Out of control hot tracks provided on the 3rd ep from Chicago Basement Trax! This vinyl has it all featuring the 1992 style that influenced Jeremy Underground Paris to create MLIU as well as 1980s Trax reminiscent of artists like Mike Dunn or Steve Poindexter. At that point we'd be happy but there is even more included for the disco edit and dub crowd. You can't go wrong with this EP!
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UK Soul don Omar once again shows the reasons of his legacy on this tailor made collaboration with GLOW Gifted League of Writers production team/crew. The song ‘I Give Myself To You’ gets the soul beatdown treatment from the legendary Don-E and an outstanding house remix by the ever consistent Dj Spinna!
A classic in the making and a must have for all Modern Soul music lovers.
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For the third and final part of Jerome.c, Dubfluss - Friendship connection we invited Julian Alexander and Guy From Downstairs to join our artist roster. A lot of hard work was made into this 3 part LP by our good friends and we hope everyone enjoys it as much as they did producing it. Lots of Melodic grooves and solid bass lines, proper house music dance tracks on this release. Cheers from Berlin
No fuss presents Dominique Fils-Aime & Saison featuring the well respected Waajeed on remix. Saison team up with Dominique to produce a soulful, sultry, late-night cut that further establishes them as masters of their craft. This is a perfect example of their ability to create deep, underground house music that works on crowds both large and small. Waajeed offers an emotive and classic Detroit take with the vocal . Adding atmospheric pads and moody synths that have defined the city's sounds for years whilst stamping his unique and fresh perspective at the same time.
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mathias kaden's project "mathimidori" is back to mule musiq since our first release in 2013.
this time he teamed up with japanese female singer shoco (she is actually girlfriend of our friend "dj pige"). it's a great mixture of atmospheric tech house and cool japanese poetry reading.
Effervescent, even buoyant optimism shoots effortlessly through this quartet of tunes. The vivid neon melody rippling at the core of Post-Typhoon Shakeddown moves towards a more subdued soaring warmth on From The Cockpit. Love The Lights is propelled by a glowing momentum; Paw Print closes the record with a carefree breeze. Conoley Ospovat is back on Kimochi Sound.
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Forthcoming on Claque the remixes of Donato Dozzy's 'Cassandra' which was, without question, one of 2015's most enduring success stories techno.
A side with techno twists from Skudge. B side with Fred P. and his own trademark concrete Detroitian and last but not least, DJ Jus-Ed steps up with the final re-shape of the show.
Amazing three different jobs that continue the legacy of Cassandra throughout 2016.
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One last repress coming soon , be fast to secure your copies
Quality music for your dancefloor - so lautet das Motto von Foul & Sunk!
Auch das zweite Release steht dem in nichts nach und schliesst nahtlos an den Erfolg des ersten Release an.
Man könnte fast schon sagen: Fresh & Low are back! Das wäre zwar dann doch etwas forsch, aber dieses zeitlose Release aus dem Jahre 1997 hat es absolut verdient nochmals veröffentlicht zu werden.
Fresh & Low, das britische Produzententeam, veröffentlichte ab Mitte der 90er Jahre auf so wegweisenden Labels wie - Guidance', - Black Vinyl' und - Crucial Sounds' viele herausragende Platten. Als eine ihrer wichtigsten und besten gilt zweifelsohne die bahnbrechende - Little i EP', erschienen auf West Side Records.
4 Tracks essentieller und zeitloser House Musik, die heute noch genau so gut funktionieren und frisch klingen wie bei ihrem Erscheinen vor fast 15 Jahren!
Herauszuheben sind die beiden unwiderstehlichen Stücke - New Life' und - No Going Back', die sich durch ihren langsamen Aufbau, mit deepen warmen Chords, spärlich eingesetzten Vocalfetzen und einem treibenden, druckvollen Beat zu wahren Peaktime-Hymnen entwickeln! Aber auch die beiden anderen Tracks stehen dem in Ihrer besonderen, rohen und trotzdem sehr melodiösen Art in nichts nach.
Eine House EP, frisch wie von heute und dennoch "from back in the days"!d
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White label roller from Roger That taking one of dance music's most iconic vocals, New Order's 'Blue Monday' and flipping it into a heavy hitting, tech house heater. Packed to the rafters with punchy, reverberated stabs, low-end weight and lip-smacking dancefloor grooves it's already steamrollering the club scene - ever extending the reach of those immortal lyrics.
