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Ramon Tapia is back with some heavy peaktime tracks on Terminal M. I hope you get lifted by them! (Monika Kruse)

I am very happy to welcome the very nice guy Drumcomplex on my label. We met this year for the first time, but it clicked immediately. He is one of the hardest working and loveliest collegues for sure! This ep shows his variety in styles and already smashed the dancefloors in my sets! (Monika Kruse)

Unfortunately it took a bit of time to present here our third release, but luckily enough we are happy to show you now "We are Groove Cirqus EP". The duo from Italy brings three great tunes with enormous, nice rhythms on drums and percussion. "Semiprofessional musician" a smoot and deep track peppered with vocal shots, starts the EP followed by "U Better Hear" and "Think It Over". We needed a special, great remix, so we get Schallbox's owner Steve Cole who spend a phat and tight one, flavored with some synth sequences. We are sure these tracks will retune every mind and transform every dancefloor to a particular place.

"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.

Every album I've made revealed itself over time - Coconut Grove snaked its way through my psyche, going back to my beginnings. While working on it, I found some notes I had jotted down back in 2006, when I was 22 & first inching away from punk towards electronic music. I wrote that I had been dreaming of something humid and menacing, melting but also alluring. I heard some of that in the haunting, dubby minimal techno of the time, and imagined it crossed with the slashing urgency of my favorite no wave & post punk bands. I imagined the catharsis I experienced as a performer rerouted through techno's mercurial endlessness. Those visions never left me, and I've been dreaming of them in one way or another ever since. Coconut Grove folded that time back onto the present, letting me start again from the beginning.

A lot can happen in a year, and, at the risk of sounding coy, a lot happened to me in 2018. Coconut Grove was an exorcism, or maybe a rebirth, but whatever it was it moved with a little extra fluidity. You can hear it for yourself, but I will say the album's softer touch is no accident. Living in that secret space, it felt good to let some air in."

-Daniel Martin-McCormick aka Relaxer

‘Rain, spit, ice, neon, plants, steam, mercury and soil. This is dream music categorised by a language of senses; visual, poetic, and abstract sound that draws on techno and dub ambient.

‘Somewhere between pastoral impressionism and cyber-noir, its surface evokes the tensions of a fluctuating, fizzing atmosphere, pictures emerging and dissolving in the mind’s eye. Thick layers of field recording flood tracks fabricated from erratic, oddly distanced rhythm.

‘The sensation whilst listening is not unlike hearing the world from a place within the body; swimming in the bloodstream, cutting through the turbulent landscape secure in a metal tube.

‘Or being over-exposed to lushly textured environments with the anatomy far receded; an out-of-body experience where subtler senses are heightened and the landscape begins to take on surreal qualities.’

Rainman EP is the first release of Iori Wakasa, our Japanese family member, on our label. He is a well known artist in the electronic scene and just released on Highgrade Records and SAW Records his last works. Rainman comes with an impulsive beat full of clear hi hats, paddy kick drums and melodic atmosphere of charming. Second track - Take U Antarctica' is the opposite of Rainman. Deep waves leads through the whole track, dark and tight drums and hi hats round it off.Neverm!nd the German duo from Berlin flavoured the remix with their own touch and Yosa a good friend of Iori put all his energy for creating his kind of remix which is awesome too. We really love all four tracks and can say that Iori Wakasa, Neverm!nd and Yosa serve us a solid EP in the end for being a perfectly driven for the dancefloor.

We live in the era of 'more'. We spend our days trying to keep up with a seemingly infinite range of links to follow, pictures to see, sounds to hear, places to go, objects to desire, events to anticipate, heroes to cherish and villains to loath. But rather than freeing, too many options can become paralyzing. Consequently, we often find ourselves frustrated because of the experiences we will never have... without even knowing what we really want. The same goes with music creation in digital environments. Too many possibilities can also mean a tyranny of the "what if...". In this light, celebrating 'less' becomes vital. And that's exactly what swedish producer and Studio Barnhus affiliate Simon Haydo does in 'Redux'. All of the sounds in the album's nine tracks come from just one synth: the Korg MS20. As Simon puts it, the idea was to "maximize the use of less, basically. Less gear, less effects, less input from other people, less everything."Using only between 2 and 6 channels for every track, the result is a stripped but surprisingly rich sound, that delineates spatial Techno vignettes coated with the unmistakable charac- ter of the MS20 filters. Even more interestingly, this restraint is not only applied gear-wise, but also from an emotional point of view. "Instead of involving my own feelings, I let the voice of the MS20 take care of it", says Simon. All this makes 'Redux' an expression of techno in its purest form. After all, it's a kind of music that has always gravitated around simplicity, austerity and, of course, the believe that the machines have their own soul.

