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180gram record with hand-stamped label!
Screen-printed cover.
Limited to 300 records.

"Since first hearing Harald's "Sabor Latino"in 2016 I've been a huge fan of his freeform psychedelic take on electronica.
Roughly a year ago he sent me a shedload of music giving me free reins to pick and rework everything as I pleased. The result is this "album" consisting of 4 handpicked tracks on vinyl + a full album download with 10 more tracks(14 in total) covering more or less all bases from ambient Buchla experiments to banging techno."

Prins Thomas October 2020

+ a full album download with 10 more tracks(14 in total)

1.Nangijala
2.Zweifler
3.Fujisun
4.Ny Dag(Album Version)
5.Cloudwalking
6.Svirvlaren
7.HallOmMig(Album Version)
8.On the Dock
9.Växelvarm
10.Route E18
11.Hall Om Mig
12.Cheetah Haze
13.Ny Dag(Prins Thomas Diskomiks)
14.Time

Surgically Slamming Aura Refresher

vinyl only!

Rhythm Cult is proud to welcome Sascha Dive for its seventh release on its vinyl only series. As you probably know, Sascha Dive has been active within the electronic music scene for over ten years, and during this long decade he has developed a very particular vision of deep house: seductive, profound and highly danceable.

Brother’s Yard EP comes with three tracks that fully represent this impression. Starting with the track that gives name to the release, Brother’s Yard, you’ll easily feel empowered by the percussion and freed by the ecstatic vocals. On the B side of the release, Sascha Dive goes even deeper with Deep Down and Impossible Game, both tracks built thanks to an inimitable groove.

A vinyl only series is made for those who really want to feel the sound of the needle playing tracks you never get bored of. If you’re one of them, Sascha Dive’s new release will be one of those you’ll be playing for years.

After a short break , UZVAR returns with a fresh collection , this VA consists of tracks for different periods on the clubs or places .

Side A : is a more minimal sound for afterparty .

Side B : is represented by prime-time bombs .

All tracks killed a lot dance floors , this is a limited edition , so hurry up to grab your UZVAR .

Alex Breitling opens the MAKASI EP on Monaberry with a wide groove in combination with a sparkling and dynamic arrangement. Bright breaks, lovely percussions, hypnotic flutes and powerful synths elevate MAKASI to an inspiring narrative. Angelov's "Jungle Vision" picks up the soul of the original and turns it into a catchy tune with an exciting voodoo outfit. David Mayer illuminates the deep side of MAKASI and converts the track into a pulsating road trip through the glowing hot club savannah. The second original track SIMBAWA by Alex Breitling rushes in a darker mood towards the sunrise and immediately invites some synth friends from the 80s to celebrate like never before.

This time we will present in split format these two great artists starting on the A side mr juliche hernandez with his micro house tech groovy style his atmospheric descents and explosive climbs make us dance until the last moment.

Side B will represent mr lucianno villarreal a emerging artist with his micro dub tech groove style will make us travel through atmospheres with hot subb

First up on the new sub label from Floorpiece we present upcoming Australian DJ & producer Shacklo, with his 'Shall We' EP! He provides 4 original cuts ranging from deep jazzy tinged vibes on 'Smokee', to the more dancefloor oriented wobbler 'Krazee'

Blinding New Ep From 3kz On Fides. Diverse, Ingenious, Idm Inspired. Another Timeless Piece Of Music.

We are delighted to welcome for this 5th release, two great new talents!

The A side will be taking care of by Aymeric, a young producer from Lille.

The B side by the Frankfurt artist Benjamin Milz under is new alias EOC.

Vinyl only

There is not much information to be found online about Bliss Inc., whose Hacking the Planet EP comes out on Radiant Love this summer. Beyond the fact they’re named Alexander and hail from Saint Petersburg, the project is cryptic – somehow this is fitting for a set of songs that could’ve fallen out of an obscure 1994 catalogue. This is the year of Robert Leiner’s Visions of the Past, Opus III’s Guru Mother, and Paul Oakenfold’s BBC-1 Essential Mix: an aesthetic region in which tech and new age spirituality braid together, a time before this synthesis reached Silicon Valley; while it still lingered in the rave, incredibly sincere, everything sounded kind of wet, and the efficiency of spirit was means to no end but a state of bliss.

