Techno News

Louisahhh releases her debut LP The Practice of Freedom, via HE.SHE.THEY. The Practice of Freedom heralds the evolution of Louisahhh as she delivers her most exposing work yet, conceived as an exploration of the unorthodox archetype of “feminist submissive,” based on the mantra “sin is not being true to yourself.” Like her uncompromising musical heroes Karen O, Siouxsie Sioux and Shirley Manson before her, Louisahhh’s bold, raw, anti-establishment message on The Practice of Freedom will mark her as punk’s essential new heroine at the forefront of the new dawn of musical feminism.

The Practice of Freedom was born from experiences of loss and love, told through a journey of brutally beautiful electronics, electro and techno colliding with industrial, rock and alternative sounds. On the polysexual polymath label HE.SHE.THEY.’s inaugural album release, Louisahhh captures a record of our times, covering themes ranging from eroticism and empowerment to addiction and apocalypse, and influences ranging from Nine Inch Nails to Patti Smith to Judith Butler. The album, produced by American musician, music video director and photographer Vice Cooler, hears ideas and lyrics by Louisahhh re-contextualised into revolutionary experimental sounds, formed through the pair’s shared love of American alternative rock. Louisahhh’s music fights for and provides a voice for others, rooted equally in the intensity of the dancefloor and the mosh pit.

Life and Death welcomes Italian synth wizard Lucy, for the label's inaugural release of 2017. Luca Mortellaro's cavernous techno offering comes equipped with a DJ Sotofett version and a rendition by Planetary Assault Systems, further cementing the diversity of the label's scope. DJ Sotofett recalls fine nineties loop techno while Luke Slater once again confirms his pioneer status.

2021 REPRESS - LIMITED 250 COPIES // YELLOW VINYL + NEW ARTWORK SLEEVES
Alex Ranerro is an producer from Slovenia, his musical output is embossed by his versatility as a music producer and DJ, embossed groovy sound packed with emotions.

Having released on PIV, Sintope and Talmann Records, Alex Ranerro makes a return to Bondage-Music, he delivers three new original tracks to drops his next EP on Bondage-Music.

On remix duty are the very talented French producers Politics Of Dancing.

The lovely couple from Japan are rocking Terminal M again with their new ep. Their 4 tracks show their talent of playing with funky grooves and melodic twists we all love Drunken Kong for. (Monika Kruse)

A new incredible artist on Sushitech Records, timeless Berlin deep techno! Vinyl only release!

Well Street welcome Dublin-based Sputnik One to the label who comes with 4 heavy hitting, versatile drum tools spanning 90 - 130bpm. Limited pressing.

* Clean Slate is the first release from Addremove on Swiss label Thrènes.

* There isn't a lot to say about Addremove himself or herself as he/she prefers to keep their identity unrevealed, at least for the moment, so lets concentrate on the music.

* Clean Slate consists of 5 original tracks and a remix from JK Flesh (project/alias of Justin Broadrick of Godflesh, Final and Jesu).

** Addremove is an electronic music project with a unique approach. The first EP is titled 'Clean Slate', and it is the second release on the outfit's own label, 'Thrènes'.
The sound of this production is lush, minimal, and dark, echoing influences as diverse as ambient music, experimental electronica, and darkwave.

** The EP features 6 tracks with eerie and industrial overtones, including opening number 'Letter From Police', which sets the mood with some pounding percussive samples and fuzzy synth lines. 'Lurk' is certainly one of the most striking tracks on this release - The melodic drones and bass synth lines create an all-embracing sonic landscape, while a sudden burst of glitchy beats breaks the pattern unexpectedly. This track almost make you feel like being on a spaceship, trying to escape a huge Mothership blasting out their most massive firepower on a chase at the edge of the Galaxy.
On tracks like 'When They Fall From The Sky', Addremove focuses on textures, slighting going for a more upbeat feel, while adding more sonic layers to the mix. The sound of this EP weaves in and out of dark minimalism, sonic drones and roomy percussion with a sparse, yet powerful feel.

** Most notably, the release also features a really cool remix curated by JK Flesh, who took his own spin on the track 'Crie'.
This project is the moniker behind Justin Broadrick, known for his work with acts such as Godflesh, Final, and Jesu.
On this remix, he set out to make a huge impact with his stylistic quirks and unique vision, igniting a whole new attitude to the track and recontextualizing its aesthetics. The remixed version remains dark and fuzzy, but while the original mix is more textural and haunting, JK Flesh added a true industrial vibe to the song, going for a powerful and uncompromising tone. The drums its hard past the point of saturation, and the side-chain swells crash in like waves of sonic grit. This cleverly arranged remix really adds something unique to the table.

Set for release in both physical and digital formats on October 13th, Clean Slate EP marks Addremove's first EP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.

* Press / Promotion: Vision Music Promotion
** Text: Andrea Caccese

‘Verdigris’ the new EP from Japanese artist Atsushi Izumi, is a deep dive into the crevice of the mind. It is an exploration of where fearful emotions lie and confronting them. It is only through this conflict that light can shine through in the end.

The Osaka native has a background in music and sound design and as such found his sound going through a metamorphosis from Drum n Bass to a more experimental sound. His EP ‘Snow’ was released under the subtract imprint last year and saw the initial phase of this transformation. It was followed up by ‘Lansing / Mistrust’ via The Collection Artaud, which continued his growth of using slowed out heavy percussions surrounded by frantic synths and modulations.

Atsushi Izumi’s use of long drawn out hallow synths is like an ominous cemetery at night before these powerful percussions detonate in. He uses heavy spaced out bass drums, either as a single or double beat, which simmer as they echo and roll. They are surrounded by these chaotic, textured synths, which can sound like a cicada, hovering and distorted to give a mechanical effect. It feels like being thrown into the woods late at night, eerie yet calm in the beginning, before extreme panic sets in and you feel like you’re being chased.

Japan witnessed the end of the world up close and it is still reflected in their art and music: it delves into the sadistic and explores deep themes of melancholy and the apocalypse. This is juxtaposed against pure joy and serenity, showing that life is there to be enjoyed and struggles have an end, which is translated quite coherently to this piece.

As an extra bonus to all this, there is a scintillating remix from ANFS. The Greek adds a bit of pace to the track Zeit. He is an artist who enjoys frantic distorted techno and it shows in this cut. He takes the basic elements but whereas the original slowly introduces the percussions, ANFS bangs straight in. It’s structured yet frantic and a massive sound.

‘Verdigris’ is due for release on 17th May 2019 under the mysterious Swiss label Thrènes, that is known for eye-catching signature artwork and a deep and dark techno sound.

‘Verdigris’ the new EP from Japanese artist Atsushi Izumi, is a deep dive into the crevice of the mind. It is an exploration of where fearful emotions lie and confronting them. It is only through this conflict that light can shine through in the end.

