Techno News

Acid, Breakbeat, Electro, Techno ... For its fifth year of life, art-aud's Secret Rave celebrates with a triple 12'' compilation, but now available as a split release! It embodies the essence of the series through 15 tracks produced by nearby (and far way) artists and friends.

Acid, Breakbeat, Electro, Techno ... For its fifth year of life, art-aud's Secret Rave celebrates with a triple 12'' compilation, but now available as a split release! It embodies the essence of the series through 15 tracks produced by nearby (and far way) artists and friends.

Acid, Breakbeat, Electro, Techno ... For its fifth year of life, art-aud's Secret Rave celebrates with a triple 12'' compilation, but now available as a split release! It embodies the essence of the series through 15 tracks produced by nearby (and far way) artists and friends.

Like a noisy hound in your neighborhood - keeping you awake.. awesome stuff on this fresh U.S. house label ....TIP!

LaRhon is back and the Mastermind behind the label who is The Prince Of Dance aka Elbee Bad, presents with the Black White ep a fulminant return. More to come!

Following a distinguished debut EP on Anagram in 2014, marking a promising start for rising artist and one of Anagram's owners Sinfol, comes a compelling and vicious remix edition by two Frenchmen with alternative styles.

The best and most beautiful things in the world cannot be seen or even touched. They must be felt with the heart. Arts Gallery presents Linn Elisabet an Artist that has majestic skills to take you to another world simply by composing music.

Comes with a hand-stamped cardboard cover.

CREDO turns ten. This is the soundtrack. Since the very beginning CREDO as a label stands for an uncompromising dedication and passion for true, authentic techno, just as the mastermind behind the label, Alex Bau. Over the past ten years an impressive list of contributed their art to create a mosaique of modern, contemporary technosound that meanwhile is received as the "CREDO Sound", both musically and productionwise. CREDOnow continues its sold reputation with CREDO.TEN, a compilation including LVRZ, Mikael Jonasson, Leghau, Dirty Basscore, Vloyd and of course Alex Bau with a stunning cooperation with no one else than The Horrorist.

LTD 180G COLOURED VINYL

'Sound of Palladio' is the first in a four part series of limited 12" pressed to 180g coloured vinyl, with a single piece of cover artwork commissioned from Italian artist NEROG spanning throughout the series. Never Ready Records' inaugural release sees Venetian techno & bass house experimentalist Munstac veer between the echoing sub bass chambers and angular staccato momentum of The Cathedral' to the more drawn out drum rolls and flutter of The Theatre'. Along the way, East London's Spatial helms a mighty 132 BPM jungle break refix of The Cathedral' whipping up that trademark hectic fervor the Infrasonics label boss has previously delivered on the likes of WNCL & Stillcold'.

Mutant Joe returns on Natural Sciences with his debut vinyl release 'Operation Chaos' merging underground trap and hoop electronics. Guest collaborations from Freddie Dredd, YVNCC and Julien Andreas.

Exalt comes up trumps once again with this superb collaboration between 2 highly skilled producers. 2 tracks of deep 4/4 and addictive electro goodness with plenty of attention to detail. Perfect end of summer jams for the heads!

Person Of Interest debuts on UTTU with 4 tracks of tape saturated breakbeat house. Previous releases on L.I.E.S, Future Times & his own incredible Exotic Dance Records has shown he's one of the most interesting producers working in house & techno today.

* This is the third release on the 6-volume Surgeon reissues label, SRX.

* Originally released in on Downwards Records in 1996, Communications marked the first mini-album and a more fully-fleshed out concept release for Surgeon. So raw, it will skin your knees.

* It still has the power to corrupt the youth of today.

A few words from Surgeon about the SRX series:
While searching through old DAT tapes I was shocked to find how clear and dynamic many of my early tracks sounded, not the way I remembered them from the vinyl releases. Those early tracks, recorded 20 years ago, were mastered and cut by people who had no understanding of electronic music. I actually remember cutting a dubplate back then and being asked if my track was "supposed to sound like that" The engineer was so disgusted at my music that once the cut started he left the room until it was finished.

Although some of these releases have been repressed many times over the years, they have always been from the original plates from those early cuts; none have ever been re-mastered and recut in their original from. So I began carefully transferring everything from the original DAT tapes and working closely with Christoph Grote-Beverborg from Dubplates & Mastering in Berlin (who's been cutting my all my releases since 1996) to present this early material as it was originally intended.

Along with the early Downwards releases, I found high-quality unreleased tracks from that time as well as releases that had only been issued in limited pressings; those too are included in this project. For the packaging I commissioned Ken Meier and Yoonjai Choi from the New York design firm Common Name to create some sumptuous sleeve art.

4x12" ! repressed !

First compilation on Nervmusic records with an artists like Ark, Cabanne, Fumiya Tanaka, Half Hawaii, Rhadoo and many more. Comes in a gatefold sleeve with an artwork by Igor Skaletsky

Grab your space suit! The BlackFoxMusic crew steps out of our solar system.How is this better described as with the words of Jimmy Carter: "This is a present from a small, distant world, a
token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours." Our new compilation "Kapitel 4" features 8 intergalactic tracks, almost all previously unreleased, by the BlackFoxMusic artists Alex Q, Robert Babicz, Masterton, Tagträumer², Millimetric, Lars Wickinger, Toureau and David Carretta.

Bolstered by the unshakable body of work behind it, Brooklyn-born Berlin-based techno label Chronicle reaches its milestone tenth release with its gaze fixed dead ahead. Ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about
so far. More important though is to remind those tuned in to take heed, because the next step is always the most significant.

From the artists crafting the music at its beating heart to the all-important design that packages the records, Chronicle is a label that pulls no punches in its creative vision. Given that the vision in question matches unbridled futurism with elegance and intensity, Consider This A Warning is a fitting title for a salvo of sounds that set the tone for where Chronicle will head in its coming chapters.

Chronicle is a label that has always thrived on the evocative power of eerie, tension riddled techno, and this compilation builds on those foundations
and reaches out to a swathe of tempos and intensities without ever losing that haunting spark that has shaped out the label to date. Joining in on this behemoth project is; Aiken, Arnaud Le Texier, Ben Gibson, Hironori Takahashi, Imugem Orihasam, Echoplex, Mike Storm, Staffan Linzatti, & Zadig.

The forward-thinking nature of the music in this collection sums up the ethos of Chronicle as a whole. Each artist has a distinct identity but they all strive to push techno into unexplored realms, placing the emphasis on atmosphere and psychological impact. In such an approach can the most affecting sounds be found, and there will surely be few listeners left unmarked by this record.
You have been warned.

