Techno News

1995 UK Battle Electro classic remastered. Also know from Dave Clarkes seminal late 90s Electro Boogie mix release.

Specific States of Mind

For the first time, the greatest electronic music magazine DJ Mag is curating two double vinyls : HOUSE & TECHNO Discover the two first volumes of the collection : House & Techno The House volume is including

French producer Vitess release a new EP on is own Retro Futura imprint. This EP features four electronic tracks with ravy drums spiralling leads and rich keys meticulously crafted to shape the dancefloor experience.

1996 Detroit Electro Bass classic, first released on Direct Beat. Remastered original and previously unreleased Alt Mix and Bonus Beats. Also know from Dave Clarkes seminal late 90s Electro Boogie mix release.

acido records has grown older.

In the meantime hang on in there for the deep cinematic joyride that is Synaptic Sugar and Gentle Hell, 2 epic fantasy trax with increasing tension. A spiritual sort of thing, written and produced by drummer and curator Andres Lõo from Tallin, Estonia...it could be Detroit.

2023 Repress!

Binary Digit returns with a new EP on Zeitnot, 4 months on from his last release on Dream Ticket. 4 cuts encapsulating fast electro and wicked synth work. Going for a straight up mid 90s UR vibe

Utrecht based producer Böhm is back with his second batch of heat on MOS Recordings. Right after two recent drops on Steffi's Dolly imprint and the London based EYA Records, Böhm delivers yet again a brilliant take on the deeper side of house music, smoothly blending the iconic MOS strings with drifting bass lines and a spark of idm bleep techno.

microCastle's final offering of 2023 welcomes Colossio and Luke Garcia to the label for their debut EP. Colossio has been a rising force across the Indie Dance spectrum for the better part of a decade. Based in Mexico and taking inspiration from krautrock, psychedelia and the golden age of Mexican cinema, the Monterrey resident has continued to open up endless creative avenues and furthered his boundless appeal with releases via Borders of Light, Calypso Records, Duro and Exit Strategy. Meanwhile, Spanish artist Luke Garcia has enjoyed similar success across his decade-long career. The Madrid resident has been praised for his borderless approach to production, in turn landing standout projects for Diynamic, Innervisions, Sum Over Histories and TAU. As occasional studio partners since the beginning of 2023, Colossio and Luke made their collaborative debut via Engrave Ltd with ‘Let Go’, a release which would precede a recent contribution to Innervisions ‘Secret Weapons’ Part 16. Now, continuing to build on their creative partnership, Colossio and Luke end the year with their microCastle debut ‘Amen / Ryen’.

Played by Ame during the summer season, EP opener 'Amen' finds Colossio operating in solo capacity and taking square aim at the dancefloor. Full of rejuvenating energies, the Monterrey resident cleverly blends robust kick drums and electric grooves with swerving chord stabs and chanting vocals. Colossio’s creative attitude reveals itself further across the main break; with a hyperventilating build dropping out into a rush of main room alchemy, all laid out over a bed of percolating acid. Selection two ‘Ryen’ finds Luke Garcia crafting a feel-good indie-dance excursion that’s nicely suited for those uplifting club moments. Booming yet dreamy, its colourfully cruising hypnotism instantly commands your attention, through snatches of vocal fragments and siren-like synth flares, eventually culminating in a finale of rave-inspired euphoria.

The EP’s halfway point is marked by the behemoth sized vibes of ‘Situation’. Here, Luke and Colossio masterfully synthesize their talents while breaking down boundaries to serve up a melting pot of hard-edged dance. Its pneumatic energy turns over quickly, flowing through a brutalist maze of mutated vocal gates and fiery rhythmic fractures, before reaching a hyperspeed collision of sonics for the ultimate high-octane drop. Rounding out the release is ‘My Body’ which once again finds Colossio and Luke combining their extensive forces. The cross-continental duo drive each other forward beyond their individual comfort zones for a mature club-effective record; one where thunderous beats, weighted rhythms and looping vocals prelude a collection-closing melodic finale. Artwork: Mauricio Seidel.

Rezpekt to DJ Dimension !
Rezpekt to Elements !

The Full Circle Released imprint is here. Finally - some might say - as these Parisian Masterminds stoke their engines with a faster grade of fuel. Always in keeping with trend, these well-versed contemporary historians have delivered something fit for the peak of the moment, a progressive A side that surely crosses over; with a break in the beat, surges of euphoria and darker moments that harken back to the hard trance we knew, this number fills the Full Circle brief and more! The B side is a true dub, nestled in at just the right tempo, it sails on through with plenty of heavenly space about it, balanced with subtle percussion and just a pinch of sonic wonk. Those starting to panic about the speed of it all can of course just hit the 33 dial for some 1/2 speed love, it’s Full Circle after all.

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Justin @Cudmore's 'Are You Ready' is the track that's making you stay at the party long after you started saying you should really get home. Justin tells us that 'Are You Ready' is the result of some early experimentation with the studio setup in his old apartment and one of the first white label acid tracks he began playing out, even before his popular debut for The Bunker NY, 'Forget It' was released. 'The elements came together quickly in an afternoon session -- I had been recently inspired by a trove of acapellas I'd come across. I would say this is when arranging the track really clicked and I started truly assembling it with the dance floor in mind.' Over the next two years, the track became a secret weapon that made its way into the hands of DJs like Craig Richards, Mike Servito, Jackmaster, Derek Plaslaiko and Gerd Janson, becoming something of a sleeper hit.

Excellently crafted, dark and forceful techno album by Swedish rising
star Lakej (Soma, Edit Select, Faut Section, Semantica). The 2x12-vinyl
is limited to 100 copies!

Pretty Sneaky slips deep down the dub-hole for the sweet 4 tracker on Private Stress (Brussels). Refined stuff. TIP!

The sneaky one is slowly carving out quite a reputation with a super-solid back catalogue of releases next to some ultra dope radio shows and DJ appearances.

Loud Enough is back with the second instalment off our 3-EP series dedicated to the Roman Pigna Records, the dancefloor-oriented sister label of Nature Records. Each EP features classic tracks alongside exciting new compositions from key artists of the label.

"Funk Series Part 3" comes courtesy of Raiders of the lost Arp aka Mario Pierro.
Originally recorded in Pigna studios, Rome, Italy, sometime between 2004-2008. Remixed and retouched in Hospitalet studio, Uppsala, Sweden, 2023.

Deadly, unmistakable, multi-faceted Techno experience

Terrorrythmus is back on the dubcore series with four hyper kinetic slammers in his very own blend of hardcore, juke and bounce bass forest sound. starting up with 4am that crawls out of the fog into a hooked on piano footwork banger which later drops into amen workout. followed by wonk juke on locked vocals. flipside ‚ready‘ is a totaly locked on syncopse rythm work of a mayham. the end up is‚ feel the bass‘ with even more chopped up madness and rave stab moments.

For the second release of the label we’ve invited Various Artists.

A1 is done by Italian artist Lucio who delivers a peak time track with a nasty sub bass, spacey synths and a raw snare groove.

A2 is filled in by the creators of the first release, MASI. The brothers deliver a track which is a blend of subgenres that will be noticeable on the dancefloor.

B1 is made by Otis. The Berlin based artist delivers an old school electro influenced track blend with synth pop melodies.
B2 is created by DAWL. A true old school 2-step electro track complimented with spacey synths.

