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Biochemical anomalies by Developer.

Lead single "2685" is a euphoric interweaving of 1990's techno, dangerously speeding flute melodies and an artillery of drums firing like automatic weapons. Needless to say, i's unique.
(THE WIRE)
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Few songs feel more like being catapulted through the air at tremendous velocity.
(PITCHFORK on "2685")
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"Chapa Quente" April Dubstep/Grime Album Of The Month (9/10)
(MIXMAG)
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Yet this is the miracle of Marfox. His ability to shift time and space is unsurpassed. We knew he was one to watch in 2011, yet now it's 2016 and I wouldn't dare my eyes or ears away for a minute. Something important is happening.
(CYCLIC DEFROST)
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DJ Marfox returns to his city's Principe Discos label with Chapa Quente, a scorching six-track affair that demonstrates just how multifaceted this music can get. But it's his uptempo cuts like 'Cobra Preta' that make Marfox such a vital artist, one whose potential has only begun to be revealed.
(VINYL ME, PLEASE)
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Chapa Quente might be modestly sized, but it's a very satisfying piece of work. Selfishly, I almost hope that the EP doesn't continue Marfox's rise to global prominence. How good is this I don't want to hear a million producers reproducing it till the inspiration is completely sucked dry.
(4ZZZFM)

New Mike Dehnert!!!

As the wind whistles through your hair, everything passes you by in a blur. Faster and faster you go, faster and more terrifyingly into the abyss you fall. You scream with a mixture of panic and joyful abandon half wanting this to never end but knowing that it will anytime now: a smile creeps across your face. And as it ends, you breathe a sigh of relief, wistfully remembering with powerful emotive accuracy before hurriedly joining the back of the queue for another go - after all, it's just a ride. Life is very much like the 'Blitzbahn'. It goes up and down, round and round and for much of the ride, we never know what's going to happen. Here on his fifth studio album, Oliver Schories explores all the fun of the fair across 13 expansive cuts that showcase his incredible knack for straddling that House/Techno mid-point with consummate ease. Some artists take years to craft their albums, agonising over every detail before, frustratingly, deleting the whole project and starting again. Oliver, however, is as prolific as he is confident of his ability to construct the kind of dance floor bombs that have helped him to build a significant head of steam in the underground.

The German Sebastian Beus, Based In Ibiza-spain, Get Out With 'the Day After' Ep For His Debut On Wats Records.
The Ep Expresses Widely His Personal And Professional Paths Combining Theoretical Background With Personal And Artistic Maturity And Represents A Mix Of Three Distinctive Aspects Of His Life: An Open Vision, A Certain Freedom, A Specific Place.

Le Louche's track selections are a result of his never-ending search for finding the perfect grooves that soothe the soul.
He aims to synthesise his musical influences to create the type of music that he appreciates the most: groovy basslines and deep synths tied together by a shuffling house beat. His first release on vinyl on Daydream perfectly exemplifies this.

The French duo Dixia Sirong pays tribute to the Singaporean Velvet Underground club, where they first discovered and experienced the power of House music. Their eclectic inspired sound is placed between hard bass grooves and tranquil wavelength. Both producers process aims to merge harmony, rhythm and texture into a unique way of composing and shaping their vibe.

Limited copies and no repress!

WhoDemSound024 by J. Robinson.
The finest in ReggaeDub

A. Response & Pliskin remix 'The Flood' by Drum Cypha & Champa B to devastating effect - rolling out with bonecrushing amens, sombre pads and earth-shaking bass resulting in a haunting ambience that will stay with you long after the track has finished.

B1. Champa B goes in on the breaks with the none-can-test riddim of 'Eradicated'. Pinpoint drums and punchy FX roll along until it breaks down into an amen onslaught, sitting atop sludgey hunchback bass squelches and naaasty mid-range growls.

B2. Acid Lab's debut on Holotype is the sublime and aptly titled 'Steamroller'. Opening up with light, Vangelis-esque keys and atmospherics it soon gets down to the nitty with crunchy breaks, powerhouse drum patterns, mentasm echoes and teeth-clattering bass stabs. Cavernous pressure to get the whole dancefloor screwfacing.

We present to you a disc signed by Paulie Jan that allies Power and Emotion, Tension and Sensuality.
Carried by two remixes from electronic music references Cassegrain and BLNDR.

Vinyl comes in squared quadri sleeve.