Following contributions by DJ Deep and DJ Hell, Tresor Records are proud to present the third instalment in their Kern mix-series, this time headed by Berlin based producer Objekt, his first release following his 2014 debut album Flatland for PAN. In keeping with the series mission of showcasing a more personal approach to mixing Hertz describes his process as such,

Kern Vol. 3 is made up of tracks that I know I will play and love for years to come. Some of these records have been in my bag for years, others are almost as new to me as they are to you. A handful are by lesser known artists whom I admire and who I think deserve wider recognition. Planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a DJ mix but settling in a sweet spot between live recording and studio trickery. The tracklist spans styles, decades and BPMs in an attempt to craft a mix that's unpredictable and compelling in equal measure - one that draws from the more adventurous corners of my club sets, but above all, one that's a pleasure to listen to.

Clocking in at 75min across 36 tracks, Kern Vol. 3 delivers on Objekt's promise, stitching together everything from the playful breakbeats of Beatrice Dillon's "Halfway" to Kirk DiGiorgio's classic techno "Nebula Variation" and the lightspeed IDM of Aleksi Perälä and Ueno Masaaki without missing a beat. A descent through ambient bliss, thundering cello drones and vocal contortions (courtesy of Anna Caragnano, Yair Elazar Glotman and Senyawa's Rully Shabara respectively) give way to the stoned haze of Sensational vs Sotofett and metalwork of Machine Woman and Skarn, rounding up a highly eclectic and adventurous mix which also includes previously unreleased tracks by Bristol's Shanti Celeste, rising Brooklyn producer Via App and accomplished electro technicians Clatterbox and Polzer.

A Thousand Harmonies in Silence is an album that highlights the idea of being "safe". Since writing this record I wanted to portray personal memory and experience that had me feeling at peace. Each track signifies a special place, thing, person and time. All of which had some sense of security. I challenged myself to really embody these moments and record my guitar in single takes. I can only hope you enjoy listening to this record as much as did writing it.

After kindly stepping in on remix duties on our first Miskotom release Kito is back on Pleasure Unit with a nicley rounded EP that shows the full extent of his production skills. Houstrack does what it says on the tin and pumps it up in true old skool house style, Damp firecrackers sounds like it could come from a long lost Italian Library Lp. On the flip Never been to Ibiza beaches in 1997 is a nice laid back Balearic ode as you might expect, lastly Jungle Mantra is a dense tropical treat. Check for Kito's previous releases on diverse range of labels from Bahnsteig 23, Freerange,Dirt Crew,Hell Yeah and Bordello A Parigi

The historical Power Electronic founders duo remixed by two of the infamous artists of this new industrial/noise scene. Parrish Smith, also know as Sige Bythos and Volition Immanent, already appeared on labels as Nation, Contort Yourself and Knekelhuis, made a smashing track, slow and heavy, distorted and electrically powered.Black Seed, already appeared on DTLS SND and Sign Bit Zero signed a syncopated track, with tribal influences and bouncing sounds that will turn your brain into a whirpool.
Procreation and Religion... let's think about that.

Repro's debut on Euromantic "Post-Nostalgia" gives the past a cold look through contemporary eyes and provides the soundtrack for a post-nostalgic fantasy. It's a new world, full of old dreams.

Tram Planet 11

Official Hedgehog Affair Remixes by Ron Wells.

The new OHM compilation from Ambidextrous Records features some top drawer electronic acts such as Norken (Delsin, Skam, Clear) and Christ. (Formerly Boards Of Canada) and has support from BBC Radio 1 in Scotland - New Music In Scotland, Kiss FM Australia - Brain Food, Annie Mac - Radio 1 UK, Orde Meikle (Slam DJs), Amazing Beats Show - Amazing Radio & many others.

Referente al comportamiento humano, la Divergencia se define como la capacidad de percibir la realidad circundante desde varias perspectivas mentales. Ante un mismo hecho, la manera de afrontarlo cambia sustancialmente si nos posicionamos desde una visión u otra, así que disponer de una multitud de enfoques nos aportará un mayor bagaje experiencial.

Un libro podría ser un simple conjunto de letras más o menos bien enlazadas o una poderosa arma para cambiar una vida. El amor, una mera sucesión de fenómenos químicos o la manifestación de lo sublime e inefable a ras de tierra. La amistad, puro interés o la sólida unión de los que vibran en la misma sinfonía. El Mal, un reprobable acto merecedor de oprobio o la conexión con un principio natural dualístico.

Sopesar los pros y los contras es una ardua labor destinada a producir la mejor síntesis para nuestro periplo vital. A partir de ahora, la Divergencia inundará tu existencia...

Acid Hard Techno, spacial sounds, trippy 164 BPM with a solid feeling of downtempo Hardcore. Liquid acid and violent !

Third self-release on ACW label brings some 130 bpm acid techno/breaks tracks.

100 pieces limited, hand stamped.

He Doesn't Need Any Introduction, We Know Anton From The Very Beginning With His Releases As Scsi-9 With His Partner Maxim On "force Tracks".

These Days He Continue Delivering Top Quality Deep Works For Kompakt And Other Respectable Labels.

It Is An Honor To Have Anton In Seven Villas With "echoma Ep", A Stellar Deep Techno Work.

A consistent source of clued-in house and techno, Archie Hamilton's Moscow imprint has been feeding discerning fans of electronic music since 2010. During that time, the London- based producer has supported established and up-and-coming names alike, those more often with a focus geared towards the dancefloor. The label's latest offering comes from Hamilton himself, who teams up with Panick Panick! label owner Noha, offering a collaborative EP that is a fitting snapshot into the work of both individuals.

The NoHamilton EP gets underway with 'Lip Service', a rough-and-ready track with firm emphasis on a grinding, hypnotic loop that easily surpasses your average DJ tool. Highly finessed and progressing steadily, it's the perfect example of how to do less with more.

Looking towards more sun-kissed planes, the duo deliver the EP's A2 track, a more heads- down cut that's loaded with good-time grooves from the get go. Sure to work a charm whenever it's unleashed, 'Bored of Life' serves up an intriguing insight into both producers' boundless studio output.

Romanian duo SIT culminate matters with their 'Lip Service' rework. Consisting of Cristi Cons and Vlad Caia, the pair have been excelling consistently, with both their Resident Advisor mix and latest release on the iconic Sushitech label proving a potent reminder of this. Taking the listener down the rabbit hole once more, they inject Archie Hamilton & Noha's original with an eerie sheen, also adding an off-kilter baseline that's hard not to get lost in. A suitably groove-led but unconventional interpretation, it closes off the EP with the sort of distinction we've come to expect from Moscow.

