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JACINTA SANCHES - PEDRO RAMOS - S/T

Black Vinyl LP with insert (including the story behind the album and lyrics with English translation)

After their first LP, in 1987, Pedro gathered his usual band, Carlos Sousa on keyboard, Bulimundo on drums, Nuno Santos and Zézé on lead and rhythm guitars, Augusto Rasta on bass, Daló on sax and finally Dalú on percussions, for yet another project, one that carried both their names: Jacinta Sanches - Pedro Ramos. Eight days, no more, that’s all Pedro Ramos and Jacinta Sanches needed inside the Estúdios Musicorde. The process was natural, as with all their music, memories recollected and arranged by Pedro on café napkins, rehearsed and perfected at home with Jacinta. Together they imagined music where Cape Verdean saudade could dance together with Kingston’s skank, two island hearts beating inside European concrete.

His name is Pedro Correia Ramos Varela, born in Praia, Santiago, Cabo Verde on April 6th 1954; her name is Jacinta Lopes Veiga Varela, born in Cidade Velha, Santiago, Cabo Verde on January 22nd 1959. The two met in Praia, where a few exchanged words turned into long evening conversations; conversations into friendship; friendship into love; and love into six wonderful children. After the independence of Cabo Verde, they got married in 1978 and moved to Portugal, where Pedro started working as a welder for Lisnave and playing the guitar in a band in Ramada. Trading shipyard sparks by day for the after-hours pulse of Cova da Moura, his love for music proved harder than steel. And in 1982, after seeing Bob Marley and Peter Tosh in Rotterdam, he opened his own Dancing Bar just below their house, a pioneering space for the promotion of reggae music in Portugal.

Their Dancing Bar kept its doors open from 1982 to 1994, seeing the release of two albums and more singles. To this day, Pedro and Jacinta are still making music, one the inspiration of the other. They define themselves as simple people, living happy without prejudice, friends with the world.

pre-order now29.08.2025

expected to be published on 29.08.2025

24,16
THE MONKS - BLACK MONK TIME

The Monks

BLACK MONK TIME

12inchMR486
MUNSTER
29.08.2025
  • Monk Time
  • Shut Up
  • Boys Are Boys And Girls Are Choice
  • Higgle-Dy Piggle-Dy
  • I Hate You
  • Oh, How To Do Now
  • Complication
  • We Do Wie Du
  • Drunken Maria
  • Love Came Tumblin' Down
  • Blast Off!
  • That's My Girl

Released exclusively in Germany in March 1966, "Black Monk Time" by The Monks has become a cult classic -praised as a groundbreaking forerunner to punk and krautrock. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim. The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men-Walther Niemann and Karl Remy-who became their managers and helped reinvent their identity. Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Nowhere is this clearer than in the album's opening track, 'Monk Time,' which captures their entire aesthetic in under three minutes. A pounding, repetitive groove of bass and drums anchors the track, layered with distorted guitar bursts, percussive electric banjo, chaotic organ stabs, and unrestrained, shouted vocals. It's a declaration of intent-urgent, jarring, and unforgettable. Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. From the explosive opener 'Monk Time' to the fierce 'Complication,' "Black Monk Time" rejected flower power for something more urgent-anger, humor, and innovation. At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history-loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the '60s. The band never sparked the revolution they hinted at, but decades later, "Black Monk Time" still resonates. This is your chance to experience the album that dared to be different - don't miss it. Remastered sound from the tapes, pressed on 180g vinyl.

pre-order now29.08.2025

expected to be published on 29.08.2025

28,53
GREER - BIG SMILE

Greer

BIG SMILE

12inch880951
Epitaph Europe
29.08.2025
  • Omnibus
  • One In The Same
  • Had Enough
  • With Might Of Worms
  • Miracle Fighting Red Baron
  • Franken
  • 1994:
  • Test Virgin Opposites
  • Fighter Pilot Eats A Lemon
  • Demolition
  • She Knows
  • Mugwump
  • Audio_77

After a two-year hiatus from recording, the OC based band reconvened in 2023, returning to where it all started: drummer Lucas Ovalle"s garage. It was in this familiar environment that Ovalle, guitarist lead singer Josiah, guitarist Corbin Jacques,and bassist Seth Thomson learned how to be friends again and shared all the anxieties and revelations they"d endured on hiatus through crafting songs. The 13 songs that make up Big Smile are the band"s emotional champions that track the tumultuous period between the start of their break and the peace they found on their way back to each other. In the studio with fellow California legends Rob Schnapf (The Vines, Beck) and Matt Schuessler (Kurt Vile, Cat Power), GREER grew up again, taking more ownership over their sound and learning to speak producer-ese. Big Smile is the sound of a band exorcising their demons, learning to trust themselves, and asserting themselves with newfound earnestness and maturity. It"s the sound of a band that"s fallen in love with rocking out again. It"s the sound of friends rediscovering each other and the magic that they can create together when they embrace each other"s vulnerable side. With Big Smile, GREER has arrived as a serious, and seriously fun, alt rock band with diversity of sound and unity of vision.

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
BAD RELIGION - GENERATOR - US EDITION

BAD RELIGION

GENERATOR - US EDITION

12inchUS864161
Epitaph Europe
29.08.2025

"This digitally re-mastered version of ""Generator"" contains two bonus tracks for ""Heaven Is Falling"" and ""Fertile Crescent"" that originally appeared on the split 7"" with Noam Chomsky put out by Maximum Rock"N Roll in "91. ""Generator"" knocks about stirringly with a steadfast, mid-tempo punk roar, keeping the songs simple but continually on the upsurge. Brett and Greg Hetson"s guitars piggyback to ever-rousing heights, utilizing the essential chords and keeping limits on flashy things like solos or effects, never letting the enthusiasm or sentiment wane. With all players striving to turn each listening experience into a placard-waving melee, Bad Religion emblazons honest, dissatisfied-with-the-status-quo lyrics with an Uberpunk spirit, Greg Graffin"s vocals growing more gravelly and endearing with each record. With the implicit understanding that strength lies in brevity, Bad Religion hew mighty exhortations to action out of a well-trampled happy-punk base, and the sheer motivational impact of ""Generator,"" ""Only Entertainment,"" ""Atomic Garden"" and ""No Direction"" sweeps clear any charges of oversimplification or sameness. Generator is a brutal noise that is louder, faster & angrier than ever! A plethora of power punching punk pedagogy."

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
BAD RELIGION - THE DISSENT OF MAN - US EDITION

BAD RELIGION

THE DISSENT OF MAN - US EDITION

12inchUS869881
Epitaph Europe
29.08.2025

Produced by Joe Barresi (Queens of the Stone Age, Tool), The Dissent of Man finds Bad Religion pushing the boundaries of their music as much today as they did in their formative years as a genre defining punk band. Over the course of making the album, primary songwriters Greg Graffin and Brett Gurewitz"s songwriting was informed by life changing events, with Graffin writing his forthcoming book "Anarchy Evolution" and Gurewitz embarking on parenthood again. The result is one of the band"s most forward thinking and musically varied albums ever. The Dissent of Man is not only a snapshot of the band"s personal experiences of the past years but also of their continued maturity in songwriting, capturing an array of styles ranging from blazing punk rock songs like the opener "The Day That the Earth Stalled" and "Meeting of the Minds" and classic rock-tinged cuts like "Cyanide" and "Turn Your Back on Me" to radio rock ready hits like the first single "The Devil in Stitches." The Dissent of Man is a testament to why Bad Religion has remained relevant for the better part of three decades. Already having cemented their place in history as a groundbreaking band who helped create a movement in Los Angeles with classic releases like How Could Hell Be Any Worse?, Suffer, Recipe for Hate, Stranger Than Fiction and Process of Belief, Bad Religion continue to inspire and create with a unique style that continues to cross boundaries and transcends genres."

pre-order now29.08.2025

expected to be published on 29.08.2025

22,65
Noragami - Original Soundtrack - Japan Expo Edition 2025
  • A1: Delivery 2:18
  • A2: Fluctuation 2:26
  • A3: Noratan 4:13
  • A4: Peanut 2:58
  • A5: Quiet Fear 2:57
  • A6: Recollection 2:57
  • A7: Lurk In The Dark 2:40
  • A8: Soul Chosen 2:17
  • B1: Reproach 2:26
  • B2: Misogi 3:39
  • B3: Roar Of God 3:00
  • B4: Blind Spot 3:22
  • B5: Shadow Dancing 2:29
  • B6: Harmony 2:49
  • B7: The One 3:29
  • B8: Conversation Heart 2:08

By the composer of JoJo’s Bizarre Adventure Part 2, City Hunter: The Movie, Soul Eater, and Black Butler.



Yato dreams of becoming a famous and respected god, but his reality is far from that dream. One day, his fate takes a turn when he saves Hiyori, a high school girl, from a car accident. In return, he asks for her help to achieve his grand ambition. Together, with Yukine, a spirit who serves as his sacred weapon, they navigate the world of humans and deities, where Yato must prove his worth and divine heritage.



This vinyl record features several BGM tracks from the series. Taku Iwasaki, a renowned composer in the anime industry, has created a vast array of background music, blending numerous styles—from traditional music infused with electronic elements to rap, as well as dark and melancholic piano pieces. Through this musical variety, the composer perfectly captures the anime’s atmosphere: comedic and joyful moments, intense action sequences, and much darker themes that reflect the protagonist’s past.

pre-order now29.08.2025

expected to be published on 29.08.2025

39,71
Clark Terry - Portaits

Clark Terry

Portaits

12inchEVLP078BL
Rhino
28.08.2025
  • 1: Pennies From Heaven
  • 2: Sugar Blues
  • 3: Finger Filibuster
  • 4: Little Jazz
  • 5: Jive At Five
  • 6: Ciribiribin
  • 7: I Can't Get Started
  • 8: I Don't Wanna Be Kissed

Released in 1989 by the noted audiophile label Chesky Records, Portraits is a testament to the prodigious talent of the legendary trumpeter, flugelhornist, and jazz educator Clark Terry.

The first of four albums for the Chesky label, Portraits was recorded when the St. Louis-born hornblower, then 68 years old, was a much-venerated jazz elder. By then, he had 35 albums under his belt and boasted a resume that included stellar collaborations with Duke Ellington, Charles Mingus, Quincy Jones, and Dizzy Gillespie.

For Portraits, produced by David Chesky, Terry assembled a quartet comprising pianist Don Friedman, bassist Victor Gaskin, and drummer Lewis Nash. With Terry alternating between flugelhorn and muted trumpet while also showing off his chops as an occasional vocalist, the quartet breezes through a blend of familiar jazz standards, like 'Pennies From Heaven,' and Terry's hard-driving original tune, 'Finger Filibuster,' where he shows off his athletic scat singing.

Other highlights include the Louis Armstrong favorite 'When It's Sleepy Time Down South' and 'Sugar Blues,' a nostalgic nod to New Orleans jazz. The album is reissued on 180g One Step Pressing Vinyl LP and SACD Hybrid Stereo.

pre-order now28.08.2025

expected to be published on 28.08.2025

44,96
Dev/Null & Unlimited Vibes - FR039

I have been playing Eternal a lot in my DJ sets & it all started with Dev/Null posting a video clip of a tune he was working on, in a Skype group chat we're both a part of. It was probably the best thing I'd ever heard from him and I hassled him relentlessly to finish this track so I could start playing it and then potentially signing it for Future Retro London. That tune he was working on ended up being Eternal & I had no hesitation towards taking the tune for the label. I asked him who he would like to remix Eternal for the release and he picked DJ B (who's had tunes out on Demolition Squad & Brazen) and he did a nice 4x4 version, taking the track down a stompier path (I don't know if stompier is a word but can't think of a better word to use).

Watch The Spin is a tune I first heard when I was in Helsinki, playing at a night called 20hz, organised by DJ Sofa & ODJ Pirkka. Pirkka played after me and during his set, I heard him play this track which had a wicked 90s Bristol jump-up flavour, but with new twists & style to it. I went into the booth and asked him who it was by, and he told me it was by him & another guy called Onni and that they'd recently started making music together under the alias of Unlimited Vibes. When I got back to London the next day, I asked him to send the tune and he did and I really liked the track, so decided to sign it for Future Retro London, to fit alongside Eternal on this release. And to complete the release, Ricky Force has done an exceptional remix of Watch The Spin, bringing his modern jungle sound to the table.

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16,39

Last In: 7 months ago
Peki Momés - Göç Mevsimi b/w Rüya

Mocambo is proud to welcome Peki Momés, a Turkish artist who has always expressed herself creatively, but accidentally began recording music in 2023. With no pre-education in music, Peki Momés brings a stylish, fresh perspective to groove music, blending her vocals with a unique mix of intuition and uncompromising authenticity.

Her first two songs showcase her versatility, offering distinct sounds that work as both dancefloor hits and listening gems.
Göç Mevisimi transports listeners to a secret place between Japanese City Pop and outernational/tropical boogie sound. Dirty disco grooves, soothing Fender Rhodes, jazzy flute and charming lyrics in Turkish language about our constant search and movement that makes us all passagers of life create a bonafide piece of global underground.

Rüya, on the flip side, is a heavy psych joint that embodies the gritty sound of psychedelic Anatolia. With wobbling grooves, fuzzy guitars and contemporary vocals, it brings a raw, yet hypnotic energy.

Now collaborating with Mocambo Records, Peki Momés is working on an album that promises to offer a fresh approach to Turkish alternative music, ready to captivate music lovers around the world.

out of Stock

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12,82

Last In: 7 months ago
Soulox & Soneido - FR041

Following on from FR023, Soulox & Soeneido are back once again on Future Retro London with a solid 2 tracker release. They sent me "It Been" last year, shortly after their first release had gone into manufacture and I really liked the tune and was playing it a lot in DJ sets but I didn't really have any plans to release it.

At the same time, I remember there being a track in Phineus II's set from the Future Retro London event that took place in February 2023 and I really really liked it but had no idea who it was by. When I later found out it was by Soulox & Soeneido and it was called "Why", it give me the idea for this release as neither track was signed to any other label and I felt that both tracks needed to see the light of day.

Big ups to the both of them on their solid output & many thanks to Shireen for the design of the b-side artwork.

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16,39

Last In: 8 months ago
LQ & Kloke - FR042

Lq&Kloke

FR042

12inchFR042
Future Retro London
27.08.2025

LQ (label owner of Echo Chamber Sound/Run It Red) sent me a track he had done with Kloke called "2049" and as soon as I listened to it, I knew I had to have it for the label. It's the kind of tune where I hear it and it makes me wish that I was the one that had made it!

When I was considering producers best suited for remixing "2049", Equinox was the first that came to mind because I knew that he'd be able to build on the dark amen flavour of the original whilst taking it to a new place that still respects the vibe. They were up for it & so was he, so thankfully it all came together & here's the end result.

out of Stock

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16,39

Last In: 8 months ago
RANIL Y SU CONJUNTO TROPICAL - SONIDO AMAZóNICO

RANIL Y SU CONJUNTO TROPICAL

SONIDO AMAZóNICO

12inchVAMPI328
Vampisoul
27.08.2025

Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside iconic bands like Los Mirlos, Los Wembler's, and Juaneco y su Combo. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk_ you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted. DESCRIPTION Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's 10 LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk_ you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.

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22,27

Last In: 8 months ago
E-GZR - Metalurgic Funk Vol. 2

E-GZR

Metalurgic Funk Vol. 2

12inchWANIA9104
Wania
26.08.2025

Metalurgic Funk Vol. 2 takes a short leap from Vol. 1, with all 4 cuts based around solid tonks of straight forward techno. Cutting 909-hat's, tunnel-visioning and simple but detailed slings of futuristic synths thread the whole record together. Pretention is left aside for upfrontness and most advanced interpretation of these looped bangers are left to happen in the listeners head while segueing into the core of techno.

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7,86

Last In: 8 months ago
RONNY NYHEIM - Multisensory Integration

Deep siren & straight to the groove Techno by Ronny Nyheim on new Norwegian outlet PsyPal. Full A-side with a minimally modulating solid driver emphasizing sonic tunnelling below razor sharp hihats. B1 is a faster pounding & psycho-tweeked remix by E-GZR (from Wania fame) and B2 rounds off as a saturated banger conflicting melody & lightly groving harmonic & padded noise. Stylistically functional & very real!

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7,86

Last In: 8 months ago
Various - Toolroom Sampler Vol. 18

DJ Support: Groove Armada, Gorgon City, Claptone, Nicole Moudaber, Dennis Cruz, Carl Cox, Steve Aoki, Tiesto, Steve Angello, Oliver Heldens, Bob Sinclar, Diplo, Sofi Tukker, Dombresky, Carlita, A-trak, ALOK, Danny Howard, Kaskade, Hot Since 82.

Toolroom’s next Sampler sees 4 big releases from Tony Romera, Crusy, Low Steppa, James Hurr, CASSIMM, Darius Syrossian and Kathy Brown.

stock from19.05.2026

14,25

Last In: 3 days ago
James Massiah meets Lord Tusk - Might Be The One 7"

Limited Press, full sleeve & centre label design by Ciaran Birch. Mastered by Beau @ 1087 Studios.

The Babyfather members have been on a roll recently, and this one is no different. Following 24's single 'Open Up' for Accidental Meetings, Tusk & Massiah link up once again on the Bristol imprint.

Lord Tusk serves up a killer beat on Might Be The One, a raw and breezy stepper with Tusk's trademark drums and synth work sprinkled all over. With it's tempo coming in on the slightly quicker side for the dance floor, James Massiah's flow is perfect as per to meet it, ice cold delivery from the London poet with sharp verses and lyric work. Another gem from two of London's finest.

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11,35

Last In: 5 months ago
Westbam feat. Richard Butler - You Need The Drugs (&ME Remix)

2025 Repress! Very Limited!!

Chances are, you've heard this new offering by &ME before. He installed it within his last touring months as one of his most sought after and unsuccessfully shazamed set-highlights. And then again, you know the source material, he is taking on, Westbam's 2013 classic "You Need The Drugs" featuring Psychedelic Fur's own Richard Butler.
While the original is the utmost hymnal embodiment of that desolate, yet somewhat glorious afterhour exhaustion, many of us know all too well, &ME's take comes off as a preservation of that intense emotive sentiment of the tune in conjunction with an amplified floor-suited effectiveness. It shows in the beat, flexing a bit more muscle, in that simplified and more present bassline and in the overall dynamic arrangement. &ME takes the tune out of the car stereo of a 7 am cab-ride back into the club, right on a sweat-drenched and jam packed dancefloor, so to say.

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10,88

Last In: 6 months ago
Mighty Delrokz / DJ Netwerk - Bay To Breaks Vol 1

Mighty Delrokz / DJ Netwerk

Bay To Breaks Vol 1

12inchPB001CLEAR
Tuff Funk US
25.08.2025

New label alert: Tuff Funk makes its debut here with, indeed, a tough funk workout built on raw and ragged breaks from a pair of well-schooled artists. Mighty Delrokz kicks off with blazing horns lighting up the rhythms of 'Renegade', which is a devastating tool. 'Scratch Loop' is a twisted mix of vocals drawn out for DJ deployment, and on the flip Netwerk comes through first of all with 'Mustard Break,' which has a rousing sense of power with mumble rap bars, live drums and a new school vibe. His seance is 'Doechi Break', another crucial tool with soulful vocals and yet more big breaks.

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16,77

Last In: 8 months ago
Various - Origin

Various

Origin

12inchANIMA001
ANIMA Records
25.08.2025

The maiden voyage for ANIMA's forthcoming label - ANIMA Records, debuts with a bang. Assembling a powerful group of artists including Arthur Robert, Glaskin, Red Rooms, and Temudo for its first release, the message is clear. This is not only a musical project, it's turning the page for the next phase of electronic music. The team behind ANIMA is determined to translate the ethos of our events into the project; a quality, diverse, and global-thinking sound.
Team: Enlisting the help of Florian Deckers (who built the BCCO label), Esquive Studio (the brain behind all the anima graphics), and Rene Wise (as a long term mastering partner), we hope to help transform the direction that dance music is evolving. By offering the local and international music scene... something different.

