Pivotal UK producer Kirk Degiorgio returns to De:tuned for his first new and highly anticipated As One studio album in 15 years. "Communion" covers a broad sonic palette, ranging from jazz and hi-tech funk dancefloor beats to minor-chord symphonies, all coming together "As One". A trademark 90s electronica sound shifting between the mind, body and soul, produced and recorded with Kirk's 25 years of studio work experience.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis Mastering, pressed on 180 gr vinyl and a separate digital version will be available from the usual digital shops. Stay tuned!
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Our 4th Vinyl release is here as always underground house vibes having our resident artists Frink, Los Reynoso and Eddy Romero with his original alias and his vinyl-only one O Rem. A side goes to the most housy stuff where B side goes darker and more minimalistic adding this time the vocal oft he french singer Eyah in the first cut oft that side. We will not explain any more this release just as always to add vinyl-only release no digital presence in any way, not Soundcloud no previews no promo just the vinyl for the ones that want to have exclusive tracks.
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Lydmor's new album 'Capacity' is a musical maze full of alluring mysteries. At the same time, it is part of a process of liberation, which is about opening oneself up and discovering one's capacity. For her previous album, Lydmor travelled to Shanghai. But on her new album, Lydmor has mostly travelled deep into herself. 'Capacity' is a contrasting musical work where fiction and reality merge into a multifaceted sound universe. It is the electronic pop artist's most personal, complex and conceptual album to date. There is almost a David Lynch'ish cut about 'Capacity'. The album is like a winding maze where it is difficult to decipher what is real and what is an illusion. Like a book with countless narratives. Without conclusions. Ambiguous. Full of alluring mysteries, dreams, reflections and messages about gender, identity, love, guilt and liberation. Rich in contrasts: Black/white. Silence/noise. Weakness/strength. Fiction/reality. Labyrinth/compass.
Multiple media has compared the quirky voice to the likes of Grimes, Kate Bush or Björk but inevitably the comparisons fall short. (Kaltblut Magazine) - With brutal honesty, unbelievable vulnerability and yet dreamy, she sings the soul out in her pulsating electronic pop songs. The soft, bright voice is deceptive. Denmark's "hidden gem" is a must-listen. (Flux FM) - She is every bit as innovative as Madonna ever was when she started out. Lydmor ticks all the boxes; the girl has everything. For my money she’s the most ground-breaking, inventive artist in Europe right now, possibly in the world. (God Is In The TV, UK) - A unique artist who somehow manages to combine sophisticated and subtle balladry with strident electronic pop, I’ve declared previously that I believe she is only one step away from becoming a big name. Perhaps the feelings are supposed to be mutually inclusive, as the song swings musically from simply cold to complexly hot. It is one that does try to combine both sides of her song writing persona, the introverted balladry and the more elaborate, extrovert electro-pop. (Nordic Music Review) - Revolting pop pathos, primed with pumped up beats. (Negative White, Switzerland)
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Samosa Records continues it’s unstoppable runaway juggernaut of a year with the double EP 'Funk Purpose Vol. 2'. Featuring two slabs of HQ black wax with 4 tracks on each 12'' (Vol. 2/1 & Vol 2/2) which will come out 2 weeks apart.
Pulling out all the stops they have brought together a who’s who of the cream of the disco editor roll of honour.
Step up (in alphabetical order) Al Kent, Fingerman, Hotmood, Moodena & Sartorial, Pete Le Freq, Raw Slavs, Sleazy McQueen and Swifft Edits.
Kicking things off in dramatic fashion on Part 1 is Million Dollar Disco boss 'Al Kent' with a glorious slice of string laden vocal heaven in ‘Where’. Cue classic brass stabs, sultry strings, filters in all the right places and some nifty drum rolls. These all set he scene perfectly for a power house of a female vocal. Opening tracks rarely kick things off with such class.
Following Al is Russian outfit 'Raw Slavs' who jump straight into action with a groove fuelled soulful jam ‘Born in R’. Like the first track it's powered by a wonderful string section. This one is a summer jam through and through. Expect to hear it across all the best summer's boat parties.
Also on a serious hot streak this year Tropical Disco Records 'Moodena & Sartorial' are first up on the flip side with the joyful smile inducing ‘Got The Feeling’. Keys, stings, soulful vocals they are all here. A dance-floor certainty!
Closing out Part 1 is Mexican producer and Discoweey head honcho 'Hotmood' who steps into Jazzier territory. Ace keys, sweeping brass, brilliant drums. Deep but still party, a mercilessly cool track.