Double pack of trippy jams from the Midwest / Bill Converse's first release outside of the US

Dutch duo Deep Dimension debut on Rekids with a stomping vocal cut entitled 'So 1992' featuring a collaborative remix from label founder Radio Slave and rising star P.Leone.

Jeffrey Hek & Jimmy van de Geijn have been actively DJing for over two decades. The pair paired up as Deep Dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. Launched earlier this year, their vinyl label named GEN X has instantly picked up overwhelming support from the likes of Radio Slave, Tommy Four Seven, Benny Rodriguez, Kobosil, and many more. They now continue their upward trajectory by arriving on Matt Edwards' respected Berlin based imprint, Rekids.

Thudding kicks are joined by rising synths as pitched up vocals come into play in 'So 1992'- the result is a rave inspired techno monster designed to throw crowds into frenzy. On the flip, Radio Slave pairs up with Rekids regular P.Leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

Hardcore speedcore jewelry

FJAAK present FJAAK006, including 2 party bombs & a slice of ambience.

Speedcore crazyness... UTLIME STYLE !! NEEDED !!

Classic 1961 hard-bop album by the alto sax great. McLean’s fifth Blue Note LP. Recorded at the Van Gelder Studio on 26th October 1961. Featuring Tommy Turrentine (trumpet), Sonny Clark (piano), Butch Warren (bass) and Billy Higgins (drums). Showcasing fine McLean originals (the title track and ‘Subdued’), the only Thelonious Monk/Sonny Clark collaboration (‘Five Will Get You Ten’), plus Clark’s ‘Sundu’, Turrentine’s ‘Enitnerrut’ and Warren’s ‘Lost’. Includes session photography by Francis Wolff and liner notes by legendary jazz writer Ira Gitler.

“Branislav Jovančević from Belgrade has created something deep, dark and beautiful for his first vinyl release and we are honoured to welcome him here on DISK!

All 4 tracks take it easy at first but will not let you off the hook until they are done with you! They’re gonna drag you down far below that surface of the flickering chirrs where that summer night felt still warm and snug.

I can not tell you what’s waiting for you down there cause whatever it is emanates from your subconscious as much as it does from Branislav’s machines. And like that park of machines, all animated by their own will, the machines of desire residing in your unconscious may respond and connect however they feel like - independent of your conscious control. Trust me - that’s exactly what will happen!

That being said, it also works great for dancing in clubs!
On top of all that Igor Milanović made an exceptionally beautiful cover which comes stamped with gold hot foil!!”

The next in ART’s classic Remaster series is another gem from the early Eevolute catalogue. Max404’s (Erwin van Moll) “Recycler” EP was originally released in 1992 during the heyday of European Techno meets Detroit influences.

The legendary Solid Bass DX100 preset sound dominates the opening track showing its Detroit influences from the off. Mamoulian brings the European EBM/synthwave sound to the fore whilst Hangover merges the Chicago/Detroit sounds in a funk bass led feast.

Fractal View was the big hit from the EP. A techno-breaks hybrid perfect for the raves of today and yesterday. The EP ends with the dark, heavy breakbeat Quiddity - a haunting track that ensures ths classic eclectic EP stays in the mind forever.

Never previously reissued in its full vinyl format and only previously available as an in-demand original with prices to match - the remaster meticulously brings the sound up to modern standards.

It all started with a handful of cash but ended in eviction.

Always intended as a story in two parts, Jules Smith aka October's Eviction EP is the six-son follow up to his Pay Day EP, we unleashed in late 2018. An album's worth of material made 'just for Honey Soundsystem' Jules is back with his sleazy Prophet-one driven industrial disco.

As indulgent as the rave sirens and snare pummels on the title track seem, October's sheer mastery in production and studio mixing turn these tongue-in-cheek-in-your-face nightclub firecrackers into delicacies. Oh! And file 'Larry Bruce Chest Thumper' under Front 242 and i:Cube doing a line off of an iPhone together

Solipsism heads into new territory with this deeply hypnotic four track EP of Dubbed out Downtempo Techno and Fuzzy Electro. Hypnagogo EP has had support from Soma Records (Scotland) Joe Muggs (Mixmag, The Guardian), Indie Rock Magazine (France), Is This Music Magazine (Scotland), Regal Radio (Scotland), Relaxed Machinery (Australia) & many others. Comparisons have been drawn with artists as diverse Beaumont Hannant, Boards of Canada and Deepchord.

Reissue. Originally released 1998 in Japan. Produced by Suzukiski aka Takahiro Suzuki.

John Talabot and Axel Boman teamed up in 2017 for their R&S debut 'The Night Land' where they got to flex their creative muscles over eight tracks of rich synth jams.
The two electronic artists have been independently successful in their respective careers, but as Pitchfork expressed in their glowing review 'Their collective output doesn't sound much like either's work; it doesn't even necessarily reflect the thin, convex sliver where their interests overlap. Instead, they've hit upon something new.' This new sound also proved to be a hit with the likes of Mojo, Phonica, XLR8R, Self Titled and DJ Mag all including it their annual best of lists.
The artists have now handpicked four artists to create their own vision of the Talaboman sound.
Superpitcher, Samo DJ and Luke Slater under his L.B. Dub Corp alias have all seriously delivered the goods.

PURIFY RECORDS AIMS TO EXPLORE AND EXPAND THE BOUNDARIES OF CONTEMPORARY ELECTRONIC MUSIC
WITH TIMELESS, DEFINED AND MATURE SOUND THAT IS GUIDED BY THE PAST, PRESENT AND FUTURE. THE FIRST
RELEASE FEATURES THREE TRACKS BY THE LABEL FOUNDERS.

DJ Bone and Deetron reunite for their second release as The Story Tellers on Bone's Subject Detroit imprint. This second EP sees them putting forth two unique versions of their own original compositions accompanied by very special adaptations of each other's works.

Tilman Robinson’s third album, CULTURECIDE, is an investigation of the anthropocene; a seven part lamentation for our chaotic world.

Tilman Robinson is an Australian composer and sound designer creating electro-acoustic music across a range of genres including classical minimalism, improvised, experimental, electronic and ambient. Tilman’s diverse output focuses on the psychological impact of dense sound employing acousmatic and psychoacoustic principles. His third album CULTURECIDE will be released on Iceland’s Bedroom Community label in April 2020.

