Techno News
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Ever since the launch of The Tribe and the eponymous event series the idea of spreading records through its own outlet has been bustling.
The sharing of different frequencies has always been about uniting and growing together. To continue doing so by means of releasing a physical product for everyone to collect and enjoy will only enforce this convention.
For the premier release of the label Caim has realised quite the psychedelic EP which finds itself floating across the spectrum of Techno, House and Trance. All fused together, yet minimalistically approached.
From our Tribe to yours.
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Black Vinyl[11,72 €]
Green Marbled Vinyl in UniCover
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Pedro Elías Corro is a producer and DJ from Venezuela, who grew up in the neighborhood of Catia, in Caracas during the 90's. Having grown up in the world of minitecas (mobile sound systems), Pedro Elias was able to develop his ear, as well as his DJ skills, from an early age. Particularly, by frequenting music gear and record shops in Catia such as 'Audio Jbl' and 'Djs Shop', which were the hotspots for all the miniteca dj's who were after the latest imports in dance music.
By digging through the crates of these shops, Pedro Elias found inspiration in records from labels such as Italian Style Production, UR, Dance Street Technoland and ZYX. These influences, along with Afro-Venezuelan drumming and Caribbean Dance music, inspired Baba to create a new form of dance music which would be later known as Raptor House.
As the technology for music-making became more affordable in mid 90s, the Miniteca scene gave birth to a string of new producers in Venezuela. Names such as El Mago, Dr Sampler, DJ Lemad, DJ Deep, DJ Yet (later known as DJ Yirvin) and DJ Baba. This new Venezuelan-flavored form of club music would become initially known as Street House, but as each producer developed their own style, new names for their sounds appeared; such as Town House, Hard Fusion and Raptor House, for which DJ Baba is the progenitor.
The tracks on this EP are a compilation of music that Baba produced between 2001- 2005, at the peak of the 'Raptor House' scene. Included are collaborations with DJ Lemad 'Mario Vol 3' and 'Aget Love' and a remix of 'Teque Teque Alright' by Nick Léon.
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A year on from Dominik Eulberg's glorious Avichrom album on !K7 Records, he has enlisted a new series of interesting remixes. Etapp Kyle, Isolée, Acid Pauli and Aera all step up for a fresh four-track EP which is out this Spring.
Avichrom was conservationist Eulberg's sixth studio album and another one inspired by his love of nature. Each track was named after a native German bird and offered a kaleidoscope of musical colour. Now that vivid source material gets reworked for the club by some of the underground's most revered names.
First up is Ukrainian producer Etapp Kyle, someone known for his elegant techno on labels like Ostgut Ton. In his hands, 'Gelbspötter' takes flight on airy synths and slick, paddy broken beats. They suspend you amongst the serene and painterly synths to make for a joyful trip. Minimalist house shamen Isolée is an intricate groove specialist at home on the likes of Pampa and Playhouse. He brings his mix of ambient melody and underlapping grooves to 'Grauspecht'. It's a deep, wavy and fluid track with ever-changing melody patterns and hypnotic bass.
Next comes Acid Pauli, the Ouïe co-founder and versatile live act who brings real artistry and influences way outside the dance music world to his own work. His take on 'Grauspecht' is a beautifully organic affair with late-night melodies unfurling like lullabies over supple and rubbery drums. It's dreamy and captivating and perfect for those zoned out 5 am dance floors. Last but not least is Innervisions-veteran Aera, a producer with a deft touch and knack for delicate but impactful groovers, as he proves here. His deep and cuddly remix of 'Schwarzhalstaucher' is a quiet triumph with the sort of subtly uplifting and innocent melodies you want to hear as the light peaks in through the curtains after an all-night dance.
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EYA Records further stretches its stellar run of showcasing young, cutting-edge talent for their latest label outing, and continues to shape modern influential club sounds with Swedish-based newcomer, Eric OS.
Delivering red-hot, futuristic progressive rhythms with a sleek and propulsive melodic flair, this is a first-class statement selection of impressively mature and vibrant sounds, for only his second fully-fledged EP.
The title track “Spellbound” dispatches shadowy, hypnotic fairground melodies, and hints of 80’s synth-pop stylings, with a wicked, pulsating, electrified energy aimed squarely at serious dancefloors. “The Machine” brings a more introspective moment on A2; with crunchier drums and crystalline deep electro motifs, full of rich, inviting moods.
On the other side “Closer” is a clubby, amped-up bass driver, with layers of bouncing peak time sounds, melted vocal snippets and intoxicating organs. And B2 “Maraton” stylishly rounds off the EP with haunting call-and-response synth lines, for a blissed-out early morning afterparty feel. Expertly intelligent dancefloor electronics.
With a firm finger on the pulse yet again from London-based EYA Records, Eric OS treats us to a notably strong debut offering of imposing, smart and robust club music. Don’t miss it!
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Paris-based artist Felicie delivers her first solo vinyl release on Manchester's imprint Clergy.
'Art of Detachment' is composed of four original tracks, focusing on the fusion of hardgroove with an edge of 90's inspired energy, while blurring the line with Felicie's more current fast paced rhythms.
Opening with 'The Halo Effect' strong oldschool vocals and groove-ridden drums, setting the tone for a straight-forward desire to make nothing but dance, with its energetic and punchy stabs.
Followed by 'Shadow Works, a powerful drum work tool weapon where the breakdowns focus on bringing the right tension on the dancefloor, through its questioning yet captivating percussions and subtle melodies.
Through 'Detached', each rhythmic element falls into place giving birth to a deep and driving peak-time oriented dancefloor killer.
Golden Shower closes the EP by blending dynamics drums and celestial chant vocals, cultivating an EP made of four different sonic palettes.
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Repress!
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on then Montreal-based imprint with a long-awaited repress of all three EPs: Variations, Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen The Hacker and David Carretta, but it sounds like a fresh update rather than pastiche, revitalized and refined down to a modern and versatile core.
These tracks work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are equally at home in a more underground setting, e.g. Von Party's 5am warm-up before Ivan Smagghe at a London warehouse party. The title track has the most attitude, establishing a palette of dark staccato basslines, crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces and Atmosphere are arguably even more straightforward club weapons, their breakdowns creating just enough 'insanity' without getting annoying, their grooves dropping back in with a cool, restrained power that will win over hiss weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the works... if you want an idea as to how big Gesaffelstein will get this year, just think of him as 'Brodinkelstein.'
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JB Edits is the edit project of UK & Australia based house DJ / producer Jerk Boy. Off the back of the success of his first four releases which have gained love and support from an array of taste makers and DJs around the globe along with multiple premiers on YouTube channels.
The first four EP's sold out of its first press in weeks and now he's back with a new 3 x tracker... "EP Number Five"..... with loads of extra keys, drums and magic sprinkled for extra dancing juice.
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Kalte Liebe stirs up a storm, breathing new life into the rebellious spirit that once defined old punk bands and "against the system" attitude of iconic groups like DAF from the 80s. In a world where emotional depth in music is becoming increasingly rare without crossing into cheesy territory or losing the rave appeal, Kalte Liebe is a breath of fresh air. Their masterful fusion of New Wave, EBM, Electronic, and Techno is imbued with a melancholic touch that resonates on a deeply emotional level. The Schall & Schweiß EP showcases the versatility of their sound, perfect for listening experiences, at home, or in the club - it never disappoints and always strikes a chord.
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repressed !
The emotionally stirring sound of Mathame is back on Afterlife. Their signature, processed vocals shine on the infectious and entrancing ‘For Every Forever’. It’s a sound they have developed over their releases for Afterlife and is now truly their own. A Dub Mix of the title track offers a slightly more pared down alternative. ‘Stairway 3000’ completes the record, an eyes-down roller with a bassline to shake any room to its core.
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Record of the Week - Groove Mag 20.10.23
Pev swiftly follows up the Pulse EP with another four tracks of sprightly club gear that continue to shape out his current areas of exploration in the studio. As ever, there are no fixed concepts or approaches - just an instinct for energising, inventive tracks taking in a range of tempos and rhythms.
The first half of Pulse Modulation EP is marked out by linear rhythms which showcase the most techno aspects of Pev’s sound. ‘Pulse V’ is charged with the kind of alien synth lines which could only come from his studio, but also draw a line to the hi-tech soul of foundational Detroit techno. ‘Pulse VI’ has a starker, bleep-led sound pitched towards tougher dancefloors.
’Pulse VII’ strips things back in comparison, leaning in on a blanket of bass and keeping the drums sparse and to the point - a study in soundsystem pressure. Widening the spectrum of the record, ‘Pulse VIII’ sees Pev make a rare push up into 160+ territory - something normally reserved for his DJ sets. Swerving obvious break edits, his take on jungle is lean and crisp, delivering a fresh slant on the sound while maintaining the sharp focus of his current output.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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Heavyweight 12" just in time to soundtrack the demise of humanity. No internet-ready 'deep' home listening tracks but a continuation of the previous 12"s. Big nods to the past, but then again it somehow seems fitting that our demise is founded on the relics of the past. For those who like to get wild or die trying!
Excellent high impact techno from Amsterdam, where Italian producer Francesco Rosati found his home. After releases on labels like Absolute, Sungate and Voltage, the 'Encounter' EP is his debut release for the NOWHERE series on Something Happening, Somewhere (SoHaSo). Rosati calls his new EP a statement to his stylistic musical output. He uses a hybrid setup of vintage analog machines and digital devices. For Encounter he wanted to grab the spirit of the moment. All five tracks were recorded directly in a single take, capturing pure energy. It is probably the most pure techno release SoHaSo has done in a while. Opener Stabber alone is pure energy, with its roling Reese-like baselines, mesmerizing hi-hats and hypnotizing loops. The whole EP is a respectful nod to Detroit masters like Robert Hood and Jeff Mills while it also winks back to the menacing UK techno sound of the 90s. Or like Rosati says on his Soundcloud: ''Future is the door - past is the key.''
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CROWD, a new techno label hailing from Berlin has just released its debut EP, paying homage to oldschool techno while infusing a contemporary twist that is sure to please listeners of both eras. Produced by the legendary Sterac aka Steve Rachmad, the EP is showcasing the versatility and timelessness of techno.
The tracks are carefully crafted and highlight the pure energy and raw emotion of the genre, always leaving the listener wanting more. CROWD's first release marks the beginning of what is sure to be an exciting journey for techno enthusiasts and dancers alike. The label's ethos revolves around the people and the dancefloor, and this is also reflected in its events, which are centered around the gatherings.
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Following on from Blueprint's 2023 opening EP by Alexander Johansson and Mattias Fridell, Temudo now makes his debut for the label.
As a music producer and DJ, Temudo is part of a new generation of artists whose work relies on a contemporary approach to Techno. His music allies the soul of the genre with a modern methodology, and has the seal of genre defining labels like Klockworks, Soma, Modularz, Mord or Clergy. He's also one of the minds behind Hayes and runs his own Mastering Studio: Tema Mastering.
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Tom Carruthers back in full form with a massive 18 track TRIPPLE LP set. Huge Tip!
This has everything you could possibly want on it, going in heavy with the 88-92' vibes all the Bleeps, Detroit strings, shuffling 909s, and Chicago 727s one can possibly want.
Every track is a winner, full dancefloor fodder you'll swear are lost classics unearthed from the grave. Carruthers has consistently proved he has mastered the formula to create perfect old school tracks that will have you jackin on the floor all nite long.
This collection is what dance music is about and explores the full range of formative styles in all their intricacies from top to bottom. Undoubtedly his most comprehensive and definitive work to date.
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Limited White Vinyl
nearly ten years ago, toureau releases his last single and there were people who said there was nothing more to come... but it was worth the wait because sometimes things need their time - especially the good ones! so 2022 is the perfect mment to reanimate with müller one of germanys hottest and legendary techno labels, join the forces and start a new chapter.
