Techno Novedades

Mental acid superb EP. Quiet on the speed and peacefully progressive... Aquatik acid tribe

E-Missions co-founder P.Leone returns to Radio Slave's Rekids this September with 'The My Lita Project' backed with remixes from Mark Broom.Originally hailing from New York, P.Leone now resides in Berlin where he helms his E-Missions imprint with releases from himself and co-founder Caiazzo, exciting new artists like Rush Plus and Tred, not to mention remixes from Young Male, Spencer Parker and Lawrence Lee. Leone has also dropped a variety of releases on Rekids and Work Them Records, when not making regular appearances at clubs like Tresorand ://about blank. He now returns to Radio Slave's respected imprint with 'The My Lita Project', following up his highly lauded 'El Dorado' EP that garnered support from Ben Sims, Jackmaster and Spencer Parker.
'My Lita' kicks things off with classic synths, piercing strings and choppy vocals slices whilst robust drums march forward. Meanwhile, 'Tight In The Pocket' is more dark and menacing in comparison with its syncopated percussion, echoing claps and ethereal atmospherics. On the flip, Mark Broom drops two different remixes of 'My Lita'; the first is a robust cut complete with disco elements like funky guitar licks and soulful voice, with the original's stabs shining throughout, whilst the second remix takes a different route with its crunchy snares, moaning murmurs and fuzzy effects.

Masterpiece of a new label and new artist, at least on vinyl.
Superb Industrial hardcore pityless tracks ! Crazy Drops and dry kicking stuff with a bit of humour. MASTERPIECE !

WHAT YOU WANT presents Ray Mono with 4 fantastic club tracks on black vinyl.
There is nothing more to say.

Bearing traces from his earlier synth ambient project Sansernes Rus as well as his previous engagement in the danish noise and techno scene, this debut EP operates on the fringes of percussive techno, melodic ambient, and bass music with nods to several other styles including IDM and millenium trance. In other words Safe Following Distance' reflects a very adventurous approach to music making, offering four individually strong tracks out of which each one draws upon inspiration from different genres while contributing to an overall aesthetic perspective.

The first of three samplers, comprised of selected tracks taken from Spencer Parker's new album, 'Dance Music' out via his own label Work Them Records.

'There was no real concept behind the album, all I knew is that I wanted to do something honest. The tracks I make are the tracks I play in my sets and tracks I want people to dance to - that's where the title comes from.' - Spencer Parker.

Part One of the sampler opens with 'It Was Just A Dream', a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. Next up, 'The Oh' hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals.

On the B side, 'You're Under My Control Now' takes the sound industrial combining a Kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. 'Absolutely Raving' closes out the first of Parker's 'Dance Music' samplers offering a rave leaning techno weapon that wouldn't be out of place in the hallowed grounds of Berghain.

He is young, he is from Bulgaria and he has a big passion for music. Having previously released music only on his own label, this is his first venture into the outside world. Genial gladly welcomes on board Stefan Dichev.

His Desert Brothers EP, consists of 3 tracks, Hide, Withdrawal and, of course, Desert Brothers. It's not easy to classify the ep in a specific music genre. All 3 tracks have a very distinctive drums programming and groovy bass. They could be easily played in a big club during the peak time of a set or at a dark basement during the after hours. They have this strange deepness that calms you down but at the same time the first kick after the break easily gets your fist up.

Here at the Genial headquarters, we always try to find the balance between things, people, relationships, music and maybe Stefan Dichev has just done that with his Desert Brothers EP... He found the balance!

Arrash Tout new release... Blasting hardcore sound ! More and more crazyly good and daring the Hard experiments with a bit of a dancefloor rewards... Every new on is better than the last one. And this is pretty rare. Must have

The Limbo Theory track brings out the fever ! A clear kick and a siren, with a coming acid waves that treathen like a tsunami rush over your ears... Dark is a night cruiser, solid 160 kicker with shouting acids volutes... The flip opens with Monster Acid, a non-violent Techno swampy dark acid tunes, offering a little synth melody and a threatening little acid bass. The Aluvions of the last track is a shaking acid hardcore track from The Deathmaker, kicker shaker full of surprises.

Another release from the UMX label with this 4 banging tracks from artists from the USA , with on side Natural Nate with 2 energetic electo breaks tracks that will keep your neighbours out their sleep , on side B is Mike devious with some slower electro but o so strong .
Be sure to get this one for your collection ( limited amount of copies 150 )

"Since Efficient Space excavated Andy Rantzen's mind-bending 'Will I Dream', the rest of the world has become better acquainted with the darker & dubbier side of one of Australia's rave superstars. We're excited to present a selection of tracks from Andy's incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future.

"Lifting the Veil" speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. 'Cosmic Vibrations' harks back to the development of fully computerised rhythms emanating from Jammy and Tubby's Waterhouse studios, by way of Erskineville. In the same vein, 'Bedtime for Boo Boo' sees Andy joined on the boards by Sydney dub technician Sheriff Lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of Australia's finest reggae talents.

Flip the disc to find 'Move It', the most concentrated dose of the jungle vibes that permeate the EP. Rantzen channels the headrush sonics, breakneck drums and euphoria of D'n'B's heydey, nailing the red-eyed early AM atmosphere of a Sydney warehouse ca. 95 - and it's just as likely to cap off the night of many a secret inner west location to come. 'Magic Lantern' marries a dreamy synthesizer melody with a wicked, subby bassline. If there was a dancehall scene in 'Ferngully', this would've been the soundtrack, with enough low end to really rattle the treetops. On closer 'Dub Generator', a slightly-creepy mechanized voice urges you to 'leave your worries at the door... come and join your friends upon the floor' - an introduction to the dancefloor or an induction into some sinister cult Whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold."

All songs recorded at Masking Tapes, Liquid Blue and 1/66 Enmore Rd, 1997-2000.

- 2LP housed in printed 5mm outer sleeve with paper inners, 8pp booklet, A5 sticker sheet and download card insert. Download includes original album and 4 previously unreleased bonus tracks. Initial copies on gold vinyl.

Yet more blissful listening comes your way courtesy of the impeccably talented Deepchord. As we prepare for the release Auratones, the Detroit native's 5th LP for Soma, Rod delivers the calming Northern Shores EP.

Epic aural formations are always at the forefront of Deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of Modell's sound designer skills. The crystalline sonic formations in Cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of Sky Maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. Crystal Horizons sees Modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. Sand And Shore has Deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.

A producer like no other, Deepchord creates new sonic realms with each release.

Holland-based Planet Rhythm usuals Dubiosity and Pjotr G return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. ''A Man Is No Island'' opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. ''Die in a Forest'' is a more traditional Techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. ''Poisening The Well'' is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. Tears in the rain is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

incl Full Cover Artwork !

Electric Rescue is back on his own imprint to his new album, the third one and the most powerfull one no compromises techno and electronica music, a film of his 2 years past life, authentic, personnal and unique vision of the actual techno scene and life, pure !

Flowing energies and social pressure, high expectations and pathetic fails, driving rhythms and cheerless inertia, so-called integration but effective exclusion; these are some of the opposite poles reeled out of the debut full-length delivery of Glass Knot (Lasse Bjørck Volkmann aka Metalized Man, and Nicolai Vesterkær Krog aka Misantrop) on Foul-Up. 'Present Tense', is a multi-level sonic object whose large-scale reach only equals the profoundness of the tale of love and hate it discreetly tells - in between the lines. Laying down a hot-blooded mixture of warped industrial rhythms, chopped-up breaks, off-kilter drones and hi-NRG anti- techno with a strong punk attitude, the seven tracks blaze their trail away from expectations and norms.