CULTURECIDE: “...processes that have usually been purposely introduced that result in the decline or demise of a culture, without necessarily resulting in the physical destruction of its bearers.” D Stein

CULTURECIDE is a rich sonic collage, harvesting sounds from a range sources including field recordings, medical machines that monitor the human body, traditional instruments and synthesisers, often melted electronically. The result is an unsettling paradox with sounds constantly on the edge of recognition. Each piece references a specific socio- political issue ranging from colonialism to neo-liberalism to climate change and the impending singularity of humans and machines. Far from an answer to these questions, CULTURECIDE invites us to meditate on their place in our life and approach personal understanding.

Recorded and produced almost completely in Australia, a land at the forefront of the devastation of climate change, CULTURECIDE was an attempt at catharsis for its author frequently appalled at his country’s incredible apathy and inaction. Mixed by Bedroom Community regular Daniel Rejmer and mastered by Lawrence English, works from the ambitious and unsettling record saw Tilman nominated for the 2019 Melbourne Prize for Music.

"Tracey's 'Microdancer' is the follow up to last years critically acclaimed 'Metamorphosis' EP. 2019 saw Tracey release his debut LP on Dial plus spin at Amsterdam's finest club De School for the first time, The 'Microdancer' EP shows Tracey's contemporary take on IDM + Electro, a timeless sound that's helped shape him as an artist."

blue marbled vinyl with handmade stamps and free sticker, inspired by jules verne`s "20.000 leagues under the sea"... deap-sea monsters and fear of the dark side ! vinyl only - no digital release or promo !

After releasing a track via Ben Sims' Tribology compilation in 2018 VIL drops his 'Ritmica EP' on the British DJ's legendary Hardgroove imprint this October.

Previous output for Synewave, Analog Solutions and Planet Rhythm have won Lisbon's VIL support from across the techno community and the 'Ritmica EP's propellant cuts continue a strong discography.

Opener '97-1' is an urgent heads down affair that rarely takes a breath, instead relying on the ebb and flow of pads to provide contrast to the undulating bass and punchy rhythm track. 'Field', taken from last year's Tribology comp, is next up and unfolds a little more slowly with creeping breakbeats laying the grit atop a detailed hypnotic groove. On the flip, 'Breaker' and 'Hawav' go for the late-night dance floor assault from the off, the former employing breaks and phased, percussive lead sounds to substantial effect while the latter lets loose with distorted kicks and chewy, arpeggiated bass.

Other releases by vil

Cassette / Tape

Sci-Fi drone and Echocore from (TB)Z

Gary Holldman returns to International Day Off for a solo work , delivering four original & trippy techno tracks on hand-stamped vinyl.

James Shinra return to Analogical Force, and it needs no introduction. 'Reverie' is the new 4-track EP where James plunges us into his fantasy world again and will remind you exactly why you fell in love with this talented guy. JUST DIVE IN.

Label boss Jos debut solo EP on EYA Records.

Looking for a deep and exclusive music of Tech House Explore my 4 brand new tracks: A1 Hypnotic / A2 The Deep Night / B1The Way / B2 Sunset.

Silent Wave is an electronic pop trio from Gothenburg,
Sweden comprised of collaborating artists Tildeh Hjelm,
producer Hans Olsson Brookes and jazz percussionist Martin Öhman.
The project recently shared its eerie new video for "Dancing Away From You"
shot over Halloween weekend inside an old mansion in the Swedish countryside.
Singer Tildeh Hjelm directs and stars in the spooky affair.

From its genesis, Silent Wave's power has been generated by the members' eclectic backgrounds.
An accomplished visual artist and film student, Hjelm not only writes most of the lyrics and melodies but also
produces the project's music videos. Brookes boasts an impressive resume for his work as a producer,
engineer and multi-instrumentalist having mixed intentionally renowned Swedish artists like I Break Horses, José González and Junip.

The remix of hand Sintex Bortexx, creating the climate with its classic bass line for the dance floor.

Attention!!! This is an acid attack, all over the world!

One of the most banger from this sery... For this one no acid. Just pure dancefloor techno ! AUK recordinsg gonna love that !!!

HARDFLOOR releases new single for the first time in one year. The A side uses TR-808 and the TB-303 has vibrato, making it a mysterious track like a "ART OF ACID" which has highly rated in recent years and it is traded at a premium price. Side B is a straight acid track uses TR-909. TB-303 resound like a crawling on the ground. This is HARDFLOOR Tracks.

Big mental hardtek killer... fat sound from deep inside...

Banging Melodious Mental Tribecore ! Abandonned Madhouse Freaky Concept.

Vril's now classic 2014 Delsin debut.

Once again the DeltaPlanet offers a beautyfull landscape of sounds !

sehr schöne detroit electro und technotracks im typischen underground resistance gewand !!!

Exzakt's first EP on Monotone since 2007 is a collection of various tracks that have not been on vinyl. This tracks were hand selected by fans out of 17 tunes to chose from. First we have Madrid Nights which has been only heard in Exzakt DJ sets and was a fan favorite that has often been requested for release but has not until now. This song is a deep look into Exzakt's progression in his sound. This track explores many emotions through ever changing soundscapes. A2 is an excellent remix of Larry McCormick's Escape track which originally released on Datapunk in 2004. 214 completely dismantles the parts to make a unique composition that turns into a journey and its perfectly fit for a proper vinyl release. The B starts with an Exzakt Classic that from the start screams to be heard on wax. Me & My 808 is a heavy, ripping tune that will service any dance floor. Last is an emotional piece that you can tell from the title, Love Hate. Again Exzakt goes deep on this one but still keeps the beat pumping like his tracks often do. This is another solid Exzakt Record that should be in any Electro Collectors record box.

Recorded live in Kreuzberg.

Repress Soon!

Having debuted on the label with Drama in Decay, Gamma Intel returns after having become a regular fixture across European basements. His third outing sees the Rotterdam-based producer building on his previous output while incorporating an increasing wider palette of sounds. Automatic Illusion delivers his signature restrained and swaggering productions tapping into slow acid, breakbeat and electro.