After their successful releases on Cajual, Wow! Recordings,
Great Stuff, Smiley Fingers and Lapsus, M.in & Gunman are back on
My Favourite Freaks Music. In addition, we are glad that we can also offer this release on vinyl.

There will be 3 new strong tracks and the already released
"M.in & Gunmann - I Believe" track on the black gold.

"Humanize" reminds us of Floorplan tracks. Energetic minimal house
with beautiful chords and short vocals.

"Spice" is a driving house track, all in the M.in & Gunman style.
Somehow Oldschool, but still New Cool.

"Haus" on the other hand shows a different side of the two. An
oppressive bass is the focus here, pushing the Micro House track forward.

Lisbon pals Photonz and Shcuro are two of the city's most active DJs and music makers, sharing a penchant for a moody yet electrifying brand of dance sonics. They've created Shermanworx together in the studio, recording machines live using an ethos of improvisation while relying on their fine-tuned dancefloor intuition. The Sherman Filterbank was the go-to piece of equipment, appearing in every track and eventually naming the EP.
Tribal techno swirls menacingly backed by dark melodies in the opening track, a hypnotic yet vivid peak-time belter that could go on and on.
A synth so textured you can almost touch it is the centrepiece of Sherman2, another driving club beast complete with modulated arpeggios and industrial-tinged percussions.
The record comes to close with a dreamier exercise in Sherman3: a dubby electro beat conducts melodic mutant synth lines and pads to achieve a slow-burning, expansive euphoria.

Catalognumber 23 - what else is to say While we're feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category 'dance track' for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you'll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he's kneading the lower frequencies, how he's channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
'Locust' on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that's ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

The third release in Haven's white label series keeps up its focus on crunchy dance floor bangers with the first in a line of special VA compilations with "Sardonic Tonality Vol.1".

The record starts with a bang on the A1 with a noise-drenched banger of colossal proportions from everyone's favourite UK modular wizard Ansome - mammoth kicks, crisp percussion, and a rolling synth line ensure a moving dungeon dance floor in this leviathan of a track. This is followed by a trippy smasher from Haven co-head Keepsakes on the A2, featuring twisted vocal samples, hellish pads, and pounding drum patterns for fans of demonic techno heaters.

The B-side is kicked off with a hectic pounder from New Frames on the B1, with a hyperactive EBM-style bass-line, tight drum programming and contorted voices making up a frenetic dance floor weapon. Finally, the release ends with a creepy, tumultuous journey from Russia's Draag on the B2. Evolving, pulsating synth work and frenzied percussion make up this fevered march down a wormhole, closing out yet another soundtrack to society's decay from the Haven team.

White Vinyl 10"