Vinyl Only. With Three Tracks Written Between 1999 And 2014 And "realistic Rabbit" One Of His Most Recent Outputs, Flmb Debuts With A Classic Seafoam Record, With An Eclectic Sound But Still Retaining That Vibe We Love So Much. Played And Supported By Raresh.

Fresh Movida stuff in coloured vinyl with an ultra cool x-tra long, hypnotic groove-madness track + 1 deep minimal killer!

great support Ricardo Villalobos, Richie Hawtin, Mathias Kaden, Onur Özer, Dubfire, Laurent Garnier, Sis, Raresh, Nick Curly, Karotte, Tim Green, Konrad Black, Matt Star, Frank Leicher, Marczin Czubala, Paco Osuna, Mirco Violi, Nekes, Federico Molinari, Robert Dietz, Matt Brown, Gel Abril, Jacuzzi Boys, Agaric, Someone Else, Bloody Mary, Hugo, Dan Drastic, Marcel Janovsky, Piemont, Anthony Collins, Axel Bartsch, Luke Solomon, David Keno, Nicolas Duvoisin, John Selway, Gruber & Nürnberg, Toni Rios and many many more

hand-numbered clear mint vinyl LP in spray-painted sleeve limited to 200 copies (comes in different coloured sleeve, we cannot guarantee which one you will receive)

A lucid, dynamic, atmospheric trip through consciousness, incorporating an incredible range of texture, tone, and three-dimensional space. This is a glimpse into the most emotive, most personal of Dead Fader's extensive work. There are delicate moments of introspection, furtive agitation, and exuberance, all tightly interwoven into a singular, enthralling whole.

Last Seen Baring His Musical Soul On Maceo Plex's Ellum, Innovative Valencian Artist Fiberroot Now Makes His Debut On Correspondant. Making Himself Known With Three Soul Surging Originals; Fiberroot's Spell-binding Aesthetic And Diverse Palette Complements Jennifer Cardini's Label Perfectly As It Taps Deep Into Most Rudimental Electronic Foundations.

'suddenly' Sets The Agenda: Teaming Up With Og Maestro Dino Lenny, The Title Tracks Hits With Authentic Blasts Of Italo Romance And Rich Analog Craft. 'echo Silent' Follows Suit With More Of A Droning, Loopy, Wall-of-sound Surge Of Introspective Hypnosis While 'looking From The Outside' Hits With More A Clash-style Feeling Thanks To Its Loose Drums And Sweaty Throbbing Electro Bassline.

Remix-wise Glasgow's Mr Tc Goes Nordic With His Mystic Refix Of 'echo Silent' While Jonathan Kusuma Takes 'suddenly' To Deeper, Darker, Driving Places. Three Arresting Originals, Two Immaculate Versions; 'suddenly' Is A Landmark Release For This Exciting Enigmatic Man. We Suspect He'll Be Corresponding With Us Again Very Soon....

Finally repressed!



Informa Experiments is a new series from Informa Records, the aim is to use new methods and ideas to spark creativity and push forward the ever evolving sound of electronic music.
IREXP001 is a special collaborative project by Deepbass, Ness, Jeroen Search and NX1.
The idea was to work together on a 4 way collaboration, each artist put a selection of sounds into a folder then from that folder of sounds each artist would create an individual piece of music.

Joran van Pol is back on Minus with Edge, a fantastic four track EP that is his first on the label since 2013. In the years since, the Amsterdam based artist has set up his own FADE label and has continued to evolve his cinematic techno sound. Previously, van Pol has also released on labels like Rejected, SCI+TEC and Ideal Audio, and has the support of all the big techno players who often reach for his tunes in their sets. As a DJ he is just as in demand, with headline slots everywhere from Space Ibiza to Time Warp all behind him. Having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. 'Illos' opens things with seven spooky minutes of icy techno. Rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. Next comes title track 'Edge', another brilliant sonic landscape with tense chords repeating over ticking percussion. It's a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. The perfectly high pressure 'Return' is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. A dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brainmelting bit of futuristic techno. Last but not least, 'Frostbite' is then the most spacious and spooky offering of the lot. It has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. It's an absorbing cut that hurries along and takes you for a thrilling ride. These are four more inventive techno tracks from one of the contemporary scene's brightest stars.

Smile for a while bring us a sizzling-hot re-issue on their - All that jelly sublabel with thumpin beats by Chicago grandmaster Jordan Fields.

This slice of black gold came out on LARGE Records in 1994 and was now carefully remastered by German sound guru Herb LF.