The Osaka native has a background in music and sound design and as such found his sound going through a metamorphosis from Drum n Bass to a more experimental sound. His EP ‘Snow’ was released under the subtract imprint last year and saw the initial phase of this transformation. It was followed up by ‘Lansing / Mistrust’ via The Collection Artaud, which continued his growth of using slowed out heavy percussions surrounded by frantic synths and modulations.

Atsushi Izumi’s use of long drawn out hallow synths is like an ominous cemetery at night before these powerful percussions detonate in. He uses heavy spaced out bass drums, either as a single or double beat, which simmer as they echo and roll. They are surrounded by these chaotic, textured synths, which can sound like a cicada, hovering and distorted to give a mechanical effect. It feels like being thrown into the woods late at night, eerie yet calm in the beginning, before extreme panic sets in and you feel like you’re being chased.

Japan witnessed the end of the world up close and it is still reflected in their art and music: it delves into the sadistic and explores deep themes of melancholy and the apocalypse. This is juxtaposed against pure joy and serenity, showing that life is there to be enjoyed and struggles have an end, which is translated quite coherently to this piece.

As an extra bonus to all this, there is a scintillating remix from ANFS. The Greek adds a bit of pace to the track Zeit. He is an artist who enjoys frantic distorted techno and it shows in this cut. He takes the basic elements but whereas the original slowly introduces the percussions, ANFS bangs straight in. It’s structured yet frantic and a massive sound.

‘Verdigris’ is due for release on 17th May 2019 under the mysterious Swiss label Thrènes, that is known for eye-catching signature artwork and a deep and dark techno sound.

Oscar Mulero, Blush Response, Roseen, Gimenö and BLF rework Balfa’s album ‘Perfecta Analogía de la Decadencia’, providing unique perspectives in exploration of the edges of techno.
The result is a sonic journey that disseminates on vastly different compositions from the minds of the individual artists.

Musique Pour La Danse invites you to rock your body and free your brain with the second and third volume of Break The Limits. Break The Limits are Bay B Kane and Mister E, two East London underground pioneers who released pivotal and visionary EPs between 1990 and 1991. Nearly 30 years later, it's still fresh.

INQUIETUDE is the work that CRAVO has prepared for its first release in Cassette and Digital format in ANAOH, an ‘A’ side with 4 original tracks, with a fine and complex sound design, focused on the track at different times, but without losing the forcefulness that in recent years has characterized the Portuguese artist. Short leads that resemble strings from another planet, deliver a hypnotic message accompanied by classic and well-defined grooves, accompanied by nuclear bombs disguised as kicks, close hi hats in complex figures that come and go out of the classic, and posing a serious and forceful proposal.

Repress

The fifth installment of DJ NOBU's imprint Bitta is a debut EP by a Japanese emerging producer Daisuke Uchiyama. Daisuke has been involved in music making for a long time originally as a bass player and has experimented across various genre from rock to electronic music, but this is his very first solo release. His Egg
EP consists of intricate poly-rhythmic techno breakbeats combined with metallic yet organic layers of percussion and pastel-coloured electronic riffs that create the atmospheric depth and abstract beauty while drawing the listeners into hypnosis. On the remix duties, we have invited Marco Shuttle, who is well known for The Bunker New York, Spazio Disponibile works as well as his own Eerie label outputs. His B1 remix enhances the percussive elements of the original A1, and gets you lost in a jungle-like mystique. B2 delivers his
trademark psychedelia through exotic synth works with added sensuality. Both classy remixes are fine examples of Marco's remarkable skills bringing fourth the essence of the original materials at the same time.

Restive Plaggona recently released a brand new studio effort - a full-length album featuring 10 original tracks and a
remix from Ancestral Voices, with a dark and melancholic twist, as the title of the project might imply. Connected by a commonality of despair, nostalgia and desolation, Restive Plaggona elevated these elements into its maturity. At its core, each track has a soul-stirring significance, and is embalmed by titles that fringes on a political dimension.

* Opening number 'Intimacy is Violence' does a remarkable job capturing the vibe of the album, serving as a great
introduction. The track has a very industrial tone, with a strong cinematic feel to it. The following track, 'Rote Zora,' follows suit with a more percussive and colorful arrangement, with a more substantial focus on rhythmic patterns.

* 'Cut Off From Modern Society' its combination of dark atmospheres, lush melodies, and glitchy beats. 'Sudden Burst of Safety' is another excellent track worth mentioning, due to its stadium-sized drums and saturated sounds, adding an
aggressive feel to the music. All in all, the album is a real sonic journey, begging to be enjoyed from start to finish!

* Set for release in both physical and digital formats on December 15th, Silently Hopelessly marks Restive Plaggona's first LP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.

Text: Masscomm & Andrea Caccese

* Atheos is a ferocious new collection from Rotkeller, which sees the Swiss electronic duo (Laurent Schmidhäusler and Federico Sutera) double-down on the brooding energy of their previous releases with a renewed intensity—fusing bold electronic experimentalism to dense, maximalist techno.

* Whether on the slow-burn immensity of opener 'SW', the monolithic, doom-laden expanses of 'Malz' or the spellbinding surge of '17. October', Atheos showcases a dark melodic complexity from the duo—in part brought on by the use of both digital and analog recording techniques.

* While the mesmeric, choral melancholia of EP closer 'Godless'—its eerie and beguiling textures echoing all that has preceded it—offers-up ominously open-ended ending; solidifying Atheos as Rotkeller's most atmospheric and cohesive work to-date.

* As if that wasn't enough, EOMAC (Stroboscopic Artefacts, Killekill, Trilogy Tapes, Bedouin) caps Atheos off in style, with a savage edit of '17. October'. The remix that pushing Rotkeller's original track into new rhythmical directions—the glassy rhythms splintering like shards of light across an eternally eclipsed landscape.

Set for release in both physical and digital formats on May 5th, Atheos marks Rotkeller's first EP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.

With no need for further introduction, the legendary Cleveland and now Berlin based producer Dan Curtin lands on Fabio Della Torre's Tuscan label Bosconi with 2 previously unreleased gems from his 90's DAT archive. The release is further enriched by Curtin's very first live rework of one of the tunes. After Releasing on such labels as Headspace, 7th Sign, and Sublime and with the recent repress of his historic Silicon Dawn album on Peacefrog including the supremely modern Population 2, here comes the previously unreleased Population III which moves even more forward into the outer realms of space and time. On the long side the farsighted and futuristic Metamorphic label boss delivers this marvelous continuation of the previous version taking it more into straight forward techno and even further into deep minded synth experimentation and acid bleeping. On the Flip we have a modern live rework of Population III which Dan has been playing around the world in his current live set. The live version goes a bit more into electroid landscapes but still maintains a straight groove for electro and techno purists most playful moments. The third cut is the epic acid banger and previously unreleased Redshift, showing already at those times that Dan Curtin was defying conventions and pushing boundaries and pioneering what we can now consider modern dance music while displaying melting innovation and deeply felt emotional content at the same time.

