EAT MORE HOUSE presents Nu-Cleo - Around The World!
We are very happy to welcome this great artists from Italy on the 10Th edition of our label. Around The World is timless masterpiece by Michele Lamacchia aka Rhythm Of Paradise!
Last delivered 5 years ago
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Seminal NYC deep House sounds from the legendary Strictly Rhythm catalogue, this is some straight 1991 heat.
'I Wanna Feel The Music' / 'Gotta Have You' are 2 stone cold jams. This is the sound that is often imitated, but never bettered, that true school deep House flavour. Sound Waves is a crew made up of Andrew Richardson and Gijo Rosario, who crafted 2 slamming 12"s for Strictly in the very early 90's. Both cuts ooze so much soul, and those unmistakable deep synth pads that wash over those tuff NYC drums with uplifting emotion. A true underground record that sounds like it could have easily dropped last week. This is a high quality, remastered from the OG audio files, 100% legit 2019 reissue of another essential deep House gem, truly flawless and it should be in every DJ's bag! Buy on sight.
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EAT MORE HOUSE welcomes The Mechanical Man to the label family!
4 Superb house cuts not to be missed!
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For his third full-length album, Jacques Renault explores his craft through the format of the classic late-night radio megamix. It's a tour de force that finds him blending his quick-cutting DJ sensibilities with his crate-digging, drum-chopping disco-chemist bonafides into one wham-bam party of pastiche. This is Renault as we know him—but at hyperspeed, tearing through twenty- three tracks in under half an hour. And while it's a head rush of his trademark funky drums, sassy horns, playful synths, it's arranged as an album, with songwriting and structure at the fore. Imagine it as a flip on the script for Renault's most loved club 12-inches of the past, which luxuriate in long-form, stretched-out grooves that burn for hours, fills that ride for days. Instead of on pulling a thread for six, seven minutes, he romps around in a bouncy ball pit, plucking out whatever captures his imagination for a moment, then diving back in to discover another buried
nugget. It's Jacques Renault as we've always known him, but this time through a suite of bite-size vignettes instead of slow-burn grooves.
Last delivered 4 years ago
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It's been seven years since Smallpeople's debut album, 'Salty Days'. In the time since, much has changed in our world of dance music, and, so we hear, even beyond. Yet our men in Hamburg have remained dedicated to their unapologetically reassuring vision of house music as-a-whole. As well as expanding their Smallville Records shop in Hamburg's St. Pauli, they've continued to act on their direct-line to the beating heart of house music at some of the world's finest clubs, including their monthly residency at Hamburg's legendary Golden Pudel, inviting guests such as Lakuti, Session Victim and Pantha Du Prince into the warmest dance in the grimiest club. Of course, all these manoeuvres sit alongside their work running Smallville Records, home to the likes of Moomin, STL and Christopher Rau, and it's sub-label, Fuck Reality.
Given Julius Steinhoff and Dionne's stewardship in filtering the creme-de-la-creme of house music from the underground and into clubs across Europe and further afield, it would be particularly cliched on this occasion to stress that their second record is 'eagerly awaited.' In their own way, they have already given us enough great records. But with 'Afterglow', we get another, and more importantly, one carved directly from the hearts and record collections of two individuals whose understanding of dance music appears to be some sort of blissful second-nature.
This sort of earned assuredness is immediately established on opening track 'Magic Interference', a rolling, deep and somewhat jazzy house number with tumbling keys and sky-walkin' chords. This steady, blissful vibe sets the tone for the first half of the record, as the pair patiently unfold their touchstones; equal parts Chicago ('Hearts at Whole'), Detroit ('All States of Dawn') and Hamburg, famed for it's transatlantic routes via groundbreaking clubs such as Front, it's a crystalline distillation of a sound that's earnest, but never nostalgic.
Intuitive selectors as they are, Smallpeople pick the ideal moment to up the pace for the home-run, defined here by the spiky, disco bassline of 'Beyond', an unexpected ingredient that Steinhoff and Dionne nevertheless manage to diffuse into spacedust. It's a brilliant wrong footing before the wide-eyed, warm-hearted anthem-in-waiting, 'Sonic Winds', a wonderfully cheeky glimpse of Smallpeople as peak time heroes, before the acid-flecked shuffle of Benevolent Reciever reveals their spiritual soundboy side.
In conclusion, title track 'Afterglow' surmises the generous spirit at the heart of Smallpeople's operation; a sensitive and irresistible ode to record stores, parties, community and discovery. So, worth that seven year wait' Who cares about time, when your music's this timeless'
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part 2[37,77 €]
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
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The Leuven based organisation nacht invites friends of the party to start their journey as a label. Something for the heads and the feet, NACHT01 contains 3 tracks that span different levels of intensity and cross different tempos, mirroring a good night out the way the crew feels it should.