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I am happy to present you the new bangers compilation. Volume three includes 4 different tracks, which I chose for different moments on the dancefloor, from heavy peaktime hitters to melodic outdoor tunes.
Enjoyyyyy! (Monika Kruse)
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Italian disco label Samosa Records have been doing a roaring trade of late, and with this new pack from Greece's C. Da Afro the trend looks very much set to continue. Brazilian flavours meet jazz-funk and straight up disco licks across these four infectious cuts.
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Following noticeable releases on Tone Dropout, Art Of Dark, Overthink and Shadow Play, frenchman Daïf returns to his own imprint for LUMINAERE 002 Highways of Life. Distancing from the spacey atmosphere of the first one, this four tracker captures a personal side of Daïf’s musical identity, powerful and twisted.
On the A side, Downtown spiral sets the tone of the EP. Field with melodic pads and ear-piercing leads this 4/4 track bursts with energy. Then follows Burnout, perhaps the most complex of the four. UK garage like style, mesmerizing bass lines and pads, buckle up, you’re in for a 200 mph drive.
On the B side, Terrible Lie is a hot banger with a ravy old school flavor. Warehouse synths, cheesy vocal samples, stabby leads and melodic pads, this one is guaranteed to do some damage. Finally, closing off is Exhaust-ed, hauntingly beautiful track with powerful breaks interleaved with acid bass lines going back and forth with melodic chords.
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Samosa’s unstoppable year continues with a brilliant three tracker from Italy’s Lego Edit, an artist with an insatiable digging habit and an ear for golden dancefloor rhythms from across the globe. He has previously produced everything from Jazz to Soul to Disco and some sublime Afro edits.
It’s with this last hat on that Lego Edit jumps on board with Samosa for a powerful new release. The Afro Soul EP see’s two sublime afro cuts backed up with a monster of a re-groove from label boss De Gama.
Indeed it is with De Gama’s interpretation of ‘Funky Zulu’ that the EP kicks off. Straight from its Zulu chant intro it’s a track we know means business working promptly into heavy percussive laden beats and jazzy stabs. Packed full of energetic horns ‘Zulu Groove’ is a track which transcends boundaries to quickly establish itself as an undeniable dancefloor powerhouse.
Moving on ‘Black Jungle’ combines those afro overtones with a monster of a funk bassline. Its swirling chants, heavy drums and filtered tropes pull the listener into a kaleidoscopic and intoxicating dancing frenzy. The looped up vocal combines perfectly with the frenetic bass notes and guitar stabs to see this one develop into a hypnotic dancefloor smash.
Final track on the release is Lego Edit’s original of ‘Funky Zulu’, it has all the elements that De Gama pulled out front and centre but with a slightly more laidback and funkier feel which sees the horns take centre stage. It’s a track which will draw the dancers out and kick proceedings off perfectly.
Another sure-fire smash for Samosa.
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Off the heels of a few successful digital compilations, newly found LA based label For The Heads proudly kicks off their vinyl series with a 4-track collaborative EP from Subtle Mind & mrshl. All 4 of these cuts bring freshness and originality to the ever-growing 140 sound and are a meticulous blend of styles given both of the artist's virtuosity and creative ability.
First, "Built The Same" sets the pace of the EP with luscious chords and a prolific melody all wrapped together by it's enticing low end. Next, the title track "Can You Hear It" is a weighty number focused on it's orbiting sub-bass and crisp percussion with a switch up that is sure to get any dance moving. On the B-side, an exceptional and unparalleled fusion of both modern synth-bass oscillations with the classical UK style groove and step of some jungle and garage is evident in "When The Rain Comes"; all of this pieced together nicely with a jazzy saxophone sequence. Rounding out the EP, "We're Alright Now" features a radiating, encircling melody that is sure to grab the attention of it's listeners with punching low end and soulful vocal shouts.
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Support from Chris Coco, Lego Edit, 80's Child, Kevin Cutts, Luca Moplen, Nico De Ceglia, De Gama, Chuggin Edits, Get Down Edits (Darren Daz Dalton), Bruno Bolla, Jaegerossa, Dimitri from Paris, Sloth Boogie, De Gama, Jacques Renault, Hotmood, Fingermann, DJ Supermarkt (Too Slow To Disco), Dj Severino (Horse Meat Disco), Doctorsoul, and DJ Rocca
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After a brief period of studio lock-down at the start of 2019, Brame & Hamo are back and present their fifth EP ‘Pressure’ on their eponymous imprint, due out on the 24th of June.
