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Techno News
- Killer industrial dub reductions, noise & mutant techno recorded to tape and pressed on wax - Edition of 200 copies - Henrik Rylander and iDEAL label boss Joachim Nordwall.
Saturn And The Sun's second album Focus On The Centre Of Your Skull' is a deep thing zooming in to mess with your mind.
Heavy, psychedelic electronic music that draws fuel from 80's industrial as swell as minimal techno and probably some dub too.
Along the same trajectory as last year's Journey To The Centre of Your Mind LP and the Harsh Realities, Broken Bones and Skull Tones tape, this one is a stoically crushing demonstration of noise and techno minimalism at its purest, most affective, rudely intent on massaging or even masticating your grey matter into unstable states.
The four parts of Focus on the Centre of Your Skull draw on a strong heritage of dub, noise, techno and metal yet could never quite be accused of imitating any of them. Rather they cut thru all fields at once to irrigate their own furrow of mutant, roiling drone which exists in a strange paradox of pulsating momentum and aching stasis, eaten away by caustic FX which bluntly work their way in like parasitic organisms.
Great, visceral stuff.
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"The final chapter of "The North Gate" has arrived. Subspecies and his owner publish the best release with this Volume 3.
Sleeparchive, P.E.A.R.L. and Error Etica... with demon.I/O are the artists closing this trilogy of special vinyls.
3 original tracks and a great remix put the level of the label really high."
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180g, vinyl only!
Little Helpers is the label of Butane and Someone Else. Founded in 2009, it has become the industry standard for tracked-out, groovy, functional DJ tools. Consistently ranking as one of the most-charted labels on Resident Advisor, and supported by the deepest dopest DJs around the planet, it's time to share our sound with the vinyl world. Each Little Helpers sampler vinyl will feature four (4) of our best tracks of the moment. Keeping with the ethos of the label - there will be no artist names, tracklists, press shots, or hype. Let the music stand for itself. - Little Helpers
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After crystallizing a reputation for confrontational live performances and releasing their essential debut LP, Suicide went into the studio to record their stunning follow-up. Producer Ric Ocasek lends a pop sensibility to the band's sound, constructing an atmosphere at once light and catchy, yet still crazed and venomous.Originally released in 1980 on ZE Records, Alan Vega Martin Rev features an array of glistening keyboards and early preset rhythm machine sounds whose harsh simplicity suggests the discreet zones and confined movements of urban life. While his vocal treatments are more refined than before, Alan Vega is still cool as ice, visceral and evocative. Superior Viaduct is honored to present Suicide's under-appreciated second album. For the first time since its initial release 35+ years ago, this vinyl release includes the original track list and artwork. If there can be a quintessential New York band, it is without a doubt Suicide.
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Innocent Music presents their fifth vinyl only release for their 3rd anniversary! This time our label boss Aney F. delivered us 2 original productions and he invite Diwex & Mene as remixers! Definitely one of the vinyls you should have in your bag, this time we printed 500 copies with printed cover and colourful vinyl to make our anniversary and this release even more special!
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Immersed in the early days of the 90s midwest rave scene, Bill Converse began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Twonz were key early influences. Since moving to Texas in 1998, he has experimented with analog techniques in varied studio bunkers. Early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette.
'Meditations/Industry' is Converse's debut vinyl release, collecting material from a cassette release on Obsolete Future. The tracks were recorded to tape with no overdubs in 2012-2013. As the title implies, the album places meditation inside tactile sonic processes. Bill is informed by his surroundings, influenced by scenes of desolation in nature, the sea, the desert, and places of industry, like power stations, old factories, and warehouses. The songs on this full length reveal a sublime influence from Detroit techno, early Chicago house, and Acid.
The album was recorded and mixed by Bill at his home studio in Austin and mastered by Dave Alex. All songs were EQed for vinyl by George Horn at Fantasy Studios in Berkeley. A custom-made jacket designed by our in-house designer Eloise Leigh incorporates the abstract cobalt glaciers, reminiscent of blueprints, over a dark gray background. Each copy includes a postcard with notes and a photograph of a mountain range that looks like ocean waves.
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Time to start a new chapter.
DubGestion is ready to plants its roots in the mistycal territory of vinyl.
Away From Dub is a special series of Various Artists compilation which includes some of the
greatests artists in the underground landscape.
300 limited copies, vinyl only
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Lena Platonos is a pioneer of the Greek electronic music scene of the 1980s. She produced and released her second solo album, 'Gallop', in 1985 that we reissued in 2015. The album is made exclusively using analog synthesizers and heavily features the iconic Roland TR-808 drum machine. Lena narrates each song, reciting her own surreal Greek poetry with unique skill. Lena says of 'Gallop', 'It's a study in the mythology of urban population of the contemporary metropolis and also a gaze into the future life of it.'
We've asked Red Axes to chose their four favorite songs from 'Gallop' and create remixes for each one. Red Axes is Tel-Aviv based producers and DJs Dori Sadovnik and Niv Arzi, releasing their own productions and remixes since 2009 on I'm a Cliché, Correspondant and Hivern Discs. The duo was raised on a steady diet of post-punk, new-wave and Italo-disco at fogged out warehouse and basement parties. They've transform 'Witches' and 'And We Hear 'I Love You'' into solid dancefloor tools. 'No. 9' and 'Liqueur Ruby' transport the listener to a hypnotic state tripped out in a psychedelic mist, with the latter featuring middle eastern rhythms by fellow Tel Aviv musicians The Dirty Lizards.
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket riffs off the original 'Gallop' cover, isolating the photograph of Lena layered on a grid backdrop designed by Eloise Leigh. Each copy includes a two-sided postcard with a manipulated frame from one of Lena's music videos. 'In an era where we are obsessed with nostalgia, Red Axes achieved something against that grain while still paying homage to the underrated greats that came before them.' - Anthem Magazine
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UK techno label Timedance releases its second record of the year courtesy of Lurka,fresh off the back of a collaboration record with label owner Batu last month. It is undoubtedly some of his finest and most experimental work yet.
The A-side Beater brings a meticulous blend of clever sound design and one of the most thunderous kick/snare patterns you'll hear. Seriously tough. Density introduces a sea of rippling arps, set to a back drop of deep sub bass. It is probably Lurka's most melodic and introspective track yet, whilst still keeping his trademark percussion work.
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London based DJ/Producer PAWSA is an artist on the rise who has already impressed with releases for Lost Records and Green Velvet's legendary Cajual imprint. Today he makes his MOOD debut with the 'FLUX' Ep, a trio of tracks, each underpinned by strong throbbing beats and mysterious basslines.
A trio of tracks, each underpinned by strong throbbing beats and mysterious basslines. Opener '168' takes a spooky, brooding path with its spoken vocal and bobbing riff, before we're treated to a modern, techy tribal number in the form of the thumping 'Orion's Eyes'. Having slapped us with the opening brace PAWSA drops us down on the final, deep and aptly titled 'Reflections', showing that the talented producer is more than able to turn his hand to a number of sound and styles.
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Uno_label showcases the talent of Stefano Kosa , a young and bright producer with a promising career ahead of him. Stefano lands on UNO. with this tight and strong original track: "Siren". The title, immediately suggests the incredible power of this techno track.
While Alex Costa takes on the remix challenge, tightening the track with his thumping Kick Drum, he created a ripping groove that perfectly complements Stefano's original.
Paride Saraceni : Transit Minded
included Matt Sassari remix
Paride Saraceni brings a twisted single titled Transit Minded', made up of evolving details, dark ambiences and bulbous synth notes. Matt Sassari gives his stripped down reinterpretation of the original track, reworking the main synth line on a fractured beat.
Enjoy this hot release, and carry these two dancefloor weapons with you to your
next gig."
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Welcome to the latest release from DJ Emerson's micro.fon imprint.
Italian native and affekt mastermind Alex Dolby delievers a 2 bangin deeper techno tracks.
Sandro Kellener from Montpellier delievers 2 purified and dubby techno nuggets with an analogue feel and a great sound. for fans of klockworks!
Perfectly crafted deep techno for the true headz all around.
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Unequal is a label founded by Anselm from Frankfurt am Main in 2015. Ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the FFM underground these days. Sophisticated broken beats and modular synths are essential for this project. Unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre.
With his first EP called "Gral", Anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. The title track on the A Side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. B1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas B2 is four-to-the-floor trippy stripped-down minimalism for the heads.
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Trax delve deep into their dusty vaults and unearth more rarities...
This time we have an extended edit of Armando's "Downfall" by the one and only Derrick Carter. On the flip we have 2 mixes of Armando's "Ecstasy" - a track that only appeared as a bonus track on the 1999's repress of his seminal "The New World Order" LP.Released in conjunction with Trax 2015.
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Two dark athmosferes on the A side and a melodic one on the flipside for the second chapter of the Irish Electronic label Eleusina Recreations. We all will wait to hear the next chapter of the saga.
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After a debut ep and a deep second one this time Carlo Zanelli has released a six tracks ep based upon a recording session done a couple of years before.
Every track have his unique character and the entire ep is intended more as a journey rather than a collection of different tracks making this a complete work ranging from ambient tracks to more danceable ones.
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Fourth chapter of the label, signed by Carlo Zanelli.
EP run six tracks , three for each side , ranging from deep house to electro and back.
Childhood , a warm house piece opens A side , whereas an eletroish track called Patient X will follow.
On the flip side, Space 2000, an hypnotic dance floor oriented tune, opens the triptych and the EP is closed by Sunrise,
a melodic 90ish IDM track.