A1. Present Tense 1
A2. Present Tense 2
A3. Present Tense 3
A4. Present Tense 4
B1. Present Tense 5
B2. Present Tense 6
B3. Present Tense 7

The women break vases against the walls
and the men drink too much,
crawling in and out of beds.
Alone with everybody,
we are all trapped.

CRG008 welcomes new artist Kmyle to the Clergy group.

Re-issue of forgotten minimal techno abstraction from Hamilton, Ontario. The unsung genius of Secret Werewolf is fully on display on this 1996 gem.
Rubbery and polymetric, akin in mood to Robert Hood/Metroplex productions of the same era, but full of eerie metallic timbres and flexing grooves which combine into a lysergic hypnosis unlike anything else from then or now.
A taste of the forthcoming Geej re-issue project surveying the Steel City Records catalogue, a wellspring of unsung, singular dance music that arose from the abandoned industrial spaces and uncompromising producers of the fertile but secluded techno zone of Hamilton, Ontario Canada circa 1995-1997.

First time pressed in over 20 years, vinyl only.

***
Mord.
Morderstwo.
Rotterdam.
Herdersmat.
***.

Milan based collective Just This return with their biggest compilation yet, a twelve track package featuring varied entries from label regulars and esoteric talents alike. JT022 is due for release July 20th. Melodic fragments and melancholic harmonies spiral through ricocheting drums and marching kicks. Contributions from Skudge, Hiver, Hunter/Game, Artefakt, Pizetsky and many more combine to forge a formidable package channelling moody, hypnotic techno for darkened dancefloors.

finally repressed

It's been a while since Planet Rhythm released an entire LP project. Who else to thread into album territories than Ukranian Planet Rhythm stalwart ''Yan Cook''. After releasing various efforts through the Rotterdam based imprint over the last few years, Yan Cook comes up with a double LP consisting of 2 discs with 2 tracks on each side.
Whilst shifting between various sides of the Yan Cook identity the XX LP proves to be an effective and bulding package over mechanic Techno sounds with strong builds and exciting taints of FX.

Cleveland is forever in search of the brown note. This is his second offering for the ESP Institute. Side A's Tusk is a beautiful paradox—rhythm programs that churn like the inner workings of a grandfather clock, unmistakably mechanical, yet fashioned through muted analogue instrumentation that paints a deceptively organic picture. The crystallized jangle of FM synth voices toy with the softened drum patterns and vibrant animal-like chord gestures over nearly seven minutes of splendor. On side B, Aku digs further into mysticism, manifesting digital jungle themes, cleverly abstracted through erratic bleeps, distant tribal drums, atonal flutters and synthetic bird calls. The cinematic quality of Clevelands production shines through both tracks, but its Aku that sweeps us from reality to embark on a moonlit expedition in search long lost treasures, proving Cleveland a virtuoso skilled in building complex narratives with sound. These two songs will modulate your frequencies.

Label head Jay Lumen is back on Footwork with a massive acid techno release.

This one tracker features "Asteroid", a fat main stage techno roller with powerful 303 elements and Jay Lumens unmistakable signature sound written all over it. Wherever you are, if the aim is to burn up the dance floor, this is the right choice!

Luminer return to Left Wing with two deep and melodic original tracks in the style they are becoming synonymous for. Completing the release label head Michael McLardy provides a remix of both A side tracks..

A slip effort between Mike Shannon, hear & brain of Cynosure and Ohm Hourani, the mind behind Anoma, conform our second release. On this side, Shannon immerses us into his unique world of underwater reverbered chords swimming in proper beats for fired up dance floors. On that" side, Ohm Hourani's mesmerizing journey of hypnotic percussions and shamanic female vox, sets our emotions for late night dancing. One record, two Canadian friends and an amazing trip through a world of sounds is what CASTELAR DISCOS has to offer this time.

Brilliant dancefloor techno and hardtechno, classious and industrial.

WLDERZ is newcomer duo on skryptom. Wellcome Cyril and Jeremy aka WLDERZ for your this first package of huge techno weapons. This is a pure powerfull record of techno but deep and melodious in the same time. 3 huge tracks who give us a first panel of WLDERZ possible direction and talent. To push farer this great moment of techno, KEITH CARNAL deliver us an efficient techno approach from SAD INDUSTRY, Huuuuge Remix, enjoy

After 5 years of silence, Dadub are summoning their magic spell on BAS006. - Rituals of Resistance" makes use of tribal drums, ghostly echoing samples taken from the collective consciousness. Emotive techno in it's dubbiest prime evokes scenes of territories uncharted by global repression. Dadub present their very own vision of techno politics. Not shy to tap into a glitch, familiar sounds emerge from a well orchestrated chaos. An acutely bass driven sense for rhythm combines with the inevitable esoteric beauty of hand-crafted Italian techno. This is the sound track for all those who yearn for an inner revolution.

the first release of Unique Trax from Buenos Aires have two originals of " Dynamena " creative collaboration of Ariel Rodz , Bodeler and Juan Zolbaran . We also have an RMX Leonel Castillo legendary producer and one of the prestigious label Melisma owner,
Felipe Valenzuela, in collaboration with Giuliano Lomonte . Unique trax is focused on spreading the concept sounds more around the house, only on vinyl 12 " and with the participation of Argentine artists and the rest of the world .

Seth Troxler's always dynamite Play It Say It label kicks off 2018 with a thrilling three track EP from Heartthrob.
Jesse Siminski aka Heartthrob has long been an essential voice in the global techno conversation. From early EPs and LPs on the influential Minus label via a trio of releases on his own ISNISNT, he has explored every facet of house and techno in great detail. Always conjuring up bold melodies and slick arrangements, this is his first solo outing in a few years and marks a very welcome return.
The fantastic opening track is 'Stop Lorraine (No One's Gunna Stop Mix)', which is eight freaky minutes of busy tech edged house. A rubbery, kinked bassline drives things along while paranoid voices are staved in amongst falling melodic rain, spitting hi-hats and bouncing kicks. It's colourful and off kilter and sure to awaken any dance floor.
The more trippy 'Triangle' then glides along on deeper drums as knotted bass keeps busy down low. It's a quick, slick track with jerky percussion and sci-fi synths that have the same sense of raw energy as Belgium's famous EBM scene. It's a wild one that builds and builds in ever more arresting ways.
The brilliantly unhinged computer game soundtrack that is 'Nairobi Candles (Fuck Rachel Tension Mix' completes the hat trick. Busy pixelated melodies, shooting synths and wonky piano chords all keep busy above a clipped techno groove that cannot fail to get you up on your toes.
These three tracks are perfectly designed dance floor weapons that prove Heartthrob is still one of the best out there. The release is finished off with artwork based on a painting of Jesse's, featuring one of London's best love industry figures in a homage to one of the 70's greatest soul albums.

Bunker The Hague and Panzerkreuz offshoot Space Trac opens with the dystopian waves of Inga Mauer and Hellboi.

Berlin-Allgau based label Teja welcomes Jase, with his first debut on 12 inch vinyl.
Four tracks, made for dark and unforgettable techno nights.

