From the slamming science of “Ricochet,” through the jittery ghost-rave of “Survival” and the outer-space lover’s rock of “Dubbing You,” to the manic magic of “Finest Illusion,” this collection of early EPs by rave legends Foul Play tracks an astonishing evolution across barely more than a year. Some of the top tunes to come out of the hardcore > jungle > drum & bass journey? Yes, but also some of the most thrilling and gorgeous music of the entire ‘90s.
Simon Reynolds, author of Energy Flash: A Journey Through Rave Music and Dance Culture.
Re-mastered by Beau Thomas of Ten Eight Seven Mastering and re-issued for your aural pleasure. Don't sleep on this one!
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With more than 140 live performances in Italy and Europe, Petrolio is a solo project by Enrico Cerrato, a versatile artist able to move with ease between experimental and noise music, soundtracks and compositions for the theatre In recent years, the artist has released numerous singles, EP and albums, playing throughout Europe, sharing the stage with artists of the caliber of Lingua Ignota, Lustmord and Karin Park, Jesu, Fennecs, and many more, and performing in international festivals. It boasts high profile collaborations with artists of the caliber of Jochen Arbeit (Einstrzende Neubauten), Aidan Baker (Nadja), as well as many noble names of the Italian noise/ industrial scene as Italian as Fabrizio Modonese Palumbo (Almagest!, Blind Salamander, Coypu, Coypu, Lanzen, XXL), Sigillum S, Stefania Pedretti and Mai Mai Mai.
With more than 140 live performances in Italy and Europe, Petrolio is a solo project by Enrico Cerrato, a versatile artist able to move with ease between experimental and noise music, soundtracks and compositions for the theatre In recent years, the artist has released numerous singles, EP and albums, playing throughout Europe, sharing the stage with artists of the caliber of Lingua Ignota, Lustmord and Karin Park, Jesu, Fennecs, and many more, and performing in international festivals. It boasts high profile collaborations with artists of the caliber of Jochen Arbeit (Einstrzende Neubauten), Aidan Baker (Nadja), as well as many noble names of the Italian noise/ industrial scene as Italian as Fabrizio Modonese Palumbo (Almagest!, Blind Salamander, Coypu, Coypu, Lanzen, XXL), Sigillum S, Stefania Pedretti and Mai Mai Mai.
Back on Planet Sneaker with his infectious, raw-as-sushi take on UK funky, French MPC maverick Kaval presents another four-strong salvo of wavey 4/4 workouts heavy on the drums and loaded with ear-snagging hooks. The past year saw the Toulouse scene stalwart launch his own KVLDUBS 12” series and appear on Parisian label Nowadays.
Kaval certainly sounds in fine fettle as he bowls back our way, kicking off proceedings with the air horn x bass squelch firestarter ‘Lavawheel’. It’s loaded with such hefty squarewave low end it feels like it could fall out the bottom of the speaker at any minute, all the while stamped down by a bouncy UKF thump. ‘Basement Woi’ twists up a knottier rhythm, but the cheeky vocal samples keep flying out of the mix to keep the vibe infectious.
On the B side, ‘Sonic Boom’ has a slightly more techno-spirited demeanour to the production, albeit never at the expense of the hefty subs. That leaves it to ‘Tek Talk’ to mop up with a twitchy construction dancing on the edge of electro in the tweaked-out, early 00s spirit of the word. With bags of personality and equal amounts swagger and fun, on SNKR066 Kaval maintains his position as a free thinker for the possibilities springing from the UK funky formula.
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To mark its 20th birthday, Lisbon-born label Enchufada is releasing A Lisbon Club Story - 20 hand-picked tracks bridging bass, trap, grime and rave with baile funk, kuduro, batida, Afro-house and more dance-oriented styles. A mix of 12 archive selections and eight fresh cuts, the LP unites some of the boldest champions of Afro-diasporic and global bass music today, from household names in Portugal such as Buraka Som Sistema - back with their first track in 12 years, DJ Marfox and Shaka Lion to newgen dynamos like Vanyfox and international stars like Dengue Dengue Dengue and Mina.
Summer is around the corner and what a perfect timing to introduce you to Admo’s latest musical project - Charlottenzbeul Science Club. After three years since his last solo EP, many live acts around the globe and releases on Limousine Dream, Haws and Ordinateuf, the mad bassist is back at it again with his first release on his new label - Two-Headed Fish Records - which he co-runs with his wife. Definitely an EP that stays in the family.
It’s another four-tracker - you know the kind of vinyl that keeps on giving. A celebration of his time in the vibrant German capital, Berlin (West is the best). A1 opens the ball : bassy, catchy and this infectious chromatic melodic line. The recipe for a summer hit. Now onto A2 (and we’re not talking about his German language skills here): a regular laidback approach where acid sounds mesh together with this high-energy baseline. A classic in the making. If you’ve seen him live, you must’ve recognised B1 as it used to be his closing. A dreamy touch, where storytelling is the key word. You will have your head bopping from the first minute - mellow moment guaranteed. And B2 wraps it up - it takes you by the hand, you hop onto the next U-bahn and straight to the dance floor. The analogic bass keeps on bringing the track higher, progressively transforming into this groover that gets your feet stomping. It’s a proper farewell and a perfect conclusion to this beautifully crafted record.
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The Bug Club sind mit einem neuen Album zurück. Seit ihrem letzten Album sind ganze sieben Monate vergangen. Wo waren sie denn? Every Single Muscle, das fünfte Album der Band, ist das dritte, das von Sub Pop, dem angesehenen Label des walisischen Duos aus Seattle, veröffentlicht wird. Seit Very Human Features, das im Juni 2025 rauskam, sind die Lieblinge von BBC 6 Music und KEXP auf ihrer Nonstop-Tour quer über den Atlantik geflitzt, wie sie es früher auf der Severn Bridge gemacht haben. Verschiedene Festivalauftritte im Sommer haben sie davon abgehalten, Urlaub zu machen - wer braucht schon Urlaub, wenn man in Wales lebt? - bis es Zeit war, wieder ins Songwriting-Studio zu gehen. Das ist wahrscheinlich immer noch ein Schlafzimmer in Caldicott, das von einem Windhund namens Ted frequentiert wird (aufgepasst - er taucht in einem der Songs auf). Die Songwriter Sam (Gitarre, Gesang) und Tilly (Bass, Gesang) sind immer bescheiden und behaupten sogar, dass sie während des Songs ,It's Our Manager David" nur ,herumsassen und nichts taten". Das ist eindeutig eine Lüge. Every Single Muscle startet mit ,Miss Wales 2012" voll durch und bezieht sich dabei auf einen Wettbewerb, den sowohl Tilly als auch Sam tatsächlich gewonnen haben. Es ist der erste von vielen Tracks auf dem Album, die weniger als zwei Minuten lang sind, und gibt den Ton für das bisher punkigste Album von The Bug Club an, das sowohl an die kurzen, knackigen Snaps ihrer allerersten Singles als auch an das Grunzen ihrer jüngsten Veröffentlichungen erinnert. Das Album ist so vollgepackt mit Riffs und eingängigen Hooks, dass Sam tatsächlich um Erlaubnis bittet, im zweiten Track ,A Good Day For Dying" ein Solo einbauen zu dürfen. Er bekommt zwei Sekunden Zeit. Glücklicherweise fragt Sam später noch einmal und bekommt mehr Zeit. Auf achtzehn Songs gibt's genug klassisches Gitarrenspiel von Sam und Tilly, um selbst die lautstärksten Bug Club-Fans zufrieden zu stellen und die Behauptung der Band, sie seien ,nur technisch versiert auf ihren Instrumenten", klar zu widerlegen. Dieses Album ist ein Beispiel für effizienten Maximalismus - so wie wenn dein Vater das Auto für den Urlaub vollpackt. Bring mit, was du willst; der Platz ist knapp, aber sie kriegen es irgendwie rein. Zu den Texten: Während ,Very Human Features" hervorragend alltägliche Dinge aufzeigte und ihre Absurdität hervorhob, schauen The Bug Club auf ,Every Single Muscle" genauer auf sich selbst. Allerdings nicht so sehr auf introspektive Weise, sondern eher so, wie ein Außerirdischer ein gefangenes Exemplar auf einer intergalaktischen Trage untersuchen würde. Horrorfilme haben ihr ,Body"-Subgenre, jetzt bekommen auch Garage-Rock-Alben ihres. In einem völlig neuen Sinne des Wortes selbstbezogen, wird die menschliche Form und Verfassung im Laufe des Albums aus jedem Blickwinkel beleuchtet und untersucht. Wir spüren eine surreale Distanz zum Selbst, die den allgegenwärtigen, von Langeweile geprägten Humor hervorbringt; im letzten Song verkündet Sam, dass er ,es satt hat, ein Mensch zu sein". The Bug Club scheinen dem Konzept, ein Mensch zu sein, fast misstrauisch gegenüberzustehen - als wären sie in einem Kostüm aufgewacht, das sie nicht anziehen wollten und nicht ausziehen können. Ist drei die magische Zahl? Wahrscheinlich nicht. Aber Every Single Muscle - das dritte Sub-Pop-Album von The Bug Club - kommt dieser Vorstellung nahe genug, um den durchschnittlichen seltsamen Menschen davon zu überzeugen, dass es so sein könnte.
'Honesty Flowers' is the fourth studio album from Italian multi-instrumentalist Alessio Ferarri under the Upupayāma moniker. An epic double album set due for release May 29th 2026 on Fuzz Club, 'Honesty Flowers' finds Upupayāma's ever mind-blowing brew of organic psychedelic rock meets global grooves at its most percussive, lively and distorted. Equally hedonistic and heady, it courses through rhythmic funk grooves, doubled-down scorched fuzz riffing, winding motorik jams, tranquil drones and pastoral acid-folk across its seventy minute run time. A six-piece band live, where things take a more ever-evolving improvisation-based approach (see their recent 'Live At Fuzz Club Festival '25' LP), on the recordings Ferarri writes, plays and records everything himself – guitars, keys, flute, sitar, and an arsenal of percussion all feature. Never not working on new music, Ferarri started laying down these new tracks in his home barn studio in a small mountain village overlooking the city of Parma before its 2024 predecessor 'Mount Elephant' even hit the racks. The result was mixed by Chris Smith at Kluster Sounds (Kikagaku Moyo, Wax Machine) and mastered by Joseph Carra (King Gizzard, Babe Rainbow, ORB) On the new record, Ferarri says: "Honesty Flowers was born from listening to lots of funk music from all over the world, lots and lots of African music, and from listening to myself as I spent whole nights playing all kinds of percussion instruments. I would fall into a sort of trance and play the same rhythm for hours on congas or on a djembe. It's an album that was born above all from the beauty of being able to narrate the unknown and recognise yourself in it, which could translate into telling stories and bringing them to life.
White/Orange Splatter Vinyl. To All The Ones That I Love wurde im bandeigenen Studio im Westen Melbournes aufgenommen, wobei Gitarrist Greg Rietwyk für Produktion und Mix zuständig war, bevor das Album von Kris Crummett (Closure in Moscow, Dune Rats, Currents) gemastert wurde. Dies ist das vierte Album von Press Club, und die Reife der Band spiegelt sich in den zehn Tracks wider. Dem Hörer wird ein Ritt durch verschiedene Genres geboten, während das Album Themen wie Introspektion, Entwicklung, Veränderung und das Lernen aus vergangenen Fehlern durchläuft. Die Band beschreibt die Entstehung des Albums als eine unglaublich spannende, kreative und befreiende Erfahrung: Die Songs wurden alle gemeinsam in ihrem Studio über mehrere Monate hinweg geschrieben. Diese Art des Schreibens gab der Band die Freiheit, mit verschiedenen Genres zu experimentieren und die Tiefen all ihrer Einflüsse auszuloten.