Having recently appeared in the Mixmag Lab, and put out a highly-curated mix via Ninja Tune’s Solid Steel Radio late last year, the duo from Sligo have an ever-increasing tour schedule, which is taking their vibrant brand of music to dancefloors worldwide. They recently completed a sell out four-show tour in Australia, and have trips to the USA, Canada and Asia booked for later in 2019.
This EP is a contagiously energetic three tracker. Starting off with ‘Pressure’, an infectious drum pattern morphs into a driving and spacey dance floor weapon. ‘Transit’ is an intricate commute of driving synths, whilst ‘Dial Up’ is the guy’s take on breakbeat rave, taking inspiration from Josh Wink and Chemical Brothers.
“The start of 2019 has been a few months locked away in the studio juggling demos for various labels and making sure everything is just the way we wanted it. We have been putting ourselves under a lot of (self-inflicted) pressure to continue to deliver music of the standard of previous releases, and finally we got there. Each of the tunes took only a few hours and were all done in one take, using all the hardware in our studio during some intense jam sessions’.
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Heyy Roofers!
Guess who is coming back?
Here we are with the third release of the new Italian label which already surprised you!
This times the tracks on the vinyl come from the Roman underground scene, made by the big artist Erica Menei!
She is a Dj and a producer
She joined our family with her 3 bomb tracks which are characterized by warm sounding sounds, rarefied atmospheres and an incredible dance floor rhythm.
The fourth is an amazing remix by our landlord Diego, which fits really well to be played in clubs.
The track is composed by a warm and welcoming bass and a rhythmic selection which moves the dance from the beginning till the end.
Don’t lose it! It’s just vinyl!! RR IS HERE TO MAKE YOU FEEL THE DANCEFLOOR
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hel.IV Came across our radar in early 2019 when a demo fell on our lap. It was the dark black honest sounds of Techno as we hadn’t heard it before.
It was hel.IV. After his debut digital EP ‘The Dagger & The Thought’, It took over the internet, It blew up. It had immediate respect and has been getting hammered all around the globe. We finally have him back to do some damage again. His new ‘The Palm On The Altar’ EP displays a more fine tuned hel.IV while still attacking the throats. It’s dark. It’s Imposing, and it is serious business. We also have the talented Dahlia on board to remix the title track. An almost 8 minute journey to tell his version. We are proud to present to you GFRV007 by hel.IV.
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Ruff Stuff inaugurates his new Sculptures imprint this February with ‘The Faster Buster’ EP, comprising four originals from the Berlin-based artist.
Sculptures Records is the new label from Ruff Stuff, a new platform designed to showcase material from predominantly up and coming artists who use physical machines to craft and sculpt their music, using their hands and real tools to create unique pieces of art. This stands as the ethos for Sculptures and its output moving
forward, which will aesthetically lean towards house and deep house sounds with forays into electro.
The label-head Ruff Stuff steps up first to inaugurate things here and leads the release with ‘Give Me A Break’, employing organic drums and dubbed out stabs at its core before the latter half of the composition introduces a rave-tinged disorienting synth
hook. Title-cut ‘Faster Buster’ follows next, this time round employing swirling pads, bumpy drums and gritty stab sequences as it’s core alongside hypnotic vocal chants and squelching 303 bass notes.
‘Bunker Mood’ opens the flip side, fuelled by dusty drums and a snaking bass groove while an amalgamation of airy chords, tension building strings and vocal samples carry the groove. ‘Rules Breaker’ then closes the package with a contrasting feel, bringing a
choppy square wave bass line and resonant synth licks to the forefront alongside off-kilter, skippy drums and ethereal pads ebbing and flowing within.
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Shekon is back on Skryptöm with a new INFINITE UNION EP is a short collection of evolutive futuristic techno, with powerfull ryhtms and modern skills.
We have the chance to receive Michal Jablonski as remixer from the track Excess of reduction, He delivered a wonderfull peace of pure raw techno, incredible remix we can propose you on Skryptöm.
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Channel Six Music Company presents its first debut in vinyl format, with 4 channels produced and directed by Alex Gomez, Jamezy, AJFV, Back Is Beautifull, G.Zamora showing their domains in Deep House, Soul, Afro House.