Mark Henning once again does the damage with 3 perfectly crafted slices of machine funk as he drops Lithium. Easily one of the most active producers in the scene at the moment, Mark always manages to create wholly unique sounding music infused with his own brand of power.

Title track Lithium gets the EP underway with gently filtered, sequenced tones making their presence felt through swathes of reverb and FX before working in straight up percussive elements. Blue Haze delivers an instantly more looped out, old school Techno feel as yet more direct sequences are met with driving hi hats but overall, given a more delicate touch with smooth, ethereal pads. The wonderfully titled Take The Corvette closes out another storming release from Henning, taking things down a decidedly more House orientated route. Its foreboding bass line generates an ominous atmosphere and yet more subtle use of FX builds the foundations of a truly individual piece.

Henning never ceases to impress with his releases and proves yet again to be one of Soma's standout artists.

Classic Norken/Delsin EP from 2000 repressed. Original release text: Lee Norris became known with his releases as Metamatics, through the now defunct Clear-label and is running his label Neo Ouija nowadays. This EP hosts four tracks continuing the style of his previous Norken releases. Four tracks consisting of very soulful sounds and smooth melodies together with more forward beats or more sophisticated break beats. Best to be compared with music from artists like by John Beltran, Carl Craig and his own Metamatics of course. Beautiful things!

Limited and numbered
The raw and acid sounds from Manuel Di Martino and Raffaele Attanasio mixed with the hypnotic sonorities of Mike Storm and the Kaelans solid groove, they are the protagonists for the first release that open the label Persistence.

Already supported by : Alessio Mereu, Joseph Capriati, Beat Movement, Binny, Dimi Angelis, Frankyeffe, Jeroen Search, Joton, Kevin Arnemann, Marcus Muzik, Mental Resonance, Milton Bradley, Pfirter, Shifted, Unam Zetineb, Abnormal Boyz.

Includes Poster & download! 'Previously Undisclosed Rituals' is the first various artists release on Veyl — An Experiment in Noise & Body Music. Tracklist: A1 - Years of Denial - Is It Over Yet A2 - Autumns - Get It Booked You Bastard A3 - RNXRX - Cybele B1 - Maenad Veyl - Subtle Violence B2 - Poison Green - Beetleguise B3 - Exhausted Modern - Nekam Nesen Release Info 'Previously Undisclosed Rituals' is the first various artists release on Veyl — An Experiment in Noise & Body Music. Years of Denial, Cassegrain's Rhyw (under his Poison Green alias), Downards affiliate Autumns, RNXRX, Exhausted Modern and label mainstay Maenad Veyl contribute one ritual each for this grimoire that is guaranteed to keep everyone angry and confused throughout the rest of 2018. The record comes with photography by Tomaso Lisca, download codes and a poster of a death metal festival that never was and may never be.

Highly Limited To 298 Copies, Vinyl Only

Indigo Aera Is Proud To Release A Truly Special Project From Japan's Yamoaka.

Yamoaka Was Originally Formed By Renowned Japanese Duo Kenichi Oka And Yoshinori Yamazaki, Until 2007 When The Project Was Continued Solo By Kenichi Oka. Drawing Inspiration From The Likes Of Kraftwerk And Y.m.o., Oka Masterfully Uses Hardware To Creates Unique Loop Based Sounds Drawing Resemblances To Minimalist Steve Reich's Signature Sound, While Blending In Techno-esque Elements Comparable To Those Of Terrence Dixon's 'population One' Alias, Finding A Harmonious Middle Ground Between The Two. Kenichi Achieves A Live Feel To All His Work, Recording His Tracks In Real Time Without The Use Of Daw's Or Computers, Instead Utilising His Roland Mc50 Sequencer With Perfect Effect.

30drop debuts on Token with From Beyond The Unknown -- a six-track journey that evokes an excommunicative sense of splendor from the outer reaches of worlds beyond. Beginning with Surrender an immediacy pulsates from the outset and dances towards the playful exuberance of The Informant -- calibrating the gears for what frequencies are to be heard in the interim. Space Beacons delights with elegant pads and wry rhythmic evocations, while Mathematical Language bursts with energies that have been long dormant since the days of Jeff Mills' The Purpose Maker. In that same vein, Visitors From The Stars is an entropic message from above, seeking out a communicative line that's emotive and conductive -- leading towards the last track of this journey. Sagan's Implication is an adroit homage to the legendary astrophysicist; leaning into melodics that are both marvelous and mysterious all at once -- similar to finding the answers that lie above us. All in all, a journey that begins by looking past what's diegetic and looking for answers past the narrative presented.

10 mysterious tracks, dark sinister arctic snowscooter electro-funk from the ice-cold eternal finnish polar night, lux ex obscuritas! Fresh re-press with Bunkers new standard Scorpion label!

The real Hardcore zone from nowadays England Heafuk Sound System is really strong. Banging and changing all the time. Like a surprise after a surprise after a surprise... Efficient !!

Hard, direct, pure Techno banger.

The second release of Guy Tavares' bunker offshoot Space Trac. Inga Mauer and Hellboi.

180g Vinyl - Vinyl Only Release

Bondage Music continues its 'Home (Remixes)' package this March with part four, the larst part comprising remixes from Guido Schneider & Daniel Dreier, Kike Mayor, Toygun and Muui.

Banging techno project from K21 and Mik Izif !

Moritz Simon Geist, Medienkünstler Und Robotermusiker, Veröffentlicht Seine Erste Platte. Es Ist Die Weltweit Erste Techno-platte, Die Vollständig Von Selbstgebauten Futuristischen Robotern Gespielt Wird.
Alle Sounds Auf Seinen Platten Werden Von Robotern Gespielt: Kleine Motoren, Die Auf Metall Schlagen, Futuristische 3d-gedruckte Robokalimben, Gerettete Teile Von Alten Festplatten, Die Klicken Und Schneiden. Es Dauerte Mehrere Jahre, Bis Geist Alle Seine Selbstgebauten Roboterinstrumente Gebaut, Optimiert, Getestet Und Gespielt Hatte.
Seine "sonic Robots" Versuchen, Die Grenzen Des Vorstellbaren Zu Überschreiten. Dies Tat Er Bereits 2012 Mit Seinem Bekannten Überdimensionalen 808-roboter - Eine Legendäre Drum-maschine Wurde Real, 4 Mal 2 Meter Groß, Gefüllt Mit Roboterparts, Die Die Instrumente Live Und Vor Dem Publikum Spielen.
Jetzt Geht Moritz Simon Geist Noch Weiter, Um Die Unbekannte Und Futuristische Welt Der Techno-robotik Zu Entdecken. Für Diese Aufgabe Hat Er Sich Mit Den Berlinischen Klangzaubern Von Mouse On Mars Zusammengetan Und Sich Tief In Die Geschichte Der Mechanischen Musik Und Die Experimente Der Alten Elektronischen Musik Eingearbeitet.
Auf Dem Album "robotic Electronic Music" Erweitert Moritz Simon Geist Den Futuristischen Ansatz Des Musizierens, Den Er In Seiner Ersten Ep Vorstellte.

Geist: "wenn Man Robotern Beim Spielen Zuhört, Merkt Man, Dass Sie Präzise Klingen, Aber Im Gegensatz Zu Digitalen Klängen Ein Immenses Organisches Gefühl Vermitteln. Kein Beat Ist Wie Der Andere, Alles Wird Mit Aktueller Akustischer Physik Und Damit Mit Tatsächlichem Fehler Gespielt. Gleichzeitig Macht Die Wiederholgenauigkeit Der Roboter Sie Perfekt Für Das Abspielen Elektronischer Musik. Es Ist Industriell Und Organisch Zugleich."