Purple Vinyl

The Death of Rave is honoured to plate up the vinyl debut by NYZ, the cult, algorithmic/ generative music project of award-winning artist/scientist Dave Burraston (Bryen Telko, Noyzelab).
The A-side revolves 14 succinct blatz ranging from cranky percussive pieces to queered microtonal dissonance and SAW II-like atmospheres - notably including one track made on a
Sequentix Cirklon sequencer and PreenFM2 synth gifted him by Richard D. James - while the B-side contains a steeply immersive spectral drone tract that (never) ends in a locked groove,
especially cut at D&M, Berlin.
The results are wholly unique and speak to the endless, playfully experimental variation of NYZ's art/research. They reveal visceral, alien microcosms of curdled microtonal tunings and
proprioceptive chicanery bound to thrill and induce strange, new sensations in even the most hard-to-please fiend of electronic music. It's strongly recommended to followers of Russell
Haswell's kaotic gnash, the mind-bending tunings of Aphex Twin, the visionary algorithmic scapes of Roland Kayn, and Eliane Radigue's microtonal meditations.
In Dave's own words: SHFTR FRQ is a series of experimental studies into simple synth setups controlled by varying levels of generative complex systems (MANIAC cellular automata). Recorded over the last 6 years on an ever changing hybrid of equipment encompassing the domains of modular & MIDI based microtonal sound synthesis (analogue & digital). Setups were always ultra-minimalist, often with just the MANIAC cellular automata sequencer and 1 or 2 modules/synths to provide a consistent sensory focus. The studies range from ultra-short sequences, micro-ditties, investigatory motifs, to a full length high spectral drone meditation.
Dave Burraston has previously collaborated with Alan Lamb on recordings of a mile-long telephone wire in the Australian outback, and more recently he issued nearly a dozen NYZ tapes and CDs
with some of the most crucial modern music labels, as well as a number of releases under the Noyzelab and Bryen Telko aliases. In 2014, Dave self-published 'SYROBONKERS!', the most technical and in-depth interview ever given by Aphex Twin.

Repress of the sought after first release on brokntoys.

Handstamped and numbered, the EP presents 4 tracks of futuristic, atmospheric electro aimed at the dancefloor from one third of the London Modular Alliance.

Vinyl Only! Hand-stamped 180 Gram Wax! It's the third Release from long-standing Fuse London Resident Rich NxT's NxT Records!
Not to be missed ...

DJ and producer, co-founder of the legendary London club night Lost, Steve Bicknell returns to the fray with a brilliant new 12", 'Modes of Thought'. Comprising three full tracks and six locked grooves, the record represents the debut release on Bicknell's brand new label, 6dimensions. Art by Harumasa Kono.

Throughout his career, Steve Bicknell has retained a true groundedness, with everything he's stood behind being indelibly marked by a progressive and uncompromising attitude. Sticking firm to ideals and principles, he has remained connected to the roots of techno, eschewing the mainstream to follow an unswerving, singular vision, guided by a deep and enduring devotion to the music that inspires him and a desire to present it in the purest way possible.

Stepping out here with new material and a new venture, Bicknell's trademark raw, minimal aesthetics and conceptual underpinning have clearly been retained. He describes new release 'modes of thought' as being founded upon "the awareness of thought processes, understanding the connection between the heart and the brain through vibrations that are created via the blood-stream." Essential floor gear, 'modes of thought' introduces three tracks of taught, lean minimal techno before handing creativity over to the DJ with the inclusion of six locked groove loops.

Lean and precise, with a beautifully controlled pallette, wide dynamics and rich level of sonic detail, the record flies out of the blocks with the pumping 'harmonious balance', described by its creator as a "reflection on hatred and furthering an understanding of hate and how acceptance induces balance". Continuing to unpack the work, 'the moment I stopped' is described as "a realisation of the importance of self-preservation to balance yourself in order to take care of others close to you"; whilst on the flip, 'messenger molecules' depicts "the flow of blood and how it feeds the brain of feelings through coded information".

Banoffee Pies Records return to their Black Label imprint with new label signees on Part 2 of their second release with BPBL02.2. A three track journey through auto tune outer space with Jay Anderson on the A1, a minimal exploration from S II P on the A2, through to an 11 minute tripped out rain forest track from Peshka of Ukraine with expertly sampled voices from the rivers of Hanoi in BP style. Music for pondering and thought. Moody feelings direct from Banoffee Pies hq. 'Farewell my Princess.' x

BT25 brings together label regulars Marco Bernardi, Vertical67 and Exhausted Modern alongside debutante Robert Valera.

A1 marks the first appearance of NY-based analogue wizard Robert Valera with Test 2, a track reminiscent of the deeper end of the West Coast Sound.

Marco Bernardi returns with Tokyo Sunrise, an epic journey joining Detroit and drum & bass in anticipation of his forthcoming Plat + Form PF EP.

On the Bside Vertical67 explores his signature emotionally-charged sound with Out of Sight and fresh off his Ampér EP, Exhausted Modern closes with the ominous The Last Minute on Earth.

Screenprinted sleeves, handstamped and numbered labels

Vinyl Only Clear Vinyl

Almost 20 years ago there was the limited release of a rare whitelabel by Jesper Dahlbäck. It's still one of our favorite "hard to find" records and we are really happy to re-release it on Cutz# with 2 well balanced DJ friendly edits by youANDme.

After his first solo EP on Funkineven 's Apron imprint Bastien Carrara is back on Rawthenticity for a solo EP! Gritty & emotional filtered sample based tracks made on his MPC 2000xl in his basement!

Third EP on Klimaks comes from belgian Bimas (Desolat, Rawthentic
Music) - again four massive tech trax.
The label releases the vinyl long before digital release - so keep the
catalogue numbers in your mind !

The Tiefschwarz boys have just struck musical gold with their latest offering for Souvenir, a fresh EP delivered by the electro trailblazer named Bolz Bolz (Germany's Andreas Bolz) who's done more for underground music than you probably realize. 'Practice Paris' is a 4-track EP which dives into the murky, broken beat and techno tinted territory Mr. Bolz has honed to perfection - with each track tried and tested from the Souvenir Crew to stunning result. 'Dollars Pounds Euro' starts the release out in style with a brooding electro monster high in energy and mood. Gritty sampled vocals sit on top of crisp percussion whilst a truly evil, heavy bassline blankets the track in robotic soul. Detroit hero Kris Wadsworth (Breed / Ultramajic) twists the original version of 'Dollar Pound Euro' into an absolute monster of a track with a steady techno 4/4 punch underneath some of the heaviest clouds of intense synths we've ever heard. Saturated with creativity, this one is a true future classic in the making.
Title track, 'Practice Paris' is a funky little number of a track with an infectious groove and some twisted vocal samples to keep the human touch vibrant. This track shows Bolz Bolz celebrating classic funk music with a fresh combination of the new tech sounds moving the masses today. A perfect sonic combination.
Boston Native Soren Jahan (aka Line Cook) provides the remix of 'Practice Paris' with a loose fitting and low-slung house interpretation full of quirky samples and unexpected percussive programming. The remix captures the vibe of a live jam session to absolute quality result. Andreas Bolz is the co-founder of the infamous electro label Electrocord and has spent the past few decades helping shapeshift a unique twist of underground dance music hugely influenced by Techno, Krautrock, Electro, and Experimental sound. His latest offering for Souvenir is a result of over 70 releases and experience entertaining masses around the globe with his signature forward thinking electro and techno aesthetic.