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THE ONLY DIFFERENCE BETWEEN ONE AND NONE IS N TRANS HUMAN OBJECT (THO) //////////////////////////////////////////////////////////////////// THE SUPERIOR FUNCTION ************************************************ X1N SAYS: //////////////////////////////////////////////////////////////////// IN THE VAST SURFACE OF ALL MATHEMATICAL EQUATIONS, ONE CAN SENSE EVENTS WHICH SEEM TO COME FROM OTHER DIMENSIONS - RIPPLES AND PATTERNS. THE ZERO POINT NINE INFINITE NUMBER LINE NEVER REACHES ONE, YET IS ONE, NONETHELESS. 0.9999... READ THAT SEQUENCE LIKE A MANTRA. A MANTRA OF DEATH. //////////////////////////////////////////////////////////////////// “I TALK IN ALPHA NUMERALS” ************************************************ ### denotes “end”. No more messages to follow.
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Cinthie´s Berlin Based imprint Beste Modus return this May with a new EP entitled BesteModus 07 featuring tracks from Cinthie and label co-founder stevn.aint.leavn. Fresh from a strong January release, theBeste Modus crew lookset to take 2017 by storm, this time with a versatile record that yet again raises the bar within the contemporary house scene.
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Kid Drama returns to his label for the first time this year after the well received Ideal Form EP, he continues with his trademark infused mix of autonomic and 90s tech step to create the 2010 Again EP.
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Linear Search drops their EP, Line Integral on Eternal Friction Records, containing four original tracks.
The result is a powerful EP, that clearly demonstrates Linear Search unique and personal approach to contemporary techno.
The balance between the drums and the uplifting percussion are capable of bringing listeners into a certain state of mind. The warm and melodic synths fit perfectly into many layers of each track. Skillfully build grooves fused together with funky stabs, form a unique, recognisable and inimitable "Linear Search blend".
Although these tracks are all fairly different from each other, they are all produced in the same effective and delicate style. They make for an interesting EP, reason enough to follow these promising artists every move from now on.
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Four new original songs from Nachtbraker with intricate percussion and melodic arrangements. Diving deep into Nachtbraker's wicked mind, each tune has a healthy dose of weirdness.
Title track "Bay Be Blu" tickles the endorphin receptors with its euphoric melodies and 'Stranger Things' atmospheres. The second track leans on soothing warm synths gliding over a dub bass with tight drums. In addition, attentive listeners will hear Nachtbraker's personal field recordings on the beaches of Barceloneta. When the record is flipped one finds herself in "Tangelo Dreams", a mid 90's, Pacific Records inspired jam with a driving baseline. Rounding off the record is "Drip", a track drenched in unconventionalism and oddities.
Mastered and lacquer cut by Simon (The Exchange) Davey.
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Scalameriya returns to Perc Trax for his second solo EP for the label following on from "Hellzone Megapunk" from early in 2018. As expected Perc Trax's Serbian representative once again pushes his sound forward matching his ear for innovative sound design with his innate sense of rhythm. A-side track "Juggernaut" has already been a highlight of both Scalameriya and Perc's DJ sets since last year and has proved itself to be a guaranteed floor destroyer time and time again.
Flip it over and both "Vicious Remedy" and "Plothole" focus more on steady timbral build-up than instant rhythmic destruction. Both gradually winding up over the course of their first few minutes before peaking with an explosion of energy.
As with "Hellzone Megapunk" the 12" sleeve and release artwork for this EP is a collaboration between Perc Trax's resident design crew Adult Art Club and esteemed illustrator New Tasty. Both worked closely with Scalameriya and Perc Trax to ensure the perfect visual representation of Scalameriya's razor sharp future facing techno.
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Vivus Records returns with the third instalment of the vinyl-only series VRV. With the previous release being supported by the likes of Raresh or Vincentiulian, you can expect another top-notch musical journey from two promising young talents like Silat Beksi and Daniel Broesecke.
Having been around the music scene since 2003, it was in 2013 that things really started to pick up for Silat Beksi. The Ukranian has releases at labels such as moral Fiber, Sakadat, Body Parts or Mulen and his style of uncrompomising techno blended with some sweet textures has gained him many fans on dancefloors worldwide.
Daniel Broesecke comes from the deep south of Germany and is always in search of the sounds of the underground. His catalogue includes releases at Deep Tech, Baile Musik and Lowroon Recordings and you can expect some smooth and playful techno vibes from the German.
VRV03 gets us in an atmospheric groove right from the beginning. There is a particular sense of serenity as the first track, Shades, starts playing. Once the first two minutes are gone, though, things start to get serious and the smooth bassline blends with a lovely acid touch to give an overall dreamy vibe.
As far as Taboo is concerned, things couldn't be more different. An imposing bassline greets us from the start and you can feel that Silat and Daniel have dropped the more gentle approach from Shades and opted for a powerful techno track. An intriguing range of peculiar sounds go hand in hand with the driving bass to make your feet move instantly.