Supported By:
Raresh, Ben Ufo, Nastia, Dj Bone, Marco Passarani, Chaos in the CBD, Ame, dOP, Barbara Presinger, Iron Curtis, Lo Shea

As Fabio Della Torre, Corcos last solo release on his much-respected Bosconi label came out in 2012. Almost seven years later, Della Torre reprises the alias here, returning to his home label in stunning fashion courtesy of the sumptuous, brilliant and always innovative sounds of Bosco042.

We kick off with 'What's the Case', a hypnotic, minimal wiggler that maintains a strong after-hours vibe throughout the course of its 7-and-a-half minutes. A trippy voyage into the producer's more restrained and foreboding side, it's a slick, sleek excursion that's full of multiple twists and turns throughout. Weird but most definitely wonderful, it's sure to go down a treat with discerning DJs especially, with its swinging groove sure to prove a particular treat.

The B side then kicks off via 'Down on Time', an unrelenting, jacking cut that's indicative of the early work of minimal techno pioneer, Robert Hood. A jacking, booty-shaking jam that features more than its fair share of oldschool vibes, this track is indicative of a side that the producer rarely showcases — but one that he's evidently more than capable of showcasing. Rough, ready and most definitely effective, it features the Bosconi owner at his up-tempo best.

'Monster Knight' culminates the EP courtesy of an uplifting, electro-inspired jam that's catchy and banging throughout. Notable for its elastic baseline and flashy, rhythmic elements, it brilliantly closes a fantastically eclectic EP that demonstrates three sides of the producer's sound in some fashion.

A long and awaited return to todays scene is that of Gareth Oxby, a very active producer since the 90s with numerous Techno, House and Breaks projects among which the prodigious UK label Alien Funk Movement stands out; of which he is the renowned father and founder. Bosconi is proud to include this eclectic and talented producer in its stable through one of his most sought-after aliases, "4th Planet Side Steppers". The EP, titled "Warning", celebrates the UK sound of those early years of which he was one of the greatest exponents and pioneers and which is coming back to prominence today: the foundation of the Tech-House sound, a kind of hybrid dense with spatial and futuristic sounds where electro, dub and breakbeat that merge into the 4/4 rhythm creating a unique and incomparable blend. It starts with the homonymous "Warning" track, where sharp drum sounds support a galaxy of alien bleeps and textures, transporting you into a pacific trance state, a maze-like and hypnotic dimension that is perfect for late night hours or morning awakenings. The second cut of A side brings a previously released track on Gareth’s own AFM label which has been for long time our secret DJ weapon named "Anti-Matter", a funky, rolling, ultra-groovy monster track; an absolute Tech House killer tune with straight and unmistakeable effects on every dance floor we have played. On the flip side the dreamy, sensual and trippy "Phaeton" closes up this three track EP with its smooth vibe and intelligent electro programmed warm beats giving a special touch to the whole record!

Martino Marini aka Mass Prod contributed to spread the seeds of the Bosconi Records nationally and internationally. Unforgettable are his early releases 'Bosconi Groove' and 'Paris,Texas' which gained a great success, especially thanks to the track '72 Minutes Of Scrubs A Day'. After many years of studying in consevatory of electronic music and improving his already exceptional skills within music production and composition, between a freaked out IDMish album on his own Wo Land label, releases with Herva on Kontra Musik, Marmo Music with the Tru West- The Leftovers projects and the Nightdrivers records with Rufus, the prodigal son is finally back with an edgy four tracker of pure anti-romanticism named 'Ears In My Eyes': the record starts with the perlonish, groovy and funky minimal house jam of Marmeria Mornings feat Vash (collaborator at Marmeria Studios in Genova and well known synth repairer in Italy), while on the second cut there are the sexy, electroish and ultra catchy SH101 bass line riffs of the title track 'Ears In My Eyes'. On the flip side instead let's get back to some swinging beats with the trippy and mysterious atmospheres of 'Marmeria Nights' while on the final cut more electro with another flying, rough and subliminal machine funk winner to close up this release called 'Aria Fredda'. It's been a long awaited one!

very limited !! only 100 pieces!!
Rounding up the finest of our rare breeds for a show-stopping steeplechase, Bosconi is proud to invite the world into our

stables to demonstrate the sound we have been rearing for the past five years. Leaping from the stocks in a flurry of highpedigreehouse and techno, our Stallions bring forth the values we hold dear in electronic music, from young foals such as

Herva and Nicholas to seasoned steeds like A Guy Called Gerald and Nick Anthony Simoncino.

It is the beginning of a new ride, every stallion has its own peculiarities, its color and its preferences: the house sounds of

Riccio and San Proper & The Clover deliver the power of Apacz (022), while those Bass of the Brothers in low (Alex Picone

and Mass Prod) strengthen the security of the black Neged (023). The Raw sound of the I.F.M. duet (Marcello Napoletano and

Fran Mela) instigate the oddity of Teona (024) since the epic ride of Athena (025) made between the dub techno sounds of

Ennio Colaci and the Detroit/Chicago atmospheres of The Oliverwho Factory and Nick Anthony Simoncino. Like every time

you ride a new stallion, is an experience that shakes your legs but eventually restores trust and desire, feeling and loyalty in

the race towards new musical interpretations.

It is better to let the horse follow his own path, and pretend it's yours. There is no secret more intimate than that between a

rider and his horse. (Robert Smith Surtees)

A staple element of high-profile labels such as Hivern Discs and ESP Institute, Brussels-based producer Andrea Mancini alias Cleveland has built something of an impressive reputation over the last few years, establishing a sound signature both convincingly unique and daringly game-changing, as well as setting up a distinctly fresh musical grammar that invites the listener to see under the surface of the standstill techno/house dichotomy through more complex but just as effortlessly enjoyable architectonics.

Complete with a choice duo of remixes courtesy of Beta Librae and Piezo, Cleveland’s debut EP for Kalahari Oyster Cult sits straight in line with the recreated organic lushness and widescreen vista of his previous installments. Seemingly a straightforward broken-beat affair at first glance, ‘Gamma’ seamlessly slides towards sun-dazed weirdo house terrains with its dripping honey-like melange of dubbed-out synth ripples, distorted machine talk, and foot-shuffling drum work.

