House Vinyl New Releases - News

Sintope bosses NTFO return to Bondage-Music to their ‘Esperantza’ EP. Title cut ‘Esperantza’ sees the duo go to work, fusing rolling, crisp percussion with rich sub-bass, before ‘Uppercut’ interjects, unveiling a production packed full of swing, reinforced by robust drum licks, skipping hats and sweeping synths.

On the flip, the first vinyl only cut ‘Lux’ reveals a smooth, stripped back effort, with lush, deep pads floating effortlessly over hazy background textures, whilst the electro influenced ‘Avoid’ closing things out in fine fashion, as trickling lead lines flow amongst and intricate organic percussion patterns across seven minutes.

Ray Mono is one of the fastest rising names in the game and now he keeps the pressure on with another vital EP, this time on Darius Syrossian’s essential Moxy Muzik. It features two of his powerful grooves and kick starts what is set to be a huge year for the artist, while remixers Seb Zito and Brandub complete a fine package.

Syrossian has long been a supporter of Mono, who is someone with a meticulous sound in the studio and plenty of high profile releases behind him on the likes of No Fit State, Pleasure Zone and WHAT NXT? His warm bass, subtle percussion and tripped out grooves are inspired by years as a resident and promoter of legendary Leeds party Mono_Cult and his ever evolving sound comes correct once more here as he continues to get booked around Europe at all the key clubs.

Excellent opener 'Initiated' is a driving track with a physical impact from the well programmed drums and knotted bass. 'Esperanza' is then a more playful anthem in the making, with classic vocal samples over the slick and sci-fi beats. The slippery metallic perc and icy drums all get deep under your skin and the well treated vocals are set to make huge impact in the sun this summer.

Celebrated Fuse associate Seb Zito then remixes with his stylish dubbed out grooves, taught bass twangs and punchy drum work, and Brandub’s Space Mix quickens things up with razor sharp kick drums and bobbling bass certain to lock in the dancers.

Once again then Ray Mono pushes forwards here with another of his devastating new EPs.

“Music is good for the mind / ain’t nothing healthier than having a good time”

Time Zones is the dance music project of Dan Gentile and Jack Murphy. The two began making music together in 2014 while living in Austin, Texas. Their work is rooted in the appreciation of soulful house music and dollar bin disco singles.

Dan is a DJ with fifteen years experience performing as a member of Austin-based DJ crew Flying Turns. He writes about music for outlets like VICE and Wax Poetics. Jack’s musical background is playing bass and piano in a variety of contexts: a jazz ensemble, small groups, free jazz scenarios, funk jam sessions, and a psych rock band.

By day he is a designer and writer. The Vibe Shack EP wears its influences on its chipboard, disco single sleeve. Crackling samples loop over an assembly of live (read: non-quantized) tracked instruments, including a Korg PolySix, Roland JX-3P, modular synthesizer, and a broken x0xb0x, giving each cut that lively, human touch. The record features a punchy remix of the title track produced by label head Hiatt Becker under the alias Unknown FM. The tunes have been mastered hot by Benoit D at Perception Mastering for maximum dance floor impact.

Months after their debut release, Bosconi Soundsystem is back with another killer package. The Italian production trio, consisting of Rufus, Mass Prod and Bosconi boss Fabio Della Torre, perk up here with Unrequested States of Bliss, a 2 x 12" offering that's packed from start to finish with spectacular dancefloor-ready cuts. The title reflects the contents of the album: psychedelic and minimal techno and electro music on a deep and dark tip that speaks to both the mind and the soul. The action kicks off with "Serotonin", a driving tech house jam that's full of driving, spacey atmospheric overtones. "Eclipsed" is a more introspective cut, while on the flip you'll find the anthemic swing of the utterly outrageous "Scaccomatto" and the psychotic electro of "Minor Thinking". The C side opens with the cavernous bass riffs and the ghostly voices of "Gravel Fire", followed by the funky grooves and twisted synth lines of "No Flowers". An unusual breakbeat track, it marks an interesting turn of direction of a release filled with intriguing motifs from the off. "Blackout" opens amongst a claustrophionic vibe, before things come down a peg or two on the dreamy, celestial strands of "Mandibola"

Non stop house tools! Directly recorded from his liveset, Marco D'Aquino aka Duwka, a half of Life's Track with his fellow friend Herva, provides the first series of 6 effective tools for every dancefloor and for djs who like to spin!