"telecommande"(french for remote control) is a perfect summer tune with some emotional trancey melodies for the festivalseason. munichs deejay gigolo martin matiske interprets this track in his own unique detroit-infected electro-style a la dopplereffekt and brings back some 80s-retro to the floors. on the flipside AFUs felix bernhardt shows us the "stompy" side of techno and the
perfect sound for the next megarave. last but not least italys rising star vicky montefusco who already releases on marc houles "items&things" presents his own groovy and deep minimalistic remixversion. This release comes in a limited white coloured vinyl edition with a beautiful coverartwork and pictures of famous photographer ralf peters, who already has exhibited
his art in miami, zurich or tokyo...
- A1: Alexander Kowalski - Imperfect Sphere
- A2: Oliver Rosemann - Skynet 2040
- B1: Mørbeck - Time Is Not My Friend
- B2: Sleeparchive - Porridge
- C1: Joefarr - Departed
- C2: Keepsakes - Basic Decay
- D1: Cadans - Callback
- D2: Vlaysin - Hit Me Beat Me
- E1: Swarm Intelligence - Power Corrupts
- E2: Mdd - Exitdown
- F1: Endlec - She Scarred Me Badly Again
- F2: Paul Birken - Micro Biome Multiverse-2020
BOOM! Mindcut is back! And boy do we have something to celebrate! We have reached our 20th release milestone. It includes a whooping tripple vinyl various artist compilation and is packed with 12 tracks by some of the leading names in Techno.
Alexander Kowalski, Moerbeck, Sleeparchive, JoeFarr, Vlaysin, Keepsakes, Oliver Rosemann, MDD, Endlec, Swarm Intelligence, Cadans and Paul Birken
Early Support by:
AnD, Anderson Noise, Anfisa Letyago, AnGy KoRe, ArchivOne, Arnaud Le Texier, Ben Sims, Berk Offset, Brayan Valenzuela, Casual Treatment, Cristian Varela, D.A.V.E . The Drummer, Dahryl, Dist, Dj Pete, Dolby D, Duellist, Electric Indigo, Electric Rescue, Forest People, Israel Toledo, Jerome Hill, Johnny Island, Joseph Capriati, Jürgen @ Novafuture, Kaylah, Kenny Campbell, Kill Ref, Lars Huismann, Luca Agnelli, Manni Dee, Marcel Fengler, Mark EG, MTD, Nomad @ Riot, NX1, Paco Osuna, Patrick DSP, Philipp Strobel, Raymundo Rodriguez @ Jaded, Rebekah, Ryuji Takeuchi, Scalameriya, Sebastian Krenzlin, S-File, SLAM, Stephanie Sykes, Takaaki Itoh, Tim @ Kiss FM, Unhuman, Wire
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Second release from Mahres ’s sister. More DJ friendly this time with Corsican wolf, Charlou and his new beat style track, respected Italian producer Saverio Celestri with his new alias.
On the logo side, ghost producer, Sektor, delivers a full of groove track with haunted synths and last one by the young promising artist, Phase O’Matic.
200 copies.
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- A1: Snap! - Rhythm Is A Dancer 03 44:00
- A2: Haddaway - What Is Love 04 27:00
- A3: La Bouche - Be My Lover 04 00:00
- A4: Corona - The Rhythm Of The Night 04 20:00
- A5: Dr Alban - Sing Hallelujah 04 24:00
- B1: Culture Beat - Mr Vain 04 17:00
- B2: 2 Unlimited - No Limit 03 15:00
- B3: Captain Hollywood Project - More And More 03 48:00
- B4: Real Mccoy - Another Night 03 57:00
- B5: Future Breeze - Why Don't You Dance With Me 03 24:00
- B6: Scooter - Hyper Hyper 03 24:00
- C1: Faithless - Insomnia 03 35:00
- C2: Jam & Spoon - Right In The Night 03 46:00
- C3: Sash! - Ecuador 03 26:00
- C4: Atb - 9 Pm (Till I Come) 05 25:00
- C5: Felix - Don't You Want Me 03 09:00
- C6: Fragma - Toca Me 03 33:00
- D1: Robert Miles - Children 03 49:00
- D2: Members Of Mayday - Sonic Empire 03 53:00
- D3: Da Hool - Meet Her At The Loveparade 03 30:00
- D4: Guru Josh - Infinity 04 02:00
- D5: Interactive - Forever Young 03 41:00
- D6: Marusha - Somewhere Over The Rainbow 03 36:00
23 große 90er Tanzflächen Füller. Zumeist als Radio 7" Edits
Club Sounds - Best Of 90sErstmals veröffentlicht Club Sounds die Essenz der besten 90s Tracks auf einer fantastischen Doppel-Vinyl. Limitiert auf 1.000 Stück, mit den größten Hits wie Snap! - Rhythm Is A Dancer, La Bouche - Be My Lover, Culture Beat - Mr Vain, Scooter - Hyper Hyper oder ATB - 9 PM.Die nächste 90er Party kann starten, mit herausragendem Klang auf 140g Vinyl!eben...Best Of 90s!
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We are extremely happy and proud to present you Volume number 8 of our 16-year anniversary project which will be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a total of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all the artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and contributing with their music to make this release even more special, it's a true honor to count with all of you, thank you for being part of our history.
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Originally released in 2009. This 'Mike Huckaby S Y N T H Remix' to Vladislav Delay become instantly a gem into Semantica Discography. Now we designed a brand new edition reimagining the 12" as a S Y N T H release with the intention to dedicate this work to the legacy and memory of Mike Huckaby.
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Basic Moves are teaming up with Listen! Festival again for the 3rd year in a row to curate a stage presenting artists from the past and new talent for the future. This year’s promotional tool is something tactile and very common in the Basic Moves world… It’s a 12” vinyl record!
All of the benefits of this record will go to Liaison Anti-prohibitioniste , an association for people affected by drug policies. It brings together those who are confronted with the problems caused by the prohibition of certain drugs. All are convinced, from their experience, of the need to implement an alternative policy to prohibitionism.
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Roberto Capuano returns with his first Drumcode EP since 2015.
The Neapolitan has long occupied a special place in the heart of Adam Beyer. His cut ‘Never Stop’ is one of the finest Truesoul releases in recent years and he came up trumps with Drumcode’s 150th release in 2015 with ‘The Wilford’ EP, featuring the dub techno groover ‘Obsessed’.
His last outing on Drumcode was the fantastic ‘Limitless’, a collaboration with Luigi Madonna that featured on A-Sides Vol.6 in 2017.
‘The Walker EP’ is Capuano’s most full-bodied work on Drumcode to date. The title track is a stealth combination of punishing drums and dystopian arpeggios building up a dark brew of energy.
The slick ‘Sirio’ concludes the quadruplet of cuts, as stomping grooves rub shoulders with multi-layered melody lines for a satisfying finish.
‘On Your Skin’ is no less captivating, a huge Beyer favourite throughout the summer months, it’s exhilarating combination of rousing vocals, swirling synths and a catchy riff make it a slam dunk.
Finishing off the EP ‘Segment’ is a flamboyant follower, all six minutes of spine-tingling synth stabs and chopped up vocal effects are perfect for peak time moments.
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Los Angeles' Droid Behavior celebrates its 15th anniversary with a two-part release from its principal artists. Over the last 15 years, Droid Behavior constructed, developed and institutionalized the West Coast techno scene with their lauded event series Interface. The label Droid Recordings fol- lowed with the launch of its first release 'Negative 01', a compilation of L.A. producers showcasing new perspectives from North American techno. The forthcoming compilation Negative 02 explores the label's vision from the voices that have laid its foundation, from the dark and strange, to the slightly experimental, to streamlined dance floor tools.
Part 1 of the compilation delivers 4 tracks from L.A. techno stalwarts, leading with label head Drumcell. With releases on CLR, Dystopian, Detroit Underground and his own experimental label BL__K NOISE, Drumcell's channels his diverse sound into a pitch-black banger in "Dividing" a thick chugging track with an undercurrent of hypnotic stabs, Pads and vocals.. The second track features one of the techno's most celebrated artists - Truncate. Also known as Audio Injection, David Flores turns in the ultimate DJ tool with 'Down," a mastery of sequence subtlety layered on this introspective
production. Droid cofounders and VRV label heads Rai´z contribute the most entrancing arrangement for Negative 02 - "Ephemeral Beings' which warns of social decay and encourages positive change via this and dark and beautiful composition. Longtime Droid resident Viktor Carrillo offers his debut release for the label with 'Coma Walk' an ingenious application of the goa sound in conjunction with clever FM Synthesis which makes for highly effective mix addition. A second release will follow to celebrate this anniversary, featuring more from the Droid family including Luis Flores, Hyperactive, Subversive and Aaron Litchke.
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The fourth part of our Re:Vision series.
Moving to Europe circa 1998, techno was a 10-year established phenomenon, and Heiko Laux and his storied Kanzleramt label were at the height of a continent- wide movement that shows no signs of abating. Innovation was everywhere, whether in the dark vaults of Tresor where homage was paid to the Motown roots, and in many other forms that still speak to this day. Laux's hard-edged industrial anthem Re-Televised is a sound very much of its time, but it is also one whose relevance to the present stands without question. Thus, in finding talent to take on this Re:Vision, we looked to the most futuristic contemporary producers to bring fresh angles that connect with the source material as well as today's most current sounds. Lucy, Donor, and Truss occupy a broad geographical slice of today's techno, but in the last few years they have distinguished themselves as the least compromising and most forward-thinking of their generation. Our Re:Vision of Heiko Laux's Re-Televised reaffirms the original's forward-looking intent while emboldening the next step in techno's history.
While countless peers reach for similar ends, Lucy and his Stroboscopic Artefact label have made records that consistently stand apart for vision and experimentation. Lucy himself is without doubt the wildest of the bunch, and by halfway through his remix of Re-Televised, when it makes a left turn into damaged pyschedelia featuring flown-in vocal snippets over
a pounding techno beat, it's easy to see what sets him aside from more conventional operators. Likewise, Brooklyn's Donor and the UK's Truss have both been making waves for a heavy, dirty style of techno that refuses to recognize restraints, and when the many layers of their rerub coalesce into a dystopian, swung lurch in the second half, listeners can revel in the dirt and disorientation their ideas bring to bear. From this, it's obvious that Heiko Laux's 1998 original is a 15-year step into the past, but we can't help but be intoxicated
as distorted drums and echoed zaps roll forward to smash everything in their path. Digital DJs get a second, more floor-oriented mix from Donor and Truss... if they can bear the extra pressure on an EP that's already as subtle as a punch to the gut.
As an overview of today's best talent, a re-evaluation of past accomplishments, and a look into things to come, THEMA's Re:Vision looks back to the past while still moving unstoppably into the future.
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Berlin 2059
Dark forces control the city, underground music is banned everywhere, old skool DJs, crew and collective can comunicate only via pirate radios...
Beside beeing constantly hunted from techouse police, infamous Chemistry Radio continues to transmit 90's underground music.
Not easy to stop it!
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Lost Verses is the brand new label by the young Spanish artist Oxygeno. Here you will find hypnotic and deep movements through textured and chaotic soundscapes. Everything together with an artwork, carefully chosen, following the vibe of the music.
We are happy to present you the first EP, including 4 original cuts plus a heavy remix from Oliver Rosemann. A trip starting with the crazy and creapy story of Mirror Of Confusion, carefully remodeled by Oliver, going by the sad chords of the atmospheric track Devastated. Finally on the B Side, the story is getting stronger with Electrified and Burning Inside, two high voltage tracks direct for your mind and body.
All the tracks were mastered by Paul Mac at Hardgroove Mastering, and the artwork is from Lydia Roberts, connecting her art with the concept of the EP
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Limited White Vinyl
nearly ten years ago, toureau releases his last single and there were people who said there was nothing more to come... but it was worth the wait because sometimes things need their time - especially the good ones! so 2022 is the perfect mment to reanimate with müller one of germanys hottest and legendary techno labels, join the forces and start a new chapter.