Building momentum around his moody, alchemical breakthroughs in the techno-bass laboratory, Buckley lands on Sneaker Social Club with a punchy quadruplex that marks him out as an innovative talent in the next generation of low end producers.
Manchester-based Elias Buckley first came to light with a lathe-cut drop on ec2a, followed up over the past two years with outings on Well Street, Dimeshift and S.P.E.C. That sets the tone for exploratory zone Buckley is operating in, and he maintains a forward-thinking slant to his physical, dynamic club weapons on this latest EP.
'City Dweller' rests on a creeping mid tempo 4/4 pulse, all the better to carry slithering layers of sound design that slide off the undulating sub bass throb. Minimalism is the order of the day here, but his approach is shot through with gully zaps and rude swagger that makes this a positively UK- centric affair. 'Carl's Floorboard' makes a sizeable swerve towards brutalist grime mutation, letting the space in the mix swallow you whole around the dislocated bass womps and whipcrack snares.
On the B side, 'Gawy' hits the mark squarely between techno propulsion and soundsystem swagger, plying slippery sound design to the bass blasts and working an offbeat groove designed for maximum lock-in. Making sure there are no doubts about his range, Buckley saves one of the deadliest joints on the record for the closer, whipping up a wide-as-you-like UKG bounce on 'M.O.B.S.O.T.' while maintaining the lean and mean sound that binds the EPs any angles together.
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Doppel-LP, schwarzes Vinyl im Gatefold Cover. 24-seitiges Booklet. "Herz voran! Für die, die hinhören. Nicht nur zuhören. Fürs Umdrehen statt weiterzuskippen. Für Spätzünder und Aussteiger, Für Abgehängte und Neinsager. 15 weingeschwängerte, auf 4 Seiten verteilte Songs über den Tod, Liebeskummer, Freundschaft, Liebe und ein Huhn. Direkt from the Heart in die Matrize! Herz voran! Album Nr. 3 Angora Clubs finest!"
"Disco Chimi" by Dominican-raised Cuban artist Charles is the second release on Coco Maria's newly found Club Coco label. Comes with 4 paged insert with liner notes and art.
Charlie Chimi — the alter ego of Charles Garmendia — is a globe-trotting, kaleidoscopic creator best known for La China de la Gasolina. A percussionist for legendary Zamrock band WITCH, L’Eclair, and other international acts, Charlie moves fluidly between roles as a live performer, studio musician, and visual artist.
Like the iconic Dominican street burger it’s named after, the Charlie Chimi project is a spicy mélange of Afro-Cuban rhythms, funk-driven basslines, and playful, inventive wordplay — touching on everyday rituals like making lunch, as well as the trickier themes of illusion, hustle, and deception in the animal (and human) world.
Charlie has assembled an international crew of “Chimis” to help him run the numbers, delivering a dizzying, theatrical live show that feels like peeking into the hazy back room of a bodega: old men slamming dominoes, bachata blasting, and a cosmic sandwich opening a wormhole to somewhere far stranger.
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In a patchwork of IRL sound fragments, humming ambience and sub bass brushstrokes, Bobby Ingham debuts on Sneaker Social Club with a social-realist inversion of soundsystem music that relishes negative space while telling a street-level story.
Bobby Ingham is a 24-year-old multidisciplinary artist whose creative practice across film, music and sculpture was shaped by formative experiences in his native Leeds. Having started to experiment with spoken word, poetry and electronic sound production, he sharpened his focus after moving to London. Homesickness moved him to recreate the sensory impression of his hometown through sound, using snippets of his every day experience with his friends and family as well as archival recordings online related to Leeds. The particular lilt of regional dialect became central to the character of his work — a direct portal into a personal world that could only be rendered by someone who has lived it.
Ingham’s work chimes with that of SSC’s own Low End Activist. Where LEA has repeatedly taken us around the Oxford council estate he calls home, on Angel of the North Ingham lets us stay a while on the streets and in the houses that made him. It’s intimate from the very start — opening track ‘Lynne’ features Ingham’s own grandmother, while ‘I Feel So Good I Swear I Could Fly’ finds Ingham voicing his own poem as he retells personal experiences in a disarmingly mythological manner.
‘1st Memory Of Love For DRXSJKFL ft. Pretty V’ invites Wakefield, West Yorkshire-based artist Voldy Moyo to lay down a spoken word piece that evokes the dehumanising nature of military service and those left behind by it. Where there are no words, Ingham instead speaks with brittle machine rhythms and blocks of texture, swooning synthesised beauty and any emotional shade you care to mention in between. It’s a work that takes you right into the heart of the artist — someone committed to telling an honest story from a viewpoint that seldom gets a second thought.
Fast zwei Jahrzehnte nach der Veröffentlichung des Originalalbums, das mit einem Grammy ausgezeichnet
wurde, lebt die Legende des Buena Vista Social Club mit „Lost and Found“ weiter, einer Sammlung bisher
unveröffentlichter Titel. Einige entstanden bei den legendären ersten Sessions in Havanna mit Produzent
Ry Cooder, andere während der darauffolgenden, außergewöhnlich produktiven Phase.
Das Originalalbum des Buena Vista Social Club wurde 1996 von Ry Cooder und Nick Gold innerhalb von
sieben Tagen in Havanna für World Circuit Records aufgenommen. Es vereinte viele der großen Namen des
goldenen Zeitalters der kubanischen Musik der 1950er-Jahre, von denen einige für die Sessions aus dem
Ruhestand zurückgeholt wurden.
Das Album wurde überraschend zum internationalen Bestseller und zum erfolgreichsten Album in der
Geschichte der kubanischen Musik. Damals ahnte niemand, dass die Platte erst der Anfang eines musikalischen Phänomens sein würde. In den folgenden Jahren tourten die Buena-Vista-Veteranen vor begeistertem
Publikum um die Welt und waren Gegenstand eines gefeierten Spielfilms von Wim Wenders.
Es folgten weitere gefeierte Aufnahmen, darunter Soloalben der Sänger Ibrahim Ferrer und Omara Portuondo, des virtuosen Pianisten Rubén González und des Bassisten Cachaíto López sowie ein mitreißendes
Live-Album, aufgenommen bei einem triumphalen Konzert in der New Yorker Carnegie Hall.
Der Buena Vista Social Club war zu einem bekannten Namen geworden. „Über die Jahre wurden wir oft
gefragt, welches unveröffentlichte Material noch in den Archiven schlummert“, sagt Nick Gold von World
Circuit. „Wir kannten einige Schätze, Favoriten der Musiker, aber wir waren immer zu sehr mit dem
nächsten Projekt beschäftigt, um nachzusehen, was wir sonst noch hatten. Als wir endlich die Zeit dazu
fanden, waren wir erstaunt, wie viel wunderbare Musik es gab.“
Alle Studioaufnahmen für World Circuit entstanden im Egrem-Studio in Havanna während der produktiven
und kreativen Phase nach der Aufnahme des Originalalbums, die bis in die frühen 2000er-Jahre andauerte.
Angereichert mit Live-Aufnahmen aus derselben produktiven Phase, bietet das Material auf „Lost and
Found“ eine enorme und mitunter überraschende Vielfalt. Doch es gibt einen roten Faden, der von einem
Kernteam legendärer Musiker getragen wird, die einen Korpsgeist zum Ausdruck bringen, den jeder, der
jemals vom Buena Vista Social Club verzaubert war, wiedererkennen und genießen wird.
SIMPLETON, the third album from multi-platinum indie-rock singer/songwriter YOT CLUB, dismantles the utopian view of the American suburbs, treating finely manicured life as a mirage. Across its 13 tracks, the LP wrestles with how curated feeds and predictable routines can blur, and even erase, empathy and responsibility, creating a world where difficult questions and harsh realities are easy to ignore. In 2019, Ryan Kaiser started Y ot Club in his college dorm, crafting a lo-fi, classically cool indie rock sound grounded under a dreamlike haze. Two years later, his breakthrough single “YKWIM?” quickly reached viral status on TikTok (today, it’s been streamed more than 1 billion times) and has since taken him around the world at festivals like T reefort, Kilby Block Party and Pitchfork Paris
180 GR Records is proud to present a new release by N-Zino, reimagining two tracks previously released by Four Flies Records: Mo... and Living Disco Club, offering two distinct yet complementary interpretations. Mo... (180 GR Disco Mix) takes its cue from the original Banda Maje version, itself a contemporary homage to Peppino Di Capri, already given a club reinterpretation. N-Zino elevates the track with a nu disco approach, emphasizing its elegant groove and sunnier, funkier side, blending disco influences with pulsing basslines, shimmering percussion, and warm synth textures, all infused with contemporary sensibilities while keeping the original melody alive. The result is a bright, danceable reinterpretation designed for both listening and the dancefloor. In a different yet perfectly complementary direction, Living Disco Club (Don Ciccio Tribute Mix) explores a deep house dimension, turning Banda Maje's disco-inspired original into a hypnotic, late-night groove. Deep bass, soft drum machines, essential rhythms, and atmospheric pads create a rich, warm, immersive vibe, ideal for after-hours or more refined, introspective club moments. Together, these remixes highlight N-Zino and 180 GR Records' vision: celebrating strong musical roots, connecting Italy's musical past with contemporary club culture, offering tracks that honor the tradition and the originals released by Four Flies, while speaking directly to modern dancefloors.
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The Activist returns to Sneaker Social Club with a fresh double-drop of mutant grime futurism featuring deadly flows from Tia Talks and Jammz.
Low End Activist first came through centred on link-ups with grime MCs before widening the scope of his sound with purely instrumental, conceptually-charged albums. This sure-shot double single reaffirms his affinity for outsider grime production as a vessel for deft bars from breakthrough talent and seasoned mic veterans alike.
On 'False Idols' and 'Atomic Clock' there's an emphasis on sharply angled, glitchy production that bends and warps well outside the established formula of MC-focused beats. Constantly shifting, hyper-detailed and front-loaded with walloping slabs of bass, both cuts are devastating in either vocal or instrumental form. Tia Talks pulls no punches stating her truth on the former, while Jammz muses on the endless battle against time on the latter, continuing the peerless run of avant-grime that courses through the Activist's back catalogue.
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4 intricate signals for late-night movement. Remix from Eversines.
Club Blanco steps into a more finely wired zone with CBR004, a tightly detailed transmission from young Bristol producer A.Wild – a record that reveals itself slowly, layer by layer, like a signal sharpening in real time.
Still anchored with a raw, restless pull, A.Wild works with a more intricate palette here: interlocking rhythms, delicate textural shifts, and micro-melodic flickers that shimmer beneath weighty, rolling low end. These are tracks that breathe, evolve, and reward close listening just as much as late-night movement.
If previous releases moved through the static in broad strokes, CBR004 traces its own circuitry — precise, hypnotic, and quietly complex – mapping new routes through the Club Blanco continuum.