What keeps Hacking the Planet from falling into pure nostalgia is its tuning – the palette of 1994 has been lifted and run through a delicate sensibility. The title track is a piece of buoyant, airy trance, with orbiting filters and a set of loopy, very vocal synths. It bumps along at 130 BPM, but feels slower because of the ease and clarity with which the track progresses. “Infinite” has got the aquatic motifs and soft, panning cymbals of a set-opener, or a comedown jam. The break that swings in after a minute-thirty feels less like a punctuation than another stream of sonics joining the flow. Picking up the pace a little, “Transitions” opens with a whir that could issue from a field of crickets or a stack of hardware. The entrance of the bassline was the first moment in this EP one could call nasty. But its drive and weight is also tempered, played against by a clever drum break, a run of piano keys, and the ethereal reverb-washed vocal sample we expect in a piece of classic mid-90’s trance – absent, however, is any kind of signalling to Goa, “exoticism” or indigenous aesthetics. (1994 was also the year of Jean Paul Gaultier’s Les Tatouages collection, which, for all its romantic nomadism and deft tailoring and syncretic spirit, has no need of a 2020 update).

Bliss Inc.’s songs stream, rather than track – one gets a sense that the elements flow in and out rather than ride a structure. Sansibar, who provides a remix of “Hacking the Planet” to round out the EP, is solidly a producer of tracks: often electro-derived ass-shaking material that hits, and hits in recognisable sections that progress serially. His version of the title cut brings in a hefty acid baseline, jungle-style stretched vocals, and kicks out of the 4/4 grid. But let there be no mistake, this is a producer also quite capable of coaxing delicacy out of hardware. The chimes of the lullaby-like breakdown halfway through the remix sound like nothing but a ghost in the machine.

Limited Yellow Repress !

Subosc Ltd is glad to announce a new vinyl release. Guido Camino,
aka Mental Resonance, presents four original cuts under his Forest
on Stasys identity.

“Astral Projection” presents a cosmonautical voyage with a strong
progression that constantly builds up. The rarefied atmosphere
included in the track, features an emblematic ritualism that is
interlaced with natural waves and layers.

“Expedition” follows a photonic pumping approach, featuring nontrivial and sparse drum patterns. The functional approach entails complex hallucinogenic stimulations.

On the flip side, “Lumina” proposes an explorative story with sparking elements that resonate and overlap with the different melodic layers, producing a pleasing hypnotic effect.

“Talisman” closes the package with a decompressive, magical
journey, that carries the listener into an imaginative dream-like
dimension made of natural landscapes.

The EP will be available as a vinyl only release, on a strictly limited
pressing.

Collecting orders for repress

The sixth instalment from London imprint Nuances de Nuit continues their run of interesting electronic music with four new cuts from exciting artists, James Andrew, Nathan Pinder, The Trip and Tip Top.

Heading up the EP is Nothing But Nice co-founder, James Andrew. Following stand out releases on his own imprint and music on Voigtmann’s Subsequent he provides the groove-filled pumper ‘Reality Call’, packed with bouncy energy and heaps of attitude. Next up is Nathan Pinder’s ‘Stutter’, lush synth lines accompany spacey delays and energetic organ stabs, perfect for a mid-set energy raiser.
On the B-Side London duo The Trip drop a huge hit of peak time energy with ‘Big Trouble’ before Tip Top closes on ‘Control Alt Defeat’, a raw downtempo fusion of low swung analogue bass and spaced-out soundscapes.

repressed !

In just a few years, Josh Butler has firmly established himself as one of house music's most revered talents. 2016 saw the launch of his label Origins, with Josh welcoming the likes of Marshall Jefferson, Todd Terry, Robert Owens and Santé to the imprint since, scoring his second Beatport #1 through his and Bontan's stand out 'Call You Back' in early 2017. Add to the equation EPs on Kaoz Theory, Rejected and Defected, collaborations with Kerri Chandler and Darius Syrossian, and remixes for industry heavyweights Carl Cox and Joris Voorn, and it's clear to see that Josh Butler is only just getting started. No wonder that Nick Curly and Gorge are very proud about his debut EP on their 8bit Records imprint.

Sub frictional Hi Tech Soul jams by "Die Orakel" Frankfurt Bass mastermind O-Wells. Lennard Poschmann aka Orson Wells steps up for the next release on Mojuba sub label a.r.t.less bringing you four timeless fresh Techno / Electro pieces that will mesmerize you with Detroit and Midwest inspired sophisticated sci-fi funk.