A further Arpanet-friendly slab of shapeless electronics, ‘Ora’ levitates in a zone of its own, subtly oscillating betwixt chimey oneirism and crystal-like, arpeggiated brittleness. On the flip, ‘Gamma’ gets a double treat. Turning the track into a proper floor-ready weapon, Pezio alternates sequences of hypnotic melodic shimmer with a stealthily squelchy but dynamic percussive momentum. Adding her trademark playful get-up-and-go whilst retaining the original’s textural quirk, Brooklyn’s Beta Librae explores even further the cheeky vibrancy of Cleveland’s non-formulaic audio semantics to brush a vividly trippy tableau of sorts.

Adam Curtain & Bobby. return with their EXTRA TERRESTRIAL alias, bringing three tracks of interstellar dancefloor wonk. Expect electro, techno and broken beats all written at Mission Control - Devon Analogue Studios.

Umwelt is back on Midnight Shift, with another scorching 5-track EP designed to be listened in continuity. Ascending chorals, acidic swirls and horrific echoes rise above a mash of abrasive, caustic electro/breakbeat chaos with shapeshifting moods. Ambient track 'Gate of Nothingness' echoes and feeds back into 'Fear On The Dark Planet' with its arpeggiated refrain. Umwelt again at his prime.

The willpower to guide the eye to the dreamlike. A profound devotion through research and music. A continuous trip the one into sound. and by whom decides to undertake it, made to build a productive space where a creative need finds its expression. A combination of ancestral sounds and techno. Ethnicism melted to the more drastic digital modernism.

Repress!

Lunar Orbiter Program is pleased to welcome on board two of the youngest astronauts in the game: Cyan85 and Turk Turkelton.
Their first mission, 'Habibi Bass', is one small step for a men, one Giant leap for mankind. Mastered at Reel Mastering, London

(Orange Marbled Vinyl) For almost 25 years, Inigo Kennedy has been a synonym for raw, moody techno with an edge of darkness, suited for both the avid listeners and the dance floor. This new release on VOLTAGE Imprint, is an iteration of continuous development of his sound combined with its reinvention. "Arcadian Falls" brings 4 tracks to the table, that all embrace the same design language, but individually differ in form.

Official re-release of the sought after 1997 EP, re-mastered by Roland Faber himself!

12" vinyl, Etched B-side

If one trouble was not enough, we have a house full of them.

For our third release we compiled the work of 13 modern artists in attempt to present the variety of contemporary wave. From tears to laughter, from bad to worst – each trouble is unique and a gem in its own game.

Artists in order of appearance: Mala Herba, Exhausted Modern, Pluto Junkies, NGLY, Fade Accompli, Bianco Negativo, Radiation30376, Mchy i Porosty, Fallbeil, Dyktando, Retrograde Youth, Joshua Cordova ft. Zoya Zerkalski, Astma.

This release is a tribute to the biggest trouble of them all – our fallen partner in crime DJ Czapla Siwa. May it carry your spirit forever.

Big room techno. Parasian duo WLDERZ debut on Sam Paganin's JAM imprint tenth vinyl release.

For their second release Parallax Unknown bring co-founder ES.Q in again on the 'Friend Zoned EP' with three club tracks - Friend Zone, Everything Else and Thinking About Thoughts.

Repress

From Moscow With Love. Neo-Techno For Those Who Don't Know ...

The A side features an analog approach for a solid, instrumental techno, enriched with harmonica’s riffs. B side keeps a live techno touch, but flavored with house vocals and thought beats.

Latest volume of the first AA.VV. trilogy on R3volution Records. For this third volume, four great artists of the Techno scene are called to express themselves together with the owner of the label Michele Mausi: Joton, Keikari, Wrong Assessment (already appeared on the label) and Alexander Kowalski with the pseudonym of D_Func. together with Mario Berger.

Can you miss these bombs?

Always forward, never backward!

The art of techno of Hardtechno. From Buxelles with love.

12'' Picture disc with animated visuals when spinning the record.

Music from a performance.

Mastered at Ängstrom Studio

New Zealand based EBM auteur Body Beat Ritual makes his debut on Bergerac with an incendiary EP of full throttle intense dark wave bangers. Growing up in North West England immersed in hardcore punk and rave culture led to musical experiments and Body Beat Ritual is his unique splicing of both aesthetics.
Using a combination of hardware, audio samples and midi sequencing, Body Beat Ritual reclaims the moment when underground musicians in Manchester, Chicago and Ghent put down their guitars and picked up drum machines and sequencers bringing the intensity, rawness and aggression of the band environment to the dancefloor. Mortal Sin is a certified smasher. Absolute dancefloor decimation whenever it's played out. No more description necessary. No Mercy evokes the Lost Boys vibe with an equally high octane raw workout. Trent Reznor meets Jeff Mills at a DAF gig on a flatliner. The EP closes with Body Politics which lowers the tempo to a chuggier zone, with an ode to female empowerment which keeps up that Body Beat pressure and intensity.

After 2 years of honing, crafting and sonic manipulation, Books' debut 'Station' album is ready for earthly transmission and this is the sampler to the album. A reimagining of Drum & Bass dynamics, the album will explore expansive depths juxtaposed against impossibly finite intimacy of mind.

A mystery label from East Asia. Vinyl only - limited.

Repress

Amsterdam based Keith Carnal drops his "SEC ND" EP on his own imprint. Energetic techno tracks on the A-side and something special on the B-side.

Young gun Senh debuts on Planet Rhythm with a splendidly melodic and pulsating 4-tracker.

After numerous live performances around Europe and the release of his A Music for Sound Systems' full length in 2017, Infrasonics' label boss Spatial rejoins Never Ready with two productions originally aired during his 2016 MUTEK live set and lovingly mutated into NVR003.

Low frequency perturbations fusing Spatial's sound system culture references and trademark distortion, Netz Room's broken techno in the key of grime defines our label's intent to release forward bass explorations. Hut 6 follows with a ten minute warp drive across the known universe in search of a unifying field theory of techno. The B-Side sees J. Tijn's first foray on Never Ready with a bruk & bass out genetic resequencing of Netz Room, while Munstac returns with a sub heavy 4/4 interpretation of the title track.

Never Ready Records' third release in our establishing tetralogy continues with cover artwork from Nerog, 180g coloured vinyl and a limited pressing of 300 units.

Repress

Typically outstanding, cultured, listenable techno by the co-founder of this excellent Finnish label, adroitly traversing dub and ambient. Nothing lunky or domineering, dystopian or Gothic, this debut LP generates senses of immediate, natural being out of field recordings (Waiting Halls, Winners, Temple) and the foibles and hiccups of the music-making process itself (New to the System, Sloth, A Small Flood).

WARNING: Neuron Meltdown!

A very strong & broad spectrum of Acid & Tekno music on this special double ep.

MUST HAVE!

A bit about the artist: Wahono, real name Harsya Wahono is an artist from Indonesia. He graduated from Berklee School of Music studying Jazz Performance. He had a brief stint in NYC working with the good people at Other Records before they unfortunately closed shop in 2016. He is now back in Indonesia where he runs the label Divisi62. This is his first release and we look forward to many more.