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14,08

Last In: 8 months ago
Wodda - PILOT 22

Wodda

PILOT 22

12inchPILOT22
Pilot UK
25.08.2025

Wodda is the latest new school talent to step up to Burnski's faultless Pilot label. He hails from the South of England and has been making some sweet movers of late, but this one is his best yet. 'Have We Met Before?' is a kinetic collision of turbocharged breaks, spaced out synths and crisp tech with old school bass and sci-fi motifs, making it a vibe-fuelled party starter. 'Go Getter' has a darker low end with more punchy breaks, scratches, warped stabs and vocals and an air of intergalactic rave. The Reflex Blue remix is just as kinetic but doused in balmy pads that lend it a headier late-night soul with irresistible pitched-up vocal hooks.

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14,24

Last In: 7 months ago
Various - Tectonic Sound / Vinyl 1

Various

Tectonic Sound / Vinyl 1

12inchTECLP027.1
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Last In: 8 months ago
Various - Tectonic Sound / Vinyl 2

Various

Tectonic Sound / Vinyl 2

12inchTECLP027.2
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Last In: 8 months ago
Various - Tectonic Sound / Vinyl 3

Various

Tectonic Sound / Vinyl 3

12inchTECLP027.3
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

Order now and we will order the item for you at our supplier.

13,24

Last In: 8 months ago
Various - Tectonic Sound / Vinyl 4

Various

Tectonic Sound / Vinyl 4

12inchTECLP027.4
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

Order now and we will order the item for you at our supplier.

13,24

Last In: 8 months ago
Various - Tectonic Sound / Vinyl 5

Various

Tectonic Sound / Vinyl 5

12inchTECLP027.5
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

Order now and we will order the item for you at our supplier.

13,24

Last In: 7 months ago
Various - Tectonic Sound / Vinyl 6

Various

Tectonic Sound / Vinyl 6

12inchTECLP027.6
Tectonic
25.08.2025

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

out of Stock

Order now and we will order the item for you at our supplier.

13,24

Last In: 7 months ago
Royel Otis - hickey

Royel Otis

hickey

12inch7826273
Royel Otis
25.08.2025

Mit ”hickey” legen Royel Otis ihr zweites Album vor – mutiger, emotionaler und eingängiger denn je. Nach
viralen Erfolgen mit „Murder on the Dancefloor“ und über 200 Mio. Streams für „Oysters in My Pocket“
beweist das Duo erneut, warum sie zu den spannendsten Newcomern der Indie-Szene zählen. ”hickey”
verbindet starke Hooks mit ehrlichem Songwriting und festigt ihren Platz im globalen Indie-Kosmos.

out of Stock

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25,63

Last In: 8 months ago
Various - Habibi Funk: A Selection From Libyan Tapes (LP 3x12")

Habibi Funk is more than happy to announce our 31st release which happens to be our 3rd various artists compilation. The album is dedicated to the cassette tape scene in Libya from the late 80s to early 2000s, from disco to reggae to pop. All songs previously unreleased outside of Libya and not available on any DSP platforms.

This compilation isn’t a sweeping history of Libyan music — it’s a personal journey into the sounds we fell in love with while digging through tapes, conversations, and stories across Libya and beyond. Rather than spotlighting the country’s most famous musical exports, the compilation brings forward a mix of overlooked gems and local classics of the cassette era: artists whose work thrived despite political limitations, and scarce international exposure. The music featured here blends reggae rhythms, synthy disco grooves, gritty pop, house, and funk, a vibrant collision of genres that reflects Libya’s unique sonic landscape from the 1980s to the early 2000s. Many of these recordings were recovered from the TK7 cassette factory in Sousse, Tunisia, a now-demolished site that once played a quiet but vital role in distributing and manufacturing Libyan music. Other tracks were digitised in a Cairo hotel room in 2021, where we transferred nearly 100 tapes over the course of three days, on-site using a high-grade cassette deck brought into Egypt with us. From that trove emerged artists like Ahmed Ben Ali, Cheb Bakr, and Najib Alhoush & The Free Music, who have already featured on our earlier releases. Their sounds sit alongside contributions from this release from the likes of Khaled Al Melody, Fathi Aldiyqz & Sons of Africa Band, City Lights Band, Libya Music Band, and Group Hewaya. During this era, Independent artists relied on makeshift home studios or travelled abroad to record in Tunisia and Egypt, gradually building their own infrastructures for creativity. By the 90s and early 2000s, as access to digital equipment increased, a few of the artists began setting up their own studios — a shift that gave rise to a more self-sufficient recording culture across the country. The resulting sounds are anything but homogeneous. They reflect Libya’s geographic and cultural crossroads: North African rhythms meet Arab melodies and deep African roots. Reggae, in particular, took on a local Libyan flavour — not just musically, through the slowed-down cadence of traditional shaabi beats, but socially, as a vehicle for expressing identity and pride. What ties all the artists on this comp together is a boundary- pushing approach to genre and style: recorded in small studios, exchanged by hand, and shaped by a cross-pollination of influences, from Benghazi to Tripoli and beyond. All tracks are licensed from their creators and in the case of the artists being deceased from their estates. All profits are being split 50:50 between us in the licensors and ownership remains with the creators, we only licensed the music.

out of Stock

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46,64

Last In: 4 months ago
Kid Koala - Carpal Tunnel Syndrome (25th Anniversary Edition) (Lp)
  • A1: Strut Hear
  • A2: Nerdball
  • A3: Fender Bender
  • A4: Drunk Trumpet
  • A5: Roboshuffle
  • A6: Barhopper 1
  • A7: Music For Morning People
  • A8: Naptime
  • B1: A Night At The Nufonia
  • B2: Temple Of Gloom
  • B3: Scurvy
  • B4: Like Irregular Chickens
  • B5: Barhopper 2
  • B6: Roll Credits
  • Flexidisc A1. Chaos At The Chicken Factory
  • Flexidisc B1. Bonus Chicken + Saxophone

Gold-braunes Farbvinyl (140g) mit zusätzlicher schwarzer Flexidisc mit zwei neuen Tracks in braunem Sleeve.

Carpal Tunnel Syndrome - die verrückte Soundcollage / 2000er Skratch-Odyssee des Musikgenies Kid Koala - wird zum 25-jährigen Jubiläum von Ninja Tune neu aufgelegt. Als wahrer musikalischer Visionär kombinierte Eric San alias Kid Koala eine sinnliche Herangehensweise an sein Handwerk mit wildem Humor und verlieh seiner Kunst damit eine völlig unnachahmliche Qualität. Als leidenschaftlicher Turntablist (Turntablism": die Kunst, Plattenspieler als Musikinstrument zu benutzen, um originelle Sounds, Mischungen und Rhythmen zu kreieren) nahm San Carpal Tunnel Syndrome ausschließlich mit Plattenspielern auf, indem er Vinylplatten von Hand auf einen Achtspurrekorder aufspielte. Das Ergebnis ist ein exzentrischer, fröhlicher Streifzug durch seinen einzigartig verdrehten und brillanten Verstand. Die neue Auflage ist erstmal auf Single LP mit umgedrehtem Artwork erhältlich inklusive einer Flexidisc mit zwei neuen Songs.

pre-order now22.08.2025

expected to be published on 22.08.2025

30,67
Phuture ( Dj Pierre & Spanky) - Rise From Your Grave

Monumental House anthem alert! Another classic jammer from 1992 lifted straight from the Strictly vaults. This one's HUGE. Phuture aka acid House pioneers Spanky and DJ Pierre (with a little help from Roy Davis JR) turn in a driving, acidic monster in true Wild Pitch style. Probably the only record that begins with a sinister voice saying 'This is cocaine speaking' before diving head-long into one of the best anti-drug House records ever. Absolutely brilliant. Bubbling 303 basslines and cavernous handclaps combine with a funked out, dubbed out synth line that just doesn't stop. Phuture will survive, and they weren't lying when they said that as this record (among too many others they had a hand in) still rock today. Yep, still fresh. Tried and tested, often imitated, never bettered. Phuture are the originals. Open up your eyes (and ears). This one's a tasty 2017 reissue and remaster, featuring all 4 mixes as per the original release way back when. Essential stuff here. You simply NEED this one.

out of Stock

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15,92

Last In: 44 days ago
WINTER - ADULT ROMANTIX

Winter

ADULT ROMANTIX

12inchWSPLP70
Winspear
22.08.2025
  • Just Like A Flower (Intro)
  • Just Like A Flower
  • Hide-A-Lullaby
  • Misery
  • Existentialism
  • Sometimes I Think About Death
  • Like Lovers Do
  • Without You
  • In My Basement Room
  • The Beach
  • Candy #9
  • Running
  • Hollow
also available

Cherry Kiss Red Vinyl[23,74 €]

Cassette[14,08 €]


Seit über einem Jahrzehnt ist die Sängerin und Songwriterin Samira Winter eine feste Größe in der Musikszene von Los Angeles. In der DIY-Rock-Community der Stadt fand sie ihre kreative Heimat und schuf sich unter dem Namen Winter ihre ganz eigene Nische mit glorreich detailverliebtem und eklektischem Dream Pop. Ihr neuestes Album und Winspear-Debüt "Adult Romantix" ist ein Abschieds-Liebesbrief an LA - ,ein Tunnel aus Sommern und Erinnerungen" - inspiriert von der gotisch-romantischen Literatur Mary Shelleys und romantischen Komödien der 90er-Jahre. Samira wuchs in Curitiba, Brasilien auf und spielte in ihren ersten Bands in Boston, bevor sie 2013 nach Los Angeles zog und sich in die Stadt verliebte. Doch irgendwann verspürte sie den Wunsch nach einem Tapetenwechsel, um persönliches Wachstum zu ermöglichen - eine schmerzhafte, aber notwendige Erkenntnis, die sie schließlich nach New York City führte. In den rund zwei Jahren vor ihrem emotionalen Umzug von Küste zu Küste schrieb sie Songs im Übergangszustand - oft zwischen Tourneen, in verschiedenen Städten und temporären Unterkünften. Aus diesen Phasen entstanden die 13 Songs ihres neuen Albums "Adult Romantix", dem Nachfolger ihres gefeierten 2022er-Albums "What Kind of Blue Are You?". Nostalgisch und sehnsuchtsvoll verbindet "Adult Romantix" wirbelnde Gitarren, rauchige Vocals und einige bemerkenswerte Gastauftritte, etwa von Dimitri Giannopoulos (Horse Jumper of Love) und Hannah van Loon (Tanukichan). Beeinflusst von Klassikern wie "Rather Ripped" von Sonic Youth, "Either/Or" von Elliott Smith und dem sonnengetränkten kalifornischen Shoegaze der 2010er Jahre, schwankt "Adult Romantix" zwischen taufrischer, gitarrengetriebener Euphorie und dunkler, nächtlicher Sehnsucht. Geprägt von aufbrausenden Verzerrungen und offen gestimmten Akustikgitarren, liegt über diesen rohen, liebeskranken Liedern eine greifbare bittersüße Stimmung.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
WINTER - ADULT ROMANTIX

Winter

ADULT ROMANTIX

12inchWSPLPC170
Winspear
22.08.2025

Seit über einem Jahrzehnt ist die Sängerin und Songwriterin Samira Winter eine feste Größe in der Musikszene von Los Angeles. In der DIY-Rock-Community der Stadt fand sie ihre kreative Heimat und schuf sich unter dem Namen Winter ihre ganz eigene Nische mit glorreich detailverliebtem und eklektischem Dream Pop. Ihr neuestes Album und Winspear-Debüt "Adult Romantix" ist ein Abschieds-Liebesbrief an LA - ,ein Tunnel aus Sommern und Erinnerungen" - inspiriert von der gotisch-romantischen Literatur Mary Shelleys und romantischen Komödien der 90er-Jahre. Samira wuchs in Curitiba, Brasilien auf und spielte in ihren ersten Bands in Boston, bevor sie 2013 nach Los Angeles zog und sich in die Stadt verliebte. Doch irgendwann verspürte sie den Wunsch nach einem Tapetenwechsel, um persönliches Wachstum zu ermöglichen - eine schmerzhafte, aber notwendige Erkenntnis, die sie schließlich nach New York City führte. In den rund zwei Jahren vor ihrem emotionalen Umzug von Küste zu Küste schrieb sie Songs im Übergangszustand - oft zwischen Tourneen, in verschiedenen Städten und temporären Unterkünften. Aus diesen Phasen entstanden die 13 Songs ihres neuen Albums "Adult Romantix", dem Nachfolger ihres gefeierten 2022er-Albums "What Kind of Blue Are You?". Nostalgisch und sehnsuchtsvoll verbindet "Adult Romantix" wirbelnde Gitarren, rauchige Vocals und einige bemerkenswerte Gastauftritte, etwa von Dimitri Giannopoulos (Horse Jumper of Love) und Hannah van Loon (Tanukichan). Beeinflusst von Klassikern wie "Rather Ripped" von Sonic Youth, "Either/Or" von Elliott Smith und dem sonnengetränkten kalifornischen Shoegaze der 2010er Jahre, schwankt "Adult Romantix" zwischen taufrischer, gitarrengetriebener Euphorie und dunkler, nächtlicher Sehnsucht. Geprägt von aufbrausenden Verzerrungen und offen gestimmten Akustikgitarren, liegt über diesen rohen, liebeskranken Liedern eine greifbare bittersüße Stimmung.

pre-order now22.08.2025

expected to be published on 22.08.2025

23,74
WINTER - ADULT ROMANTIX (TAPE)

Winter

ADULT ROMANTIX (TAPE)

CassetteWSPCASS70
Winspear
22.08.2025

Seit über einem Jahrzehnt ist die Sängerin und Songwriterin Samira Winter eine feste Größe in der Musikszene von Los Angeles. In der DIY-Rock-Community der Stadt fand sie ihre kreative Heimat und schuf sich unter dem Namen Winter ihre ganz eigene Nische mit glorreich detailverliebtem und eklektischem Dream Pop. Ihr neuestes Album und Winspear-Debüt "Adult Romantix" ist ein Abschieds-Liebesbrief an LA - ,ein Tunnel aus Sommern und Erinnerungen" - inspiriert von der gotisch-romantischen Literatur Mary Shelleys und romantischen Komödien der 90er-Jahre. Samira wuchs in Curitiba, Brasilien auf und spielte in ihren ersten Bands in Boston, bevor sie 2013 nach Los Angeles zog und sich in die Stadt verliebte. Doch irgendwann verspürte sie den Wunsch nach einem Tapetenwechsel, um persönliches Wachstum zu ermöglichen - eine schmerzhafte, aber notwendige Erkenntnis, die sie schließlich nach New York City führte. In den rund zwei Jahren vor ihrem emotionalen Umzug von Küste zu Küste schrieb sie Songs im Übergangszustand - oft zwischen Tourneen, in verschiedenen Städten und temporären Unterkünften. Aus diesen Phasen entstanden die 13 Songs ihres neuen Albums "Adult Romantix", dem Nachfolger ihres gefeierten 2022er-Albums "What Kind of Blue Are You?". Nostalgisch und sehnsuchtsvoll verbindet "Adult Romantix" wirbelnde Gitarren, rauchige Vocals und einige bemerkenswerte Gastauftritte, etwa von Dimitri Giannopoulos (Horse Jumper of Love) und Hannah van Loon (Tanukichan). Beeinflusst von Klassikern wie "Rather Ripped" von Sonic Youth, "Either/Or" von Elliott Smith und dem sonnengetränkten kalifornischen Shoegaze der 2010er Jahre, schwankt "Adult Romantix" zwischen taufrischer, gitarrengetriebener Euphorie und dunkler, nächtlicher Sehnsucht. Geprägt von aufbrausenden Verzerrungen und offen gestimmten Akustikgitarren, liegt über diesen rohen, liebeskranken Liedern eine greifbare bittersüße Stimmung.

pre-order now22.08.2025

expected to be published on 22.08.2025

14,08
Miles Davis - Miles ’55: The Prestige Recordings LP 3x12"
  • A1: I Didn't
  • A2: Will You Still Be Mine?
  • A3: Green Haze
  • B1: I See Your Face Before Me
  • B2: A Night In Tunisia
  • B3: A Gal In Calico
  • C1: Dr. Jackle
  • C2: Bitty Ditty
  • D1: Minor March
  • D2: Changes
  • E1: Stablemates
  • E2: How Am I To Know?
  • E3: Just Squeeze Me
  • F1: There Is No Greater Love
  • F2: The Theme
  • F3: S'posin
pre-order now22.08.2025

expected to be published on 22.08.2025

142,82
SUPERCHUNK - SONGS IN THE KEY OF YIKES
  • Is It Making You Feel Something
  • Bruised Lung
  • No Hope
  • Care Less
  • Climb The Walls
  • Cue
  • Everybody Dies
  • Stuck In A Dream
  • Train On Fire
  • Some Green
also available

ORANGE & BLACK SWIRL VINYL[23,49 €]


"Songs in the Key of Yikes" ist ein typisches Superchunk-Album: viszeral und zeitlos und verdammt eingängig - ein kathartischer Balsam für diese bedrückenden Zeiten. "Bruised Lung" - "No Hope" - "Care Less" - "Climb the Walls" - "Everybody Dies". Wenn man die Trackliste von "Songs in the Key of Yikes" überfliegt, fragt man sich unweigerlich: Sind Superchunk okay? In einer Welt, die wohl düsterer ist als die, die "Wild Loneliness" (2022) oder "What a Time to Be Alive" (2018) begrüßte, geht es uns da überhaupt noch gut? "Es war schon immer so, dass jeder etwas durchmacht, von dem man vielleicht nichts weiß", bemerkt Mac McCaughan. "Das gilt derzeit mehr denn je - aber es ist auch so, dass wir alle gemeinsam etwas durchmachen. Angesichts dessen, was nützt Kunst und wo findet man Glück? (Spoiler-Alarm: Ich weiß es nicht.)" Auf der Suche nach einer Antwort entfesselt "Songs in the Key of Yikes" einen Sound, der triumphierend und hell in der Dunkelheit ist, "Majesty Shredding" im Overdrive. Die Lead-Single ,Is It Making You Feel Something" gibt früh den Ton an, wobei die Band - McCaughan, Laura Ballance, Jim Wilbur und Laura King - aus dem Potenzial für Freude eine Hymne baut und in schlammverschmutzte Gewässer taucht und mit einer Perle wieder hochkommt. "No Hope" ist ähnlich widerstandsfähig, McCaughans Texte zeichnen ein niederschmetterndes Bild, bevor sie in den titelgebenden Refrain übergehen. Er wiederholt den Satz neun Mal, macht eine Pause und verwandelt die Stimmung vollständig, indem er den Gesang mit der Zeile "and here we are singing" unterbricht. Der Text ist scharf, gleichzeitig eine einfache Beobachtung und eine tiefgründige Aussage über das Sein, die erdrückenden Nächte und endlosen Tage, aber McCaughans Stimme findet eine gewisse Süße darin, durchgehalten zu haben und dies auch weiterhin zu tun. Paradoxerweise grenzt die Energie von "Songs in the Key of Yikes" an Euphorie und bricht manchmal sogar in sie aus, wie in "Stuck in a Dream", das wie eine oasenartige Fata Morgana zwischen "Everybody Dies" und "Train on Fire" auftaucht, ein voller Sprint, der die Menge begeistert und sich zum Pogen im Pit eignet. "Care Less" ist ein düsterer, komischer Spiegel dieser Energie, ein Garage-Jam, in dem ein scharfzüngiger McCaughan Zuflucht vor dem Sturm sucht, indem er so tut, als würde er nicht direkt vor seiner Tür toben. Diese Strategie funktioniert nicht. Natürlich funktioniert sie nicht. Es ist ein Song auf einem Superchunk-Album, und Superchunk-Alben sind Argumente gegen Engstirnigkeit und für Partys, die groß genug sind, um alle zu beherbergen. Dieses Album begrüßt nicht nur Laura King nach zwei Jahren als Tour-Schlagzeugerin in der Band, sondern enthält auch Beiträge von Rosali Middleman ("Bruised Lung" und "Everybody Dies"), Bella Quinlan und Holly Thomas von Quivers ("Cue") und der Tour-Bassistin Betsy Wright ("Care Less"). Das Album wurde von Paul Voran (The Menzingers, Hurray for the Riff Raff) und Eli Webb produziert und von Mike Montgomery (The Breeders, Protomartyr) gemischt. Gemeinsam kommen sie zu keinem Ergebnis darüber, was gute Kunst in Krisenzeiten ausmacht und schaffen gleichzeitig großartige Kunst.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
SUPERCHUNK - SONGS IN THE KEY OF YIKES