Was Moritz Simon Geist Erfand, Ist Eine Atemberaubende Aufzeichnung Dessen, Was Heute Möglich Ist - Den Klang Der Mechanik Zu Erforschen, Die Unsere Welt Immer Wieder Füllt. Geist Kreiert Einen Atemberaubenden Soundtrack Für Die Präzise Automatisierung Und Physische Fragilität, Die Die Heutige Gesellschaft Prägt.

Mount Kimbie liefern ein grandioses Remix-Paket mit 4 verschiedenen Dancefloor-Lösungen für den treibenden Post-Punk-Sound ihres aktuellen Albums "Love What Survives". Als erstes mutiert Nina Kraviz den Albumfavoriten "Blue Train Lines" in einen ausgedehnten Techno-Trip mit Vocalfetzen von King Krule, und schiebt gleich noch zwei DJ-Tool-Versionen hinterher. EP 2 serviert zwei brettharte Techno-Monster von Marcel Dettmann und Ellen Allien, während Gerd Janson die Bassline des Originaltracks bis zum euphorisierenden Hands-in-the-Air-Acid-Höhepunkt zwickt.

Known for a broad swath of genre-obliterating club tracks on crucial labels including Critical, Exit, and 50Weapons, Sam Binga approached us earlier this year with a radically different kind of project, a collaboration with Welfare, true junglist and label boss at D&B bastion Rua Sound. The result of their team-up is Conamara Fieldworks. Its unique inspiration and patient process are best described by the duo themselves:

"In early November 2016, we set off through the bleakness of an Irish November into the wilderness that is Conamara, County Galway, Ireland, with about half an idea of what we wanted to do. Our friend Laney had been kind enough to allow us the use of a 300 year old cottage overlooking the sea, itself belonging to her family through generations which she was bit by bit restoring to its former glory. The isolation was perfect - very little in the way of creature comforts, no network coverage, but plenty of turf for the stove and Guinness for the belly.

Our routine for the next few days consisted of trudging the length of the rugged coastline in search of interesting sounds we could potentially process into usable elements for some kind of dub/dub techno-inspired composition...This took us inside tidal caves and abandoned ruins, across sheep fields, up and down mountains and winding country lanes, in and out of the odd pub, under upturned boats and (carefully) across huge washes of seaweed-covered shoreline. Using our handheld recorder (shouts Danny Scrilla for the lend) we assembled a palette of varied noises, constantly battling with the peaking and distortion created by the incessant Atlantic gusts.

Each evening, following some intense huddling around the stove and vital Irish home cuisine and stout, we'd examine and dissect what we had collected that day, sometimes discovering the most interesting material firmly planted in the background of the soundscapes. A certain amount of (but not too much) processing later we had the bones of a few short loops of each sound which made some kind of musical sense when played alongside each other.

Binga suggested staying true to the craft and keeping the rawness to the foreground by attempting to develop the loops into full compositions via live desk mixing, arrangement and effects. We said our goodbyes to Conamara and a month or two later said our hellos to the Dubkasm shedio. Following a crash course from the dynamic duo, we set to work for the day, learning as we went along and enjoying to the full the unpredictability, intuition and sheer vibes a dubbing session can bring, particularly in a studio kitted out with some fine analogue gear which undoubtedly helped us to keep that damp, saturated feeling that Conamara had sown."

The resulting collection of music speaks for itself, and does so in its own language. It is meditative, deeply textural, and richly saturated, with awesome sound design, generous bass weight, and dubwise finesse. Referencing ambient, concrete, and dub techno while never letting any genre dictate its path, Conamara Fieldworks is a deeply rewarding and intensely involving listen. A restrained yet transporting remix from the one Ossia completes the set.

With an uncompromising focus on House and Techno, Eye Shadow is a label set up to showcase artists with a link to the North East of England. Run by The Cleer Consortium, the label aims to bring a spotlight over Newcastle Upon Tyne and the surrounding postcodes of Middlesbrough to Sunderland and beyond.

The Cleer Consortium met through the Cleer club nights, which inspired the collective to start a label and collaborate in the studio. Consisting of Suade, Clarke Sawkill, William Welt, and Binni, the four each bring something different to the table.

Suade is a respected mastering engineer and in 2011 collaborated with Magda on their track titled 'Fixation.' Clarke Sawkill is a man of many pseudonyms and his music has been included on a Global Underground compilation amongst other achievements, but in 2014 he decided to start working under his real name for a series of vinyl only releases. William Welt runs two other imprints and boasts releases on labels including Traum Schallplatten. Binni is the founder of the Cleer club night which bought the four together and gave people like Steffi (Ostgut Ton) and Click Box (Minus) their North East debut.

The first release focused in on The Cleer Consortium themselves with four tracks made collectively by the group. This second EP also features four tracks, each one a collaboration with The Cleer Consortium and another artist with routes in the North East's underground music scene. Not all members of The Cleer Consortium where involved in each track. But all had an input into the A&R of selecting the final four tracks for the EP, as there where others that didn't make the cut.

First up is a collaboration with Carl Handley aka Ruthit who is originally from Darlington, but currently resides in Manchester. Carl is close friends with William Welt aka Will Reed and their track titled 'Liquid Debris' is deep techno with a stripped back sound and strong dub influences. Carl took the hot seat and led the track's production, but William's influence can definitely be felt in its dark undertones and unusual groove.

The second track is a collaboration with Jason Wright who is originally from Northumberland. Affectionately described as a Techno Hippie, Jason regularly throws illegal forest raves and warehouse parties with a criminal record to prove it. With a love for Ricardo Villalobos and all things analogue, his track titled 'Sliding Door' was brought to life with Suade's bass line and William Welt's quirky production techniques. Deep and experimental sliding door is a mechanical electronica full of sliding rhythms.

Track three introduces the man of many pseudonyms Clarke Sawkill, along with Steve Legget on their track 'Life Line.' Steve has been involved in the Newcastle club scene since the early 90's and like Clarke is a man of many names, with perhaps his most successful being his ambient focused Four Hands alias. Their track was originally based on field recordings and an Isaac Hayes vocal sample, but with the help of Suade it got twisted into a dark and dancefloor focused slice of Minimal Techno.

The fourth and final track introduces Matthew Sogorski better known to his friends as Soggy. Based in Newcastle, Matthew is a close friend to a number of The Cleer Consortium, and makes his first ever release on this EP, with a track titled 'Panic Attack.' Matthew's original loop was transformed by William Welt, who recording himself whispering into a microphone. Williams's vocal added some creepy vibes to the already dark and tense track. One of the first tracks started for the EP it was the last to get finish, as the group felt it lacked that little extra something. Having already started a second track in preparation of walking away from this one, it was Suade who once again came to the rescue. Blowing the dust off his TB303 for some analogue knob tweaking, Suade worked in some serious Acid, turning the track into a distinctively individual bit of sinister Techno.