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Cassegrain continue their empowering run of techno electronics with 'Centres of Distraction', their debut album on Prologue. Leading us on a 10-track expedition into a wilderness of rugged, challenging sonics, the album marks the production duo's development from adventurous new-bloods to fully fledged Techno explorers. Over the course of the last five years, Alex Tsiridis and Hüseyin Evirgen, now both firmly entrenched in Berlin, have created a heavily detailed rhythmic language of morphing synthesis, high end processing and club-chiseled production. A basis for much of their studio work, their controlled, hardware-focused live sets have brought them to a unique and respected position as showmen. A nod to the classic 90s electronic album format - spanning a wide range of tempos and genres - 'Centres of Distraction' covers a lot of ground. After the opening club-ready syncopations of 'A Study Of Splashes', itself a warm and addictive cut, the duo set out on a new exploration in purist electronica, beginning with 'Resilin'. Morphing from abstract and reduced broken beats into a stirring melodic piece, it's the most song-structured we've heard them. And so change and contrast are to continue as key themes. 'Centres' drops with its funky, off-centre lines and rattling percussion, to be quickly followed by the mighty 'Intrude - Restrain'. 'New Hexagon' charms us into a deep hypnosis with its percussive and rhythmic synthesis, highlighting the intricacies of the duo's drum programing. The serene mid-tempo tones of 'Glasshouse' create yet another dramatic change in focus as a temporal, high-pressure and high-intensity atmosphere is built and then gently deconstructed
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The next release on Subject Detroit is the result of two Techno Titans joining forces. Label head DJ Bone presents a Subject Detroit first, a split-release with none other than the mighty Deetron. The two have been fans of each other's work for many years so this seemed like a most logical idea. Side D (D for Deetron) sees Deetron in impeccable form with 3 uniquely different versions of his masterpiece "The Core". The Core takes you on a deliberate journey from Deetron's Swiss roots straight to Detroit, one foot in the House realm, the other firmly planted in the funky domain of Techno. Strong, driving rhythms escort you through the vibe to an amazing crescendo and back. There are three versions to choose from, each creating a different energy for the floor. Side B (B for Bone) houses DJ Bone's "Black Patterns". Black Patterns is a true advancement and update to the Detroit Techno model. The main mix starts off in true DJ Bone fashion, hitting you right in the face, with a succession of beautiful piano stabs. A voice chanting "Black Patterns" echoes in announcing what is about to unfold. Uptempo, rhythmic, untamed drums arrive to complete this immense vibe. All three versions tell their stories and indicate that DJ Bone's upcoming album is going to be one hell of a release. If Techno, House and Jazz had a baby...his name would be Black Patterns. This is the first in a series of releases by the duo. And to further enhance their endeavor Deetron and DJ Bone will begin touring together in 2016. They will be playing solo as well as back-to-back and will debut several unreleased tracks during their sets.
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Early Feedback:
Danny Tenaglia, Adam Beyer, Kellerkind, Nicole Moudaber, Darius Syrossian, Wally Lopez, Nice7, Sascha Dive, Luna City Express, Michel De Hey, Reboot, Gel Abril, Chris Carrier, Jay Lumen, Paolo Mojo, Jose De Divina, Baxter Bros, Sossa (Circo Loco), Neverdogs (Music On), Javi Bora (Kehakuma), Who (Hyte), Miguel Garji (Ibiza Global radio) & more
Next wax coming at cha is from US, already considered as a living legend Hector Moralez with a 2 track ep + a nice remix pack ready for the summer, Around the way & La Movida is an absolute recognition of the US jacking, Latin, funked & discofied original tracks that reflects the man's Appollonia & Robsoul sound where you can find his releases. we all remember the great "Take a trip" from DJ W!ld where he gave a great vocal performance & hit in Ibiza, First to give us his version of things is from Romania, the well known underground label boss of Natural Rhythm, Horatio delivers what he does best dark and rolling for the tech heads followed by some French touch from Julian Sandre who you could catch last summer hitting the charts with a bomb in Ibiza and also on labels like Isgud, Akbal & many more, delivers a old school joint to keep it rolling deep & funkyliciously underground, last remix from Islander, Ibiza resident DJ, producer & label owner of More Terry's Jason Bye who you can catch during the summer at Mambo Cafe or We Love Space, delivers a 100% Jacking situation that will definitely make your body move, US house at its best, hope you dig em and thanks for the love..
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Mak & Pasteman return to their label Materials with a 3 track EP that explores Techno & dark textures to new depths.
"The Whale" incorporates our love of dark twisted bass textures and driving analogue drums. Whale like noises and cinematic spoken word samples create suspense before unleashing a deep set grinding rhythm filled with twists, turns and atmospheric shots.
'Runout' see's us getting outright sinister, Pairing a twisted serial killer sample with complex textures and raw edgy drums. We like the darker side of music at times and this track gives us the chance to explore our moodier side. Mostly made with our Dave Smith gear we wanted to capture the raw gritty edge of these machines.'Artifacts' the final track off the EP doesn't let up, this is warehouse techno with militant attitude, dark vocals, suspense like strings and a vibrating analogue bass tones. Creating a track with rich industrial textures and sparse pulsing drum work.
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Donato Dozzy and Neel's Spazio Disponibile keeps up the pressure here with a fine fourth EP of 2016, this time from Mike Parker. The label - which also has a party of the same name in Rome attached to it - deals in heady techno, so the Geophone label owner and New York artist Parker is a perfect fit with his always deep offerings.
Some early feedback:
Blawan:
absolutely unbelievable .............
Shifted:
I'm a massive Mike Parker fanboy, but wow this new one on Spazio Disponibile sounds next level.
Sigha:
thanks so much, totally killer! quickly shaping up to be one of the most vital labels this year
Truss:
Thanks very much for sending. Absolutely love this. Radio & club play for sure.
Darko Esser/Tripeo:
Yes!! Ik zat hier al een tijdje op te wachten hehehe ,-)
Heel vet, zoals alles van Mike! Ga het vinyl ook bestellen zodra het uit is
Svreca:
Excellent 12'
Hunee:
grazie, fratello !!!
Nobu:
I think best of mike parker's stuff.
Thank you so much :)
Daniel Avery:
Awesome, I've been looking forward to this one!
Luigi Tozzi:
The record is amazing and I will play it for sure.
Kangding Ray:
Amazing...What a beauty, thank you so much for this wonderful release ! Will be in my sets in September at De School / Berghain / Concrete , for sure...
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Enduring and influential Detroit techno act Octave One are to release their fifth full length album, Burn It Down, in Spring 2015. The 11 track opus is a collection of the unreleased music that has been lighting up their much talked about live shows for the last few years.
Octave One are Lenny Burden and Lawrence Burden (with revolving members of Lynell Burden, Lorne Burden, and Lance Burden) and are known for their impressive and immersive, fully live shows. Their recorded output has come exclusively on influential labels Tresor and their own 430 West and has very much defined the techno trends of the day. From hard edged to tripped out, futuristic to soulful, they have done it all and then some.
This new album comes at a time when the pair are still evolving and searching out new forms. As live performers they are reaching an ever larger audience around the world and plenty of the energy they exude there is bottled up in this new LP. Made using a fine collection of hardware including bits by Roland, Moog, Dave Smith Instruments and much more besides, it follows 2008's Summer on Jupiter and proves that as individuals and as musicians we have grown with time and through our travels. Our music reflects that. Our work this time around has taken a lot longer to produce, but we feel it represents, more than anything else we have done to this point, our complete idea as an album project.
Kicking off with the rooted kicks and sci-fi, slo mo techno of 'Eighth Wonder' the album unfolds through elastic and triumphant diva house on ' Jazzo/Lose Myself (featuring Ann Saunderson)', cosmic soundscaping on 'Afterglow' and melodically enriched grooves and funky guitar licks on 'A Better Tomorrow (O1 Remake) (featuring Random Noise Generation)'. Elsewhere there is breezy and anthemic fair with 'Believer', soul kissed sounds and lush pads on 'Whatever She Wants' and then shapeshifting, industrial tinged beats and twisted techno in the later half.
Things unfold on Burn It Down with a real sense of narrative, though, and despite being a techno album never do things grow to stern or serious. Instead the mood and tempo switches up knowingly, just like an Octave One live set, and really transports you to another place entirely in the process.
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Following on the success of Markus Suckut and Eduardo de la Calle previous releases, Shlomi Aber's next release is another EP of fast driven, pulsating, relentless Techno, topped with remixes by two of the most sought after producers of the past years, Truncate and Jeroen Search. On the A side, '48V' and its Truncate remix, while on the B 'Shaded In Mars' and Jeroen Search's remix of it. Another one to bag.
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First LCR wax is coming out at the beginning of March, after 4 years on digital world, LCR come on the wax with his first release. On the release we will find a Unam Zetineb already on LCR family, and he has released on really good labels last past years.
Unam sign 2 original tracks, focused on smash the dancefloor, with plenty groove.
On the remixes sides we find to LISS C., manager owner of LCR that comes on the first wax, doing a really good remix.
Ben Gibson another talented producer for many many years comes on board also with an amazing remix.
Only will be available on limited vinyl, no repress, no digital.
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AUS Music press on with what's been a stellar year so far and continue to maintain the quality and diversity of their output. Next in line is a dub-tinged collection of foggy Deep House and Techno from Berlin based Youandewan backed up by Ilian Tape boss Dario Zenker on remix duties. Whilst remaining modest and with a seemingly ineffable degree of ease, Youandewan has consistently bolstered his sound in his ascent. Typified by his latest 'Spiral Arms' EP on AUS - it is a sound that has taken on new facets and plunged to new depths since a move to Berlin and his latest 'Verloren' EP marks a further step down a colder and harder path. The title track kicks things off with a rubbery thud sat beneath a rich sandy shuffle and a buoyant analogue stab. Reverberated vocals swell through the breakdown ahead of the return of a stripped but purposeful sub pattern. Dario Zenker then does what he does in upping the pace and driving nails, clap-heavy drum patterns through a tough and uncompromising remix. 253 (Decent Mix) then melds a flexing bass pattern with neatly plotted clicks and playful drum fills before glassy pads swell into focus. Stripped and steady in its development, tension in the track never quite spills over whilst an arresting warm up tone is deftly dialed. #1 then drives a full-bodied throb under chilly synth tones and dramatic drum flashes that cap off another fine addition to Youandewan's ever-evolving catalogue and another rich and varied package on AUS.