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White Vinyl
Released at the turn of the millennium and bringing a completely fresh style to the table, Wookie's immense 'Down On Me / Scrappy' double header has punched it's way out of the UKG underground and passed into the history books as a bonafide electronic classic. Period. Showing a sophisticated ear, and complex musical arrangements, this 12" blows the competition away with soulful minimalism and proper musicianship. Don't get it twisted though - this is a straight club record that will set it off, 2 back to back bangers in one place. This one will tear any dance down when dropped in the correct manner. It's hard, and almost pointless to try and pick a 'favourite', both of these tunes are primed to damage and still sound like they were beamed down only a few hours ago. Yes - it is that fresh, still.
Now - 20 something years later - 'Down On Me / Scrappy' is back, and believe, you need a copy of this in your bag. Peerless futuristic pressure from London town, essential in every way. Repressed and re-released on crisp white wax courtesy of Manchu Recordings and Above Board distribution, fully legit and not ready to quit anytime soon.
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It's June 2003, and the power trio of Tony, Halo & Hipp-e have formed a supergroup under the guise The 6400 Crew to unleash a 12-inch that would take the summer by storm. "Dubb Me Some'tin Fresh" quickly garnered support from the upper echelons of the DJ community for its unrelenting groove and its unabashed tribute to the music of producers like Lee Scratch Perry and King Tubby.Fast forward 13 years, and this single further cements itself in the history of Yoshitoshi with a Classic remix pack.It's with great pleasure that we welcome LV boss Hector to the label, and Sinisa Tamamovic follows up his two recent EP's for Yoshitoshi with his powerful contribution. Add to this a deeper remix from Sharam and you have three enormous remixes that each command serious attention.Hector's mix keeps many aspects of the original, modernizing them with his powerful grooves.Sinisa's approach incorporates the producer's signature bass lines into a massive rework of the classic beat, and Sharam does what Sharam does best - flipping the track into a fresh, new mix that is sure to please a multitude of audiences. Finally, the original mix has been remastered for the modern DJ.
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From SJU MUZIC. GU aka GLENN UNDERGROUND joins forces with vocalist REGGIE HALL on the soulful "NOW THAT I GOT TO KNOW YOU" release. GU'S epic keyboard work perfectly matches chorus work from REGGIE & BYRON STINGILY. Also included is a CVO instrumental dub mix on the flipside.
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Four and half years after his debut on Cosmic Rhythm, Spiritual Emphasi is back with another tasty deep house EP.
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Streetgemz celebrate their first Anniversary throwing their first Vinyl release with four edits which have had been rinsed from Panorama Bar to Space Miami over the past 12 months finally see the light of day.
Vinyl Only - Limited Edition
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REPRESSED !!
Toolroom is proud to present the follow up Vinyl release from the most up & coming Underground artist Weiss, 'Weiss City Vol.2'.
Featuring the Toolroom Live 01 Exclusive track 'I Believe'; a tough rumbling tech house stomper that represents all that is special about the trademark Weiss sounds, laying strong on the A-side.
Following, is the smash release 'I Feel Better'. Gaining huge radio support from the likes of Danny Howard & B Traits, alongside top DJs Richie Hawtin, Groove Armada & more. On The B-side, this release leads with the absolute stomper 'Guitar Man'.
With a hip shaking groove and vocal like that well and truly locks you in, encased in old school drums and clever sample cuts.
Lastly, the intense underground track 'Blue Harvest'. A track built for the darkest dancefloors, that climbed high in charts everywhere, encapsulates and completes the entity of 'Weiss City Vol.2'.
On a classic format, 'Weiss City Vol.2' is one release that is a must-need for any collection.
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A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that arereminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future.
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Do you like discooo ! Lexy teams up with Czech/Australian Team Shades Of Gray (BEEF Records, OM Records, Boxer) for a real house Moenster EP.
Ready to ship
With SIAMESE020 we have come full circle. Shiffer, our good friend, Siamese family member and co-graphic designer with Adrian Schweizer since almost day one, has created his most personal release to date. This EP has been recorded during a challenging time in his life and reflects the journey through profound variations of human emotions. Remembering his very first production 'Drunk on Hope' on our initial Anthology release, we’re proud to see how Patrik's music evolved into such a genre-spanning array.
All in all a diverse, unique and very promising record that opens up a new chapter in Shiffer's musical path and leads him anywhere he wants to be.