In the mood of some early Soundstream or even Dancemania trax, they are rich in funky elements, disco samples, powerful grooves! Find your tool, or just let the whole side rock till the end!

We have been really impressed by his releases on Dockside & Hizou, his music expresses perfectly our= essential vision of dark subtle and Intimate afterhour- like club sound with his edgy elegant and minimalistic approach over a raw and gritty sound recording, and especially our meaning of "groove", the whole enriched by his aquatic and unmissable original touch. It has been hard to make a decision over the wide selection of tracks from this ultra prolific producer who has actually a long history and background into the detroit techno scene, collaborating in the past for such labels as Transmat and managing the Buy Rite Records shop. What you'll find here it's basically what truly sounded to us as tough and timeless: the EP starts with the rollin funky blues of Kreatorz, while the second cut of A side is taken by the detroit driving trippy tool of Quincee; on the B side instead you'll find the techier dirty and hypnotic stripped down groove of E Way and the conclusive vocal house track of the record called Ucanb which goes more soulful

After their featuring on Kyle Hall's Boat Party EP, the Bologna based duo Nas1 join the Bosconi Family with a lush six tracks vinyl strongly influenced by contemporary detroit house. A side starts with the chuggin and moody beat of "Black Coffee", then continues with the stomping and sexy midtempo of "I Don't Mind" and ends with the more mysterious, electroboogie raw jam of "Dallas Vertical Roll". On the flip we find the slapped roadhouse blues of MadTurkey followed by the twisted Gifted & Blessed's re-interpretation of "I Don't Mind". The EP ends with the melancholic and soulful textures of the shuffle groover "Hoarse Presence". Tasty!.

After the last acclaimed Pretty Eyes EP, and releases on Slow Town, Fly By Night and Messalina 'Don' Riccio is back on Bosconi Extra Virgin with a new four tracker EP fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.The record begins with the romantic vibe of the deep house and jazz-fusion oriented tune "Here You Are" , followed by the mid tempo jam of "Marcela" where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track "Please", as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover "Tessie" closes up the EP with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere.
More richness in club music for your incoming summer!

After releasing in the past two years with several projects as Nightdrivers, Tru West and together with Ekkohaus, tireless dj and records collector homeboy Rufus finally strikes back on Bosconi Extra Virgin with his first solo ep since 5 years named 'Black & Blues' , a 4 tracker vinyl of moody, sampladelic

mpc styled and lunar deep house. The record starts with the dark and mysterious funkiness of Blue&Black, an intricate but fluid dialogue between a carillon, jackin percussions, guitars accents, background voices and a dramatic strings

theme which are playing together and rolling all over an irresistible swinging groove. Next is 'Sad Eyes' a romantic, bit melancholic, deep but punchy house track enriched by afro latin percussive elements, striking 909 beats and catchy brasilian jazzy vibraphone riffs. On the first cut of the flipside instead you will find the sunrise-discoish-banger called 'Cosmic Echoes', a raw but excellent work of 70s jazzfunk cut up samples and hooks embedded into a triumphal oldschool house groove, while on the second cut, the ep ends with the dubby afterhour styled, quirky, smooth, bubbly, trippy beat of

'Cruisin'. Welcome Back Rufus!

Bosconi Records has long been renowned as arguably Italy's foremost exporter of house and techno music. 10 years in, they celebrate one decade in the game courtesy of 'Bosconi Stallions Volume 2', a 3 x 12' release that features some of the label's most prominent names. 5 years after the inaugural 'Stallions' release, 'Vol.2' is a timely reminder of the talents of one of electronic music's most consistent labels. Before we get to the music, a word for the artist. Bosconi's iconic stallion is presented again, this time by none other than Silvano 'Nano' Campeggi. In case you're unaware of the man's work, Campeggi is one of Italy's most renowned contemporary artists. Active since the 50s, he has portrayed cultural icons such as Marilyn Monroe and designed 'Ben Hur''s iconic advertisements, which is where he first developed his famous horses concept. His iconic images are associated with the golden era of Hollywood, and he also worked on artwork for the likes of 'Napoleon' and 'Casablanca'.Suffice to say, stunning artwork should only be matched with stunning music, and 'Bosconi Stallions Volume 2' is very much a triumph in this regard too. From Nas1, who kicks off the release courtesy of the brilliantly bleepy 'Peli Peli' (complete with 8-bit sounds) to A Guy Called Gerald, whose 'Always' sees him welcomed back to the Bosconi fold in emphatic fashion to label boss Fabio Della Torre (who perks up under his Minimono project alongside Ennio Colaci with 'Pandora Peaks'), this is a release that's stuffed to the brim with high-quality electronica.