UK dance music antagonist Works Of Intent redefines big room techno on ‘Richer Sound’, an album sampler with four new tracks to accompany the digital release of his album of the same title which features with six

all-new tracks alongside six cuts previously released on Laurent Garnier and Scan X's COD3 QR label.



Works Of Intent is a vital voice in the underground who champions the sounds and stories of South Asian creatives in his role as Project Manager and Visual Designer for DAYTIMERS. He has also written multiple essays on race, class and privilege in the industry while laying down expressive sets across four decks at key clubs like fabric, Panoramabar and Rex. His emotive, storytelling sounds have come on labels like Turbo, Rekids and Monkeytown, and outside that, he's a go-to mix engineer for some of the UK's most exciting prospects.



‘Richer Sound’ features six tracks previously released on the label’s Various Artist EPs and six brand new offerings that avoid tired big room tropes. Gone are the snare rolls, white noise risers and kick drops, instead Work's operates under the mantra of "big tunes for big hearts" where musicality makes the motive. The artist himself has taken care of the artwork, mixing and mastering and says of the album, “It’s melancholia turned up so loud you can’t ignore it. It’s a deafening barrage of emotions designed for super clubs. It’s unsubtle, it’s unabashed, it’s unrelenting, and it wears its heart on its sleeve. It’s unmistakably a work of intent.”



Cars and motorsport have been a recurring theme in previous Works Of Intent releases and appear again here in 'Left Unseen', which has the high octane, death-defying adrenaline of rally driving perfectly transposed into a big room techno experience. ''Old Ways, New Mistakes' bounces boisterously with stadium-sized kick drums and synthetic mourning that will break hearts across arenas. 'Dreamt I Saw You' takes fawning imaginations to lucid heights with a synthand cymbal pairing designed to get you stargazing in the club.



‘Richer Sound’ is just the sort of expertly-crafted, genre-busting work of emotional and physical potency you would expect from such a restless nonconformist as Works Of Intent.

Fourth release from Eupasia, the Portuguese duo 2JACK4U bring you four acid jams fuelled with dance-floor feeling.

From virtual obscurity to the top of the game, Captain Mustache has seen a meteoric rise with a plethora of high profile releases and collaborations displaying his signature aesthetic. Ranging from electro to indie infused electro clash, his talent is varied and shines true with this brand new double pink vinyl 12" LP on the American Science Cult imprint. With already stellar productions, some of electronic music's heroes are featured as collaborators or vocalists including the legendary K-1 of AUX 88, Dave Clarke, dynArec, and Hiroki Esashika.

Repress

Grey Marbled Vinyl

4 banging warehouse tools by Earwax.

The Columbian veteran brings his signature electro punk style to Lifeforms for his debut on Lifeforms and first ever 7” release.

Franck Collin aka Fleck E.S.C. returns to Science Cult with a meticulously crafted EP full of precisely programmed drums, intricate bass patterns and IDM informed synth work weaving throughout.

Korean artist and musician Jin Won Lee (이진원), otherwise known as Gazaebal, began his career in New York. Working as a sound engineer, alongside such illustrious artists as the Wu-Tang Clan and Janet Jackson, led him to develop a keen ear for dexterous audio design, melodic flair and catchy rhythm. But his true interest lay in uncovering the unique textures and synthetic qualities of electronic music. From the late 1990s to the early 2000s, Gazaebal focused on developing himself as a producer, synergising a uniquely potent take on club music, releasing three albums and appearing on numerous collaborations.

An established figure in the realm of contemporary art, Jin Won Lee is well-known for his hybrid, highly technological practice. In 2008, together with Jang Jaeho, he formed The Tacit Group, a collective for computer-coded art. Presenting works that manipulate audio and visuals in real-time through programming, the group has performed at the FAMS Choice selection, Lincoln Center in New York, at the Seoul branch of the Museum of Contemporary Art and the Sejong Center for the Performing Arts, among many others. As a solo practitioner, he initiated in 2023, a project that examines sound as abstracted vibration. brings together Jin Won Lee’s decades long investigations into sonic experimentation and the physicality of noise.

Outside the avant-garde, Gazaebal has enjoyed mainstream success, collaborating with Big Hit Productions founder and BTS songwriter Mr. "Hitman" Bang on remixes and arrangements for K-POP albums. They also formed the two-man group Banana Girl, with Gazaebal focusing on composition while Bang handled vocals, achieving a big hit with their 2000s track ‘Butt.’

Another crucial figure in Gazaebal’s life is his wife Nine who operates as his agent and business partner. Initially released in 1999 on Nine’s independent imprint dmstrax, the titular track ‘Talk’ first appeared on techno@kr, a compilation CD of Korean electronica. Together, they co-founded G Records, which was partly absorbed into Bighit Entertainment in 2005. Appearing as the inaugural record on Bighit, the original version of 'And So On' – featuring Bang’s vocal production – was not available for re-release due to licensing difficulties. But thankfully the multitrack was well preserved. Utilising these components, Nawon Ha (AKA Korean-but-Amsterdam-based artist Naone) re-imagines the song for Betonska Records.

A combination of un- and self-released material, Talk is an album that firmly belongs to the millennium while sounding utterly outside of space and time. A cosmic trance trip that draws on rock’s steely drive, wiggy acid basslines and warbling dub, the record is presented as a mix-friendly mini-album, with the 6 tracks ideally tailored to DJ-level quality and loudness. As much suited to the psychedelic rave scene of yesteryear as they are to present-day dancefloors, Gazaebal’s productions are defined by his idiosyncrasies. Melding the sheen of tight production and pop sensibilities with a flagrant DIY spirit, his music assuages the high-commercialism of the 2000s, resulting in a style that’s as definitely punchy as it is precise

Restock

The first split EP on Gated takes in some tough acid house from Glasgow-based brutalizer Krokakai and some old-school breaks from the ever-eclectic Liðvarð.

First up, Krokakai’s experience as a DJ and party-starter comes to the fore, with two deeply trippy acid chuggers. The Artificial Horizon label boss takes no prisoners, pushing rubbery acid lines and spaced-out atmospherics in the aptly named Doubleplus Acid, before taking it a step deeper with Lost Acid.

Denmark-based Liðvarð, meanwhile, goes for the early 9'0s hardcore jugular on another literally-named track, Quadcore Hardcore, all piano stabs, vocal samples, Amen breaks, and hands-in-the-air breakdowns. Rave Research is even more genre-fluid, somehow combining dub, downtempo, old-school hardcore and IDM into a rolling beaty pleasure. Kosmosis ends the EP with a little snifter of tense ambient, a perfect comedown after all those highs.

This marks Liðvarð’s third outing on wax, following a sought-after release on Occult Research in 2014 and an album on Mystic & Quantum last year.

Detroit based producer & DJ 2lanes is happy to announce the evolution of his digital label ‘AUTO SHOP’ into the physical world with its first release; a new alias called OVERTONE SERIES. A collaborative project between 2lanes and fellow Detroiter Jonah Baseball, recorded over many sessions during early lockdown.

The "Shuffle Shack EP" has 4 tracks that span psychedelic deep house, dance floor stomping soul, and rejuvenating sunrise downtempo moments. The record also features performances from Jonah’s father David Gray, Los Angeles based singer Jia Pet and Ji Hoon - who was featured on the B-side “Impish Desires” on 2lanes breakthrough record on Portage Garage Sounds.