Hammered all summer long by the likes of Solardo, Camelphat, Marco Carola, Jamie Jones and Leon, it's is now available on a limited 12' vinyl.
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26 years after their original release, against the backdrop of the recent reevaluation of Japanese house music world-wide, this 246 Classic and Unreleased Works two part album is filled with techno and deep house tracks created by Susumu Yokota under his 246 alias in 1995. Yokota’s 246 works are an invaluable artefact to listen to this amazing era of electronic music in Japan. Comprising rare and unreleased tracks which have been restored and remastered by acclaimed mastering engineer Mike Grinser. They have been cut loud for club play or they can be enjoyed at home. The sleeves (designed by John Williams) feature the original 246 graphic and photos which were taken by Stewart Allan (Cosmic Soup’s label head) along the Nakasendo Way walking route in Japan. These tracks soundtracked this extraordinary journey from Tokyo to Kyoto.
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We are always looking for personal and genuine works, and our sixth release was not going to be less. We are very happy to present "Entropy Ep", a three incredible original cuts by producer Yotam Aflalo and a remix of one of the finest of Liverpool, Reedale Rise. Yotam invites us to a trip through breaks and electro, where his taste for rhythm stands out. Subtle acid lines mixed with mysterious pads, along with masterfully programmed percussions are the signature of the EP.
In B2 we find our first remix on the label, and certainly no one better than the wizard Reedale Rise. RR redesigns "Four", building on some original elements, and turning the cut into a delightful dream lucid through the classic 808 sound, bouncing bass and crystal clear keys. A solid Ep that fits in any bag of a good musiclover, for club use or home mental-pleasure.
We are also excited to announce a collaboration with talented photographer Dan Cohen. His photos will accompany our music during our next releases, and we can't be happier for it.
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Flumo's first vinyl offering for 2017 sees Chocky returning with three original signature tracks along with a remix from true craftsman Orlando Voorn.
Higher Synth, the first cut on the record rolls out the instantly recognizable Chocky sound to full effect. Looped chords set the rhythm in motion & the vocal sample provides just enough variety within the track to mix things up and keep you moving.
Orlando Voorn's take on Higher Synth enhances the weight and heaviness of the original, the wooden bass kick and crisp synth layers provide a refreshing satisfying take on the things.
The flip side contains two tracks, first of which is Seek Deep, a track that similarly maintains Chocky's signature vibe whilst also paying homage to deeper, classic house tracks with a spoken Word vocal.. This track was first made available on Flumo's Unreleased Highlights Volume 4 compilation, and it now sees an anticipated vinyl release.
Closing off the package is Chocky's Brush Away, a track delving into the hypnotic sphere, where field-recorded vocals and trumpet lines create a late night groove
aimed straight at the dancefloor.
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On The Occasion Of The Third Release, We're Glad To Welcome French Dj And Music Producer Dan Ghenacia, Head Behind Godeep (his New Solo Project) And One-third Of Apollonia, As Well As Live Performer And Music Producer Argenis Brito, Resident At Club Der Visonäre For Over 8 Years Now And Where He Hosts His Boom'n Bust Party.
Whereas Dan Ghenacia Proposes An Indisputably More Grooving And Dancefloor-driven Version Of David K's Aquatic Machine Dream (ts07) That Came Out At The End Of 2016, Argenis Brito — For His Part — Delivers A Rather Dubby And Minimalistic Interpretation Of David K's Daydreaming Ailleurs (ts10) Which Was The First Track That Be Released On Tone Series.
Dan Ghenacia & Argenis Brito Follows Steve O'sullivan & Cesar Merveille (tsrs02) And Traumer & Tomoki Tamura (tsrs01) In The Tone Series Remix Series.
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Toolroom welcome back rising talent KC Lights as he delivers his latest single ‘Girl’.
An emerging star within the global house scene with releases via Ultra, Armada and Big Beat to name a few, plus remixes for MK, Sonny Fodera and Jax Jones, Glaswegian DJ, musician and producer KC Lights has grown to become a key member of the Toolroom family since making his label debut in early 2019. Having recently mixed Toolroom’s first ever ‘House Party’ compilation, KC is welcomed back with an impressive return as he delivers his brand new single, ‘Girl’.