Evod Music is glad to share the first physical EP by Syntaxism. Five tracks made of suspended electrical particles and strong grooves."Onar" is a genuine techno track that contains an acid sequence accompanied by various sound weavings."Yapar" is characterized by the combination of various bleep textures, perfectly superimposed on high frequencies raids.The B side represents the introverted world of Syntaxism, made of mysticism and mystery. "Complesso K" and "Processo S" are two hypnotizing, utopian tracks; both ones are the result of the sum of so many electrical layers in continuous transformation. "Ispezione Visiva" is the perfect outro. An elegant, relaxing sequence is fused with excited bleeps and an infinite drone.

Mike Huckaby, Bergqvist, DJ Sports, Raam and LNS remix 'Deep Soundscapes', Takecha's album recently released on Sweden's Love Potion.

Released in March, the album incorporates Takeshi Fukushima's work between 1990 to 2013 and affirms why the producer is such a respected figure within Japan's electronic music scene. Now his compositions have been remixed by some of house music's best, featuring renditions from Detroit's Mike Huckaby, Aniara's Henrik Bergqvist, the elusive Raam, Firecracker and Regelbau's DJ Sports, as well as Wania and Freakout Cult's LNS.

Mike Huckaby inaugurates the release with his sultry take on 'Low Sentiment', blending deep synths with murmuring vocals to forge a proper deep house cut. Bergqvist then remixes 'Rhodes Deep' creating a bouncy minimal cut incorporating the original's scintillating melody alongside meandering percussion and twisted effects, making way into DJ Sports' remix of 'Gradual Atmosphere' with its intricate breakbeat drums and dreamlike atmospherics. Raam then reinvents 'Calm Imagination' taking it into subterranean territories complete with infectious keys, until LNS ties it all together with her mesmerising beatless reimagining of 'Factory 141'.

UMO presents his first release BLOODLINE, after one decade shaping his sound through hardware lives in the underground scene and clubs of Barcelona.


A five track E.P produced entirely with the set-up of his live show, Ableton being used only to record the audio.
(Gear: Machinedrum, Monomachine, Octatrack, MC-909, SH-32, Electribe MX y KaosPad 3).

Bloodline invites you to an immersive journey with an evocative, complex and sinuous sound. Downbeat electronica reminding of a sci-fi soundtrack, the tracks are evolving in multiple shades and unexpected paths.
The record is offering an extra bonus to Djs staying focused, when raising the tempo the tracks turn into a rare electro/techno delight . A real djtool for advanced dancefloors.

Bloodline is the first reference of the label OPENTHENEXT.


A colletor printed version will come out strictly limited to 111 numbered copies including handmade silk screen printed sleeve & vinyl.

Then, there will be 389 white vinyl copies without any artwork at all but only a OPENTHENEXT sticker
Both will be in stores and for worldwide distribution on the 21st of April 2018, Record Store Day (RSD).

Banging Acid new labels from Planet Techno devoted to some even more acid sound !!

Acid dancefloor Techno... newscene dancefloor pearl !

Acid dancefloor Techno... newscene dancefloor pearl !

Little house dishes for the sunshines moments !

Repress

Dutch pioneer MG (aka Gert van Veen) is responsible for a series of huge house classics to ever emerge from the Netherlands: A-men's Pay The Piper, Quazar's Seven Stars, House of Venus' Dish & Tell. The list is long. Under his lesser known moniker Zodiac Trax, Gert produced some of his moodiest material. Released in 1992 in two parts, these beautifully crafted tracks remained fairly unknown up to this day. For this re-issue Frame Of Mind selected the deepest tunes from the obscure series. A previously unreleased track called Planet X is included!

Columbus, Ohio may not be spoken of in the same glowing terms as Detroit when it comes to '90s Techno from the Mid-West. However, the Columbus-based 21/22 Corp label was responsible for some of Future Primitive's favourite techno from this era. We've tracked down the multi-genre 'president and production manager' behind 21/22 Corp, Charles Noel, for our next release. Formed of two exclusive productions, this Archetype 12" is the essence of techno at its most individual

After gracing Holger with one of his signature remixes about two years ago (Holger 6: The Moonland Remixes), Barnt now returns with two of his own works, the

rst ones since his widely acclaimed debut LP of 2014.
Side A features an etheral composition in

ve parts - accurately titled »A-Seite 1-5« - while Side B displays Barnt's idosyn- cratic version of techno at its best: »If She Says She Is A Healer, She Is A Healer«. Unmistakably the man from Magazine, yet in surprising new garments - and another perfect match for Holger.

freshly repressed!

klassische techno tracks treffen auf moderne elemente!!

Drumcode Limited was created to bring an offshoot of special tracks focusing on exceptional music.
Keeping tracks on a vinyl only format gives the music that special collector's quality and a sound synonymous with audiophiles.
Past releases come from Adam Beyer, Alan Fitzpatrick, Tom Demac & Glimpse, Ben Sims, Petter B an Nihad Tule and Bauri.

Bulent Gurler AKA Butch, is a DJ, producer and remixer from Germany.
With over 20 years consumed by electronic music, the Alzey born, Mainz raised DJ has released on leading imprints such as Desolat, Cocoon, Rekids, Sei Es Drum and now will be making his debut on Drumcode Limited.......

With an impressive DJ schedule that's seen him play at fabric, Time Warp and hold residencies over the years at venues and clubs such as Sankeys Ibiza, Berlin's Watergate and Robert Johnson in Offenbach Germany, Butch has remained consistent and at the forefront of the underground electronic scene.
Butch's newest offering Retechno 2 is a bass heavy, dark, two track techno delight...... The kick drums are intense, the samples interesting and the synths are apparent too Butch's quirky style of production which can be heard throughout the EP.... First up is Magnetic, which has a futurist edge with its spaceship sounds and deep grooves...
On The B Side Antimatter is packed with energy, a driving bass line and fierce drops. Butch's productions are raw, powerful and robust a release not for the faint hearted.

Dj Bebedera Is A Young Producer Who Hails From Lisbon And One Of The Pioneers Of The Tarraxo Do Gueto / Fodência Style, Which Is The Lisboan Sub-genre Of The Angolan Tarraxinha.

The Tarraxo Do Gueto Is Characterised By Its Languid 90bpm Beats Highlighting The Erotic Side Of Kuduro Music Which Is Surprisingly Known To Few Audiences.

The 2 Labels Bazzerk And Promesses Have Collaborated On A Series Of Two 7" Singles With The Lisboan Producer Which Groups Together 4 Iconic Tracks From The Genre.

Written during the homecoming journey from Amsterdam to Detroit, 'The World is Detroit' marks the second full release from Anonym under his DLS moniker, a gloomy yet driving opus of more than 12 minutes. Remixes on the flip from Klakson co-boss and electro icon Dexter and US-to-Berlin associate Kenneth Scott.

Drumcode favourite Harvey McKay returns to the label with a darker new sound. The Glaswegian has been a regular contributor over the years, highlighted by the memorable 'The Illusion of Control' EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo's 'Pentatonic' EP and featured a mix on Adam Beyer's radio, which included 'Black Dolphin', kickstarting the hype on the track. Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core.
McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. 'Retox' is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track.
Concluding the package is 'Cover Up', a fantastic stripped back exploration into dark atmospheric techno territory that's tailor made for the winter warehouse raving season.

Killer Dub-Techno EP on Pro-Tez records from Swiss made artist Idealist. Its a Heavyweight Vinyl Only,limited to 300 copies release. "Experience" EP is built for impact - massive subbass swells and dancin' dub chords give way to filtered keys and warm pads along with rolling percussion and hypnotic loops. Idealist cracks out the trusty organ stabs, fluidly dubbed for enhanced flow while the rhythm drives out in a funked up Dub Techno motion.