My Idea with these series of 10” records was to do 5 in around a year to 18 months. This got scuppered by the situation at world pressing plants with the extreme wait for records.

The tracks are all taken from my live set which I’ve been doing over the last few years which has taken in some huge gigs and festivals including Houghton, Dimensions, Ion and extensive club gigs too.

All of them have the dance floor funk and the artwork is from long term design partner Lung.

The vibe on these is rolled plasticine using a different coloured vinyl each time. So making the series quite collectable too.

Lord of Dem Tings is a tribute to the late great Lee Scratch Perry and theres a nod to him on the sticker for this one.

Four killer tracks of high grade electronic soul from James Baker AKA REKAB. A fantastic EP showing both breadth of style and respect for the roots and traditions of the music from this artist.The first, Locked on Dodge, is a driving deep Detroit techno track with a hypnotic arpeggiated lead and filtered atmospherics to lose yourself inside. Don’t get too comfortable though, it’s capped with a surprise electro switch in the breakdown to keep the floor on their toes! The second track, We Need to Care, delivers a cool clear synth sound design over Chicago influenced house tempo beats and lush pads. Simultaneously groovy and comforting, this is a track for those special moments. Jacking with your eyes closed and a big grin on your face.
Third we have a clear tribute to Drexciya with In Search of the Deep Sea Dweller. Tough 808 beats and laser zaps punch through a bed of evocative strings whilst a filtered single note loop rises and falls like the tide. An abstract robotic voice presides over the track, adding atmosphere whilst giving it a sense of mysterious machine driven intelligence.
Lastly, Too Much Time gets its space boogie on. Electro funk beats jump round staccato synth chords and a simple but effective Moog-like bass line. Once the scene is set, a writhing 303 joins the proceedings accompanied soaring pads and beautiful melodic leads that make you feel like you’re being lifted into the cosmos.
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ReKab aka James Baker from the UK started Djing in the early 90’s. Later on he started playing around with music. Finally the ReKab sound was established in 2019 with his first release on Where We Met records. Other releases followed soon on Móatún, Withhold, Intellitronic Bubble, We’re Going Deep and Fourier Transform.
His music is very deep and full of emotions and influenced by his love for Detroit.

Blinding tracks from Joey Anderson, Qu, Nicuri and new artist Art Gallery.

Exchange Place is the DJ collective that includes Nicuri himself alongside Joey Anderson, DJ Qu and a producer by the name of Art Gallery. The name makes reference to a district in Downtown Jersey City, just across the river from Manhattan, which is where the crew is primarily based. They released a 12-inch under the name Exchange Place with DJ Qu's Strength Music label back in 2010, and have DJ'd occasionally as a group around New York City. The new EP, Immaculate Inception, includes one track from each of the four contributors.

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First part in the triptych of Versalife! Pure intense atmospheric electro techno tracks constructed on the costal areas of the dutch west coast. Hope you enjoy it as much as we do! (The following Versalife releases 06.2 and 06.3 are scheduled for the next 2 following months).

repressed !

Versalife's N.T.A. part 2 is taking us further down deep into the night! This is some of the at widest, cleanest, most absorbing electro, techno tracks we've heard in a while! Especially the b-side tracks oozes twilight suave and atmosphere with its precise electro pulse and caressing midnight sounds.

2022 repress

The thirds and final part of the N.T.A. triptych by Versalife! Nothing less then another amazing ep with 4 tracks that are like the night. Dark, sinister and intense! Electro/techno tracks as we like'em!

Typeless. Undefinable. Divergent. The adjectives used to describe musical anatomy and direction are irrevocably inexhaustible, but as sure as the sun will rise again, we will remain Typeless. We’ve spent the days regrouping, realigning and now we finally can release a record that is dear to us and has simply been a ridiculously long time coming.

The ascension of Viers is well charted, and having already played a part in that indomitable sonic crusade we once again submit to his gripping vibrations as he distils them into safe and consumable formats distinguishable to 6 tracks and no punches pulled, the bruising of egos and maybe some self-assuredness is at hand. Smashed veneers everywhere no thanks to Viers. Now watch out for the title track, underpinned by devastating kicks and exacerbated by gritty chords, it is befitting of soundtrack to a subterranean aesthetic. Next comes ‘Floris’, an IDM-inclined electro journey, but with the originality and added peculiarities of a limitless entity. Track 3 is ‘Hidden Bone’ and it is almost inexplicable. Shuddering percussion and erratic mechanoid modulations combine to somehow cause an oddly beautiful chaos. ‘Running’ comes in pummelling, the weighty break and modulated keys create a prismic heat ensuring ceaseless head-nodding and heavy breathing. Now, do you hear 140? ‘Tell Me’ is the low-slung bass-weight weapon you forgot you needed. Holiday in the mind of a former you and don’t forget to buss’ it. Closing the show is ‘Feeling Like This’, with its experimental glaze and mercurial patterns somewhat blurring the imposing lines between classic AFX and the Night Slugs era.

Give your brain the ride of its life and get Viers between your ears. Typeless is back and you can’t even believe it, but you have to because these words in a row are telling you to.

Succeeding the two first release, Eupasia returns with another work carving the label's distinct sound excursions. Half Techno and half Electro infused, with a hint of Minimal, Tooth and Nail sets the tone of the newest alias Worm Class by André Leiria. A 4-track EP ready to be thrown straight into the darker rooms, padding them with heavy basslines and bright, sleek drums.

Planned in the early 90's executed in the early 20's: »The Arctic Salon.« Another Cranioclast Expedition, this time to the Pole. A long time between planning and execution, but much shorter than the time between the first fake reports of having reached the North Pole on foot across the ice and the first expedition that really made it without motorization. But also a long time in which things in the Arctic and Antarctic got worse and worse and continue.

MIXWORKS new release manufacturing in Detroit!

First ever vinyl pressing of Haruomi Hosono's full album N.D.E. Featuring Goh Hotoda, Yasuhiko Terada, Yasuaki Shimizu, Bill Laswell & François Kevorkian. Big TIP!

Ever since his days as a pioneer of Japanese electronic music in the 1970s, Haruomi Hosono has constantly pushed forwards musically. The 1990s was a particularly fertile decade for the Yellow Magic Orchestra co-founder. Following two decades spent creating and releasing innovative electronic pop, imaginary sound worlds and inspirational ambient music, Hosono established the Daisyworld label to showcase cutting-edge ambient, techno and electronica, while also embarking on a wide range of often overlooked collaborative projects.

N.D.E. - , one of the headiest, psychedelic, evocative and gently mind-altering albums in Hosono’s vast discography, is one such project. It formed part of a run of albums that saw the Japanese producer embrace contemporaneous influences – think Spacetime Continuum style ambient techno, DJ Spooky-esque illbient, weighty ambient dub and the ‘ambient house’ antics of The Orb – in his own inimitable, far-sighted style.

He was ably assisted on N.D.E. by an undeniably impressive roll call of collaborators, most notably no-wave hero turned ambient explorer Bill Laswell (who Hosono subsequently worked with on joint album Interpieces Organisation), NYC DJ/producer Francois Kevorkian, and fellow Japanese ambient pioneer Yasuaki Shimizu.