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Second long awaited album by Zarenzeit a.k.a George Btp (Dan Piu) full of collaborations like Bjak, Chris Gray, Dubbyman, Owen Jay & Grant. From downtempo under the 80's sound and the electro vibes, until the pre-rave sounds of house, the album recreates the journey of a night in a Club, since the opening until the closing time. A record to bring in the suitcase forever for his incredible variety, to play in different moments of the set. This album is dedicated to one of the hottest venues our planet has ever experienced.
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Collecting orders for repress
Jovonn letting his sensitive side shine over some rough New York House beats. LUV!
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KX9000 is back with his fantastic universe between jazz-funk and disco-house. Behind this alias that one would believe straight out of a Japanese animated film, we find Kerim Ben Mustapha who has established himself since 2018 as “one of the most remarkable producers of the moment“ (Mixmag) with no less than 4 EPs on Pont Neuf, in Germany on Blaq Numbers or in Italy on Apparel Music. He returns with a new EP 2L84ME which explores a new neo-soul facet of the musical palette of the Parisian producer, while remaining faithful to his recognizable style.
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The third release of WEorUS comes with four massive tracks perfectly delivered by talented Maurice Giovannini and remixed by Cocoon's rising star Dana Ruh. The EP enter with 'Orange' a mystically track perfect matched with the label concept of timeless music. Dana Ruh on A2 gives the perfect energy for a fully crowded dance floor, maintaining the spiritual feeling in the background, just a perfect interpretation. 'Plasma' for Maurice is the tune that truly can make you go on a higher level, the structure, the sound design and feeling are deeply matched together for a nice and warm B1 start. 'Bunka' ends the EP in a perfect way giving you the need to reloop the entire EP. Maurice again hits with a perfect vinyl already supported by Ricardo Villalobos, Rhadoo and many others.
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Last delivered 8 months ago
available to reorder, subject to availability
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‘Silver Surfer’, ‘X O Surf’ and the ‘X O Surf remixes’, big tunes from the dance floors of 1993 will be rereleased via Violent Drum Recordings on September 4 2020.
The Deep, was the alias Matt Frost and Pete Diggens recorded under from 1993-1996.
Frost and Diggens released a stream of vinyl on own imprint Violent Drum and finished when Matt and Pete were discovered by Andrew Weatherall at Sabresonic which led them to sign to Leftfield’s Hard Hands label in 1997 as Dark Globe.
‘Silver Surfer’, ‘X O Surf’ and the ‘X O Surf remixes’ were created over a series of weekends in ’93. When you listen to the record you can hear Frost and Diggens try to create the sound of waves amongst the beats, they were also influenced by tracks like Pink Floyd’s 20-minute epic ‘Echoes’.
Pete Diggens: “With Silver Surfer, the idea was to create a dance floor tribute to our favourite childhood Marvel super hero. We decided to create a suite of epic tracks on the surfing theme, Silver Surfer involved us bringing in an African friend who was a talented percussionist to play conga’s. He came along with his Brazilian girlfriend and we asked her to record some vocals whilst she was in the studio.”
Violent Drum’s output connected with dance music lovers worldwide, tracks made it onto compilation albums, featured in the charts and sets of the top DJ’s from all over the world. DJ’s such as Colin Dale, Ninja Tune’s Matt Black, Joey Beltram, Billy Nasty, Fabio Paras, Leftfield, Dave Angel, Darren Emerson, Carl Cox, DJ Three, Sasha & Digweed, Terry Farley and the man everyone looked to at the time, Mr. Andrew Weatherall regularly played Violent Drum vinyl.
Original vinyl copies can still be found on the second-hand market, for a hefty price. The duo regularly receive requests from fans around the world to find spare vinyl copies of ‘Silver Surfer’, ‘X O Surf’ (featured on an R&S compilation), ‘Your Nemesis’ and ‘Mondo Scuro’ (cited by many as the first ever ‘Breaks’ record pioneering the genre). Unfortunately, stocks of these ran out years ago and current labels regularly request to re-issue the tracks.
Matt Frost: “We are proud to bring these tunes back to life again for you.”