Monotone is back on wax! After almost 10 years since we have seen a Monotone vinyl release, the return is strong. Monotone Boss Larry McCormick comes with a 6 track mini-album with straight up pure Electro goodness. The follow up to his album on Shipwrec entitled Intelectro, Larry McCormick aka Exzakt offers us a more puristic Electro sound that he is known for. Kicked off by "Show The Way" we get that vintage Exzakt sound with crisp 909/808 layed kicks, "One Step Ahead" goes the more melodic route but still keeps the beat moving. "Move Because I Said So" is a fun and funky classic Electro sound. "Creator". Vibes are massive on this riding melodic jam. "Eyes On Me" is a journey, an atmospere with trancy keys and subsonic pads. "Magic City" is a bit of a departure from the normal sound yet still retains the low end.

Moritz Simon Geist, media artist and robotic musician, publishes his first record. It is the world's first techno record played entirely by self-made futuristic robots. This is the 4-track EP to the following full-length album out 16. Nov. 2018. All of the sounds on his records are played by robots: small motors that beat on metal, futuristic 3D-printed robo-kalimbas, salvaged parts from old hard drives that click and cut. It took Geist several years to build, tweak, test and play all his DIY robotic instruments. His 'Sonic Robots' try to push the boundaries of the imaginable. He did so already in 2012 with his well-known oversized 808 robot - an iconic drum machine gotten real, 4 by 2 meter, filled with robotic parts which play the instruments live and in front of the audience. Now, Moritz Simon Geist goes even further to discover the unknown and futuristic world of techno robotics. For this quest he teamed up with the berlinian sound wizards from Mouse On Mars and dug deep in the history of mechanical music and experiments of early electronic music.

On the 4-track EP 'The Material Turn' Moritz Simon Geist turns materials into sounds. The opener 'Entropy' is a bassy club-track, played by futuristic bass-kalimbas, a psychedelic pattern of tonal glasses and pneumatic hi-hat patterns. It is core piece to this EP and is also featured in the main video. Even without a visual part, listening to his music, a sound world opens up which is unheard before: in definition, reference and organic nature. Geist: 'When you listen to robots playing, you realize, that they sound precise, but in contrast to digital sounds they transport an immense organic feeling. No beat is like the other, everything is played with actual acoustic physicality and thus actual error. On the same time, the repetitive nature of the robots make it perfect for playing electronic music. Its industrial and organic at the same time.' The second track 'Under Deconstruction' is a metal-on-metal slammer with a heavy beat played on a big sheets of metal. 'I often try to compose a track around one instrument', explains Geist, 'letting the sounds take a lot of room so they can stand out.' The B-side starts with 'Supercharged' - a heavy drone, reminding of the darked sides of music concrete. Here, tuned air fans, and a metallic percussion robot create the texture. 'Detok' closed the EP with an up-tempo club track, featuring complex rhythmic textures and well defined robotic percussion elements. What Moritz Simon Geist came up with is a stunning record of what is possible today - to explore the sound of mechanics that keep on filling our world. Geist creates a smashing soundtrack for both the precise automation and physical fragility that shapes today's society.

With eleventh release we are proud to present you"Arnold EP" by Japanese heavyweight producer M.Fukuda.

Having amazing releases on huge labels like Octopus, Organism, Reload Black, Funkn Deep,
Massaru delivers the outstanding groovy techno masterpiece.

Also we are feeling so proud with our remixer's squad - David Temessi and Mattew Jay once again have proved the brilliant reputation of real hitmakers by two brilliant remixes.
Another must have vinyl release by Codex.

Banging techno bullets from the London undeground Hackney crews !

New Libertine Traditions by classic producer Neuro-D. Strictly limited copies!

Debut 12" for Poperttelli on Maturre, a 5 tracks EP jungling between electro and ambient pieces, with a "Bristolish'Bass" remix made by Grammar Of Movement. Artwork by the talentuous Maycec.

.... TIP!

'Vertigo' is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum's and piano chords to create a groove that was designed for peak-time play. The second track, 'Inversion' uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. 'New Chapter' uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track 'Earth' uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Clementi delivers his 'Cadmio' EP on Echocord sub-label Echo Echo this October, containing four original tracks from the Italy-based artist. Kenneth Christiansen's Echo Echo imprint, offers up its fifth release here, accurately reflecting his appetite for the more celestial, dubbed out side of techno. This release sees the return of Roberto Clementi to the Echo platform after three releases on the parent imprint, Echocord plus 10 years worth of released music to his name, notably a number of EP's and an album on Soma. The EP kicks off with a fresh dub induced charmer entitled 'Conte', which in Italian translates to 'with you', and stands as an accurate tag for this warm and intimate opener. 'Irradi' follows, a more upbeat and industrious dance track - with euphoric synth lines sitting harmoniously in between the more uniform percussion before stimulating crashing symbols are introduced in the latter stages. Title-track 'Cadmio' is up next, a more dropped-tempo, electro tinged number, with off-kilter drum patterns gracefully balancing amongst the alluringly sedative melody. The B2 and final track 'Blue Growth' then provides a close to the EP with a lo fi 4/4 drum pattern together with hardened snares and crashes contrasted by delicate dub swells providing feelings of symmetry - a theme that is consistent throughout the whole EP.

"It is not often that we hear STL's music reworked and in this instance, it was not an easy process, since the parts to the originals were unavailable, resulting in a uniquely interesting approach for this release.
Juniper lead the way on the A side, delivering two dynamic versions of Haze & Kraze. Dark and shuffly edits of the original that keep you drawn in from beginning to end.
On the B side, Fold reinterprets Hide & Seek into a low tempo dub house piece. Heavy on the low end. Lush with the pads. And suited for your warm ups. B2 sees Jonas Friedlich work a loose electronica / techno edit of Hide & Seek, complete with twists and surprises.

Myor are Massively proud to finally welcome Tim Reaper to the family. On the A-side Tim and Coco team up for two darkish-yet-uplifting hardcore cuts in the best of 92/93 traditions: one version for the Pleasuredome and one for the Thunderdome.

On the flip the darkness is left behind altogether. E Is For... Energy, Euphoria, Ecstasy, or in the case of Sonar's Ghost's sublime remix, Elevation, to a higher level of junglism.

Brothers Black launch the second release on their self-titled, vinyl-only label with dance-floor focussed VA. BRBL002 is a selection artists whom the duo hold in high regard with the addition of an original track.Kicking off the release is the Berlin-based Dutch DJ, Delta Funktionen. Keeping true to the raw, electro-influenced sound he's renowned for, Platform4E is a tough, rolling peak-time weapon that's instantly playable and recognisable. Up next on the A2 is an original track from Brothers Black. Keeping with their groove-orientated, percussion focussed style, Cold Shoulder is a DJ focussed tool that combines quick fire percussion with a rolling low end and sharp FM stabs. Leading the AA1 is one of Detroit's finest, and DJ veteran, Eric Cloutier.
In keeping with his trademark deep but warm sound is Alexithymia. Combining swirling acid soundscapes with warm, uplifting pads and a steady groove, this track is perfect for the darker hours of the night.Following the AA2 is the mysterious High Mobility Weapons Unit. With just a handful of releases, HMWU has a distinct and highly playable sound that has become a mainstay of the Brothers Black record bag.
Staying true to his fast paced, groove-orientated productions, Aeromagnetic is a deeper-edged tool that's made for the dance-floor.