A new release this winter marks a landmark moment in an important musical story. Way back in little 2009, the label hfn music was born in Hamburg, and made its introduction to the world with the release of the Trentemøller compilation Harbour Boat Trips: 01 Copenhagen.
Founder Tobias Lampe wanted to start a label that was more broad in scope than his previous, more electronic-focused projects, and the compilation provided the perfect opportunity to launch one. In the 10 years since then, the label has survived the whirlpool waters of the early 21st century’s constantly changing music industry, and released everything from pop to art-punk, with artists ranging from New York to the Faroe Islands.
Now, they’re about to put out their 100th release. Fittingly, given the label’s focus on new and innovative music, and the historic aspect of the release, hfn100 sees one of hfn’s best songs of 2019 put into the hands of the man it all started with, Anders Trentemøller. His Danish compatriots Blaue Blume’s new album Bell Of Wool is one of hfn’s standout releases this year, and so hfn100 sees Trentemøller remix one of that record’s standout tracks, the fragile, but soaring “Lovable”.
In Blaue Blume’s original, “Lovable” is an airy, tormented song, a gossamer-delicate composition that carefully stitches together layers and layers of shining synths that gradually build up and up into a peak, before crashing into a subtle beat, a musical journey that mirrors vocalist Jonas Smith’s trip from anguish to numbness. Whereas the original’s music sounds woven together from light, Trentemøller takes it into darker territory. He hooks the song to a harsh, sparse beat leaving Smith’s vocals bare and isolated in the burnt-out, dystopic musical landscape he creates.
Trentemøller mirrors the original’s careful building up, adding new elements to fill in the song’s sound, before it collapses into a tough, noir disco groove. It’s a perfectly realised remix – Trentemøller keeps the original song’s skeleton and soul, but fills in the space with sonic touches that could be no one else’s but his.Ultimately, it’s a fitting song for hfn’s hundredth release. For a label that’s always been a platform for its boundary-pushing artists, a collaboration between two of them, that sees an already innovative song pushed into a bold new shape is the perfect way for hfn to step into the next 100 releases..

Artreform opens new year with stunning tech-house release 'Affair' by label's head Joss. Including trippy and groovy remix by legendary G-Man!

Marvin & Guy return in full glory to Permanent Vacation after their 2017 Fire! Fire! EP. This time Marvin & Guy, or Alessandro & Marcello, if you like, explore all of those influences throughout their musical career. On the title track “Hint of ‘92″ they clearly pay tribute to that Techno/Trance from early 90s we all fell in love with at least one time. But they are not all about the pure retroness, instead M&G approach the matter with a contemporary point of view and their distinctive production knowledge. The track also features fellow Italian Marika from Underspreche on vocals, who also contributed a Discoid remix to the original. “Discoteque” may remind you of the early Marvin & Guy sound: rough, chunky, rocky and full of disco-ish energy. While “Colours” is a calmer, yet mental trip, with delays that the Idjut Boys would be proud of.

repressed !

Vinyl Only.

MixCult Records & Radio releasing «Longitude» - first vinyl EP produced by Paul Yudin also known as Paronator.

Riggz & saenz , Richard Hz , Nektar agu & enzo leep and martin bellomo bring to us the TBOTS 001 , like a puzzle, where each point as a piece connects to us a micro reality, every song, a story to find.

OH MY GOSH! Chromatic are new to the Tempo Records artist roster however not new to the Drum and Bass / Jungle scene. Always nice to see producers working together on new projects. On this "Blend" ep they work together with established producers Soul Intent, Tim Cant and RV. A fine blend of different styles & vibes. Track four "Blend" is already rinsed and heavily supported by the legendary LTJ Bukem. The fifth track "Day Trip" is a digital bonus track! This release comes as a limited 140g crystal clear vinyl pressing with full artwork sleeve + white glossy inner sleeve, including a mp3 download voucher + a free poster/inlay and all tracks mastered by Stuart Hawkes of Metropolis Mastering London.

Nastia (Ukraine) “Thank You, Downloading and supporting”
LTJ Bukem (Goodlooking Rec, UK) “Thanks for sending over the tracks, looking forward to more, i’m supporting Blend, very good, peace”
Klute (Commercial Suicide, UK) “Like this release a lot Frodo, nice one”
Laurent Garnier (It Is What It Is, France) “merci”.
Bailey (Inta Natty, UK) “Thanks for the tunes”
Madcap (Goodlooking Rec, Fokuz, UK)
John Rolodex (Dread Recordings, UK) “Thanks, great ep”

Piros Record Label is releasing its second edition, in this ocation, a tribute to the great Chilean musician Jorge González (Los Updates)

The EP has three versions of the classic track from Los Updates It's Getting Late'. The record involves two legendary artists, Argenis Brito and Deadbeat, and two emergent, Neik with an awesome remix and Joye Mitarakis doing a cool collaboration with his mentor, Argenis Brito.

No doubt, a tribute to a great one and recognition of a deep appreciation.