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Mit "Galgenlieder" präsentiert der Club der toten Dichter sein Jubiläumsprojekt zum 20-jährigen Bestehen - eine außergewöhnliche Neuvertonung der legendären Gedichte Christian Morgensterns. Dessen skurriler Humor, philosophische Tiefe und spielerische Leichtigkeit bilden die ideale Grundlage für Reinhardt Repkes musikalische Neuinterpretationen, die den berühmten Texten wie "Der Lattenzaun", "Das Mondschaf" oder "Der Werwolf" ein zeitgemäßes, berührendes Klanggewand verleihen. Für dieses achte Programm des Clubs konnte Schauspieler Hans-Werner Meyer als Gastsänger gewonnen werden. Seine spontane Begeisterung - und seine persönliche Verbindung zu Morgensterns Lyrik - prägen den intensiven Vortrag zwischen Ironie, Wärme und feiner Melancholie. Begleitet wird er von Markus Runzheimer (Element of Crime), der Bass, Percussion und Gesang beisteuert. Bandgründer Reinhardt Repke zeichnet erneut für die Kompositionen verantwortlich und formt mit Gitarre und Stimme den charakteristischen Sound des Projekts.
‘Shaking Hips and Crashing Cars’ is the debut album from Wrexham band The Royston Club. The album was recently recorded at the famous Chapel Studios in Lincolnshire, where the band spent two weeks with fast-rising producer Alex Quinn. The album was mixed by Tom Longworth and mastered by Robin Schmidt and released on June 2nd, 2023, due to high demand from our fans we have decided to do a limited edition clear vinyl.
Any follower of Andrew Weatherall (a particularly fervent and erudite tribe) will be familiar with 'The Sons of Slough.' Comprising Andrew's brother Ian and Duncan Gray, they have produced music together for twenty years and throughout Andrew has been an avid supporter playing their records at his shows, helping Duncan set up his Tici Taci label and generally being a good friend.
Their mutual admiration for Factory Records made it an obvious place to seek inspiration for a tribute record. The influence of Factory on Andrew and Ian's lives is difficult to overstate. They spent a fair chunk of the 80s travelling all over the country to catch the label's artists perform.
New Order were pretty much top of the list and the Factory ethos of creativity over commercialism was to become Andrew's main drive throughout his career.
Ian and Duncan have reworked New Order's "In a Lonely Place" as a homage to Factory and the inspiration they were to a whole generation. David Holmes, Keith Tenniswood and Sean Johnston (all long time Weatherall collaborators) used the track as a jumping off point bringing Factory, New Order, their own musical perspective and most of all Andrew together in a unique tribute to shared times and fond memories.
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Repetition stops being mechanical and starts to breathe. Beauty is taken apart piece by piece to get rebuild with irony as A Thousand Details' minimalism blinds the mind.
This is the main version of TAR-LP4, 2x12inch with a download code including 4 extra tracks.
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Auf ihrem dritten Album ,Amaro" lädt uns Bibi Club dazu ein, uns den dunklen Bestien zu stellen, die uns unter der Oberfläche verfolgen, und uns der therapeutischen Kraft eines starken Lebenswillens hinzugeben. Es erkundet das sensible Spektrum zwischen dem Hier und Dort und verweist auf Liebe, Natur und Gemeinschaft als verbindendes Ziel. Die Songs zeichnen eine Karte einer eigenen Welt und folgen dabei dem Weg, den die Bibis in den letzten Jahren eingeschlagen haben. Nun verlassen wir das Wohnzimmer und tanzen in einem mentalen Raum, der mit Trauer und Angst in ihrer rohesten Form überladen ist. Nach dem Tod zweier geliebter Menschen im letzten Jahr hallt das Mantra ,Ich möchte lieben, ich möchte leben" intensiv in jeder Melodie nach; wenn das Herz ein Ort ist, der niemals stirbt, müssen wir es so schnell wie möglich erreichen. Inspiriert von unvergesslichen künstlerischen Begegnungen, Tourneen mit Blonde Redhead und Circuit des yeux sowie einer Zusammenarbeit mit Calvin Johnson präsentiert sich Bibi Club nun mit Avant-Pop und Electronic Body Music mit Elementen von Dark Wave und Neofolk, wobei gleichzeitig barocke Klänge mit Cembalos, Trompeten und auswendig zu lernenden rituellen Gesängen einfließen. Unterstützt von einer fürsorglichen Community, darunter der Saxophonist und Aktivist Dimitri Milbrun (George Sand) und die Singer-Songwriterin Helena Deland (A Different Light), ermöglicht Amaro Bibi Club, sich sowohl in intimer als auch in kollektiver Hinsicht zu definieren.
King Gizzard & The Lizard Wizard’s 2023 thrash metal epic ‘PetroDragonic Apocalypse’–their 24th studio album at the time–gets the Fuzz Club Bootleg treatment with this new live version pieced together out of recordings from their 2024 North American tour. Pulling from shows in/at The Gorge, Oregon, New York City, Las Vegas, Red Rocks and St Augustine, these live versions of the album tracks were recorded from the soundboard by the band’s crew and are exclusively mixed and mastered for this release by James Plotkin using the stems provided by the band. This is a double LP release on buzz-saw shaped vinyl, housed in a gatefold jacket with artwork by Elzo Durt.
Benedikt Frey supplies the aid kit. Sonic remedies for the night.
4 transmissions for after-dark navigation. Remix from Carl Finlow.
For its third release, Club Blanco welcomes German producer Benedikt Frey. Aid Kit delivers three original pieces of shadowy club machinery - tense, wonky and charged with late-night atmosphere and rugged vocals. Electro veteran Carl Finlow reassembles the parts with clinical precision, crafting a remix that hums with circuitry and steel. Together they form four doses of deep club music.
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Queer communities have long transformed parties into something powerful: spaces where care flourishes, injustice gets challenged, and new worlds are danced into being. But today, DJs command huge fees while behind-the-scenes workers earn below minimum wage. Corporations profit from our culture while communities that created these spaces are displaced. As venues shut and workers burn out, it’s clear that something has gone deeply wrong.
Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond by Anjali Prashar-Savoie takes you inside hidden stories of resistance and reinvention. We meet the people reshaping nightlife from below: abolitionist security teams creating safety without police, sober raves doubling as mental health support, radical childcare at parties, venues becoming worker cooperatives, and free party crews reclaiming public space. Through their work, we see how party-throwing skills build movements, how refusing to play changes everything, and why protecting queer nightlife means transforming who owns it.
Quotes
“When Anjali shines her perceptive light on dancefloor culture, everything is better illuminated. I can’t wait to read this book. It’s one we need.” Emma Warren (author of Dance Your Way Home/Up the Youth Club)
“Beautifully written and unique, Anjali Prashar-Savoie’s behind-the-scenes journey through queer nightlife is as thorough as it is fascinating. Documenting a world that commercial interests are rapidly destroying, Club Commons is proof that queer culture holds the key to a better future for the dancefloor and beyond.” Professor Sam Parsley (author of Minor Keys, coach, DJ and founder of In the Key, a directory and platform championing the careers of women, trans and non-binary electronic music producers)
“Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond is a vital reminder of how important the dance floor is to connect, unfurl and envision new futures. The text highlights the historic and existing care work entangled with the club space, particularly in providing temporary sites of refuge and embodied joy for Black and LGBTQIA+ communities. This is juxtaposed with research on the corporate and carceral commodification of nightlife in recent years, which exposes the false premise that club spaces are always radical. This book affirms my belief that the non-commercial nightlife ecosystem is an essential part of our social change infrastructure, rather than a luxury. Club Commons is a call to action to reclaim this space on our own terms and revive the underground.” Camille Sapara Barton, (author of Tending Grief: An Embodied Guide to Being with Grief Individually and in Community)
Emarosa's new album 'Peach Club' makes the most
of their eclectic influences, marking their sixth
studio effort as their most pop-laden and personal
album to date.
For fans of The 1975, Set It Off, Dance Gavin
Dance, Panic! At The Disco.
,Psychic 9-5 Club" schlägt ein neues Kapitel HTRK auf. Es ist ein Album, das zurückblickt auf eine Zeit der Traurigkeit und der inneren Kämpfe und das in diesen Kämpfen auf Hoffnung, Humor und Liebe stößt. Es ist das erste Album, das Jonnine Standish und Nigel Yang komplett als Duo aufgenommen haben - ihr ehemaliger Bandkollege Sean Stuart starb mitten in den Aufnahmen zu ihrem letzten Album ,Work (Work, Work)" von 2011. Obwohl ,Psychic 9-5 Club" von den ersten Tönen an nach HTRK klingt - der Gesang von Standish ist noch immer das Hauptaugenmerk des HTRK Sounds, während die Produktion charakteristisch schlank und dubbig ist - lässt sich die Band ausreichend Raum für Experimente. Verschwunden sind die in Hall und Verzerrung aufgehenden Gitarrenexperimente der 2009er Platte ,Mary Me Tonight" und die zerfuzzten Growls, die sich durch ,Work (Work, Work)" zogen. An ihre Stelle tritt etwas zärtlich-samtig Poliertes. Dies ist HTRK, doch ihr Sound wurde entfettet und richtet das Rampenlicht auf die nackten Arrangements und minimalistisches Sound Design. Das Album wurde mit Nathan Corbin von EXCEPTER in den Blazer Sound Studios in New Mexiko aufgenommen, der bereits Regisseur des Videoclips zum Track ,Bendin von ,Work (Work, Work)" gewesen war. Anfang 2013 wurde ,Psychic 9-5 Club" in Australien fertiggestellt und schließlich über den Sommer des Jahres in New York auf Hochglanz poliert. Das Kernthema des Albums ist die Liebe. Das Wort webt sich durch die Texte und Songtitel; die Liebe als Ablenkung, die Eigenliebe und die Liebe zu anderen. ,Psychic 9-5 Club" ist ein Album für den Körper und die Seele.
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Stepping back into the socio-realist bass mutations of his 2024 LP Municipal Dreams, Low End Activist pulls together a heavyweight remix package responding to the source material in a multitude of ways.
Beyond the immediate soundsystem styles that inform the Activist’s sound, the scope for experimental sound design and charged, pensive atmospherics leaves a lot of space for reinterpretation. From a distinct but compatible angle, Actress naturally nudges the contours of ‘T.W.O.C’; into his signature haze, finding a squashed undercurrent of blunted techno to carry great clouds of solemn pads. Andy Martin locks into a downcast, crooked house shuffle as he twists They Only Come Out At Night out for the twilight hour.
On the B side, Demdike Stare conjure raw pressure and deadly negative space around their jagged reappraisal of ‘Hope III’, before the Activist himself plates ‘Just A Number’ with a different coat of avant-grime armour. Shelley Parker delivers a madcap finisher with her take on ‘T.W.O.C’, channelling the rapid-fire complexity of singeli into acutely angled, hard-looped sampling that rides roughshod over rhythmic stability. It’s a bold collection from some of the most serious operators in the game, all thriving on the density of the Activist’s initial ideas to deliver daring abstraction and club-ready thrills beyond the expectations of the conventional dance.
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This summer's epic murder mystery will find its way to your record player! The new film by Chris Columbus
(Harry Potter and the Sorcerer's Stone, Home Alone) has once again been fully scored by composer Thomas Newman.