"telecommande"(french for remote control) is a perfect summer tune with some emotional trancey melodies for the festivalseason. munichs deejay gigolo martin matiske interprets this track in his own unique detroit-infected electro-style a la dopplereffekt and brings back some 80s-retro to the floors. on the flipside AFUs felix bernhardt shows us the "stompy" side of techno and the
perfect sound for the next megarave. last but not least italys rising star vicky montefusco who already releases on marc houles "items&things" presents his own groovy and deep minimalistic remixversion. This release comes in a limited white coloured vinyl edition with a beautiful coverartwork and pictures of famous photographer ralf peters, who already has exhibited
his art in miami, zurich or tokyo...
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Buenos Aires-based imprint Unlock Recordings release the fourth instalment of their 'Collaborations' series featuring cuts from Ryan Crosson, Jonas Kopp, Guti From Downstairs and more.The stripped back aesthetic of previous 'Collaborations' vinyl-only releases have garnered some heavyweight support from the likes of Ricardo Villalobos, Sonja Moonear, Raresh and Laurent Garnier, to name a few. Gonzalo Solimano's label now returns once again, showcasing some of Argentina's most exciting talent alongside other distinguished names from the scene - further establishing Unlock Recordings' reputation for delivering high quality, jazz and dub-infused house and techno.
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- A1: Nebula – Reactivate
- A2: Imiafan – Kto (Dncl Loom Radio Edit)
- A3: Discoham – Agonia-Phobia (Remix)
- A4: Projekt203 – Démon (Raw Vinyl Mix)
- A5: Good Mood- Krátky Tažko Uveritelný Príbeh
- B1: Collabse – The Fate Of Man
- B2: Eduv Syn – Lieky
- B3: Eduv Syn – Veža
- B4: Marek Piacek – Vedic Meter (Védske Metrum)
- B5: Batcha De Mental – Nattatasaratata
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Vinyl Only
Subwax Black Label Series continues their mystical Slavic underground saga, the next Techno bomb is here!
Yellow Vinyl
Zodiac Childs present their debut album “Atoms To Atoms” on Zodiac Wax across three pieces of vinyl in a full and vivid expression of the pair’s passion for classic breaks and the UK’s hardcore legacy. Zodiac Childs have been cultish in their release schedule previously - releasing sell out vinyl on their label Zodiac Wax which aims to work within the standards of rave culture’s key fixtures - records that are made to be played loud in the dance.
‘This album is a proper snapshot into the mind of Zodiac Childs & the foundation of what’s to come. It’s all about a genuine vibe, a feeling, a love for playing with energy & emotion. A rich tapestry of sound, not being confined to a specific genre & a constant obsession with analogue synths & hardware reverbs’ - Zodiac Childs
Released on triple vinyl, cut by Simon Davey at The Exchange with a precision-perfect tri-fold sleeve designed by Ben Rix - the release has been executed in the most sonically and dynamic process as possible in a highly elegant package. In addition to presenting 8 new original tracks, 4 of ZC’s best received previously released works that have been remastered for the album - Goblin, Circuits, O to the M and Basic Process.
The album is designed to move the listener through the moods and feelings of a full night of rave experience - with an atmospheric opener in Submersion setting the tone. Circuits follows - a pure anthem for the convoys of cars, filled with weekend warriors riding their first chemical waves. The release moves through the emotions and sounds that ZC are about - building off their hardcore style breaks and moving between touching melodies, wiggling 303 lines, guttural low end frequencies and spacious hardware reverbs are a constant theme in ZC’s work.
Atoms to Atoms is designed to take you through to the iconic spaces and movements of a transcendent party experience - from the inner city warehouses that set the scene for Breach all the way to the energy of abandoned northern English factories and mills, rusted and empty like on Northern Fury. It’s a timely reminder of the sheer heights of joy and ecstasy that UK dance music culture was designed for produced and presented in an expert package.
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Die BPitch Family freut sich die Ankunft eines neuen Team Mitglieds anku¨ndigen zu du¨rfen, der in Berlin lebende Produzent Amotik reiht sich mit ein mit seiner neuen EP „Daya“. Amotik hat bisher, u¨ber einige Jahre hinweg seine Musik auf eigenem Label selbt vero¨ffentlicht, darunter einige EPs und ein Album. Sein hypnoti- scher, minimalistischer und fesselnder Blick auf Techno hat bereits vor einiger Zeit schon die Aufmerksam- keit von BPitch Boss Ellen Allien auf sich gezogen. Da musste nicht mehr lange fu¨r eine weitere Anna¨herung gesorgt werden und nun erscheint schon seine erste Katalognummer beim Label. „Daya“ entha¨lt vier mas- sive Tracks. Wellen von Bassfrequenzen, alles fein komponiert und designed um Verstand, Ko¨rper und Geist ins Visier zu nehmen.
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Brooklyn via San Francisco. My mom would sing her lyric "my tongue is a machine gun" so passionately at the reflective toaster oven that it shakes me until this day. She really only agreed with my dad about Nina Hagen and the therapeutic prowess of ecstasy pills. I was either side-stepping or spinning between punks and hippies, painted tall tees and the last glimpses of piers laced with D N B - Lebbeus Woods lectures seemingly constant. Why didn't he just move to SF?And then Channel U changed my conception of a beat. A little later I was crushed by Japanoise' thunderous take on spirituality. I guess I realized these are communities not scenes. And sheesh! What a community I'm so grateful to have found. Anyway… This record was made during my first time getting to spend whole days working on music. Missing Tokyo crazily, listening to an endless stream of experimental downtempo from 1992-98. Perpetually graped at .08. Thankfully the machines and I had room to develop a language that not only got a message across but has evocative little tongue rolls and things as well. I desperately hope everyone is afforded that room at some point in their life. But for me meditation doesn't require an empty space. This is an EP that tells the story of a honey bee - I hope y'all find a cute and unmediated relationship together throughout the 5 tracks. This is a bit like a road-trip film through the process of forced digitization. Yes we're all cybernetic at this point but that's no excuse to dull our sensitivities. I guess the question is… since when is being calm a desirable personality trait????
Gratitude time! here's a thank you section that covers a microscopic portion of the things that inspired this ep:
The somehow both merciful and merciless lord Gina Lee I love you. My mom Saam Nomad/Sam and Sam/Gal/Tarwuk/Izumi Suzuki/Nancy Grossman/Coco Fusco/Claude Parent/Amagatsu Ushio/Alexandre Jouveaux/Soil Thornton/Gakuryu Ishii/Juergen Klauke/Tishan Hsu/Olivier Assayas
Basically all my incredibly passionate friends and the communities they help cultivate that are just intoxicating, electrifying and exceedingly thoughtful.
Please help this 12" remain a fable - donate to The Guardians of the Forest. tysm.
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This started out a couple of years ago as a grounation drumming session above the old headquarters of the Mystic Revelation Of Rastafari, in Wareika Hill, Kingston, JA. Four funde, a repeta and a bass drum. Back in London, contributing flute and guitar, Kenrick Diggory unbottled the deep rootical psychedelia and sheer awe of Hunting — the Keith-Hudson-versus-Count-Ossie wonder of the world — and Tapes added electronics, a shot of Drum Song... and a giddily intense binghi dub.
Total murder.
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As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the ‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this dynamic compilation series.
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Brian Kage’s fourth release on Michigander Music “303 in the 313 EP” features 4 uniquely gritty and acid-soaked manifestations of mid 90’s Detroit. This exercise in analog monosynth mastery directly connects the grittiness of the urban landscape with the raw spirit of creative freedom.
Detroitasaurus starts the record off with a subtle prehistoric soundscape, steadily building rhythmic tension using hypnotic toms and melodic drum patterns. Razor sharp 909 hats hammer down there through the sonic mist as the journey continues to build. Shrieking jurassic trumpets cap off each of the peaking climbs to reveal metallic broken-down structures that are bound together with oscillating 303 threads and a grooving bassline.
Van Dyke Vessel features an atmosphere of textured percussion and metallic analog synths that wind around a deep square bass groove. Suddenly, truncated growling vocal samples start to collect into the catchy phrase “Let’s take this to outer space”. Swelling pads give way to squealing acid as this track transports dancers to a nostalgic melodic dimension.
Delray Dance undulates with thick bass slowly building into a body focused groove as it winds up and gives way to a rugged 303 saw with fluttering Spanish style synth stabs. Classic Detroit pads continue to swell, adding to the tension and leaving enough sonic space for melodic mixes in and out. This tune is the perfect tool to transition between genres.
Zonin breaks the mold by combining old-school electro vibes with a heavy dose of acid and freestyle hip hop. Heavy broken beats are combined with a rockin’ nostalgic bassline and layered party vocals that transports you to the center of the dancefloor on the best night you’ve ever had.
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Kinzua are Lucas Brell and Marvin Uhde (known as Qnete to some), great live band. “None Of The Above” is their debut album. Powerfully introvert and extrovert at the same time. Songs of glory, decay, rebuilding and hope that found Offen at the right moment. Many moons later the album withstood the test of time and can be enjoyed in its whole glory.
Written & produced in different spheres by Lucas Brell & Marvin Uhde at CSG Studios, Leipzig and M90 Remise, Berlin.
Voice on „The Dancing Snake“ by Giulia Fournier-Mercadante (Gigi FM) with words from „Les Fleurs de Mal“ by Charles Beaudelaire
Mastered by VRIL
Artwork by Himbeer Pepe
Sleeve by Percy
Written and produced by Lautaro Carbajal and Nicolas Ballesteros in deep Raval, Barcelona 2020, this is absolutely all you could want...
Following in the tradition of the open circuit 80s Spanish industrial scene this is a continuation feedbacking ms-20s, ominous vocals, tape cut ups and vicious distorted beats.
All of it is there, all of it is urgent, it is a reflection of daily chaos, internal battles and the sonic equivalent to the decaying society we inhabit day to day. Seven song lp, limited to 300.
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The Olympos series returns with its sixth instalment, this time calling on Athena, daughter of Zeus, goddess of wisdom and warfare.
Olympos 06 features 4 tracks of trippy techno that rides space themes and strong advanced sound fx's that make listeners feel like they are travelling the galaxies.
A-side, starts with 'Enceladus D' which is a jaunt into futuristic electro. Featuring a proper continuous build that's supported by an eeriness, giving you a strong sense of space trek. Gritty breaks and next-level breakbeats just add to the tension. 'Minerva' is an adventurous tech workout not for the faint of heart. The wobbling bass makes for a bumpy mission, throwing off your equilibrium...in a good way.
The B-side is a heavy one! First off, 'Ophis' is an ominous yet powerful voyage into the abyss. A strong magnetic gravity is literally pulling your ship apart as you ride this dangerous route.
Lastly, 'Glaphcopis' pushes the boundaries of deep techno further. The 90's mood is palpable in this stargazing journey. Don't let the robot noises distract you. They are just adjusting the spaceflight travel coordinates.
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Ben Sims superb album 'Smoke and Mirrors' was released in 2011 to thunderous applause and has seen Ben become a favourite at Drumcode. Using sprinkles of house with vocalists such as Tyree Cooper and Blake Baxter, 'Smoke and Mirrors' infuses different styles with to create a monumental album.With his unique approach to techno, Ben has deservedly catapulted himself to the forefront with over 50 releases over two decades and taking control of the illustrious Theory Recordings Ben is a techno veteran.Joseph Capriati's remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit.The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story.
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Der Begriff "Klassiker" mag überstrapaziert sein, aber er ist völlig angebracht bei den Reissues der beiden House-Alben aus Matthew Herberts umfangreichem Katalog, die auf Accidental erstmals als Triple-LP erscheinen. Das gefeierte "Bodily Functions" (2001) taucht in vielen "Album Of The Decade" Listen auf, während "Around The House" (1998) den Massstab für einen neuen, durchdachteren Ansatz in der Dance Music-Produktion setzte, der heute noch genauso knackig klingt wie damals. Beide Klassiker zeichnet eine unverwechselbare, zeitlose Qualität in Klängen und Worten aus, aus denen die Songs entstanden sind, wie die unverwechselbare Stimme von Dani Siciliano oder die langjährige Zusammenarbeit mit dem verstorbenen Pianisten Phil Parnell, menschlicher Blutfluss, Küchenutensilien, Knochen, Haushaltsgeräte, Zähne und Laser-Augenoperationen. Tatsächlich galt Herberts mittlerweile legendärer Personal Contract for the Composition of Music (PCCOM), für den er heute berühmt ist, zu seiner Zeit als radikal.