With such a stellar cast-list, it’s perhaps unsurprising that N.D.E. has achieved cult status over the years, despite being near impossible to find outside of Hosono’s native Japan. Remarkably, it never received a full vinyl release, with only five of the set’s cuts appearing on an ultra-limited sampler. Now Rush Hour is putting the record straight, delivering a DJ-friendly, remastered version that spreads that album’s seven tracks across two slabs of vinyl.

N.D.E. remains an impressive, unearthly and otherworldly album. Its unique and distinctive sound makes use of multiple nods to Eastern musical culture – think Tabla rhythms, heady violin courtesy of guest musician Arun Bagal, and transcendental synth sounds – but also throbbing techno grooves, Pete Namlook style ambient electronics, spaced-out dub rhythms, bubbly melodies reminiscent of Warp Records Artificial Intelligence-era IDM output, trippy tribal drums, and immersive electronic dream-scapes that recall the greatest exponents of Japanese new-age ambient music.

Highlights are plentiful, from the Test Department-at-dawn brilliance of Bill Laswell co-production ‘Edge of the End’ and the sunrise-ready, dew-fresh dreaminess of ‘Aero’, to the surging ambient techno hedonism of ‘Strange Attractor’ – a near cult cut that remains a timeless slab of hallucinatory dancefloor excellence – and the slow-motion space-dub of Francois Kevorkian collaboration ‘Teaching of Sphinx’, whose oddly processed sounds and low-slung bass subtly reference the Orb’s earlier remix of YMO’s ‘Tong Poo’.

There’s also the impeccable, pleasingly experimental ‘Spinning Spirits’ – all addictive Indian rhythms, punishingly distorted bass, raw electronics and paranoid aural textures – and the sparkling bliss of ‘Heliotherapy’, a woozy chunk of sun-bright electronic hypnotism that encapsulates everything good about Hosono’s mid-90s productions.

Excited to present you the first output of Jungle Bridge records. Vol.1 : Flibustier was produced at sea by french producer ITARIMA, as he was working on the engine room of a cargo ship.

With his authentic and unique style, he deep dives us into four acid adventures each accompanied by immersive and unique soundscapes. Each track is dance floor compatible and will set the crowd’s mood.

South African-born, Amsterdam-based Lee Ann Roberts served up plenty of fresh techno in the last 12 months. It has taken her to the top end of the Beatport Hard Techno chart and to labels like Octopus Warehouse Series as well as her own NowNow Records. Fans of her tough sounds include Charlotte de Witte and Ken Ishii, while Lee Ann herself has played festivals like Caprices and BPM. Now she kicks off a new year in thrilling fashion.

The monstrous 'March Of The White Fireflies' is built on earth-shattering kicks drums and run through with edgy synth lines. The whole tune has a dark, dystopian atmosphere and muffled vocals add to the intrigue as the drums march on into ever more shadowy realms. First to remix is Glasgow's Frazi.er, a leader of the Scottish techno scene with his standout sets at mega-events like Terminal V amongst others. His tracks are as powerful as his DJ sets as this remix proves. It is an explosive rave tune lacerated by machine gun synths and flat-footed, insistent kick drums. Industrial textures and late-night paranoia all infuse this most peak-time weapon.

Next comes a remix from Charlie Sparks, an up-and-coming young artist notorious for his high energy sounds on labels such as NineTimesNine, COUP and Märked. His remix adds a little swing to the drums, but there is no less urgency in the synths. The scuffed-up kicks bring texture while the pulsing sonar pads add a sense of intergalactic space travel as lashings of acid light up the whole track. Brussels-based Jacidorex is a neo acid pioneer and runs a label of the same name. He has made everything from drum & bass to techno on labels like Molekül, Acid Night and Rave Alert and offers a superb remix here. His take on the original is sleek and stripped back but full of techno potency. The percussion is twisted, the synths corrugated and the groove unrelenting.

Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single.

The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work.

On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production.

Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.

After his L.I.E.S. debut, DJ Slugbug offers up a four track ep for the Russian Torrent bootleg label.
While the title track is a massive electro cut sure to scorch floors. The three remaining cuts explore more tense and moody territories that explore more industrial and downtrodden house vibes that wouldn't be out of place at Medusa's back in the day.

Mirror Zone proudly presents its upcoming release. We welcome Sun Genam & Altjira to the family with their debut on the label. Presenting a sound spanning between rhythmic tribalism and dreamy soundscapes that will give the listener an altered state into the unknown.

"Time is circular, not linear, quantum. Through observer effect, we all play part in and affect creation, affect reality”

REPRESS!

Australian producers Jensen Interceptor and Assembler Code team up with The Hacker to deliver another powerful electro release on Mechatronica.

Vapour Waves is blasted open by the effective, bumping sunray anthem Random Pain, followed by the darker soundscapes and wonky bassline of HRL6.

On the flip, The Hacker's stingy, metallic rework of Drive Shift plunges straight into the deep, following the cold groove and hypnotic design of the original version

Cosmic Clap is back at AKTA records to release 4 new original tracks on his solo EP with a remix from the talented Romanian DJ, Nu Zau.
Vinyl Only.

American producer Dustin Zahn readies the next release on Rekids Special Projects this April with four vigorous cuts entitled 'Take The Throne'.Dustin Zahn has been flying the techno flag for two decades, releasing on labels like Rekids when not helming the Berlin-based Enemy Records, a label which has released music from artists like fellow US techno stalwart Ambivalent, ARTS boss Emmanuel, and Innervisions' producer Yotam Avni. Zahn is also respected for Train Wrecks, his weekly podcast series inviting members of the house and techno community to discuss a wide variety of music and industry related topics and stories.The release opens with the thumping kicks and sci-fi melodies of 'Take The Throne' before rolling into the dubby tones, infectious claps and rattling white noise of 'Decorum'. The atmospheric 'Nameless Midnight' then follows, packed with echoing synths, tantalising effects and a twisted vocal sample that weaves throughout, arriving at the final track 'Subtle Flex' where escalating synths meet syncopated percussion.

Already an established artist since his early minimal and dubbed-out techno productions around the beginning of the millenium, recently re-emerged Exos is now picking up the thread. Building on his strengths also on his first EP on Figure, the icelandic beatsmith carefully hones his sensibly arranged and richly layered tracks, which then are detached to play about for the pure pleasure of following their constant evolution. This is intense listening - we are treated to a dive in the deep end of techno and may only come up again with more clarity and focus, simply from having been lost in the groove for what felt like a moment outside of time.