Superchunk

SONGS IN THE KEY OF YIKES

12inchMRGLPC1870
Merge
22.08.2025

"Songs in the Key of Yikes" ist ein typisches Superchunk-Album: viszeral und zeitlos und verdammt eingängig - ein kathartischer Balsam für diese bedrückenden Zeiten. "Bruised Lung" - "No Hope" - "Care Less" - "Climb the Walls" - "Everybody Dies". Wenn man die Trackliste von "Songs in the Key of Yikes" überfliegt, fragt man sich unweigerlich: Sind Superchunk okay? In einer Welt, die wohl düsterer ist als die, die "Wild Loneliness" (2022) oder "What a Time to Be Alive" (2018) begrüßte, geht es uns da überhaupt noch gut? "Es war schon immer so, dass jeder etwas durchmacht, von dem man vielleicht nichts weiß", bemerkt Mac McCaughan. "Das gilt derzeit mehr denn je - aber es ist auch so, dass wir alle gemeinsam etwas durchmachen. Angesichts dessen, was nützt Kunst und wo findet man Glück? (Spoiler-Alarm: Ich weiß es nicht.)" Auf der Suche nach einer Antwort entfesselt "Songs in the Key of Yikes" einen Sound, der triumphierend und hell in der Dunkelheit ist, "Majesty Shredding" im Overdrive. Die Lead-Single ,Is It Making You Feel Something" gibt früh den Ton an, wobei die Band - McCaughan, Laura Ballance, Jim Wilbur und Laura King - aus dem Potenzial für Freude eine Hymne baut und in schlammverschmutzte Gewässer taucht und mit einer Perle wieder hochkommt. "No Hope" ist ähnlich widerstandsfähig, McCaughans Texte zeichnen ein niederschmetterndes Bild, bevor sie in den titelgebenden Refrain übergehen. Er wiederholt den Satz neun Mal, macht eine Pause und verwandelt die Stimmung vollständig, indem er den Gesang mit der Zeile "and here we are singing" unterbricht. Der Text ist scharf, gleichzeitig eine einfache Beobachtung und eine tiefgründige Aussage über das Sein, die erdrückenden Nächte und endlosen Tage, aber McCaughans Stimme findet eine gewisse Süße darin, durchgehalten zu haben und dies auch weiterhin zu tun. Paradoxerweise grenzt die Energie von "Songs in the Key of Yikes" an Euphorie und bricht manchmal sogar in sie aus, wie in "Stuck in a Dream", das wie eine oasenartige Fata Morgana zwischen "Everybody Dies" und "Train on Fire" auftaucht, ein voller Sprint, der die Menge begeistert und sich zum Pogen im Pit eignet. "Care Less" ist ein düsterer, komischer Spiegel dieser Energie, ein Garage-Jam, in dem ein scharfzüngiger McCaughan Zuflucht vor dem Sturm sucht, indem er so tut, als würde er nicht direkt vor seiner Tür toben. Diese Strategie funktioniert nicht. Natürlich funktioniert sie nicht. Es ist ein Song auf einem Superchunk-Album, und Superchunk-Alben sind Argumente gegen Engstirnigkeit und für Partys, die groß genug sind, um alle zu beherbergen. Dieses Album begrüßt nicht nur Laura King nach zwei Jahren als Tour-Schlagzeugerin in der Band, sondern enthält auch Beiträge von Rosali Middleman ("Bruised Lung" und "Everybody Dies"), Bella Quinlan und Holly Thomas von Quivers ("Cue") und der Tour-Bassistin Betsy Wright ("Care Less"). Das Album wurde von Paul Voran (The Menzingers, Hurray for the Riff Raff) und Eli Webb produziert und von Mike Montgomery (The Breeders, Protomartyr) gemischt. Gemeinsam kommen sie zu keinem Ergebnis darüber, was gute Kunst in Krisenzeiten ausmacht und schaffen gleichzeitig großartige Kunst.

pre-order now22.08.2025

expected to be published on 22.08.2025

23,49
Eve Adams - American Dust LP

Eve Adams

American Dust LP

12inchBR023LP
Basin Rock
22.08.2025

"Astral Americana hymns hovering somewhere between the dirt and the stars" Pitchfork

"Mood music for moments of solitude, best experienced without distraction" The Times

"Overwhelmingly effective and ravishingly beautiful" The Wire

American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams’ characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains.

The high desert of California is a vast and confounding place. Equally inspiring as it is punishing, it’s a landscape that carries magic in its deep dark nights, holding stories both tender and stark in the coarse layer of dust that settles upon everything. It’s long been a source of inspiration for musicians, writers, and painters, each of them adding to the same current, carried forward over time, through hope and hardship and the passing years.

Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021’s Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Hollywood’s golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives.

Adams writes from within. A few years ago she moved out there, to “the middle of nowhere”, finding a slowness that didn’t exist in the city, and she knows only too well about the mystical nature of the land and those who live within it. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. “There’s something very radical about domestic life,” Adams says of this thread. “So many women live their entire lives behind closed doors, completely in the shadows. Within those lives is such sacrifice, devotion, and love. I wanted to honor that: the poetry in the mundane, the longing in the repetition. The way love survives boredom and dust and time.”

Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it’s an ambitious and detailed stride forward from what’s come before, the scope of the LP’s narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline’s Oliver Hamilton (Violin).

For all the drama that’s coiled around these songs, it’s the recurring notion of love and hope fighting against everything that holds true throughout American Dust. Musically it’s lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it’s what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they’re bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter right in front of our eyes.

“The same swirling dust that clung to the covered wagons of my ancestors as they crossed the Great American Desert is the same dust my great-great-grandmother swept off her porch during the Dust Bowl of 1936 in Oklahoma, is the same dust that blows in through the cracks in my windows here in the desert, carrying stories from a time long gone,” Eve says, reflecting on the personal narrative that runs through her new album.

“It’s not just dust—it’s American Dust, the kind that settles into the bones of a family and never leaves. I think about that dust as a symbol of the passage of time. I hope this album will be part of that same current, carrying forward for the next generations of my family to find. I’ve been lucky enough to have journals and poetry from my ancestors that documents their lives during times of pure hope and pure hardship. I’d like to think of this album as a contribution to that family history.”

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
HONEYPUPPY - DIRTY TV

Honeypuppy

DIRTY TV

12inchCLDLP39
Cloud Recordings
22.08.2025
  • Understatement
  • Cozy
  • Wait No
  • Dirty Tv
  • Long Time Coming
  • Can't Stand U
  • Plaster
  • I've Been Delayed

"We are Honeypuppy. Your worst nightmare. Sleep tight." Born from the liminal space between the head and pillow of Songwriter Josie Callahan, Athens Georgia's Honeypuppy interrupts your regularly scheduled programming with an exciting and fresh one-time TV offer: a sparkly new album for your listening pleasure. Experience the bliss and despair, anxiety and indifference, and present yet absent-minded glee of this episodic saga in Honeypuppy's glowing new sonic collection, DIRTY TV. A nostalgic and poppy delight complete with twists, turns, and plenty of surprises, don't miss a second of DIRTY TV. Honeypuppy formed in 2020 as Callahan (lead vocals, guitar) recruited friends and roommates Adam Wayton (bass, vocals), and Will Wise (lead guitar) to help bring her songs to life. The group released "Nymphet", their soft and brutal debut EP, in January of 2024.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
Maiya Blaney - A Room with a Door That Closes LP
  • 1: I’ll Be With You 3:00
  • 2: Left :0
  • 3: Carmen Electra 2:45
  • 4: Idr 1:3
  • 5: Fumbled 1:46
  • 6: “Affirmatively.” Pt 1 1:59
  • 7: Honey I 2:10
  • 8: Could You 3:31
  • 9: Recognize Me 2:11
  • 10: “Affirmatively.” Pt Ii 3:19
  • 11: And 4:16

Blaney describes A Room With A Door That Closes as “a love letter to her blue,” an emotional state that she defines as “a kinetic, intense, and dark energy that needs to be expressed as soon as it is felt.” The eleven songs on the album span radioactive kiss offs, sorrowful meditations on yearning, and gossamer reveries about self image.

The music has a fittingly tumultuous, intricate sound: 1960s soul samples melt into warm drum n bass percussion, blips of glitch ping pong against grating synth, and Blaney’s vocals range from searing punk exclamations to gentle, exploratory croons. It’s the sound of a singer peering deeply within herself and presenting the world with everything she finds, unadulterated, in real time. Blaney produced the new project along with a tight team of three producers: Emerson Fossett, Harlan Steed (Show Me The Body), and Alex Farrar (MJ Lenderman, Wednesday, Squirrel Flower, Snail Mail).

Blaney had just started playing guitar and producing around the time she began writing the songs that would become the album. Being new to both producing and guitar playing opened up a sense of exploration and freedom for her. She felt emboldened to employ more adventurous riffs and unconventional song arrangements when she was writing. A Room With A Door That Closes is a collection of songs that rigorously pursue honesty, that present feelings as they arise without rushing to categorise them or explain them away. In the process of understanding her rage or discomfort, Blaney often lands on a sense of pride and assurance, but that’s never the ultimate goal. She eschews the easy comfort of neat resolution for the excitement of ongoing discovery. The album is an exercise in unfiltered self-expression, and a celebration of life at its messiest.

pre-order now22.08.2025

expected to be published on 22.08.2025

27,31
AZ - Save Them

AZ

Save Them

7"-VinylTKR019
TUFF KONG RECORDS
22.08.2025

In an interview released to Billboard in 2017, east coast veteran AZ explains how this collaboration with legendary DITC producer Buckwild came along:

"The sound was shifting. A lot of brothers in the street were telling me "You got to save us." And I'm like, "Save y'all from what?" So I took that title to save the people, then Buckwild played a joint in the studio called "Save Them," and I was like, "This is it."

The two don't really need no introduction: with the Brooklyn lyricist gracing the mic since the mid 90's beginning with one of his first appearances alongside Nas on "Life's A Bitch" and dropping legendary classics such as "Doe Or Die", and the Bronx producer providing beats to artists that range from old school acts such as The Notorious B.I.G., Jay Z, Kool G Rap, Big Pun, modern day legends such as Vinnie Paz, Meyhem Lauren, Termanology and, last but not least, legendary DITC members Big L, Fat Joe, Diamond D and the list goes on and on.

AZ had to recruit "some brothers who I know respect the craft" and found them in Wu-Tang Clan's own Raekwon alongside the late great Prodigy of Mobb Deep. The song was released in April 2017 and brought a breath of fresh air with its classic vibe, together with a video being released just days before Prodigy's untimely passing in June 2017. The rest, you already know, is straight up hip-hop history.

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13,87

Last In: 8 months ago
Kuttin Edge - (115)

Kuttin Edge

(115)

12inchPLAYME12011
Play Musik
22.08.2025

* 140gm vinyl in charcoal black reverse-board disco bag, with red/ hot pink/ blue/ off-white patterned wraparound sticker, and embossed play:musik icon on front sleeve.

* Kuttin Edge arrives on p:m with (115), a musically adventurous set that draws from a range of influences - West African funk, UK and US electronics, Autonomic moods, minimal techno, and Brutalism; while a focus on analogue feel, overdubbing, and textural detail processes tie it together. An interesting, experimental, yet firmly dancefloor friendly EP.

* Tracklist:
A1. Onyeabor: a unique track full of vintage-sound synths, bright melodic lines, Moog-style arpeggios, and rhythms built on a CR78, layered with live drums, tambourines, and bass guitar. Disco funk samples and fx add texture, alongside heavy overdubbing. Inspired by early William Onyeabor aesthetics.

A2. Dark Horse: Dark Horse: an atmospheric arrangement of phase-y pads reminiscent of the peak Autonomic era, filtered through the abstract lens of artists like Actress or King Britt. The pacing and negative space give the tune a weighty but airy feel, punctuated by heavy toms and documentary-style foley. Soulfully cosmic.

B1. Loop Me: polyrhythmic arpeggios, swirling delays, unstable harmonic structure, and chromatic movement form a tense, shifting progression. Built around a single bell sample, the track is reshaped through layering, modulation, subtle changes in texture, and filtered transitions. A techno stepper.

B2. Geiger Scale: experiments with playful but controlled randomness, minimal structure and off-grid sequencing. The idea centres on a toy synth with loose notes and laidback groove formed of irregular, rhythmic patterns. Geiger Scale perfects restraint as the arrangement bubbles along with sparse melodies. Smokey and potent.

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17,61

Last In: 8 months ago
GREY OCTOBER SOUND - Late Night Lo-Fi
  • A1: Fascination / Grey October Sound & Zaqlo
  • A2: Moonlit Fish / Grey October Sound & Tsubaki Sounds
  • A3: Ronin Vibes / Grey October Sound & Don C
  • A4: Tokyo Dream - Cloudy Memories / Grey October Sound & Sand Land Studio
  • A5: Yoru No Ame / Grey October Sound & Matcha One
  • B1: Late Night / Grey October Sound &Adon
  • B2: Room 503 / Grey October Sound & Orilo
  • B3: Night In The Rain / Grey October Sound & Rensui
  • B4: Black Butterfly / Grey October Sound & Léa Fontenay
  • B5: Night Walker / Grey October Sound & Route

Grey October Sound has gained widespread popularity not only in Japan but also around the world through their series of cover albums, including Lo-fi Ghibli,
a collection of Ghibli film music covers; Lo-fi City Pop, featuring covers of classic and beloved City Pop songs; and Lo-fi Anime, which reimagines popular anime
theme songs in their signature style.

Amid the success of their original compilation series Timeless Lo-fi, they are now launching a brand-new series titled Late Night Lo-fi.
This new album, composed entirely of newly recorded tracks, continues to reflect Grey October Sound’s distinctive style while offering mellow and chill tunes that
evoke the atmosphere of late-night hours, just as the title suggests.

pre-order now22.08.2025

expected to be published on 22.08.2025

40,80
MOSES BROWN - STONE OVER STONE
  • In The Beginning
  • Demolition
  • Reality Of Living In A Construction Site
  • Water Song
  • Steel I-Beams
  • Taking Out The Trash
  • The First Dinner
  • The New Neighbors
  • House For Sale
  • And Now The Memory

LP comes with 24 page 8.5x11 full color booklet. In the blurred and memorial hallways of bygone time, to remember is to wander between the rooms of our own experiences, to appear and disappear, like a play of overlapping shadows. In music set drifting through the architecture of his own memories, Moses Brown weaves a story that oscillates between the past and the present, like a mason turning over stones to reconstruct his childhood home in this beautiful and disquieting soundtrack to growing up. On Stone Upon Stone, Moses' first solo LP attributed to his given name after several releases under the brilliant and despondent "Peace de Resistance" moniker, he moves sidelong into the realm of soundtracks with this score to the construction of his childhood home in a story spanning 1993-2023. Laid out in lush and provocative minimalist instrumentals, the album unfolds a story about the planning, partial construction, and dissolution of a home in constant state of becoming through the lens of its only child, coming of age under flux. Influenced by the approach of friends and collaborators Straw Man Army's OST to Charles Darwin's Voyage of the Beagle, Stone Upon Stone was originally intended as a soundtrack to a novel of the same name by Wieslaw Mysliwski, an epic set in Poland about a family's construction of a mausoleum. Struck by the story's parallels with his own family's project, he got the idea to complete the work as a personal narrative. Created from layers of different mellotron voices then separated, re-amplified, and recorded as if they were a sitting chamber orchestra, the music eerily blurs the line between human and synthetic, giving way to something akin to a memory with it's blurriness of fact and fiction. In the same spirit of association, this record is certainly influenced by other minimalists working within the confines of "soundtrack", like Philip Glass' North Star and the film work of Michael Nyman. But Brown's soundtrack works within its own peculiar depth of field, living in the listener's imagination, thriving in its own sense of loneliness, aspiration, and confusion that only childhood can evoke. Listeners will feel the entropy of aging in Stone Upon Stone, like a memoir in cascading tones, that sets it apart from so much else in DIY music, and rewards with repeated listens. For Fans of Philip Glass, Kali Malone, Julius Eastman, Mica Levi, Roedelius.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
Third Ear Band - Third Ear Band

For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band's approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music – without plugging in.

Third Ear Band's 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band's self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists' doctrines.

On this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West's countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.

The long songs here stream forth from their skilled hands, evoking a communal transcendence in sound – a hypnotic swirl that doesn't swing, but rather wafts and undulates with cloistered beauty. TEB's music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.

– Dave Segal (excerpt from the liner notes)

pre-order now22.08.2025

expected to be published on 22.08.2025

26,47
Debris' - Debris'

Debris'

Debris'

12inchSV137LP
SUPERIOR VIADUCT
22.08.2025

Chickasha, Oklahoma is not a place known for producing a lot of original proto-punk bands. In fact, there is, to our knowledge, only one: Debris'. Formed in 1975 by bassist Chuck Ivey, guitarist Oliver "Rectomo" Powers and drummer Johnny Gregg, the trio created some of the most art-damaged outsider rock 'n' roll this side of MX-80 Sound.

When a local studio offered the package deal of ten hours for recording and mixing as well as pressing 1,000 LPs and two-color jackets, Debris' came in well-rehearsed – nailing all eleven of their songs in just one take. In April 1976, the same month as Ramones' debut album, Debris' would release their lone record onto the world.

Opener "One Way Spit" could easily be mistaken for a lost KBD single – from Chuck's bizarre count-in to the band's trashy start-stop rhythms, unfurling a Dadaist flag around Johnny's visceral vocals. On "Tricia," a reference to the then-current Patty Hearst trial, Oliver's gruesome groans are sardonically juxtaposed with an electric saw. These LSD-tinged tunes are a potent mix of Beefheart-ian controlled chaos and the genuinely weird avant-rock associated with the mid-'70s Cleveland scene.

Enhanced by analog synthesizers and electronic effects, the album sounds like Eno-era Roxy Music or Stooges' Fun House buried deep in the red Oklahoma dirt. While punk would spark a handful of bands who boldly straddled the line between the primal and the experimental, the relatively unsung Debris' were one of the first to do so.

