visuals speeks for itself^^ krkrkr
The flip opens with one of the slowest tune on Deathchant ever on the flip ^^ ahahah And a massive finisher behind.

After making a name for itself through acclaimed reissues of forgotten gems, Lyon’s Tunnel Vision Records is back, this time with a previously unreleased cult EP from the Serbian underground: InnVision’s Lake produced by Welljam aka Velja Mijanović, one of the pioneers of electronic music in Serbia and host of the legendary “Liquid” show on Yu Radio.

While it is fairly common these days for tracks to reach cult status after being uploaded to Youtube and picked up by its recommendation algorithm, the story of the Lake EP is truly unique.

Picture this: it’s the summer of 94 in Serbia and despite US sanctions, something was going on in the country’s musical underground with open-air parties on lakesides and other natural locations, fuelled by a feeling of freedom and creativity. At the time, InnVision was a 26-year-old producer inspired by the likes of The Orb, Brian Eno, Underworld, and Spooky. Unconcerned with adhering to trends or finding ways to make commercially-viable music, he created the tracks on this EP with Cubase running on an Atari computer and several synths fairly common at the time.

But the result was beyond anything common or ordinary. Described by its creator as “organic (ambient) house, but you can call it trance”, LAKE is rapture in its highest form. Pure enthusiasm seems to be driving this uplifting track, with an abundance of heavenly arpeggios and positive energy, along with masterful arrangements that make it even more grandiose, while retaining a light and dreamy quality (perhaps it is no coincidence that Lake in Serbian evokes weightlessness). It is one of those rare tracks that have a deep impact on body, mind, and soul and for which the repeat button was created. While adhering to a central theme, it never feels stale and this is explained by the fact that it was arranged live, with InnVision muting and tweaking everything in one go, which makes this track a “deskmix”, to use dub terminology. In fact, the producer remembers jumping around and shedding occasional tears while he recorded the final take.

On the flipside is another previously unreleased track, the forward-thinking NIGHTY. By no means filler, this is a timeless track with a subaquatic feel. With lush pads and elements doused in delay and reverb, you’d think this is a purely ambient cut, but it’s much more than that. Subtle melodic and rhythmic elements are engaged in a dialogue, and distant breakbeat samples can be detected in the background, enough to induce movement but never overtaking the vibe carefully created by InnVision. The result is a track that is at the same time featherlight and impossible to listen to without some sort of movement. Once again, truly unique music that transcends time and place.

Malin Genie welcomes an extensive EP treat from Lava Lap, an emergent producer with an affinity for the kind of braindance that will have fans of Jodey Kendrick beating their drum machines with approval. The acid is slippery, the structures ever-shifting and a wealth of expression spills out of every bar. There are faster drum & bass paced bits, melancholy detuned electro and much more besides. Far from just being clever music though, it's also amazingly emotional and so impeccably produced. Any electronica head should be all over this.

With releases on the likes of Organic Music, Housewax and (djebali), plus a string of stand-out EP’s via their own labels Sintope and Sintope Digital, Timisoara’s NTFO have established themselves as key names within the realm of minimal and deep house since making their production debut back in early 2008. Having released their ‘Esperantza’ EP on the label last year, here we see the pairing return to Bondage Music in fine form to open their account in 2019 with the impressive ‘Dobr’.
Title cut ‘Dobr’ opens the EP as the duo quickly go to work, introducing a slick blend of sharp drum shots amongst snaking bassline patterns, whilst ‘Blissed Out’ combines organic percussion licks, punch low end tones and warping synth leads to great effect. Next, the first vinyl only track on the package ‘Riddin’ welcomes dubby pads and crisp hats before flowing steadily into the slinking, metallic tones and 303-tinged bass stabs found throughout ‘Standers’.

On our recent ten years anniversary compilation we had an array of big names and up and coming talent alike. But make no mistake - It's time to break new soil again! Please welcome Thibault Morel aka Seroplexx from France with four no-nonsense techno tracks that are set to tear apart every warehouse and underground club out there!