Fresh gear from the UK's Koreless - limited copies.

Played by Caribou, Jamie xx and TNGHT in their BBC Radio 1 Essential Mixes, and with further support from Oli XL and HAAi, ‘Joy Squad’ sparked a mass trawling from fans online for the track Koreless describes as his attempt to “build a club rollercoaster that swallows you up and spits you out”. Now finally released on 12” vinyl.

The First Release By Hamburg Based Label Ohne Kommerziellen Wert Delivers A Diverse Mix Of Four Tracks By Various Artists. Haiko Nahm's Uplifting Eos Is A Positively Charged Euphoric Roller That Stands In Stark Contrast To The Dark And Hypnotic Stomping Of L//s's Kngbtdgsf. The B-side Kicks Off With The Ravy Trance-like Sound Of Valura's Cool Cassis, And It's All Topped Off With Lifka's Next-level Acid Bomb 1353.

Voltage Festival is releasing a compilation of 4 EP's to celebrate five years of existence. The EP's are dedicated to four sub-genres of techno and represent the versatility in techno of Voltage Festival's line-up.

The series starts off with a classic techno EP called ‘Zener Diode’, followed by a deep techno one called ‘Wiring Harness’, an industrial release with the name ‘Circuit Breaker’ and closing with acid techno called ‘Resistor’. The artists featured on the releases already made their appearance at Voltage Festival, or are playing on this year’s edition.

Top-Remix-EP zu Wigberts Debütalbum "Distorted Matter" (Januar 2021) mit Mørbeck, Matrixxman, Pan-Pot, Jeroen Search und Anthony Linell. Mørbeck eröffnet mit harter Kick- und schwerer Acid-Line, während Matrixxman dubmässig modulare Klänge mit trippy Grooves vermischt und Second State Labelbosse Pan-Pot die A-Side mit dröhnenden und surrenden Klängen und tribalischen Drums finalisieren. Auf der Flip liefert Jeroen Search eine introspektive Interpretation des träumerischen Wigbert-Tracks "Focus", während Anthony Linell mit dunklen Klanglandschaften die EP abschliesst.

3 Years Compilation, Soil Records.

First EP of this new french project, combining Saint-Etienne's finest A Strange Wedding & Antoine (Positive Education Festival, Worst Records), on the infamous Krakzh label, own by Théo Muller.

Two of the finest french shamans unite around the Ultra Low Velocity project.

A Strange Wedding & Antoine have contributed to give Saint Etienne a taste of psychedelia and freedom thanks to the Positive Education Festival and their label : Worst.

It's about transe, fractals & spirituality.

LIMITED REPRESS, GREEN TRANSPARANT VINYL.

Part two in Alden Tyrell's latest project: ''Vorm Variaties'', a 5 release series consisting of tracks recorded in the last 2 years. All tracks selected are variations on classic techno forms, using classic style ingredients and the 909. All 5 "Variaties" are different in style, yet all homogenous, all with Alden Tyrell's sound signature... on point production skills and stripped down arrangements.

LIMITED REPRESS, GREEN TRANSPARANT VINYL.

Part three in Alden Tyrell's latest project: "Vorm Variaties", a 5 release series consisting of tracks recorded in the last 2 years. The "Vorm Variaties" tracks were a "Style Excercise" for Tyrell, flexing his producermuscle while health issues forced him to stop touring. Initially he had no intention to release these tracks but we found them so good that we were almost forced to start this series. All tracks selected are variations on classic techno forms, using classic style ingredients and the 909. All 5 "Variaties" are different in style, yet all homogenous, all with Alden Tyrell's sound signature... on point production skills and stripped down arrangements.

LIMITED REPRESS, GREEN TRANSPARANT VINYL.

Part four in Alden Tyrell's latest project: ''Vorm Variaties'', a 5 release series consisting of tracks recorded in the last 2 years. The ''Vorm Variaties'' tracks were a ''Style Excercise'' for Tyrell, flexing his producermuscle while health issues forced him to stop touring. Initially he had no intention to release these tracks but we consider them to good not to put out, infact we were almost forced to start these series because of them! All tracks selected are variations on classic techno forms, using classic style ingredients and the 909. All 5 ''Variaties'' are different in style, yet all homogenous, all with Alden Tyrell's sound signature... on point production skills and stripped down arrangements.

DJ Bone, Terrence Parker, and Scan 7 remix Disruptive Pattern Material on the ‘Necessary EP’, landing this May on Rekids.

Making his debut release on one of electronic music’s most vital labels, Michigan’s Disruptive Pattern Material emerges with ‘Necessary’, a Detroit indebted jam backed with remixes from some of the Motor City’s most influential names.

Leading the A-side, the original mix of ‘Necessary’ loops a vocal chop at its core, weaving airy synths and bubbling, dubbed-out bass effortlessly throughout the track. DJ Bone’s remix sees the Subject Detroit and Encounter boss draw hidden textures from the original, adding fresh synth works atop the pitched-up vocals for a distinctly Detroit jam.

On the flip, Intangible Records & Soundworks’ Terrence Parker introduces skipping drums under a hands-in-air piano loop, effortlessly flipping the track into a bonafide party starter. Taking the B2 spot,UR affiliates Scan 7 blend rave stabs, 909 kicks, and rubbery bass for a remix of digital-only bonus track Freedom.

After the success of the Mod3rn 10 release, which saw the addition of a new band member : Moteka, Mod3rn got back in studio this summer to work on some new material."Green Planet Federation" EP, Mod3rn's 11th release, is the result of these intensive studio sessions.
4 tracks, 4 different perspectives, 4 different moods, but only one goal : smash the dancefloor !At a time when no plan B for our planet is possible, the only answer is a global federation. "Green Planet Federation" is about that and about how each and every one of us holds a part of the solution by our everyday actions. It's not to late to join the fight.

- 2021 repress -

Belgian label Rave Alert have always been on the forefront of a fresh breed of techno, rave and trance which they call 'Neorave'. With 'The Definition Of Neorave' they bring their statement about their vision of the future of hard dance music.

Repress

Two artists who have carved out their own niche in todays techno universe join forces for their first collaborative full length. Ten tracks across two vinyls demonstrate the unique synergy between these two friends. In their collaboration they each focus on their own expertise, combining best of both worlds. Amandra on drums and Mattheis on synths - creating overlapping, constantly shifting patterns, like an endlessly captivating moire effect as result. Artwork print by Ruben Uvez. Pressed on 180g turquoise coloured vinyl, including downloadcode.