With titles such as American Beauty and Road to Perdition under his belt, Newman is renowned for his hauntly eerie,
but beautiful style. The beloved film composer matches perfectly with the cozy, yet intriguing
Netflix movie starring Pierce Brosnan (GoldenEye, Mamma Mia! The Movie) and Helen Mirren (The Queen, Excalibur).
The Thursday Murder Club is available as a limited edition on red vinyl.
Mit "Tourist History" veröffentlicht die britisch-irische Indieband Two Door Cinema Club eines der einflussreichsten Debütalben der 2010er Jahre in einer besonderen 15th Anniversary Edition. Das Album, das 2010 erschien, gewann den Choice Music Prize als Irish Album of the Year und markierte den Start einer Weltkarriere, die von Festival-Headliner-Shows bis zu über 1 Milliarde Streams von "What You Know" führte.
Zur Feier des Jubiläums erscheint Tourist History in drei liebevoll gestalteten Formaten - inklusive bisher unveröffentlichter Remixe und Raritäten.
Seit dem Garageprojekt in Bangor haben Alex Trimble, Sam Halliday und Kevin Baird eine beeindruckende Karriere hingelegt - mit Top-10-Alben wie Beacon, Gameshow, False Alarm und Keep On Smiling und ausverkauften Touren weltweit. Diese Jubiläumsausgabe ist ein Muss für Indie-Fans und Sammler - ein Meilenstein moderner Gitarrenmusik.
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Manchester’s own The Slow Readers Club are set to embark on a special anniversary tour celebrating ten years since
their seminal breakthrough album, Cavalcade. Titled ‘A Decade of Cavalcade’, the tour will see the band revisiting the
album that set them on their path to becoming one of the UK’s most revered indie acts, while also marking an exciting
new chapter in their journey.
The tour announcement follows a milestone year for the band with their latest album Out Of A Dream landing at
UK Number 11 in the Official Charts in the first week. With growing momentum on streaming platforms and an everexpanding fanbase, The Slow Readers Club continue their upward trajectory, making A Decade of Cavalcade both a
reflection on the past and a celebration of what’s still to come.
A Celebration of a Pivotal Moment
Originally released in 2015, Cavalcade was a turning point for The Slow Readers Club, capturing hearts and minds with
its brooding, atmospheric sound and emotive lyricism. Featuring fan-favorite tracks such as Plant The Seed, I Saw A
Ghost and Forever In Your Debt, the album resonated with a generation of music lovers and laid the foundation for the
band’s future success. One of those supporters were the band James who personally invited The Slow Readers Club to
support them on a huge headline tour which brought them to a whole new audience.
Now, a decade later, the band will bring Cavalcade back to life on stage, performing it in full alongside other cherished
songs from their extensive catalog. The tour promises to be an electrifying experience, blending nostalgia with the raw
energy of and ambition that continue to define The Slow Readers Club today.
Manchester’s own The Slow Readers Club are set to embark on a special anniversary tour celebrating ten years since
their seminal breakthrough album, Cavalcade. Titled ‘A Decade of Cavalcade’, the tour will see the band revisiting the
album that set them on their path to becoming one of the UK’s most revered indie acts, while also marking an exciting
new chapter in their journey.
The tour announcement follows a milestone year for the band with their latest album Out Of A Dream landing at
UK Number 11 in the Official Charts in the first week. With growing momentum on streaming platforms and an everexpanding fanbase, The Slow Readers Club continue their upward trajectory, making A Decade of Cavalcade both a
reflection on the past and a celebration of what’s still to come.
A Celebration of a Pivotal Moment
Originally released in 2015, Cavalcade was a turning point for The Slow Readers Club, capturing hearts and minds with
its brooding, atmospheric sound and emotive lyricism. Featuring fan-favorite tracks such as Plant The Seed, I Saw A
Ghost and Forever In Your Debt, the album resonated with a generation of music lovers and laid the foundation for the
band’s future success. One of those supporters were the band James who personally invited The Slow Readers Club to
support them on a huge headline tour which brought them to a whole new audience.
Now, a decade later, the band will bring Cavalcade back to life on stage, performing it in full alongside other cherished
songs from their extensive catalog. The tour promises to be an electrifying experience, blending nostalgia with the raw
energy of and ambition that continue to define The Slow Readers Club today.
Psychic 9-5 Club marks the beginning of a new chapter for HTRK. It's an album that looks back on a time of sadness and struggle, and within that struggle they find hope and humour and love. It's Jonnine Standish and Nigel Yang's first album recorded entirely as a duo— former band member Sean Stewart died halfway through the recording of their last LP, 2011's Work (Work, Work).
Though the record is instantly recognisable as HTRK—Standish's vocal delivery remains central to the band's sound, while the productions are typically lean and dubby—they've found ample room for exploration within this framework. Gone are the reverb-soaked guitar explorations of 2009's Marry Me Tonight and the fuzzy growls that ran through Work (Work Work). They've been replaced with something tender, velvety and polished. This is HTRK, but the flesh has been stripped from their sound, throwing the focus on naked arrangements and minimalist sound design.
The album was recorded at Blazer Sound Studios in New Mexico with Excepter's Nathan Corbin, who had previously directed the video clip for Work (Work Work) cut "Bendin." Inviting a third party into their world was no easy decision, but in Corbin they found a kindred spirit. The LP was then refined and reworked in Australia at the turn of 2013, before the finishing touches were applied in New York during the summer.
Of all the themes that run through Psychic 9-5 Club, love is the most central. The word is laced throughout the album in lyrics and titles— love as a distraction, loving yourself, loving others. Standish's lyrics explore the complexities of sexuality and the body's reaction to personal loss, though there's room for wry humour—a constant through much of the best experimental Australian music of the past few decades.
Standish explores her vocal range fully—her husky spoken-word drawl remains, but we also hear her laugh and sing. Equally, Yang's exploratory production techniques—particularly his well-documented love of dub—are given room to shine. They dip headlong into some of the things that make humans tick—love, loss and desire—with the kind of integrity that has marked the band out from day one. Psychic 9-5 Club is truly an album for the body and for the soul.
Coach Party return with their explosive second studio album, ‘Caramel’ via Chess Club Records.
Coach Party are poised to make their mark on 2025 and beyond with their new album ‘Caramel’, it is a melody packed, infectious record born from the shared experiences and unity of the bands four members: Jess Eastwood, Steph Norris, Guy Page and Joe Perry. Produced by the band’s own Guy Page, it channels the introspection and bite of bands like Hole, Sprints, Turnstile, and Amyl and the Sniffers. Clocking in at 33 minutes, it’s a sharp, melody-driven record that expands on the themes of their 2023 debut ‘Killjoy’ — heartbreak, identity, and finding your voice.
The band have built a reputation for intense, sweat-soaked live shows, touring with the likes of Queens of the Stone Age, Wet Leg and Royal Blood, and making festival appearances at Glastonbury and Rock en Seine. With ‘Caramel’, they push their sound further than ever, hook-heavy, emotionally honest, and made for the big stage.
Long time pals Motem (CA) and Coco Bryce (NL) team up once again as Light Club. Previously released on cassette tape in 2013, Apropos is now finally available on wax, backed with a brand new Skweee roller, O Superman.
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The producers of the new hit Broadway musical BUENA VISTA SOCIAL CLUB and WORLD CIRCUIT RECORDS present the show’s Original Broadway Cast Recording, to be released in July 2025, recording produced by Dean Sharenow and David Yazbek. Step into the heart of Cuba, beyond the glitz of the Tropicana, to a place where blazing trumpets and sizzling guitars set the dance floor on fire. Inspired by true events, the new Broadway musical BUENA VISTA SOCIAL CLUB™ brings the GRAMMY® Award-winning album to thrilling life—and tells the story of the legends who lived it. A world-class Afro-Cuban band is joined by a sensational cast in this unforgettable tale of survival, second chances, and the extraordinary power of music.
The BUENA VISTA SOCIAL CLUB™ Musical officially launched at Broadway’s Gerard Schoenfeld Theater in March 2025 to huge critical acclaim and has been nominated for 10 TONY AWARDS. The show is produced on Broadway by Orin Wolf, John Styles, Barbara Broccoli, Atlantic Theater Company, Luis Miranda, LaChanze and John Leguizamo with Executive Producer Allan Williams, with Nick Gold (World Circuit) and Juan de Marcos González (Buena Vista Social Club) acting as consultants on the production.
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2025 Repress
Powerhouse performer Gretel Hänlyn today releases her highly anticipated second EP Head Of The Love Club, via VLF Records. Premiering as Clara Amfo’s Hottest Record in the World on BBC Radio 1, focus track ‘King Of Nothing’ is a rollicking revenge track, cementing Gretel as one of this year’s most exciting breakout stories.
Gretel Hänlyn has spent the last year stamping her ground as one of female guitar music’s new frontrunners, imbued with a singular vision and wickedly unique voice. Inspired by 90s alternative artists like The Pixies, Smashing Pumpkins and PJ Harvey, Head Of The Love Club is a suitably contemporary stride forward in the hotly tipped artist's sound and marks a definitive departure from the indie-folk textures of her breakthrough debut EP Slugeye. A heady mix of hi-fi grunge, goth-pop and alt/indie ballads, the EP features previous singles ‘Drive’, ‘Today (can’t help but cry)’ and ‘Wiggy’ alongside five other tracks that candidly display Gretel’s exceptional storytelling.
Last year was vital for the rising star: she released her debut EP Slugeye to critical acclaim, collaborated with Mura Masa on his headrush of a single ‘2gether’ (9M+ streams on Spotify alone) and was also playlisted multiple times across UK radio - a rare feat for a fiercely independent artist. This year is set to be her breakout – Hänlyn has already been included in NME’s coveted NME100 list, performed live as part of DIY magazine’s ‘Class of 2023’ series and was dubbed one to watch by The Sunday Times, Metro, Time Out + more.
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First reissue of the legendary, long out of print, live album by Texas Punk legends The Dicks and Big Boys. Classic, incendiary live album by two of the best U.S. Punk bands ever. A raw and powerful record full of incredible music and excitement that's also a milestone for the Queer Punk movement. Originally released in 1980 and long out of print, this is a seminal document of the Austin, Texas, scene, capturing the raw energy and effervescence of a scene that was redefining the boundaries of underground music in the late 1970s and early 1980s. Co-released by Beat Generation and Ghost Highway Recordings. European release, 300 copies, includes new insert.
CLUBREMIX005 has landed ! The physical release of “Wuhuhuu” and “One Balloon”, featuring two standout remixes by none other than The Trip and BELLA.
The Trip injects their signature stripped-back effectiveness into “Wuhuhuu,” breathing new life into the track with a dubby yet bouncy bassline that just locks you in.
BELLA reimagines “One Balloon,” delivering a late-night groovy tool, with her recognisable touch, she captures the essences of the 90s, radiating nostalgia and dancefloor energy.
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Die schottische Folk-Punk-Indie-Band Brògeal veröffentlicht am 17. Oktober das Debütalbum „Tuesday Paper Club“ über Play It Again Sam. „Tuesday Paper Club“ vermischt Romantik, Verlust, Nostalgie und Unfug und kreiert einen Genre-Mix der kurz vor dem Siedepunkt steht. Das Album ist vollgepackt mit Instrumenten wie Akkordeon, Banjo, Bouzouki, Mandoline und einer flotten Penny Whistle. Es verbindet alte Folk-Traditionen mit dem Indie-Gefühl der Gen Z und kreiert einen Sound, der angesichts der Dunkelheit des 21. Jahrhunderts lacht, singt und tanzt.