A bubbling and uplifting production combining infectious, soulful vocals, bright piano leads and smooth, sweeping melodies throughout, the blissful ‘Girl’ showcases yet another side to the Scottish talent’s diverse and expansive sound, and reveals a huge anthem for the weeks and months ahead. KC Lights also showcases his tougher and deeper side with a brand new 'Tribal Mix’ for the package. It's a peak-time offering, featuring that signature vocal and driving percussion.
Completing the package KC Lights returns with his own '6am' mix weaving uplifting melodies with the original's blissful vocals and shimmering synths to transport listeners on a blossoming journey perfect for both early morning sunrises and dancefloor moments alike, whilst Nightlapse's interpretation welcomes a powerful peak-time offering as the duo work menacing basslines against punchy metallic drum licks.
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Toolroom is delighted to welcome one of the most exciting new prospects on the UK underground house scene to our flagship label. Max Chapman burst onto the scene less than three years ago with a string of quality releases on highly respected imprints such as Elrow, Snatch, Viva and Lost. With a huge overall Beatport #1 under his belt last year in 'Body Jack', 2017 is shaping up to be his biggest, most successful year to date - and this EP is seriously large. He locks horns with up and coming maestro George Smeddles here for a 2 tracker that ticks all the boxes for a solid underground cut. The lead track, 'Zulu', is a peak-time tech houser with ridiculous grooves, plenty of energy and THAT tribal vocal hook on the drop that everyone will be singing back to you upon it's release. The B-side 'Charger' slows things down a little and adds some sexy, bumpy grooves to proceedings making this a perfect, and flawlessly produced EP.
Support from Riva Starr, Gorgon City, Technasia, Groove Armada, Denney, Nathan Barato, Joe T Vannelli, Harry Romero, Doorly, Solardo, Latmun, Uto Karem, Chus & Ceballos, Ruben Mandolini, Waifs & Strays, Kydus, S-Man, Tuff London, Mat.Joe, TCTS, Miguel Bastida, Filterheadz, David Penn, Adrian Hour, Goncalo, Ben Remember, SecondCity, Rich Wakley, Oscar L, Paco Osuna, Ferreck Dawn, Martin Ikin, Vanilla Ace, Enzo Siffredi
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We don't know, whether this guy is sleeping at all. He just released a new EP under his RAR moniker. He seems to be nonstop
assembling and fiddling on some delay pedals and what not. Let alone all the touring. And then he comes up with a KM022, that sets
directives and also lives up to them, as if it was nothing.
'Keep House' is the agenda on A1 and everyone who shrugs now about what the house should be kept like - clean (), tidy (),
locked () - should be taken to the next dancefloor by this joint. Of course we're talking genre-aligned maintaining-mentality here. It
needs to be House and it needs to be House forever - what else When Rampa offers his service to the art form, you can expect a bit
more than the usual 808-knitting pattern or jingling preset-piano. He approaches his mandate with a trademark percussive dryness
and generous bass-embrace in the kick-range. He slips in little sound-anomalies and weirded out effectrides like Brad Pitt smuggled
subliminal dick-pics into 'Fight Club'. And by building up a more than mighty groove, he lands on a constitution of House Music that
for sure can be behold as state of the art.
Side B, running under the name of 'Chai Jen Jen' is aiming for some slighty deeper realms. Inbetween sample-postcards from last
Thailand-break (many of the samples and the vocals were field recorded on Chatuchak Market in Bangkok), synth-variations and
snare-slaps, it is first and foremost this organmotive in the centre section that will cause self-indulgent trance rapture over whole
heated up floor-populations.
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26 years after their original release, against the backdrop of the recent reevaluation of Japanese house music world-wide, this 246 Classic and Unreleased Works two part album is filled with techno and deep house tracks created by Susumu Yokota under his 246 alias in 1995. Yokota’s 246 works are an invaluable artefact to listen to this amazing era of electronic music in Japan. Comprising rare and unreleased tracks which have been restored and remastered by acclaimed mastering engineer Mike Grinser. They have been cut loud for club play or they can be enjoyed at home. The sleeves (designed by John Williams) feature the original 246 graphic and photos which were taken by Stewart Allan (Cosmic Soup’s label head) along the Nakasendo Way walking route in Japan. These tracks soundtracked this extraordinary journey from Tokyo to Kyoto.