Richie veröffentlichte 1991 unter dem kryptischen Pseudonym F.U.S.E. (Futuristic Underground Subsonic Experiments) bahnbrechende Tracks wie 'F.U.' und 'Substance Abuse' auf seinem Plus 8-Imprint, die einen bleibenden Eindruck in der jungen Technoszene in Detroit und darüber hinaus hinterliessen. Mit 'Dimension Intrusion' brachte der 22-jährige Kanadier sein erstes Full-Length-Studioalbum als F.U.S.E heraus, das größtenteils von SciFi-Filmen und verfügbaren Vintage-Synthesizer und Drum-Machines inspiriert war. Beim Spiel mit deren elektronisch-warmen Soundeffekten entstanden berauschende Manipulationen des Roland TB-303 Acid-Sounds, aus denen sich ein einflussreicher Stil entwickelte, der die elektronische Musik nachhaltig beeinflussen sollte. Die Tracks von Club-basiertem Techno bis Soundtrack-Ambient waren rückblickend Experimente, aus denen bald Hawtins charakteristischer, Acid-haltiger Plastikman-Sound entstehen sollte. Die Reissue mit Original-Artwork von Richies Bruder Matthew Hawtin wurde 2019 neu remastert.

white vinyl repress

jamesjamesjames hovers somewhere between Y2K house and super-sugary PC music, creating a unique and sexy sound that just feels expensive. The Melbourne-based artist has built a large following with poppy earworms and pounding house, and now joins Shall Not Fade's Classic Cuts series for a full EP of hits.

james2007EP starts with the anthemic "It's Not You, It's Me"; pairing the rumble of jungle breaks with melancholic, airbrushed vocals that show their SOPHIE influence, it's an eye catching opener. "My Purple iPod Nano" has a sound palette which will transport you straight back to a 00s club night, teasing a climax that stays just out of reach with pumping synth stabs and a kick drum that packs a punch.

On the B-side, "Orange Tesla" is a high-pressure roller that centers a pacey melody - sure to be a 3am dancefloor energiser. The record closer, "I Dunno Her", brings back the emotive edge with spaced out pads and glittery little ear candy moments overarching the still-racing beat. Ballad-like vocals that are barely perceptible add depth. This EP showcases jjj's talent for catchy and clever hybrid music, which is sure to make him one to watch.

feat. Sea Shepherd


This is the 5th installment of Inch By Inch by the young and ruthless Jotel California. Hailing from Berlin and being part of the Warning Crew he's an expert in crispy electro sounds with the special ingredients. Check him out cause this is just the start!

Prague based sound foundry Moving Pictures is introducing its latest vinyl release from Japanese singer and electronic music producer Junko Yoshida, also known as "Juterus". Hailing all the way from the "Land of the Rising Sun", Junko showcases her unique style of utilising and manipulating her voice alongside self-produced grooves. Two original tracks are accompanied with 2 remix cuts by label's founders, Roman Rai and Täino, transcending original productions into more abstract dimensions.

Meduka label boss paul Walter from Vienna with his great debut on Neostrictly!

Repress

Repress

After being part of the various artists "Sentence Two", Tham releases his solo EP on the SNTS' label Sacred Court.

For one more time we collaborated with our friends at Aufnahme + Wiedergabe to bring back the classic first five releases of Thomas' highly influential Welt In Scherben project.
The classic first five 12inches were released from 1998 to 2000.
Remastered in 2019 for the special Vinyl release by Thomas himself and cut with high precision by Andreas at Schnittstelle for the best result for your listening pleasure.
Also included for the first time on Vinyl is the I-1 Remix.
A manifest of EBM-Techno and beyond.

Australian artist Alex Albrecht debuts on A Strangely Isolated Place with Violet Visionary, a perfectly honed evolution of pictureesque downtempo and hazy, percussive Deep House. 

Alex Albrecht has refined his unique triangulation of ambient, house and instrumental influences over the years, either as one half of Albrecht La’Brooy (Apollo) or under his Melquíades alias (Analogue Attic). Combining rich field recordings and hypnotic instrumentation, Alex’s productions are often recognizable thanks to this instantly warm and welcoming combination. Percussive elements and powerful drum patterns sit amongst perfectly executed melodies and dusky atmospheres; Alex’s music is just as suited for the orange hues of dawn as the purple tints of sundown. 

A notably shorter album than we may hope, but sequenced as one complete experience, Alex is purposeful and precise in his approach, with every element completely additive to the last. Violet Visionary echoes a moment of organic evolution that disappears as quickly as it came into existence; peaking to a glowing embrace that will undoubtedly leave an impression. 

Featuring original artwork by Evie Cahir and mastered by Corey Kikos, Violet Visionary is available on Transparent Orange Smoke 12”

Fifth release of Bipolar State on its BSR label in collaboration with Pacific State and the contribution of Kaiser.

Returning to his home base, Rotterdam based electro-techno mainstay Conforce presents a heavy pack of angular, experimental approaches on his latest offering into the Delsin databank.

Boris Bunnik's accomplished machine language has traversed deep and dubby soundscapes with punchy, club-focused fare alike, since 2010's Grace EP he has found a regular home on Delsin and it's always exciting to see what he comes up with next.

Where Conforce has commonly housed Bunnik's more melancholic, introspective work, the sound palette on Sins Of Synthesis is more tipped towards darker dimensions. The shadow of braindance looms large, guiding the music towards twitchy pattern manipulation, alien textural design and dissonant harmonics.

Bunnik's signature sense of melody can still be detected around the edges, from the distant, hazy pads of 'Charlatan' to the lingering chimes of 'Fragile', but this is a pointed new direction for Conforce and it's leading somewhere very interesting...

This is a post-detroit-epos full of dark atmosphere and hard bangin' grooves. Ultra-phunky hard-techno-themes full of pure energy.

Deep dark techno tracks on the stabile force Lockertmatik. The replay worthy tunes are dark and gritty, like a sweaty Berlin techno basement and keep going, morphing and teasing. Proper stuff! (limited supplies!)

2023 Repress

"Scars cannot be obliterated. Scars make us who we are, Scars remind us how we got hurt but also that we can heal.
I learned that on the street."

Program and mood recorded on the streets of Berlin and Madrid.
Mastered by Joel Krozer in Copenhagen at 6BITDEEP.
2020 to eternity.

Cystal Clear Vinyl

Remastered, recut, repress 2024.

Printed sleeve, cut at The Exchange.

FAT !
But limited again !

Out of Luke J Murray’s murky folds of sonic intrigue comes a new project — Liquid DnB-Like Ambient Grime 2. Don’t let the irreverent name throw you off the scent, as Murray distills his many bold ideas and lifelong soundsystem obsessions into four maverick club jigsaws that rank among his most incisive productions to date.

Murray has been leaving a breadcrumb trail of projects around respected corners of the actual underground, donning masks and crossing swords in the likes of Grimescapes, 1-800-ICEMAN, Roadman DSP, NONEXISTENT, Stonecirclesampler and Superior London Pulp. Whether solo or in collaboration, Murray takes a sideways look at rave legacies through the prism of ambient, noise and street level avant-garde — it’s no wonder his work gets released by the likes of YOUTH, Industrial Coast, NoCorner and Downwards.

On Liquid DnB-Like Ambient Grime 2, you won’t hear any liquid DnB-like ambient grime, but that doesn’t mean those genre touchstones didn’t factor into the creative process. As Murray himself writes:

“This new alias and project/track titles are massively inspired by my teenage years onwards buying drum & bass (Equinox, Autonomic, Exit Records, Soul:R, Sublogic reissues), dubstep (Hyperdub, Vex’d, Hotflush, Tempa, Skull Disco, Tectonic), techno (Ostgut Ton, Frozen Border, Sandwell District, Downwards, anything from Hard Wax or Veto) and drone/post-punk gear (Blackest Ever Black, Mordant Music, Preserved Instincts) from Eastern Bloc, and working for Finders Keepers Records while flyering all over the city. Massive shout out to all of the 00s MCR crews, DJs, promoters and pals all pushing the underground sounds that influenced this record, and to the memories of this time spent charging around with my best pal Zach ‘Tropical’ Altass — this record is dedicated to you.”