180g, vinyl only

The first solo EP on Nuances de Nuit comes from label co-founder, T. Jacques, featuring three original tracks and a remix from Small Hours boss, Youandewan.

In celebration of the 10 year anniversary of Truncate we’ve put together a special limited edition release which will be coming out on full color jackets.

To celebrate this milestone we’ve gotten remixes from none other than techno legends Luke Slater aka Planetary Assault Systems and James Ruskin. Straight forward no nonsense techno as Truncate has always been about.

Coloured Vinyl

In celebration of the 10 year anniversary of Truncate we’ve put together a special limited edition release which will be coming out on a special splash color vinyl and full color jackets.

To celebrate this milestone we’ve gotten remixes from none other than techno legends Luke Slater aka Planetary Assault Systems and James Ruskin. Straight forward no nonsense techno as Truncate has always been about.

Valentino Mora returns to Spazio Disponibile with his first full-length 'Underwater'. A mesmerizing listening trip over the course of eight tracks taking you into his deep sea world of dark minimalism and eerie drone rhythm structures.

To celebrate 20 since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. Presented as a deluxe 6 x 12" box set with a silver foil cover and paper insert with individual sleeves and luminescent paint, this is a suitably spectacular collection that pays homage to one of techno's finest operations.
20 years is a long time in any facet of life, but in techno it is eons. The genre evolves so quickly that staying relevant for even half that time is some achievement, so to still be recognised as one of the genre's most iconic and influential labels after such an extended period is testament to the vision of its founder Sven Väth. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late eighties that he has steered into much broader realms ever since. Thanks to carefully A&Ring a mix of red hot new talents and plenty of his original pioneering peers, Väth has ensured Cocoon has always covered all points of the spectrum: there have been hundreds of thrilling dance floor 12"s, a treasure trove of full length albums that have brought plenty of detail and depth to techno and multiple mix series including the annual Sound of the Season which distills Ibiza's latest trends into two vital CDs, and the annual alphabet compilations which showcase the label's finest moments.
Then, of course, there have been the parties, which have taken many forms over the years, from selfrun festivals like Green and Blue & Cocoon in the Park to carefully curated label nights at the world's foremost clubs via, most famously, their flagship and globally recognised Monday night parties in Ibiza at super clubs such as Amnesia. These very much introduced the White Isle to techno and in the 20 years since the first party have become family gatherings that have solidified the sound's presence on the island for ever more, thanks to the world class line ups, out of this world production, colourful characters and fantastical themes that have made each session so legendary.
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of '2000' and Emanuel Satie keeps the melodic vibes alive with his wistful 'Departure' and then Diynamic label boss Solomun serves up a rare new production 'We Will Never Have Today Again' which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma', while US legend Josh Wink keeps it deep and heads down with his gritty roller 'Nuclei.' After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga & Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his Mind melting cosmic melodies and pounding
drum rhythms.

The first purple box is a gift by Legit Trip, including 2 great remixes by Juliche Hernandez and Ilya Schulz.

No digital promotion
Vinyl Only - Limited Edition

The big man is back! Stefano Noferini, the man behind the Deeperfect brand. On this EP he is joined by the Florentine newcomer duo, Looad. Together the three collaborators deliver a four track EP of the finest quality club weapons. ‘Floating’ starts off in a manner that is instantly recognisable as a tough cut of Deeperfect’s signature stripped-back minimal. A solid beat is punctuated with sprinkles of tribal percussion and underpinned by a pulsing sub line. The second track, ‘Machine’, opens with a tight pushing beat that is joined by a rising bass riff that gives a definition to the groove and flow to the composition. The third and forth tracks “Cobalt" and “Wolf” completed the ep stripped back and hard hitting drum grooves paired with syncopated sub bass and carefully selected percussion sounds. A funky, energetic vocal weaves its way into the groove and is expertly affected to create tense moments of fun and excitement, which quickly suck back the dominant, pushing groove. The ‘Floating EP’ is both very unique and exceptionally functional and delivers a extremely original take on modern club music. A must have EP for a huge range of DJ’s and music fans alike.