- "Both albums are loaded with music of exceptionally high quality." - Pitchfork, 2002
Pig&Dan on Break New Soil? Sounds like a no-brainer! We're pumped to have the boys on the label with their debut release „Aptitude"! Igor and Dan and I have been friends for a long time, sharing stages all over the world for decades and have actually released a collaboration EP and a full album on Adam Beyer's Truesoul records earlier this year. On „Aptitude“ you'll find three full-on techno jams, showcasing P&D's signature sound - combining their vast knowledge and admiration of classic Techno, yet looking firmly to the future with another modern sounding production. Welcome to BNS, boys!
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Repress..!
Amelie Lens' EXHALE imprint launches with a myriad of uncompromising techno tracks from the underground's finest established and aspiring artists.
EXHALE's much anticipated first release continues the legacy of the EXHALE event series with a fifteen original track compilation featuring old and new friends from each avenue of the underground. With a shared love of rave culture, the label is a platform for the forward-thinking while simultaneously paying homage to foundations of techno. With this in mind, Amelie gathers familiar faces and upcoming artists to deliver the future sounds of techno.
Opening the second EXH001 vinyl is Berlin based producer Klangkuenstler with 'Engelsblut', an oscillation of stabbing keys, sinister drones and unrelenting hi-hats before transitioning into 'Take Two' from REMY-X, whom Amelie discovered after his stand-out EP on Coincidence Records last year. DJ/Producer at the forefront of French techno Antigone proceeds with 'U Tell Me', along with Brecc who incorporates industrial elements and thundering bass with track 'Vox', continuing with Antwerp producer Lukas Firtzer's 'Excessus', packed with shifting percussions and tenacious melodies.
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Two years after the release of his last album "The Unfinished Fight Against Humanity", SNTS launches a new EP, which coincides with the 10th Anniversary of SNTS Records. This project means the closing of the series of EPS that started with the "Chapters" series and continued with "Scenes", completing this cycle.
Thanks for your support during these last ten years.
Peace&Love, S
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Empathy is the codeword when it comes to The AM’s second solo EP: The ‘Sexworker’ EP. A short story through music and art, allowing you a moment to walk a mile in another seasoned professional’s shoes… Imagine life through her eyes, her thoughts, her feelings, her actions and motivations as her work takes her from flirty fun to a much more severe and fierce role as a vigilante, fighting for justice and retribution for women who’ve been abused and wronged. As the EP progresses, the further we’re plunged into this dark nocturnal world of carnal chaos, deceit and danger.
Sat in a not-so distant neon tomorrow, downtown Detroit, this is the vivid concept and narrative conjured by Detroit native, violinist-turned-techno artist The AM (Ann-Marie Teasley) Sliding into our collections since her debut tracks last year as one half of HLX-1, 2022 has been all about The AM solo releases; in March we had ‘Black Majik’ on Tresor. Now on Deeptrax ‘Sexworker’ is another revelation from the agenda-setting artist who’s crafted a completely immersive narrative that ranges from the playful electro beats of ‘Intercosmic Lap Dance’ to the runaway juggernaut ‘Black Galaxy’ (a collaboration with Scan 7's Track Masta Lou). Each track adding layers of tension and intrigue, cutting through the late night sleaze and exploitation with raw machine soul, ‘Sexworker’ is steeped in detail… But loaded with enough space for your imagination.
Fronted by a stark futuristic city artwork, ‘Sexworker’ takes place in The AM’s stomping ground but could just as easily happen anywhere in the world… Amsterdam, London and right now, our speakers. This bumps in an exciting yet timeless way. It’s AM 24/7 right now.
.
Repress..!
Amelie Lens' EXHALE imprint launches with a myriad of uncompromising techno tracks from the underground's finest established and aspiring artists.
EXHALE's much anticipated first release continues the legacy of the EXHALE event series with a fifteen original track compilation featuring old and new friends from each avenue of the underground. With a shared love of rave culture, the label is a platform for the forward-thinking while simultaneously paying homage to foundations of techno. With this in mind, Amelie gathers familiar faces and upcoming artists to deliver the future sounds of techno.
Amelie & EXHALE events mainstay AIROD open proceedings with the ascending 'Adrenaline', featuring acid lines and hypnotic vocals, with Spanish techno veteran Regal driving on with authoritative speed and neurotic alarms in 'Spreading the cult'. Following his debut on LENSKE, Amelie welcomes AhI Iver to bring an acid flavour to this compilation along with French talent Felicie, who builds tension early on with raucous track 'The Devil Himself'. Obscure Shape & SHDW follow with 'Brennende Erde', inducing a state of trance with whirring atmospherics.
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There's no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries.
The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola's Music On at Amnesia. Anyone who caught him play the main room this season will agree - his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola's handpicked him to perform on 8 separate occasions, more than any other artist this season.
Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn't be better for Capriati to unleash 'Self Portrait', his sophomore LP.
Already ingrained in the consciousness of techno lovers this year thanks to 'Fratello' and 'Awake' the pair of searing dancefloor slayers that were released in June as the album's first singles, 'Self Portrait' goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors.
'Self Portrait', the typically reflective album title track is an understated ambient gem led by warm trickles of melody.
He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover 'Easy Come Easy Go', the kind of genius fare that gets his diehard fans raising Italian flags inscribed with 'JOSEPH CAPRIATI KING OF TECHNO' regularly at this gig. And with an album this good, who are we to argue
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Prolific Japanese producer T5UMUT5UMU has built up a reputation in the last few years for his ability not just to recreate club styles but to flip them into almost unrecognizable dancefloor hybrids. "Asyl" follows a blistering run of Bandcamp releases where T5UMUT5UMU has melted together gqom and techno, deconstructed grime and welded dubstep to traditional music from Japan and India. Here, he's operating completely off the grid, pulling raw materials from across the globe and hammering them into confounding shapes and patterns. On its surface, 'Fireball' sounds like a liquid metal approximation of South African gqom, but move in closer and you can make out dubstep bass squelches, trap hats, and industrial techno jet propulsion filling in the gaps with rubberized mortar. 'Desert' is the EP's most lightheaded cut, a psychedelic percussive spiral that curves micro-tuned mbira clangs around bee sting bass, aerated noise blasts and sub-aqueous kicks. It's a hard track to place, but fits in somewhere between Donato Dozzy, Menzi and 33EMYBW, all shifting rhythms and precision-edited sound design. 'Sea of Trees' retains this momentum, pushing the tempo and interspersing woodblock vibrations with syncopated bass drums and goosebump-inducing synths, while closer 'Bottomless Valley' shifts back into a gqom framework, shuffling the expected pulse with a powerful dembow swing, half step subs and Indian-inspired rattles. "Asyl" is a varied but shockingly coherent statement from an enigmatic producer who refuses to confine himself to a single path, and at a time when "cross-genre" is the norm rather than the exception, it's refreshing to witness a producer who's unafraid to truly make stylistic left-turns, rather than simply mash together top-level aesthetics.
The second release on Modern Cathedrals includes an original mix by Altstadt Echo supplemented with remixes crafted by Donor, Luigi Tozzi, and Asop. The inclusion of Donor's remix represents a continued effort to link together the Detroit and Brooklyn scenes, while the Luigi Tozzi remix connects Modern Cathedrals to the ghastly, dark styles of techno that Italian artists have become so respected for. As a core member of the Modern Cathedrals team and a primary force behind the label's event series, Asop's remix is the very first public release of work by this incredible new Detroit-based artist.
But while the artist names change from record to record, the philosophy does not. We continue in a desperate attempt to generate meaning during the short spasm of a lifetime we are given in a world that seems to conspire to prevent this effort's realization. This situation might be inescapable, but through the rejection of complacency and dogma, we can approach our end with the bitter comfort that we were at least willing to be honest about our situation.
Italy's fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4- track EP, Climax. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track Climax grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second half of the track, making for a powerful ending as all the elements join together.
Boost starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping Boost evolve into a catchier, more playful track.
First up on the B side Spectre is a no-nonsense piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown. Rounding off the EP Over The Clouds as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production. Overall, Climax is an outstanding example of Faraone's ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors.
Having recently warmed up for Adam Beyer at Tenax, Marco Faraone's relationship with the iconic label continues to grow...
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Drumcode treasures Alan Fitzpatrick and Joel Mull link for their debut collaboration, complemented by a rare Adam Beyer remix. This is special in every sense.
Tis the season for something different; interesting collaborations and the broadening of creative boundaries is the order of the day. Long-time friends and techno colleagues Alan Fitzpatrick and Joel Mull are the latest to connect for a fresh production outing, ‘We Don’t Know Anything Yet’. Inspired by the Buddhist saying ‘Nothing is forever except change’, the duo work alongside Swedish band Frangie to craft an ascendent techno cut that explores existential questions about the future, all the while being propelled by a strong rhythmic underbelly.
Beyer’s first remix in two years is inspired. The boss sharpens his focus on the vocal, while teasing out the melody, ripening the track for a mid-morning post-peak-time moment when the sun starts to bathe the dancefloor is a hazy gentle glow. A masterstroke.
“Listening to the track, it’s obviously very connected to what’s going on in the world right now. When I heard it for the first time, I fell in love with the parts so much I decided to do a remix on the spot. It’s two of the old school crew, so the release is very dear to my heart.” – Adam Beyer
Break New Soil loves Italy! Ilario Alicante, Daniele Papini, Romano Alfieri, Marco Effe and Luca Bear amongst others - the roster of Italian artists releasing on our imprint over the past decade is immense. Now, we´re very happy to present a very promising new face: Welcome Jacopo Susini! When I heard the demo Jacopo sent in, the decision to release the music was only a matter of minutes. Jacopo presents that exact raw and hypnotic style of Techno we love so much. Choosing a remixer was an easy task - Patrick Siech, a member of our little label family for many years, was the obvious choice - and unsurprisingly he delivered the goods as always! Returning not one, but two amazing remixes by our Swedish friend completes the package. Enjoy!
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Tape
We are very excited to close what has been a great year for ANAØH, accompanied by the Dutch Tripeo, an artist we admire and love deeply, with whom working has been a pleasure from the first contact.
This is his second appearance on the label, this time with a release on 7' vinyl double and cassette editions.
'Whistleblowing is a fascinating cultural phenomenon. It's one of the most altruistic acts a person can do within society. They protect the greater good at immense personal cost. Whistleblowers are rarely rewarded for their courage, yet it doesn't deter these people from doing the right thing. They represent the good in us and are to be seen as an inspiration for all of us to make the world a better place.
"This EP is dedicated to Whistleblowers all over the world, wether the scale is big or small.'
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- A1: Dj Shufflemaster - Modern Exorcist
- A2: Nicolas Vogler - Tailgating
- A3: Fixon & Gene Richards Jr - Rare Punch
- A4: Phil Berg - Nympho
- A5: Dig-It - Variables Ocultas
- B1: Mathys Lenne - Energy Never Dies
- B2: Damian Vargas - Transformación
- B3: Truncate - Microcosm
- B4: Dj Dextro - Kelt 9B
- B5: Kashpitzky - Hammer Smashed Face
Tape
One more year and our annual compilation 'Hate & Tenderness' is back. This time in its fifth edition, where we have agreed a group with some of our favorite artists from the last years to create a wonderful compilation full of love.