Traversing the murky terrain Murray maps out on this 12”, you can make out those reference points through the mud-splattered windscreen. The track titles are as indicative as they can be in the circumstances, but don’t expect faithful genre studies when you listen to ’02 Garage Mix’, ’06 Dubstep Mix’, ‘2011 Techno Mix’ or ’22 Grime Mix’. For every slab of sub-tooled low-end there’s an errant blast of noise-caked breaks, a creeping backdrop of ambient malaise or strangely incidental speech snatches. Holding on to the cavalier attitude which defined the fringes of these genres when they were fresh out of the lab, this is a love letter to the persistent innovations that have taken place wherever Jamaican soundsystem tradition has collided with technology-driven developments in dance music.

If you dare. Lynxes completes with Sloth a smattering of releases on the Berlin-based label. Vacuum is set in dark environs and picks up raving energy quickly with multiple layers dedicated to the iridescent journey before the unexpected breakthrough that longs for a ride into the unknown. Disstress follows steadily with ace tones and a punching clout that guides along the path. Alerting strikes of lightning will make your blood run cold along the right lines on Coping. Lydia Eisenblätter, head of Leipzig's OAM records and figuring prominently within the German techno scene, turns to the end with a Distress remix on a fast and floaty acid track. Hang in there!

Maara’s out to make mischief with the wryly titled ‘Hear Me Neigh’.

Whether that title’s in reference to a certain equine dissociative or purely a love letter to our majestic, four-legged friends, well, we’ll leave that for you to decide. Either way, the prolific prog house luminary lends her Midas touch to four equally deadly traxxx.

Following last year’s ‘Fancy Feast’ EP comes another proper dose of heads-down hedonism. It’s an eagerly-awaited return to the Kalakari fold, and true to form, opener ‘The Horse Track’ comes hurtling into the first furlong at full pelt. Big equestrian NRG packing some seriously rugged heft and neighing samples aplenty. Then, bringing more of that insistent throb, ‘Juicy Tracksuit’ is no less alluring or propulsive, albeit while channelling some Y2K aesthetic.

There’s more of that turn-of-the-century flex on the next one too. Evoking Love Parade circa 1999, ‘God Save The Bender’ deploys scything hard trance flourishes while opening a portal to the fractal realm. And finally, ‘Sheela Na Gig’ lands dripping with more of the seductive appeal that has become Maara’s hallmark.

REPRESS OF MAENAD VEYL’S DEBUT ALBUM. LIMITED GATEFOLD AND SPLATTER VINYL EDITION. Veteran producer Thomas Feriero graces us with his first album in years and his debut LP as Maenad Veyl.

Hosted inside a sleeve designed with Tomaso Lisca are twelve tracks made of the same contained abrasion we fell for on his EPs for Death & Leisure, Veyl and Pinkman. A full-on workout devoid of fillers, ambient interludes and other mindless garbage, ‘Body Count’ is as relentless as the name suggests.

Originally comes from Košice, Slovakia, but after he first visited the iconic Rotterdam techno club Perron in 2014, he decided to move to the Netherlands.
Now operates from Rotterdam, but travels as much as he can to Bratislava, Slovakia, where he collaborates with fellow DJs from Slovakia and Austria in various collectives such as KOHM, aMT or Anacle – experimental, synthetics created adventures with the sound of a modular system, live recording and rough edits, filled by drum lines.

Analog or Digital – he has no longer any preference.
Hypnotic repetitions are essential substances for Michal’s production as well as performance. His inspiration comes from different kind of music therapy techniques. However, always within the framework of a techno subgenre. Live improvisation and adaptation during performances on stage is a key element in all projects where Michal participates, as he believes it makes the creation more organic.

After releasing an ambitious album with a three piece project Anacle “The Pornacle Prophecy” last year on Mai Lei Bel, Michal is delivering his debut solo 6-tracks EP “Moonshaft” which takes you to the adventurous trip where techno and electronica meets experimental with IDM. Despite the prevailing feeling from his darker techno background, the whole EP sounds pretty subtle and shows what a diverse production Michal is capable of.

Released by Lisbon’s Welt Discos, Rafiki’s debut EP release The Source takes three decades of UK rave heritage — hardcore, breaks, house, garage and bass music — and throws it into the pot with the producer’s own Indian heritage, then gives it a healthy stir. Rafiki is the alter ego of Sohail Arora — a pioneering figure in the Indian music industry, who significantly shapes club culture as the founder of Krunk and Krunk Kulture.

Specimen Records continue their exploration into the deeper reaches of electro with an EP from Berlin based Richard Easel, featuring remixes from close collaborators Datawave and Federico Leocata. The EP comprises of 3 distinct styles in one release, Easel with intricate sublimation and experimental modular sounds of the Buchala. Datawave’s remix of Exterreri, with his trademark spatial depth charged electro and Federico Leocata with his unique funky-minimal approach, which renders his darkly mysterious sound unlike Metaphysix underpinning a sound suited to Specimen.

Richard Easel is the electro project of Berlin-based DJ and producer and Italian born Riccardo Sbardella. He derives his sense of style out of the various IDM and Hip Hop projects he has created throughout his production journey. Richard Easel is an artistic endeavour that serves as an outlet for his own interpretation of Electro. The word Easel comes from Buchla Music Easel, as a tribute to his passion for modular synthesisers, and especially for West Coast Synthesis.

White Vinyl

Pink Vinyl

Green Clear Viinyl Repress

As one might expect from a record called 303 101 EP, this is a collection of Acidic techno cuts made with the legendary TB303 and the SH101 machines. This time around it's an unknown artist(s) affair.

box-set clear / vinyl / 180 gr

The Stone Techno Series returns with another exciting compilation. This time alongside a new festival that celebrates forward thinking artists from 9th to 10th of July at Europe's biggest coal mine complex under the UNESCO World Heritage Zollverein. The project is exceptional at its core, bringing back excitement and inventiveness to the genre.

The project functions as a multidisciplinary ever-evolving experiment that brings different aspects together. Sampling, creating and releasing music made out of million years old inorganic materials which shaped and defined the Ruhr Area like nothing else. "Auf Kohle geboren - born on coal" stands for this region and the so-called "German Wirtschaftswunder".

The Stone Techno project wants to embrace the history of "the Ruhrpott" while looking into the future as well. Techno Music stands for upheaval and modernity, while coal is the symbol of the Ruhr Area. This unique project will lend audibility to the ongoing process of transformation in the cultural and natural history of this region. Science and museums crossing paths with contemporary electronic music culture.

The Stone Techno project is not shy of its obvious significance. World-famous Ruhr Museum and The Third Room collective mark a first of its kind of long-lasting collaborations between a techno brand and a cultural institution.

This time the project is conceptually going one step further: Before the final backfilling of the mine at Zeche Zollverein, the acoustic atmos

Third and last episode of Eternal series, celebrating the 10th anniversary of Attic Music. Four talented Italian artists, as well as old friends of the label, are involved for the closing chapter of the trilogy: Wrong Assessment, Synthek, Conrad Van Orton and PVS.

The Second Ep On Acronym's Stilla Ton Features A 3 Track Techno Ep By Himself. Serious Psychedelic Techno From Sweden To Tibet.

New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.

Music: Calibre / Mastered: Keith Tenniswood / Sleeve Drawing: Craig Richards / Vinyl: 180 Gram

- 2022 repress -

Next in line in the Snaretrade series is an EP by one of our favourite people: Gols.