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After the acclaimed "Bats/Modal" release (OTB#004), Aggborough returns to OTB Records for the heavenly #007 with this 3 track Heygate EP. Since his last release on OTB he¹s been setting up sister label "No Real Value" and started playing his first live and DJ shows in his hometurf London.
A1 'In a Sieve' The words come from a poem by Edward Lear "The Jumblies".
It's a wonderful classic about the will to try the extraordinary. The track feels like a brooding animation bringing the words to life, ending in an absurd chant.
B1 'Traces' Perfect DJ tool based around a simple yet inventive and hypnotic percussion loop layed out in a clear structure. The kickdrum is less persuasive which makes the track live on the border of house and techno.
B2 'Heygate' This track comes closest to the unique blend that makes the Aggborough sound: Emotional techno, not too fast and pretty dark sexy. It develops towards epicness but still maintains a stripped feel. The subtle interplay of carefully placed field recorded atmospherics and percussions guide you along this thomping bass driven beast. The general impression is that of a beautiful melancholic machine.
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Viennese Analog-Wizards Buffered Multiple (also known for their Electro-Outlet Microthol) deliver the followup to Buffer 01 with three outstanding tracks of deep, mysterious and mesmerizing techno.
Mark 1.12. is the track that works well in the peaktime situation, while the B-side shows their extremely detailed production skillz and knowledge about the minimalistic but floating techno. Besides their production skillz, the duo teams up for extended trippy vinyl-dj sets which demonstrate a level of knowledge in Techno which is rare to find these days. efdemin is happy to welcome the two producers back on Lirum Larum.
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Garnier, the Grand Seigneur of Techno, surprises with his first EP for 50WEAPONS.
Known as pioneer and influencer of the global electronic music scene, internationally respected DJ and the undisputed godfather of the French techno scene, Garnier is always in touch with the emergence of new artists and genres. His music career has always been about integrity. Nonetheless his release for 50WEAPONS doesn't at all sound like the 'the French touch' one would expect, but pairs the dark sound of 90ies techno icons Underground Resistance with bleepy acid lines.
Here Garnier reiterates his close working relationship with the underground and shows once again his skill and rigour as a producer.
Typical Garnier basslines flirt with the Retro Charme of Chicago and the roots of house music as well as his own. There's a reminiscence of 'The sound of the big Babou' one of his great hits, but it seams like a version stripped down to the streamlines of an underground club between 4 and 6 a.m.
And quite the star, Monsieur Garnier garnishes his EP with a B side full of conoisseur hit potential. With its shouted vocals and driving bassline H.E. Is a killer of a swinger. The EP, entitled AF 4302, is distinguished by an organic, raw, acid-flavoured techno sound. Three tracks and three different moods in which Garnier reinvents himself and takes his music to new, unchartered territories.
These tracks are razor sharp and should be handled with care!
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Hallcuinator delivers their first album with 11 tracks on Yellow-Stripe Recordings.
After a huge release collection, and a lot of big labels they finally decide to make an album. This album is full of tracks that shows exacly what Hallucinator is and what are their influences since Metal, to Hardcore and obvious always having Hard Drum and Bass as a 'line'.
This album also includes a lot of collaboration with Counterstrike 'Revolver', Cooh' The Solution', C-Netik 'Drop Bombs' and featuring Mc Coppa 'Sick Society'.
Its impossible to mention only 1 track from this amazing album you have to listen and choose for yourself.
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Exploration is back with 3 techno bangers! - Planetary Mosaic' comes with slow building synths and a majestic piano, constructed around a heavy stomping bassdrum.- Simplexity' is a stripped down track with spaced out bleeps and a subtle snare staccato attack. - Light Module' projects a dystopian environment with jacking synth structures, robot voices and a dramatic atmosphere.
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After his successful remix of Orion's "Gravity" Johannes Volk returns to Polytone with his debut EP. Two excellent techno tracks are in place and a spaced out ambient piece called "It Could Happen" describes the mysterious view from a spacecraft cockpit into the wideness of the universe. On the A-Side Volk blows the whistle of the EP's title "Asteroid Riding" with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. On the B-Side "Earthbound" pounds with a broad hollow kick, arpeggiated synth's, alerting sounds and a harmonically settled type of string-line that eases the element's diversity like the blue planet's gravity. Within the tracks that have been built to transport the feel of time and space, Johannes Volk again pushes himself on the cutting edge of electronic music.
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The story began, when Kerem bought his first drumsticks and started to play drums. At the beginning, he generally listened and played funk, blues tracks.Also, he performed with several local bands on festival stages in Istanbul. When his high school period, Kerem started to produce his own tracks and generally, his influences were soulful and hiphop music. After that period, he applied to Miller Music Factory Contest' which was one of the biggest electronic music contest in Turkey, when he was 18 and his production won Electronic Music Production' title. His music carreer changed quiet attractively after this success and he started to work and cooperate with Kaan Duzarat who is one of the strongest producer and live performer in Istanbul's local area and be a part of Vesvese crew which has been operated by Kaan Duzarat. Kerem's influences a bit changed on that period and he started to listen and produce house music. His first EP called A Good Play' has been released by London based house imprint Apparel music on 2013 with a stong supports like Shur-i-Kan, Osunlade, Dubfire and many more...After his first precious release, live performances started to increase local club's crowd and Kerem's name known by many club addicts. Now, he's a part of Petra Digital crew and his second EP will release from our imprint as a vinyl called Life of a Party' We wait passionately to see what the future holds for this talented young man.
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Killer EP of techno-infused electronic excursions from the on-point dark arts imprint. Across it's 6 tracks we find dark dancefloor gear in the form of 'Drama' and 'Far Corner', with 'Abstract Science' touching upon the classic UK-techno blueprint to create something deep, incredibly soulful and a little bit special. The deadly 'Beneath' is a moody, spacious broken-beat groove, and the EP is bookended by 'Something More' and 'Orbit:28', two cinematic cuts of atmospheric electronica. Techno-futurism for the heads - recommended.
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Huge club banger alert! The infamous SNEAKER delivers 5 tracks of acid and ghetto
house for ULM Records. Rough and dirty and material ... straight down to the bone.
June (Suction):With Meet the Heat EP Sneaker is once again showcasing his distinctive take on modern electronic music that goes beyond the reproduction of cliché while it brings new ideas on the table. From the NDW/Industrial "Beat 2" to the storming quality of "Call 4 Arms", from the refreshing take on ghetto house on "Shoot the Freak' to the intelligent drum patterns of "Boomin".
Sacha Mambo (Macadam Mambo):WOH! the "Call 4 Arms" is crazy !!! Great music! :)
Snuffo (Bpitch Control / Snuff Traxx):
Dope + dirty + funky beats! Good job!
Paul Du Lac (Bio Rhythm):Some nice tracks in there!
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For the fifth installment in the Common Thread series we're launching our series of Various Artists EP's called ''Knives Replace Air''. For the first effort in this series we have the likes of Chinaski, MangulicaFM, 33.10.3402 and Gitchell Moore cooking up stuff.
Expect an odd mixture of genres all sharing a common thread in terms of feel. Maybe not the most dancefloor friendly record but definitely some kind of miniature soundtrack in it's own right.
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Last In: 6 years ago
Hot on the heels of Luke Vibert's 'Halloween' (Part
One),Hypercolour present more acidic business from one of Cornwall's finest bleeps exponent, backed with two very solid remixes from Tom Demac and FaltyDL. More new and exclusive material from Vibert then, on the A side cut, 'iStrain'. Deadly mechanical funk of the highest order, the Eastern melodic flavors float over a bending and bouncing 303 bassline, serving up a heady concoction of analogue goodness, proving that Vibert's still got 'it' in plenty of abundance. Hypercolour regular, Tom Demac, revisits 'Halloween', the dark, Pagan stomping acid tormentor from Part One. Going in straight for the ugular, Demac offers up a heavyweight battering ram of a remix, certainly not for the faint-hearted, as the crushed beats slap and pound against the lysergic moulations and the demented vocalphrases. Coming up for air, Brooklyn's FaltyDL comes to Hypercolour fresh from an outstanding album on Ninja Tune and singles on Swamp81 and Hemlock, with a stunning breaks version of 'Stabs Of Regret' (a track featured on Vibert's Ridmik album for Hypercolour last year). Hustling and frenzied breakbeats challenge for pole position with deep and dreamy chords and light synth melodies, the complex and compelling arrangement keeping things continually fresh in the mix. Vibert's funk is not lost either, with FaltyDL ensuring that this remix stays bang on point and funkier than a pair of Rick James' leather strides.
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The 4th release comes from the two PNR Label-Heads Konrad Wehrmeister & Lucas Cavrel . The first Ep of the new founded project contains two tracks that were produced under the concept of polarity. Beguiling and Devastating beats for your ears on 180g of Vinyl.Previous releases of the individual artists can be found on SVS, DUR, Public Possession and
Crosstown Rebels
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Wout Records is finally delighted to present the first release on vinyl of series LTD.
The Debut in the first 12" sees Dinkis and Paul Cart with The Silence Of Dark People "three originals written by Gabriele Mineo in collaboration with his friend Paul Cart, and for closing this wax release a fantastic remix by Impellizzeri & Stupia.
A work that embraces melodies and emotions at the same time, with the idea of creating something modern and original to convey these emotions in your hearts.
When silence will fall on these dark people, the air will make a lot of noise ... and their will have to keep quiet. (The Silence Of Dark People)
The illusion of escape from the feeling of a body off, rebelling for his soul, wiping out the darkest figures. (The Illusion Of Phantom Rebel)
And just by eliminating those hidden phobias, it will find the solution for a future light . (Phobia)
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For their fourth transmission, Happy Skull presents a trio of dystopian fantasies from analogue maverick Marco Bernardi. Opener 'Floating' is a throbbing trip in to rattling techno territory complete with discordant chords and bubbling acid lines. 'Broken Boiler' offers a trademark Bernardi fusion of sweet, visceral melodies and raw machine drums. Rounding things off is 'upside In', a fearlessly wonky voyage in to freaky techno-funk.