Being faithful to our philosophy based on contrasts, legendary artists such as DJ Shufflemaster, Truncate or DJ Dextro join youngsters such as Gene Richards Jr, Phil Berg, Mathys Lenne, Kashpitzky, Nicolas Vogler or Damian Vargas to name a few, all of them accompanied by the label heads Fixon & Dig-It, to leave a release that moves us indescribably and that we want to share with everyone!
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- A1: Pendulum (Feat Lucy & Rrose)
- A2: Lost Conductor (Feat Lucy & Rrose)
- B1: Wishing Well (Feat Lucy & Rrose)
- B2: Tunnel (Feat Lucy & Rrose)
- B3: Intracluster (Feat Lucy & Rrose)
- C1: Stars (Feat Lucy & Rrose)
- C2: The End Of Words (Feat Lucy & Rrose)
- D1: Filament (Feat Lucy & Rrose)
- D2: Pray (Feat Lucy & Rrose)
Lotus Eater is a duo consisting of Luca Mortellaro (Lucy) and Seth Horvitz (Rrose), techno artists just as comfortable operating in the uncharted area of experimental music who have gained a cult following, both influencing and challenging the direction of contemporary electronic music.
Eschewing the typical instrumentation of techno but still inhabiting its archetypes, Lotus Eater uses synthesised sound and feedback as fundamental sources to generate both textural and percussive elements. A sense of tension and weight emerge from sources that cannot be easily pinpointed. Each release forms a complex narrative from a paradoxically simple and restrained set of sound sources.
Officially formed in 2017, Lotus Eater came to life through several collaborations over a number of years, and finally blossomed with the release of its critically acclaimed debut album "Desatura," which Lotus Eater toured live in 2018 - 2019.
2022 sees the release of the second Lotus Eater album "Plasma" and a new audiovisual live project to accompany it. "Plasma" unfolds with exacting precision by exhibiting a point of focus and expanding on it. It uses a single, throbbing pulse to generate a constellation of sounds and rhythms that form around it like a volcanic eruption in slow motion. Playing with our sense of time and weight, "Plasma" feels simultaneously slow and urgent, spacious and immense. Lotus Eater zooms into the infinite abyss and finds not just light, but fire at the end of the tunnel. Will we be saved, or will we burn?
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Jackson Ryland comes in focused and ecstatic with his first vinyl release under his technoid alias JR2K. Jackson is based in Washington DC as one-half of both Superabundance and Rush Plus. He’s recently released on Peach Discs and Pleasant Life, showcasing his knack for presenting energy as a delicacy. JR2K “Walking Backward” is another illustrious highlight in the savvy DC producer’s already-accomplished underground career. Played on Hör Radio by Kush Jones and supported by Peach, Ciel, Clarisa Kimskii, Ryan Elliott, CMD, Davis Galvin, livwutang, Furtive, Golden Medusa, Lychee, Miley Serious, and Jialing!
The A side opens up whooshy and hard with “ExoGeni Approach”. This illustrates perfectly what I love about Jackson’s style(s)...it sounds like the sickest mid-90s techno track, full of energy and movement while taking in the atmosphere with repose. After the rollercoaster intro, the acidic up-ticks, lush synth layering, and perfectly crunchy closed-hats sink your ass straight through the dance-floor to tumbling free-for-all in the green-screen collage of your daydreams. Wake up…A2 “Call Back” splashes you with a glass of refreshing water…you still got hours at the party, and you’re coming up on some healthE shit…time to get back to that business of dancing your soles and soul away to this driving monorail of euphoric acidic techno. Choo choo choose your own dance destiny, baby!
E2-E8 continues to put new local talent under the spotlight. This time it's the Orphic duo, made up of Kieran Jandu and Babak Faraji.
Shelter EP is perhaps the release with the clearest, most identifiable sound that we've put out so far. ACSXD and Macoubea are firmly rooted in deep techno that wouldn't sound out of place on labels such as Delsin, Hypnus, or Semantica. Ména is geared for peak-time with its relentless beat and vocal snippets. Half Ten is angular, articulate and colourful.
If all this wasn't enough, Marco Shuttle steps in with an atmospheric, almost beatless remix of ACSXD which reminds us of some glorious Aphex Twin moments. We can't thank him enough for contributing with such a delightful piece.
Early support comes from Sunju Hargun, Sybil, Pyramid Of Knowledge, Marco Shuttle.
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2022 Repress
Talismann returns with a limited vinyl run of his Percussion project... Commanded by the deep rhythms from beyond, Talismann meticulously crafted his modular album named Percussion. It's a homage to this dancing rhythm, the short strikes and drums that give soul to even the darkest ambiance. Percussion is a multi-release album, and will eventually provide a complete experience. Offering a multitude of unified tracks which all share a synergy with one another. A synergy that will invite for others to play and create one's own within the universe called Percussion.
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- A1: Hawke - Nudes In A Purple Garden
- A2: Mindgear - Don't Panic (Transpanic Mix)
- A3: Glam - My Mother Said (Cosmic Trance Mix)
- B1: Young American Primitive - These Waves
- B2: Holy Ghost - Mad Monks On Zinc
- B3: Morgan Wild - Dionysian Dream Sacrament
- C1: Epsilon Nine - Life Formation
- C2: Spooky - Orange Coloured Liquid
- C3: Extasia - Alegrya (Virtual Mix)
- C4: Humate - Love Stimulation (Love Mix)
- D1: Oneiric Vortex - Oasi
- D2: Human Beings - The Matrix
- D3: L S.g. - Lonely Casseopaya (Club Mix)
Having previously celebrated the deep and colourful world of late ‘80s and early ‘80s Italian house via the popular Welcome To Paradise compilation series, Safe Trip has now turned its attention to the roots and formative years of trance music.
Planet Love: Early Transmissions 1990-95 showcases the roots and formative years of trance via 13 loved-up, psychedelic, colourful, melodious and surprisingly varied dancefloor experiments from Europe, Australia and the United States.
The compilation includes pioneering proto-trance and early trance tracks from the likes of Hawke (AKA influential San Francisco producer Gavin Hardkiss), Epilson 9, Spooky, Oliver Lieb, Holy Ghost Inc, Morgan Wild (an outfit whose members included early NYC techno titan Damon Wild), Mijk van Dijk, Glam and Paul van Dyk.
Packed with must-have cuts, slept-on gems and sought-after rarities, Planet Love: Early Transmissions 1990-95 maintains the loved-up, listenable vibe of Welcome to Paradise while broadening its musical horizons. It is not a definitive history of trance music’s early years, but rather a colourful, life-affirming celebration of the varied strands that came together to create one of dance music’s most popular and enduring styles.
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In the beginning, woman was the sun, and then the monster put its hand in the fire.
Knowing without knowing.
Nature versus Nurture.
Kristian is a new anonymous project on Figure Music, exploring a different kind of sound that is based on subtly nuanced live jams and oriented towards a slightly more raw house and dubby-related style.
Opener Doubtful makes a strong first impression as Kristian weaves together lush, cheerful chords with a tight yet rolling bass momentum, carrying the track forward effortlessly. In stark contrast, Dry Dub is groove reduced to its bare essence. A straight-up drum track made of
sparse elements that confidently unfold their subliminal power over time.
The flip holds cuts that really want to spring to life. Swirly, dubbed-out sounds create a colorful and dynamic palette, rapidly changing in movement and direction. Insider riffs on heavily animated, filtered synth action, while closing track Worthiness goes deep and spacey, oozing with warm machine charm, squelching acid, and bubbly bass.
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A collaborative melting-pot takes the form of a luminous, candy-coated rhapsody
Drivetrain (Detroit, USA) The Greatest (Hard Times Mix)
taking flavorful elements from his deep house original, this is a killer dose of thick-set, granular house-meets-techno; blissfully wrapped in plush, woozy, jazz-flecked overtones.
Motomitsu (Paris, FRANCE) - Bless
perfectly appointed, synthetic strings rise and fall; back-dropping deep, purling bass, anesthetic keys and distant, wraithlike vocals drifting in and out of view.
Jani Ho (MELBOURNE, AUSTRALIA) - Mono Charge
club weaponry delivering an exhilarating, full-throttle ride through a menagerie of ever-shifting layers, which themselves are in a constant state of leg-sweeping flux.
Owen Ni (ATHENS, USA) - Another Sunny Afternoon
a stratospheric, psyched-out house heater, fired up of aerial synthesizers, whisking off to beatific and unearthly sonic euphoria.
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Signature hypnotic organic rhythms recorded in 1996 by Debbie Jones and Robbert Heijnen as an incarnation of eXquisite CORpsE.
These tracks have existed in digital limbo for a number of years and now receive a long overdue remastered vinyl release. Kindred spirit Anatolian Weapons lends his hand on remix duties with a devastating acid rework.
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2022 Repress
Dave Sumner returns with a new Function record, entitled Awakening From The Illusory Self. Released as a 12" EP on Tresor Records, it follows on from Existenz, his last full-length album released in November 2019.
Packed in a beautiful sleeve printed with 3 x special Neon colors, Tresor.320 kicks off with the fast techno of Misinterpretations Of Reality', it features a minimal acid-infected crescendo and throbbing pulse. As ever with Function, this idiosyncratic rhythmic work finds a place out on a limb from contemporaries, shapeshifting impulses that infer and guide this raw drum sound.
The second track 'An Optical Illusion Of Consciousness', Function moves towards a different direction, bringing more elements to the mix. It recalls the Dutch 90s techno sound with its melodic blurred synth leanings stretching and morphing across saturated, playful drums and hefty low-end movement. Its bind is perfectly weighted, a phenomenal track that nurtures its inner dancefloor soul as melodies fade away and tighter patterns take precedence.
'Spiritually Unconscious' points to all the trademarks of Function's celebrated sound. A smooth 909 groove underpins bubbling atmospheres and hallucinatory effects, and a nod to the Motor City vision with its fleeting synth strings.
At the core is potent, repetitive simplicity, its beat playing with weight and dynamics but never at risk of being lost. Closing track 'Compulsive Thinking - Repetitive and Pointless' kicks a juddering swagger, finding public addressed system emissions drenched in reverb resonating above bleak analogic synth drones. It haunts and creeps towards a thunderous apex, finding its depth in sparse drum movements.
An enduring fixture in the techno and electronic music landscape, Sumner continues to step through new terrains, reinforcing his spike and vision. Awakening From The Illusory Self finds him as ever delivering the goods in elating moments of pure club heft.
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The Colombian techno phenomenon Gotshell debuts on the Planet X label with two bangers – and features remixes from two of the most inspiring techno producers at the moment.
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Lost Verses is the brand new label by the young Spanish artist Oxygeno. Here you will find hypnotic and deep movements through textured and chaotic soundscapes. Everything together with an artwork, carefully chosen, following the vibe of the music.
We are happy to present you the first EP, including 4 original cuts plus a heavy remix from Oliver Rosemann. A trip starting with the crazy and creapy story of Mirror Of Confusion, carefully remodeled by Oliver, going by the sad chords of the atmospheric track Devastated. Finally on the B Side, the story is getting stronger with Electrified and Burning Inside, two high voltage tracks direct for your mind and body.
All the tracks were mastered by Paul Mac at Hardgroove Mastering, and the artwork is from Lydia Roberts, connecting her art with the concept of the EP
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Green Vinyl
After release at International Chrome and Steel City Dance, emerging Electro talent Dagga make his debut vinyl release at Berlin's Jupiter4. Stomping Techno, acid bass lines and bewitched arpeggios co-exist in Dagga's own unnerving horror dimension, as introspective pads and mesmerising droning dives into the producer authentic approach.
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Max von Sternberg had his debut on Musica Autonomica in 2020. Having been a platform for upcoming artists for many years, the label also supported Innellea in the very early stages of his career. He now returns to Autonomica with a remix for Max von Sternberg’s title track, which has already been played by Mind Against, Kevin Devries, Oliver Koletzki and by Innellea himself in his much renowned Cerclé set. Sophisticated remixes by Innervisions’ Toto Chiavetta, Fur Coat and Ruede Hagelstein complete this outstanding remix package, which will be available on white vinyl and all digital formats.