....and we'd sleep out under the stars, didn't even need a blanket...Victor Valiant is a musical pairing of two friends who've been meaning to go in the studio for many moons, but life has always got in the way.Keith Tenniswood and Suade Bergemann give you seven tracks of sublime funk and sonic experiments coming straight from Suade's mega studio deep in the Northeast of England. Recorded last year over two 3 day sessions, it's the next release on Keith's Asking for Trouble label AFT003. Cut and mastered between the two producers they have executed every level of production for this double pack vinyl release.
Asking for Trouble is Keith Tenniswood (Radioactive Man's) recently birthed label and home to the emissions from his studio and treasured time spent with producer friends. Suade Bergemann is a Newcastle-based producer, mastering engineer and founder of Techno label Adapted Vinyl. He collaborates with Steve Legget and is a resident at Free Rotation.

Vlad Caia returns on Shahr Farang

Limited edition for a new Al Core record... Massive hardcore new vinyl full of classic samples and bloody kicks. Don't miss !!!

After hosting Farron to perform for a showcase in Matera, South Italy, and following a solid, immediate aural connection with the crew, XCPT now invites the Bavaria-based artist and Shaw Cuts shaolin master to submerse himself in his talent of wielding harmonious synths, championing percussion and corruptive basslines for the label's third release, 'Bistro Baggio'. The release offers three original cuts plus an interpretation of one of the tracks, 'Paneth', by label honcho Nothus, exploring calculated rhythms and sounds that delve into varying atmospheres and transporting you from a blacked-out club to a quaint starlit stream in the woods.

Massive Hard techno ! 4 banging titles including one hackney techno style... One of the Best CentralMusic... offering the best sellers from the digital label !

One of the most incisive comments on how best to appreciate art came from the Indian musician Gita Sarabhai. In a recorded conversation with John Cage, Sarabhai described art's effect as serving 'to sober and quiet the mind, thus rendering it susceptible to divine influences.' Some of the best exploratory music incorporates this approach, and Jon Porras adopted it as a conceptual foundation for his new album, Voices Of The Air. The sounds Porras creates intend to provoke contemplativeness beyond expressing a concrete idea. As half of the duo Barn Owl, Porras composed intricate dual guitar improvisations that would shift and shimmer through multiple mutations within any singular piece. At the same time, his voyages into minimalism were served by Elm, his solo act. His focus has now shifted from guitar to synthesizer, narrowing in on the intersections between sound and neurology. Taking the Yamaha DX7 as his main instrument for this solo work, Porras read and incorporated John Chowning's frequency modulation synthesis, the result being a nuanced and multidimensional sound with endless possibilties. Porras stacked, arranged and adjusted these sounds through digital synthesis and effects. 'The process felt like mixing paint to get the right color and texture, then laying down a brushstroke, each day returning to the canvas to build on something I left there from the day before,' says Porras. Voices Of The Air broadcasts these intricate balances of sounds that slowly set together, creating an album of delicacy and power.

Belgium's Kontrast is releasing a third Ep. This time your mind will be set into trance by the futuristic sounds of Les Points, the Swiss crew that consists of Audino, Barbir, Louh and Nicola Kazimir. Six beautiful tracks containing the typical Les Points electro-techno rave sound are pressed on black gold for your sonic pleasure.

Abisal Records Is A Key Name When Talking About Spanish Free Tekno Movement. Based In Madrid, But Always On The Road. The Project Was Born With The Objective Of Promoting And Distributing Not Just A Musical Genre, But A Way Of Life Which Free Tekno Represents, As Well As Letting The World Know About Artists And Friends Whose Music We Support And Believe In.

Mental progressive twirling brain diggerz !

Mandala Trax aka Shingo Suwa and DJ Mori is releasing a first EP on Merkur Schallplatten.
Shingo has established the Label in 2008.
DJ Mori is working as resident DJ at suicide circus Berlin.
They often performed at many clubs in the city.
Their first collaboration includes two different versions of rave influenced techno remixes by Anna Bolena.

Anna is Music producer, Promoter and Video maker, she is an underground activist since the 80`s.
She runs the label Idroscalo Dischi since 1999 and since 2005 the Video Production Company Idroscalo Digitale.
They both are working as resident for Button's party at ://about blank.

A1, their very first track, is called 11pm. The main solid synth line features deep kick drums surrounded by dubby industrial effects in the background.
On A2 we find a heavy bottom groove, surrounded by echoes in a dark atmosphere. Hand claps and white noises are driving any techno floor.
The B Side includes two different version by Anna Bolena. She produced some 90's rave structures affected by her experimental senses.

Rekids regular Markus Suckut drops his third album entitled 'Heaven Is A State Of Mind' this September.

When not helming his own imprints, SCKT and Pattern Research, the Du¨sseldorf artist has been releasing on Rekids since 2015 and is now a core member of the label's family. Earlier this year saw the arrival of 'New Life EP', a mesmerising release exemplary of the producer's knack for making imaginative house and techno complete with a compelling groove. No stranger to the long player format having released two albums previously, Markus Suckut returns to Radio Slave's label with a quality nine-track album.

From the word go Suckut's album demonstrates his versatility as a musician, initiating with a beatless intro named 'Escape', before 'Breeze' comes into play with its skipping percussion and loopy atmospherics. Crunchy snares and crystalline synths make up 'Sun's Out' whilst 'Future Is Not Always Bright' drives forward with its sultry low-end, ethereal pads and sci-fi bleeps, leading into 'Take A Break' and its medley of elaborate drums, living up to its name.

'Above The Clouds' is comprised of intricate notes and soothing chords whilst the machinelike 'Orchid' features electro inspired melodies, contrasting to the album's title track, 'Heaven Is A State Of Mind', with its bumpy bass and warping textures. 'Wonderland (Version)' is a ghostly acid cut which suitably closes the album.

Rekids regular Markus Suckut drops his third album entitled 'Heaven Is A State Of Mind' this September. Here is a limited edition 10' of extra two tracks from the album. 'We Will All Disappear One Day' is a syncopated ominous beast if a track complete with purring bassline, on the flip is the moody two-step number entitled 'Death Is Not Final' with twisted sequences and trippy effects.

Die vierte Ausgabe der Modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große Namen der internationalen Clubszene und eine ganze Reihe aufstrebender Künstler: Actress, Rødhâd, Peder Mannerfelt, rRoxymore, Sarah Farina und all die anderen setzen zwischen roughem und clever gebautem Techno, kosmischen Breakbeats und Dub- und-Bass-Eskapaden die unterschiedlichsten Akzente und erzeugen trotzdem einen starken, stringenten Vibe. Die als Doppel-CD und vierteilige 12"-Serie erhältliche Compilation enthält 17 Tracks von Künstlern, die zur aktuellen Speerspitze in Sachen anspruchsvoller Dance Music zählen - so sehen es zumindest Modeselektor, aber wann hat uns ihr Gespür je enttäuscht Wie jede Modeselektion ist die vierte Ausgabe kein schnödes Mixtape: Alle Künstler wurden eigens um passende, unveröffentlichte Musik gebeten, und das Ergebnis kann sich sehen lassen. "Wir sind stolz und fühlen uns geehrt, dass wir die Compilation genau so zusammenstellen konnten", schwärmen die Selektoren. "Volume 04 ist wahrscheinlich die funktionalste und eingängigste Modeselektion, die wir bis dato gemacht haben."