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Rhythmic Theory makes his debut for Happy Skull with two of his darkest, otherworldly productions yet.
"Decadance of Delay" is an unflinching sprint into techno-jack territory, all distorted machine rhythms, hallucinatory whispered vocals and hypnotic electronics.
"Endocrine Creeatures" is a dystopian blast of 808 electro built around titanium-clad kicks, snappy snares and rippling acid lines.
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1x each customer !
Surprise re-issue of this near mythical 12"! It seems nearly everybody missed it the first time round... DEKMANTEL & MAGNETRON team up and do the right thing and polish up the old girl to 2015 standards. Expect to hear this absolutely everywhere this summer!
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TONIC003 shows label founder Krystal Klear joining forces with a fresh off the boat vocalist in the form of Flex Washington. A two track 12 alongside a crafty Accapella for the Djs showcases a another step in a darker club foundation for the label head merging elements of new jacking R n B on top of rigorous drum patterns all tied together by the romanticism in Flex's vocal tone.
The tracklisting of the release was inspired by classic vocal 12's of the late 80's early 90s which is represented by the alternative acid flexing drum-a-pella version of the A side alongside a 12 inch only bonus of the bare accapella giving a tip of the hat to KK's musical heritage ranging from turntablism to body rocking.
Musically this is representing the deeper crevices of the streets that not all of us see...the darker side of midnight.
Support coming from P Diddy, Jackmaster, Jacques Greene, Midland, Tensnake, Alan Sugar, Bill Brewster, Skream & Joy Orbison.
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NEW is the third full-length album from the young Kyoto based producer Kazumichi Komatsu aka Madegg. Hailing from Kyoto, Kazumichi Komatsu, Madegg is a rising star in the Japanese electronic music scene. Moving freely between dubstep, chillwave, house and noise, part of the fun of listening to Madegg is not knowing what he'll come up with next. He supported the show of Ryoji Ikeda, Arca, Clark, Mount Kimbie, Tim Hecker, The Field, Inga Copeland, Julia Holter, Matthewdavid, Mark Fell (SND) in Japan and played the show SonarSound Tokyo/Osaka 2013 as youngest artist that year. Nathan Fake, James Blake, Four Tet and Fly-Lo here and there - but these aren't direct influences, just signposts to a territory that belongs entirely to Madegg. Exquisite fine detail accumulates around beats which seem to emerge completely naturally from low-down sub-tones. - Mixmag Whilst we're vibin' to lots of this ambient-indebted lush dance-music-you-can't-really-dance-to, here's something that literally just hit my inbox from Japan... - Drowned In Sound Slithering synths twinkle as they travel ear to ear, grounded by the steady pulse of a deep four-on-the-floor kick. Ever-rising, the increasing sensation of elevation brought about by Japanese producer, madegg, is like a rush of blood to the head...madegg's energy is deliberately simple yet emotionally rich. - PORTALS
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aux44 is a radioshow, tapelabel and a subdivision of mindcolormusic curated by dj mnvr.
the first two numbers were limited tapes with collaborations and productions by mnvr himself.
on this 150 limited and handstamped items dj mnvr himself debuts on vinyl with various experimentations handrecorded and overdubbed, all live recorded at aux44 lab.
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1x per customer!! REPRESSED !!
Groovepressure is back by popular demand after a 13 year hiatus and kicking things off with re-releases and new productions from the original Groovepressure artists. Taking influence from original UK techouse and techbreaks, Detroit techno, Chicago House, electro, deep house and 90's electronica, Groovepressure is about keeping these influences fresh whilst looking towards the future. Releases will include new music plus re-masters and remixes of sought-after Groove Pressure classics. Groovepressure came from the underground and had support from legends like Laurent Garnier and Andrew Weatherall with recent support from the newer school including Onur Ozer and Raresh. Original London style tech-house release. Two new tracks from Groovepressure label boss and artist Robin Ball (one half of Resonators) keeping the original Groovepressure vibe alive, whilst bringing a future twist with modern techniques. Stopouts are Rob Collman and Andy Panayi who have three previous sought after releases on Groovepressure. Here's two re-masters of their most requested tracks.
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Usurp is an anonymous collective of European artists joining into a unique platform in order to spread their similar musical vision, including IDM and Industrial sonorous experiments, without the need of labeling it, in favour of letting the music do the talking, almost as a protest against the common club culture paradigms. Every release is based on empires' histories, and some of the turning points in their existences. After the first record released back in May 2016, inspired by the Roman Empire - its titles took inspiration from The Life of Brian, since USURP artists love Monty Python since their adolescence - its second installment 'Reconquista' is about the Moors, Islamic inhabitants of Maghreb, Spain, Italy and Malta in Medieval times. 'Taifa' opens up with break beat percussions, locked and acidic patterns and melodically ever rising, mind-blowing textures: the track represents the Muslim cities remained such after the collapse of the caliphate of Cordoba, linking to the uncertainty of the future as happened for those towns. 'Covadonga' follows featuring ravey, sinister atmospheres and is considered to be the starting point of the reconquista, where Don Pelayo took the 'oath of Covadonga' when he swore to fight and win over the Moors. 'Poitiers' is again a break beat cut, it displays enchanting but always hitting rhythms interacting with structurally irregular, restless musical elements: the French city was the
furthest place up north the Moors actually went, stopped there by Charles Martel and his army - it took up until the 15th century before the were thrown off the continent. Your reign is over. Your virtue has become your pitfall. We are here to take over. We do not negotiate. Surrender mind and body. You will comply.'
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1. reaqheadz - Born 2 Be - Original Mix
2. Nik Import - Relieve The Moment - Original Mix
3. Blutonium Boy - Floorkilla - Nik Import Remix
4. Pitchback - Cosmic Dark - Radio Edit
5. Dimitri Vegas & Like Mike, Steve Aoki & Ummet Ozcan - Melody - Coone Remix
6. Tuneboy, TNT, Technoboy - Flash - Extended Version
7. Adrenalize - All The memories - Radio Edit
8. Noiseshock - Set Sail - Radio Edit
9. JNXD - On The Edge - Radio Edit
10. Devin Wild - Children Of The Sun - Radio Edit
11. Pherato - We Are Not Alone - Original Mix
12. Marty De La Vega - Bass In Your Face - High Level Remix
13. Josh & Lareau - Mosel - Original Mix
14. Slaterz - Together - Original Mix
15. Acti - Spender - Original Mix
16. A-Lusion - Hold Up & Come On - Radio Edit
17. Crisis Era - Party Up - Original Mix
18. Outbreak, Toneshifterz - Let Go - Original Mix
19. Bioweapon - Reload The Wepon - DJ Edit
20. The Vision - Melody Madness - Original Mix
21. Brennan Heart - It's My Style - Original Mix
22. Max Enforcer & Frontliner - WKND - Original Mix
23. Concept Art - Keep It High - Original Mix
24. Phantom - Let You Down - Original Mix
25. Double F-Ect & Dark Intentions - Sickness - Original Mix
26. Teyo & Deeperz - Come On - Original Mix
27. The Hammers - Feel So Right - Original Mix
28. Hard & RenD - Omega - Original Mix
29. Giorno - Pretending Happiness - Riliz Remix
30. Illuminatorz & Ziggy X - Good Bye - Original Mix
31. Maxxus - Terminal - Radio Edit
32. Distrix - I Need Your Love - Radio Edit
33. Zerox - Timeless - Radio Edit
34. Arterial - Believe It - Radio Edit
35. DJ Mikesh & DJ Neo - Let Me Be Your Fantasy - Hardstyle Mix Edit
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AFU Limited welcomes ALEX LONG to it's artist catalogue and he starts with two slammin' and cool Technotracks with ultra trippy vocals !
There is not much need to say anything about these tracks, just listen and enjoy the trip through the space age !
Since he was young, he has always been impressed by the sounds of the synths, electro pop and later on acid house. In the beginning of the 90ies, when the Slovenian electronic scene was still in the making, he was a regular guest in the legendary K4 and Palma in Slovenia. He was taken further into the world in 1998 when he took his first steps behind the turntables and he has been producing music since 2004. Since then, he has had quite a few releases and remixes for different record labels.He has dj gigs with huge names of the electronic scene and in large festivals in Slovenia and became the official Slovenian Hero of the future in 2007 at the Disconautica festival.He spends much of his time in his studio, where his thoughts are converted into notes and melodies, and as he often states, he finally found a style that suits him and always finds a challenge in. What is that style He doesn`t like to be defined by a specific music style, as he prefers and is influenced by many different genres of electronic music.
Alex Long is definitely a name we will hear of in the future!
WE SUPPORT AND LOVE VINYL
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Here comes the next must-have-vinyl for the new clubbing season! PRAXXIZ collects 4 strong remixes of Dr. Motte meets Gabriel Le Mar's last 'Fever EP' (PRZ018) on an sensational new bundle: 'Fever EP Remixed'
Japans Techno legend Ken Ishii transformed the originally deep character of 'Zikade' into an ultimate floorfiller with solid sounds and delicate accents. Also the German Eric Sneo skillfully re-worked this track and left his unique mark on it.
Pascal Feos raised the temperature of 'Fever' with deep Techno grooves plus Chicago and Detroit sounds. PRAXXIZ contest winner DJ Sur from Houston Texas pushed the envelope and created a funky-fresh version with some experimental elements.
Summing it up: this will blow you away!