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In Musik und Text verschmelzen über alle 11 Titel hindurch Stimmungen, Eindrücke der Sub-Sahara Konzert-Tour von B.Friedmann 2013 und Fetzen von Erinnerungen an eine imaginierte Zukunft. Sie reagieren auf reale "Kpafuca" - "things falling apart" - Zustände afrikanischer Metropolen und kollabieren zu Grooves und Phrasen, die an Chris Marker´s Science-Fiction-Apokalyptik ( "La Jette"/ "Sans Soleil" ) erinnern. In dieser Polyphonie der Un-Orte schwingt auch der Geist reisender Klangabenteurer, zB. der musikethnologischen Praktiker Hartmut Geerken und Roman Bunka (Embryo), deren Visionen und Musik-Wirken sich gegen reduktionistische, essentialistische Inszenierungen sträubt. Gegen jene kulturellen Landkarten, die in die Musik immer wieder zwanghaft hineingezeichnet werden, setzt Friedman auf "Cease To Matter" im intuitiven Modus die befreiende Kraft des Rauschens, der Über-Mensch-Maschinen-Musik, der krummen Beats und des technischen Zufalls-Defekts, kurz: das "Un-gehör-sam" (Johannes Ismaiel-Wendt) gegenüber der normativen Deutungshoheit musikalischer Weltkarten.
Die Stimme des aus Texas stammenden in Berlin lebenden Performers und Vokalisten Daniel Dodd-Ellis wirkte bereits 2007 auf Burnt Friedman´s Album "First Night Forever" (non22). Die Lyrics stammen von beiden Autoren und wurden von Friedmann während der Produktionsvorgänge 2013 bis 2014 mehrfach zerlegt und neu zusammengesetzt. Die Zeile "Sky Is Blue Inside Of You" ist dem 1932 erschienenen Roman "Brave New World" von Aldous Huxley entnommen. Tracks 04 und 09 ("Cease To Matter") enthalten ein Piano Sample Edit basierend auf einer Komposition von Georges Invanovich Gurdjieff (1872-1949).
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From the UK, South Africa, France and Australia, Inner Shift Music presents their Collective Continents II release, with Mark Hand, Platform 001, G-Prod and Leo Gunn. The Ep starts with Take Some Chances which has Jazz influenced pads, chords and changes with an addictive hook, by Mark Hand who has recent releases on Soul Print and Apollo. Next comes The Last Letter by newcomer Platform 001 - a deep house track with some funk style house chords and an inspiring spoken word poem, which holds the listener's attention throughout.
On the B side we have the Gaugain brothers G-Prod (who have releases on R&S and Nightflight), with their track Horizon which has a more techy feel with its moody pads, melodic lead and subtle but driving bassline.AAThe EP is complete with a whole other level of head-nodding deepness and warmth, with Aheeoo which you would come to expect from Leo Gunn, who is noted for his multiple appearances on Deep Explorer.
Deep, jazzy, techy, warm and diverse, this EP is everything there is to love about deep house.
Last delivered 4 years ago
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With SIAMESE020 we have come full circle. Shiffer, our good friend, Siamese family member and co-graphic designer with Adrian Schweizer since almost day one, has created his most personal release to date. This EP has been recorded during a challenging time in his life and reflects the journey through profound variations of human emotions. Remembering his very first production 'Drunk on Hope' on our initial Anthology release, we’re proud to see how Patrik's music evolved into such a genre-spanning array.
All in all a diverse, unique and very promising record that opens up a new chapter in Shiffer's musical path and leads him anywhere he wants to be.
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It started with the idea and a few tracks and it ended with this megalomaniac looking package. One of the finest compilations Innervisions put together ever, touching every corner of their favourite clubmusic. Including tracks from Culoe De Song, Alex.Do, Mosca, Rampa, Quarion and many others.
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After ten editions of Secret Weapons we are set to continue the series which brings together fourteen artists with divergent styles of electronic music. From energetic frequencies to thoughtful melodies, the Secret Weapons Part 11 provides a mixture of different approaches to the musical creative process by new and familiar faces.
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Ukrainian duo Woo York have garnered worldwide acclaim for their ability to produce a powerful, driving, dark-yet-sophisticated sound, with their upcoming 'Chasing The Dream' LP set to drop on 4th May, serving as the first artist album on Afterlife.
The 13-track production entwines a wide ranging palette of Andrei & Denys (Woo York)'s ominous tones, taking the listener on a voyage through the various moods and rhythms of the Woo York odyssey.
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Daniel Maunick returns with a new EP, Musica Encantada via Far Out Recordings. Continuing the theme of his debut album Macumba Quebrada – which saw support from the likes of Moodymann, Ron Trent, Gilles Peterson, and Benji B – Maunick draws on the deep-rooted Brazilian influences from the many years he has spent in the country, producing records with Azymuth, Marcos Valle, Sabrina Malheiros and Ivan 'Mamão' Conti.
The bossa-jazz house smash ‘Black Magic’ stays exclusive to the vinyl, while the percussive deep-house roller ‘A Chance To See Again’, the tight and groovy ‘Hurt Feelings’, and the slow-mo Brazilian Balearic ‘Africana’ will all see a limited vinyl and digital release on the 23rd October 2020.