Downwards’ rum gang of industrial misfits mutate My Disco’s ‘Environment’ album in slow, brutal and hypnotic styles ranging from Karl O’Connor’s smudged gamelan rework as Cub, to a 16 minute stunner by Rainforest Spiritual Enslavement (Prurient & Low Jack)
‘Environment Remixes’ serves to tie up a 10 year loop since Karl O’Connor (Regis) first became rapt with My Disco’s 2010 single ‘Young/You’, which lead to him remixing the Aussie band’s song ‘My Decade’ in 2016, and eventually issue the reverberating clang of their ‘Environment’ LP on his Downwards label in 2019. For the remix suite, they’ve picked a gang of manacled producers to reanimate the album’s cranky mania and classic industrial spirit with suitably bruising results.
The swingeing, stygian flow of Karl O’Connor’s Cub remix of Equatorial Rainforest’ returns a big highlight,
possibly the project’s very slowest and loaded square between the eyes of early ‘90s Coil and 23 Skidoo, while Rainforest Spiritual Enslavement’s 16 minute take on LP centrepiece ‘Act’ follows that humid line to a frighteningly strong scene of cicadas and crackling neon sleaze sloshed with martial kettle-drum rolls recalling Con Schnitzler’s ‘Conditions of The Gas Giant’, before slipping into the lushest ambient techno mode.
Following the rush of his recent records, Sam Kerridge renders the doomy beckon of ‘Rival Colour’ more tentatively, stalked with spare drums and lugubrious bass, and Bristol’s Giant Swan follow a hunch for lurching halfstep on their reduction of ‘An Intimate Conflict’, for Oliver Ho to amp the phosphorus guitar burn of ‘1987’ as Slow White Fall with the sort of noisy conviction that also makes his new album such a zinger.

Pleaxure's debut EP, "No Such", leads us down the rabbit hole of a guided LSD therapy session
formatted to a half hour of psychedelia-infused techno. Keeping one foot in Baltimore and the other in Brooklyn, "No Such" drops as the first release on NiCE1, a label collaboration between Pleaxure and Broke City's Jordan Ehr. With remix blessings from New York underground artists Anthony Naples, MoMa Ready and Bergsonist, the EP rounds off as a special exploration of crafty fodder for dancefloors and heady listening alike. The proceeds of all Pleaxure records will be donated to help the city of Baltimore (currently at Rebuilding Together - Baltimore, https://rebuildingtogether.org)

The birth of Mindri, a new Pinkman sublabel run by Afra & Marsman. The first release by Pluto Junkies, a collab project between Ernestas Sadau, Rapha & PRZ goes straight into the alley of mind bending and stomach swirling releases. Drenched in 90's retro-futurist electro spirit, Flying Spaghetti Monstership is what you would call a secret weapon at a rave. Fuelled with ferocity and seasoned with nostalgia, it feels like hedonist nights and forgotten conversations in crammed basements.

Sometimes life is good, sometimes each and eveyone of us faces difficult times & all the inbetween up & downs - yet sometimes it's simply OK. However, one thing is for sure: We strongly believe this EP is more than just OK. On Yore's 31st release, Label-Owner Andy Vaz delivers straight from the backyards of his Cologne based Deutztroit Studios to the streets of Detroit, collaborating with Niko Marks (Detroit based keyboardist, singer, and producer) on the A1 Track: 'Love you Forever": a warm, deep and soulful House anthem with a perfect dancefloor friendly summer Vibe. Something to sure get the groove on and force you to get into your party gear. A2. Features a Remix of Andy Vaz Classic House Hit: 'Hurry, Hurry' from his Yore-012 release, by Malik Alston. Malik is a lifelong Detroiter, as well as both a musician and a performer. He has appeared as a featured vocalist with gospel and R&B artist Ortheia Barnes. His poetry and music performances have been featured with the poetry troupe EmRuop and in concert with the Last Poets, Gil Scott-Heron and Jessica Care Moore. Malik received a nomination as 2005 Outstanding Electronic/Dance Writer Producer of the Year at the Detroit Music Awards. He continues to collaborate with many artists, including Alton Miller, Amp Fiddler, brownstudy, Roy Davis, Jr., Doc Link, John Arnold, Recloose, Javontte, Jerry the Cat, Jabril Sun, Szymanski, Keith Worthy, Dwayne Jensen and here now with his 'Let the Horn Play Mix' of Hurry, Hurry, remixing Andy Vaz. Resulting in a Jazzy, ic and driving House tune, which clearly demonstrates his outstanding musical skillz. On 'Worst Fantasies' on B1 the moods shifts drastically. A very trippy,

Self Defence returns in full effect with New Yorks one and only DJ Duke's (of Sex Trax / Power Music Fame) "Summer Madness EP". Dj Duke had retired from the music front for a while, after he had about 300 records emerged after his "Blow Your Whistle" blew up in 1993 and during the past few years.

strictly limited to 300 copies !!