The likes of Riccio ('Get It On') and Rei Loci (the suitably named '808') are reminders of the label's ability to introduce new talents, whereas British tech-house stalwart 100hz shows he's lost none of his panache on 'Tenderness' and Rufus (a member of Bosconi Soundsystem alongside Della Torre and Mass Prod) impresses on the haunting, eerie tones of 'Under the Line'. Mass Prod is another individual who makes a stunning solo addition here, with 'Mathemagix' a frankly mental piece of music that has to be heard to be believed.

The release is full of surprises too. Life's Track (aka Herva & Dukwa) impress on the chaotic, UK-inspired strands of 'Wasting My Time', while Herva's gorgeous 'Crash Point' makes for a fitting finale. Elsewhere, up-tempo cuts from Dukwa ('Thanks Daddy'), Bosconi Soundsystem ('Tutto Gas) and Soutine ft. The Clover ('Florence Shuffle') ensure the listener stays enthralled throughout. A package that features a plethora of exciting sounds, the much-anticipated second 'Stallions' series is a real joy from start to finish.

It's "Illegal Jazz" time again. Toy Tonics head honcho Mathias ‚Kapote' Modica and former OYE Records music impressario Delfonic started to release some of their reworks of rare dance jazz tracks. Made originally for their own DJ sets, then released on two limited EPs. The vinyl were sold out immediately. So they decided to do a next chapter: four reworks of obscure Latin Funk, unheard disco Soul and lot of jazzy vibes in here - not easy to decipher the originals. All tracks have been reworked for DJ buisness - editing, looping, adding drums - with full respect to the original artists. To make dancers hear and feel their vibes again.

A figure at the heart of the Parisian scene, Yoyaku favourite Janeret readies the third release on Chris Stussy’s blossoming Up The Stuss imprint as he delivers his four-track ‘Difference’ EP - a classy journey through slick garage-tinged melodies, dubby immersive textures, and rich house flavours.

Remix time is good time. And good time is better time. Johannes dropping his latest remixes via the queen of medium, vinyl that is…. Benjamin Fröhlich's "Tivoli" gets a positive, summerish 4/4 disco re-treatment. A slight DJ edit of Kayroy's "Identification Unknown" features the beautiful voice of Miela to brighten up your day. Melbourne we salute you! On the flip Jay tweaks Rydim into a frenzy acid smash. "Fomo" files under emotional dance floor roller coaster. You know that rhythm is all we have right? Leon Revol's sparkling "Acid is rolling" gets all bodies moving through a non-stop-bass-driven remix. Kudos all labels involved: Permanent Vacation, Pets & Get Physical. Quick white label action housed in a red jacket. Just the way we used to do it.

2021 REPRESS - LIMITED 250 COPIES // YELLOW VINYL + NEW ARTWORK SLEEVES
Alex Ranerro is an producer from Slovenia, his musical output is embossed by his versatility as a music producer and DJ, embossed groovy sound packed with emotions.

Having released on PIV, Sintope and Talmann Records, Alex Ranerro makes a return to Bondage-Music, he delivers three new original tracks to drops his next EP on Bondage-Music.

On remix duty are the very talented French producers Politics Of Dancing.

Disclosure returned in February with the brand new ‘Ecstasy’ EP where they rolled out a track a day over five days in the same vein to their last release, the ‘Moonlight’ EP (2018). Only this time, the ‘Ecstasy’ EP was in fact, a precursor to their third album ‘ENERGY’ – set for release on August 28th on Island Records.

Renowned live artist and Premiesku member Floog delivers four shimmering microhouse cuts on Archie Hamilton’s Moscow Records this September. Hailing from the vibrantly active house and techno scene of Romania, Floog has established himself as one of the country’s most distinguished artists with releases on labels like Mulen Records, Atipic, Joule and MEOKO. One third of the Premiesku group alongside Livio & Roby, he has specialised in capturing the infectious rhythm of drum machines and analogue synths with regular support from Apollonia, Petre Inspirescu, Raresh, Priku, Sonja Moonear, and many more.‘The Gathering’ kick starts the release with layered claps, a low-end analogue hook and tantalising high stabs, before ‘Balance Right’ continues his signature minimal aesthetic with sparkling bleeps, sweeping vocals and a catchy synth loop. On the flip ‘Amiba Ta’ gives an eerie feel whilst tight drums lock in the groove, until finally ‘Sepe Patru’ closes the package with decayed voices, bouncing side-chained bass and saturated snare layers.