This is the debut release of Greek prolific Drum & Bass artist mSdoS on Tempo Records. Four diverse & energetic tracks of the highest quality covering all styles of the Drum & Bass / Jungle spectre. On A1 'RunDos' we have a nice rolling production with the famous Predator movie sample: ''She says the Jungle, just came alive and took him''. With ''Night Ride'' on A2 mSdoS delivers a dreamy moody low pas Amen roller. On the flip side AA1 we have ''The Duke'' that's all about a simple steppy break combined with acid bleeps. The finishing touch comes on the AA2 track called ''Tanaka'' that uses a sample from James Bond's ''You Only Live Twice'', this beautiful liquid roller delivers the funk. This release comes as a limited 140g crystal clear vinyl pressing with full artwork sleeve + white glossy inner sleeve, including a mp3 download voucher + a free poster/inlay and all tracks mastered by Stuart Hawkes of Metropolis Mastering London.

Early Dj Support & Feedback
More Coming Soon!
Doc Scott thank You'
Grooverider ok'
Ltj Bukem thanks For Sending'
Gremlinz nice Stuff!'
Drumsound & Bassline Smith nice One'
Dj Clarky nice Tracks On This'
Dj Chef (ministry Of Sound) nice 1'
Physics 'thank You!'
Bulletproof Tiger (nyc, Usa) real Pleased To See Msdos Here. Digging The Bpm On The Duke, All Tunes Are Great. Gonna Get A Lot Of Airtime On Dnbradio, Biggups!'
...

Radio & Podcast
More Coming Soon!
Chris Muniz (insomniac / Bassrush) like A Blast From The Past Or A Future Still To Come'
Overfiend (bassdrive) super!!'
Stunnah (bassdrive) big Release!!'
J Swif, J Swif Dnb Hq Podcast great Release Dudes!'
Thomas (pulse Fm) run Dos And The Duke Will Get Our Support '
Harper Czworka Polskie Radio (funkadelia / Basstion) nice New Release From Tempo Records. rundos' And tanaka' Are My Favourite Cuts'
Rbrt (kane Fm) wicked Tunes. Good To Hear Some New Music On Tempo.'
Matthew (one Hour One Dj) love It. Great Tunes, Perfect Balance Of Chilled And Gnarled.'
Simon (see You Next Life Podcast & Night) loving The Movie Strings On Mr Tanaka. Cheers!'
Parallel Motion Aka Mark Cossey (dnbradio / Universal Drumz) feeling The Msdos Beats!!! Thank You'
Dj Ransome (in The Mix, Dnbradio) lovely Vibes! Supporting'

...

Reviews Blogs & Magazines
More Coming Soon!
Julian, Mixmag Germany Dnb Reviews night Ride Is Cool.'
Chris (dnb Universe)
Rohan G. (dj Mag, Spain) big Upz Msdos!!'

The third chapter in the NómadaWhite series is here and, for this one, the Bogota-based band of brothers have decided to cross the pond in search of like-minded lovers of all things deep and dusty. That signature Hip-Hop- and Jazz-infused Nómada wobble, made in Europe this time.

Dug up from the deep end of the Polish party scene, Ugly Frankie demonstrates a particular penchant for vintage vocals and whirling woodwinds, delivering a well-rounded A-side with
'Don't Step' on warm-up duties, 'Jimmy' for peak time president and 'I Need To Dance' to round things up nicely. Let there be no mistake, Frankie sure does have a pretty side.

A true virtuoso on the keys, French miracle man Mangabey then comes in strong with 'Wooden Flowers' on the flip, dropping perhaps one of the most soulful and funky synth lines of the season. Continuing his steady streak with 'No Q' and 'Unless', it should come as no surprise that some of the man's most recent productions have been released by trusted astemakers like Apparel Music, Blaq Numbers and Toy Tonics.

BMG (Ectomorph) and Liquid Liquid's Sal P, team up on this killer 12"...! TIP
A strange collaboration finally finds its release.

The celebrated Dutch techno producer debuts on Token with Inner Call, a four track EP showcasing the veteran's dynamic, puristic approach to the genre.

The music sits neatly in and amongst the outlet's distinguished catalogue - honing in with considerable precision on the very essence of the Token sound.

A powerful, streamlined vision of contemporary techno, Inner Call highlights the producer's time honoured ability to walk the line between pulsing, hypnotic workouts & outright peak time tools - stripping back the work to include nothing but the most vital components to deadly effect.