Cold Body Music vol 1 is the first part of a new series of releases focused on cold wave, EBM, industrial etc. Vol 1's concept, curation and design are all our own work which we build around demos we’ve had in our hands for a while now. That is to say, all music on the album is previously unreleased. The format, design and fidelity pay homage to the early 80s “cassette culture” championed by bands such as Cabaret Voltaire, Throbbing Gristle, Clock DVA, and many more

Artists on the release: Victor 25-2 / Often A / Antoine Heroics / Silens Letum / Halvtrak / Schnell Funktion (H. Puolitaival & K. Rapatti)

It's Sestra Records' first VA. It features promising artists in the industrial techno scene.

incl. dl code

Clear Vinyl

It's Sestra Records' first VA. It features promising artists in the industrial techno scene.

incl. dl code

Yellow Marbled Vinyl

It features tracks from various music genre such as Industrial techno, Dark techno and Acid.

incl. Downloadcode

Vinyl Only

SVR001 emerges as the first constituent of the Sous-Vide Records vinyl catalogue. Asael Weiss of Tel Aviv paints intricate soundscapes of dark matter as he takes you on a journey deep into ominous atmospheres, resounding bass lines and electrifying synths so hypnotic they might be conceived by an alien life form. Marking the journey's end, RQZ sends us deeper into the unknown with his take on Asael's First Floor. A deep and transcendental groover inspired by the 90's movie The 13th floor.

The Owners are back on their imprint with a high energetic Detroit
Techno record including 2 Vinyl Only tracks. Early Support by Joris Voorn, Dj T., Damien Lazarus and Anton Pieete.

A mysterious journey through the shadows in the darkness is emerged by our new installment. The charismatic duo Bichord debuts on Eclectic Limited with a fantastic EP titled "Continuum" featuring 3 powerful tracks identified by their trademark sound. Edit Select interprets with a high-flown remix wrapped up in charming thundering shades.

The clergy is pleased to introduce you to a new initiate: Birds ov Paradise. This highly anticipated Hypnus debut comes split into three separate EP's which will be released one each full moon starting October.

Some of you may be acquainted with the music of Birds ov Paradise already as he's put out two stellar records on Jens and Aniara Recordings in 2016-2017, as well as making a contribution to our podcast series The Memoir where his sound was put on a grand display. Those of you who are new to the fantastic dream world of this very talented artist will quickly get lost in the flowing rhythms that drives his magical deep techno sound.

Early support from Etapp Kyle, Ness, Slam, Iori, Refracted, Svreca, Cio D'Or and Dorisburg to name a few.

Conforce signs "Wavetable" to Sungate - an energetic and diverse four-track EP produced using mostly wavetable synthesizers. These chord-driven tracks showcase a sophisticated danceable approach with proper groove. Rotterdam techno in its purest form.

Due Next Week Please Order ASAP to Secure Your Copies

For the fifth release on Grand River’s experimental label, One Instrument, synthesizer maestro Donato Dozzy gifts us with an incredible, psychedelic 38-minute journey. “Slow Train” has been created using the EMS Synthi AKS, an extraordinary and rare portable modular analog synthesizer, first manufactured in 1972.

'One Instrument Sessions - Donato Dozzy' highlights the artist's most experimental side on what will be his 7th studio album. These tracks are the honest outcome from a long and intimate engagement with the instrument which were produced in his San Felice Circeo studio during an “altered state” night in October 2013. The resulting music is one of fluid continuity; Dozzy’s most extensive, vigorous and determined application of real-time studio recording to date.

The intensity of both parts of “Slow Train” are comparable to a mindfulness experience in which the listener’s perception of reality slows down enabling every small detail of the sound to become alive and increasingly vivid.

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples' minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip.

Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year - some of which come on his co-owned label Spazio Disponibile - he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

The label say: Raw, melodic and urgent. That is what Kmyle and his “Come Back” 12” are about.