Debris' had a standing invitation to play New York at Max's Kansas City and CBGB in 1976, although they never made it out of Oklahoma. The private-press edition of their self-titled album (also known as Static Disposal, which was actually the label name printed on the original front cover) has since become a collector's item and is even namechecked on the infamous NWW list.

pre-order now22.08.2025

expected to be published on 22.08.2025

26,47
SUPERCHUNK - SONGS IN THE KEY OF YIKES

SUPERCHUNK

SONGS IN THE KEY OF YIKES

12inchMRGLP870
Merge
22.08.2025

"Songs in the Key of Yikes" ist ein typisches Superchunk-Album: viszeral und zeitlos und verdammt eingängig - ein kathartischer Balsam für diese bedrückenden Zeiten. "Bruised Lung" - "No Hope" - "Care Less" - "Climb the Walls" - "Everybody Dies". Wenn man die Trackliste von "Songs in the Key of Yikes" überfliegt, fragt man sich unweigerlich: Sind Superchunk okay? In einer Welt, die wohl düsterer ist als die, die "Wild Loneliness" (2022) oder "What a Time to Be Alive" (2018) begrüßte, geht es uns da überhaupt noch gut? "Es war schon immer so, dass jeder etwas durchmacht, von dem man vielleicht nichts weiß", bemerkt Mac McCaughan. "Das gilt derzeit mehr denn je - aber es ist auch so, dass wir alle gemeinsam etwas durchmachen. Angesichts dessen, was nützt Kunst und wo findet man Glück? (Spoiler-Alarm: Ich weiß es nicht.)" Auf der Suche nach einer Antwort entfesselt "Songs in the Key of Yikes" einen Sound, der triumphierend und hell in der Dunkelheit ist, "Majesty Shredding" im Overdrive. Die Lead-Single ,Is It Making You Feel Something" gibt früh den Ton an, wobei die Band - McCaughan, Laura Ballance, Jim Wilbur und Laura King - aus dem Potenzial für Freude eine Hymne baut und in schlammverschmutzte Gewässer taucht und mit einer Perle wieder hochkommt. "No Hope" ist ähnlich widerstandsfähig, McCaughans Texte zeichnen ein niederschmetterndes Bild, bevor sie in den titelgebenden Refrain übergehen. Er wiederholt den Satz neun Mal, macht eine Pause und verwandelt die Stimmung vollständig, indem er den Gesang mit der Zeile "and here we are singing" unterbricht. Der Text ist scharf, gleichzeitig eine einfache Beobachtung und eine tiefgründige Aussage über das Sein, die erdrückenden Nächte und endlosen Tage, aber McCaughans Stimme findet eine gewisse Süße darin, durchgehalten zu haben und dies auch weiterhin zu tun. Paradoxerweise grenzt die Energie von "Songs in the Key of Yikes" an Euphorie und bricht manchmal sogar in sie aus, wie in "Stuck in a Dream", das wie eine oasenartige Fata Morgana zwischen "Everybody Dies" und "Train on Fire" auftaucht, ein voller Sprint, der die Menge begeistert und sich zum Pogen im Pit eignet. "Care Less" ist ein düsterer, komischer Spiegel dieser Energie, ein Garage-Jam, in dem ein scharfzüngiger McCaughan Zuflucht vor dem Sturm sucht, indem er so tut, als würde er nicht direkt vor seiner Tür toben. Diese Strategie funktioniert nicht. Natürlich funktioniert sie nicht. Es ist ein Song auf einem Superchunk-Album, und Superchunk-Alben sind Argumente gegen Engstirnigkeit und für Partys, die groß genug sind, um alle zu beherbergen. Dieses Album begrüßt nicht nur Laura King nach zwei Jahren als Tour-Schlagzeugerin in der Band, sondern enthält auch Beiträge von Rosali Middleman ("Bruised Lung" und "Everybody Dies"), Bella Quinlan und Holly Thomas von Quivers ("Cue") und der Tour-Bassistin Betsy Wright ("Care Less"). Das Album wurde von Paul Voran (The Menzingers, Hurray for the Riff Raff) und Eli Webb produziert und von Mike Montgomery (The Breeders, Protomartyr) gemischt. Gemeinsam kommen sie zu keinem Ergebnis darüber, was gute Kunst in Krisenzeiten ausmacht und schaffen gleichzeitig großartige Kunst.

pre-order now22.08.2025

expected to be published on 22.08.2025

22,27
Arkyn - The Spirit EP

Arkyn

The Spirit EP

12inchFOUNDATIONS002
Foundations Records
22.08.2025

Hot on the heels of 12bit Jungle Out There's 'Right Mind' EP, Foundations Records brings you the hotly anticipated follow-up from rising star Arkyn on 'The Spirit EP' Drawing influence from classic '93 era jungle techno on the likes of Basement Records, it's perhaps his most accomplished work to date in his first foray into all hardware production. Arkyn is a UK based DJ and Producer. His production is influenced from a wide range of music he grew up listening to including Reggae, Dub, Soul, Techno and Funk to name a few. After discovering rave music through the underground party scene in Northampton, he began to cut his teeth DJing and has since gone on to play at some of the most established Jungle/Hardcore events in the country including Distant Planet, The Rave Story and Calling The Hardcore among others. He also recently debuted at Fabric for Motive Hunter Audio's takeover. Arkyn has released on FFF's 3am Eternal, Billy Daniel Bunter's Music Mondays and Motive Hunter Audio to name a few. He also runs his own label TufStuf Records. FOUNDATIONS002 - Arkyn - The Spirit EP Four tracks of Hardcore Jungle Techno and 4x4 made with Akai S3000 XL sampler, Roland 909, Roland JV 1080, Korg 01/W FD and Roland D50.

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12,56

Last In: 45 days ago
PRINZ EZO - KURIER

PRINZ EZO

KURIER

12inchTNLP02
Tech-Nology
22.08.2025

Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin. Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style, persona, and sweaty live performance skills - his musical understanding and need to explore new directions took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers - but always in a tone of his own. Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create. The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers. "Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder kid by the media back in the 90's. An insider with new knowledge of Bjorn told us: "Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if you want to, but don't expect all the rides to be fun - sometimes it hurts! Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart, making music documents for the few. Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is important if you want to make interesting music that last for the future. When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous underground labels, made the jump to a major label, and everything more or less turned out as a big disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the moniker Prinz Ezo - The Body Offset. We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER Why Kurier? Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology - he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and understanding his skills, at the point where you understand why you have to cross borders, still incognito, doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and space. Not Restless nor rootless, just forever on the move, always discovering new landscapes! But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely in balance with the music inside of him. Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those who never arrived.

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14,71

Last In: 8 months ago
RHODE & BROWN - AQUA TERRA EP

Rhode&Brown

AQUA TERRA EP

12inchPT017
PLANET TRIP
22.08.2025

Planet Trip Records is pleased to present Aqua Terra, the latest EP release from Friedrich Trede and Stephan Braun, the respected Munich-based DJ and production duo better known as Rhode & Brown. Since 2010, they’ve racked up a slew of quality releases through Permanent Vacation, Public Possession, Shall Not Fade, and their own Slam City Jams imprint, while playing well-received DJ sets across Europe. Along the way, the two longtime friends have spent the last fifteen years incorporating influences from electro, italo, synth-pop, breakbeat trance, rave music, and ambient into their blend of uptempo house and techno productions.

Shifting gearspeed, Aqua Terra sees Rhode & Brown trying something completely new and unexpected from them: a record inspired by UK street soul, digi-dub, and transatlantic R&B and boogie from the 1980s and 1990s. Beginning with the Loose Ends slanted synthesiser chords and shuffling machine beat of ‘Heart Attack’ and the glossy new jack swing bounce of ‘Passion Sauce’ (both featuring sultry Berlin-based New York singer Marlena Dae), Aqua Terra quickly reveals itself as a treasure chest of heavy tunes. Steeped in love and lust, ‘Heart Attack’ and ‘Passion Sauce’ are essential sing-along numbers for the warm-up and the warm-down.

The exemplar of a groove that keeps on giving, ‘Aqua Terra (Acid Frog Mix)’ is a note-perfect example of digi-dub redone for the 2020s. Keeping us guessing, Rhode & Brown flip the script on ‘Longo Doggo’ by borrowing elements from sampledelic ‘90s turntablism and blending them with a post-disco/electro beat and a slinky bassline for the ages. From there, ‘Multiflora’ sees our protagonists back in a bassy digi-dub mode, before closing things out with an acid breakbeat slanted demo mix of the title track.

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14,50

Last In: 7 months ago
Cranes - FUSE LP

Cranes

FUSE LP

12inchDADA006LPX
Dadaphonic
22.08.2025

The Fuse album was remastered at Abbey Road in 2023.  The album includes an extra unheard track from the period called New Liberty. Artwork is by Chris Bigg of V23.
The second in a series of archive releases by Cranes, Fuse was recorded in Portsmouth, their home town by siblings Alison and Jim Shaw. It originally appeared as a cassette album in 1986 on the Bite Back! label. With an initial run of only 200 copies, over the years this album, with its distinctive purple cover has been highly sought after amongst fans, often exchanging hands for more than £100. 

FUSE showcases a sparser, darker and more industrial, post punk sound. From the hypnotic allure and rhythmic intensity of the title track to the ferocious and challenging beats of Wrench, the songs are just as mesmerising as Cranes' later, critically acclaimed releases.  

Recorded in a garage on a 4 track porta-studio, the band spent many months experimenting and became obsessed with the recording process. Jim Shaw used a very early sampling pedal to create the drum sounds, which were all individually triggered. The only and first ‘industry’ person to hear anything by Cranes at this time was Martin Hannett (legendary producer of Joy Division and New Order).  He was looking for unsigned bands to appear on a new music TV show in Manchester and so Ian Binnington from Biteback! sent him a compilation tape of many Portsmouth bands. Hannett picked out ‘Fuse - original version” by Cranes and told Ian that the track was ‘fucking great’.   

Following their sold out gigs in October 2023 in London and Portsmouth, Cranes will be playing the following shows in May, supported by deary*: Tue 30th April BRUSSELS, Botanique, L’orangerie (Sold-Out) Thu 9th May LEEDS, Brudenell Social Club* Sat 11th May LONDON, Islington Assembly Hall* Mon 27th May BARCELONA, Primavera @Apolo.

pre-order now22.08.2025

expected to be published on 22.08.2025

21,43
Horace Andy - Get Wise
  • 1: I Will Forgive You
  • 2: Root Of All Evil
  • 3: Holy Mount Zion
  • 4: Sexy Jean
  • 5: Let The Teardrops Fall
  • 6: I Don’t Want To Be Outside
  • 7: Eighty Percent Badness
  • 8: Get Wise
  • 9: Youth Of Today
  • 10: Feel Good

With his honeyed falsetto, Horace Andy has long been considered one of roots reggae's most inimitable voices. His signature tune, "Skylarking," is one of a handful of songs that can be instantly recognized by even the most casual of reggae fans. Making his debut with producer and mentor Phil Pratt at the age of sixteen, Andy's expressive vocal style is immediately distinctive, bearing the soulful influence of American artists Otis Redding and Smokey Robinson as well as fellow countryman Alton Ellis.

1975's Get Wise collects a series of singles produced by Pratt including versions of hits "Money, Money" ("Root Of All Evil") and "Zion Gate" ("I Don't Want To Be Outside"). Recorded between 1972 and 1974, these sides were captured at legendary studios Channel One, Black Ark, Dynamic Sound and Randy's Studio 17 with house engineers Ernest Hoo Kim, Lee Perry, Carlton Lee and Errol Thompson at the helm.

Originally released on Pratt's Sunshot label, the album doubles as a showcase for The Soul Syndicate Band, a typically ad-hoc session group which featured Sly & Robbie, Aston "Family Man" Barrett and Earl "Chinna" Smith, among others.

Get Wise delivers ten tracks of Andy's finest material and should be in the collection of any aficionado of the classic '70s Kingston sound. Liner notes by JR Gonne.

pre-order now22.08.2025

expected to be published on 22.08.2025

23,95
Errol Brown & The Revolutionaries - Dub Expression

Recorded and mixed at Duke Reid's storied Treasure Isle studio by Duke's nephew, young engineer Errol Brown, Dub Expression collects dubbed up treatments of seminal rockers rhythms crafted for Marcia Griffiths, John Holt, Dennis Brown and more.

Propelled by the drums of Lowell "Sly" Dunbar, the appropriately named Revolutionaries (with their tough and radical sound) were the ideal group to reflect a turbulent period in Jamaican politics. While the band's personnel remained fluid – depending on which players were available and frequently overlapping with other seminal sessions bands such as Joe Gibbs' The Professionals and Bunny "Striker" Lee's The Aggrovators – The Revolutionaries were most known as Channel One's house band in the mid to late '70s.

The decision to top-bill The Revolutionaries, rather than feature an individual artist as was customary at the time, was made by Kingston's most celebrated female producer, Sonia Pottinger who shrewdly determined that The Revolutionaries' name alone would be a can't miss selling point. One only needs to spend a minute with Dub Expression to hear why.

Originally released in 1978 on Pottinger's High Note label, Dub Expression represents the essence of dub in its purest form. An absolute classic. Liner notes by JR Gonne.

pre-order now22.08.2025

expected to be published on 22.08.2025

26,47
Kurt Vile, Luke Roberts - Classic Love EP

Zwei erfolgreiche Independent-Musiker auf gleicher Wellenlänge: Kurt Vile, Alternative-Music-Gitarrist und
Singer/Songwriter aus Philadelphia, tut sich für seine neue Verve-EP mit Folk-Musiker Luke Roberts aus
Nashville zusammen. Unter den fünf Titeln findet sich mit Slow Talkers ‘22” die neue Version eines Titels
von Kurt Viles 2008er LP “Constant Hitmaker”, “Classic Love” ist ein neuer Track von Luke Roberts,
“Wildflower” ein Beach-House-Cover.

pre-order now22.08.2025

expected to be published on 22.08.2025

18,91
THANK - PLEASE (10" EP)

Thank

PLEASE (10" EP)

10inchXAG18
Exag Records
22.08.2025
  • Commemorative Coin
  • Think Less
  • No Respect For The Arts
  • Two Hour Lunch

Leeds-based noise-rock band Thank drops their second EP Please. Coming out as a joint venture between Buzzhowl Records and Belgium's EXAG, Please is the follow-upto the group's debut EP, 2017's Sexghost Hellscape. While the tension in Please could be too much for some bands to hold, Thank sustainit expertly across the four tracks here. This is thanks in part to superbly-balanced production by Rob Slater and Jamie Lockhart (Greenmount Studios) as well as a meaty mastering job from Declared Sound's Dominic Clare. Furthermore, vocalist Freddy Vinehill-Cliffe (Beige Palace) acts as a lightning rod for both elements of Thank's sound. Vinehill-Cliffe's lyrics tackle by turns Catholic guilt, deaths in the family, his experiences in therapy, sex, loyalty and betrayal. Whatever the subject matter, every syllable of Please is delivered in a selfflagellatingyelp that is equal-parts Xiu Xiuand post-Nite Flights Scott Walker. Such a tragi-comic performance is the perfect focalpoint for Thank's harsh, powerful Please. "A brutally deranged band that mixes krautrock and experimental electronic music into their caterwauling punk, reforming noise rock with robotic grooves and manipulatedsynths." - Post Trash "Thank trade in groovily abrasive riffs, burbling synths, disco-punk drum patterns and high level ranter vocals." - The Quietus

pre-order now22.08.2025

expected to be published on 22.08.2025

13,40
Eden Burns & Christopher Tubbs - Burns & Tubbs Vol. IV

We welcome back Tubbs & Burns on Public Possession offering yet another highly danceable selection of tunes.
The main title on this EP features Paula Tape and has it all: seductive vocals, a mesmerizing acid baseline and the classic hypnotic Tubbs & Burns touch.
It comes in three versions incl. an epic Todd Modes remix. Cheeky Bonus and potentially a secret Deejays favorite is Colter Carsons remix of the previously released „Where were you in 92“ turning it up a few gears, ready for some festival MainStage plays

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12,56

Last In: 3 months ago
11Schnull & Newinfluenzer - Ich und meine Ubahn

When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

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14,71

Last In: 3 months ago
Irvine Welsh & The Sci-Fi Soul Orchestra - Men In Love LP
  • A Man In Love With Love
  • You Gotta Be Strong
  • Damn Straight
  • Saviour
  • Love At Last
  • Supply Lines Of Love
  • A Whole New Side Of Me
  • Dreams
  • Men In Love

Men in Love is a collaborative concept album by Irvine Welsh and The Sci-Fi Soul Orchestra, exploring the complexities of love, relationships, and the human condition. The album blends classic Motown and disco influences with contemporary electronic dance production, creating a unique and powerful sound that is both nostalgic and fresh.

From soaring anthems to intimate ballads, Men in Love takes the listener on a journey through the highs and lows of romance, celebrating the power of connection, vulnerability, and the enduring search for love in a chaotic world.

The album will be released concurrently with Welsh's new novel, also titled Men in Love. The book is a sequel to Welsh's seminal work, Trainspotting, and continues the story of Renton, Sick Boy, Spud, Begbie, and other beloved characters. The album serves as a sonic companion to the novel, with its themes, lyrics, and musical atmosphere reflecting the experience and inner turmoil of its characters. The album also introduces The Sci-Fi Soul Orchestra, a unique musical entity with their own unique music releases in the pipeline

pre-order now21.08.2025

expected to be published on 21.08.2025

29,83
NEIL ARDLEY - A SYMPHONY OF AMARANTHS

When we did the first ever vinyl reissue of this 1972 masterpiece back in 2012 it sold out so fast and so many lost the chance to grab a copy has translated into continuous messages asking us to do a repressing of this marvel - which we did and, again, it sold like hot bread. So here is a new edition of this UK jazz masterpiece, this time with a twist :

- Silk-screened cover art : we respect the original design, but have upgraded the printing from regular offset to silk screen to give it an artistic touch!

- In adition to the limited black vinyl edition (400 copies), we offer an ultra limited clear vinyl version (100 copies-only!)

One of the big names in UK Jazz, Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett andHenry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

By 1972 the NJO was already defunct, but his legacy remained in the works of its members. Ardley's 'A Symphony Of Amaranths' is a perfect example of what was boiling in the UK jazz scene. It was Ardleys tribute to his idols Duke Ellington and Gil Evans, and featured the skills of some great musicians of the scene including Don Rendell,Stan Tracey, Henry Lowther, Harry Beckett, Jeff Clyne & Jon Hiseman. Side B is inspired by the words of Edward Lear, W. B. Yeats, James Joyce and Lewis Carroll that are musicated by Ardley and feature, among other highlights, Ivor Cutler's narration of 'The Dong With A Luminous Nose' and Norma Winstone's vocals on 'Will You Walk A Little Faster'.



Musicians that participated in the recording session :

- Derek Watkins, Nigel Carter, Henry Lowther, Harold Beckett (trumpets)
- Derek Wadsworth, Ray Premru (trombones)
- Dick Hart (tuba)
- Barbara Thompson, Dave Gelly, Don Rendell, Dick Heckstall-Smith (woodwind, saxes)
- John Clementson (oboe)
- Bunny Gould (bassoon)
- Dave Gelly (glockenspiel)
- Neil Ardley (prepared piano)
- David Snell, Sidonie Goossens (harp)
- Stan Tracey (piano, celeste)
- Karl Jenkins (electric piano)
- Alan Branscombe (harpsichord)
- Frank Ricotti (vibraphone, percussion)
- Chris Laurence, Jeff Clyne (bass)
- Jon Hiseman (drums, percussion)
- Eric Gruenberg, Jack Rothstein, Kelly Isaacs (violin)
- Ken Essex (viola)
- Charles Tunnell, Francis Gabarro (cello)
- Ivor Cutler (narrator)
- Norma Winstone (vocal)
- Jack Rothstein, Neil Ardley (conductors)

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28,99

Last In: 8 months ago
Alan Howarth - They Live (O.S.T. - Expanded Edition) TAPE

ULTRA LIMITED EDITION - Cassette/Tape - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!

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17,44

Last In: 8 months ago
not even noticed - Eteus

not even noticed

Eteus

12inchFAW003
Fast At Work
21.08.2025

As they landed from their extended hovering adventure – a journey en(capsule)ated by twists, turns and various chops – the Fast At Work crew found themselves drawn to the idea of a new, singular sonic flow. Always on a noble mission for a future-forward vision of higher-deeper tempos, the crew realized that often the most meaningful iterations of their gospel can be found in the most inconspicuous places – “not even noticed,” some might say. Within these subtle crevices, a rising duo emerged to carry this torch (disc) forward into new, uncharted realms. Taking inspiration from “Eteus,” the god of light and knowledge, this duo expertly crafted four original offerings, all with a distinctive, minimalistic fusion of breaky, hopeful expansion. While the title contribution echoes a sermon of oozing bassline flows and siren signals, “Drip Advise” equally mesmerizes with its spiraling melodies and strong percussive foundation. On the disc’s flip, the anointed duo broadened and refined their journey via the acid-tinged bedrock of “Creamavity,” while the final offering “Anxious” ironically synthesized the full pilgrimage into a polished musical (and vocal) definition – “release yourself, into the unknown.” With the hope of sharing this glistening gospel far and wide, the mystical duo prescribed a set of two reshapes from enlightened phonic gurus in their own right. While Wisdom Teeth’s K-Lone opted for the always reliable essence of strong foundational grooves and deep airy textures, Maara (founder of the newly formed Ancient Records) crafted an oceanic odyssey – over 10 minutes of timeworn atmospherics and sensorial sensibilities.

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13,03

Last In: 5 months ago
Fantastic Man - Genesis

A dense and driving club interpretation of the well-loved ethereal classic “Genesis,” reworked into a hypnotic instrumental with plenty of low-end weight and emotional charge.
Built for impact, not nostalgia, it comes in four versions — each tuned with a different tone for different zones of the night. Out on vinyl and digital via Axis of People.

stock from20.05.2026

13,03

Last In: 22 days ago
Anderson - Cut The Breaks

Skkkrt! Step Ball Chain is officially running redlights and disregarding road rules with Anderson in the driver’s seat. The US born, Berlin based producer and deejay offers up Cut The Breaks, a 5 track EP bursting at the seams with ruff, tuff and techy freakouts, never neglecting the groove. Transcending genre, the low key king of the underground reaches into new realms sprinkling in electro, tech house and bouncy techno with a nod and a wink to hip hop.