Thanks for the support to: Richie Hawtin, Sven Väth, Marco Carola, Booka Shade, Shlomi Aber, Dr. Motte, SLAM, John Deegweed, Phonique, Christian Smith, Ken Ishii, Pascal Feos, Eric Sneo, Alavux, Flash Brothers, Anderson Noise, Brian Cody, Gabriel Le Mar, B. Ashra, Dan Andrews, Fady Ferraye, DJSeth, Bleed, Graham Gold, Studio80, Gilbert Martini, Gilbert Martini, Markantonio, Lerio Corrado, Martin Merkel, Pablo Discobar, Marc Galindo, Gel Abril, Gennaro Le Fosse, DID records, Loukas Pour-Hashemi, Frederic Gien, Christian Prax, Dan Maxam, Walter Batler, Franksen, Dirk Duske, Torsten Engels, Pedro Del Mar, Jerry Surer, Sergio Matina, Jerry Ropero, DJ Tom, Maurice Olive, Eatmydisco, Rishi Bass, Proteus, Shahrokh Dini, Dirk Richter, DJ Mays, Frank Jung, Márk Bóna, Rainer Selle, Wilfried Nickenig, Christian Trems, Marcus Burkhardt, Michael Gesdorf & many more ...
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After his successful first vinyl release as "Echtzeit" on melted
recordings (mtd.001), with very positive feedback by many dj's, the
producer Frank Rumpelt tried a different view on the theme ("Echtzeit" now
as title) in various styles of techno. 3 tracks - a bit more electro with
harmonics - are listening music and dance floor compatible, too. Plus 3
"locked grooves" we have 6 tracks on this vinyl. This record comes in a
premium outer and inner sleeve cover.
now re-releasd!
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The Clone Basement series dedicated to the true spirit of techno and music that excels in a dark smokey and isolated basement (including the dark and smokey corners of your brain) comes up with its first album release. This album explores the spiritual side of techno with a full length album by Finnish artist Aleksi Perala constructed from parts of the various Colundi Sequence levels presented so far. This is a limited triple album containing the spirit of the Colundi Sequence and showcasing the multiplicity of emotions and conditions as defined through the Colundi Scales. These scales are 128 resonant frequencies chosen via experimentation and philosophy, each relating to a specific human bio-resonance, or psychology, traditional mysticism or belief, physics, astronomy, maths, chemistry. ''The Colundi Sequence does you good whether you like it or not''
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Assalti Industriali is a Roman triumvirate. Ruling over collapsed empires and concrete remains. As their name implies, their output is brutal, merciless, coldhearted. An EP that demands your attention, charges you full-scale, and leaves a metallic taste of blood in your mouth. You said you wanted to come with us. Are you certain
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Weitergang durch Stillstand Von Alexander Lass Simpel, aber kraftvoll, kurz stürzt sich der schwer zu definierende Musiker und Performer Tobi Binär aka binär in kosmische Soundgebilde. Seine erste Vinyl - LP Stern verkörpert den langen und breiten musikalischen Spektrumsweg. Die Person Binär ist eng mit den Schlag- und nicht Schlafwörtern: absoluter Schwung statt halben Sachen verbunden. Der gebürtige Weltenbürger hat in den vergangenen Jahren seinen Lebensmittelpunkt in Wien gefunden und zeigt mit dieser gefundenen Ruhe in der Mixtur auf. Die früheren Vorgänger trotzen und überzeugten, aber gleichwohl durch den fast stetig gut gefassten Klang. Der neue Träger birgt eine alleine mit den gut assoziierenden Titeln first party und the last party, dass dazwischen ein neuer Schwung durch Stern zu erwarten ist. Vielleicht am Beginn ein wenig überraschend für eingefleischte Binär Fans, aber sicher ein Grund Stern zu erwerben.
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Big Bad Donato Dozzy steams in on Bunker again with 2 more absolute beasts..TIP! It's difficult to imagine The Bunker New York without Donato Dozzy. The roster of artists who have played the party over the past decade-plus reads like a proper Who's Who of modern techno and house, but if there's one artist in particular whose sound and vision has had an outsize impact on The Bunker, both as a party and as a record label, it would be Donato Dozzy.
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Perception of time is a variable that transcends any state known to us (or presumed). Dragged by a force majeure, the Dionysian spirit is a life force and chaos of becoming. The Apollonian spirit is fleeing from the unpredictability of events. The eternal return is a trap which is subjected to static human destiny.
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P.D.D are proud to introduce Yoshitoshi to our ever expanding label roster....
First up on on wax is the boss man Sharam's intoxicating cut HEAVi.....
I was at Warung back in 2012 discussing music with Seth Troxler. We both realized that a key factor for a good producer/DJ is to make and play interesting music, void of any arbitrary genre or labeling.
Long story short, i sent him this thing i had been sitting on called Tripi and he went on to champion that record for a good year and finally released it on his label as the inaugural release.
I was inspired by how that record resonated with a lot of Djs from all across the musical gamut. So i made a follow up of sorts and here you have it. - Sharam
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Succeeding his profound and forward-thinking album 'Depth Charged' which was revealed last February, Terence Fixmer returns with 'Depth Charged Remixed' featuring Ostgut Ton's Answer Code Request and UK's underground techno hero Steve Bicknell. 'Elevation', originally the final track of the album, emotional and reflective, is kicked up a notch by ACR's Patrick Gräser by adding ponderous drum patterns making it perfect for the floor. Conversely, Steve Bicknell takes on 'Unforeseen'. With it's fast paced rolling bass it is now put into top gear shivering with feverish reverberations. To compliment each variation, included on the EP are Fixmer's own live versions that have energetically filled dance floors throughout his tour.
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!!! repressed !!!
"ride ya" freshly licensed to new compressed mix-cd by torsten kanzler
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Last In: 9 years ago
éMel First Album ! And also First Acid Night Album
lots of first times...
A splendid beautiful Mental Acid Tribe EP, 160 BPM Cruiser full of very thinlace sounds and surprising beats... true tunes bringing a unity to the album...
1 Hour of music ! Cut @ The Exchange. Printed Sleeve by Vstee on an original idea of éMel.
This is a true Healing music.
Peace.
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Finally repressed!
Rødhåd is one of the city's most promising and talked about new artists of the last year. With only 2 EP's on Dystopian (the label he helms with friends) & 1 remix on Semantica, that's quite an achievement.
'Spomeniks EP' is his first release outside of Dystopian but preserves his deep & melancholic yet powerful style.
Apart from a rising producer & prolific dj, Rødhåd is a very down to earth guy with a strong vision and an open mind.
Definitely a match with anything Token stands for.
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Funhaus Records is a music label based in Berlin. We carefully release some house music records, on vinyl only.
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Human Rays - Stockholm, Sweden producer Robin Smeds Mattila—says that the music on A Tension was made during nocturnal sessions in a studio full of mostly cheap analog and digital gear, all in one take. "I kind of let the mood guide me and just go with it," he says. The result is a gripping fourtrack´suite of emotionally charged minimal ambient that was created quickly but sounds like it was rigorously sweated over for many weeks. After a handful of releases that explored noisy, quasiindustrial techno, Mattila here deviates into a more abstract, melancholy mode with A Tension. His creative process involves experimenting "to see how far I can push a sound with a pretty lofi setup. Improvisation and limitations are part of the thing that makes it interesting." This approach yields riveting dividends right from the start on A Tension. On "Condensity," the sparse pinging and distant, muted beats commingle with what sounds like rough wind or waves, hinting at the Arctic vibes that Biosphere conjured on Substrata. It's at once chill and chilling, tranquil and unsettling. "Between The Hours" places spindly, woody beats beneath a dramatic sweep of synthetic strings, ebbing and flowing like Fripp & Eno's monumental "An Index Of Metals." "Neverendless" might be even more redolent of the North Pole than "Condensity," its severely minimal isolationist ambience suggesting Mick Harris' nonemorecold Lull or Thomas Köner's Permafrost. On "Manual Litany I," Mattila takes what sounds like a sentimental synth melody and smears it into a mantra of compelling drudgery. He notes that the track draws inspiration from William Basinski, who's famous for his series of profoundly poignant Disintegration Loops albums.
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Brilliant techno & electro release from Rotterdam's Jeremiah R. Eclectic sound for a one way trip into the future...
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After their last release under the labels Ornate Music (UK) and Finale Sessions (US), Ka One & St-Sene are back with a special Flyance Records release. REWORK: the action of redoing, correcting or rebuilding"; that is the spirit they put in this Ep with those four House music anthems of those consider today as the father figures of this music. Without sampling, replaying all the keyboards and arpeggio, they turned thoses anthems into modern acid and techno vibe. From 1989 to 2015 Ka One & St-Sene give great tribute at Lil Louis, Mr Fingers, Kerri Chandler and Laurent Garnier.
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Vinyl Only / 180 GRAM
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Last In: 6 years ago
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The Argentinian based NGLY had seemingly appeared out of thin air landing on the Brooklyn based L.I.E.S. label in 2014 with an untitled four track white label ep. On this ep, the unsuspecting track "Speechless Tape" ended up becoming a cult hit with select djs in the scene (I-F, Mick Wills, Intergalactic Gary...) eventually leading to it being voted as Intergalactic FM's #1 track of the year in 2014. On the heels of his successful debut Rudolfo could have stayed the path and produced an easily digestable follow up dance record or two, instead he chose to take his time and reflect. Sitting back in the studio tweaking his live act, recording endlessly, transforming and refining his sound.
In the end we get his debut eight track lp, Cities of Illusion, a record that walks a fine line between many of the original strains of the electronic realm. The elements are all there to be picked apart, to be used, to be abused, thrown against the wall smashed to bits...played in the club or on the late night mix shows, it's magic you heard in the past and crave in the present. To say the music on the lp is one thing or another is an injustice...it pays reverence while at the same time turns a corner; held together by a loose yet cohesive thread. It is a full presentation that is unafraid to challenge or confuse, with no concern for genre imposed limitations.
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Coinciding with the one hundredth anniversary of one of the most surprising works by contemporary icon Franz Kafka, The Metamorphosis (1915), Reeko celebrates the novella or adult fairy tale with his own reinterpretation of Kafka's controversial narration. The author offers a first person account of the protagonist Gregor Samsa's transmutation; a human just like any other, with a grey, predictable and routine existence.