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Blockhead Recordings are back. This release features ANT LaRock who has been featured on some of the biggest labels in dance music today and has collaborated with some of house music's resident godfathers. Vanilla Ace has become a prolific and increasingly prominent force in house music and has been featured on some of the biggest labels out there including Spinnin Deep, Glasgow Underground & Nervous.
Hazzaro are coming hot off the success of their track called 'Make My Day' on Erase, lastly Scott Diaz is no stranger to the top ten on any platform. He can pretty much do anything from deep, sexy, sultry house to tech house bangers and do it with style and finesse.
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This is the first in a series of remixes from Chari Chari’s new album “We hear the last decades dreaming” which was the first album in 18 years under the name of Chari Chari, a project by Kaoru Inoue who has been working as a DJ and producer for over 25 years.“Luna de Lobos”, originally over 10 minutes of deep house journey, is remixed by Kuniyuki - one of Japan’s world-famous creator from Sapporo - that is reminiscent of Jon Hassell’s african session leads us beyond 4th world. The other 3 tracks were reworked by Kaoru Inoue himself.
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Today, beloved DJ, producer and songwriter Lauren Flax announces her forthcoming EP, Out Of Reality out August 6 via 2MR. Much of Out Of Reality’s cohesion comes from Flax’s expansive production, using simple elements to craft intricate backdrops for the questions posed by her songs. On the EP’s titular track, Alejandra Deheza (School of Seven Bells)’s crystalline vocals are woven against a delicate tapestry of arpeggiated keys, sparse percussion and haunting cello. Watch “Out of Reality” here.
Detachment isn’t always detrimental; sometimes you have to step outside to get a better view. Lauren Flax knows this - as a DJ, producer and songwriter, her discography is notoriously genre-defiant, consisting of an impressive array of solo tracks, collaborations, and remixes. The most recent of these – her mesmerizing take on Pale Blue’s “Breathe” - saw her experimenting with a new style of writing. “I wanted to explore that sound more,” Flax explains, “more of a synth exploration, textures with less beats.” The pared-down songwriting approach lent itself to thematic considerations as well: she’d been thinking about the repetitive nature of the life cycle - the Indian concept of Samsara - and felt a general disappointment at humanity’s lack of progress. On her new EP Out Of Reality, she washes that disappointment in lush sonic hues, stepping outside the quotidien for a new perspective.
Though its themes span beyond the scope of our current socio-political moment, Out Of Reality feels, right now, like an especially tantalizing proposition. Pandemic-driven escapism has bred a new crop of otherworldly music designed to transport the listener somewhere better. But Flax isn’t interested in escapism for its own sake - there’s still work to be done here on Earth, after all. Instead, through a combination of live instrumentation and ethereal synths, Out Of Reality grants us a respite from the real so we can return to it with a clear head.
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3rd release on Factory Music Chicago comes from the legend Dj Deeon and label owner Traxman himself. Both presents 2 banger each on this split ep called "Da Disco Tekk" EP. Highly recommended and out in March 2020!
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Coming in fresh for 2019 is Athens native G.U.S with his 4 track EP Mind Reflection released as ELM 1012. Both sides of the vinyl are equally as strong and set the pace for a ride through early UK breakbeat sounds and continue beyond into house with a nostalgic feel but with a futuristic edge.
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Los Angeles-born, Berlin-based talent Huerta unleashes four remarkably rich cuts for Three Fingerz Musique's latest 12". This follows an outstanding run of releases on Dirt Crew, Amadeus and Let's Play House. 3FM004 is an innovatively crafted 4-track EP set to be an excellent summer soundtrack. The A side features two stunning compositions. "No Business Here" opens the EP with its 4/4 signature shuffled percussion, jazzy bass line and tantalizing piano licks. "Shed light" explores Huerta's melodic, gloomy side with more relaxed vibes, a tune that will make you travel into your deepest thoughts. On the flip side you'll find two irresistible productions. One of our personal bests is B1 track "Am Ende", a magical tune marked by its unique breaky rhythm complemented by rolling synth tones and a round chugging bass line: an instant classic. Closing the EP we have "Some Rig", a bumping low-end combines with crunchy, whipping hi hats to make this one perhaps the most club ready of the release. "Am Ende EP" is surely one of our best outputs to date, filled with character, its pushes forward fresh takes on classic conventions, and serves as a perfect marker of our vision.
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We are delighted to welcome back Jose Vizcaino with this four tracker EP called “Transitions”. A blend of classy deep house with a modern minimal touch, music for refined clubs and exquisite connoisseurs.