Sleek & sexy; the opening title track is as fresh as it gets, a soldering of prize elements from different electronic ecosystems. Whiplash drums and vocal chops that weave their way through the record, also cropping and popping up on the B Side. Pedal to the metal for Giving it All and Visconti Bounce; playfully traversing dancefloors with tongue & cheek turboness and rhythmic exploration that will drive you wild. Smell the rubber burn for STEP15; let Anderson strap you in and take the wheel.

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13,03

Last In: 20 days ago
Evan Call - Frieren: Beyond Journey's End (Original Soundtrack) 2x12"
out of Stock

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28,36

Last In: 45 days ago
Dub & Wheel [Kid Lib] & Tim Reaper - FR034

Another record, another appearance from Kid Lib (& his many aliases) on Future Retro London... ????

As I said before on FR015, the Dub & Wheel stuff he makes is almost always making it into my selection for DJ sets, I honestly can't get enough of it. He had done this tune (originally titled Shaka Sound) in 2017 (I think?) but it was never fully finished on its own & I don't think there were any plans to finish it or release it. That didn't stop me from playing it in my sets of course haha

Eventually, I reached a point where I felt like I'd played it so much that I couldn't allow it to not come out, so I offered to finish the tune and then it could come out on Future Retro London & thankfully he allowed me to work on it and get it done.

In dub, they'll record many different versions/mixes of a tune with various differences in arrangement and sounds used & I felt it'd be cool to do that with this tune, with Mix One sounding more true to his original idea & Mix Two having a bit more variation in the bassline & drum patterns.

Anyway, big up to Kid Lib for letting me work on The Firmament & for letting me release it, hopefully there'll be more Dub & Wheel material from him in the future, I'm patiently waiting...

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17,02

Last In: 8 months ago
ALAN SPARHAWK - WITH TRAMPLED BY TURTLES

No one can help you build something beautiful quite like those who know you best. Alan Sparhawk knows this well. In his years in Low, he built decades of stirring music with his wife and lifelong creative partner Mimi Parker. In recent years, he has performed around Minnesota with his son Cyrus in DERECHO Rhythm Section, a funk band that also frequently features his daughter Hollis on vocals. There's an irreplaceable naturalism that comes with this kind of dynamic. Those who know you understand you. They love you. They want to help you bring your greatest passions to fruition. So it made sense that Sparhawk would turn to fellow Duluth musicians Trampled by Turtles to realize his latest record. As friends and mentees of Low's, taken under Sparhawk and Parker's wing from their earliest days as a bar band, Trampled by Turtles have performed with Sparhawk countless times over the years. The Duluth ties run deep: "There's a certain vibe that has to do with underdog syndrome, coming from a small town," Sparhawk muses. "Some of it is the weird grind and slackness that being at the mercy of Mother Nature puts in you. It humbles you." The two artists hold the kind of ironclad bond. Following Parker's passing in 2022, Trampled by Turtles invited Sparhawk to join them on tour to give him a space to be surrounded by friends. Occasionally, he would join them onstage. The outpouring of love was palpable every time they played together, a surge of warmth. When playing together is that powerful, why stop there? In winter, 2024, Sparhawk and Trampled by Turtles created With Trampled by Turtles, a record exactly as its name implies: Collective. Communal. Fraternal. Empathetic. A vessel for comfort, a reminder of the harmony that can exist when surrounded by those closest to you. Where White Roses, My God, Sparhawk's last album, plunged headfirst into electronica and radical vocal modulation, With Trampled by Turtles leans into the folk and bluegrass stylings of its backing band, Sparhawk's voice now completely unvarnished. With Trampled by Turtles is far more than just Alan Sparhawk and Trampled by Turtles. It's an affirmation of all the people who have been vital in Sparhawk's life and music, and an opportunity to hold each of their gifts into the light. It's producer Nat Harvie, who has been collaborating and performing with him for years. It's Sparhawk's daughter Hollis, who duets with her father on "Not Broken." And it's Mimi Parker, too: "Too High," "Princess Road Surgery," and "Not Broken" were all tracks she and Sparhawk had been working on in the last few years. These songs finally found a setting that stirringly commemorates them, bolstered by a full ensemble to make every note sing. Their presence is a kind of eternal connection to Parker, a way her musical grace will keep flourishing.

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24,16

Last In: 8 months ago
Thomas Dolby - Gate To The Mind`s Eye OST LP

Soundtrack work suits Thomas Dolby, who here turns in a variety of musical settings for a
computer animation video that include everything from moody electronic instrumentals and dance tracks to a ‘30s pop pastiche complete with horn section. Five of the nine tracks have vocals, two of which are contributed by Dr. Fiorella Terenzi. Dolby himself sings, raps. The Gate to the Mind’s Eye demonstrates Dolby’s continuing inventiveness.

Not quite as quirky as the Wireless album, not as moody as Flat Earth, not as wacky as Aliens Ate My Buick, but it has Dolby written all over it.

The Gate To The Mind’s Eye is for the first time available on vinyl as a limited edition of 750 individually numbered copies on silver coloured vinyl and contains an insert.

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31,72

Last In: 8 months ago
FIREFRIEND - 666 TO 999 TS STREEET LP
  • 1: Airport Scene 03:8
  • 2: Blackbird 05:15
  • 3: Dropouts 02:56
  • 4: Free Form Future 02:30
  • 5: Higher Path 0:3
  • 6: Kill All Indies 04:35
  • 7: Naked West 05:14
  • 8: Oleo Skull 04:11
  • 9: The Cat 05:48

Brazilian Psychedelic Rock Artist Firefriend via Cardinal Fuzz and Little Cloud Records announce a first time vinyl pressing for the classic - “999 to 666 ts Street” Prepare to take the long way through the void — Brazilian sonic architects Firefriend present the searing “999 to 666 TS Street”, a full-length LP that bends time, bleeds color, and dives deeper into the cracked corridors of psychedelic rock. With roots tangled deep in the underground of São Paulo and their eyes forever fixed on the cosmic unknown, Firefriend has carved out a space uniquely their own — a distorted dreamscape where shoegaze meets fuzz, noise folds into melody, and every track is a doorway. “999 to 666 TS Street” is a concept record that navigates a haunted psychogeography: an address etched between realities, where spiritual unrest collides with dystopian daydreams.

A Journey Through Sound and Shadow Drenched in fuzzed-out guitars, whispered vocals, analog synths, and pulsing rhythms, this LP sees the trio — Yury Hermuche (guitar/vocals), Julia Grassetti (bass/vocals), and Cacau Bandeira (drums) — begin to forge the fearless vision they seek. From the opening surge to the final fractured lullaby, “999 to 666 TS Street” is both a destination and a transmission: a call to the wanderers, the outsiders, and the seekers. But Firefriend's mission isn’t just sonic — it’s political.

As proudly left-wing artists with an internationalist vision, the band channels the disillusionment and resistance of a generation watching the world teeter. Their music radiates both critique and hope, connecting the dystopia of late capitalism with a dream of liberation. Whether playing São Paulo basements or European festivals, Firefriend brings an urgent message beneath the haze: solidarity is louder than silence. "This album is a street you can't find on any map — it's the place your mind goes when you turn the lights off," says frontman Yury Hermuche. "It's noise, beauty, and a little bit of danger." "We wanted to build a record that feels like a fever dream on vinyl," adds bassist Julia Grassetti. "Something physical, something that glows in the dark." About Firefriend Known for their hypnotic live shows and cult international following, Firefriend has shared stages with underground legends and graced the grooves of multiple celebrated independent releases.

They’ve become essential listening for fans of Spacemen 3, The Brian Jonestown Massacre, and The Velvet Underground — yet remain wholly, defiantly themselves. “999 to 666 TS Street” marks the start and is another milestone in their prolific catalog, pushing the limits of psychedelic rock while remaining anchored in the beautifully bleak emotionalism that defines their sound. Beneath the distortion lies a worldview — anti-authoritarian, borderless, and defiantly alive.

pre-order now19.08.2025

expected to be published on 19.08.2025

26,68
Otavio, Octavio, Octavio – Octavio, Otavio – Octavio - O(c)TAVIO’S EP

“O(c)tavio’s EP brings together a global crew of producers who all share the same name and a passion for high-quality techno. The A1 kicks off with “Fadeface” by NY based producer Otavio aka Fadeface, a rolling, driving cut that balances weight with groove. A2 follows with a no-nonsense loopy techno heater by Octavio, 1/3 of the Paraguayan group LPZ — pure dancefloor pressure, stripped and effective. On the flip, Argentinian artist Octavio Octavio brings a bit more swing with a groovier B1, still rooted in the floor but with a fluid touch.

Closing things out is a collaborative B2, combining all their styles into one cohesive, heavy-hitting statement. Pressed to vinyl and wrapped in stunning artwork by the talented Brazilian graphic designer Otavio Santiago. Turns out, putting a bunch of O(c)tavios in the studio results in one hell of a techno record.”

out of Stock

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12,19

Last In: 6 months ago
Auri - III - Candles & Beginnings LP 2x12"
  • A1: The Invisible Gossamer Bridge
  • A2: The Apparition Speaks
  • A3: I Will Have Language
  • B1: Oh, Lovely Oddities
  • B2: Libraries Of Love
  • B3: Blakey Ridge
  • C1: Helios
  • C2: Museum Of Childhood
  • D1: Shieldmaiden
  • D2: A Boy Travelling With His Mother

CATCHY, MESMERIZINGLY BEAUTIFUL, DREAMY CHAMBER POP WITH A FOLKY TWIST

Music can have a multitude of emotional impacts and can create inner worlds out of voices, sounds, and moods.
If you open heart and ear to the mesmerizing, hauntingly beautiful soundscapes of AURI, you might find a beacon of light inside a sonic realm untouched by today’s often scary, grim realities; a dreamscape that can be profoundly uplifting.
On their third studio album, III - Candles & Beginnings’ the stars have aligned yet again. Propelled by the unique and celestial voice of Johanna Kurkela, the magical textures of Nightwish mastermind Tuomas Holopainen and the almost unlimited musical palette of Nigtwish multi-instrumentalist Troy Donockley, Auri have presented a world to be unlocked with the senses, blending folk, progressive and symphonic elements, world music, pop and avantgarde.
Right after completing Nightwish’s 2024 monument Yesterwynde, the songwriting for the third chapter in Auri’s musical adventures started in 2023, with Troy writing in Yorkshire and Tuomas and Johanna working their creative magic in Kitee, Finland. By Autumn 2024, a 10-song demo was complete, setting the stage for what would become another breathtaking Auri journey. The band and their trusted engineer Tero “Teecee” Kinnunen took the mixing process to sunny Spain, letting the Andalucian vibes infuse the music whereas in March 2025 mastering was wrapped up by Tim Oliver at the legendary Real World Studios - a ground-breaking recording complex started by Peter Gabriel in 1989.
The album is a tapestry of emotions - each song a world of its own, touching on childhood memories, vivid life experiences, and even a nod to one of the group’s most beloved places on Earth - The Lion Inn at Blakey Ridge, a historic spot nestled in the North York Moors and one of the most remote pubs you will ever find.
Visually, the cover artwork by Pete Voutilainen, layout and watercolors by Mikko Pankasalo plus calligraphy by Johanna Kurkela provide wonderful illustrations perfectly capturing Auri’s unique musical visions.
With guest musicians like Frank Van Essen (strings), Jonas Pap (cello), Juho Kanervo (basses), and the incredible drumming and percussion courtesy of Nightwish’s Kai Hahto, Auri III - Candles & Beginnings is as lush as it is atmospheric and provides astonishing dynamics.
Having been a studio endeavor in the past, Auri is finally going on tour with their first-ever live European trek kicking off in August 2025, followed by summer festivals in 2026, allowing you to hear, see and feel songs from their previous two albums, as well as brand new pieces from III - Candles & Beginnings.

pre-order now15.08.2025

expected to be published on 15.08.2025

31,05
Dj K1 - K1 Agenda

Dj K1

K1 Agenda

12inchDBC018
Direct Beat Classics
15.08.2025

DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads on the Direct Beat Classics label (including unreleased track from 95).

out of Stock

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13,66

Last In: 7 months ago
Nidia & Valentina - Estradas

Nidia & Valentina

Estradas

12inchLTNC26
Latency
15.08.2025

Written and composed by Nidia and Valentina Magaletti.
Edited, mixed and produced by Tom Halstead (Raime).
Marimba, percussion, drums, synth and flute by Valentina Magaletti.
Mastering by Kassian Troyer at Dubplates & Mastering.
Cover srt by Daniel Shea.
Design by Johannes Schnatmann.

out of Stock

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23,11

Last In: 15 months ago
King Most - Teedra Joint

King Most

Teedra Joint

7"-VinylKM002
KM
15.08.2025

Heat Rock has previously been home to plenty of superb King Most flips but here he returns to KM after the head-turning inaugural release, this second outing is another super fun blend of classic beats and vocals. Sunny R&B and neo soul vocals, natty guitar riffs that bring the funk and a fat, rolling dub sound on the flip, making for two fine collisions of different worlds.

out of Stock

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11,98

Last In: 3 months ago
ALICK NKHATA - RADIO LUSAKA
  • Nafwaya Fwaya
  • Kalindawlo Ni Mfumu
  • Elena
  • Fosta Kayi
  • Nalikwebele Sonka
  • Shalapo
  • Kapata Mukaya
  • Bambi Balefi Sa Kumwabo
  • Imbote
  • Fodya
  • Mayo Na Bwalya
  • Tuli Beni Calo

Country, Township-Jazz und Pop-Hits aus der Hochphase der sambischen Freiheitsbewegung. Der Sänger, Gitarrist und Bandleader Alick Nkhata bewegt sich mühelos zwischen einsamem Country-Slide, Big-Band-Pop und luftdichten Gesangsharmonien, die alle ihre Wurzeln in Bemba- und anderen afrikanischen traditionellen Liedern und Rhythmen haben. Es ist eine schwindelerregende, umfassende und weitreichende Mischung von einem Künstler und Musikarchivar, der zur Stimme des Freiheitskampfes seines Landes wurde. Die Texte und die Musik spiegeln die Zeit wider - einsame ländliche Klagelieder wie ,Nafwaya Fwaya" und ,Fosta Kayi" driften entlang der Eisenbahnlinien in die städtischen Zentren und Kupferminen. "Nalikwebele Sonka (I Told You Sonka)", gesungen in ,Deep-Bemba`, verbindet honiggetränkte Jodler mit einer Warnung vor der Abwärtsspirale der Arbeitslosigkeit in den Townships, während "Mayo Na Bwalya" (Mother of Bwalya) die Bitte einer Mutter an einen traditionellen Singvogel ist, ihren missratenen Sohn zu führen. Lieder wie ,Shalapo", ,Kalindawalo Na Mfumwa" und sein größter Hit ,Imbote" vereinen Klavier, Big-Band-Hörner und sogar frühe elektronische Instrumente zu atemberaubenden synkretistischen Pop-Meisterwerken. Diese LP ist das erste Mal, dass seine Musik auf Vinyl wiederveröffentlicht wird. Auf hochwertigem schwarzem Vinyl mit 12-seitigem Deluxe-Booklet mit unveröffentlichten Fotos, Texten, Übersetzungen und Anmerkungen des NTS-Radiomoderators Jamal Khadar.

pre-order now15.08.2025

expected to be published on 15.08.2025

22,27
R.J.F. (ROSS J. FARRAR) - CLEANING OUT THE EMPTY ADMINISTRATION BUILDING
  • Advance
  • The Solitude Of Victory
  • Ovidian
  • Gravity Hill
  • In Your City
  • Exile
  • Here Again W/ Birdy
  • Frogs
  • Strawberry
  • Traveling Light From Afar
also available

Color Vinyl[23,95 €]


Cleaning Out The Empty Administration Building ist Ross Farrars neuestes Werk aus rohem, gesprochenem Wort und experimentellem Sounddesign, hier präsentiert unter dem Namen R.J.F.. Der Frontmann der amerikanischen Bands Ceremony und SPICE begann dieses Soloprojekt zunächst als persönliche Herausforderung: Songs von Grund auf selbst zu schreiben, sich mit Instrumenten vertraut zu machen und dabei zugleich sein Unterbewusstsein freizulegen. Dabei ging es weniger um musikalische Virtuosität als um Verletzlichkeit - darum, etwas Ehrliches aus einem ungeschützten, unbearbeiteten, unpolierten Moment zu ziehen, kompromisslos amateurhaft und rein.Diese Sammlung zeigt Farrar im offenen, poetischen Dialog: mit Drumloops und gefundenen Klängen, durchbrochen von Gitarren, Bass und Tasteninstrumenten. Nach über zwanzig Jahren in der vertrauten wie chaotischen Welt von Band-Kollaborationen, legt Farrar all das ab - als Experiment. Das Ergebnis ist unverwechselbar und bewegend.Farrars Punk-Pathos ist in Spuren vorhanden, doch seine deutlichsten Einflüsse stammen von repetitiven Musikformen: Drone, No-Wave, Avant-Jazz und darüber hinaus. Seine nüchternen Texte erinnern an Lou Reed, Rowland S. Howard und andere große Exzentriker. Farrars Texte kreisen um Liebe, Sucht, Vaterschaft und das Leben in der heutigen Welt. ,Ich wollte Bilder schaffen, die die Menschen klar vor sich sehen können", sagt er. Farrar unterrichtete früher Schreiben und Literatur - und wendet hier ein einfaches Prinzip an, das er auch seinen Schülern mitgab: Nicht zu viel nachdenken. ,Ich habe mir einfach gesagt: Diese Songs sollen Spaß machen. Sie sollen nicht stressig sein. Zwei, drei Takes aufnehmen und dann gut ist. Nicht über jedes Geräusch den Kopf zerbrechen. Mach einfach das, was natürlich aus dir herauskommt - und wenn es sich gut anfühlt, dann nimm es."Aus hunderten freier Songs, die Farrar in den letzten Jahren mit geliehenem Equipment aufgenommen hat, kristallisierte sich dieses Album langsam heraus. ,Es kam einfach immer wieder."Der Ton von Cleaning scheint die Zeit zu verbiegen, versetzt die Hörer in eine Art Gang voller Songs, bei denen jede Tür in einen neuen Raum führt - Räume, die oft auf unheimliche Weise vertraut wirken. Der gurgelnde Bass des Openers ,Advance" taucht auch in anderen Stücken wieder auf, etwa im gespenstischen ,Ovidian", benannt nach Ovids Metamorphosen, in dem Farrar über das Wunder der Veränderung sinniert - begleitet von fernen Glockenklängen. Instrumentalstücke wie ,Gravity Hill" - ein Flattern aus Synth-Brummen und statischem Rauschen - oder ,Frogs", mit Saiteninstrumenten und perkussivem Topfschlagen, wirken wie tranceartige Zwischenspiele und verstärken die Wirkung der Texte drumherum.,Exile" blickt zurück auf Verluste, die sich nicht mehr reparieren lassen: ,So much of your heart caught in my exile", singt Farrar mit sanfter Resignation - über einer einsamen Klaviermelodie und schlingernden Gitarrenakkorden. Es ist das strukturierteste Stück der Sammlung und erinnert daran, dass Farrar ein Gespür für melodische Linien besitzt.Das Album endet mit ,Traveling Light From Afar", deutlich schneller als alle vorherigen Songs. Hier, über einem stoischen Motorik-Beat, spricht Farrar das zentrale Thema des Projekts direkt an:,I've been so young in my old age / Selfish & self-pitying / But that's just narcissism - man."Genau dieser Balanceakt - zwischen schonungsloser Selbstbefragung und der Klarheit, die mit dem Älterwerden kommt - schafft Raum für Entwicklung. Farrar leert das Gebäude - Zeile für Zeile.

pre-order now15.08.2025

expected to be published on 15.08.2025

22,65
JOSEPH	DECOSIMO - FIERY GIZZARD
  • Ida Red
  • Glory In The Meetinghouse
  • Flowery Girls
  • I Had A Good Father And Mother
  • Shady Grove
  • Pretty Fair Maid
  • Billy Button
  • Puncheon Camps
  • The Queen Of Rocky Ripple
  • Boatsman
also available

SEAWEED GREEN VINYL[22,27 €]