Das Album wurde im Black Bay Studio, in einer ehemaligen Fischverarbeitungsfabrik auf der Isle of Lewis aufgenommen, mit einem atemberaubenden Blick auf die Bucht. Aufgenommen haben die fünf Bandmitglieder das Album zusammen mit dem irischen Produzenten Richie Kennedy, der schon mit Künstler*innen wie The Libertines, The Last Dinner Party, Interpol, Dua Lipa und U2 gearbeitet hat.
Die schottische Folk-Punk-Indie-Band Brògeal veröffentlicht am 17. Oktober das Debütalbum „Tuesday Paper Club“ über Play It Again Sam. „Tuesday Paper Club“ vermischt Romantik, Verlust, Nostalgie und Unfug und kreiert einen Genre-Mix der kurz vor dem Siedepunkt steht. Das Album ist vollgepackt mit Instrumenten wie Akkordeon, Banjo, Bouzouki, Mandoline und einer flotten Penny Whistle. Es verbindet alte Folk-Traditionen mit dem Indie-Gefühl der Gen Z und kreiert einen Sound, der angesichts der Dunkelheit des 21. Jahrhunderts lacht, singt und tanzt.
Das Album wurde im Black Bay Studio, in einer ehemaligen Fischverarbeitungsfabrik auf der Isle of Lewis aufgenommen, mit einem atemberaubenden Blick auf die Bucht. Aufgenommen haben die fünf Bandmitglieder das Album zusammen mit dem irischen Produzenten Richie Kennedy, der schon mit Künstler*innen wie The Libertines, The Last Dinner Party, Interpol, Dua Lipa und U2 gearbeitet hat.
Spots auf die Berliner íClubgeschichte. Neuausgabe als Klappenbroschur. Clubs und subkulturelle Freiräume prägen Berlin seit Jahrzehnten und machen die Stadt zu einem Sehnsuchtsort für Menschen aus aller Welt. Legendär sind zum Beispiel die Treffpunkte des Punk- und New-Wave-Untergrunds der 1980er Jahre oder die Technoclubs aus den 1990ern. Die Party- und Konzertlocations sind dabei oftmals auch Zeugen der bewegten Geschichte der Stadt, erzählen vom Kalten Krieg oder dem Fall der Berliner Mauer. Dieses Buch ist ihnen gewidmet, darunter berühmte Diskotheken, geheime Treffpunkte der DDR-Opposition und subkulturelle Abenteuerspielplätze verschiedenster Couleur. Viele dieser Orte existieren heute nicht mehr oder haben eine ungewisse Zukunft. Sie berichten von einem Berlin, das es nicht mehr gibt, und davon, wie stark die Club- und Subkultur von Verdrängung betroffen ist.
Coach Party melden sich mit ihrem zweiten Album, dem wilden Kracher "Caramel", zurück. Mit ihrem Debüt KILLJOY aus 2023 verkauften sie ihre Shows in Europa, USA und Grossbritannien aus, darunter auch die Londoner Scala. Sie tourten mit Queens Of The Stone Age und Royal Blood und spielten beim SXSW und in Glastonbury. Coach Party platzierten sich auf #1 der UK Independent Breakers, wurden von BBC Radio 1 als "Hottest Record In The World" ausgezeichnet und bei den AIM Awards 2024 für den "Meistgespielten Neuen Act" nominiert.
New compilation by Coco Maria on her own new founded imprint Club Coco. Comes with a 4 page folded insert.
There are albums that aren’t just listened to—they’re lived in. Club Coco – New Dimensions in Latin Music is one of them. This compilation, curated by Coco María, marks the first release on her own label and serves as a sonic portrait of what Latin music can become when it’s guided by intuition rather than labels. Eleven tracks open the windows and cross continents as effortlessly as changing a song. Here, Neapolitan synthesizers coexist with digital cumbias, voices whisper from within the groove, and rhythms invite movement—without urgency or pretense.
This selection isn’t defined by a genre but by a feeling: that of someone dancing with an open heart and keen ears. Each track is a postcard from a corner of the world, and also a love letter to rhythm and the emotions it stirs. From Bogotá to Naples, passing through Lima, Amsterdam, and New York, this compilation offers a journey where past and future brush against each other in the present moment. Club Coco doesn’t aim to define a sonic truth, but to invite listeners to discover new ways of hearing and feeling.
The party has already started. Come on in.
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This audio trip is provided for you by Erika Halliday an artist hailing from Argentinian capital Buenos Aires. She has provided four original cuts for our listening pleasure in her dark flavored signature electro house vibe. The EP is named after a late-night show “El Club de los Desvelados” airing in Argentina in 2017 and has this nocturnal flavor throughout the vinyl as the show did. The four tracks are stylistically gluing together well and are displaying the passage into the artist’s skill and the vision of music. It is an honor to welcome Erika to the label with this masterfully crafted disc absolutely in line with the label’s aesthetic and vision. Let’s all have a conversation together into the late night with loosing track of time in “El Club de los Desvelados” style.
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"Bite Reality", das neue Album des New Yorker Indie-Duos Cafuné, präsentiert die Band sowohl musikalisch als auch textlich in einem konfrontativeren Umfeld. Das Ergebnis ist ein selbstproduziertes Album über digitale Erniedrigung, das zweischneidige Schwert der Realitätsflucht und das Bedürfnis, sich von Menschen und Gefühlen zu lösen, die einem nicht guttun. Cafunés Sound bewegt sich zwischen traditionellem, wohltuendem Dream-Pop und Indie-Rock, die beiden Protagonisten teilen eine Liebe für ihre Vorbilder Two Doors Cinema Club. Der Song "Tek It" aus ihrem Debütalbum "Running" (2021) ging viral und steht heute bei - über alle Versionen hinweg - bei über 1 Milliarde(!!) Streams.
Deaf Club continues their scathing indictment of society with their second full-length album, being released on Southern Lord and Three One G: We Demand a Permanent State of Happiness. Fast wit and faster blast beats are mainstays of the band, but there is also a sense of growth. This is their strongest songwriting yet, incorporating more hooks and good old-fashioned moments to mosh while staying as weird as ever. Raygun guitar riffs and unexplainable sounds abound. Justin Pearson, Brian Amalfitano, Scott Osment, and Jason Klein excel at inciting emotion in the face of apathy and voicing disgust amid a world rapidly burning.
Bobby. returns to his own label Pleasure Club with his most refined work to date, an EP entitled “Before We Look Out, Let’s Look In”.
The fabric resident presents his fifth full release, this time traversing the full spectrum of surrealist house, techno & electro; the kind which has become synonymous with his journey style DJ sets. As the title suggests this record transmits a deeply introspective and personal take on modern day club music.
Melody, emotion and drama stay present throughout, with plenty of twists and turns along the way. With glimmers of early 00’s minimal, cosmic synthwave-style EBM and razor sharp electro, it is a record which references the past, but presents it updated and ready for dance floors of the future.
With a debut album in the works for the end of the year, this release acts as an exciting precursor and marks a new chapter in the artists career.
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"The nineteenth entry in the Altered Circuits catalog comes courtesy of Alex Neri with a selection of 4 tracks that distill an equal amount of decades in the studio. They are undeniably straightforward yet difficult to pigeonhole. It is clear Neri is aware of current trends and, at times, might even throw them a little nod - but overall, his music escapes easy temporal classification. On the "Club Voyage EP", he aims at the brash and brazen yet keeps the pace lighthearted. When the results come buttressed with the type of technical prowess at hand, it is hard not to get sucked into the adventure. "Teller Mood", charged with a fierce bassline, boisterous drums and jittery arps, is a slab of electroshock production. The track comes complete with extra motivational vocals to drive the point home, and when it arrives at its most stripped parts, instead of toning down, an alarm-like lead emerges. "Schelter's Sounds" features an FM bass and gently modulated, slow-attack synth embellishments. It is a set-up that allows for catching a breath until a grandiosely introduced portamento-heavy patch cranks things up a notch again. On the other side, the delayed and flanged percussion of "Tenax Roots" forms the ideal conditions for ominous synth work and robotized vocals; a theme that could have been lifted from a giallo flick completes its suspenseful, hypnotic ambience. "Move Tokyo Inputs" starts with another salvo of invigorating percussion. Amidst subtly evolving formant basslines and several risers, the tune directs a tweaked deadpan vocal sample to take center stage, showcasing how, in the right hands, the sparsest source material can be turned into a showstopper."
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Sneaker Social Club is pleased to direct your attention to this sparse and weighty club gear incoming from a sizeable new talent on the scene, Beton Brut.
Following on from his previous drops on Plasma Sources and Coyote Records, Beton Brut steps onto this latest platter with a surefooted sound. It’s informed by weightless grime, minimal techno and brittle electro, but he carves his own incisive path towards the hoods-up-heads-down Dancefloor.
This is stark, moody gear to get lost in — the dexterous sound design slipping around the rhythm core of ‘Tobacco Earthworm’; gleams in high-definition, but never at the expense of the eerily stripped-back atmosphere. ‘Booters’ snips up a clutch of clippings from grime and scatters them across the timeline in a scrapbook style, making a deadly, dislocated love letter to the sound in the process. Approaching mutant, hybrid club music with a considered poise, this is exactly the kind of forward-thinking bassweight gear that Sneaker thrives on.
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Laura Jane Grace, Emmy-nominierte Musikerin, Autorin, Aktivistin und Against Me!-Gründerin/Songwriterin meldet sich mit ihrem dritten Studioalbum "Laura Jane Grace In The Trauma Tropes – Adventure Club" zurück – ein kraftvolles neues Statement mit einigen ihrer intensivsten und anregendsten Songs. Aufgenommen in Athen (GR), enthält es sensationelle Features externer Kollaborateure, bekannt als "The Trauma Tropes", darunter Graces Frau Paris Campbell (vocals) sowie die Athener Musiker Jacopo Fokas (bass) und Orestis Lagadinos (drums). Auf dem Keytrack "Your God (God's Dick)" schmettern sie die wohl hymnischsten Texte in Graces Historie, mit einem an Queens Power-Pop erinnernden A-cappella-Intro. In "Wearing Black" kritisiert Grace die Kommerzialisierung und Polizeipräsenz bei Pride-Veranstaltungen und stellt dabei ihren charakteristischen Punk-Ethos und ihre raue, unverhohlene Haltung voll zur Schau. Grace arbeitete mit Künstlern wie Miley Cyrus, Joan Jett und Weezer zusammen, trat auf Festivals wie Coachella, Reading & Leeds Festival oder Lollapalooza auf, erhielt einen Emmy-Nominierung für ihre Arbeit an der AOL-Serie "True Trans" und platzierte sich mit ihrer Autobiografie "Tranny: Confessions Of Punk Rock's Most Infamous Anarchist Sellout" auf der Billboard-Liste der 100 besten Musikbücher aller Zeiten.
The legendary jazz bassist Isao Suzuki, revered worldwide for his extraordinary talent, recorded this vibrant session in 1981 alongside his longtime collaborator Tsuyoshi Yamamoto. Now, this rare gem returns on analog vinyl!