The forthcoming falling ethics effort (FEXLVN003) contains tracks by three stalwarts of modern day techno. UVB's 3000 years of lies is a work of percussive endurance which contains five minutes of thumping drums, a low down synth roar and several squeeks of fx. Kastil's Arcanism is an hypnotic endavour into uncharted territories. The main sounds have a repetitive and clear quality that pierce through eardrums and will grab the attention of crowds. Amsterdam based Dimi Angelis closes down this three track effort. ''Flirting With The Machine'' is a lenghty voyage into pure synthesis. A monotonous sound with razor sharp clarity serves as the spine of this track while the kickdrum dictates the pace. Adventurous music at it's best.

A Sunken Mall is a new label from Vaagner for limited vinyl editions in special packaging.

The story of the Southerner who leaves the South will forever carry with it a certain poetic solemnity, as though the mystic doom of Faulkner, and his Yoknapatawpha County, follows them elsewhere, follows them everywhere. The cruelty of the Country’s history is embedded in their every move, their every utterance, their voice itself. One need only to sit with Rejoice!, the new album from Brooklyn-by-way-of-Nashville artist Jeremiah Carter, once, to comprehend the significance of such antiquities and their reflections both on self and world alike. The cinematic samples of stringed instruments on the opening Title Track, along with a great deal of the A-Side, paints a thousand overlapping landscapes, of plains, of prairies, of mountains. They clash at times, in prickling discord, like dragonflies disturbed in their hovering atop endless fields of cattails. But, at others, they mingle with Carter’s gorgeous, lush synthesizers, graciously oozing a fullness both enriching and wholly melancholy. These tracks are simultaneously irksome and soothing, the A-Side echoing holograms of a similarly sad theme throughout—taking its time with us, for the benefit of our own self-reflection. The incorporation of the spoken word of Roberto Bolaño’s “43. Like A Waltz,” on the track of the same name, humbly nods to timeless and scenic summers, or not summers—a beautiful forgetmenot.

Static and droning highs overtake the air on Side B, like a rainforest mist, the synths returning as sunbeams through the treetops. It becomes all the more warming and loving than its preamble. The glowing tones of “Perfectly Red Ochre,” and “Abandonment Veil,” beckon us away form the previous perils of dissonance. They hover like the haze after a much needed rainfall, as if to say, “See? this land is not doomed.” Organic instrumentation interrupts the drones on this Side—solitary acoustic guitar on “Over Your Cities,” and piano on closing track, “Silence Belongs To Us.” It’s Carter’s reminder that a human voice lay behind all this, that someone is playing these instruments, composing these epics. By its end, Rejoice! has done what historians will forever aim, yet consistently fail, to do—it captures the soul of a land. It channels Carter’s voyage from Southern States to Northern, with the conflicts of his past, and the land’s, trailing behind him like a cape. He wears these sounds, and he wears them beautifully.

Sometimes along the road you get the chance to cross paths with great people, artists whose music you used to adore and play in the first steps of the journey. We are very grateful that this happened to us recently with Johnny D who offered a wicked remix for "White Box" at the beginning of this year.



This time, the master is back with a truly exceptionnal original piece. MTL is your perfect small-medium sized club peaktime groover with a clear driving intention with a strong attitude, essentially resting upon a sick dirty grinding synth loop. Along the way the random digital glitches and almost aquatic FX take us through a curious landscape full of surprises. Finally, Martin Luther King's legendary speech "I have a dream", edited with elegance and subtlty, adds an extra layer of poise and solemnity to this beast of a track!

We welcome back Lenson with his first solo-EP for the third release on the Revenge Techniques imprint. Being with the label since the very first Paling Trax output, Lenson counts among the best in the young, cutting edge techno producers from Rotterdam. Highly essential club traxx!