Old-time and traditional music stay exciting for their contrasts. Exacting instrumentation honed through mentorships and late-night jams at fiddler's conventions tangles with a community-sourced inventiveness that influences variants and new sounds. Joseph Decosimo is a master of this genre for this very reason, blending deep technique with an openness and curiosity that keep his music crackling with life. A "marvelous fiddler" (No Depression) and banjo player who braids "exultation and veneration" (INDY Week) into his music, on his third solo album Fiery Gizzard Decosimo gathers a close-knit ensemble of friends from his musical career to infuse his interpretations of fiddle and banjo pieces with a contagious communal joy. As an artist working with traditional music from the South and Appalachia, Decosimo chooses songs based not only on historical significance and lineage but also his own sensory approach. For Fiery Gizzard, his ear was tuned to otherworldly tones and mystery, sourcing from field recordings such as Virginia fiddler Luther Davis' hypnotic version of "Shady Grove" while amping up the music's psychedelic potential. On the middle Tennessee banjo composition "Flowery Girls," a VHS of bluesman Abner Jay inspired Decosimo to rig up a pickup inside a fretless banjo and play it thr ough a tube amp to capture some of Jay's edge and funkiness. But to round out the sound and keep it kinetic meant galvanizing a genre-eschewing crew to jam out - and not in a "spaced-out drooly" kind of way, he laughs, but as a sort of "responsive conversation." Decosimo has always been a community-minded artist. He began playing as a seventh graderin Tennessee, fostering relationships with older players at jams and in homes, a learning mode natural to his inquisitive nature and desire for musical connection. A folklorist by intuition, he later became one by profession, studying with old-time legend Clyde Davenport, teaching in East Tennessee State University's renowned bluegrass program, and receiving his PhD at the University of North Carolina with a dissertation titled "Catching the `Wild Note': Listening, Learning, and Connoisseurship in Old-Time Music." In North Carolina, Decosimo kicked about in the verdant environment of Durham and Chapel Hill's folk and indie scenes, collaborating with artists including Alice Gerrard, Hiss Golden Messenger, and Jake Xerxes Fussell. This community has influenced his own music, including his "sublime and strangely heartening" (Bandcamp Daily) 2022 release While You Were Slumbering and Beehive Cathedral, Decosimo's 2024 "Appalachian mountain music treasury" (New Commute) trio album with Luke Richardson and Cleek Schrey for Dear Life Records. Continuing on this path, Fiery Gizzard is home base for a loose outfit of mostly Tarheel-based musicians from within and beyond traditional music. Inspired by a tour with fiddler Stephanie Coleman (Nora Brown), guitarist Jay Hammond, and synth builder and multi-instrumentalist Matthew O'Connell, Decosimo assembled studiomates based on close friendships and comfort. Coleman, O'Connell, and Hammond contribute to Fiery Gizzard, along with bassist and producer Andy Stack (Helado Negro, Wye Oak), horn player Kelly Pratt (Beirut, David Byrne), Mipso and Fust's Libby Rodenbough, Joseph O'Connell (Elephant Micah), andtrad/experimental artist Cleek Schrey. Decosimo's fiddle and banjo work is virtuosic, intricate and simple simultaneously, a testament to his many years of study. On some tracks, his playing or lovely, plain-hearted singing is the centerpiece, such as on his interpretations of Texan street preacher Washington Phillips' 1929 recording "I Had a Good Father and Mother" or the Eastern Kentucky fiddle barn-burner "Glory in the Meetinghouse," famously played by Luther Strong for Alan Lomax. But there's also a trusting open-door policy, like where Southern Appalachian tune "Ida Red" relaxes into Coleman's sweet, confident fiddling and Hammond's loping guitar. As a bandleader, Decosimo's confidence and enthusiasm for the music reveal the heart of traditional music and how it can come to life through community. Fiery Gizzard is Joseph Decosimo as a powerful champion of traditional music - a sponge who soaks up as much as he squeezes out, a responsive artist who makes his genre accessible, and a magnet who can bring musicians of all sorts into his orbit with his same passion.

pre-order now15.08.2025

expected to be published on 15.08.2025

22,65
CHASTITY BELT / 764-HERO - LOADED PAINTED RED
  • Loaded Painted Red
  • Loaded Painted Red

Purple Vinyl 7" Single! limited edition! Chastity Belt's version of "Loaded Painted Red" doesn't just cover 764-Hero's original. It dissolves into it, rebuilding it with a gauzy, wide-open clarity. It's a song that's always carried a certain weight: bruised and echoing with late '90s Pacific Northwest melancholy. In their first-ever recorded cover, Chastity Belt traces that ache into new territory, drawing it out like bated breath. Lydia Lund threads a new guitar line through the song, tugging it towards their distinct style like a slow orbit around the song's core feeling. "I've been a fan of 764-Hero for a while now, and 'Loaded Painted Red' is one of my faves!" says Julia Shapiro. "It was hard to do the song justice because the original is so perfect, but we also had fun reimagining it and making it our own." Initially released in 1998 on 764-Hero's Get Here and Stay (Up Records), "Loaded Painted Red" has long been a fan-favorite, a softly jagged and charged meditation. The new split 7" pairs the cover with the original, a full-circle release that marks 764-Hero's catalog joining the Suicide Squeeze family. Together, the two versions collapse decades into a single foggy breath riding out the dusky golden-hour light of the Pacific Northwest.

pre-order now15.08.2025

expected to be published on 15.08.2025

14,08
Epsie - Rule Of Thumb

Dutch upstart Epsie pulls a rabbit, or maybe a Roland, from the hat with Rule of Thumb, a
debut EP that’s as wobbly and wide-eyed as a warehouse party at the early morning
hours. It’s a small marvel of mangled synth wizardry and chopped-to-hell drum patterns
that somehow stay locked tighter than your last three-day weekend. There’s a charming
messiness to it all.

“Fedde” kicks things off with a percussive punch to the frontal lobe, big-room bravado
laced with a subtle wink. “Electric” takes a left turn down acid alley, tripping over a
broken beat and landing in a puddle of molten 303 line. But nothing here feels tacked on
or stitched together post-hangover; it’s all curiously cohesive, like chapters in a fever
dream authored by a bedroom producer with a dusty sequencer and an interstellar
agenda.

Nostalgic without being derivative, danceable without chasing a trend, Rule of Thumb is
fit for all forms of dancing, and the roof tops that dare to hold it.

out of Stock

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13,87

Last In: 84 days ago
PACHA WAKAY MUNAN - EL TIEMPO QUIERE CANTAR

PACHA WAKAY MUNAN

EL TIEMPO QUIERE CANTAR

12inchBUHR189
BUH RECORDS
15.08.2025

Buh Records presents "El tiempo quiere cantar" ("Time Wants to Sing") the debut album by Pacha Wakay Munan, a duo formed by Peruvian musicians and researchers Dimitri Manga Chávez and Ricardo López Alcas. This album explores the sonic possibilities of pre-Hispanic instruments in a contemporary musical context. Through their performance, they explore their tonal possibilities, the interaction between their frequencies, and their ability to generate new dialogues. The work of Pacha Wakay Munan aligns with the tradition of sound explorers such as the Peruvians Arturo Ruiz del Pozo and Luis David Aguilar or the Colombians Yaki Kandru. The album's repertoire consists of pieces that explore diverse sonorities and musical concepts. "Pacha Wakay Munanqa" introduces the timbral variety of the instruments used. "El Taki Onkoy" draws inspiration from historical accounts and the meaning of its name ("Sick Song"), based on a Culina chant documented by Rodolfo Holzmann. It features vocals by the experienced singer Ximena Menéndez. "Mundo Posible" is a reinterpretation of an improvisation session with musicologist Chalena Vásquez Rodríguez, where the piano dialogues with ceramic antaras. Other pieces delve into the sonic construction of these instruments in relation to their cultural contexts. "Machu Tara" explores the concept of tara, a rough and vibrant sound quality found in certain Andean musical traditions. "Túpac Huaca" references the Huaca Aliaga in Lima, creating a sound palette where pututos, whistling vessels, and quenas converge. "Agua, Cuarzo y Viento" introduces quartz sikus and bowls tuned to different frequencies, evoking the interaction between natural elements and resonant vibrations. In the piece "Qinray Tema", Camilo Angeles plays the metal transverse flute, creating a contrast with the pre-Hispanic ceramic flutes and pelican bone flutes.

pre-order now15.08.2025

expected to be published on 15.08.2025

32,35
XYZ - PLAYS THE CLASSICS
  • Class War
  • (It's Called) Je Ne Sais Quoi
  • Unrequited Love
  • Cut Out Bin
  • Down The Tubes
  • One Drop Of Blood
  • Teeny Bop
  • I Got You
  • These Tears Won't Dry
  • Firing Squad
  • Revolution N°8 1/2

The Ancient Greeks & Romans sure had that "classic" touch. Before their empires crumbled into ruin, they set the standard with their classical forms, in art, buildings, and philosophy. They've set the pace ever since with pretenders and imitators making "classical music," "neo-classical architecture," and of course "classic rock" _ Once something is a classic, it's untouchable. No one would dare attempt to improve it. That would be sacrilege! After all, who could do better than Ovid, Homer, & Virgil? Or the classic tunes of Rolling Stones, the Stooges, et al? They're the gold standard of perfection; no one would dare try to improve upon them_ until XYZ that is! That's right, XYZ -- those little-known legends -have achieved the impossible; they've taken the classics and made them even better! More relevant, more updated, more "now," more _ wow! They improved the classics using all the latest sensibilities, technologies & innovations. On "XYZ PLAYS THE CLASSICS," the XYZ band - the twosome that sang "Bubble Gum" - take the beloved but tired tunes of the classic rock canon - The Rolling Stones, VU, Neu!, The Seeds, Stooges, & the other Hall of Famers - and resuscitates them, pumping new blood into worn-out veins, revitalize them with new themes, new lyrics, and new riffs to make them new again! This is the record that merges the old with the new, that completes the circle of life; it's the cosmic record that everyone needs right now!

pre-order now15.08.2025

expected to be published on 15.08.2025

25,42
Francesca Marongiu - Still Forms in Air (TAPE)

Still Forms in Air is the debut album by Italian composer Francesca Marongiu under her own name. It draws inspiration from mid-1980s Japanese ambient music — Hiroshi Yoshimura, Satoshi Ashikawa, Takashi Kokubo — and, more subtly, from Italian experimental echoes rooted in both personal and cultural memory.

The album unfolds like suspended time, like architecture that quietly bears witness to the shifts that have shaped our cities and the ways we live in them. These tracks reflect an emotional and urban landscape, shaped by a gaze cast upon the mid-1980s and early ’90s — a time of subtle yet lasting changes in the form and meaning of shared space. That period marked a delicate turning point, later described as les années d’hiver: the slow onset of fragmentation beneath a surface of creative openness.

Still Forms in Air doesn’t dwell in nostalgia (though it draws from it), but reimagines that duality through a contemporary lens. Its sound blends memory and presence, layering ambient textures with a refined spatial sensitivity. It is a dialogue across decades — clear-eyed, affectionate, and quietly luminous.

Written, arranged and recorded by Francesca Marongiu in Rome and Pistoia between May 2024 and March 2025.
Francesca Marongiu: electronics, synthesizers, vocals, sound objects.
Antonio Gallucci: wind arrangements on track 1 and 4, bass and sound objects on track 3, drums on track 3 and 4.
Mixed by Francesca Marongiu and Antonio Gallucci. Mastered by Antonio Gallucci at Mercurial Mastering in Pistoia. Artist photo by Elisabetta Scarpini. Artwork by Daniel Castrejón.

pre-order now15.08.2025

expected to be published on 15.08.2025

12,56
Linda Smith - The Smashing Times 7"
  • A1: Linda Smith - So Long Ago
  • A2: Linda Smith - Evening
  • B1: The Smashing Times - Alfie
  • B2: The Smashing Times - King Bidgood’s In The Bathtub (And He Won’t Get Out Of There)

Linda Smith and The Smashing Times are the best of friends. They are both currently based in Baltimore, USA. This split 7” EP celebrates that friendship with two new tracks by each act; united by DIY spirit, a bedroom-pop sensibility and now a puddle of black vinyl.

Songwriter Linda Smith has a gentle but unconventional experimental style that continues to evolve as she adds new entries to her storied catalogue. Smith’s pioneering work with four-track production in the '80s found her at the beginning of a home-recording movement that would set the pace for the decades of indie rock that followed. During this most active period, Smith's music was limited mostly to obscure cassette and 7" releases. This trailblazing time was recently revisited on Captured Tracks’ compilation ‘Till Another Time: 1988-1996’. Shortly after Smith’s retrospective, she teamed up with like-mind and collaborator Nancy Andrews to release an album of beguiling pop entitled ‘A Passing Cloud’ (2023). The duo performed songs from that record at Upset The Rhythm’s 20th anniversary party at Café OTO that same year. 2024 saw further reissues of Smith’s music including Nothing Else Matters (1995) and I So Liked Spring (1996).

The Smashing Times are a premier East Coast Pop Experimental Group. They have also gleefully performed in London for Upset The Rhythm twice in quick succession. Known for their dogtooth style, waggish mod attitude and tumbledown sound, The Smashing Times have holes in their socks and sit idly between The Kinks and Tori Kudo. Their previous albums on K Records, Perennial and Meritorio are a cherished commodity steeped in Paisley psyche and slapdash panache.

pre-order now15.08.2025

expected to be published on 15.08.2025

9,87
Westernhagen - Lausige Zeiten (2025 Remaster) LP
  • A1: Lausige Zeiten (2025 Remaster)
  • A2: Wir Sitzen Alle In Einem Boot (2025 Remaster)
  • A3: Es Tut Weh (2025 Remaster)
  • A4: Berlin (2025 Remaster)
  • A5: Mir Ist So Heiss (2025 Remaster)
  • B1: Kannst Du Mir Vertrauen (2025 Remaster)
  • B2: Kein Gefühl (2025 Remaster)
  • B3: Sonntagskind (2025 Remaster)
  • B4: Schrei (2025 Remaster)
  • B5: Tanz Mit Mir (2025 Remaster)
pre-order now15.08.2025

expected to be published on 15.08.2025

23,95
Russian Circles - Gnosis

Russian Circles

Gnosis

12inchSHLPBS271
SARGENT HOUSE
15.08.2025

Limitiertes Orange mit schwarzem Splatter Vinyl! Gnosis ist das 8. Album von Russian Circles. Auf ihren bisherigen sieben Studioalben hat das in Chicago ansässige Instrumental-Trio Russian Circles mit seinem begrenzten Arsenal an Schlagzeug, Bass und Gitarre eine vielfältige Topografie an Klängen, Stimmungen und Ansätzen durchquert. Es ist schwierig, eine Entwicklung in ihrem Sound nachzuvollziehen, wenn sich ihre Platten immer wie gut kuratierte Playlists angefühlt haben. Es war nicht ungewöhnlich, dröhnende Meditationen, schillernde Prog-Übungen, knüppelharte Riff-Festivals, eindringliche Folk-Balladen und spannungsgeladenen Noise-Rock innerhalb eines Albums zu hören. Dennoch ist es schwierig, die Entwicklung von den nachdenklichen und komplizierten Melodien von Enter (2006) zu den verzerrten Klängen von Blood Year (2019) zu ignorieren. Es war eine allmähliche klangliche Veränderung, die auf den rigorosen Tourplan der Band und ihre Vorliebe für das Spielen ihres maßgeblichen Materials auf der Bühne zurückzuführen ist. Doch mit ihrem neuesten Album Gnosis verlassen Russian Circles das abwechslungsreiche Terrain ihrer früheren Arbeiten und bahnen sich einen Weg durch das turbulenteste und erschütterndste Gebiet ihres Sounds. Wie bei so vielen Künstlern im Zeitalter von COVID zwangen die Hindernisse der Geographie und der Isolation Russian Circles dazu, ihren Schreibprozess neu zu bewerten. Anstatt im Proberaum aus fragmentarischen Ideen Songs zu basteln, wurden komplette Songs unabhängig voneinander geschrieben und aufgenommen, bevor sie mit den anderen Mitgliedern geteilt wurden, damit ihre ursprüngliche Vision erhalten blieb. Obwohl das gesamte Album aus der Ferne geschrieben wurde, wurden die Songs mit der gesamten Band aufgenommen, um das Live-Gefühl des Materials zu bewahren. Dem Klima der Zeit und einer neuen Schreibmethode geschuldet, schufen Russian Circles ihr bis dato rauchigstes und fokussiertestes Werk - ein Album, das den Exorzismus der Spannungen von zwei Jahren der Melancholie und Zurückhaltung vorzieht, die oft ihre früheren Unternehmungen prägten.

pre-order now15.08.2025

expected to be published on 15.08.2025

31,72
Various - LONELINESS ROAD LP 2x12"

Various

LONELINESS ROAD LP 2x12"

2x12inchRNRLPCV77
Rarenoise
15.08.2025
  • Ten Nights
  • Little Harbour
  • Bookmaking
  • Don't Lose Yourself
  • Henbane
  • Pinkus
  • The Barrier
  • Nainsook
  • Loneliness Road
  • Unclouded Moon
  • Gates
  • Everyday

Repress on transparent green vinyl. With Loneliness Road, pianist Jamie Saft, legendary bassist Steve Swallow, and versatile drummer Bobby Previte present a work that is as unexpected as it is captivating_elevated by the haunting voice of none other than Iggy Pop. Far from being just another jazz album, this recording is a bold artistic exploration that fuses contemplative jazz, elements of blues, and the gravelly baritone of a punk icon turned poet. At its core, the album is deeply rooted in modern jazz tradition. Saft's lyrical piano, Swallow's fluid electric bass lines, and Previte's dynamic, nuanced drumming create a soundscape that is intimate and atmospheric. The true surprise, however, comes with Iggy Pop's appearance on three tracks. Here, he doesn't snarl or shout as in his rock persona _ instead, he delivers words with a weathered, introspective tone that feels more spoken than sung. The lyrics touch on loneliness, impermanence, and existential searching _ perfectly in tune with the album's title. Tracks like the eponymous "Loneliness Road" and "Don't Lose Yourself" are steeped in lyrical depth and emotional gravity, drawing the listener into a reflective, late-night world.

pre-order now15.08.2025

expected to be published on 15.08.2025

40,76
THE SUBDIVISIONS - HAVE MIND - WILL TRAVEL
  • Boomer Tumor
  • Stone Man
  • I'm Not White
  • Everyone Or No One
  • Watching Madness
  • Homunculus
  • Never Call Again
  • Riding Days
  • Look
  • Capslock Tribesmen
  • Strain Of Words
  • A Better Grave
  • Sex Food
  • The Other Side
  • Grayscale Dancers Unite
  • Let There Be Silence
  • Old Wreckage
  • Doesn't Feel Like Home
  • Bore Me To Death

Seit 2021 tauschten sich Musiker/-innen aus Kassel, Hamburg und Berlin über Songideen, Demoaufnahmen und Skizzen aus. Aus dem losen Austausch entwickelte sich über 4 Jahre hinweg ein kollaborativer Arbeitsprozess, unabhängig von Labels und kommerziellen Strukturen. Das Ergebnis: ,Have Mind - Will Travel" von THE SUBDIVISIONS bietet 19 englischsprachige Songs - laut, direkt, ohne Umwege. Die Texte bewegen sich zwischen Gesellschaftskritik, persönlichen Einblicken und zynischem Humor. Inhaltlich geprägt ist das Album vor allem vom Wuppertaler Punk-Aktivist Karl Nagel (APPD, Chaostage, Autor, Sänger), dessen lyrische Handschrift sich durch alle Stücke zieht. The Subdivisions besteht aus den vier sehr unterschiedlichen Musiker/-innen: Karl Nagel - Gesang (ex-Militant Mothers, Morbid Outburst, Kein Hass Da), Katharina Neuner - Bass (Lost Lyrics), Stoffel - Gitarre (Yacöpsae, Razors), Christian Bass - Schlagzeug (Heaven Shall Burn, Negativ Null) Trotz der unterschiedlichen Hintergründe entsteht ein gemeinsamer Sound - roh, aber kontrolliert, laut, aber fokussiert. Keine glatte Produktion, sondern eine bewusste Entscheidung für Ecken und Kanten. ,Have Mind - Will Travel" ist kein Konzeptalbum. Es bietet 19 Songs, die ein Spektrum zwischen Widerstand und Rückzug, Aufbruch und Erschöpfung abdecken und deren Texte bewusste Kontraste setzen und zur Auseinandersetzung herausfordern.

pre-order now15.08.2025

expected to be published on 15.08.2025

19,29
Original Soundtrack - Fabelmans (John Williams) LP
  • A1: The Fabelmans
  • A2: Mitzi’s Dance
  • A3: Friedrich Kuhlau: Sonatina In A Minor, Op. 88 No. 3: Iii. Allegro Burlesco
  • A4: Midnight Call
  • A5: Reverie
  • A6: Mother And Son
  • A7: Muzio Clementi: Sonatina In C Major, Op. 36 No. 3: I. Spiritoso
  • B1: Reflections
  • B2: Johann Sebastian Bach: Concerto In D Minor, Bwv 974: Ii. Adagio
  • B3: New House
  • B4: The Letter
  • B5: The Journey Begins

Deluxe heavyweight sleeve with leather laminate finish Includes insert with liner notes by Steven Spielberg Movie directed by Steven Spielberg, loosely based on Spielberg’s adolescence and first years as a filmmaker Film stars an ensemble cast including Michelle Williams, Paul Dano, Seth Rogen, Gabriel LaBelle and Judd Hirsch Golden Globe nominated score composed by John Williams Film won the People’s Choice Award and nominated for five Golden Globe Awards Exclusive limited edition of 333 numbered copies on turquoise coloured vinyl This is a new colour variant – sales notes and tracks are as the previous version, note new cat number and barcode

pre-order now15.08.2025

expected to be published on 15.08.2025

31,30
Grande Mahogany - As Grande As LP

Grande Mahogany

As Grande As LP

12inchLAUNDRYLP001
Laundry Music
15.08.2025
  • 01: F.e.l.a. - Grande Mahogany
  • 02: Bop Your Head (Till It Drop!) - Grande Mahogany
  • 03: Angle Of The Dangle - Grande Mahogany
  • 04: Thundercurls - Grande Mahogany
  • 05: The Rhythm - Grande Mahogany
  • 06: Super Rocker - Grande Mahogany
  • 07: November Jewels, The Great Cuddle - Grande Mahogany
  • 08: Garden Séfine - Grande Mahogany
  • 09: Shades Ebony - Grande Mahogany
  • 10: Interlude - As Grande As - Grande Mahogany
  • 11: Spaceboy Pinkhead - Grande Mahogany
  • 12: Outro - The Sound Is Through - Grande Mahogany

Internet's favourite music critic and Youtube star Anthony Fontana aka Needledrop has gotten a liking to the Grande Mahogany vinyl & digital album 'As Grande As'. The bald funny guy has been raving about the album to his millions Youtube, TikTok and Instagram follower on several occasions, also covering the record in his 'one of the great albums of 2024' round up.