However, this bland existence comes to an end when Gregor undergoes a catharsis, a metamorphosis that transforms him into an insect. A mutation that Reeko describes beat by beat, giving us Samsa's every single heart beat and shudder. We bear witness to his dehumanisation, we feel every trace of humanity dissolve in the cold blood of the new being that is coming to life: an insect man, a new circumstance that will affect the way he sees the reality he thought he knew and the world that seemed to him rigid and unchangeable.
Juan Rico has already demonstrated his capacity for description. With the use of his trademark dark sound - both digital and analogue, since he has mastered both worlds- his sublime double LP Finding the New Matter (Mental Disorder, 2011) took us to new and exciting places, establishing him as a reputed artist within the international electronic music scene.
The first chapter-track is 'La Metamorfosis', which provides the title for the record and is the only track with a name. From here on, there will be no more labels; the dimension we find ourselves in bears no description.
A1, 'La Metamorfosis' acts as a prologue, a prelude which describes the whole record. It is not one of four tracks, but the opening that allows for the rest of the story to unfold. Over the course of six minutes, this first track progressively penetrates an atmosphere which becomes increasingly clear and intelligible for us humans, and at the same time separates us, cell by cell, from our own species.
A2, 'Capitulo 1'. We suddenly become aware, as Gregor Samsa barely managed in the kafkian setting of the original novel, that something is happening to us. All around us, reality remains unchangeable, but our vital rhythms and the way we perceive our surroundings is.. simply terrifying. Or is it just different
B1. Side B welcomes us with 'Capitulo 2': Gregor has lost all contact with his human self and has ceased to struggle, to question what is happening and where this catharsis is taking him. In this track, sounds stop fluctuating and palpitating and acquire a cold and thorny cadence. Precise basslines and rough melodies that transport us with very little gentleness to minute 2:40, where reality turns poignant, painful and imposing. It envelops us and abandons us to a new sense of self that we still cannot comprehend and, least of all, control.
B2. The transformation or metamorphosis reaches its climax with 'Capitulo 3'. The final light of the painful experience. A light which is dark and a place, a reality that, far from reassuring, takes us and pushes us with growing strength. Now we perceive every molecule, appendage and limb (dozens of them that we will need to coordinate from now on). We feel the embrace of the shell that both protects and oppresses. And we want to regain control, assume our new reality as quickly as we can to leave confusion, panic and fear behind. Indeed, all these begin to fade.
We manage to stand up, little by little, with great pain. Nothing has changed around us, but nothing is the same either. Our perception is different. The metamorphosis, the intense sonic battle we have lost in chapter 3, is an avenue to a new life. A cold and invertebrate life, but free from the chains of the sickly heartbeat that tethered us to that false warmth when we were mere humans. Where will this new phase of our existence take us How will we survive as insects from now on
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Affin artist Reggy van Oers is working on his very own sound since a while. Pristine is his third 12' in this series, after Evasive and TRC.
Techno with sensors for details and a special kind of deepness.
The remixes from Claudio PRC and Deepbass underline this attitude in a congenial way.
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The first R&B Rec Record is born from the encounter of two artists in the gloomy Baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. It is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general.
Resulting in a hot and scratchy Vinyl that combines dark, percussion sounds well known from Detoit Techno, with the sought after rhythmic of breakbeat and Drum and Base, of the British Nineties. Also packed with influences of Acid-House, this record incorporates features of the so influential 80's Punk Era, finally sinking it's roots in the psychedelic currents of the 70's.
The result is a brand new genre which is difficult, if not impossible to define. A unique way of defining Dance Music, in all its aspects, which is identified under the name of Spaceship Surgery Techno.
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Tapan are from Belgrade, hosts to Disco not disco and now delivering two slow psychedelic techno bomb's to crimes of the future's letterbox. We first met Nebjosa and the crew when we played at Drug Store in Belgrade for them in early 2014. Upon receiving these we knew they had crimes written all over them. On Volumes we have two very special remixes of an already heavy original starting with Willie Burns taking them into the streets of Manchester in the early 90's and spending a night on at the Hacienda with no thought of the gentrification approaching. Drvcvltvre is the second provider and in true style switches out the lights and a spectre looms over the dancefloor dripping acid on the dancers below. The EP closes with Who's there featuring the brain melting guitars of Vladimir Djordjevic. Quite a debut we think.
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- CD1-01: Jonny White - Ambient Intro (Rainfall)
- CD1-02: Rhythm & Sound W/Savage - Smile
- CD1-03: Maurizio - M5A (Edit)
- CD1-04: Deepchord - Dc12 A1
- CD1-05: Lama Temple (Full Version)
- CD1-06: Luciano - Octagonal
- CD1-07: Dubatech - Nonagon
- CD1-08: Steve Bug - A Night Like This (Richie Hawtin's A Dub Like That Remix)
- CD1-09: Petar Dundov - Oasis (Substance & Vainqueur Remix)
- CD1-10: Deepchord - Electromagnetic Dowsing (Step 1)
- CD1-11: Route 8 - Ash Dub
- CD1-12: Round Two Feat. Andy Caine - New Day (Club Vocal Mix)
- CD2-01: Jonny White - Bodies
- CD2-02: Borrowed Identity - Faith
- CD2-03: Sascha Dive - Get Out Of The Ghetto Blues (Fred P Remix)
- CD2-04: Mandar - Wet Paul
- CD2-05: Searle - She Moves (Russ Gabriel Remix)
- CD2-06: Dj Sneak - The Music In Me
- CD2-07: Moomin - Humbling Love
- CD2-08: Fresh & Low - New Life
- CD2-09: Delano Smith - Mariana's Song
- CD2-10: The Persuader - What Is The Time Mr Templar
- CD2-11: Aphrodisiac - Song Of The Siren
- CD2-12: Steve Tang - Mystic Ritual
- CD2-13: Nitin - Dubbed Out (Deadbeat Remix)
- CD2-14: Ad/D - Motor City Sunrise (Jonny's Renaissance Version)
Iconic label and global club brand Renaissance returns with the continuation of the revered 'Mix Collection' compilation series. Art Department has delivered a timeless mix of underground House and Techno, past and present. Art Department will be touring worldwide to support the release and, with over 400k Facebook fans, has a strong platform to reach directly to his global fanbase. As the first release of a new era for Renaissance, this eagerly anticipated album illustrates the label's remit to present the very best of current underground artists and music.
Renaissance has a history of more than 80 compilation releases in the past 2 decades, since releasing the UK's 1st ever gold-selling compilation 'Renaissance The Mix Collection:Sasha& John Digweed' in 1994
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Listed as one of the best clubs worldwide, not to mention best club in Romania, Midi started their own label with a bang early last year. This time it's g76's turn to make you dance with his two tracker.
Timber so is definitely the melodic one with subtle sweeps and resonated percs running smoothly along a trippy voice. The warm bass will keep your feet warm.
A fractured neck nock is the dark one. Synths are lurking behind the sick percussion. The guitar riff and a kids voice increase the mystery as the track progresses. This might seem dark and deep but it's pumping as well.
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It's hard to believe an entire decade has gone by since Claude Vonstroke first released 'Who's Afraid of Detroit'. But believe it or not, we've reached the 10 year mark of one of the biggest hits of Claude's career, and we felt it's about time for some fresh takes on the track that helped launch VonStroke and Dirtybird.
For 10 year anniversary, we tapped into the Motor City's outstanding talent pool and enlisted an amazing lineup of Detroit artists to help us celebrate. Besides Claude Vonstroke's brand new 2016 remix, we also included mixes from techno icones Octave One, minimal techno pioneer Marc Houle (Windsor is close enough!), and the accomplished trio Visionquest.
Not limiting the Detroit based artist package to just the music, the haunting release artwork comes to us from Michigan illustrator Dan May. In addition, a dark David Lynch style music video comes from award winning Detroit director, Anthony Ernest Garth.
"Who's Afraid of Detroit Remixes" will be released on the 10th anniversary of the Movement Festival in what city Detroit, of course.
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Black Brook Limited presents the BBLV003 from the "Grieche - Patch It Remix Edition" with remixes by
DJ Emerson, Brian Burger, Kevin Wesp & Silvano Scarpetta
Since the first publication to BBLV001 was so well received,
we thought to start a rmx edition with the known faces from the techno scene,with
DJ Emerson, Brian Burger, Kevin Wesp & Silvano Scarpetta...
Should not to be missing in your collection...
Check & Enjoy
Yours Black Brook Limited
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The gifted producer behind Mønic and Kryptic Minds returns to Downwards under his own name with a crushingly physical testament to his knowledge of soundsystem dynamics and how to sustain knife-edge atmospheric tension.
The Lust Product EP offers four tracks of stare-down halfstep techno and grubby rolige that's patently a product of so many years manning a DJ booth and dancefloor. Lessons learned from the hard edge of D&B and how to properly make the speakers shake are at the core of each cut, ruggedly manifest in the cement mixer churn and deathly groan of System Living, and tightly laced to the Fishermen-esque, slow techno-meets D&B-on-33 grind in Silver Sun - a fearsome addition to our 113bpm techno folder.
But when he steps aside from the 'floor into more esoteric, dramatic headspaces and themes, he really proves himself a master of cinematic tension, recalling the most funereal rituals of Cut Hands in Lust Product's stygian trudge and sweeping low register string arrangement, or breaching the quasi-speed doom dub zones of Raime in External Laws.
Killer twelve.
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The Organ Grinder is no newcomer to the scene. With releases on labels such as 4Lux, Heist, and Catapult, this veteran is ready to shake things up for the BORG lads
in the northern hemisphere.
On the A side "Attention" is the big room tech tool,
a true attention seeking force not to be reckoned with.
Delicate Din" strikes a deeper chord with the perfect contrast to the attention grabbing A-side, with the constantly evolving resonant bass and the irregular 4/4 groove.