A balancing act between diverse genres, bound together by a distinctive, emotive and rough edged sound. That is what Danny Jeroense a.k.a. CANVAX creates in his small homestudio in Deventer (NL). The Koortsdroom EP is exactly that. You probably know what it's like. Waking up in the middle of the night screaming, with your heart beating in your throat. But are you really awake... or stuck in limbo. You just can't tell.

The incredible artist called LUIZAR landed again on Eclectic Limited with two immersive deep tracks. The hypnotic sound of this artist is an obscure trip in our last project on galaxy vision. To complete the journey through this immensity , two grate masters of electronic music, Claudio PRC and Wrong Assessment , brought us superlative and energetic remixes. Don’t miss the shuttle!!!

The incredible artist called LUIZAR landed again on Eclectic Limited with two immersive deep tracks. The hypnotic sound of this artist is an obscure trip in our last project on galaxy vision. To complete the journey through this immensity , two grate masters of electronic music, Claudio PRC and Wrong Assessment , brought us superlative and energetic remixes. Don’t miss the shuttle!!!

Murat Uncuoglu, a prominent figure in the Turkish electronic scene for over two decades, delights us with four tracks that fully represent the current state of contemporary dance music inclined to overcome genres and characterized by great melodies and atmospheres of intense suggestion.

Repress

White Blue Splatter Vinyl

Two choice club ready extended versions taken from Life and Death label boss DJ Tennis and Red Axes new collaborative debut album project Redrago.

ltrasuoni Records is proud to present No. 6 from Francesco Del Garda’s Timeless imprint, with tracks from Christian AB, Cedric, John Dimas, Lucretio & Omar Akhrif. Limited to 250 copies!

DJ Nobu is back with the next installment of his Extra Tools series on Bitta. In Nobu's own words: "In the time when I have much less opportunities to play dance tracks as a DJ, I imagined the dance floor of the post-pandemic future, which I know will be filled with positive vibes. This 4-track EP consists of variety of tracks that can be played in different phases of a DJ set. I chose to make straightforward dance floor oriented tracks, because I wanted to encourage listeners and DJs not to forget about the fun we have on the dance floor. I wanted to convey my hope to those who are not yet able to restart the parties." Opening track 'Entering' is a trippy psychedelic track for those deep outdoor hours when the snares echo throughout the mountains, 'Resemblance' is an acid tinged breakbeat that resonates with industrial and electro style. On the flip 'Desire' is a hypnotic peak-time techno track that will function well in any environment, and 'Fade' is an atmospheric and pleasant morning breakbeat tune. The striking artwork for the cover is contributed by Nobu's close associate Tomoo Gokita.

New techno attack from Gonzalo MD: hard-hitting, fast and percussive!

Amelie Lens: great release, thanks
Ben Sims: definitely a couple for me, thx
Developer: dope release thank you!!
Jay Clarke: strong release!
Angel Molina: well balanced oldschool & modern techno sound
Marco Lenzi: gret selection, supporting!
Takaaki Itoh: Sensor X is top for me!

Early support from Johannes Volk, Takaaki Itoh, Jay Clarke, Marco Lenzi, Lathe, DVS1, Rodhad, Thomas Hessler, Eric Cloutier, Joton, Ben Sims, Jamie Behan, Benales, Arnaud le Texier, Lee Holman, Angel Molina, Richie Hawtin, Giordano, Developer, S-File, Slam, Dying, Amelie Lens...

Atmospheric dub-influenced techno from Japan is on the menu tonight. Altone signature sound of minimalistic & hypnotic soundscapes is ever-so present - and despite repetitive mechanical elements, it still feels warm and organic. The four track EP begins with 'Silent Vibration'; a steadfast and unhindered sub harmonies. Its a meditative journey into a rough glacial terrain. 'Drifting Sand' starts off enigmatic & intriguing - with slow chord development and gradual introduction of harmonious pads. The flipside begins with 'Astral'; a dub techno groove-fest with shimmering chords and hazy soundscapes. The final track 'Uninhabited' is a mind-altering voyage into the unknown. Overall this is a must-have for any fans of Basic Channel - or our own previous releases. A dub techno delight.
ae Recordings LTD is an offshot from its legendary Thule Records motherhub The offshot will ensure quality techno for the mind and soul from Thule members and friends - wherever they might be.

Repress

Dj Deep Cuts unreleased dubs, featuring mixes by Steve Rachmad and Rod Malmok. Limited to 150 copies worldwide.

It has been too long since the last Hollen release! Now he is coming up with a great 4 track ep with flying melodies, funky grooves and a big soulful touch (Monika Kruse)

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.

Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Anfisa Letyago hits the ground running with the ambient-infused, chest beating rhythm - 'Nisida'. Shackling percussion communicates fluently with rattling hi-hat patterns to create decadent layers of techno elegance. A carefully modulated synthesiser melody appears to chase the drum sequence throughout the arrangement's main body, circling gleefully around the stereo field like a shamanic ritual. Anfisa's own ethereal vocal shots glide through the mix to establish key moments of anticipation.

'Insidia' sensually evolves into a dazzling menagerie of rising pads and fizzing synth-lines. A rounded four-to-the-floor kick drum drives the track with subtle yet consistent affirmation, the minimalistic approach to the groove's main elements only serves to bolster the arrangement as one can truly appreciate every layer. Anfisa boldly follows with 'Not There', a significantly gritty low-end carries a glimmering arpeggiator ensemble through the entirety of the EP's closing moments. The undeniable glow of the composition's melodic elements pairs perfectly with the staggering undertow of kicks and low-slung toms.

Anfisa comes armed and ready for the return of the dance, and after successful releases on Hotflush and Rekids, she has a lot of exciting new releases to deliver this year.

preorder for repress late april 2021!

First part of the Drexciya re-issue series - well recommended!! Killer comp of the finest Detroit based electronics from the heads at Clone.. hat's off to them! TIP!

Drexciya might need an introduction for some, for others it is the most influential techno/electro project ever. Part of the heritage of Detroit's Underground Resistance, Drexciya explored techno music like no-one else before.
Raw and uncompromising music that reflects the harsh environment of the city where Drexciya was conceived. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro, music not only made for the club scene, but a further development of the music as an expression and extension of the mind. 20 years after the release of ''Deep Sea Dweller'' (their first release), and 10 years after ''Grava 4'' (their last), here's ''Journey Of The Deep Sea Dweller''. This series is an almost complete collection of their early works, and is remastered from the original master tapes. Since the original releases have such a strong character, appeal and stand on their own, this re-issue can never re-create the magic of those originals. So instead the catalogue is stirred up, taking the tracks out of their original context, giving the 'in the know' listener a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of Drexciya.

Harvey McKay has been making waves in the techno world with releases on Drumcode, Cocoon, 8 Sided Dice, Soma and more. His most recent release for Drumcode is still sitting at number one whilst I write this and has been there for weeks! He has gained support across the globe as one of the hottest techno producers around which has seen him get lots of support from Adam Beyer on all of the most recent Drumcode Radio Live podcasts. As a DJ, Harvey has played some of the biggest clubs around the world and has an exceptional skill to read the crowd.