The album is also already making waves in the UK with continuous plays on BBC Radio 1 by Jazz Supernova and BBC Radio 6 by Cerys Matthews as well as the New Music Fix show.

If this is the first time you're hearing about Grande Mahogany, now is the time. Behind the alter ego of Grande Mahogany is Finnish-Ghanaian multi-instrumentalist Jesse Essel, who relocated with his family from Finland to Manchester, England, at the age of 11. It was in Manchester where Essel found his own style, drawing inspiration from the city's diverse music scene.

Grande Mahogany's unique blend of Funk, Rock, Afro-Psychedelia, and R&B has already garnered international interest. Singles from the album, such as "Angle of The Dangle," "Thundercurls," and "SUPER ROCKER," have caught the attention of prominent music critics, for example Anthony Fantano of Needledrop.

"As Grande As" stands as a testament to relentless creativity and perseverance, much of it crafted during tumultuous times. It invites listeners to embrace its raw authenticity, serving as a chronicle of the artist's journey towards unfiltered expression. Mastered by Guy Davie, whose credits include work with Kaytranada, Jon Hopkins, and Mikael Kiwanuka, the album ensures a high-quality sonic experience.

pre-order now15.08.2025

expected to be published on 15.08.2025

23,49
FERN - INTERSUBJEKTIVE

Fern

INTERSUBJEKTIVE

12inchLP30342
FERN MUSIC
15.08.2025
  • ???????? (Feat. Hayk Karoyi)
  • Simulacrum
  • Hyperreal
  • Exnomination (Feat. Shrvl)
  • Rupture
  • I Am A Transient
  • Intersubjective
  • Shadows
  • Emanation
  • Afterlife

On the first full-length album under the FERN moniker, drummer Paul Seidel serves his dark poetry with deceptively catchy tunes and chunky grooves you can step to. Balancing between the emotional experimental pop music of Björk and the punishing industrial rock of Nine Inch Nails, FERN explores the fast-changing nature of reality in our digital society through a filter of moody synths, painfully precise drumming, and a fearless vocal delivery.

pre-order now15.08.2025

expected to be published on 15.08.2025

24,79
Abdullah Miniawy - Peacock Dreams

PEACOCK DREAMS


After the resounding success of his project Le Cri du Caire, whose eponymous album was awarded a Victoire du Jazz in the “World Music Album” category, Abdullah Miniawy returns with ‘Peacock Dreams’, the first opus of his new trio formation released on the label PPL Songs Aghani Al-Khalq.


Accompanied by trombonists Robinson Khoury (2024 Django Reinhardt Prize from the Academy of Jazz) and Jules Boittin, Abdullah Miniawy presents an unconventional combination of three tenor instruments. The lyrical depth of the voice of the Egyptian poet, singer, and composer merges with the bold expressive capabilities of the two trombones, allowing him to explore unprecedented sound ranges that connect Western and Eastern musical traditions.


The Trio performs Abdullah Miniawy's latest musical compositions, as well as adapts former work stemming from the Egyptian revolution and his previous formation Le Cri du Caire, while highlighting collaborations by inviting trumpeter Erik Truffaz, flamenco singer Niño de Elche, and danish-indian producer Hvad on some tracks.


‘Peacock Dreams’ engages the audience in a unique musical experience that freely combines baroque and operatic influences, Sufi and Coptic themes, and musical motifs from the Arabian Peninsula, infused with the jazzy cacophony of Egyptian traffic jams, once more revealing the transcendental and communional power of Abdullah Miniawy's music.


ALBUM PITCH


A peacock dreams of being a poet. It concentrates, trying to shed its colors, turning its feathers into a gradient of flesh. On the other hand, a poet longs for the peacock’s colors—a galactic blend of earth, forest, sea, and sky, seen from a high vantage point.


A poet can close their eyes and absorb the knowledge of the finite, and absorb the knowledge of the finite, yet miss much, trapped in monotone concentration, eyebrows plucked down to 111.


The peacock, dipping in the ink drops from the poet's pen, sails through a tube into the poet's body. A fluttering storm erupts, reversing the roles: the peacock finds itself under an arrest warrant, while the poet, reducing his expression to a roaring "Wak-wak," struggles to describe the world.

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19,96

Last In: 5 months ago
Heylucas - Hey

Heylucas

Hey

12inchHEYLUCAS01
Inside Records
14.08.2025

French electronic producer heylucas (formerly Luca) steps into a new era with his highly anticipated debut album, "hey".



Following a series of acclaimed singles throughout 2024 and 2025, "hey" marks a turning point in his artistic journey. After his first live performance in late 2024 met with enthusiasm, it became clear, Luca was no longer just a bedroom producer but a true performer. A shift that inspired the name change from Luca to heylucas, embracing a broader vision for his music. This career change is all the more significant now that he has just announced his very first solo live show at POPUP! in Paris on 24 May.


"hey" is a deeply personal recollection of emotions: the highs and the lows, the joy of loved ones, the grief of loss, and the thrill of firsts. From euphoric moments to introspective instants, the album showcase the diverse experience of the artist during this transformative year. Singles like "do the things that bring joy" "either it goes well, or it passes" and "keep dancing" are the perfect example, shaping his signature sound: heartfelt, uplifting tracks that make you want to move and reflect at the same time.


“Do It All Again” in collaboration with Swedish duo HNE, features spoken vocal snippets collected from real-life encounters in the final months of the album’s creation, blend with an energetic/euphoric production.


The album release will be doubled by the release of an exclusive live session by heylucas in which he will reinterpret classics from his repertoire as well as new tracks from his “hey” album.



More than an album, hey is a statement. It’s heylucas’s way of waving hello to listeners, to concertgoers, and to everyone who connects with the emotions he pours into his music.

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19,96

Last In: 5 months ago
DOKKERMAN & THE TURKEYING FELLAZ - HAT / KILENC

Dokkerman & The Turkeying Fellaz, the Hungarian apostles of heavy funk return with this crisp 7” featuring two deep cuts. On this one they show us their more mature and mellow side fusing Oriental, African and psychedelic characteristics with their signature all-in dirty funk sound.

’Hat’ on side A is a mellow jam of the kind we all love: hypnotic guitar and organ playing over a slow burning groove and a beat you start nodding your head to in the second the needle hits the groove. Ont he flip, ’Kilenc’ is an uptempo number composed and performed in the same vein - the perfect choice for any bold funk set played for an open minded crowd.

Limited to 300 copies.

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15,08

Last In: 9 months ago
Oscide - Alone Tonight EP

It's been a couple of years since Oscide impressed with his contribution to Chez Damier's House Of Chez label on the 'Identity Of Our Sound Vol 2' EP, so we're glad to hear more now. This outing on Traxx Underground taps into his pure house sound and opens with the bubbly kicks and bass of 'Alone Tonight' (ft Ryan Hayden & Collie). It's dynamic deep house with a spiritual synth edge and heartfelt vocals, which will make it a real crowd favourite. After the more direct club mix comes the percussive US garage throb of 'The Last Time' and the raw and bumping house realness of 'What I Said', which has another smart vocal hook adding the irresistible emotion. Four effective but stylish house jams.

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14,24

Last In: 62 days ago
The Beachers - Cincuenta LP

Founded in 1966, The Beachers is a group whose music is inspired by Caribbean rhythms and Panama’s musical tradition. Calypso, salsa and bolero are part of the unique Beachers sound, whose popularity peaked in the 70s during what is known as “The Golden Era of National Combos”. The Beachers have released 13 albums and more than 30 singles to their name, on prestigious Panamanian record labels like Tamayo, Loyola, or Sally Ruth Records, teaming up with other Calypso legends such as Lord Cobra.

The Beachers are still current and relevant, with five of the original members performing constantly through Panama and the world. Their energy and spirit is felt in the joy, rhythm and flavor of their songs.
Lloyd Gallimore, the band’s musical director since its foundation, and renowned producer Billy Herron have been working together on this new album, commemorating the group’s 50-year career.

This recording relives The Beachers’s magical trajectory and features collaborations with popular Panamanian musicians, a work that displays a sonic landscape filled with the history and legacy of Panama’s Calypso. It’s a tropical musical fantasy whose Caribbean influence has transcended time.

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14,24

Last In: 9 months ago
Le Lab Registered - Broadcast EP

Turnend Tapes is back with some superb cuts from Swiss duo Le Lab Registered. These have only previously been available on CD having dropped back in 2006 and are indicative of their experimental, rule-breaking techno sound which is full of life and imagination. 'The Pitch' kicks off with rugged drums and haunting synth notes, 'Radio Tirana' then layers spoken words into eerie synth modulations and moody drones and 'CB Music' is a slithering and minimal sound with retro-future chords. 'Broadcast All Electronic' shuts down with another wiry arrangement, bleeps, squeaks and the sound of muffled vocals and radio interference all adding an occult edge.

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18,45

Last In: 45 days ago
Bark Psychosis - Codename:Dustsucker LP 2x12"

2024 Repress

Double Vinyl on 140g includes DLC, gatefold sleeve, printed inners. Following the reissue of ‘Hex’ in late 2017, Fire Records reissue Bark Psychosis’ second studio album ‘///Codename:Dustsucker’ (2004) “which finds the band in remarkable form” (Pitchfork). Arriving ten years after the band disbanded, the long-awaited and criminally overlooked follow up brings with it an evolution of their sound. Their experimentations are layered with blissed out electronics, shoegaze, post-rock and jazz are still at its fore as are Sutton’s crystalline vocals. Languid and brooding, the soundscapes are dark and sustained while their “trademark cocoon of limpid, rippling guitar figures and jazzy adornment is buffeted by sharp leftward turns” (Uncut). Recorded in Graham Sutton’s East London DustSuckerSound studio between 1999 and 2004, it features contributions from Talk Talk sticksman Lee Harris and ‘found drumming’ from ex-band member Mark Simnett. Bark Psychosis’

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33,40

Last In: 9 months ago
PHARMAKON - MAGGOT MASS

Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences. The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility. What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness? Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools. If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many. In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining a path where the final act is to give back what was received from creation, offering our lives and deaths to sustain existence. once I slough off this human skin I will find my home and ancestral kin_ in the coffin-birth of my cadaver's ecosystem

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21,22

Last In: 9 months ago
LONNIE HOLLEY - TONKY LP 2x12"

Lonnie Holley

TONKY LP 2x12"

2x12inchJAGLP468
JAGJAGUWAR
12.08.2025

"Tonky" ist Lonnie Holleys fünftes Studioalbum und enthält Gastauftritte von Isaac Brock, Angel Bat Dawid, Billy Woods, Alabaster de Plume, Mary Lattimore und anderen. Bei der Leadsingle "Protest With Love" ist Jacknife Lee, der auch das gefeierte Vorgängeralbum "Oh Me Oh My" produziert hat, als Bassist, Keyboarder, Synthesizer, Schlagzeuger, Programmierer, Flötist, Percussionist und Sänger zu hören. Weitere Mitwirkende sind The Legendary Ingramettes am Gesang, Kelly Pratt an den Bläsern und Flöten, Jordan Katz an den Bläsern und natürlich Holley am Gesang. Holley fordert die Zuhörer auf, "mit Liebe zu protestieren" und "die Liebe zu deiner Waffe zu machen". Es gibt Dichter wie die große Mary Oliver, die vorschlagen, dass die Hauptfunktion des Menschen, wenn er sich durch die Welt bewegt, solange er Leben und die Fähigkeit hat, sich durch die Welt zu bewegen, darin besteht, dem Aufmerksamkeit zu schenken, was andere törichterweise als klein oder alltäglich bezeichnen mögen. Das Gehirn und das Herz sind beides Gefäße, die so viel Platz haben, wie man ihnen zugestehen möchte, und zu leben bedeutet, Sammlungen von gefundenen Zuneigungen zu schaffen. Die Geräusche der geliebten und vertrauten Häuser, die Bewegungen der Bäume und der Menschen unter ihnen, die Art und Weise, wie jemand, den man verehrt, einen ein paar Sekunden lang umarmt, bevor er sich aus der Umarmung löst und in einer überfüllten Fußgängerzone verschwindet. Wenn wir unser Leben, unser Schaffen und unsere Liebe auf diese Weise betrachten, bedeutet das, dass wir, zumindest für einige von uns, durch die Aussicht auf das, was als Nächstes kommt, vorwärts getrieben werden können. Welchen Moment wir festhalten und in unsere überquellenden Taschen stecken können. Die Arbeit von Lonnie Holley ist ein Werk dieser Art von Anhäufung und genauer Aufmerksamkeit. Das Vergnügen, einen Klang zu finden und ihn gegen einen anderen gefundenen Klang und einen weiteren zu pressen, bis der Hörer, bevor er es merkt, von einer Klangsinfonie überflutet wird, die sich anfühlt, als würde sie sich zusammenfügen, während sie über einen hinwegspült. "Tonky" ist ein Album, das seinen Namen von einem Spitznamen aus der Kindheit hat, der Holley anhaftete, als er einen Teil seiner Kindheit in einem Honky Tonk verbrachte. Lonnie Holleys Leben des Überlebens und der Ausdauer erforderte - und erfordert zweifellos immer noch - eine Art Erfindung. Eine Erfindung, die auch in Holleys Liedern reichhaltig und präsent ist, die auf "Tonky" voll und eindringlich sind, einem Album, das mit seinem längsten Lied beginnt, einem neunminütigen, erschöpfenden Marathon eines Stücks namens "Seeds", das mit einem einzigen spärlichen Klang beginnt und sich dann ausdehnt. Gesänge, schwache Tasten, Streicher und als Krönung Holleys Stimme, die nicht singt, sondern klar und deutlich von der Arbeit auf der Erde erzählt, als er jung war, und von der Gewalt, die er dabei ertragen musste, als er blutig und mit Schmerzen von Schlägen ins Bett ging. Der Song weitet sich zu einer Metapher über den Ort aus, über das Versagen des Zuhauses oder eines Ortes, der einen beschützen soll, der nicht das hält, was er zu sein vorgibt, selbst wenn man unermüdlich daran arbeitet, daran arbeitet, daran arbeitet, etwas Sinnvolles daraus zu machen. "Seeds" gibt nicht nur den Ton für ein Album an, das sich um Wiedergeburt, Erneuerung und die Grenzen von Hoffnung und Glaube dreht, sondern unterstreicht auch, was Holleys größte Stärke als Musiker ist, nämlich sein Engagement für Fülle und Großzügigkeit. Er ist ein unglaublich begabter Geschichtenerzähler, der sich der mündlichen Tradition verschrieben hat, so dass viele Hörer völlig zufrieden wären, wenn sie zu Füßen einer Lonnie-Holley-Platte säßen und seinen robusten, ausladenden Erzählungen lauschen könnten. Aber "Tonky" ist ein Album, das sowohl klanglich als auch in Bezug auf die vielen verschiedenen Künstler, die auf dem Album vertreten sind, einen Platz bietet, an dem sie sich zu Hause fühlen können, ganz gleich, wie sie die Zeit verbringen, die sie für einen Song brauchen.

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28,78

Last In: 9 months ago
BEIRUT - A STUDY OF LOSSES LP 2x12"

A Study of Losses", das siebte Studioalbum von Beirut, ist eine Odyssee mit 18 Tracks. Das Projekt entstand im Frühjahr 2023, als Viktoria Dalborg, Direktorin des schwedischen Zirkus Kompani Giraff, Condon fragte, ob er Interesse hätte, die Musik für ihr nächstes Projekt zu liefern, eine Show, die auf einer Adaption eines Romans der deutschen Autorin Judith Schalansky basiert. Die Hauptthemen in Schalanskys Buch "Verzeichnis einiger Verluste" und in der Adaption für die Zirkusshow befassen sich mit dem Konzept des Verlusts und der Vergänglichkeit von allem, was uns bekannt ist: von ausgestorbenen Tierarten, verlorenen architektonischen und literarischen Schätzen bis hin zu abstrakteren Konzepten des Verlusts durch den Prozess des Alterns. "A Study of Losses" reist durch elf Songs und sieben erweiterte instrumentale Themen, die nach den Mondmeeren benannt und von der erschreckenden Geschichte eines Mannes inspiriert sind, der davon besessen ist, alle verlorenen Gedanken und Schöpfungen der Menschheit zu archivieren. Musikalisch jedoch taucht er wieder in Chorgesang, Renaissance und andere Stile ein, die seine frühe Arbeiten inspiriert haben, sowie in Variationen von Klängen und Ideen, die sich auf eine seiner Lieblingsplatten, "69 Love Songs" von The Magnetic Fields, beziehen. Mit einer Länge von fast einer Stunde ist es das bei weitem umfangreichste Album, das Beirut je gemacht hat, und es gehört fraglos zu Condons bisher schönsten Arbeiten. "A Study of Losses" ist das zweite neue Beirut-Album innerhalb von nur zwei Jahren und die Fortsetzung eines weiteren, charakteristisch produktiven Kapitels für Zach Condon. Nach einem halben Jahrzehnt, das er damit verbrachte, sich von hartnäckigen Halsproblemen und einem drohenden mentalen Zusammenbruch zu erholen - was ihn daran zweifeln ließ, ob er jemals wieder vor Publikum auftreten würde - folgt "A Study of Losses" auf "Hadsel", das "einen neuen Anfang für Beirut" markierte, lobte Pitchfork und nannte es "eine aus Verzweiflung und Einsamkeit geborene Platte, die sich dennoch voller Leben anfühlt". Während sich "Hadsel" um eine gewaltige, antike Kirchenorgel drehte, die Condon während eines dunklen arktischen Winters in Nordnorwegen entdeckte, wird "A Study of Losses" durch Streichquartette und Arrangements der Cellistin und "No No No"-Mitarbeiterin Clarice Jensen aufgehellt. Geschrieben und aufgenommen von Zach Condon in Berlin (DE) und Stokmarknes (NO), wobei die Wurzeln des Albums in Schweden und Deutschland liegen, erweitert "A Study of Losses" auch die weite Welt, die er durch die Musik von Beirut aufgebaut hat, seit er das Projekt als neugieriger und umherziehender 14-Jähriger begonnen hat. "Als ich zum ersten Mal angesprochen wurde, einen Soundtrack für einen Zirkus zu schreiben, kam zunächst ein gewisses Trauma der 'Elephant Gun'-Ära hoch", erklärt Condon, als er Ende 2024 ,Caspian Tiger' von "A Study of Losses" vorstellt. "Ich war jahrelang in eine Schublade gesteckt worden, in der ich ein skurriles Zirkuskind war, voller sepiafarbener Bilder von Groschenromanen und vielleicht Löwendompteuren mit Schnurrbärten. Es hätte nicht weiter davon entfernt sein können, wie ich mir die Musik vorstellte, die ich machte. Es ist also eine Ironie, dass ich das Projekt von Kompani Giraff so verlockend fand."