Is This Hardcore Is This Techno

Italian new undeground acid techno inna Hackney style. Fatal sound !

Experimental Asile Audio keeps on digging for a story telling... With this mini Album you will get 3 solid dancefloor tuines and 5 shorter tunes, very good ones, developping fast their ideas and englobing the 3 dancefloor tracks in a more conceptual precious case.

Played by Dave Clarke, Amelie Lens, Luke Slater, Rodhad, Marcel Fengler, Mike Dehnert, Rolando, Truncate, Slam, DJ Spider, Laurent Garnier, Andres Campo, Charlotte de Witte, Andre Crom, Deadwalkman, Deraout...

The Ukrainian dj and producer Oleg Mass from Donetsk makes his label debut on GND Records. After several releases on Mike Dehnerts Fachwerk Records, Anemone, Matter, Gynoid, we are proud to have Framework Head Oleg Mass on Board. Oleg Mass delivered us a two tracker plus a remix from GND Head S-File for the peak time!

Info: It contains a 7" Vinyl and 5,25" floppy disk (yeah, the huge ones this time)! This EP tells profound stories of (troubled) communcations between man and computer.
Stories full of electro bliss, but also some intense techno discourse. Going 'back to my roots' here as the floppy disk tunes are produced on a Commodore C64 homecomputer - you can insert the floppy into this computer and the music will play and make the SID-soundchip dance!
+ 3 electro cuts on vinyl of course.

New 87 Records by Rhys Samson comes around with the first ever Remix by Serge DK aka Cedric Dekowski from the HARDWORKSOFTDRINK collective. Highly recommended!

The mysterious Scaarlet is back with a vapourous EP lurking into light and darkness.
Not Good opens the A side with a desperate electronica mood. Feel the tension until drums propel you into apocalypse.
Ùm pushes you slowly toward the dancefloor. Syncopated breakbeats, cut up grooves and a wavy bassline thrive you to embrace the cinematic ambiance.
Essai Nouvo is not just a deep atmospheric broken techno sound. It's an awaited glide into nothingness.
All tracks mastered by Pole at Scape Mastering in Berlin.

The most exciting techno records are those not afraid to break a few rules, and that's exactly what's on offer on this latest slab from Pittsburgh-based imprint DETOUR. It comes courtesy of SEER, a new Brooklyn-based project from Maroje T and M Parent. Maroje's previous handiwork includes streamlined acid techno on boutique label Chem Club and down 'n dirty electro for Dutch weirdos Pinkman, meanwhile, M Parent's first 12', also on Chem Club, is dubby, driving, and psychedelic. Together as SEER, they've threaded a needle in between their respective styles and sounds, coming up with something altogether different.

Konstrukt. Hear the heart pulsating. Konstrukt 007 w/ Serena Butler.

Where Ufomammut create mind-expanding, heavy psychedelic, almost other-dimensional sounds, The Mon by comparison is far more intimate, looking inward, as Urlo explores and examines his inner most thoughts through music. In his own words, the goal of THE MON is, "to reach the boundaries of a spiritual soundscape in which the music becomes purification and atonement, a way to bring out to the world inside my soul." Created entirely but Urlo, THE MON builds layers of brooding sounds which sometimes unfurl at a glacial pace and other times lurch with rhythmic propulsion onDoppelleben, each piece distinct, densely packed, and all-consuming in their evocative atmospheres. Analog and electronic instrumentation weaves seamlessly around both instrumental and vocal movements through eight diverse tracks encompassing nearly forty- three minutes of spellbinding music. Doppelleben weaves a creative web of sounds which should entice fans of Ufomammut, John Carpenter, Bobby Beausoleil, Nine Inch Nails, Angelo Badalamenti, and more.

Big remix package on the 5th edition of Rebalance with thacks by Zadig & Milton Bradley - highly recommanded!

Hayes is an electronic music platform dedicated to Techno and experimental electronics. Based on strong sonic exploitation, it embraces experimentation as a driving force for artistic production devoid of prejudice. The sound objects that come from it have their own imprint, an aesthetic that is marked by the position that it intends to assume. It assembles as an artistic collective, record label, agency and curator, promoting art as a fundamental element of enculturation and critical capacity.

Superb techn orelease.. With a big visual and wicked tunes.
140 BPM techno dancefloor ina sweet melkt of that berlin techno sound and some Italian vibe to put back a bit of that mediteranean groove.

Masterpiece !

Kim Rapatti a.k.a Mono Junk presents the second volume of Finnish Electro All-Star on his DUM Records imprint - active since 1992.
The new release is the latest chapter of Mono Junk collaborating with friends, recently with Mesak and Freestyle Man.
The A-Side of Finnish Electro All-Star (DUM-040) features collaborations with top Finnish electro duo Morphology, who recently released an outstanding album on Firescope label. Electro Por Favor is a pulsating driving electro track with a killer bassline and vocals by Rapatti - Electro at its best. Raw, apocalyptic, solitary remix by Mono Junk follows the original.
The B-Side features collaborations between Mono Junk and a very special guest: Goner a.k.a. Martin Maischen, who is known from many hot releases as the other half of German electro act Sandbenders. They were at most active around the millennium and made releases for Force Inc. Music Works and Science City. The two included tracks are deep electroid techno excursions made last year in Berlin - very cool stuff.

Welsh mystic Wesley Matsell returns to Border Community with an ebullient EP of 90s tinged dance utopianism. File alongside the good-natured old school stylings of Orbital, Lone and The MFA.
Thoroughly road tested in the DJ sets of James Holden, the staccato gasps of rave banger 'Total Order Of Being' exude a melodious, propulsive appeal.
A trio of companion tracks seal the deal: 'Future Beacon' combines sacred, mystical arpeggios and rattling breakbeats; 'Dowlais Wheelie Crew's layers of vibrant synths form a decidedly modern groove; and 'Rite Of Pant' is a rousing exercise in handmade primal proto-house.
This is the final release in a collectable four part series of limited vinyl (500 copies). All four covers fit together to reveal a larger picture by UK designer Jack Featherstone.

Poverty is Violence XXX 001A Artist: XXX Title: Westzaan DoelenA Poverty is Violence returns with a killer 6 track EP from the mystery XXX, who delivers six cuts of Post Wave intentions. P.I.V. continue to search for the creative spaces where many fear to tread. Pushing sonic boundaries as far as possible in an effort to reject mediocrity and the status quo. From Why Did You Do That's clanging drums to the rousing passages of Don't Go After Her and the broken percussive tribalism of It's your Uncle for Gods Sake.A This ep includes six guaranteed winners for your DJ life. Totally inimitable and looking to the future with a nod to the the past - a flawless recipe for satisfaction.A Support coming from Claude Young , David Vunk, Miles Sagnia, 65d Mavericks, Charlton, Bas Mooy, Simon Shreeves, KSP and Deltafunktion to name a few..."

Magestic production from Ybrid. Fat dancefloor hardcore flavour.

Duh-duh-duh-duh-duuuh-duuuh-duuuh-duuuuuh...two new productions from Beneath for A14, Blackest Ever Black's occasional series of hardboiled club weapons.

Edition of 300.

A1) Dinner with Bogdan A2) Ararapira Jazz B1) Ararapira Jazz (Spacetravel Remix) - VINYL ONLY B2) Desorientado feat. Sabino