Harvey McKay has started his next single with his ethereal track 'Slip'. The ghostly pads that float over the top of a crisp, chuggy kick drum combine two different qualities before welcoming the percussive synth blips into the mix. The second track 'Silk Road' uses a killer vocal hook and heavy-duty synth stabs to full effect, conjuring up more of Harvey's unique style.

Objekt returns with Cocoon Crush, his first LP since 2014's Flatland. Over the past four years he has continued to challenge conventions with his club output, while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.

"Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.

Cocoon Crush represents an aesthetic departure from Flatland's largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle.

Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen."

Moral Standards is a sub-division of Falling Ethics Records.

French Touch Electro Techno. Represses of 2 tunes from Ellypsis 01, and Ping Pong an unrealesed track.

German Mark Jackus and Marcus Sur collaborated on this beautiful piece of music with singer/songwriter Golden Parazyth.
Noir Music is delighted to have signed the incredible 'In The Night' song which sits somewhere in between electronica and deephouse. This one works both as a club track and a treat for the ears when you just want some quality music in your life.
Timo Maas and Ed Ed deliver the more clubby vocal versions of the track and Tiger Stripes makes it a club-dub effort. All 3 remixes are a bit more edgy and functional for club plays.
Hit play and get sucked into the sweet melancholy of this track.

Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, 'Possessed Realms' offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.

Pomassl's Seismik Krew gathers and expands more than 3 decades sonic search and processing. This double album follows the rhythmical side of Pomassl's work, inhering elements of the Skeleton series (est. 1996), heavy syncopated leftfiled, and always psychoactive chains of industrial techno. Consistanty keeping the world of sound brim filled in a masterly manner the narration consists of solo tracks, remixes and collaborations with the late Randy Barracuda, as well as DJ Sotofett and Alessandro Cortini.

Mutual fans Sherard Ingram and Mariska Neerman join forces to present four essential tracks spanning the breadth of contemporary electro on this second release from Bleep43 Recordings. The first side sees Ingram exploring the edges of his famously unique blend of intricate yet relentless electronics, simultaneously touching on Autechre's metallic abstractions while sounding the depths of bubbling oceanic vents. Mariska answers with two tracks of melancholy machine music that embody her talent for melody and arrangement and promise to make their presence felt on dancefloors across the spectrum.

Tevatron is back on its Metrohm label with its "My Origins" concept. Inspired by the fathers of Techno he synthesizes his influences and his project is quickly acclaimed by one of the masters of the genre like Derrick May in others. "My Origins Part2" is an invitation to discover the roots of Techno, with this new version, Tevatron returns to the sources by offering us two beautiful timeless tracks powered by bass lines based on arpeggio, powerful beats with a groove supported, striking agreements with a backbone very representative of the Techno of the mid-90s. Laurent Garnier considers this EP as a new classic of its kind.

Ltd 2x12" Vinyl. Tough, jacking, rhythm & groove focused pure Techno workouts.

(180gr) Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare.

Melbourne-based Vohkinne joins Kynant with the 'Wind Shadows' EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare. The first, 'Watching Over Us', is a thick and heavy, hypnotising 4x4 track, 'The Heretic' more dynamic and unpredictable.

Mastered by Neel (EnissLab Studio, Rome). Pressed on 180g, 12' vinyl at Optimal Media, Germany. Packaged in a house sleeve. All artwork designed by Christopher Honeywell

Born in Brighton, bred in London and now moving between Berlin and Ibiza, BEC has an omnivorous approach to electronic music that shows up in her productions; Techno with a twist. Her seventh outing on home label Second State continues in this vein as she balances hypnotic, driving elements with atypical flourishes.
“Lost In Change”, which gives the EP its name, layers a pounding kick with a bloodless, repeated vocal before a juddering synth launches the track into another gear. “Flux” pairs a springy bass line with siren FX to pleasantly weird effect, followed by the more intense “State Of Flow”, a euphoric collision of ravey synths and gurgling acid lines. “Holocene”, meanwhile, hinges on an impatient groove textured with whipping 808s. It conjures the delicious abandon of parking your worries at the door as you give in to the primal pleasures of the dance floor.
BEC has been an international touring DJ for the past five years, playing everywhere from Berlin’s Watergate to Australia’s Rainbow Serpent Festival and from London’s Egg to Nevada’s Burning Man Festival. Lost In Change is sure to advance the ascent of one of Techno’s most promising young stars.

Percebes starts 2021 by releasing the label honcho’s brand new “Gestures Of Release” LP: a highly personalised universe that manages to display diversity whilst retaining a unique sense of coherence. An offering of tracks that reflect the producer’s unique take on languages he knows well: deep, crunchy disco house (“Miles Away”), dreamy downtempo (“Suave”) and mellow freestyle funk (“Membrana”). Of course there are also plenty of irresistible bumping dance floor moments of classic inspiration (“Gestures Of Release”, “Clone Forge” and the bass heavy “Time Apart”).

Guests include funk band Thunder & Co, legendary junglist producer AL:X, fellow Percebes founder Hélder Russo and Chicago new school gold medalist Andrew “Change Request” Emil. The quality in production, mixing and mastering is second to none. It’s an LP that plays and sounds as close to a maxi single as physically possible! Perfectly crafted tracks that a DJ can use on both dance floors and cooler settings alike, but also, an album that any music lover can enjoy on a proper turntable. Quoting Vito Corleone, it’s “an offer you can’t refuse”.

The vinyl comes with bonus music in its digital counterpart (includes full length album with four extra tracks as a free download with purchase). Overall, great bang-for-the-buck pack full of future classics, as usual with Percebes so far. “Gestures Of Release” will be out in April 2021.

Moddullar are the protagonists of the tenth release of their own label "INNSIGNN". They decided to release INNSIGNN's first 12", an EP with 4 tracks, including a Remix by Lewis Fautzi, one of the artists they most admire and that was always a reference to them.

It made sense to make him a part of this special release.

The EP will be available for sale on 12" vinyl and digitally.

‘A ceremony that invokes ancient spirits like the Dom & Roland productions, the early raw sound of RZA and the bleakness of the Birmingham techno scene in the 90's.

A cinematic trip of film noir aesthetics mixed with an eastern european sci fi sensibility.

Touch Of Evil meets Zulawski's On The Silver Globe.

Pessimist runs the voodoo down for the first time on Berceuse heroique and we are proud to release some of his most honest work.’