Belgian artist Melawati steps up to Ellum Audio with an arresting debut album, Artimia. Produced with an array of modified machines and modular synths, it is a testament to finding beauty in chaos.
Martijn Ravesloot aka Melawati makes music out of mistakes. He comes from an indie background but has always admired Aphex Twin while playing in bands such as The Subs and working in theatre. He has a love of experimenting with soundwaves that gives rise to his complex, experimental and improvised sounds. He first met Maceo Plex while jamming and that session turned into the track 'Daliah' which dropped on Ellum Audio and was remixed by Tale of Us.
After that, Melawati wrote this most absorbing and beautiful album during the pandemic in a dark studio attic in the heart of Brussels. He set about recording live experiments on analog synths and then deconstructed and reconstructed them into the tracks presented here. The angelic tones of guest vocalist Lisa Jane feature on two tracks though the pair have never met, and Melawati is now set to take his impressive live show to Tomorrowland. His life has changed since writing the album, he now has two children and lives on a farm, but the power of this music where organic and alien worlds intersect remains utterly compelling.
Opener 'I Just Want To Go Walking' pairs a heavenly vocal with celestial chords and a bustling broken beat that strikes a powerful emotional note right from the off. The excellent 'Riddles' showcases more majestic synth work and molten melodies that suspend you in mid-air while 'Slow Pulse' is an intense layering of drones and heavy drum tumbles that again offsets light and dark, tension and release. 'Red Herring' rests with beautifully pensive synth patterns that twinkle, warp and melt before your very ears and 'You And I' takes off on a rubbery groove overlaid with heart-aching keys and shimmering, wordless vocals. 'Somebody' is brain-soothing synth bliss with lush patterns and icy drums that gently unfold to get you in a trance and the gorgeous 'Radiate' then offers a widescreen and cosmic ambient interlude. The heartbroken synths of 'Let Your Love Wash Over Me' speak of the end of a cosmic love affair and 'Violent Thoughts' rebuilds on smooth arps and smeared pads over downtempo drums. The final trio of tracks offers rousing breakbeats on 'New White Noise', uplifting synth catharsis on 'Pain And Pressure' and a melancholic lullaby on 'Stellar'.
Artimia is a beautiful mix of harmony and dissonance, of real emotional power and improvised musical elegance.
The Art of Dark record store day contribution. Visitor, with his Confidential II EP.
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Lilies (Gothenburg, SE) starts a new vinyl series focused on techno made with the bare hands: Lilieskalla. On the first record, DJ Lily presents five all analog creations. The sequences are one-take live recordings, shaping a stripped down and slowly changing sound based on a Buchla 208c.
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Fake Records launches with intelligent technology's "lunch with lento and a weirdo" stripped back techno with 2 special remixes from Alexandar Kyosev & Petar Cvetkovic.
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2022 Repress
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.
His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!
The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.
All original tracks have been re-mastered to the highest possible standard of quality.
Following Notte Infinita's 'I Lost All My Data' release on INDEX:Records, the Berlin-based artist mediates the balance between dub-laced frequencies, introspective melodies and atmosphere on the next Oscilla Sound release. His propulsive Atmosfera three-tracker focuses on digital signal processing and embraces the shimmery, hyper-realistic synthetic quality of FFT manipulation. Notte Infinita explores emotional narratives through sonic gestures and textures, taking inspiration from spaces, dreams and the experience of manipulating digital artefacts.
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- A1: Saint Etienne - Like A Motorway (Chemical Brothers Chekhov Warp Vocal Mix)
- A2: David Holmes - It's Over, If We Run Out Of Love (Feat Raven Violet - Darren Emerson Huffa Remix)
- B1: The Parrots - It's Too Late To Go To Bed (Confidence Man Remix)
- B2: Working Men's Club - Ploys (Erol Alkan Rework)
- B3: Monkey Mafia - Blow The Whole Joint Up (Let's Slash The Beats Mix)
- B1: Mattiel - Cultural Criminal (Raf Rundell's Salty Man Dub)
- C2: Espiritu - Baby I Wanna Live (Monkey Mafia's Terminal Mix)
- C3: Audiobooks - Lalala It's The Good Life (Herbert's Vaccine Dub)
- D1: Confidence Man - Luvin U Is Easy (Totally Enormous Extinct Dinosaurs Remix)
- D2: Flowered Up - Weatherall's Weekender (Audrey Is A Little Bit Partial Mix)
Part One[29,37 €]
Heavenly Recording’s final long player release of 2022 is set to close the year on the dancefloor at home or in the clubs. More classic Heavenly remixes on wax and CD formats for your collection. Artwork by Luke Insect.
Released on Friday November 25th, these compilations follow Heavenly Remixes Volume 1 & 2 and Heavenly Remixes Volumes 3 & 4 (Andrew Weatherall Remixes).
Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind.
It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.
Almost 7 years ago we started working on the ANAØH project and since then we have not stopped, we did not believe that the way to celebrate another year was another than publishing an special release. So we decided to open the door of our house and invite 2 of our great inspirations to work with us on a project full of love, respect and gratitude.
ANAØH INVITES is the new annual series, in which both Dig-It and Fixon as hosts of the label invite 2 artists to join them and release original 4 tracks on a special edition translucent 12' vinyl.
In this first chapter, we have invited two great artists whom we respect and have a deep admiration. Their work have been a source of inspiration for all the team. They are James Ruskin and Ben Sims, fundamental base of the evolution of the British Techno sound, who have delivered 2 magnificent tracks, which represent the experienced path that they have carved for more than two decades each. These join 2 other powerful tracks from Dig-It and Fixon to give an extremely interesting joint result, pure TNT techno.
We feel honored and moved to have this first collaboration, which we hope will please everyone!
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On behalf of re:discovery records, it is with great excitement that we announce the joint compilation from Facil and Prototype 909 called 'Excerpts from 1993-1995.
As most know, Prototype 909 was a legendary acid techno act from New York that toured the circuit as one of the premier rave acts from America during the 1990s.
Facil was a side small duo project that only made one album and a few appearances on a handful of compilations. The A-side features two Facil tracks. 'Tree Frog' has an amazingly robotic ambient dub electro sound. A killer track that will have dancefloor patrons staring at each other with blank wtf faces. '700x7' completes the A-side with ambient dub gem. Floaty and airy melodics balance out a devastating 808 drum beat.
This is ambient dub in the truest example. The b-side then offers two spacey trance beauties with 'Transit' & 'Planet S' from Prototype 909. The EP finishes with more space junk ambient dub with 'Same Place' by Facil.
Overall, a great look into the window of early to mid-1990s New York ambient dub.
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BUILDINGS was born out of a creative merger between Detroit’s 313 Acid Queen (Rebecca Goldberg) and Italian maestro Sickboy (Stefano Piseddu), their 4th and 2nd releases on Detroit Underground respectively. The duo have thoughtfully arranged a half dozen tracks inspired figuratively and literally by the landscape of Detroit. Working 7,000km and multiple time zones apart, having never met in person, their individual expressions intertwine in soundscapes reminiscent of techno’s origin and exist in a way only capable in our present time. Devoted as ever to the roots of Detroit techno, Goldberg and Piseddu have built a magnificent album around the Detroit Map Series theme conceptualized by DU label founder Kero and designed by Neubau Berlin.
Opener GUARDIAN pays homage to Detroit’s Art Deco landmark skyscraper exploring rigid textures and a mosaic of tones reflective of the building’s diverse composition.
STRUCTURE escalates through synth leads and drum breaks ascending into a powerful high-rise track.
MCS carves through an array of percussion and crooning acid as you might imagine the sounds of Detroit’s former train depot, at one time used by thousands of passengers per day traveling to and from Detroit.
FOUNDATION’s original mix and rework get down to the literal with vocal samples calling out the project’s muse. Sickboy’s dynamic hits and 313 Acid Queen’s bubbling acid lines are truly reflective of both producers’ individuality within the collaboration.
RENAISSANCE represents a continued era of rebirth and is more literally named for the group of connected skyscrapers whose central tower stands as Detroit’s tallest building.
Truth is stranger than fiction they say, 2020 has proven it. This is not the year we asked for, but it's the year we received. Remarkably, even as clubs and social events across the world shuttered, the spirit of Techno remained alive in living rooms, bedrooms, and basements planet-wide. We hope you still draw inspiration, and excitement in the culture we've collectively nurtured for so many years. Before long we will see each other again, hug and kiss one another, and reconnect under more auspicious stars. For now, we wait. Luckily, we have new music for you to pass the time. We present our latest vinyl 12” record release: 'Life Under Lockdown', featuring tracks by Kessell (1/2 of the legendary Spanish duo, Exium), Joton (founder of Newrhythmic Rec.), HD Substance (co-founder of Sub_tl, and teacher at the Bass Valley), and JX-216 (co-founder of From 0-1). Modern, syncopated Techno for the new world.
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For the next installment on Rødhåd’s WSNWG imprint the label boss joins forces with Berlin based producer and live performer JakoJako. The two artists present ‘In Vere’, an album created in a week-long jam session during Spring 2021 perfectly echoing the seasons mood and positive energy. Covering a wider range of styles from ambient over electronica to techno, the track names relate to the flowers and animals found during this period. Jakojako’s influence is apparent throughout the release showcasing her signature ambient style arpeggios that are flawlessly blended with modular synths and organic sounds.
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London-based leftfield electronic label BleeD makes a worthy return from a lengthy sabbatical, reinvigorated with a diverse collection of tracks from Berlin-based talent, Lårry. Having previously established trusted relationships with leading artists including Daniel Avery, DJ Nobu and Peder Mannerfelt, BleeD ably assists in delivering on the promise of one of the most notable young talents currently working on the fringes of contemporary techno. Thus far showcased on impeccably curated labels such as Uncertainty Principle, Super Hexagon, Fusion Diagnostics and Awkwardly Social, their flair for surgical sound-design and off-kilter arrangements puts them in good company with equally exciting contemporaries such as FFT and Panarorman/Patrick Conway.
The EP covers a lot of ground across 6 tracks, from the gloomy atmospherics of 'Plunicceteh' and 'CMml CoE3", and the peak-hours stomp of 'systems_component' on the A-side, to the warmer and more uplifting B-side tracks, 'Ria Ilso', 'We Are We Are' and 'Over The Why'. It's a fine showcase of an artist with a broad range of influences who with each successive release is carving out a genuinely unique sound.
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„Techno Poem“ opens up the ep. It comes with a bubbling driving baseline and circulated hi hat elements which are creating a full body shake within the track. The beat structure starting with hypnotic pads which leads you into the crispy arpeggio sawtooth lead theme. Deep Male Vocals in a poetic art moves the track not even physically but also into mental experience.
„Dance With Demons“ starts with stomping heavy drums and a rolling low end. The whole is supported by distorted percussion and ruthless mini-breaks. Dark self recorded female low pitch vocals with different style of programming giving the listener the clear order to obey the dance floor. In contrast to the rough environment the epic pads and a beautiful sensitive melodie give the track an ambivalent feeling.
„Pushing On“ combines classic house with new school techno while adding also an extra portion sexiness. The catchy vocal deeply reflects its housy origin. The dna of the track is besides the vocal its groove programmed claps and the dark house chords. Within the track the listener will be surprised by breaks with guitar distortion pitch effects which will be followed by an explosive energy.
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Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number
333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to
frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The eect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently.
333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener.
3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic eect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures. Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.
Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2015.
(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc
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Respected producer, DJ and sound designer Alex Banks presents his third studio album ‘Projections’, returning to Max Cooper’s Mesh imprint.
The work follows up critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune, where he remixed Bonobo, and his sublime sophomore album ‘Beneath the Surface’ from 2019. Produced in his studio in Brighton, UK, the album is an immersive nine-track masterstroke covering the gamut of electronica, techno, breakbeat, bass and IDM, fit for clubs and home-listening alike.