Christian Smith & John Selway are back with the third and most powerful edition of "Count Zero". "Stamina" is a proper rave bomb with relentless energy. "The Distance" showcases their musical techno side which they are known for.

This edition also features a third track called "Industry" that is exclusively available on a vinyl. All tracks have been tested to great reactions at clubs and festivals. Be prepared for Smith & Selway's LIVE show in 2019. Ten exclusive shows across the globe!

Dix Ailes is a musical proposal for 2 female voices, 1 percussionist, 1 electronic device and 1 place with high reverberation. Between minimalist music and pure pop, Dix Ailes plays on an acoustic illusion, that of making indistinguishable the origin of the sound (instrumental, loudspeaking or architectural), based on work on harmonics, frequency vibrations, the physical resonance of the place, psycho-acoustics.

Essentially centered on the voice, Dix Ailes addresses the notions of empty and full, of internal listening and silence, of liminarity and transformation. By a principle of initial composition based on symbols and archetypes, the music of Dix Ailes echoes universal rituals and myths, and shares with them a language that tempts to escape the sequences of rational logic, and thus to open up to an contemporary poetic landscape, made of archaic and invisible.

LTD Edition Yellow Screen-printed
Lywood has worked alongside some of the most prestigious names in art, fashion, music and film - from Led Zeppelin to Louis Vuitton, The Venice Biennale to The Serpentine Art Gallery, in a career spanning over 20 years. JUNK sees Lywood stepping into the limelight for the first time with these eight epic psychedelic dance-floor and spaced out instrumental visions.
JUNK is inspired by Vik Muniz's ground-breaking documentary Waste Land, which tells the story of the landfill site, Jardim Gramacho, on the outskirts of Rio De Janeiro. Recycling fragments of German electronica, disco and 80's synth from his childhood and fusing these with new, found sounds, Lywood takes us on a journey through his world of JUNK re-imagined.
Five of the tracks are named after some of the largest landfill sites around the world, and Trash Vortex is named after the swirling mass of plastic waste the size of Texas, in the North Pacific. Lywood stays close to Muniz's mission to 'change the lives of a group of people with the same material that they deal with everyday'.** Cover artwork by Keith Coventry, the celebrated fine artist represented by Pace Gallery**
The debut Cochabamba album comes courtesy of respected sound designer and fine artist Dan Lywood!

Reissue of rare UK ambient techno from ’93-‘94

Cold Blow has joined forces with Berlin’s AVA. Records in unearthing some of the finest ambient techno from the Artificial Intelligence era in a beautiful double LP package. The compilation covers essential cuts from the back catalog of J. M. Adkins’ releases and includes 2 tracks available on vinyl for the first time!

Aside from Descent, a previously unreleased track, the material was previously released on the short-lived Metatone Recordings which was founded by Adkins himself together with Damon D’Cruz known from his preceding Jack Trax label. Today the original releases are sought after rarities which demand high prices on the 2nd hand market.

Compiled from the original DAT tapes and remastered by Andreas “Lupo” Lubich at Calyx Mastering, “Electro Music Union, Sinoesin & Xonox Works 1993 - 1994” reintroduces Adkin’s work as some of the era-defining classics from the early years of techno. A must-have reissue for the fans of early B12, AFX, The Black Dog, Kirk Degiorgio, et al.

Our friend Filou makes his very first appearance on the label with a very smooth original named Sonar45. The bass and kick answer each other nicely forming a strong core to build upon. The rising strings, pads and loops bring a positive classic housey quality while the ever evolving synth stabs keep up the groove. This one is clearly all about balance and sound placement. On the remix, we are priviledged to welcome Christian Burkhardt with a really nice, slightly more uplifting take on Sonar45, adding in some percussion and really effective 303 synth loop. Bring on the summer!

Deep space electro by French producer Franck Kartell. Known for his releases on labels such as "Bass Agenda Recordings", "Transient Force" or "New Flesh", just to name a few. This time he makes his debut on Between Places the sublabel of SolarOneMusic. Enjoy his journey into dreamy electro and sience fiction worlds.

HIKE: Cristal clear lakes, impressive mountains, soothing forests and Berlin Techno music. The Königstuhl is the highest peak in the Lower Odenwald forest. At its top, an amazing view awaits you - over the Neckar valley, Rhine lowlands and on a clear day even as far as Alsace. High above the university town you will find peace and tranquillity on the numerous footpaths. You can experience the surrounding forests in a unique way on the "Via naturae" walking route or the Forest Adventure Trail. On the opposite side of the Neckar river, you will find the beautiful "philosophers walk". In this area you can stumble over beautiful Beryll Minerals, like the one we used for our cover.

Hot on the heels of the recent reissue of the Point 2 LP, James Ruskin follows up for Tresor Records with a bold new EP entitled Siklikal.
Right from the outset, Nepte draws in by vast sonics and laser focus, unruly synths distort over a skipping beat that hits hard in the right places. As the beat takes a backstep but no less rhythmic, Kn Te3 is one for adventurous DJs, recalling the minimal loops that Ruskin is known for, seeped in industrial melancholy that fizzes a granular decay.
On the b-side, Nocke brings the beat back to the forefront with a muscular UK techno sound, highly e ective and pounding. Closing the EP is Kn Am3 which retains the industrial sinew of its near-namesake Kn Te3, exposing raw synth excursions over brutalist machinations. This EP symbolises Ruskin's dynamic approach, pushing at boundaries yet never without a strong grip over the dancefloor.

REPRESSED !!

Chase me, chase me. Tom and Jerry. Dick Dastardly and Muttley. My two dogs by the fire, contentedly asleep. I miss us, the spark of excitement, the thrill of the chase, the ancient rolls... but most of all I miss making music, our no man's land. And that's what makes it difficult at first to listen to your Haar. I hear the hills in it, I hear the sea in it, I hear whitewashed walls, wind and drizzle, shards of sunlight on Scottish sand, I hear the spark and click of a lighter, I hear you.