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The London (UK) based event/label presents its fourth vinyl release "Dadaïsmo" from French producer Vadim Oslov
Dadaism is a literary and artistic movement founded in 1916 in Zurich by Tristan Tzara, a young poet of Romanian origin. Dadaism aims to overthrow traditional conceptions of art by means of provocation and derision.
Early support by Mihigh, Vlad Arapasu, Leanca, Paul K
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ARTSBOX001 - Five years in the making, label boss Emmanuel aimed to deliver what for him was the very best selection of artists and people he could ever imagine under one single roof.
Arts has now passed the landmark number of 100. But the reality is that we divided all the records into different categories, which makes the total number way bigger. Nevertheless, the label has become synonymous with quality and consistency with a wide range of timeless sounds from Techno, House, Dub Techno, Electro, championing some of the most respected names in the scene and pushing the youth and putting this same youth at the very top of the chain, the label philosophy keeps rotating on a different level of orbits trying to reach always the best result and never be influenced by anything in the scene.
The Box is a meticulous work of one entire year, every artist of the 20 selected delivered something that connects deeply with the label and the reason why they are part of it. The study goes beyond when artists get different colors of palettes and a different surface to paint, their known soundscapes come with something freer than the usual approach that they did in their singles. This is a pinnacle for a label that always placed Music in front of everything but kept the design and the aesthetics on a top level each release, each year. ARTS V is here.
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After the massive success of the first VA we decided to do another one this time collecting music from UK, Argentina & Netherland... we will let the music do the talking but we assure you won’t be disappointed.
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Our Danish secret weapon ANTN is back on Counterweight with his new monstrous release. Four original tracks with his very own and distinctive vision of techno.
Fast, straight, raw and pretty industrial, but without loosing the groove, that's our boy. If this wasn't clear for you yet, now you know why you should keep an eye on this excellent producer.
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The debut album "Night Train EP" is a journey
into the dubby soundscape of Domino Vibes (A DJ & Producer based in Bucharest, Romania).
The sound is a blend of acoustic drums, analog & digital synths that
has its roots in the classic, early dub-techno records.
Packed with raw, punchy beats, deep groovy basslines, monotonal-muted synth-pads, and funky percussion all along,
this record is an invitation to the dancefloor.
"A Side" is intended as a warm-up opener, or after-party session.
As for "B Side", the sound and feel aims for main segment of the mix.
In first track "D. Effect" the simple drum track and thick bassline blends with a distant pulsating gong that sets the tone for a dreamy athmosphere in some empty fields.
The rolling beat of "Turn Around" gets the party going. A playful mix of synth chords keeps you into the vibe.
Syncopated rhythmic accents are dropping into the loop.
The echoed synths bring a mistery touch oposed to the heavy drum kick that keeps on pumping into an funky loop.
"Entering in Station", B1 track, is based on a simple dub theme. The punchy drum kick and deep baseline meet the main chords theme, here and there a sudden, weird and transcending "intemezzo" pops up and sends us to the other side of the scene, like driving through a misty fog.
The beat comes back on and chords keep flowing into an endless loop.
The last track "Sinking Sun" brings in a playful mood, send the listener to a magical scenery,
The "dancehall" echo is omnipresent, brings colour to the scene, all is paired with the timeless feel of the groove.
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The Alternative Futures EP is the second release from London based DJ/Producer duo Suburban Architecture. Drawing heavily on influences from one of Drum & Bass's most innovative eras, the mid to late 90s, the duo's productions place a contemporary spin on sounds rooted in this golden era of dance music.
Picking up where 2019's "Visions" EP left off, this new 4 track EP delivers another collection of sounds that meet at the intersection of nostalgia and modern production.
"Final Call" marries Jazz Fusion with dreamy vocal samples and atmospheric pads to match, all at a lowered tempo which harks back to the birth of the "intelligent" sound.
"Future Jazz '95" meanwhile is a stepping jazz-infused roller that invokes memories of DJ Pulse, Jazz Cartel et al.
On the flip, atmospherics lead the way: "Chinatown" provides rolling drums over layers of lush pads and melancholy horns while "New Horizons" throws a nod in the direction of Bukem's early "Good Lookin" releases with arpeggiated chimes, rousing vocal samples and the all important rolling Amen to close
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Ferreler is the new collaboration between Ernesto Ferreyra and Bodeler.
The pack includes two original tracks featuring Brandub and Cristobal Urbina plus a stunning remix by Franco Cinelli.
Early support comes from the one and only Ricardo Villalobos.
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