You'll hear devastating 909 drums with loads of chopped up Latin-style samples all hardware-honed with drum machines and an MPC. Basement-style House for all the oldschool lovers out there.

We don't make dance records, We make records you can dance to!

limited marbled white vinyl pressing!




Movida präsentiert 2 Remixe des Tracks - La Movida' den es im Original auf dem dritten Teil der Compilation (Movida010-3) zu hören gab. Auf der A Seite findet ihr einen sehr deepen und spacigen Techno Remix von Wigbert (Sono Vivo / Levelnonzero), der dem ganzen seine eigene Note dazu gibt.
Auf der B Seite ein klassicher Dub Remix, den es bewusst nur für Vinyl Liebhaber geben wird, der sicherlich seine Anhänger finden wird.
Movida Records presents 2 remixes from the track 'La Movida' which was original released on the part 3 of the compilation (movida010-3).
On the a-side you have that remix from Wigbert (Sono Vivo / Levelnonzero) which is a very deep and spacin' trip to the next dimension.
On the flipside you have an classic Dub Remix which is done exclusive for all vinyl lovers and will not be released digital.

Redinho returns with two heavyweight singles 'Square 1 ft. Kimbra' and 'Mmm Mmm ft. Vula'. After a solo album on Numbers, working as Hudson Mohawke's musical director on the Lantern tour, and producing for the transatlantic rap group Swet Shop Boys with Riz Ahmed and Heems, Redinho is now focusing back on his solo output and these new singles feature his signature sugar-rush r&b meets pop and electronic sound.
'Mmm Mmm' was originally released digitally earlier this year, crowned 'World's Hottest Record' by Annie Mac and features Vula of Basement Jaxx Fame. 'Square 1' is the AA side single that features a Timbaland-esque beat with hypnotising sultry vocals from Grammy Award winning artist Kimbra known for her feature on the Gotye single 'Somebody That I Used To Know'.

Really Great Production!

finally repressed

early support from Ricardo Villalobos, Onur Özer, Brendon Möller, Matt Star, Meat, Shinedoe, Nick Curly and many more...

The second part of the collection by Perc, Furfriend, Scalameriya, Blush Response, VSK, Kastil, Yaporigami & Oleka that showcases exclusive tracks in variety of techno styles compiled to form a perfect unit.

Following the release of his collaborative EP with Arovane on Apollo Records, Synkro is proud to present the first release on his own label Synkro Musik. Despite having come up during the dubstep era McBride's music has always resisted easy classification - 'Luminous' sees him shift his musical focus back towards the Autonomic / ambient drum & bass sound of his early works for Apollo & Exit Records, backed with a killer remix from drumfunk legend & good friend Dev Paradox.

Music is a higher revelation than all wisdom and philosophy.
ARTS TRASPARENT was born with Detache that presents his music to the world.
Area Forty_One and Roger Gerresen as Gasometric Run on the epic remix work.
All on transparent purple 12".

German techno mistress Klaudia Gawlas delivers yet another strong release titled MANIFEST including a remix by prolific Scottish producer Edit Select.

The EP maintains a steady flow which builds upon the producer's dark and hypnotic grooves.

It begins with MARGIN which seems taken from a chase scene of a horror movie and sets the upbeat and tense atmosphere of the EP. Edit Select's special touch on MARGIN's remix fascinates with its synth soundscapes and adds a more atmospheric and dreamy feel to the original track. MANIFEST picks up where MARGIN left off, with its heavy bass and rumbling drums. Closing track ADDITIONAL creates an even darker vibe with the distorted vocals and the haunting explosive bass and lead lines.
Packed with dancefloor weapons MANIFEST is set to be released June 8th via Hungarian techno imprint Blackrod.

Senso Sounds collects together two of the key tracks from bossman Oliver Huntemann's new 'Propaganda' album for this 12 inch release. Senso has established itself as a key label in the techno scene and Huntemann's ear for quality remains as sharp as ever. 'Rotlicht' is a precision-honed instrument of techno weaponry - hard as nails and featuring epic and mind-bending breakdowns. Additionally the Egyptian DJ and producer Raxon reworks the track into a deep and solid groover with plenty of attitude. 'Poltergeist' is a journey into Huntemann's feel for sound design and space in a club context, beguiling with its seeming simplicity, before hitting home with shifting, evolving grooves and haunting synth blasts. The young Russian Maksim Dark adds his own interpretation of 'Poltergeist' to the release, edging up the darkness a little more and producing a growling, tough techno workout that will go over big on a lot of floors this year.

already suport by patrick lindsey, holgi star, karotte, sebbo, tim baker, mihalis safras, ...