The project was born in the early stages of 2021. With little outside stimulation to draw inspiration from, Banks invested in new gear including a Moog Matriarch, DFAM and a host of Eurorack Modules - and set about immersing himself in the possibilities of his new semi-modular synths.
In terms of sonic reference points, he found himself in new territory, too. “Usually going to a club night, or concert, or even the simple things in life that you take for granted all feed into a melting pot of things that inspire me to create. But without these, I instead found myself drawing on memories of experiences, and imagining new ones for the future to come. I began to feel like these were projections, almost like memories of experiences I had been projecting via the music I was creating,” he shares, adding that memories of clubbing trips to Berlin, London and Brighton fuelled his vision for the album.
Furthermore, the seclusion we collectively experienced allowed Banks to philosophise on the nature of human connection, which fed into the album concept: “I started to think about how during our period of relative isolation, we are all projecting into the digital ether, searching for a connection in an increasingly virtual world where shared human contact and experiences have become scarce.”
In ‘Projections,’ Banks creates an immersive world to get lost in, typified by the ambient opener, ‘Transitions’, where he builds up a dreamy ocean of sound. ‘Into the Realm’ sees the artist set the scene for the off-kilter album landscape to follow, as modulated synth patterns ricochet throughout. First single ‘A Way Out’, due out 6 April, takes us onto the dancefloor, a foot in breaks and techno alike, flanked by his signature pads and intermittent synth melodies that radiate a sense of melancholic optimism. The track is complimented by a striking video clip by award-winning motion graphics designer Matthew Clugston who has translated its contrasting moods into a brilliant juxtaposition between artificial and natural life cycles.
Made during a four-day period where Banks locked himself away in his studio, ‘Introspective’ conveys the uneasiness of its creator and is his most intense production to date, as a soaring wall of sound drops down into an exhilarating gabber finish. Elsewhere another notable includes the big rolling electro-edged techno cut ‘Recall Mindset’, as Banks channels the feeling of being back on a Berlin dancefloor. ‘Before the End’ is similarly brilliant, swinging between bass and IDM and features vocals from a demo by his wife Maya Wolff, which were chopped, re-pitched and layered with FX.
Banks will be touring the album this summer with a new A/V experience featuring stunning audio reactive visuals and a custom- built pyramid light structure. Performing with Ableton and a selection of the analogue gear he used to create the LP, he will rework the tracks to create a unique experience with every show.
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Post Raw Era is a new EP series by Coyu on his Suara imprint. A trilogy composed of three original tracks on each release, whose main intention is to dive deeper into the more visceral and underground side of the Barcelona-based producer, taking a step beyond his well-known 'Raw Tracks' volumes.
Coyu has a great time driving on rough roads. Techno paths where craft, not innovation, is the draw. The music on 'Post Raw Era III' is relentless, hitting hard with plenty of muscle.
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Cross-border wiring in the studio for the new RFR release! Russia and Georgia share their musical conscience and deliver a fine split EP for cat. no. 16. RNBWS just recently caused a sensation with new tracks on RFR, and we already know Generali Minerali from his first release for RFR X. So now it’s about to time to melt their creative spirit into a collective EP on vinyl.
Generali Minerali and his army occupy the a-side. “Generation of Mars” is musical terraforming in its purest form. Minimally crafted electro, a shot of acid and well-placed melodic patterns are the main ingredients for a magnificent opener. “Dry Water” sticks with the electro leitmotiv. Compared to the A1 we find a closer reference to the dance floor, meandering scanner sounds and a snare, that keeps slapping constantly. This is how we like it!
On the b-side RNBWS carry on where Generali Minerali and his troops had left the battlefield. “Galaxy” opens the doors to an interplanetary round dance, the place where mind and body join together in the sense of classic electro. “Nothing but Hardcore” needs no further explanation. UK hardcore in its most beautiful garments, which is so characteristic for RNBWS’ tracks. Interwoven by electro elements, who get to the heart of this EP in terms of stringency.
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Lady Tazz launches Mind Medizin with collaborative EP alongside Gotshell.
Curated by Canadian Bangladeshi producer Lady Tazz, new project Mind Medizin will meld music, art, and fashion, illuminating techno’s hypnotic and ethereal side. ‘Serpent Kiss’ is the imprint’s first release and a collaboration between labelboss and Columbian techno ambassador Gotshell, whose previous work includes releases on BPitch Control and KMS Records. With both artists both known for their classic take on the genre, this first EP serves up a melting pot of influences spanning the experimental and shadowy side of techno.
Title track ‘Serpent Kiss’ is a journey down the rabbit hole boasting full-bodied, industrial bass as ominous pads feature throughout. Samples of tripped-out glitches and bleeps add to this hard-hitting track’s chaotic elementThe trip continues with second production, ‘Dominatrixx’. Alarming loops and aggressive machine-like kicks build throughout as eerie female vocals offer a dreamlike quality to the production. The combination of elements makes for an otherworldly track, showcasing a fine example of both producers’ styles.
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Scanone is a producer who has proven his versatility and so it's no wonder he's been tapped up for some killer tunes by the Reposition label. This blistering electro EP features three originals that mix up industrial textures with caustic drums and star-gazing synth work. 'Vivre' is an eye-watering opener with sheet metal sounds and frosty pads, 'Kraft' is then a slower more pensive electro soundscape and 'Vertabre' has a truly brutal groove that will rattle the walls of any club space, as well as dislodge brain cells. Sync 24 rounds things out with a remix of the same cut that becomes a sonic blizzard.
Last year saw prolific British house and techno DJ/producer Mark Broom and Snatch! Records’ esteemed label boss Riva Starr combine to deliver their first collaborative single under the guise of Star B entitled, ‘Gotta Have You’.
The stomping peak time disco house workout now gets two slamming remixes from Berlin’s Cinthie and Detroit wizard DJ Bone alongside another original grooving roller ‘By My Side’.
DJ Support: Carl Cox, The Black Madonna, The Martinez Brothers, Pan-Pot, Shadow Child, Huxley, Roger Sanchez, Hot Since 82, Groove Armada, Mark Knight, Annie Mac (Radio 1), Danny Howard (Radio 1).
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"Les Heures Felines is the first EP from U25 on their own label Unative Records.
This work interprets the perpetual movements of human moods. We are witnessing the progression of a thought, a feeling which is constantly changing. Emotions take precedence over reason, they are supple and fluid and leave us with memories as disintegrated as we are. The beauty of man lies in his twitches. We are just blurred and faded sketches of what we would have liked to be. The result of all of these thoughts is told in those hard kicks, tortured pads, melodies, voices and breakbeat.
The 7 Year Anniversary EP! Dame-Music is proud to present its 35th release, which also marks the special occasion of their 7th birthday. To celebrate, Bloody Mary has invited friends both new and old to the label for this various artists release.
For the label's 35th release, Bloody Mary welcomes two new artists, The Analogue Cops and Milton Bradley, otherwise known by his alias Alien Rain. As well as this, she has invited label friend Boo Williams back to Dame-Music once again. The Analogue Cops present their track 'Shonen Jump' on the A-Side alongside Milton Bradley vs Bloody Mary's collaboration track 'Tales from Space'. The B-Side sees Boo Williams deliver a full side with his track 'Animation'. Over the past 7 years, Dame-Music has shaped its identity by continuously releasing a distinct blend of techno and house music. Run by Bloody Mary herself, the label defines its love for raw & analogue sounds by working closely with friends and artists who share the same musical state of mind.
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The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements
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Electronic music legend coming from Far East is now boarding Blumoog shuttle:
Ken Ishi and M.R.E.U.X deliver this new secret world.
Three powerful and obsessive tracks, infernal rhythm with blended groove and high tension are ready to burn dance floors.
‘Secret World’ lands with elegance, ‘Magic Button’ is a percussive and psychedelic cyclone, ‘Fokus’ is modern and refine in its own style, ‘Metal Spik’ is an arrow that strikes the center of the target.
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Repress on Clear Vinyl !
Detroit pioneer Robert Hood joins Radio Slave’s Rekids label with a new album entitled ‘Mirror Man’ this November.
A founding member of Underground Resistance alongside Mad Mike Banks and Jeff Mills, Robert Hood is one of techno’s originators and his decorated career spans three decades. The American artist and his M-Plant label laid down the blueprint for minimal techno and 1994’s ‘Minimal Nation’ on Axis was a definitive album that further cemented Hood’s reputation as one of the greats to emerge from the Motor City.
Since then, Hood has gone on to release on many of electronic music’s best labels like Tresor, Peacefrog, Music Man Records, Dekmantel and more. After a busy few years making music and touring as Floorplan alongside his daughter Lyric, Hood now joins Rekids with an album showcasing his innate knack for crafting paired back but intricate rhythms that deliver punch and soul.
Opening with the cinematic ‘Through A Looking Glass Darkly’, the album quickly flows into precise, powerful four four. There’s mesmerising cuts such as ‘Fear Not’ with its throbbing bass and spectral vocals, the twisted and off-key ‘Run Bobby, Run’, not to mention muscular tracks designed to light up dancefloors like the machine driven ‘A System of Mirrors’ or the mesmerising ‘Face In The Water’. Hood also breaks things up with downtempo and mind-bending interludes, including the tranquil yet spooky ‘Black Mirror’ and the beatless and murky ‘Freeze’. Each of these are aural feasts that demonstrate his vast musical pallet.
From start to finish ‘Mirror Man’ is an education in finesse from one of techno’s most heroic artists, landing on one of electronic music’s most important labels.
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- A1: Henrik Schwarz - You Need Attitude
- A2: Ede & Max Joni - Weine Nicht Kind
- A3: Djeff - Cloud 7
- B1: Adana Twins - Nacht
- B2: Kollektiv Turmstrasse - Raw
- B3: Joplyn - Lima
- C1: Sasha - Wolf Cider
- C2: Mia Mendi - Astromech
- C3: Stephan Jolk - Better Together
- D1: Gorje Hewek & Joseph Ashworth - Noa
- D2: Jos & Eli - Place 2 High
- D3: Kid Simius - Fabrica De Baile
- E1: Extrawelt - Rover
- E2: Anja Schneider - Can’t You See Me No More?
- E3: Kristin Velvet - Wanted Competition
- F1: Matthias Meyer & Ryan Davis - Genki
- F2: Hyenah - Going In Circles
- F3: Biesmans - Basic Bro
The iconic club by the Spree celebrates 20 years with a mammoth 20 track compilation of new and unreleased tracks exclusive to the compilation. From Sasha to Anja Schneider, Henrik Schwarz and
Adana Twins, right through to the ascendent names such as JAMIIE, Kristin Velvet, JOPLYN and Biesmans, the compilation is an exhilarating snapshot of some of the artists who have shaped Watergate’s sound; both via the label and through laying down unforgettable sets at the club over a two-decade period.
The highlight heavy compilation charts a course throughout all the deep, dark, euphoric, tech and even pop-laden corners of house music. Henrik Schwarz navigates a classic course via the vibey ‘You Need Attitude’, while JOPLYN brings soaring melodies and arresting vox with ‘Lima’. Biesmans is in characteristic sleek form with the sparkling nostalgic-soaked business of ‘Basic Bro’, before emerging stars Mia Mendi contribute a driving electro jam ‘Astromech’.
The iconic Anja Schneider is an essential addition. The Berlin icon brings her A-Game with the big piano chords and gospel vocals of ‘Can’t You See Me No More’ before handing the baton to Extrawelt who comes strong with a delicious micro house serenade ‘Rover’. Sasha weaves a trademark masterful beast with ‘Wolf Cider, a dark and twisted weapon that’s packed with plenty of groove and low-end attitude. First premiered during her excellent Boiler Room session in 2019, Kristin Velvet’s ‘Wanted Competition’ is a propulsive gem that reinforces her position as one of the most exciting breakout producers of the last two years.