When you left my life you took on a new name, a borrowed name, a name paying homage to a legend in folk circles buried deep in old songs and ancient bothy books. And that's you through and through - the cryptic layers, the barely tangible stream of consciousness, the subtle fragility of an idea teasingly explored, the suggestion of a hook, the predictably unpredictable.

Maybe a bloody genius but most definitely with something to say, a perfectionist but never a polisher or one to dwell too long on precious things. Am I talking about the music, Haar, or you To me they are one in the same thing, the sea - you, the ghost-like memories of an old fashioned Scotland - you, the Joyce-esque suggestion of a thousand things without ever defining one - you.
A rich tapestry from a strange and beautiful mind. This isn't a vacuous collection of junk collected by some preening magpie but something real, something built with love, craft and tirelessly acquired skill. Referential yes, but only so as to pay respectful homage to tradition and culture. A precise execution on proper machines with big hands and pop-eye forearms, undeniably heartfelt.

Limited run for this 3rd volume of John Swings Unreleased house dubs. Hand stamped label and cover.

Jackin’ house with a hip-house edge from Italian producer Lonely, who recently started popping up on the radar of a number of tastemakers around the globe. Drumcode regular Tiger Stripes was one who early saw the potential and picked up “1994”, which as a rare treat gets the Tiger Stripes Remix treatment.

Trademark Tiger Stripes techno mixed up with some red hot 90’s rave breaks takes this track into a whole new dimension, and together with the Original Mix, that’s already getting hammered by Loco Dice, it makes up a pretty neat package.

Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive and internal state.

What a blast – the captain got remixed and bäämm look at this pack !!

First full length from Posthuman in eight years. Named from, and created as a companion piece to the (completely sold out) Mutant City Acid series on Balkan Vinyl. Inspired by classic computer games such as 'Syndicate', 'Flashback' and 'Beneath A Steel Sky', it is written as the soundtrack to a journey through a near-future dystopian city, awash in the glow of neon skyscrapers. Digging into the weirder side of acid techno and electro, this is still an album for the dancefloor but with one eye on the darker corners of the room.

Pressed on completely random coloured vinyl - red, green, yellow, blue -.some marbled, some faded, some solid, some translucent - the first time this has ever been done. The entire pressing process was video livestreamed from the plant with engineers answering questions in the chat (again, a first). Comes in a full colour gatefold sleeve adorned with retro pixel art.

Following Stil & Bense`s glorious debut release - Mr. Pink' on Perlekind Records in 2016 - it came with great pleasure for the label makers Romeofoxtrott to team up & compose this fine 4-track split EP. - Bergauf / Bergab' kicks off with 2 deep, melodic and playful original tracks joined by 2 drivingly blasting remixes - indeed will be available in digital and vinyl.

Another powerful double 12" from Sama – including André Winter Rmx. Techno Prime-Timers as its best.

Sheer power. With 'Tears Of Joy' Stefan Goldmann hands in an array of unapologetically bass-heavy techno cuts. Attacking a sound system's full width, these simplistic two-tone workouts turn out to have tremendous depth. Never standing still, constant feisty modulation keeps basslines and bodies.

After Thomas Schumacher's succesful 'Natural Rhythm' trilogy on Noir Music, the Berlin-based producer now returns with a fresh new release for us. Thomas and I have been very much in sync with what music we like, play and get inspired by the past couple of years, so I was one big smile when I received these new bangers from Mr. Schumacher. Continuing on from last years trilogy, in 2018 we embark on new adventures starting with this 90s rave inspired 'Embody Paradox' release. Both tracks are geniusly crafted and a tribute to warehouse moments from the early 90s with a twist of Thomas' skillful 2018 freshness. 'Embody' is built around a timeless 303 sequence wrapped in Thomas' unique synths, soundscapes and relentless beats. On 'Paradox' Thomas goes back to oldschool arpeggio influences, his signature string composition and thumping subs. If you like rave-music; You will love this. If you like good techno; You will love this. Thomas Schumachers creative juices are flowing more abundantly than ever.

Drawing from a diverse array of contributors, Suggested Forms gathers the asymmetrical rhythms and polyrhythmic dancefloor freakouts from New York multimedia artist Tristan Arp’s first EPs. Alongside twisted reworks from Dominican dembow and reggaeton producer Kelman Duran, techno experimentalist Machine Woman, and Brooklyn’s Beta Librae, the Human Pitch cofounder’s syncopated rhythm science serves as a strange and playful take on leftfield bass.

Very special and highly limited electro / electronics project (tributed to James Stinson) from the Fundamental Records camp, produced by different artists that will remain anonymous, if they choose to...

Viktorias first EP on her imprint shows her approach to dancefloor oriented Techno.

The bass heavy beats of 'Black Jack' create a joyful, classic vibe. 'Winters Tale' drifting synths and distant vocals provide a hypnotic and haunting atmosphere.

Winters Tale Remix made by LA techno veteran Developer, clearly reveals his taste of pulsating groove.

'Delta' closes with Korg made synths, freaky melody and no nonsense percussion work.

Flint, Michigan home of the longest on going water poisoning crisis in the world. Mark Taylor (aka DJ Vintage Future)) Flint native takes on the government neglect of his people with a solution.......... a message in the music. This record will frustrate you how simple the solution is if you pay attention. It will show you how bureaucracy kills the people. Funky and Dangerously coded by UR this record will SlingShot you directly to the dirty dance floor and the clean water we all need.

Frendzone returns with another split EP featuring tracks from Violet and Denham Audio.

Kicking your bassbins - PZG & Dubsknit aka WE ROB RAVE from poland dropping four tracks of upfronted happy hardcore that has been melanged with juke, trap and jungle mashup technics.

Solar Phenomena sales pack 002 including:

SOLAR05: Achim Maerz - Leaving This Planet
SOLAR06: Romansoff - Halo
SOLAR08: Fluxion - Strands

LTD Repress !!!

"Before One" ist die Vorabmaxi zu Ben Klocks Debütalbum "One", das Ende Februar auf Ostgut Ton erscheinen wird. Vier Tracks, von denen nur einer ("Init Two") auch auf dem Album zu hören sein wird, die schon einmal sehr gut die Richtung von ´"One" vorgeben: Classic Techno mit Herz und Seele.

Known for its 808s, Bass, Alligators, & Cocaine Cowboys, Florida is the home of Vanguard Sound's Chris Mitchell, who follows his contribution to Squirrels On Acid with an EP of four absolute Rippers at the intersection of classic booty bass & new-school goth electro.