He operates the Hoot label, has released with Ghent label/party Ojoo and has been crafting tracks low key for a long time.

We start out with dessert: In Au bain marie we’re given some elegant yet hard to follow instructions on how to make the perfect chocolate mousse. DJ and Knetterbar operator Yentl kindly lent her voice, not knowing the recording would be used as a final take. In Hundreds and Thousands, Gols weaves thick layers of percussion and synths, forming a dense and deep structure that pulls us in. In the midst of moving his music studio, this track was the last one to be recorded before pulling the plugs and boxing the gear up. On the flipside, Regrooved is a shuffling, sneaky and amusing bit of house that never really admits if it’s just arriving at the party, or just about to leave. After-hour fare for those who like something sweet after dinner.

Wax’o Paradiso returns with their fourth release, a full-fidelity four track EP from Naarm/Melbourne producers Hybrid Man.

‘Dust & Liquid’ sees Hybrid Man lower BPMs into balearic territory, offering a shimmering, pulsing and textured contribution to the label’s efforts to canonise and catalogue the extraordinary psychedelia being produced in so-called Australia.

‘Eternal Nightglow’ sets the record’s tone beautifully with a soaring 90bpm-yet-high-energy pace that subtly evokes the idealism and innocence of early William Orbit, yet firmly roots itself in the contemporary. Organic bass tones juxtapose with but do not contradict swirling cosmic synth work, with a flip-to-dub breakdown that would make fans of Bill Laswell smile.

‘Sunwave’ ups the ante slightly and sets the tempo to chug! Beginning to introduce the neo-prog sound that Naarm has rightly earned a reputation for doing so well. Both a party starter and one for the after hours.

With ‘Bluegums’ the record leaves the downtempo for dust, edging the EP into gentle doof territory. As the name suggests it yearns to be heard loud and clear, amongst the trees in the expansiveness of the Australian countryside. Juxtaposing the natural and the machine, the dust and the liquid.

An aptly well-rounded conclusion to the ‘Dust & Liquid’ Journey, ‘Swept by the Undertow’ bookends the record by returning to slower, moodier space, with a stepping descent into, as the name suggests, murkier aquatic zones.

Side A is home to “The Silver Lining”: A classic high tech string track with infectious bass and an 808909 drumline. Side B features a collaboration between Huey Mnemonic and Max Watts titled, “Echoes of Change”: a free jazz trip on wax, for Djing or home listening. Huey Mnemonic remixes their minimal techno jam on the B2, giving us his stripped down interpretation. Perfect for doubling up.

"Take A Break" is the second reference of our kitchen. For this occasion the artists Sergio Parrado and Jee Bear make their debut with us. We have great remixers from Sascha Dive and Danny Serrano and a special bonus tracks from Scoom Legacy. We hope you enjoy this vinyl on the dance floors.

Anfisa Letyago has established herself as one of techno's key players. An intrepid selector with a positive attitude, and an infectious smile, the Napoli based starlet has been making seismic waves within the industry for several years. Her own imprint - N:S:DA has been a home for her own dark-brooding style of techno, but it welcomes a brand new project to kick off 2022, with the first of 3 remix packs featuring a host of very special artists and artwork designed exclusively by Sergio Fermariello.

DJ Rush, a master of hard techno and wicked percussive elements, he's committed himself to the art of rhythm and drums. A Chi-town hero whose music transcends continental boundaries now takes his hand to "Rising Sun". Staunch and unrelenting, the barrage of bass drums keeps momentum at a hauntingly steady pace through the entirety of the track. A true drum-machine wizard who said "It was a pleasure to put my stamp on Anfisa's release. I felt her vibe and wanted to keep the traditional feel to the song but give it that Rush bump".

Adiel has graced the stages of some of the industry's most accredited venues, Panorama Bar, Dekmantel, DC10 and Concrete. She continues to bring her unique take on techno and doesn't disappoint with her kaleidoscopic iteration of "Orizzonte". Renowned for her ability to manipulate crowds with her mind-bending DJ sets and mosaic-like track selection, Adiel twists the original mix into a living techno organism of sorts, evolving and shifting through a deep palette of atmospheric sounds and vocal cuts. "It was a lot of fun to remix 'Orizzonte', it's maybe one of my best remixes and I am really happy about it" - adds Adiel.

Boston 168 leads us deep into an acid laboratory for this reinterpretation of "Gravity", masters of sound design and reformation of classic drum machines like the Roland 909, 808 and 707, the psychedelic and twisting nature of this Italian duo's tracks is unmatched. Currently residing in one of techno's capital party cities - Tbilisi, the pair hold down a residency at the legendary Khidi. "Gravity is the track that inspired us the most with its deep vocal, so we merged this with our cosmic sound" add the duo.

Very few producers have rode the pinnacles of techno as it unfolds through the decades, Chris Liebing is one such figurehead. Revered for his energetic, seize-the-moment style of DJing and music production Liebing is forever finding new ways to innovate within the booth. "Remixing 'Not There' was a huge pleasure, and the production process was very organic. I tried to take it in a little less melodic direction by just hinting it in the break". Says Chris Liebing.

This Germanic trailblazer continues to ignite dancefloors internationally between running his label CLR and juggling family life. Liebing steps up to the plate with his own take on "Not There" to conclude the pack. Instantly drawing your attention with his trademark grit laden kick drums and sweeping dubbed-out vocal shots, along with a hypnotic and body-jolting start to a literal Pandora's box of remix material.

"Someone like Anfisa, with such a high spirit and a smile that lights up any room deserves to have that same representation to her music. Good music will always put a smile on your face" adds DJ Rush.

Hydrants beware! Furfriend is back!

Dingo Tush & Das Uberdog have awakened from their well-deserved hibernation and are itching to tell you all about the sweet dreams they had. Dreams that they thought would be best told in a trilogy of earworms which would eventually feed on your brain.

When the news of their awakening broke out, Void+1 Laboratories, against better judgement, made it their mission to log the dreams from these mythical beasts. Regretfully, they did not anticipate that the celestial voice of Dingo Tush could infect the minds of all of their employees and cause a chain reaction that would in matter of days make a whole universe sing in unison for eternity. Although V+1 did learn a valuable lesson (not really), that universe had to be "abandoned" and the exit-point plugged (to answer the question that just popped up in your mind: yes).

After applying Das Uberdog's custom-built, quantum censorship filters (totally not sci-fi gibberish, foogle it) to the original recordings, they were modified into 3 interdimensional, techno megahits that are now safe to be presented to the public (As far as we know... But don't worry, plugs in all sizes are ready for just in case).

Next out on the Ownlife imprint, a remix EP of what so far has been one of the most acclaimed releases from the label, the collaboration between Leiras and Svreca titled 'The Bridges I Burn'. Four well-known names to the electronic music scene has been invited to infuse their own characteristic sound onto the original tracks of OWN009.

First out covering the A side is Spanish Reeko who skilfully plays with the rhythm tones, the main bleep synth sounds and his unique and particular way of texturizing the layers. A2, signed by British Volte-Face, gives the perfect balance between sounds and silence in a mysterious spaced out interpretation of 'Tilling Ceramics'.