Last delivered 4 years ago
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Arms up in the air and loose from the hips up on the floor - the dance leg twitches. The pipe organs are playing, the drums are pumping - in the shine of the disco ball JACKFRUIT Recordings presents you the new house number of DOMPE: French Collection. 4/4 time with chromatic tone sequence full of dance power - perfectly arranged from warm-up to prime time. A whole timetable full of house in top form. Fancy. Funky. French.
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Repress
Having honed his craft with some choice releases on the likes of Toy Tonics, Razor N Tape, Quintessentials and Shall Not Fade, home to his forthcoming debut LP, Bogota-born and based house DJ and producer Felipe Gordon now steps up on Fluid Funk with the six-track "Sincopa Liquida" EP, featuring New York / Detroit / Atlanta legend Kai Alce and London's funk master Aroop Roy on remix duty.
First in line, "Sincopa Liquida" treats us to a carnival of soulful Rhodes stabs, jazz trumpet solos a la Saint-Germain and accordion-like groove, all infused with a subtle retro charm. Evoking the classic French sound from the Roule years, "Samplin' N' Slappin'" comes in two versions - the original relying on a much syncopated swing, complete with mangled vocals and strings, whilst Aroop Roy's rework turns it into a more straightforward DJ-friendly weapon, sure to up the room's temperature effortlessly.
Flip sides and here comes the deeper "Obtuso", a vibrant throwback to Chicago house's heyday; its rough shuffling rhythm and muscular bass beautifully contrasting with the brittleness of crystalline piano chords and trumpet echoes out a smokey jazz-club backroom. The lush and dreamy "Evolving Textures" then heads for a more luminous, light-hearted pathway, where bouncy piano chords dance along discreet slap-bass riffs, as Kai Alce revisits the track into a more physical, jacking house number - preserving the original's weightless elegance, whilst breathing in further floor-ready character into the cut.
Early support from: Ron Trent, Basement Jaxx (Felix Buxton), Josh Wink, Jimpster, Osunlade, Fred Everything, Groove Armada (Tom Findlay), Vince Watson, Luke Solomon, Jimpster, Mr. V., Kate Hutchinson (WorldWide FM) and more.
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SA005 is destined to become a vinyl collectors' must-have. Frank Martiniq explores a whole new sonic identity on this unique 12", forging together off-kilter beats and fists full of atmospheric compression. "Blast Corps" opens the EP with a surge of delayed baseline. Crispy static rises from below and echoes swoop and simmer beneath the full-blooded base. It builds insistently, the 4/4 structure is infused with far off blips and the dusty sizzles of low-pitched white noise. On "Dark Star" warm dub keeps the sound organic. It's elemental, the baseline seems enormous enough to have a gravity of its very own and the other elements pull together around its weight. It teases, the breathy elements twitch, fidget, become fully formed but refuse to drop.
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Burnski and Michael James ignited their Relic collaboration last year with a classy drop on oge, and they're back again on Constant Black with some devastatingly bumping minimal tech house. There's a hi-tech finish to this whole EP, from the moody lead cut "D" to the slippery, funkified "E". The mix is clean as a whistle and maximized for every little production wriggle and shapely bassline to cut through on any system, even in the hazier clouds of pad hovering over "F". Don't skip over the B2 though - as with all the best EPs there's gold to be savoured in the crafty machine shuffle and rubbery b-line of "G".
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Repress
We are happy to introduce FREKOBA to the Mojuba label universe, an outlet with a refined focus on danceable music, to emphasise the unifying elements in underground social dance culture. The label starts off with a new series by Sven Weisemann called Limerence ToolZ, to delivery pure dance floor ready material to inspire not only the dancers but also and especially the DJs to work the ballroom all together as one, as a community!
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Third in the four-track sampler series from Rebirth LTD featuring brand new unreleased, advanced gold from Butch & C.Vogt and a killer Shield re-edit of the undeniably anthemic Emanuel Satie Feat. Billy Cobham - 'Don't Forget To Go Home' on the A side.
Turn it over and you're treated to an acid infused house bomb from Pastaboys, complete with a bumping remix from John Ciafone to close out the e.p.
Supported already by a whole host of DJs:
Âme, Agoria, Damian Lazarus, Deetron, Mano Le Tough, Sasha, Groove Armada, Tim Green, Danny Krivit, Quentin Harris, Ian Pooley, Sascha Dive, Dj Koze, Gilles Peterson, Claptone, Jimpster, Acid Pauli, Dop, Fred P, Axel Boman, Ashley Beedle, Claude Von Stroke, Steve Lawler
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