“Every Asshole” announces its presence with an up-tempo red-lined booty beat that will shake the walls of the Strip Mall Strip Club in any neighborhood. Funk is the key ingredient, and it is added generously, even when the synthesizer melodies bring in a darker texture. “Grippers” is more sinister, but no less funky. Dirty South Cold Wave at full frequency, propulsive & punk rock, but this is strictly party music at its core. The drum patterns stay in perpetual motion, programed with skill & precision. “Sh4” is another banger. The sound of a malfunctioning Fairlight over intricate drums & angular arpeggios. Mitchell's tracks never sit still, and again here, the drum programming shines. This is someone who has put in their 10, 000 hours on the MPC, and it shows. “Land Of Make Believe” slows things down & turns ups the Goth. Cybertron Sci Fi Soundtrack moods, but rump shaking nonetheless, wordless alien vocal textures & synth strings weave with the drums, which here are slightly more sparse than the previous tracks, but programmed with the same attention to detail.

If you're familiar with Chris Mitchell, this EP will not disappoint, & if this is your introduction to his music, you'll be wanting to hear more. This sixth release from the world of Squirrels is NOT for standing around at the party looking cool. This for shaking the tail, sweating with strangers at legendary all-ages club & birthplace of Miami Bass the Pac Jam in hedonistic abandon.

Justin Strauss and Max Pask have joined up to form the new project Each Other, who will release their self-titled debut EP ‘Be Nice To Each Other’ on February 7th, 2020 via Soulwax/2manydjs label DEEWEE. While Strauss and Pask have DJ’d together on numerous occasions, this is the first time that they’ve collaborated on a production project.

The EP finds Each Other creating an eclectic range of sounds in the space of just three tracks. The opener ‘Same As It Never Was’ is the most immediate of the set, becoming more hypnotic as the minimalist topline buries itself into your subconscious. The downtempo ‘Burn It Down’ then darkens the mood, feeling closer to a dystopian sci-fi soundtrack than an underground club classic, before the playful and progressive ‘Six Weeks’ up the energy with jittering beats, sparkling synths and a cooly understated vocal.

“What we were trying to do and what we’ve hopefully achieved was to merge our influences with a nod to what many consider to be the ‘golden age’ of New York,” explains Justin Strauss. “You don’t realise that these periods were becoming important markers in history when we were living through them. It only comes later with the added benefit of time. I hope that in years to come, history will find a place for what we’re doing now” - Each Other.

As with all DEEWEE releases, ‘Be Nice To Each Other’ was recorded produced and mixed at DEEWEE.

Ellis de Havilland twisted electronix finds its way again to Bunker. 13 tracks divided over two EPs, this is the second one.

As we descend into winter and the end of 2019, an EP that, like the shorter, overcast days, is chilly and stark, yet accented with rays of sun that crack through the clouds, glints of starlight, full-moon rises.

These five tracks—six for the digital version—come from Eluize, a Berlin-based Australian gifted at simmering minimal yet acerbic house potions over low heat, patiently coaxing them to a slow boil. Mischievous, creeping concoctions that approach and build sneakily, as layer upon layer is looped, expanded, condensed, dropped out, and slid back in. Each is a beautifully musical piece, too, with as much evolving melody as hypnotizing groove.

An LPH soundtrack for nights that stretch on forever, lit only by blinking lights that break apart seas of heavy fog and slice between silhouetted bodies.

‘Rise & Shine’ was the shimmering and ethereal introduction on Esteban’s ‘Day Labor’ album, but for the EP we open with a Beat Mix that layers these elements over a tough bass and some raw beats to take it to the dancefloor.

The beautiful Underground Resistance Remix follows. It’s deep and soulful with the addition of some classic UR strings, delivering everything you’d expect from this influential crew.

The third track (or flip-side on the vinyl version) starts with a shorter vinyl edit before Mark Flash of UR takes over, lending the original a tough house groove that delivers plenty of raw funk into the bargain.

Rekids offshoot Stranger in The Night welcomes renowned underground mainstay Fred P for an incredible release complete with his signature depth.

Fred P ended 2019 under his Black Jazz Consortium alias with an album full of the lush musicality and worldly deep house grooves he’s known best for. His own name is reserved for more driving, club focused sounds, however, and in the past, he’s released on Secretsundaze, Finale Sessions, Mule Musiq, his now defunct Soul People imprint, not to mention his more recently minted Perpetual Sound. Few can nail a groove as heavy and hypnotic as this Berlin-based New Yorker, and the four tracks here highlight that once more.

'Turn Up' is built on immovable kick drums that roll and roll beneath a dark nebula of synths and pads. There is the atmospheric feel of factory floor automation in the groove and it never lets up. The lush 'Alphabet City' is less heavy, with more bright and cosmic pads lighting up a track that is airy and filled with a subtle sense of funk. 'Construction' takes things late into the night once more, with an edgy lead that is unsettling and paranoid as it pans about over a rooted kick drum that will lock the floor into a state of hypnosis. 'For The Dome' closes this fantastically compelling release with jittery, percussive drums that are softened by celestial synth work. In harmony, they make for perfectly escapist listening.

This is irresistible dance floor dynamite for those who like it deep.

Vinyl Only

The 6th release on BLKMARKET MUSIC is a new collaboration between electro producer Gosub and label head Taimur.

On the A side, Gosub & Taimur go techno with two versions of their track ‘THE CONTROLLER.’ The A1 is a deeper 135bpm version that takes you into outer orbit. The A2 ‘THE CONTROLLER (DARK PATH MIX)’ focuses on a faster 145bpm darker and more tripped out version of A1.

The B side focuses on the after-hours side of things. On B1 they kick things off with ’SAFE,’ an electro track that turns into a druggy four on the floor tune, with haunting vocals that chant ‘You think you’re safe.’ On B2 their track ‘PHI’ is more on the techier side of things.

Concepts powered by dusty machines. Made in Florida.

The third installment of Hypnus' Serum-series introduces two wonderfully swirling deep techno cuts from Swedish producer Hardstedt Under Molnet with interpretations by Hypnus adepts Luigi Tozzi and Ntogn.

The record will be pressed in 180 gram marbled vinyl (transparent blue and white); sheathed inside a hand-stamped and undyed inner sleeve. It will be limited to 300 copies and released under the July full moon.

Early support from Claudio PRC, Deepbass, Ness, Svreca, Slam, Patrick Siech, TM404, Etapp Kyle and Iori to name a few.