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Jovonn's Body N'Deep label continues to deliver the goods, this time revisiting the 'Hesperia Soul' release from the 'Timeless' album. We see Karizma, Sean McCabe and David Anthony add their unique twists on this future classic.
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'sketches of transition' comes off the back of Wildblood's most recent, critically acclaimed 'Grab The Wheel' EP, which saw him experiment further from his signature jazz-infused sound to explore more classic 90's-tinged sounds, from deep melodic garage to atmospheric Chicago house, and even reverb-soaked dub techno. As well as an impressive back catalogue of single & EP releases, he is the head of celebrated labels Church, Coastal Haze and all my thoughts, and regularly plays at festivals and in clubs across the continents.
As Wildblood's relationship with the dancefloor has revved up, so has his own personal story -- and that of being an artist in 2019. Those moments of evolution and experience have helped influence what's a deeply personal debut record, whose organic textures and soulful musicality reflect change in the face of an ever-evolving world. 'sketches of transition' was written over the course of two years, during a period of new beginnings, emotional endings, and moments of personal loss. What we're left with are ten tracks that reflect life's winding journey.
Album cuts like 'one for malcolm' are servings of soothing ambient that feature the melodic touch Wildblood is known for. Charming vocals enter the mix on 'amelia feat. mauv' and 'ghostie', a piece of pacey deep house with oft-collaborator Buddy Love. 'small talk' will evoke familiarity towards some of Wildblood's early, cherished house records, with their twinkling synth arpeggios and warm atmospheres. Other moments throughout the LP turn towards more experimental broken beat, flexing Wildblood's refusal to be pinned down to a specific vibe.
With previous support from the likes of Bonobo, Mary Anne Hobbs, and Move D, 'sketches of transition' finds Wildblood coming to terms with the past to accept new beginnings and uncharted territories. All the while, we're transported to our own personal place of calm, wherever that may be. "Music is a way of escape for me, I want the listener to be able to use this record as a form of escape too," says Wildblood. “I guess I’ve had a sudden realization of how transient life can be. I hope the record captures this in some way. Sonically it’s dynamic, constantly shifting however there’s an undercurrent that remains the same throughout the whole piece. Each track on the record focuses on and is inspired by a moment in time. “amelia” was written on the day my first niece Amelia was born. The idea of the track is to serve as a unique time capsule for her. I think it's fair to say I struggle with anxiety and I find it difficult to be completely in the moment. It's something I'm working on, but whilst making this record I was completely in the moment.”
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Following four long years of sonic hibernation, the shadowy sneaker fiends behind the Shoebox series have decided to deliver a fourth EP of intoxicating musical fusions rich in dusty deepness, hazy grooves, kaleidoscopic electronics and glassy-eyed musical mysticism. Some tracks feed the dancefloor while others reward horizontal listening; all are suitably wide-eyed and tantalizingly tactile.
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Up The Stuss founder Chris Stussy joins forces with Mandar’s S.A.M. as the pair deliver their debut collaborative project, 'Get Together’. A rich body of work fusing both artist's unique sound palettes to reveal immersive soundscapes blended with addictive grooves and seductive melodies, the eight track project showcases a collection of timeless cuts for the club and beyond from two of the most exciting names within house music.
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Back in 2003, Fred Everything was signed to Ralph Lawson’s 20:20 Vision and released two albums as well as many singles and remixes on the label. In between those two albums, he released a single called 'Over You'. But it was the B-Side 'Here (Now)' that seemed to have captured people’s imaginations. One of it's biggest fans was Ian Pooley, who has always told Fred that this was the best track he ever made. Fast forward to the end of 2019, when Ian did a feature for Telekom Electronic Beats about his top 5 B-Side tracks. 'Here (Now)' was indeed in there, making its Discogs price explode to up to 100 euros for the original EP!
After a quick search in his archive, Fred found the original Cubase file of the session and was able to open it exactly as it was in Logic. Magic happened when unused parts were discovered, like a cello session completely forgotten, which sparked the idea for a new version, extending the original with overdubs from his collection of synths : Prophet, Minimoog, Solina and analog effects -- Space Echo, Moogerfooger Delay and Small Stone Phaser as well as live percussion and claps.