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28,78

Last In: 9 months ago
ELADO - Funk Machine EP

ELADO

Funk Machine EP

12inchBBR002
Big Baba
12.08.2025

Funk Machine marks a second release on Big Baba Record for Edaldo who goes big with four electrifying tracks that are perfectly tooled for open-air and summer dancefloors. The title cut brings big, bright, bold disco-house anthem vibes with full-throttle vocals and piano stand, 'People' has a more Italo-disco vibe with an infectious vocal hook and nice retro bassline and 'Jah Noon' is a club-ready remix of a rare Yemeni groove that melts disco and indie-dance with an oriental twist. Last of all is the acid-infused Kwaito cut 'Johna' with classic cowbells and snaking bass. These are big tunes but they don't lack class.

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14,50

Last In: 8 months ago
Biz - Biz Limited Series #1

Biz

Biz Limited Series #1

12inchSUBJEKT001LTD
Subjekt Australia
12.08.2025

Subjekt mints a new limited edition series with a first vinyl pressing of some Biz (Transmat, Acquit Records) tunes that have previously been available only digitally via his Bandcamp. The Aussie is a real pioneer of techno in his homeland and has also made a mark around Europe with outings on top labels like Further Electronix and Tronic. He always delivers deep, hard-hitting cuts that draw on experiences picked up in the scene since the late '80s. This one opens with 'Tears,' which is a deep and atmospheric sound with fuzzy chords and melancholic moods over a mid-tempo rhythm. 'Worlds Collide' brings some Detroit mysticism, then 'Dark Mofo' taps into electro for a deft, kinetic rhythm and icy melodies that come back from the future. 'Fallen Apache' is a deep and dubby roller with an introspective edge, and 'Teach Em A Lesson' shuts down with an astral odyssey and more fluid synth work over analogue drums. Tasteful stuff from this vital veteran.

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18,91

Last In: 9 months ago
36 / Zake - Stasis Sounds For Long Distance Space Travel III LP 2x12"

36 and Past Inside The Present label head Zake return to their Stasis Sounds For Long Distance Space Travel project which is music designed not for the distracted world we inhabit, but for the still moments we so often neglect. Crafted with intention and restraint, it is a universe that suspends the listener in time across glacial soundscapes in which the duo conjures a sense of cosmic awe. Soft, slow-moving drones and textural washes drift like solar winds through the vacuum, suggesting the boundless calm of deep space. The production is rich, gentle with tonal shifts and barely-there harmonics that evoke both distance and intimacy, wonder and melancholy. It feels like music beamed in from the edges of the known universe. If you fancy a contemplative journey from the edge of Earth's thermosphere into the unknowable beyond, tune into Stasis Sounds on your best headphones.

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40,29

Last In: 9 months ago
Tal Fussman - Definition

Tal Fussman

Definition

12inchREKIDS242
Rekids
11.08.2025

Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.

On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.

Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.

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13,40

Last In: 50 days ago
Tekamolo - Best tunes for your answering machine
  • Oh No
  • Fail
  • World
  • Never
  • Flag
  • Please
  • Nothing
  • Break
  • Home

‘Best tunes for your answering machine’ is the debut album of oblique, introspective electronic music by the mysterious solo artist Tekamolo.

Fusing melancholic synth pop and absurdist trip hop, ‘best tunes for your answering machine’ is a special assemblage of pitch-modified vocals, retrofuturist samples and freeform electronics that coalesces into music both outlandish and bittersweet, playful and profound.

Produced by a renowned artist, opting to conceal their identity under the guise of a new pseudonym, Tekamolo presents a series of curious, incognito confessionals with ‘best tunes for your answering machine’. An album led by a voice like a sentient, heavy-hearted android, the nine tracks collected here contend with themes of inertia, solitude and longing, revealing an inspired, affecting stream of messages from an unknown caller.

Without preconceptions tied to provenance, this is music liberated from the burdens of biographical detail. Music that eschews ego and the cult of the self. An album that can be heard purely for the strange, poignant sounds unfurled throughout.

For Tekamolo, the album signifies an attempt to navigate aesthetic reductionism, as well as an absolute sense of seclusion:

“An audio diary of a lonely soul. Broken, wounded mantra-songs. Memories of things that never happened. Dreams that never had the chance to be dreamed. Disassembled songs. As if testing the limits of emptiness — how much void can a song endure while still remaining a song? How much can be stripped away, how bare can it be, and still, the groove lingers, the melody pierces the memory, sinking into the listener's mind.

These are the skeletons of songs, an attempt to assemble music from the bare minimum — words, sounds, fragments of memory.

The songs are filled with desperate calm. They are not sung to the world, nor to anyone tangible, but solely to oneself and to the unseen. In a way, they could be considered songs of the end of the world: you wake up, and there is not a single person left in the world. At least, no one you can see. You wander through empty streets and deserted shopping malls, humming softly to yourself, hoping that someone — anyone — might hear you.”

‘best tunes for your answering machine’ is a sui generis conception of warped 21st century blues from an enigmatic figure, a work filled with surreal, indelible songs of modern isolation. Lost contemporary hymns, now recovered. Voicemails worth hearing.

pre-order now08.08.2025

expected to be published on 08.08.2025

25,42
Percussive P - FR037

"Enter The Dragon" is a tune I've been playing for a few years that people have been messaging me about non-stop, asking for track IDs, release information & up until now, there was no real likelihood of it coming out since it had been forthcoming on a release scheduled for Lucky Muffin Records (a Green Bay Wax sublabel), which had been on the cards for a long time, but there was no sign of any imminent plan for release.

That was until Percussive P sent me a new tune he'd done recently called "Vibrating Harmony", which I really liked & wanted to put out on the label. This reminded me of "Enter The Dragon" which was still not out by that point, so I approached Kid Lib to ask if he'd be up for letting me release "Enter The Dragon" with "Vibrating Harmony" on Future Retro London. Reluctantly, he did & here we are...

Big thanks to Percussive P on his excellent work on both tunes, to Kid Lib for allowing me to put out "Enter The Dragon" on Future Retro London and to all the people over the years who were curious what this tune was when they heard it on my Mixmag live set, my Resident Advisor podcast & wherever else me or other DJs that had the tune were playing it at.

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16,60

Last In: 9 months ago
Laurie Torres - Après coup LP

2025 Repress

Laurie Torres is a Canadian musician and composer raised in Montréal, Québec by Haitian parents. Since 2008, she has been a trusted stage and studio performer for Julia Jacklin, Pomme, and Land of Talk, as well as being a founding member of Folly & The Hunter, with whom she recorded four studio albums and toured Canada, Europe and the UK.

In 2023, Laurie shifted focus to work on her own creations, a process of making time - the will and the need becoming omnipresent. Drawing creative inspiration from contemporary artists like Tirzah, Gia Margaret, Valentina Magaletti, Tara Clerkin Trio and ML Buch, 'Après coup' finds Torres intersecting at a pivotal moment where artists whose marginalized identities are at the forefront in creating a beautiful array of "other options".

"Being othered and tokenized as a woman who plays music, as well as a queer and black person, takes a toll, while also positively feeding a strong urge to push and be seen."

Centering around piano, drums and synthesizer with interweaving field recordings, 'Après coup' follows the precursor ep 'Correspondances' in the form of a sprawling 11-track album. Translating directly from French - afterwards, after the event - its title subliminally points at something deeper between the lines. Recorded in 2023 between tours in a small window of time where 'normal' life hadn't quite recommenced, Torres meticulously crafted her debut solo material in view of surrounding nature, all providing the perfect nourishment for long streams of improvisation. Built right up to the edge of a lake, Studio Wild in St-Zénon, Québec offered an unparalleled location and set up for her freeform creativity.

Instrumental music seemed like a natural response and evolution for Torres who had long basked in the world of "pop music" as she elaborates: "I had an urge to use creativity as a sort of resting place, a place where things can unfold slowly and take time to reveal themselves. In other worlds words, I felt the need to make something slower, more elusive"

The immediacy of Torres' recorded takes doubled with minimal overdubs create a fiercely direct, intimate and unpolished lo-fi beauty. 'Après coup' then is self-reflective, open and inclusive with Torres allowing herself to be fully seen. An album to be felt at close distance with unrivalled authenticity. This album stands as a testament to Laurie's artistic evolution and serves as a beacon, inspiring her to continue nurturing her own creative pursuits and finding exhilarating freedom.

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22,27

Last In: 9 months ago
LATE NIGHT DRIVE HOME - AS I WATCH MY LIFE ONLINE LP 2x12"
  • As I Watch My Life Online
  • She Came For A Sweet Time
  • Day 2
  • Opening A Door
  • American Church
  • Modern Entertainment
  • Uncensored On The Internet
  • If I Fall (Would You Crawl Under My Skin)
  • Deadstar
  • If I Knew I Was Dying (I Would Stare At The Sun)
  • Last Seen Online
  • Terabyte
  • She'll Sleep It Off

late night drive home have never known a world without Wifi - without access to the endless stream of joy, sorrow, heartbreak, and hope that we all tune in and tune out to on the daily. In many ways, the guys can"t really extricate themselves from that reality - even their band name comes from a random Wikipedia page - but they"re trying to at least grapple with it. "Most of us grew up on the internet with unsupervised access at a very young age," says singer Andre Portillo. "As we started foreseeing all the outcomes - both good and bad - of this kind of access and advancement, we started writing... forming a sound and message that would become our next record." The culmination of that, then, is the buoyant yet ominous as I watch my life online, the band"s debut album. late night drive home was born in El Paso, Texas, and Chaparral, New Mexico, hardworking communities where folks built their houses by hand and collars were mostly blue. Comprising guitarist Juan "Ockz" Vargas, singer Andre Portillo, drummer Brian Dolan, and bassist Freddy Baca, the entirely self-taught quartet released their first digital EP as a full band, 2021"s Am I sinking or Am I swimming?, and blew up with the single "Stress Relief," a blast of early-Aughts indie that racked in tens of millions of streams. After they signed with Epitaph Records in 2023 - and releasing 2024"s grunge-inspired 3 song EP i"ll remember you for the same feeling you gave me as i slept - they found themselves playing stages their indie idols previously shredded: Coachella, Shaky Knees, Austin City Limits, and Kilby Block Party. Since the end of the pandemic, though, the band had been dreaming up as i watch my life online. "I started thinking about the time after the pandemic and how much things were changing," says Vargas. "So the whole album is a critique of social media and the way we use the internet to distance ourselves from each other." The resulting suite of tracks is a series of online vignettes that hammers home the band"s message: the photos on your phone shouldn"t be your identity; your posts aren"t your inner monologue. A bigger life is lived where there"s no service - in your hometown on a late night road with your friends, and on stage, where the band finally found their destination after that long drive.

pre-order now08.08.2025

expected to be published on 08.08.2025

29,83
Impérieux - Modus Operandi EP

2025 Repress

Modus Operandi, an EP by Impérieux, is the latest release from Sum Over Histories, the label from Frankey & Sandrino that champions introspective sounds for reflective times.

There’s an air of mystery surrounding Impérieux. The Bulgarian-born artist prefers to avoid the spotlight and work diligently on music instead, building a sound influenced by the underground scene in Sofia and his Turkish roots.

Impérieux began production of Modus Operandi in Bulgaria, and continued throughout his move to Berlin last year. The artist says it was a melancholic time; dealing with culture shock and a new language was challenging even without a pandemic. This EP is a reflection of that. Dark and brooding, simplistic and surreal, Impérieux took inspiration from the fantasy worlds of novelist Murukami and named the tracks after his work.

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12,56

Last In: 22 days ago
SCOWL - ARE WE ALL ANGELS

Scowl

ARE WE ALL ANGELS

12inchDOCLPC7358
Dead Oceans
08.08.2025

Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves.Much of Are We All Angels grapples with Scowl's newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single "Not Hell, Not Heaven" outright rejects the narratives cast onto them by outsiders. "It's about feeling victimized and being a victim, but not wanting to identify with being a victim," explains vocalist Kat Moss. "It's trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain't working for me." The band breaks from a sense of disassociation to seek deeper connections on "Fantasy." "It's incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated," Moss says. "`Fantasy' is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard." The album ends in a philosophical place on the closing, titular track, "Are We All Angels," asking questions like, "Is this all there is?" and ultimately putting it on the listener to decide. "It's about the personal struggle between good and evil. It doesn't matter how `good' or `bad' you are, there are systems that will try to rewrite your narrative no matter what you actually do," explains Moss, noting that punctuation on "Are We All Angels" has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl's debut, 2021's How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record's sonic outlier, a cleaner interlude called "Seeds to Sow," that, true to its name, planted the seed for what was to come for the band. "It kind of laid out this destiny for us, and I feel like now we're fulfilling that," says drummer Cole Gilbert. The band continued to expand their sound on 2023's widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next.Scowl's growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band's scope. "Will would say, `Everything you have here is correct, but it's in the wrong place,'" says Gilbert. Moss adds: "Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses." But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and its sense of community. "Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate," says guitarist Malachi Greene. "At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes."

pre-order now08.08.2025

expected to be published on 08.08.2025

22,27
Craig David - Commitment LP

Craig David

Commitment LP

12inchBELIEVE115LP
Believe Recordings
08.08.2025

CRAIG DAVID RETURNS WITH NEW ALBUM 'COMMITMENT'.

Created with Mike Brainchild, Toddla T, Tre-Jean Marie and Wretch 32 and featuring collaborations with Jojo, Tiwa Savage and Louisa - one of the greatest British singers and songwriters of all time returns this summer with a brand-new album.

'Commitment' is Craig David's ninth full-length record and it is a total triumph. Imbued with a resounding sense of joy and playfulness, the 13 track-player balances a powerful feeling of confidence and ebullience alongside an agile nuance and delicate vulnerability.

This is Craig David at his very best.

Opening emphatically with the rallying cry of UKG head turner Wake Up, 'Commitment' spans the best of British music; from the rich house refrains of Leave The Light On, through to the perfect tropical pop of SOS and the warm embrace of Afrowave on the utterly gorgeous title track. Craig also flawlessly delivers, throughout, those signature R&B riffs, ad-libs and runs that he is so known and loved for. And while there are nods to the past, this is a body of work that exists very much in the present. Like Craig classics before it, 'Commitment' embodies the best of what's been before while pushing things firmly forward.

pre-order now08.08.2025

expected to be published on 08.08.2025

30,67
Prince Istari - Riddim Dub School 7th Grade

With the 7th Grade of the Riddim Dub School series, Prince Istari enters
Junior High School. Prince Istari returns with his Riddim Dub School
series now on 12inch, pushing deeper into the intersection of dub, drum
and bass, and sound system culture. This 6-track EP, titled "lessons
into drum and bass wise", explores raw rhythms, analog feedbacks, and
heavy low-end pressure.

The EP starts with a Drum and Bass cut with a One Drop of the DUB ME
LOOPY tune from Riddim Dub School 5th Grade. INTIMACY COORDINATOR
follows with a heavy Disco Dub. The last track on Side A is LABOUR’S
DUB, with deep bass polished through spring reverb. The shakers come in
late and push the whole thing forward. Side B begins with GONE TOO SOON
from Riddim Dub School 4th Grade, in an alternative version. It’s
followed by the most upfront track on the release CONQUERING DUB – brass
fanfares and a deep disco rocker beat with minimalistic arrangement. NO
DUB INNA DI WRONG ends the 7th Grade with a roots way style. It suggests
that dub music doesn't belong to or support negative, corrupt, or unjust
actions or spaces. Dub music stays righteous, true, or positive, and
doesn’t associate with bad vibes or wrongdoing.

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17,86

Last In: 9 months ago
SONGS:OHIA - IMPALA

Songs:ohia

IMPALA

12inchSCLP510
Secretly Canadian
08.08.2025
  • Ace Unable To Change
  • Easts Heart Divided
  • This Time Anything Finite At All
  • Hearts Newly Arrived
  • Till Morning Reputations
  • One Of Those Uncertain Hands
  • Humble Cause Again
  • Rules Of Abscence
  • Just What Can Last
  • Program: The Mask
  • Structuring: Necessity
  • Separations: Reminder
  • Program And Disjunction
  • Tess (Impala Session Bonus Track)

"Impala", das sagenumwobene zweite, ursprünglich 1998 erschienene und längst vergriffene Songs:Ohia Album wird im August von Secret Canadian auf Vinyl neu aufgelegt. Diese Veröffentlichung enthält ein neu gemastertes Demo von "Tess", ursprünglich während der Aufnahmesessions für "Impala" aufgenommen. ,Lorain, Ohio; es ist ein schwieriger Ort zum Aufwachsen. Entweder man entkommt oder nicht. Angesichts der Industrie, die es dort gibt (oder gab) - das Stahlwerk, das Ford-Werk und die Werft - ist die Mischung der Menschen wie keine andere. Eines ist jedoch sicher, es ist eine Arbeiterstadt durch und durch. Was hat das mit einer neuen Veröffentlichung von Songs: Ohia zu tun? Nun, Jason - der Hauptverantwortliche für Songs, wuchs wie ich in diesem gottverlassenen Loch einer Stadt auf und so sehr man die Stadt auch verlassen kann, sie verlässt dich nie. "Impala" ist ein weiterer Beweis für das Songwriting-Talent von Jason Molina. Die hier enthaltenen Tracks bieten einen Einblick in die die Seele eines Mannes, der versucht die Dämonen des Lebens und des Verlusts auszutreiben. Das ist nichts, was man vortäuschen kann. Das kommt davon, wenn man mit dem Wissen aufwächst, dass die Fabriken, in denen deine Eltern gearbeitet haben, keine Option für dich sind und dass deine einzige wirkliche Option ist, zu versuchen, auszusteigen (leichter gesagt als getan). Die auf Jason und Geof Comings reduzierten Tracks auf "Impala" sind die spärlichsten und strukturiertesten Stücke, die die Band bisher veröffentlicht hat. Eine der ehrlichsten und stärksten Veröffentlichungen von Songs:Ohia.

pre-order now08.08.2025

expected to be published on 08.08.2025

23,49
Jiro Inagaki & Soul Media - Head Rock

A heretical masterpiece with an overwhelming presence in the history of Japanese jazz. Jiro Inagaki was one of the central figures in the development of jazz rock in Japan. Inagaki, who had doubts about the existing jazz music, turned the helm to jazz-rock at once with this album recorded in 1970. From the opening track "The Vamp" to the closing "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock album that leaves no time to exhale.

pre-order now08.08.2025

expected to be published on 08.08.2025

36,77
Galaxie 500 - CBGB 12.13.88
  • 1: Tugboat
  • 2: Oblivious
  • 3: Parking Lot
  • 4: Don't Let Our Youth Go To Waste
  • 5: Pictures
  • 6: Flowers
  • 7: It's Getting Late
  • 8: Temperature's Rising
also available

Color Vinyl[28,15 €]


After a storied first year as a band releasing and touring behind their critically acclaimed debut album Today, Galaxie 500 closed out 1988 with a quintessential performance at New York City’s famed CBGB with every bit of their signature intimacy and autumnal bombast on display. The unusual bill which also included Sonic Youth, B.A.L.L. and Unsane was a benefit show for the zine shop See Hear.

Captured here in a raw but inspired board mix by Kramer and restored and mastered from the analog source by Alan Douches at West West Side Music, CBGB 12.13.88 is a live snapshot of a Galaxie fully formed, punctuating the end of their first chapter while poised to step into their next with On Fire the following year.

pre-order now08.08.2025

expected to be published on 08.08.2025

26,85
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