GMT (Phil Moffa, Guy Gerber and Seth Troxler) heads of the A side with a bang. The haunting strings of the original wind their way through drums reminiscent of jacking 90's house before the
drop of the classic Decompression bassline, chopped and spliced sure to make your mid section feel nice.
Mike Shannon touches down with a modular synth rework that takes the original and twists it into a modern acid trip and groove signature of his programming style. Like surfing a spaceship through a technicolor wormhole to planet funk.
Deadbeat shows his strength with a spaced out dub version. A master of his craft he delivers a reverb drenched, morphing grove that will transport your head to an indica haze.
Natalia Escobar stretches the pulls the track into an intense ambient time machine. This escape into the 5th dimension will induce shivers down your spine and make your 3rd eye burst into flames.
We hope you enjoy the work of these talented navigators! Safe travels :
Volume 3 is still to come and will feature DJ Rush, DJ Sodeyama, Quenum and S Katz (a.k.a.Katsuhiko).

Adam Zarecki delivers two sumptuous disco house jams that makes us feel like we're not quite ready for autumn yet.

'Yesterday's' loops a jazz-inflexion / Nile Rodgers-esque guitar lick over slinky bass and sweet bluesy female vocals, all mushed up with some good filter work and warm trumpet motifs. On the flip, 'Pretending' kicks off with a Blaxploitation soundtrack feel, unfolding into a beautiful string arrangement, jazzy Rhodes and undulating bass wiggles.

Support: Ben UFO, Jimpster, Ian Pooley, Jacques Renault, Oliver Dollar, Voyeur, Horse Meat Disco, Joyce Muniz, Fred Everything, Harri, Astro Buhloone, Vhyce, Speaking Minds, Sasse, Lars Behrenroth, Huxley, Yam Who, Michel De Hey, Robert Owens...

Repress

It's team time again as we issue yet another huge collaborative effort from some of the scenes most accomplished producers and biggest names. DIS070 draws together the collective powerhouse force of DLR, Hydro, Villem, Fields, Mako and Linden over two tracks to provide an outing of gigantic proportion, individually each producer within their own right is more than capable of delivering the goods in solo work mode, so imagine the results you would get from locking them all up in a dark studio room together for hours on end to channel their combined genius! Well the result of that scenario is right here and is everything and more you may expect it to be. 'The Formula' sees DLR, Hydro, Villem & Mako in combination for an effort that is nothing short of sublime, each bringing their own finely tuned skillset to the table in perfect compliment to each others skills whilst at the same time adding their own perfect measure of individual ingredients to produce a near perfect recipe. This one has already had the Friction seal of approval and thus has been aired twice to date on his weekly BBC Radio 1 show. The flip sees Villem, Linden, Fields & Mako jump in together for 'Saturate' This time the result is a massive heavyweight roller underpinned with a frightening amount of low-end grunt. The perfect compliment to the A-Side and a devastating track for any dance floor regular.

Italian based Ribbon Recordings presents an EP from the legendary Ken Ishii also including remixes by Manuel Di Martino, Adiel, Mute8 and Matti Trani.

In terms of his influence, Ken Ishii’s legacy puts him alongside the likes of Jeff Mills and Richie Hawtin, as he is one of the people who helped establish the techno genre. Thanks to his iconic releases on labels like R&S that gave him huge exposure in places like Europe that were far from his native Japan.

Still one of the most respected and highly revered people in electronic music, this release is another fine example of why Ken Ishii has managed to maintain such a vibrant career spanning over two decades.

Italian artist Manuel Di Martino is label owner of Persistence but has also featured on other labels like Suara, Etruria Beat and Dynamic Reflection.
Adiel is one of Italy’s most talked-about new talents, and she is already playing regular gigs across Europe along with release tracks on labels such as Ara and Danza Tribale.

Ribbon Recordings regulars Mute8 are a duo consisting of Gigi Galli and Dave Manuel who have also contributed tracks on other imprints including SK BLACK and Nice To Be Records.

Mattia Trani has released often on his own label Pushmaster Discs, but has also featured on other imprints such as On Edge Society, Uncage, with his tracks picking up support by everyone from Robert Hood to Amelie Lens.

The original track “Landslide” has a stripped-back style with thrashing percussion and dark atmosphere cut by stabbing synths and a pounding kick drum. Manuel Di Martino adds a modulating lead synth to his intensified, hypnotic version, and Adiel keeps things flowing in the zone with added ambience. Mute8 stays true to the vibe of the original but adds claps and a swarming pad, before Mattia Trani closes the release with a jackin' groove and ominous synth bursts.


Vinyl Only - Limited

repressed !