Flipping the record you will find New York veteran producer Shawn O'sullivan under his 400PPM moniker, developing the structure of the track in a smooth way, melting the modular synthesis with the atmospheres found in the original version. Last to contribute with his unlimited talent is Swedish Acronym, ho delivers an intense, tribalistic, spiral-maker remix, wrapping up this four tracker in the best possible way.

Mila Stern's groove-heavy and highly danceable sound explores fringe soundscapes informed by Post-Punk and Electro. What sets her apart is a willingness to embrace unorthodox sounds, explore the beauty in harshness and dissonance, and transform jarring atmospheres into captivating dancefloor moments. With 'Five Finger EP', Mila Stern delivers an eclectic six-tracker featuring two high-pressure originals and four carefully selected reimaginations by Camea, mytripismytrip, Öona Dahl, and Hardt Antoine for Kiosk catalog number 021.

'Five Finger Discount' encapsulates Mila's uncompromising aesthetic: warm, powerful, energetic, and constantly teetering on the brink of disintegration. Morphing, overdriven stabs build energy atop a sub-heavy groove and a sea of pads. A sweeping break fractures the track into shuddering bursts of corroded machinery, before the compact groove returns with punishing dancefloor power.

Camea transforms 'Five Finger Discount' into a heavy-weight techno roller. Shuddering, pitch-shifting bass hits and salvos, sizzling white noise sweeps, and an ominous mantra morph the track into a darkly efficient peak- time banger.


Hardt Antoine builds his rendition of 'Deadline Disco' around an infectiously body-moving arpeggio. Layers of distortion add a searing edge, transforming the original into a stripped powerhouse with Dark Disco undercurrents.

Few artists move on the fringe so comfortably, make unconventional sounds so accessible, or pursue their vision with the same bright-eyed conviction.

With 'Five Finger EP', Mila Stern epitomises the magic that happens when uncommon sounds are embedded in the framework of commanding, floor-focused energy. 'Five Finger EP' embodies her stand-out style and the stunning range of musical interpretations it inspires.

Pig&Dan signal their first solo outing on Drumcode since 2016, with a stirring three-track work.

The duo stands as one of electronic music's most prolific artists, shapeshifting between different shades of house and techno over a 15+ year period, all the while displaying a startling breadth that's ensured their enduring demand. Their relationship with Adam Beyer has solidified over the years, first impressing with a debut EP 'Mexico' in 2016, before collaborating with the Swede himself in 2017 for the fantastic four-tracker 'Capsule', a notable highlight. With their contribution to last year's A-Sides compilation 'La Bruja' one of the strongest of the bunch, their return for a full-length EP is timely.

Title track 'Infinity' is rave-infused stadium techno crafted to perfection, driven by an undulating melodic lead that builds to a tension-packed break, before the chords re-appear and propel the track toward a trippy finale. Vocal cut 'Losing Part of Me' is momentous, with punchy bass and pin-sharp percussion juxtaposing superbly with the emotive vocal and laser-kissed melodic touches. The EP concludes with 'Plex', as a brooding melody line is paired with pumping percussion for an atmosphere-heavy finale.

Rico Puestel is back on Exhibition with a surprise 3-track EP from the Dub realms! Something not necessarily to expect from him right here, right now...

Inspired by the music playing in the record stores on his childhood day visits, Rico zen-likely crafted these special dub tunes that feel like an endless BR Space Night episode from his teenager days...

R.a.n.d. Muzik Recordings With Their Yearly 24.12 Record This
One Has Lou Karsh, Newcomer Tim Schlockermann, Reptant
(the Lizard Wizard) And A Very Special Reissue Of The Crc Track
'in¢uence Device 001' Which Originally Appeared On Zyntax
Motorcity 02.

Flatlife Records 3x12" Sales Pack including:

- V/A - The Factory 001 (FACTORY001RP)
- V/A - De Missie Various Artists 01 (DMVA01)
- V/A - Jack Wax Presents: Flat Acid Compilation Volume 5 (FLAT019RP)

Remastered and repressed most wanted Dave LXR tunes !
Includung his very first one ^^
Deb-I-Love from Demontage Special 01 (2012)
Protestujem! from Protest 01 in 2005 !
DMT Transfer from Demontage 02 (2006)
Bubaci from Demontage 03 (2007)

Visual by EXP EXP & Vstee FDB

Cut at The Exchange

BIG EP !!!

Any Act's Ne Boyat'sya EP unleashes an endurance test of annihilated techno. Punk blood runs red across the 5-track EP of unrelenting no-fucks-given energy and adds to an already thriving community of like-minded Russian brethren. It is here where Any Act builds upon this fertile ground and forges new bounds of invigorated punk techno and EBM.

Take the eponymous opening track - a bare-knuckled anthem of distorted guitars and thrashing drum-set fills that evoke the days of swinging sweaty elbows in those dungy, DIY punk shows. Building off this heat-induced energy, "Moskva-Baghdad" carves out an acid bath of hi jinks, mother tongue vocals on top of world-conscious sounds. The pain only gets more brutal as "If You Didn't Know" enters the ring, with its Memphis rap-tinged and gritty EBM aesthetics - the track powers through with pumping cruelty. "Korean Ride" touches upon the untapped corners of ice-sharp electro with an undercurrent of esoteric, yet melodic, sensibilities. To close out the release, "Drug Dealer's Accountant" weaponizes the elements for an effective club banger - a submerged sub bassline, surgeon-precise vocal cuts and gut punching rhythms for a KO finish. In other words: полное разрушение клуба.

New album by Chris Korda.

Akoko Ajeji means "Strange Time" in Yoruba.

All the tracks on the album are in complex polymeter, determining not only the
rhythm, but the harmony too.
The result is an intricate but non-random pattern of interference.

Vizyon means "trance" in Haitian Creole. Its polymeter repeats after 155,195,040
beats (roughly 805 days) and has a Greatest Prime Factor of 19.

Asiri means "secrets" in Yoruba. Its polymeter repeats after 14,894,880 beats
(roughly 80 days) and has a Greatest Prime Factor of 31.

Iyika means "circles" or "revolution" in Yoruba. Its polymeter repeats after 58,198,140
beats (roughly 300 days) and has a Greatest Prime Factor of 19.

Ala Aye means "dream world" or "space bound" in Yoruba. Its polymeter repeats
after 118,731,810,156,960 beats (roughly 1.7 million years) and has a Greatest Prime
Factor of 37.

Awose means "template" or "stencil" in Yoruba. Its polymeter repeats after
5,785,219,440 beats (roughly 85 years) and has a Greatest Prime Factor of 349.

Ra Bayi means "buy now" in Yoruba. Its polymeter repeats after 629,909,280 beats
(roughly 8.6 years) and has a Greatest Prime Factor of 23.

Ra Mi means "buy me" in Yoruba. Its polymeter repeats after 480 beats (3 minutes
and 26 seconds) and has a Greatest Prime Factor of 5.

Egungun is Yoruba for "bones" or "ancestors" in the collective sense. Its polymeter
repeats after 27,720 beats (3:33:14 in elapsed time) and has a Greatest Prime Factor
of 11.

Dek Sep Bluso means "seventeen blues" in Esperanto. Its polymeter repeats after
16,336,320 beats (roughly 91 days) and has a Greatest Prime Factor of 17.
Fazo Kanto means "phase song" in Esperanto. Its polymeter repeats after 78,540
beats (roughly 10 hours) and has a Greatest Prime Factor of 17.