A&R Edits Revisited is a new series of 12” EPs from Greg Wilson’s vinyl-only label. Drawing from its diverse back catalogue, this new series sees the label re-issuing some of its evergreen classics, presented for the first time as four-track EPs, each showcasing the work of four different producers. Re-launched in the late summer of last year, A&R Edits has re-established itself as one of the authorities in the re-edits scene.

Between 2013-15 the label released edits and reworks from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective – gifting them a platform to further their reach whilst servicing the continued growth of the scene. After four years of activity, it lay dormant for another four and returned in 2019 with the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’. Whilst 2020 saw a follow-up in the form of Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!

The label will continue to release new material via this original series and now will be introducing its older material back into the mix with a new series. A&R Edits Revisited #1 will feature Henry Greenwood’s electrically charged rework of Neneh Cherry’s 1988 classic ‘Buffalo Dance’; Peza’s delicate yet driving update on The Blackbyrds’ slice of sunshine, ‘Walking In Rhythm’; Derek Kaye’s lively reinterpretation of The Player’s Association’s 1979 disco stomper ‘Turn The Music Up’; and Sophie Lloyd’s bass-heavy revision of Herb Alpert’s much-sampled groove, ‘Rise’. A&R Edits hopes to bring some light to the darkness of modern times with these updated gems from our shared musical history. Having inspired audiences in the past, they can now serve to inspire a new generation of music lovers.

Though Moving Vision is the fourth EP the Japanese producer-and-DJ has released on Yore, it arrives more than four years after the appearance of Tokyo Connection and five after City Soul and Butterfly - even more his return to Yore keeps bursting with fresh energy. A powerful, seven-minute argument on behalf of Kez YM's sound, 'Extended Sunset' bolts from the gate with a steamy house pulse that oozes soul and splendour in equal measure, and luscious synth chords and funky bass lines add significantly to the music's allure. Much as he's done in the past, Yamaguchi threads crowd noises into 'Moon Light Leaves,' a move that bolsters its party spirit and 'live' club feel. In a cut that's even more resplendent than 'Extended Sunset,' the producer works vocal accents and acid-techno boogie into the tune's charging house pulse. Unbelievably, the roaring throb of the third Track 'Weekend,' which pushes the EP's hard-charging vibe to an even higher level. Rounding out the twenty-five-minute release the 4th Track, 'Fixer' that's no less steamy as the track turns out as a pure feverish dancefloor monster powered by South American rhythms, percussion, and horns. Kez YM easily proves that he hasn't lost his touch.

PURISM is back with another great release.

Not so much talking, we let the Music speak. We are Purists.

ovely lush emotive dancetracks full of cosmic! vibes In the opening track, a male soothing voice warns us for a gravitational collapse, and he couldn't be more right! Our new family member, INTIMACY, drags you from one musical dimension to another. His outerworld soundscapes and propelling drum rhythms make you doubt whether or not you're still on earth. Enjoy the trip!

DJ Deep's new 'Raw Cuts' series builds on the success of the first volume with a second four track offering that once again shows off his versatility. DJ Deep is a master of house and techno that drives you forward but also boasts real character. The Deeply Rooted label boss has been perfecting his style for two decades now, as well as offering more eclectic sounds with his Worldwide FM Radio show and collaborative work with Roman Poncet. Here, though, he has his sights on the dance floor with four more timeless tracks. 'Head Up' kicks things off with a dubbed out track that locks you in a circling groove amongst soft shakers and deft sound designs. It's perfectly stripped back but absorbing house then 'Swinging With The P' ups the ante with a tense minimal house vibe that has edgy effects and a paranoid sense of mood. Always rooted to infectious drums, it's another masterclass from Deep. Things get more wild on 'Porte', a prickly acid track that layers up chattering claps, 303s and urgent drum work into something designed to pump the club at the peak time. Last but not least, 'Corridor Rodeo' is a loopy dub techno epic that manages to hit hard while also offering plenty of subtle details to keep you locked. Bridging the gap between house and techno with his usual style, DJ Deep's 'Raw Cuts' series is already proving essential.