The long awaited third release from TRUSIK Recordings welcomes Chestplate and Crucial Recordings artist Mesck into the TRUSIK fold. This time it felt appropriate that the breadth of Mesck's work be highlighted for full display.

The Doomsayer EP features three original tunes, a collaboration with up and coming producer Kali, and original artwork from Mesck himself for the release. Across the length of the Doomsayer EP, the now Colorado based artist showcases his hyper detailed and neon-lit take on dubstep as the soundtrack for the end times.

'Doomsayer' leads us towards the road to hell, the unwashed flagellants of LA clogging the streets with something malignant as the hills of Ventura County burn to cinder and ash. 'Psychodrama' coaxes the tendrils from an awful nebula, breaking the smog-encrusted skyline — its squirming melody burrowing itself further into the mind in an effort to agitate psychotic behavior.

As the melody of 'Psychodrama' disjoins the barrier between rationality and insanity, 'Ill Behavior' sees the whole of Los Angeles lose themselves into a frenzied and wanton rage. The gnashing of teeth, the pulling of hair, the gouging of eyes and the boiling of skin as the Kali Yuga consummates. As the City of Angels takes its final gasps, 'Pills & Chains' shepherds the wretched survivors across the highways choked with burned-out car hulks towards the sulfuric gate.

"Pole Pole, Mzungu!" - "No stress, stranger!". This motto of the Swahili faithfully follows the exiled Berliner Negativ Dekadent on its extremely strong debut consistently and with great brilliance. The vinyl has two extraordinary, danceable and as idiosyncratic
compositions.Both tracks can be time, but do not lose yourself for your own sake in minimalism, but control targeted at the big picture, the climax to igneous, but self-possessed to tear further. A borderline case - placed somewhere between dark techno and minimal house, certainly with a penchant for drama.

EARLY SUPPORT BY DUBFIRE, MOONBOOTICA, M.A.N.D.Y., DAMIAN LAZARUS, MYSTERY JETS, ED & KIM, ASTON SHUFFLE,...
After the summer-smash-hit 'Gravity', which is still on heavy rotation by DJ-icons like Maya Jane Coles or Erol Alkan, this is the second single taken from Remute's brandnew album 'Theme Tunes For 10 Games Never Made' :
'Something Monstrous'
Nomen Est Omen --- A screamin' catchy Vocoder-Electro-Banger for bodybuilders, disco dancers and, well,. uhm,... little monsters.
Following the tradition of Daft Punk Remute remixes himself here for the first time in his career and transforms the tune into an oldschool Sawtooth-Rave-Monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the Tresor-Loveparade-Park...

Monologue is a brand new label founded by the AltaVoz creator Max D. Blas and the producer and Kosmophono label owner Alex Piccini, that comes out of the blocks firing on all cylinders thanks to an essential EP from Ryan Crosson.

Crosson, of course, has long been a part of the Visionquest collective, as well as having his own esteemed back catalogue wth releases on labels like Minus, Mdrnty and Brachtune. The Detroit artist is always evolving, and here shows us his grasp of elastic groove and freaky atmospheres is as strong as ever.

The title track is up first, What State I'm In featuring Cari Golden. It is a high tempo, high intensity track with slick and quick drums and hits and molten sci-fi melodies all racing along and taking you with them. Golden's vocals are hurried in the mix to add extra freakiness and the whole thing really sucks you in.

Dumb Dancin' is up next and is eight minutes of loose limbed and liquid minimal techno. Claps bring funk, the drums are restless and infectious and subtle vocals are like whisps of smoke that come and go to add real steam to the groove. Wonky synths blurt out at the mid-point and are sure to blow minds when heard in some darkened club.

Guti is a long time South American talent with ties to Desolat and Be As One amongst others. Here he remixes the original into something more pumping and heads down, a driving track for the dead of night. All in all this is a fine way to kick off what is sure to be an essential label.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

Dighop is back with another club bomb release. On this one we have two acid rollers by Emerging UK artist Josh Baker. On the other side, Javier Carballo lays down a heavy hypnotic track with some dope atmosphere. Enjoy the flight !

finally repressed !