Hailing from the South of France, Kmyle needs to be urgently reevaluated and appreciated. All three songs here are complex, harmonious and relentless. They create the landscapes for the dancefloors we so desperately need.

Kmyle is the future of techno and "Come Back" is the second release on Still Techno.

There's no doubt that Luca Piermattei is one of the most exciting young producers coming from the ever-growing Italian scene. The Seekers family member has been steadily releasing on some of the most influential labels of the moment, including his own imprint Polarity, which he runs with Gabrø, Frankfurt's HardWorkSoftDrink and EYA to name a few. His latest output is Colt Music's sixth release, in which he delivers four bass-driven, minimalistic tracks that fly effortlessly between house and electro in his very own signature style.

Yoshi Records is back with a bangin´ Electro 5-Tracker by Nino Šebelić. For lovers of carefully orchestrated modular escapades, this probably is not the right record. For lovers of stone cold Electro vibes straight from the streets, this is the right record.

Purple Vinyl in Label Cover pressed on 180g, incl. remixes by Roger Gerressen and Mihai Popoviciu

Beyond The Universe is the work that Ricardo prepared for us;
Composed of 2 original tracks, ‘Lost My Mind In Empty Space’ fullofenergy,ahyperactivegroove,metallicpercussionsand
a constant energy surround this main track. Notoriously it is
the result of an introspective exercise channeled into
creativity.
‘Sea Of Galaxies’ It is the environmental and futuristic part
with which Ricardo has decided to close the A side of the
album.

‘City State’ is the first EP on the newly founded Brussels based label Someguy Records, the brainchild of political journalist Gijs Ramboer, aka Someguy. Includes Different Fountains remix.

Time to break new soil again with two new faces on the label, who delivered a perfect peak time EP! The Reason Y teamed up with Patrick Milaa and they came up with three tracks for their debut EP ’25 East’. Not only Patrick and Frederik aka The Reason Y met at Watergate Berlin, also Gregor Tresher met Frederik there some years ago, ending up closing the main floor with a b2b-set that might still resonate in the minds of some of the people who attended that special night! A release on BNS was quite inevitable and we say welcome to Frederik and Patrick! For the remix we have a very very special guest! Gregor has been a fan of Cari Lekebusch's productions for almost thirty years, so we are over the moon to announce Cari decided to go on remix duties for this project! It is a very special honour to have him on board, delivering one of his signature big-room-not-big-room tracks with one of those unresistable grooves everybody knows and loves him for! So, hello everybody - and we hope you enjoy the music!

Tribute to B Boy culture...

Hardcore has survived three decades. Will it never die? Mutate to survive, as the saying goes. There were outliers back then who remain misfits now, and it’s hard to tell whether what they’re making now is so different to what they were making then. Maybe the machines are slightly smarter, but they just find ways to rough the sound up elsewhere in the signal chain. What rings true is the sound hasn’t aged – in the right hands it still jabs at the frontal lobe and tickles the pleasure receptors with ferocious precision.

LIMITED TO 150 COPIES

Paula left crossing each river twice, knowing there would be nothing to come back to and on the way each of her steps continuously sonicated and extruded to finally collapse into the emptiness she once came from.

Collecting orders for repress

We are happy to present you this golden repress! DJ & producer I Hate Models takes care of the A-side with the irresistible "Requiem Of Desolation", a blessing dancefloor mash up of untouchable acid trance flights and old school sonorities. Very different from what we used to hear from this infamous and long time techno activist. This is what we call "Modern Rave".

On the flipside, ROD mastermind Umwelt unleashes bass and acidic tones on killing "Requiem Of Haunted Warehouse'. Haunting horrific melodies enhanced by hammering kicks turn the track into a monster dancefloor track.

Warning: Rave Anthem!

BT57 sees Markus Gebauer AKA Interviews making his debut on Brokntoys.

Having left a lasting impression with his previous efforts on labels Ortloff and Bitterfeld, here the Berlin-based producer showcases his throbbing blend of Italo, EBM and electro on a 4 track EP designed for primetime club action.