Having recently signed an EP to Prins Thomas’ Internasjonal label, under his All Is Well alias, Fred invited him to remix 'Here (Now)'. The result is a 10-minute space disco journey like only Prins Thomas can do, incorporating elements from both 2003 and 2020 versions.
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2021 is a milestone year for Jimpster and the label he founded with Tom Roberts back in 1996. It was never going to be plain sailing all the way but their passion for discovering, making and releasing the music they love has seen them pushing into their 25th year with more enthusiasm and determination than ever before. Ahead of the release of his fifth LP, a four vinyl Jimpster Anthology and Remix EP we dive head first into the deepness of his Soul Spectral EP.
The title track is widescreen, late-night house music at it’s most evocative. Crackling Rhodes chords hang suspended in the air like morning mist on Hackney Marshes while Greg Paulus’ lilting trumpet spins us out into the stratosphere. Live percussion courtesy of Laroye adds an organic depth to the track, creating just the kind of loose, enveloping groove that Jimpster loves to draw us into.
Sanguine continues the theme of sublime, heartfelt music for the body and soul, bringing together glacial synths, chopped piano samples with a simple, driving house groove which you will be more than happy to get lost in.
Flipping over we have Think Of You Always, a more uptempo house jam but one that stays true to the ethereal mood of the release. Textured layers come in and out of focus giving just a fleeting glimpse before fading into the shadows. Some elements floating across the 6/8 rhythm ambiguously whilst others are locked machine-like to the rigid pulse of the kick drum.
Rounding off this special release we have Jimpster’s own Dub mix of Soul Spectral which pairs things back to the rhythmic elements, stripping away the harmonic elements to let Greg’s beautiful shiny trumpet take centre stage.
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Made in the sun-kissed network of steel. Astral high fidelity showers soak an Rnb-esque vocal in acoustic resonance. Skippy percussion wraps around the clock, representative of the early classic UK formula. It breaches the form of what we know as ‘functional’, composing and decomposing its synthetic elastic quality providing a versatile record, with a phantom desire to run off the clock and explore the more experimental and broken beat fruits. Intricate accidents and harmonious synthesized licks, consonant with the lower sub-notes, bending and curling around the dominant sonic’s. To summarize, a medley of multi-dimensional, warm and trippy
house cutz for domestic environment or club.
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Salin Records welcomes Tour-Maubourg to the label, a match
we dreamed of since we heard his first EP on his home label
“Pont Neuf” back in 2017. The Paris based producer and DJ is
an outstanding talent in creating emotions. It is probably
exactly that what makes him one of the most promising artists
of the Parisian house scene according to Trax Magazine.
Through the last year, he was very keen on building up a studio
in Paris. His enthusiasm for studio gear leads to a new level of
production skills. “Interlude” and “Duophonie (Jazz Mix)” are
two perfect examples for the symbiosis of sampling, synthesis
and sound design. These two tracks fascinated us with their
richness of detail and liveliness, and so we decided to build a
whole EP around these beautiful tracks. Christophe Salin
makes his remix debut with his reinterpretation of “Interlude”.
After the release of his “You Took My Love EP” in spring 2019
he took the time to rebuild his studio and work on new ways to
create sounds and textures. Remixing for one of his most
appreciated artists of the current house scene is, without a
doubt, the perfect time to release the sound he was working
on during the last months. Daria Salin’s painting speaks louder
than any word and reflects the structures and details of TourMaubourg’s music. We’re sure that “Tour-Maubourg -
wall and one to play it out ;-) Thank you so much for your
support <3
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Audiojack: Outstanding EP, gonna grab them all to have a more detailed listen
Mark Henning: Shit!! i've been looking for the first tune for 15 years! Epic.. brings back good memories. Thanks!"
Waif & Strays: That is proper wicked...love all the tracks! All of them are proper bombs...can't pick a favourite
Tensnake: Too late is funky, thanks
Dubfire: Cool stuff, thanks
Tedd Patterson: Really Great. All cuts! Love it.
Sascha Dive: Like the silverlining remix
Huxley: Roll Call is a beast
Raresh: Ravi Mcarthur track for me .. thanks
Death on the Balcony: Apathy is cool!
James Zabiela: Roll Call and Another Crap Night Out for me!
Doc Martin: Serious as always!!!!
Danielle Moore (Crazy P): Love Roll Call and Another Crap Night!!!
Lee Jones (Watergate): Classic Grooves
Jamie Russell / Cedric Maison: Eltham!
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