As always there's no name on the label but you know why. It's all about the music and this time we've got the "POWER" !
Cabin Fever are back with one of the most asked for tracks of 2012. Already a massive record for Radio Slave these tracks have been the talk of the town since he picked them up from a young frenchman based in Berlin at the end of last year. So, don't miss out on this super HOT vinyl only limited release.
Hailing from Berlin this young french man might well be this years brightest star of electronic music. As always there's no artist on the label but you know why. It's all about the music !
Super fresh and vinyl only.
And this one certainly has the "POWER" !

After the four V/A Hypergroove decided to bet on the debut EP of Germano: with 4 club focused tracks.
A sophisticated house sound with minimal influence marks this exclusive VINYL EP

In our first Basswalk Limited series release, we have the big pleasure to present you a fantastic vinyl from Sander Ellerman called Quartz EP, which includes two stunning remixes by Hansel! and Re Us & Rhythm Box. The first track Quartz is a superb minimalistic groove with a powerful low-end construction that builds an amazing vibe for a club night, enlighten by some subtle vocal phrases that helps getting into a true hypnotic vibe. The second track from A side is the Quartz remix from Re Us & Rhythm Box, which is a fantastic reconstruction with a classic house inclined groove, especially build up from the bass line, with a perfect combination of several percussive layers that articulates organically with the ambience elements in the backend. The B side stars with the second original by Sander, Laleii, which has a solid straight forward base with the inclusion of some ambience elements that constructs a fantastic hypnotic deep techno groove. The second track of this side includes Hansel! Remix of Laleii who gave this track a nice twist with the inclusion of some melodic elements like the bass line and the synth stabs in a beautiful blend of deep house elements and minimal sounds.

special xmas pack 4CRV001 + 4CRV002 + 4CRV003 - be fast !!
including Artists like Ronan Dec, Felix Bernhardt, Blaues Licht, Alec Troniq, Tinush, Menschenskind and more

Second round of our remix rampage ! This time with four tracks on the edgier side that will leave no dancefloor undisturbed, be it through percussive precision (Jay Shepheard), brute force (Inigo Vontier), acidic complexion (Yuki Tosaya) or some vocal batshit crazyness (Mr Ties). Because rough is right !




(Klingebiel Touch / Inigo Vontier Juan Dub)

This time we'll treat you with a very special branded practical bag.
A small bag, to put inside small things, important things. Once you'll open it that little vinyl smell contained inside ("Air De Wax") will forever evaporate but you'll know that the bag will be forever useful!

Apparel Wax comes back after a long summer with another EP, the 7th of its catalogue and yet again another display of four different musical approaches brought together as one. The EP is, indeed, a 4 tracks one and starts off with a groovy execution of a classic house track, an archetypical and simple house tune with a defined personality and the perfect start, from square one. With 007A2 we start to shift the perspective to a more funky and tribal vibe with the help of the percussions, piano chords and simple bass and guitar lines to close an A side which is a modern view on something classical.

007B1 breaks in bringing an energetic overload since the first seconds with a heavy rhythmic section and keeps up the same pace throughout the whole track even when slowing down. Its insistent and slightly distorted hi hats, along with decisive piano chords helped by some well crafted vocal samples, take us all round this journey through a packed imaginary dance floor. Let's take the foot off the pedal for 007B2 which is instead the most desirable closing with it's smooth yet impactful sounds which create an ideal sunset mood to plunge into. So the sun sets on APLWAX007 and we hope you dig once more what the masked hero brought us this time around.

Powder In Space marks the first in a new series exploring dance music's form and informality from Tim Sweeney's Beats In Space Records. The friendly voice behind the longstanding Beats In Space radio show and a formidable DJ to dance floors around the world, the ...In Space series, like the rest of the label's eclectic catalog, is testament to Tim's trust in the selector and vice versa.

Following our dubby vibes, this time is our friend from Slovenia, Alex Ranerro, as usual, no digital promotion and limited edition.

Coyu is back on Noir Music and this time stronger than ever.
He serves up a double a-side with the haunting techno tune "Salvation"
and the LFO oldschool inspired "Future House".
We fell in love with both tracks on the spot and are happy to have such a
strong release by Coyu on Noir Music. Remixes will follow late summer.