Infused throughout with the infectious rhythms of Brazilian music, the album captures a festive spirit brought to life by an all-star lineup including Takayuki Kato, Ichiro Doi, and Donald Bailey.
Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.
Following on from hit singles ‘Dished (Male Stripper)’ and 'Body Funk', Purple Disco Machine returns with his double A-side Emotion EP.
DJ Support:
Black Madonna, Jamie Jones, Fatboy Slim, Annie Mac, Pete Tong, Danny Howard
Previous single 'Body Funk’ already clocking 12 million combined streams and #1 Beatport and #1 DDC & DCC Chart
‘Dished (Male Stripper)’ spent 10 Weeks on BBCR1 Daytime playlist, including 4 weeks on A-ist making it the #5 Dance Record of The Year on BBCR1
Official releases with Fatboy Slim, Calvin Harris & Rag’n’Bone Man, Jax Jones, RÜFÜS DU SOL
The strength of Fan Club Orchestra's (FCO) trajectory lies in their nebulous, collaborative, and experimental nature, always with Laurent Baudoux at the centre. With its roots in the DIY impulses of the Brussels art and music scene of the late nineties, Baudoux rallied together a revolving cast of players with an unconventional ensemble of instruments to explore melancholic psychedelia that touched on drone and minimalism as readily as it carved minor pop hits from cracked electronics. Performances were often highly improvisational, aided by the barely controlled chaos that guest collaborators—such as American artist Mike Kelley—would inject into an appearance.
FCO self-released two albums in the early 2000s before finding a home with Sonig, where they released several more records up until their last with the label in 2013. This was a fitting frame as Sonig, like FCO, channelled the fervour and formalism of the experimental music history of the Rhineland, which includes Kraftwerk, krautrock, and key early electronic music studios.
Following an eleven year hiatus, Laurent Baudoux reassembled the group in 2024 and presented a new album with the esteemed Glaswegian label 12th Isle late in that same year. Building on the strength of the new iteration, and with the aim of reappraising some of the rich yet oblique history of the group through this new lens, FCO have remastered and reissued their 2013 album, 'An Insane Portrait'.
The recordings were originally commissioned in 2009 for Fabrizio Terranova's film 'Josée Andrei, An Insane Portrait' about the truly remarkable figure Josée Andrei. Shot in San Francisco, the film is an intimate portrait of Andre. Blind from birth, she is a witch, painter, photographer, tarot reader, and psychology and modern literature graduate.
'An Insane Portrait' captures a stripped-back FCO, with Baudoux working solely with original FCO member Ann Appermans. The configuration of Baudoux's electronics and Appermans' bass guitar yield a tender and preciously melodic suite of instrumentals.
Originally released on vinyl by Sonig in 2013, the remaster will again be presented by the label in a limited cassette edition and in digital formats, each featuring a bonus track that was not included in its original release.
The strength of Fan Club Orchestra's (FCO) trajectory lies in their nebulous, collaborative, and experimental nature, always with Laurent Baudoux at the centre. With its roots in the DIY impulses of the Brussels art and music scene of the late nineties, Baudoux rallied together a revolving cast of players with an unconventional ensemble of instruments to explore melancholic psychedelia that touched on drone and minimalism as readily as it carved minor pop hits from cracked electronics. Performances were often highly improvisational, aided by the barely controlled chaos that guest collaborators—such as American artist Mike Kelley—would inject into an appearance.
FCO self-released two albums in the early 2000s before finding a home with Sonig, where they released several more records up until their last with the label in 2013. This was a fitting frame as Sonig, like FCO, channelled the fervour and formalism of the experimental music history of the Rhineland, which includes Kraftwerk, krautrock, and key early electronic music studios.
Following an eleven year hiatus, Laurent Baudoux reassembled the group in 2024 and presented a new album with the esteemed Glaswegian label 12th Isle late in that same year. Building on the strength of the new iteration, and with the aim of reappraising some of the rich yet oblique history of the group through this new lens, FCO have remastered and reissued their 2013 album, 'An Insane Portrait'.
The recordings were originally commissioned in 2009 for Fabrizio Terranova's film 'Josée Andrei, An Insane Portrait' about the truly remarkable figure Josée Andrei. Shot in San Francisco, the film is an intimate portrait of Andre. Blind from birth, she is a witch, painter, photographer, tarot reader, and psychology and modern literature graduate.
'An Insane Portrait' captures a stripped-back FCO, with Baudoux working solely with original FCO member Ann Appermans. The configuration of Baudoux's electronics and Appermans' bass guitar yield a tender and preciously melodic suite of instrumentals.
Originally released on vinyl by Sonig in 2013, the remaster will again be presented by the label in a limited cassette edition and in digital formats, each featuring a bonus track that was not included in its original release.
Sneaker Social Club welcome a veritable supergroup of bass heavyweights in the form of Legion. Made up of Trends, Boylan, P Jam and D.O.K., this four strong collective first came to light with the We Are Many 12" on Artikal Music in 2021, and now they regroup for another four-strong payload of soundsystem pressure that embraces the darkness in devastating fashion.
The Sister Abigail EP leads with 'Rastaman', an ice-cold half-step drop that summons the spirit of early dubstep in its raw minimalism, eerie atmospherics and snarling low-end wobble. Without an ounce of fat, it's a lean workout of drums and bass that finds catharsis in simplicity without compromising on high definition detail. 'Souls' locks into a jerky groove to set the dance off at acute angles, nudging the textures up a notch without disturbing the spartan mood of the release. 'Sister Abigail' pushes the underlying malevolence of the Legion sound to the forefront with dissonant sheet-metal tones while packing the rhythm section into a tight, vicious formation of gnashing, chrome-plated teeth. 'Play That Vibe' seals the deal on the EP with a hard-thumping, propulsive groove that calls to mind the techy development of dubstep in the 2010s — a taut, tracky throwdown to keep the intensity on a rolling boil.
Drawing on the grounding principles of OG dubstep with a sharp line in crisp, modernist production and a ruthless economy of arrangement on display, Legion prove many cooks can still result in a potent, brutally focused broth.
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The Bug Club sind wieder da, für ihren jährlichen Termin auf dem Markt der Garagen-Rock-Macher, wo sie eine weitere reinrassige Platte anpreisen. LP-Nummer vier, "Very Human Features", erscheint kurz nach der ersten Sub Pop-Veröffentlichung der Band, "On the Intricate Inner Workings of the System" von 2024. Mit dieser Platte setzte die Band ihre Liebesbeziehung zu BBC Radio 6 fort, begann dank einer Session mit KEXP eine neue und tauchte auf den Seiten des NME auf. Gibt es noch etwas auf der Liste? Oh ja, Festivalauftritte, unter anderem im heimischen Green Man's Walled Garden, das bis auf den letzten Platz gefüllt ist. Dann Auftritte in den USA an den Orten, von denen die Briten immer nur hören. Dieses Album - eine neue Ladung typisch verspielter, riffgeladener, intelligenter Bug Club-Songs - gibt der Band einen Vorwand, ihre nicht enden wollende Tournee fortzusetzen und ihre schreienden Fans zu füttern, die dank der unermüdlichen Veröffentlichungswelle dieser Band überschwänglich und erwartungsvoll sind. Auf "Very Human Features" haben The Bug Club ihre Gewohnheit fortgesetzt, sich als ein kollektiver Geist zu präsentieren. Zwei in Einem. Selten findet man eine Band mit zwei kreativen Kräften, die eine so einzigartige, gemeinsame Perspektive, Sinn für Humor und ein Händchen für Popmelodien haben. In "Beep Boop Computers" wechseln Sänger Sam (auch an der Gitarre) und Tilly (am Bass) zwischen I's, my's und we's hin und her, als ob es da keinen Unterschied gäbe, während sie zwischenmenschliche Beziehungen und Erfahrungen in einer glorreichen Glam-Rock-Demontage der menschlichen Aspekte, auf die der Titel des Albums verweist, auf die Schippe nehmen. Um beim Thema zu bleiben: "How to Be a Confidante" macht das, was The-Bug-Club wirklich können, indem sie, wieder als zwei Stimmen aus demselben Kopf, allgemeine Aspekte unseres Lebens herausgreifen und sie lächerlich klingen lassen. Das Surreale liegt im Vertrauten, nicht im Ignorieren des Vertrauten - The Bug Club wissen das, und dieses Verständnis bildet zusammen mit einer unerbittlichen Basslinie das Rückgrat dieses Garagenrock-angehauchten Gassenhauers. Nachdem The Bug Club in den USA dank der kräftigen Garagen-Punk-Scheibe "On the Intricate Inner Workings of the System" und der anschließenden US-Tournee eine entsprechend große Fangemeinde gewonnen haben, wird die fruchtbare Partnerschaft mit Sup Pop mit "Very Human Features" noch schmackhafter. Die neue Platte ist ein sicherer und unendlich witziger Wirbelwind aus literarischem, selbstreferenziellem und gut gelauntem Rock'n'Roll. Die Band reitet auf der immer weiter anschwellenden Welle ihrer Popularität, als ob sie auf Rollschuhen schnell über den Aldi-Parkplatz in Caldicot flitzen würde. Möge es lange so weitergehen.
This is what you get when an emcee/producer is fed on a diet of abstract hip-hop, Southeast Asian samples, and Taoist folklore. Together with the Clementi Sound Appreciation Club (a five-piece band of up-and-coming musicians schooled in jazz from the local scene in Singapore), Mary Sue melts samples with live instrumentation on 'Porcelain Shield, Paper Sword.' At the core of the album is the tale of a time-traveling oracle, struggling to find meaning in the modern world-where ancient wisdom feels fragile, and truth is ever-shifting. A reinterpretation of idioms shapes its journey, where spiritual pursuits feel performative, and where the weight of the past clashes with an uncertain future. The music mirrors this tension: phrases of Gamelan music dissolve into smoky brass, spectral melodies unravel over off-kilter drums, and time bends through layered textures. 'Porcelain Shield, Paper Sword' is both a reckoning and a dream, where echoes of the past find new life in the chaos of now. A porcelain shield shatters on impact; a paper sword folds before it cuts. It's about the constant, fragile push-and-pull between aesthetics and money, tradition and progress, meaning and spectacle. "Like the oracle, we're all stuck in a world where spiritual longing gets tangled up with consumerism, where authenticity is blurred by performance, and where finding real meaning feels shakier than ever," rapper and producer Mary Sue explains. "'Porcelain Shield, Paper Sword' lives in that field of tension. The album drifts between beauty and collapse, truth and illusion, and past and present, without ever landing on solid ground."
After over 50 events of Bristol's beloved Club Blanco, the city's anointed high priest of night, Chez de Milo, is crystallising his party's dimension-hopping hedonism into a label, calling on an extended family of esteemed producers and musicians to make it happen.
First up is Johnny Aux, aka Quinn Whalley (Paranoid London, Sworn Virgins, Decius), delivering two offerings accompanied by remixes from Jamie Paton and Chez de Milo himself.
Supersonic blends a hyperspace bassline with euphoric 90s synth elevation that delivers us to a blissful dance floor crescendo, where you've been dancing for hours—maybe days— when the sun appears over the horizon and pierces through the club's blacked-out windows. Chez de Milo's re-rub wraps you up vines of a living, breathing forest, where all your favourite flora and fauna summon you to the dappled light of a clearing, front left of the booth.