'Cracking' marks our 20th vinyl release! For that reason a mini compilation seemed to be a good choice. With MDT, Niereich & Andrea Belluzzi (who remixes Joachim Spieth's 'Never Mind') and Keith Carnal we're sure to deliver a strong 12' that will find its way into a lot of DJ cases!

Support:
Chris Liebing, DVS1, Heiko Laux, Audio Injection/Truncate, Joseph Capriati, Slam, Phase, Rebekah, Alan Fitzpatrick, Electric Rescue, Patrick Siech, Marcel Fengler, Electric Indigo, DJ Hyperactive, Richie Hawtin, Joel Mull, Blank Code, Bas Mooy, Mattias Fridell, D. Diggler, Nihad Tule, Raphael Dincsoy, Hector Oaks, Arnaud Le Texier, Niereich, Go Hiyama, Simo Lorenz, Mary Velo, Drumcomplex, Chris Stanford, Unam Zetineb, Viktoria, L.A.W., Deepchild, ad.lib, Scan Mode, Krenzlin, Dave Ellesmere, Antonio De Angelis, Justin Schumacher ...

Goatherder is the seventh album from underground London producer Kristian Craig Robinson, AKA Capitol K. This ace manipulator of audio and punk warlord of groove has crossed a tapestry of styles and approaches with his own secret compass since 1998.

Along with everything from Chinese pop to the marching band music of the United Arab Emirates in his early musical vocabulary, the influence of rave, new wave, grunge, and noise-core would collide to create a bold new sound. His early studio experiments gave birth to his debut, Sounds of the Empire (Planet Mu, 1999) built upon a heady balance of samples and live sources that placed Capitol K at the forefront of the UK's electronic scene. The follow-up, 2002's Island Row, was released via XL Records, with lead single Pillow becoming a daytime Radio 1 crossover. Nomad Junk (2005) combined Asian field recordings into a vibrant psychedelic collage, while Notes From: Life On The Wire With A Wrecking Ball (2008) paid homage to London's squats and free anarchistic artistic spaces of which K was a part for many years. Andean Dub (2012) was an exploratory South American-influenced album of heavy synth laden cumbia sound system tracks.

The last seven years have seen Capitol K's stature as a producer elevated with his establishment of the renowned Total Refreshment Studio and recording work with musicians such as the Mercury Music prize nominated The Comet Is Coming, global dance act Ibibio Sound Machine (Merge), the pan-Arabic Flamingods (Moshi Moshi), Serafina Steer and her BAS JAN project, and contemporary folk artist Rozi Plain, among many more.

This latest work was developed and recorded in his native Malta, where he built a studio in a cave (a former goat stable). K gathered bamboo instruments collected around the world, including an ancient Quecha reeded pipe (his new-found lead instrument), and various resonating vessels and percussive objects including dry fennel storks collected from Punic troglodyte sites, and atonal flutes built from fresh cut farmland reed. Ritualistic improvisations took place over a series of seasonal visits, awakening genetic memory and plant communication.

Back in London the tracks were interfaced and expanded with post-industrial machine beat and bass guitar lock down. Homage is paid to New Age synthscapes, while a Spirit Jazz overtone arrives from K's recent years as the sonic muscle behind a plethora of luminous albums born in his Total Refreshment Studio. Goatherder follows on from the 2016 collaborative incarnation LOOSE MEAT and sonically abridges 2012's Capitol K album Andean Dub.

Outside of studio production and his solo repertoire as Capitol K, Kristian has toured as guest musician with multiple bands over the last 15 years, including Brazil's Cibelle (Crammed Discs), Archie Bronson Outfit (Domino) (whom he also co-produced), and recently Du Blonde (Mute Records).

His last project, Loose Meat, was a collaborative album of poetic dance music received lots of radio play in the UK and toured across the country for a year, performing a number of festivals.

He established the Faith and Industry record label which handled his subsequent releases and through which now he releases a number of other artists that he develops and produces.

PRFY 002 features four acid centered tracks by Purify Records co-founder and longterm Goethebunker resident Cramp. The first solo EP of the german DJ and producer features four crafty club cuts suitable for a versatile range of settings. Acid, Techno, House, Dub - it's all in there. Don't sleep on this one!

Repress

Hamburg's saviour of the Reeperbahn darkness, 'la belle dame sans merci' from the notorious 'Golden Pudel' club, her menacing and ruthless sound strongly reminiscent of 'Beverly Hills 808303/Interr-Ference' from The Hague's sinister '90's