Adana Twins are always on-point and they don’t disappoint with ‘Nacht’ a deviant, distorted house tool the belongs in every DJ’s back pocket. Matthias Meyer & Ryan Davis enjoy a superlative history on Watergate Records and share another ace ‘Genki’, a shimmering, drama-laden piece that morphs into a tougher psyladen finish. New Watergate Agency signing DJEFF crafts an uplifting string-laden ace with ‘Cloud 7, showing off his impressive musicianship along the way, while Hyenah make an essential contribution with the funky key-driven houser ‘Going in Circles’. Club resident JAMIIE shares the wicked ‘Echoes’, which is pacey and hypnotizing in equal measures and brought to life by colourful arpeggios and a latticework of key
patterns. The project rounds out on a stunning note with ‘Tone Trails’, a lilting slice of electronica by Watergate stalwart Marco Resmann & Lee Jones, which is inflected with organic guitar and dreamy
melodies.
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Here at last is the reissue of the most sought-after track by French New Beat band French Theory. Originally released in 2008, this tribute to Boccacio (the revered temple of New Beat and EBM, located in Belgium) struck at the heart of the movement’s soul. It quickly gained cult status for its gloomy atmosphere, heavy industrial beats and catchy melodies that propelled the classic New Beat sound into the 21st century.
Out of print since then, it’s back in a limited edition, with the added energy of a powerful remaster by cult techno and acid master Thomas P. Heckmann (Trope, Drax, etc.), plus a brand new diversion exclusive to this vinyl on the flip. Get ready to wave the white glove again, and get lost in the music!
French theory is the New Beat alias of Guillaume U. Chifflot, one of the few French techno veterans in the New Beat & Techno-house genre, who started releasing tracks in the early 90s on his own multimedia label n9. Relaunched in the mid-2000s, the label releases techno and electronica, while pioneering an upgrade of New Beat in the wake of the Techno Body Music movement.
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Quality techno from this Dutch Techno Don! A stalwart of the Dutch techno scene since the mid nineties, Jeroen Schrijvershof has been ploughing his own furrow aside from the typical norms and standards of the techno scene with lasting integrity and unflinching dedication throughout the years. A coinage derived from the sharp, clinically designed blends he has come to be known for, that Search-sound has long established as a blueprint for DJs seeking laser-guided weaponry into their sets, and Jeroen's maiden effort for RYC follows that very guideline. Starting with the massive pound of the title-track, "Enigma", the EP knocks into your system with blunt force, ushering us into a no-frills corridor of hydraulic kicks and sizzling static. As per usual with Jeroen's compositions, minimalism serves a purpose of exponential effect. True to the fuel-efficient philosophy of the producer, "Modules" harnesses a controlled avalanche of modular signals and no-prisoner, big-room techno dynamics to forge a piece of exquisitely raw rave material that can move blocks of concrete with its nose. Letting the groove a little bit looser, "Object of Ridicule" spins at fierce tempo whilst relying on the same limited palette of chiselled drums and ominous strings to plunge the dance floor into a darker, neo-noir paradox of rhythmic straightforwardness and mystery-shrouded ambiguity. Topping the release off is "Circle Park", a cut that further exposes Jeroen's constant juggling between atmospheric opacity and a surgical, technicist approach towards production. A matter of thoroughly finessed textures and obsession for the faintest detail that shines through "Enigma" with unrelenting ebullience. More than anything the fruit of an endless search for fresh, unheard forms of transcending techno expression. In reflection to the release's outstanding character, we decided to have it pressed to 180g audiophile vinyl so y'all purists can revel in Enigma's heavily detailed sound spectrum.
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Founded in 1996, Adam Beyer's Drumcode has become synonymous with all that is exciting about techno. Having completed a landmark year in 2011 with their 15 Year anniversary that included a 12-date club tour and a 28-track various artist compilation, Drumcode gets back to the future in 2012 with a busy schedule of releases. Followers of the label will recognize familiar names within the schedule with projects confirmed from Adam Beyer, Joseph Capriati, Ben Sims, Alan Fitzpatrick, Kaiserdisco Gary Beck, Slam and Gregor Tresher, that will appear alongside debut EP's by Jay Lumen, Sam Paganini, Nicole Moudaber, Victor Calderone, Manic Brothers, Mark Reeve and Bart Skils.
Despite an international reputation and an ever-broadening roster of artists, Adam Beyer's Drumcode has remained distinctly Swedish throughout the labels 15-year history. Beginning the creation of the Drumcode blueprint via Beyer's own material, continuing through contributions from fellow Swedish trailblazers including Jesper Dahlback, Cari Lekebusch, Joel Mull, Par Grindvik, Patrick Skoog, and Thomas Krome and emerging Swedish talent such as Patrick Siech, Nima Khak and Nihad Tule, the vast majority of Drumcode's near-on 100 releases to date have originated from Sweden. As the label nears their century landmark it is fitting that they give a full debut to Manic Brothers, the latest production talent to emerge from the ever-prolific Swedish scene.
With their 'Moving Forward' track widely regarded as one of the highlight cuts from Drumcode's recent 'A-Sides' compilation, Manic Brothers make their full debut on the label with this four-track EP of elegantly industrial techno. 'Custom Illusion' sets the tone for the EP's mechanical yet melodic aesthetic, shunting and shimmering in equal measure as it weaves a tensely poised atmosphere. 'Black Bay' works up a full force groove punctuated by a pitch-bent elastic hook and panning effects. 'Restless' continues the exploration of sparse feelings with a marching, cavernous groove and abrasive pulsing pads while 'Gone Too Soon' conjures up an enchanting wall of sound with the distinctive melodic hook adding a warm hypnotic charm to a backdrop of resounding, pounding beats.
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A work 12 months in the making, Alex Lentini & STOMP BOXX deliver a standout EP debut.
The Italian pair – living at the extreme opposites of their country’s ‘boot’ will be new names to the Drumcode faithful. They first appeared on the label in December 2020, with a strong contribution to A-Sides Vol.10 titled ‘Expanders’.
So impressed was Adam Beyer with their productions, a fulsome debut EP was secured soon after. ‘Fine Line’ was conceived in the final stages of 2019. With the extra studio time lockdown provided, the duo enjoyed a creative freefall, allowing them to refine a five-track work that sits at the intersection of home-listening techno and dancefloor functionalism.
‘Natural Desire’ has a definable spunk to it, as pulsating chords undulate towards a breathy pad-laden finish. ‘Shifting Soul’ is exquisite, as crunchy drums and a rousing vocal ensure it’s a memorable addition to the Drumcode canon. The title track is colourful and thrilling in equal doses, as muscular synth lines coalesce alongside pin-sharp rhythms.
‘Altered Cycle’ is skilfully composed and marked by a stirring melodic lead and funky percussive underbelly. ‘Curved Blade’ is abrasive and gritty, before a dreamy spoken word interlude arouses an introspective mood. A fitting soundtrack for our times.
‘2020 was both strange and terrible, especially for music lovers. But it gave us enough time to carve out this collaboration. At this point a wonderful compromise arose between our two different sound visions. It happened without too many thoughts and in a very natural way.’ – Alex Lentini & STOMP BOXX
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Ilario Alicante returns with a 3 tracker 'Rave Soul'. For the past few years Ilario Alicante has enjoyed something of an unintentional Ibiza kinship with Adam Beyer.
When the Swede played his special annual sets on the Amnesia Terrace for Cocoon, for three years out of four, the Italian has been right there playing alongside him, ensuring his talents were on the radar of the Drumcode chief.
Ilario made his first appearance on the label in 2016 with the stirring 'Temporary' featuring on A-Sides Vol.4, following with the 'Awakened' EP and 'Figures & Echoes'. Now 'Rave Soul' deepens his contribution to the label with pulsating beats and effective melodic interlude to fantastic effect.
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For our first ever LP we proudly present INTRO’s “Odyssey Of Shifting Emotions”. A collection of tracks recorded in the 90’s by the Madrid based legends Francisco & Nacho Sotomayor. Before moving into various musical realms, the pair had been quietly honing their craft for years. Meticulously programming near perfect drum loops and placing them onto subtle layers of otherworldly synthesis. The music inspires intro-mental journeys yet remains tinged with energy and emotion. These are the sorts of contrast that can be expected on this LP. While clearly sharing certain themes, each track brings its own ideology to the table, allowing this record to humbly fit in your bag on an array of occasions.
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Cocoon latest artist signing Coyu is back on the track with his second Cocoon Recordings release. And he strikes back louder and heavier than ever before! For quite some time Coyu focused mainly on the deeper sides of house and techno, especially with his own label 'Suara". However his new Cocoon Release 'I Want Your Jack' is a stunning example for kicking and xxl-strong techno at its best and proofs these sounds are not only made in Sweden these days. 'I Want Your Jack' is pure energy and a dignified successor to Len Faki's remix of 'Stranger To Stability' by Dustin Zahn. A must play for the end of this years techno season. Track number two 'D-Change' is a co-production with Chicago house legend K-Alexi. This man breathes the word 'jack' and he strongly influenced the techno-movements in cities like Berlin or Frankfurt. His productions added the right sound to clubs like the 'Tresor' or the 'Omen' in the early 90s and his colab with Coyu strongly refers to these times. 'D-Change' beams the high days of Underground Resistance and Industrial Strength into the year 2013. The message is clear and pure madness is called out on techno-floors with this one. We especially like the legendary 'Are You Ready' vocal here, a famous whoop by Cocoon master Sven Väth back in the days. 'Octagon' is the third track in this package however this is all but no bonus track. This is another proper techno-monster and Coyu added some cool house-elements here. Tribal beats and vague vocal samples shimmering in the backround make us want to dance around a tribal bonfire at night. 'Octagon' is a universal weapon for techno- and house-fans that will shake up dancefloors. This one is for the dancers and not for the rubbernecks!
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His Master's Voice makes his second appearance on Delsin. Late 2019 the low-profile German producer released his first EP on the label backed with a remix by Vril -- who's taken care of the mastering on this EP again. 'Carry On In My Name' contains yet again four original works of engaging electronics. It's a fresh combination of dusty break-beats and stuttering rhythms boosted by rough, yet emotive melodies. A very well balanced pack melting together all sides of electro, drum & bass and glitchy atmospheres.
Three more iconic Parallel 9 dub-techno classics from the Steve Rachmad archives re-issued on the Delsin Sterac series. Originally released in 1996 on Prime, now re-mastered. Track order is shuffled a bit, as it turned out the full 10 minutes version of Quanah was shortened in 1996. It was through the preparation of this re-issue Steve found out now 25 years later they had shortened the track by four minutes back then for some reason. Steve Rachmad's richly melodic strain of techno has resulted in a huge body of work he has been growing since the early 90s. His sound is the perfect distillation of machine soul - dubby atmospherics and crisp, danceable dynamics balanced in perfect unison. Amsterdam's Delsin Records gathers together some of the Dutch techno figurehead's most important, sought-after works in a new EP series, all remastered from the original DAT tapes from Steve's archives. Adding to the weight of this series, the accompanying artwork is being created by Boris Tellegen, aka legendary graffiti artist Delta who first began designing sleeves with Secret Life Of Machines. Since then he created many works for labels including Delsin.
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The first Assemble Music release in 2022 comes from a super talented and young Portuguese producer. Salbany is known in the Portuguese circuit for his mind-blowing live act using hardware only. Footprint (Part I) is the first part of 2 ep´s that brings some of the tracks from those live sessions where he explores techno as it should be. 4 Old school Detroit feeling tracks with his own touch. Class.
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Repress.
There is an endless abundance of variations that the clarinet can use in changing the colour of a single note. Ben creates a web of sounds that are hard to pin down but easy to absorb as a whole. A sense and perception of continued growth too illuminated and overwhelming to resist.
































































































































