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2015 ist das Jahr des neuen Albums von Alex Bau, das Ende April seine Definition von modernem, intelligentem Techno mit einem düsteren und zugleich auch organischem Touch präzise definiert. Ein klares Bekenntnis zum Sound. Frei von Hochglanz-Bildern und ablenkenden Elementen kommt dies Album mit Techno in seiner unverfälschten, puren Form mit einem einzigen Fokus: die Musik selbst!
Nach 5 Jahren quasi überfällig ist es definitiv an der Zeit, daß einer der am meisten für ihren Sound respektierten Technoproduzenten nach mehr als 100 Produktionen und Remixes auf szenerelevanten Labels wie Chris Liebing`s "CLR", Techniasia`s "SINO", dem englischen Technoaushängeschild "Sleaze Records", dem legendären Harthouse oder auch kürzlich auf Sven Väth`s "Cocoon Recordings" nun erneut ein Techno-Statement in Form eines Full-Length-Albums zu setzen.
Und genau hierfür kam nur eine Plattform in Frage: Alex` eigenes Label "Credo", das vor allem in den letzten beiden Jahren mit seinen eindrucksvollen Releasaes mehr als durchgestartet ist.
2015 will see alex baus new album 'musick' to be released end of april showcasing his definition of slightly dark shaded, organic sounding and intelligent modern techno. A clear statement, free of hi-res artistpics or diverting elements, just the music in a very pure and straight way.
after 5 years it seems to be more than overdue that one of the most respected producers throughout the technoworld delivers a new full-length album after far more than 100 productions and remixes on well established labels like chris liebing`s clr, technasia`s sino, uk top notch label sleaze records, legendary harthouse or most recently also synewave and sven väth`s cocoon recordings.
anyway... it was clear that there just one spot on the label-landscape for his new longplayer: credo, his very own label which was kind of outperforming throughout the last year.
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Last In: 5 years ago
Blackmass Plastics is constantly evolving. Mutating sound. Whether destroying dancefloors with hybrid monsters or making two-step(s) ahead of the game bass music that still sounds fresh after more than a decade, Blackmass Plastics defies convention. A producer and DJ long associated with Ugly Funk, this marks his first vinyl release for the label and organisation for which he is an integral component. This doublepack contains a range of shapes and guises, veering towards the kind of open-minded 'no skool' techno dancefloors that Ugly Funk have become well known for in their 18 years of putting on parties.
'Under the Radar' includes the much sought after Newton's Cradle. (released briefly digitally then swiftly deleted. UFU HQ have been inundated with requests to release this track on vinyl ever since). A fat analogue and dysfunctional rave stomp, described by both Jerome Hill and Truss as a 'KILLER' and reviewed in The Wire magazine - "Newton's Cradle.. a whole junkyard worth of clutter crudely popping and locking, everything shaking as if in a Roobarb and Custard cartoon".
This release also throws some light on his industrious studio experiments from the last few years. Twitchpitch and Lololp are among the first of the new mutant experiments to escape the Lab - on promo and derailing dancefloors everywhere DJs play them. Arresting, not easy to describe, these trax are precisely identified; infectious twisted brainworm loops brought alive by DIY noise box processing. Where Grime and Punk seem to meet at speed. Head on.
Also included is the brilliantly named HR Giger Counter - a stripped down UK Bass rattler for the Nuclear Waste generation, totally unique, you haven't heard anything like this before; whilst Doomatron and Harmonic Minor Chasm both give a knowing nod to The Mover and PCP, touching base with the place where, for Blackmass Plastics, it all began...
As Blackmass Plastics and under other aliases he has released records for Deadsilence / Rag N Bone / Don't / Victim / Coin Operated / SMB / Yellow Machines / Audio Illusion and his own Thorn Industries imprint.
'Under the Radar' tracks have received airplay on Rinse FM, Kool FM, Sub FM
Support from Truss, Jerome Hill, Warlock, Esther Ofei, Dexorcist, NoYeahNo and others
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It's been a while since Cristian Vogel drop out techno record so we are proud to present maestro on Heraldic.SPb.
Getting hot from the start, opening "Last Daze" is the minimal bleepy monster to burn basement dancefloors.
A1 " The Newness" combines dystopian sound landscapes with dubby atmosphere and whoopy beats.
B side opens with " G.I.R.R Engine", reminiscent to "Never Engine", one of Cristian's best works up to date, blueprint of minimal techno with no additions.
Last but not the least, " BOX Engine 124" slows speed down a bit and finishes the EP with dark and funky though spacey trip to another dimension.
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An original electronic disciple hailing from New York, Sandwell District's David Sumner a.k.a Function presents his debut album 'Incubation' on Ostgut Ton. Like the soundtrack to a suspenseful Techno-thriller, or retro-futurist Sci-Fi tale, it's a modern sound journey heavy on imagery. Over nine tracks we are guided through the varying moods and scenes of Function's musical temperament. Be it through writhing layered club tracks, soaring string-led atmospheres, or melodic pieces founded on classic electronic traditions, 'Incubation' marks a new level of maturity for the Berlin-based producer. What begins as a lush and blossoming lesson in ambient synth arrangements, with the beautiful arpeggios and waveforms of 'Voiceprint', quickly drops off the apex and into the depths of Function's filtering acid world as 'Against The Wall' unfolds. This metallic, acidic concept is explored further too, in the final moments of the album with the chilling 'Psychic Warfare'. A spiraling, organic surge of warm synth tones and other-worldly arpeggios unravels itself in 'Counterpoint', acting as an early bridge between some of the drum-led studies that follow. And thus, the pressure increases. 'Modifier' presents itself with tight, snaking drum patterns and tense, late 90s kinetic warehouse energy. Opening a path into an alternate, yet not too distant dimension then, 'Incubation (Ritual)' takes form; it's haunting and graceful waves of synths continue the Sci-Fi theme, while the tough modulating bass undercurrent reminds us of Function's big-room Techno appeal. The final moments of 'Incubation (Ritual)' glide effortlessly into the album version of 'Inter', where ethereal melodies and snippets of spoken word surround a classic IDM-Deep-House core. 'Voiceprint' returns as a (Reprise) version, in what could become the crossover club track of the year. Coming on like a classic R&S or Soma release circa '95, the undulating synths are now caught in a rapturous groove, urged on by a perfect 909 drum pattern and forward pushing, precise arrangement. Taking the minimalistic, hypnotising mantra of previous Function 12''s like 'Isolation' or 'Burn' to another level, 'Psychic Warfare' brings the voyage to a a close, it's overlapping, ebbing metallic acid tones inducing equal measures of tension and elation. In the CD version of the album, 'Gradient I' concludes the voyage. Earthy, modulating bass and 808 patterns merge as a cyclic, audio resolution occurs. With a final, intense atmospheric wash we find ourselves re-born, out in the ether, having witnessed an event of great weight and substance. In the final mixing stages of the album Function brought the material to cult engineer and producer Tobias Freund (NSI). Since 1980, working with the legendary Frank Farian, Freund's skills helped bring acts like the controversial Grammy award-winning Milli Vanilli to fame, and he would pioneer early European Techno and Electronica through his Sieg Über Die Sonne project (with Dandy Jack). Function chose Tobias to do his work justice, and add his years of mix experience to this ambitious, succinct and artistic album. Bound in mysticism, forged through experience, 'Incubation' is a bold and powerful album from one of modern Techno's key players. Inclined to hold back, rather than release too much, Function has let his sound develop and mature, fusing analog synths and drums with modern production techniques to create something unique and timeless.
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You might have heard of Happa by now. He's the Leeds native who first burst onto the electronic scene in 2013 with his blistering 12'single 'Beat of the Drum/ Bring It Back', the wildly precocious teenager (also known as Samir Alikhanizadeh) who won instant fans in the likes of Mary Anne Hobbs, Loefah and even Four Tet, the one who scorched a trail with his dark, bass-heavy sledgehammer house, which sounds quite unlike anything else out there right now.
Starting with the urgent, unnerving undertow of 'Chewy Teeth', it becomes abundantly clear that the last three years have seen a qualitative axis shift for Happa; his aptitude at marrying pounding beats with dark, ominous landscapes has been sharpened to a knife edge, his way around a foreboding bass has become laserlike. 'Ascension' takes things even further, with surging beats and rattling vocal declamations threatening to send the entire track skittering out of control. Closer 'Crickets' with its throbbing, subterranean pulse slowly opens out into a refracted strain of house at its most urgent and unnerving. 'Part 1' is the sound of a young artist refining his sound, with an unerring instinct for the jugular, and many more surprises up his sleeve. You'll be waiting on tenterhooks for the next installment.
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Eschewing the routine trappings of "tunes" and "melodies" in favour of drone and a strong cinematic sensibility, Jazzfinger bring to you their own unique brand of visual and aural exorcism. They start noisily. They incessantly build layers of white noise onto of layers of unwieldy dissonance. They recreate an auditory Armageddon with amps. They end noisily. They also unleashed 600 live crickets onto the audience at a gig once.
They have dozens and dozens of LPs, tapes, CDRs and lathe cuts out on a multitude of DIY labels, and they've finally released a 100-only double-A side - Beachy Head / Moroccan Car Park (D. Harwood remix) on the Distraction label. Ladies and gentlemen: Jazzfinger.
Recorded by Hasan Gaylani and Ben Jones.
'Beachy Head' remixed by D. Harwood.
Artwork by Thee Ruiner.
Packaging screenprinted and assembled by Tyrant, Design and Print.
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Last In: 2 years ago
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The 9th vinyl release is here and we're very glad that, after a long time, we finally have The Noisemaker back on the label. And this time on wax. The Noisemaker, new label / agency regular member, has putted all of his finesse in 4 new outstanding productions. This new EP is an experience with various feelings emerging from the different moods of the tracks. Sometimes it goes on with broken beats, sometimes it is just straight and it always comes with hypnotic, tripping raw and acid synthetizers, entertaining rythmics, all wrapped in dark atmospheres. The EP is supported by a high quality remix from American Techno legend Paul Birken that delivered a real cutting edge rework of the original track "Processing". More than a remix, we could call it a reinterpretation. Paul's very own flow is immediately hitting with patterns running crazy and an intense energy which is raised by heavy bass drums and slashing percs.