RDNK hat weder Nationalität oder Rasse, es ist noch nicht mal ein Mensch, weil es noch keinen Körper hat. RDNK ist eine astrale Kraft aus dem Weltraum. Auf seinem Weg zur Erde erzeugte RDNK Musik, um mit den Menschen in einer universellen Sprache zu kommunizieren. Um sie für die Menschen greifbar zu machen, nahm RDNK die passendsten Teile ihrer bisherigen Musik und fügte sie in einen neuen Sound ein. Das Ergebnis kann als Future Techno bezeichnet werden.

TRW “33”

Tommie Robin Wiese (1988 – 2020) was a composer and a producer from Rotterdam, Netherlands. He was a great guy, a nice man, a perfect friend.

From an early age, Tommie was engaged with spirituality, art and music. Throughout his life, he sought to deepen his knowledge and awareness. His music is a manifestation of his daily research of the musical, spiritual and human plane.

He was able to find beauty and meaning in any kind of music genre. Collaborating with different people on different projects, he touched upon various styles and genres such as rock/pop – playing a bass guitar in a rock band – as well as he was an avid listener of hip hop, house, techno, experimental electronic and ambient music.

In his own music, he found it difficult to choose one style to express himself through. Constantly thirsty for more and in search of perfection, he was looking for a way to consolidate his knowledge of life, music and spirituality into his music pieces.

Tommie had a passion for modular synthesizers which he loved to collect and experiment with and was continuously busy studying a topic or improving his skills on new instruments and gear. He’d be creating music all night till early morning which didn’t always make it easy for him to finish a track to his own satisfaction.
However, with his most recent productions, he started to get more in touch with himself and with what he wanted to express. He found that the depth and healing properties of music, especially hypnotic electronic music, deeply resonated with his soul.

As a person, Tommie was an excellent listener and could discuss any topic you could think of with an open mind, an ability that reflected on his approach to music too. One of his biggest artistic inspirations was the visual artist Alex Grey. What Grey did with painting, Tommie was trying to do in his life and music, showing us there is more than one layer in everything.

Sadly, Tommie left us very early and very unexpectedly in March 2020…

Thanks to his family and close friends, Mai Lei Bel is able to deliver Tommie’s posthumous EP titled “33” releasing under the moniker TRW (Tommie Robin Wiese).
A six tracks collection of melancholic IDM & electronica in combination with atmospheric techno & experimental.

Carceres Records, an emerging label in the French techno music scene since 2017, has finally decided to release its first vinyl. The two co-founders, Brulee and Deevai have invited Hephaistos and Sluhg for this release.Four video clips produced by Vladimir DMDJ will be part of this new project. The visuals will immerse us into the intimacy of the individual's relationship with himself, admiring his relationship with his body or perhaps testifying to his encounter with the other.

Collecting orders for repress

Techno is getting harder again and Maximum Minimum 061 ups the game with 2 killer trax from Christ On A Bike (D.A.V.E.The Drummer and Tiago Santos), a track from label boss Chris Liberator with Geezer, The Dice and Mickey Rat, and a track from French duo Alienduch & Gelstat - all giant dancefloor tracks that will fit both Acid Techno and Techno sets.

“In a recent interview David Toop described the studio to be “a concept of the mind, a place where you can create other worlds”. The very same perceptual methodology appears be at the heart of the studio processes of Deep Nalström whose latest EP offers a sonic cornucopia overflowing with food for the mind perfect for the journey into outer space via your own inner space.

Opener ‘Low Gravity Ride’ sets you away atop a propulsive fizz of acid bubbles, lustrous synth wash and a lithe percussive groove. Listeners are pleasantly bumped at the mid-point by ‘Astral Variations’- a mid-tempo vacuum jacker reinforced with a fractalised p-funk bassline. A personal highlight is ‘Rainbow Gardens’ - akin to sitting in the exotic grounds of an alien temple in the midst of an afro-cosmic drum circle whilst being laced with extravagant strokes of emotive synth cream.

The tempo increases towards the end of the EP, a rush to oblivion that ends with ‘Underworld Jaunt’ – glorious arcs of arpeggio riding freely above a determined techno canter that gradually peels away as you reach your mind’s eye.

In turbulent times, it’s comforting to commune with the esoteric fantasies of Deep Nalström; richly detailed and beautifully described sonic renderings of a world conceived in his mind and reimagined in yours.”

The always-innovative John Beltran surprises us with his first release on a Romanian label. The circularity of Energy Circle, the beauty of The Cycles EP, sets a typically Beltran soundscape, a melodic mood for this three-pieced beauty. The Sun Also Rises on the flip side, making it the rather bright beast of the release, while the marching B2 – Going Uphill Fast (hope on the horizon) — is a granular techno classic, closing Eufonic Records' first release on a very Detroit note.

Pangaea returns to his Hessle Audio label for the first time since his debut LP 'In Drum Play', with two club tracks exploring different textures and designed for impact.

Wretched Cuts is the new solo EP by gender-nonconforming techno artist, Projekt Gestalten. The release comes via the New York’s Mild Fantasy imprint run by DJ Elle Dee and features three original themes focusing on introspective techno plus a remix by veteran, The Lady Machine.

The project reflects an array of themes using as the starting point the story of Estamira and the Brazilian documentary of the same name, telling her life story. Estamira was an incredibly enlightened older woman who scattered one of the largest landfills of Rio de Janeiro for food. Not because she had to, but because she loved that place as she loved “her own children” and enjoyed making a living out of other people’s disposable goods. Simultaneously, while dealing with schizophrenia and abuse, she believed she was a superior spiritual being whose magical powers could control time, space, and other elements of nature.

The tracks are inspired by some of her most memorable quotes and moments that made an impact on Projekt Gestalten. “Wise People In Reverse” goes into a darker approach and samples Estamira’s voice talking in a mysterious unknown language with an unrevealed force, using only a broken piece of a telephone that she had just found it in the trash. “Morte Macaca” takes a rhythmic approach towards dub techno, and “Holographic Principle” gets trippier and hallucinogenic with Projekt Gestalten’s signature acid lines. The Lady Machine’s “Wise People In Reverse” remix takes the original theme to a driving, peak hour approach and transforms it into an effective DJ tool.

“There are no more innocent people on Earth, only wise people in reverse”.

UFC Records back with their second release with a four tracks Ep produced by label´s co-ower R.I.P. Bestia. The four tracks are original tracks produced between 2020 and 2021 years. Side A of this EP contains two tracks more oriented for the dance floor, like "Chordal Constellations" where the psychedelic electronic of the 90's is fused with the minimal sound of the first 2000's and "VCO Ray”, where vocoder vocals are mixed with deep techno lines.

On the other side the Ep opens with "Khae!”, psychedelic breakbeat-techno accompanied by ethereal vocals, to finish with "VCO HardCore Foundation", a piece of breakbeat influenced by the Nu Skool Breaks that ends in an acid and breaks explosion.