On The Train locks you into a rolling groove, and electro slaps and smacks. It feels covered in equal parts space dust and the dust of an old crate of records, where this forgotten banger has been buried deep for 25 years, waiting for the right hands to pull it out. Jamie Paton veers off down a stranger track, conducting a driving Italo beat with eerie soundscapes dissected by lasers and a brooding bassline.
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A journey that takes you through various landscapes—gliding over electronic plains, climbing colorful pop hills, and occasionally venturing onto rugged indie rock trails.
Along the way, several encounters: a stop in Mexico with a remix by CLUZ, a collaboration in the UK with boundary-crossing indie artist Just Jack, and in the US with artist Pedro Blue.
Camel Power Club has never been more open to the fusion of ideas and talents—and it suits them perfectly.
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Revenge Techniques presents "The TAFKAMP Club Experience Volume 1" - a selection of trax carefully crafted for your dancefloor pleasure! Featured on this release are "Binnenweg 2" - a catchy and melancholic TAFKAMP-style anthem. On the flipside you will find (by popular demand) the highly anticipated "First Rush" track as well as a remix for "I LAF YOU", previously and originally released on Paling Trax but this time reworked by young producer promise Tomas Kunkel!
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Brand new 6 track album of "ghetto" house music from Chicago's DJ SLUGO. If Miami bass and Chicago's hip house had a child it might sound like this. The lead track "PUMP" sets the mood with a fast paced beat and heavy bass. Full pic sleeve.
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Transparent Caracao Vinyl. To All The Ones That I Love wurde im bandeigenen Studio im Westen Melbournes aufgenommen, wobei Gitarrist Greg Rietwyk für Produktion und Mix zuständig war, bevor das Album von Kris Crummett (Closure in Moscow, Dune Rats, Currents) gemastert wurde. Dies ist das vierte Album von Press Club, und die Reife der Band spiegelt sich in den zehn Tracks wider. Dem Hörer wird ein Ritt durch verschiedene Genres geboten, während das Album Themen wie Introspektion, Entwicklung, Veränderung und das Lernen aus vergangenen Fehlern durchläuft. Die Band beschreibt die Entstehung des Albums als eine unglaublich spannende, kreative und befreiende Erfahrung: Die Songs wurden alle gemeinsam in ihrem Studio über mehrere Monate hinweg geschrieben. Diese Art des Schreibens gab der Band die Freiheit, mit verschiedenen Genres zu experimentieren und die Tiefen all ihrer Einflüsse auszuloten.
To All The Ones That I Love wurde im bandeigenen Studio im Westen Melbournes aufgenommen, wobei Gitarrist Greg Rietwyk für Produktion und Mix zuständig war, bevor das Album von Kris Crummett (Closure in Moscow, Dune Rats, Currents) gemastert wurde. Dies ist das vierte Album von Press Club, und die Reife der Band spiegelt sich in den zehn Tracks wider. Dem Hörer wird ein Ritt durch verschiedene Genres geboten, während das Album Themen wie Introspektion, Entwicklung, Veränderung und das Lernen aus vergangenen Fehlern durchläuft. Die Band beschreibt die Entstehung des Albums als eine unglaublich spannende, kreative und befreiende Erfahrung: Die Songs wurden alle gemeinsam in ihrem Studio über mehrere Monate hinweg geschrieben. Diese Art des Schreibens gab der Band die Freiheit, mit verschiedenen Genres zu experimentieren und die Tiefen all ihrer Einflüsse auszuloten.
'Gone Down Meadowland' is the much-anticipated debut album release from Norwich, UK psych outfit Floral Image, releasing 25th April 2025 on the renowned Fuzz Club. More than ever, the band wanted to produce a brand of East-Coast psychedelia that reflected the natural lusciousness and glorious solitude of the immediate world around them. Over 30 songs were conjured, considered and arranged before being whittled down to a final 10 that epitomise what they do best - ten tracks of vivid hue, harnessed live power, all laced together in fluid lyrical harmonies. Taking inspiration from band favourites Woods, KGLW, Stereolab, among many others, a string of at-home recording sessions commenced over a 6-week period across the summer of 2024. Side A is a sun-drenched journey through their whimsical Norfolk countryside, narrated with a surreal sense of lyricism which focuses on the undulating flow of the human psyche and the shape of relationships that can decide its fate. 'Burning 305' follows the mould of the band’s earlier creations with white-knuckled rhythms layered with dashing production and gritty guitars. 'The Score' summarises their love of Revolver-era Beatles and infuses it with a hint of 90's dance grooves. Side B is where the trip takes a heavier turn, the un-hinged night-time of the record. It is where the band best shows the force with which their live reputation has been built on. 'Tiergarten' - a motorik course through consciousness and 'Howling Dog Song' - all raucous, scuzzy-garage riffing. The album concludes with the 7-minute epic 'Sun For Hire'. Born out of a 30-minute live improvisation, it is the earliest written of all songs on GDM and a strong fan favorite for the audiences of the last 2 years. "A lot of themes are anti-establishment commentaries on the state of the modern world. It can feel isolating being bystanders of global concern in sleepy Norfolk, even though it’s easy to slip into a false comfort when you’re surrounded by vast space, natural beauty and friendly folks down the market. Gone Down Meadowland is that egoless escapist fantasy that still can't escape the world caving in on itself; Norfolk isolationism." Produced by the band themselves, mixed by Hugh Fothergill of Volleyball, and mastered by Joseph Carra at Crystal Mastering of KGLW fame, Gone Down Meadowland is Floral Image’s first full flourish. They take the record on the road across Europe and the UK throughout April & May 2025.
The fledgling Jackpot Recordings label is back with a second serving up club-ready goodness with Club of Jacks at the helm. There is a healthy dose of classic elements to these tunes - 90s vocals, deepness, soul - not least the opener 'Always' with its diva wails and balmy pads draped over nice silky drums with a majestic piano breakdown. 'Gorgon Dub' is a fat bottom house cut with mid-tempo drums and rigid percussion atop a dark bassline throb. 'Think Of You' is a warm and breezy one with loved-up pads and r&b vocal chops and 'Soundboy' gets more naughty with some garage-inspired drums and bass primed to pump the party.
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Just imagine heat wave of the night falling gently on the coastline and being chased away by the breeze of the Pacific. Through abandoned warehouse area you are following the distant sound and speeding up your pace excited and positive. The sound is getting thicker and louder. Yes, you are sure it is Highkin' and his friends are throwing another unforgettable party tonight...
The third STUDIO CLUB release presents Highkin' (Marble, Irenic) a dynamic force in Southern California's party scene and a rising Moscow club star Belogorodski.
The record is imbued with love for classic deep house music, exclusive private parties vibe and that special authentic magic they entail.
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Under the moniker of Night Beats, Texas native Danny Lee Blackwell has spent the last fifteen years exploring a nexus of vintage rhythm & blues,
after-midnight soul, and sunscorched psychedelia. On Night Beats’ latest offering, Blackwell presents two markedly different renditions of his song
“Behind the Green Door.” Side A delivers a down-tempo, minor key track —perhaps a meeting between Ray Charles, Skip Pence, and Link Wray. Side
B features the Rah John version of “Behind the Green Door,” an interpretation from an enigmatic artist Blackwell discovered.
Hardcore time whatever... Bryan Fury loves Break and Hardcore, Dancefloor and Skillz... Exploring views to distort ways... Surprise you with a dark or cheezy dimension.
He did and will never let you down with his pityless drops...
A rare album from one of the soundmaster killing around !
And many collabs with people who can say : "waou.... too !"
Enjoy and play LOUD !
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They say nothing good happens after midnight, but in the case of creativity, that’s just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.
Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.
Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special – the unique and democratising role they play.
“So much has changed in dance music over the decades. Selling The Night offers a very timely look at the role that brands and culture marketing have played in the past and will play in the future.” Kazim Rashid (Resident Advisor)
“The friction created when youth subcultures meet corporate cultures is long overdue a deconstruction, Selling The Night is necessary reading on how and why there is a transfer of time and money between consumer brands and cultural ecosystems; and what both sectors have to gain and lose through these relationships.” Finlay Johnson (Association For Electronic Music)
The tenth release represents a long and true friendship between us from Club Vision and Atimpuri, the producer of the EP “Epic Wave”.
On the A-side, the opening track “Critical moments” gives an instant message of what is to come, a positive energy a light breath of house bringing the dance floor into a state of euphoria. “Epic Wave” the trance journey, energetic drums, hypnotic leads, a rif that keeps playing in your head.
On the B-side “Morning Crying” recalls from the beginning the 90s house sound, pads that transport to another dimension, the bass line gives that aggressive touch and makes the track complete. “Smwm” is a timeless break track, an arrangement of sweet sounds, string pad and deep fx conclude this fantastic EP
Atimpuri managed to capture elements from the past and present giving them a new perspective through his sound. Club Vision records will release this EP at the end of February 2025
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DJ Support: Alix Perez, Kasra, DJ Flight, Fabio, Grooverider, Simula, Bou, G Jones, Of The Trees, SHY FX, Enei, Workforce, Visages
A new various artists series from Gemini Gemini, focusing on a wide range of styles from established names as well as emerging talents. Part one is a 12 track compilation that moves through the soulful sounds of you'd come to expect from the likes of Halogenix, Monty, Satl, Verbz & Zar, plus soulful contributions from typically dancefloor artists like En:vy and Azotix, as well as music from fresh talents Archangel and Fonts. Moving through to the more ominous club sounds of Halogenix, Quartz and Koherent, and finishing off with the VIP of 2023's dubstep anthem, PFTD by Halogenix and Strategy.
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Die Berliner Post-Punk-Band The Underground Youth um den Musiker und Autor Craig Dyer meldet sich mit ihrem zwölften Studioalbum „Décollage“
zurück. Das von Dyer selbst geschriebene, aufgenommene und produzierte Album ist eine Übung in künstlerischer Dekonstruktion, sowohl im Namen
als auch in der Form, und markiert eine entscheidende musikalische Wende. „Décollage ist die Kunst, ein Bild zu erschaffen, indem man Teile eines
bereits existierenden Werks herausreißt, abreißt oder entfernt. Meine Idee war es, diese Technik auf die Musik anzuwenden“, erklärt er. „Ich baute
Wände aus statisch überzogenen Hip-Hop-Drum-Samples, Schichten von Streicherarrangements im Stil von Lee Hazlewood und von Serge Gainsbourg
inspirierten Mellotron-Melodien auf, dann begann ich, diese schönen, chaotischen Wände aus Lärm abzureißen und legte einen neuen Sound für The
Underground Youth frei.“
Von Momenten geisterhaften Minimalismus bis hin zu ausladenden Crescendos aus Lärm und Melodie haben die Songs hier eine schattenhafte,
traumhafte Qualität. Neben Dyer besteht The Underground Youth aus der Schlagzeugerin und bildenden Künstlerin Olya Dyer, dem Gitarristen
Leonard Kaage (der auch bei der Postproduktion des Albums mitwirkte) und der Bassistin Samira Zahidi. Ursprünglich als Soloprojekt von Dyer im Jahr
2008 gegründet, hat die Band inzwischen 11 - mittlerweile 12 - Studioalben und 4 EPs veröffentlicht und dabei einen einzigartigen Sound entwickelt,
der im Laufe der Jahre von cineastischer Lo-Fi-Psychedelia über rauen, melancholischen Post-Punk bis hin zu Gothic-Folk-Noir reichte.
Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.
Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias," each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds.
The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century.
This 45 RPM Analogue Productions reissue pressed by Quality Record Pressings on four dead-silent LPs makes every note a transcendent experience. Meticulously crafted using the finest materials and exacting standards, this reissue pays homage to the golden age of vinyl, capturing the warmth and depth of the original recording in stunning detail. The package includes a 12-page booklet with lyrics and stunning studio images, topped off by a tip-on old style gatefold double pocket jacket made by Stoughton Printing.
Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights!
Awesome City Club's early classic, which will celebrate its 10th anniversary in 2025, is now available on 7"!
A1 "Konnyadake Machigaijanai Kotoni Shiteageru" a duet of male and female vocalists singing the delicate and bittersweet lyrics of a sweet and sad one-night stand, is an addictive and much-talked-about song. B2 "Don't Think, Feel," released as the album's lead track, is another fan favorite with a sound that takes the high road of contemporary city pop.
At the heart of Tuesday Night Music Club, Sheryl Crow’s impressive debut, is collaboration – the title comes from the shorthand used to describe the group of musicians who came together on Tuesdays to work on the project. Not released on vinyl in 1993, the album was remastered in 2023 and released as a 1LP. Now available on limited edition blue vinyl.
"If you remember Woody Allen's Sweet and Lowdown masterpiece you will sure be aware of Sean Penn's character stage freight when confronted with the reputation of a certain ""Belgian gypsy guitarist"". Well, that guitarist is Django Reinhardt, probably the first jazz legend to emerge from the European scene, one of the most accomplished guitarists ever, and the undisputed king of manouche guitar.
Born Jean Reinhardt in 1910 and better known by his romani name, Django's legend started as early as 1928 with his first recordings at the age of 17. Right after that a brutal fire burnt his caravan - his wife and him escaped alive but he suffered extensive burns over half of his body, losing two of his right hand fingers. Far from stopping him from playing guitar he developed his own style in order to be capable to keep his passion. And his style became the fundation of manouche guitar sounds to come.
In the carly thirties Reihardt teamed up with French violinist Stéphane Grappelli (1908-1997) and they formed the Quintette du Hot Club de France, in Paris which became the most accomplished and innovative European jazz group of the era, and which you
can enjoy now through the legendary recordings collected in the present Shellac LP."
Cultured Dutch producer Milio returns to his home label to retool his last album Invisible Lands with the dance floor in mind. This new and club-ready 12" arrives via Atomnation on March 14th 2025 and shows a superb new side to the artist.
Invisible Lands was another marked artistic evolution for VIAVIA label head Millio who employed all new skills to translate the fantasies of his childhood into an immersive long player. As ever it was coloured by his love of hardware and brimmed with life because of his on-the-fly approach to production. Now, four of those lush originals get reimagined for different moments in the club.
These are four deep, stylish club cuts full of the sort of warm emotions that make a lasting impression.
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The complete LP + 4 bonus tracks - limited edition pressing on 180g vinyl
As one of the most sensual singers in the history of jazz, Julie London's risque album covers were as much a part of her legend as her sultry and husky vocals.
Like many of her albums, London by Night brings together songs that form a narrative of a lovelorn woman finding true love, getting dumped, and wandering around sadly until finding romantic redemption in the final song.
As highlighted in the AllMusic review by Nick Dedina -"It also shows how 1950s audiences were dealing with the same issues of self-worth and esteem that modern ones are grappling with, and why classic albums such as 'London By Night' still have a place in music collections".
Boy Harsher's entire catalogue as strictly limited indie editions on colored vinyl. Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop.
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‘The Pattern Speaks’ is the debut album from Austin via Glasgow space-gaze duo SKLOSS, blending heavy
psychedelia, post-metal drones, meditative drums, and raw distorted riffs performed with honesty and
deliberation. Across these eight equally pulverising and ethereal tracks, the result is a powerful,
atmospheric and reverberating wall of sound that indulges SKLOSS’ heaviest and gentlest sonic impulses
all at once.
„When you gonna stop running?“ fragen The Men in der ersten Zeile von „Pony“, dem ersten Song und der ersten Singleauskopplung aus dem
kommenden Album „Buyer Beware“ des New Yorker Rockquartetts. Machen Sie keinen Fehler - dies ist kein Zeichen einer existenziellen Krise,
sondern eher ein Aufruf zu den Waffen für eine Band, die noch nie lange stillgestanden hat. Nach eigenen Angaben ist „Buyer Beware“ ihr 15. Album
seit ihrem Debüt „We Are The Men“ (2009) und ihr viertes für Fuzz Club.
The Men haben eine Arbeitsmoral, die so altmodisch ist wie ihre Rockwurzeln, doch trotz der Hektik scheinen sie nie in Eile zu sein - ein Widerspruch,
der sich in ihrer Musik auf natürliche Weise auflöst, indem sie die rohe Wut des Punkrock mit der minimalistischen Strenge eines Steve Reich (oder,
außerhalb der Musik, Mark Rothko) in zenartiger Ausgewogenheit in Einklang bringen. "Buyer Beware“ ist die fünfte Zusammenarbeit von The Men
mit dem Tontechniker Travis Harrison (Guided by Voices, Built to Spill), der die Nuancen der Gruppendynamik - Nick Chiericozzi (Gitarre/Gesang),
Kevin Faulkner (Bass), Mark Perro (Gitarre/Gesang) und Rich Samis (Schlagzeug) - sehr gut einfängt. Durch die direkte Aufnahme auf Band fängt
Harrison das rohe, konfrontative Fieber ihrer Bühnenshows ein, ohne dabei ihre introspektiven Untertöne zu opfern. Das Ergebnis ist zweifelsohne ihr
aggressivstes Album seit „Leave Home“ (2011) und ihr psychedelischstes seit „Immaculada“ (2010)
"Get nostalgic with the Teenage Mutant Ninja Turtles II: Back from the Sewers Vinyl Soundtrack, the fifth release in a series of shellacious Turtles tunes.
Stop Shredder From Zapping the World Famous Sewer Stars Into Pet Store Pebble Pushers! Shredder's got his criminal mind back in the gutter and has joined forces with fellow hero-hater Krang to pulverize the pizza freaks once and for all. They've shanghaied newswoman of the nineties April O'Neil as a decoy, so the boys from below must rescue her, without losing their shells.
Teenage Mutant Ninja Turtles: Fall of the Foot Clan 3rd release (Exclusive Color Variant) Teenage Mutant Ninja Turtles: Fall of the Foot Clan {3rd release} (Exclusive Color Variant) Teenage Mutant Ninja Turtles: Fall of the Foot Clan {3rd release} (Exclusive Color Variant) Teenage Mutant Ninja Turtles: Fall of the Foot Clan {3rd release} (Exclusive Color Variant) Revisit our favorite foursome's first portable outing!
This is the third release in a series of shellacious Turtles tunes that Limited Run Games has released. Cowabunga! These are some hot tunes!
Enjoy The Ride Records Exclusive variant is Pizza Pie Color in Color with Splatter, Limited to 500"
"Get nostalgic with the Teenage Mutant Ninja Turtles III: Radical Rescue - Vinyl Soundtrack, the seventh release in a series of shellacious Turtles tunes.
It'll Take a Twisted Mind to Untangle the Turtles from their Worst Fiasco Yet! The whole sewer crew, except Michelangelo, is captured in a most heinous hideout. Who could be behind this travesty? Who else. Shredder has returned as Cyber Shredder - half-man, half-machine and he's created this twisty-turny ""fun house"" of Turtle Torture. Use Turtle strategy and all new moves to help Michelanegelo rescue the gang from Cyber Shredder's Fortress. Pressed on ETR Exclusive Pizza Variant (Limited to 300)."
"Get nostalgic with the Teenage Mutant Ninja Turtles: The Hyperstone Heist Vinyl Soundtrack, the eighth release in a series of shellacious Turtles tunes.
The Turtles Mutate into Another Radical Form! Shredder steals the powerful Hyperstone to shrink New York City and it's up to you to teach that treacherous troublemaker not to mess with the fearless foursome!
Pick your favorite Cowabunga commando to slash through the 5 lawless levels of lambasting. Four levels each have 3 intense stages and the other is packed with brand new challenges that will make you hurl your pizza lunch.
All four way-cool dudes have their own all new uniquely powerful moves. Donatello's Hurricane Attack blows enemies away and Raphael's Vacuum Slice really sucks them up. Slice and dice through amazing 3-D effects and clobber the dweebs with your mondo body slams.
Three ninjutsu gnarliness never stops through the Manhattan's slimy streets, the sewers' most dangerous depths, or even on a ghost ship. Be ready to kick some shell because Leatherhead and Stone Warrior won't be happy to see you. And Rock Steady, Tatsu and Krang are cooking up a new recipe for Turtle Soup.
Pulverize shrink-happy Shredder before he pockets our whole planet!
Pressed on ETR Exclusive Pizza Variant (Limited to 300)"
Get nostalgic with the Teenage Mutant Ninja Turtles: Tournament Fighter Vinyl Soundtrack, the ninth and final release in a series of shellacious Turtles tunes.
The Most Severe Punishment You'll Ever Receive! Trash the surfboard and heave the 'za. It's a whole new breed of Turtles who are butting heads with the greatest street fighters on the planet. War, Armaggon, Chrome Dome, Rat King, Karai, Wingnut, and Aska are the toughest mutant warriors to ever bury their fists into someone's face. and they'll make an impact on your life you won't ever forget.
Listen to all the pearls of Electronic Music withe the releases dedicated to House, Techno & Drum"n"Bass, sélected by the REXCLUB in a doble vinyl collection ! DISCOVER THE NEW VOLUME OF THE REX CLUB COLLECTION : THE DOUBLE VINYL DRUM"N"BASS With : Roni Size * DJ Gilb"r * Phume * Goldie * Tek 9 * Special Request * Rockwall * Aquarian * LU2K * ...
out of Stock
Last delivered 5 months ago available to reorder, subject to availability
Second outing from DISCO DUB 45 fresh off the fierce AFRICAN DUBPLATE 12". Four trax of outrageously rare and unheard of jams compiled and reedited by BLACK DISCO DEMO CLUB featuring every flavor of disco you could hope for Limited pressing you'd be smart to get your hands on
out of Stock
Last delivered 13 months ago available to reorder, subject to availability
Ryan Kaiser hat sich mit seinem verträumten, sonnendurchfluteten Polaroid-Pop als Yot Club einen Namen gemacht. Nun liegt eine Nachauflage des limitierten pinkgrünen Vinyls von 2022 mit den beiden frühen EPs "Bipolar" und "Nature Machine" vor, darunter mit Yot Clubs Multimillionen-Streaminghit "YKWIM?".
‘Night Wobble’ is the sixth long-player from Saarbrücken, Germany duo Pretty Lightning and their
second instrumental record following 2022’s ‘Dust Moves’. It’s a set of downtempo, repetitive grooves
that course through dusty spaghetti-western psychedelia, Tuareg-derived desert-blues, library music
and '70s progressive. It’s always cinematic but shot through with trippy, off-kilter moments that bring a
sense of alien to the widescreen.