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After finishing off the DARK ACID series with installment 5. We have decided to delve deeper into the underground for this compilation. Bronze Teeth (Factory Floor's Dominic Butler and Richard Smith of L/F/D/M) open the record with a gnarled acidic beat track 'acid hag'. Satin Doll (Scott Young) brings a degraded noise soundscape with 'escort'. Glasgow's Lord Real (Becoming Real, Mourn, Zone recs), drops two tech beat tracks for the b side, 'more slugs' and 'printed money'. DRMCNT's (aka Acidliner and Hey Colossus's drummer) contribution is a bass heavy, banging track for the floor 'teenager'.
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Closed Sessions' is a little comeback for our small family business RIVULET RECORDS, so we´re very happy to get help from some good friends on this one. Pablo Mateo from LACK, Perseus Traxx who has released on Bunker and MOS, Mod.Civil from Ortloff in Leipzig, Profile from Esthland and our very own Stanley Schmidt are artists who have been inspiring and exciting us for quite a while and who seem to share the same love for serious dancemusic. Although the tracks are very different, the whole compilation is driven by a dark and moody vibe which doesn´t let go the utopian and hopeful core of Housemusic which has been the light we´re been running for since one of these mornings... We hope you like what you hear, thanks for the support! Yours sincerely, Rivulet.
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Last In: 4 years ago
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Patrik Sjeren, J-Dubs and Work Them Records founder Spencer Parker give Dan Beaumont's lauded 'Spirit Talkin'' the dub treatment.
Having seen much support from names like Truncate, Job Jobse, Marcel Fengler and ItaloJohnson, 'Spirit Talkin'' was an enormous testament to the London-based DJ, promoter and venue owner's production prowess.
First up on dub duties, Swedish veteran Patrik Sjeren, who's been releasing under numerous monikers since the early 90s on the likes of FXHE, delivers a chilling production courtesy of ghostly echoes and tantalising synths.
J Dubs aka Jamie Fry, founder of the STABLO imprint, then focuses on understated percussion as an undulating bassline joins infectious claps, before Work Them boss Spencer Parker combines rumbling kicks with shuffling hats for a stripped back dub version of his Workmix.
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Ever striving for perfection, Sherard Ingram aka DJ Stingray 313 for this fifth Barba release hits us with elegant but typically fast pacing modern electro 3 tracker. Each one is a beauty in itself, deep, resonating space funk, elegant yet dark at times but melodic in the same time as one would expect from the man. Simply put - truly outstanding craftsmanship across all tracks. Title track also gets a remix treatment by Aubrey, UK seasoned techno dj, producer and label owner who's recent remix seen a light on legendary Metroplex label earlier this year. Enough said. Here Aubrey bravely bites the bullet and maintains the original high tempo but seriously twists the original resulting in stomping into stratosphere monster track creating his own communication system.
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On RRRC-027 RotRaum gives you two selected remixes of the Acidland E.P. original tracks on clear orange vinyl.
John H & MEEO transform "Acid In Wonderland" by Dj Wank into a deep and hypnotic techno version,
while Healium gives a classic acid treatment to "Alice In Acidland Pt.2" by Dominik Vogel & Kinky T.
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Fabric Safety Apparatus Vol. 1 is the rst in a new series of club-oriented selections presented by Parachute. Featuring exclusive music from the likes of Italian industrialist Ayarcana, label co-founders Avatism and Clockwork, Meze, Metrist, M_REC boss Max_M, South London Ordnance and rong Assessment, it is due to be released this summer. Fabric Safety Apparatus Vol. 1 comes in a 2x12' package designed by Kero.
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After releasing the first two episodes Isabel and Helene, the landslide continues with "Maysak", the third installment of Attic Music Hurricane Series. Here Fabrizio Lapiana returns with three melodic techno cuts, a mix of dark and calm vibes on the b-side, where a vibrant chord defines a melancholic atmosphere in "Leading Nowhere". A corrosive bass line snakes the ground in the ambient-techno's "Water Smoke", a track that express the hypnotic and peaceful concept behind the series.
A tangle of techno grooves, synth pattern and energy on the "Lasnait" side.
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Last In: 8 years ago
*Hot on the heels of DJ Deep's inaugural Kern mix for Tresor comes 'Kern Vol.2', selected and mixed by Gigolos boss DJ Hell.
*Hell has a track record of releasing benchmark mixes, most notably the wildly eclectic mix for Belgian club FUSE in 2000, and 1995's 'X-Mix 5: Wildstyle', whose concept he feels is 'not far
away from Kern Vol.2'.
*For 'Kern Vol.2', the Munich / Berlin machine dug deep into his vast collection to unite early House and Techno with the new wave. To start the process, he searched in the most obvious place: his basement. 'I was nding records I didn't know that I still owned,' he explains, adding that there are 'so many stories behind each track. It's not just the music - after 20 years there are so many memories that come back'.
*The rst 12' - The Exclusives - comes packed with previously unreleased tracks, specially crafted for Kern Vol.2 and carefully selected and re-edited by DJ Hell.
*Argentinean producer extraordinaire Jonas Kopp offers his own interpretation of the Hell sounds with 'X', an incendiary and wreckless number of instant gritty appeal. On the ip, two reworks operated by Hell specially for the occasion. The infamous Flashback '86 by Capracara receives a raw treatment, for full danceoor effect. The 1993 classic by Halogen (aka Zach Roberts), Bliss gets extended and reconstructed with complete new drums.
*Hell feels that 'Kern Vol.2' is a product of crate digging and vinyl culture, but rather than keeping it to himself, he wants to share it with as many people as possible: 'This music is very powerful & timeless and had a huge inuence on me. I have been Djing since the late 1970s and playing house since 1985 - this is my life.'
*As autobiographies go, 'Kern Vol.2' makes for a compelling opening chapter.
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The Kestrel (Turmfalke) will rise in Spring 2015, starting the new label by Matthias Springer with focus on physical media. The philosophy behind is to invite friends to this special cross-over concept. Every artist presents an original in combination with remixing eachother. In the end 4 tracks on one release, no special genre is preset, everything can happen. Frank Hellmond is the special guest on the first Turmfalke release, bringing in his unique deephouse flavour that features some pretty nice vocals from Snowflake, while Matthias is turning it into a combination of dub and acid ... but just have a listen.
To protect the digital integrity all tracks will be re-released for online-media about 5 - 6 months after the physical release. Beside we decided that there is no need for "cool" looking coloured vinyl, so we will keep it black and heavy weight with 180g of pure electronic music!
early support by
Laurent Garnier, Dr. Motte, Slam, Xpansul, Ambivalent, Pan Pot, Marc Houle, Dosem, Someone Else, Franco Bianco, Acid Pauli, Booka Shade, Oliver Schories, Deepchild, Luciano, Magda and many more
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Paride Saraceni's debut Truesoul release, Burning, brings us three uplifting and vocal-heavy tech house tracks.
A steady groove throughout, Saraceni's choice of instrumentation and flowing percussion create a melodic yet techy release with all three tracks laced with a solid kick drum, tinkering high hats and sporadic vocals. Burning is the perfect offering for the new year and proves there are big things on the horizon for Saraceni.
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Berlin Atonal Recordings is happy to announce two forthcoming releases, both featuring live cuts from two of the most talked about performances at the 2015 edition of the festival.
Peder Mannerfelt supplies four jams fashioned out of his own exceptional live show at the festival. Raw, unsoftened, brutely analog sound from an EMS Synthi AKS punctures space in an oddly futuristic rhythmic experiment, gesturing at a brand new way of thinking about electronic music.
The cuts are also packaged in a special 12" featuring artwork based on his own breathtaking live audio- visual show.
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Last In: 14 months ago
After the success of All In, Sven Tasnadi's latest album on Moon Harbour, the label is now
delighted to offer up a selection of remixes from it. Those enlisted to add their take on the fine
originals are the internationally acclaimed talents of Nick Curly, Map.Ache, KaiserDisco, Simon
Baker and Cristian Viviano.
Up first is 8Bit label boss and Trust man Nick Curly. The Mannheim producer has long been a
tastemaker when it comes to tech house and his effort here is a fine one. His take on 'This Girl'
flips the track into a deep and loopy number with sunny pads, cosmic melodies and non stop
beats that will keep people moving for days.
Map.ache (a founder of the KANN label in Leipzig) then goes all dubbed out with his excellently
watery, rolling remix of 'Until The End.' It's a moody, heads down and thoroughly underground
track for intimate backrooms that has airy hi hats and a muffled vocal phrase lulling you into a
trance.
The prolific Hamburg based duo of Kaiserdisco (associates of labels like Drumcode and My
Best Friend) then turn 'No Laws' into a perfectly roughshod house shuffler with undulating
drums that really get under your skin. The percussion is subtle, there are all manner of soft
shakers and distant synths that really add to the overall effect, and the result is truly fist
pumping.
UK star Simon Baker, of labels like Last Night on Earth and 2020 Vision, then goes hard with h
thumping, drum led version of 'Rest.' A robust bassline also adds weight to his groove and
some spangled synth patterns ensure this one will really set the 'floor alight at peak time.
Lastly, Italian Beatport remix competition winner Cristian Viviano comes correct on his full
blooded, barrel chested remix with its physical drums, skipping percussion and cutting hi hats.
This one bobbles along at a fair pace and is sure to sweep up dance floors as it rolls along
unstoppably.
Each one of these remixes breaths fresh new life into the originals and adds a personal spin on
things. They all make for fine listening and are sure to make their way into plenty of top DJ
record bags this summer.
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'In the first of a series to showcase forthcoming releases, this Product London vinyl sampler features two techno remixes, one from man of the moment Traumer, along with Catherin and one from techno stalwart G.Pal. The sampler also features two original tech house tracks from label artists, Anatol& Falscher Bart.
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