Revered DJ and producer Giuseppe Scarano prepares to launch his debut EP Feel Good on his own NICEPEOPLE imprint.

A four-track offering with the dancefloor in mind, the EP opens with title track ‘Feel Good’, an understated house groover with a classic vocal sample. ‘Back Sound’ continues the theme of classic house elements as it traverses gently through melodic waters, before Chicago house legend Paul Johnson steps up to deliver an energetic remix of ‘Feel Good’. Paul Johnson, best known for 1999 chart hit ‘Get Down’, delivers an animated twist on the original with distinct synth sounds & heavy-hitting beats, whilst accentuating the original’s jacking groove. Closing the EP with ‘This Love For You’, the final track crafts an infectious house beat, concluding with a blissed-out finale.

Scarano’s musical journey began at the age of 16 when he started DJing for the first time and was quickly picked up gigs at local clubs. Influenced by Italian house music throughout his youth, he has since seen fast-rising success and shared the DJ booth with a slew of talented artists, including Matthias Tanzmann, Marco Faraone, Stefano Noferini, Joey Daniel, Ilario Alicante, Pan-Pot and wAFF, before launching NICEPEOPLE in 2018. Scarano’s Feel Good EP is the second release to premiere on the label which has hit the ground running, with seminal Dutch electro producer Orlando Voorn releasing a four-track EP Positive Vibes as the debut project earlier this year.

Having played at a variety of Italian parties and festivals including Clorophilla, Guendalina, Discorama and Heartz Festival, Scarano made his debut performance at Amsterdam Dance Event for Drone Time in 2018, further cementing his status as an artist to watch.

An emerging talent from the underground Italian music scene, Giuseppe Scarano’s debut EP is a testament to his unequivocal talent and fast-rising success.

Following well received releases on Detroit Swindle’s Heist Recordings an Phonica White ,We are happy to welcome aboard Londonian duo Kassian with their ébut release on Groovence « Music Without Words EP » out on November 8th 2019. Combining influences in jazz, soul, broken beat and hip hop…. Kassian is an exploration in house and electronica from a duo set on taking their own direction in club music.

NYC legend Pal Joey is back, offering up new versions of some classic tracks alongside fresh material on his revered Loop D’Loop label.

Seven deep house grooves that capture the essence of the NYC scene blending jazz pianos, hypnotic trumpet riffs and lush strings over the top of driving basslines, crunchy drum machine hits and soulful vocals written by Joseph Longo himself.

Based in Berlin via rural Israel, RAS are comprised of of multi-instrumentalists and producers Dekel Adin, Eden Leshem, and Guy Gefen. They came together as RAS in 2018; a deep appreciation of international sounds that cross common ley lines has resulted in a melting pot of influences. Armed with vintage drum machines, guitars, synths, bongos and a Tascam Portastudio 424 tape machine, they quietly released this eponymous debut album in early 2019.

RAS’ creative palette is relatively minimal, opting to work with a toolkit of analogue instruments and improvisational recording styles. Mixing surrealism, in-jokes and nonsensical word patterns, their lyrics are sung in Hebrew. The vocals are there to support the music, acting as another instrument in the overall sound.

Dekel, Eden and Guy managed to create an intricate balance between lofi soul and brighter mediterranean leaning club-jams, ending up with a record we might mistake as a lost treasure of the early 90’s.??A record that perhaps has an unconscious connection to the past, but more importantly to an onward looking story of friendship and a musical journey which has spanned many continents throughout the last ten years.

With Sgurvin's last digital EP receiving praise from a varied selection of DJ's ranging from Ben UFO to DJ Tennis we're excited to present 2 of the original tracks from that EP with the added awesomeness that is neo-trance/techno underground star SYO aka S.O.N.S aka Timothee Victorri take on "Ambience I Love You" and label boss Prins Thomas churning further through the elements of "Take Me To Heavens".

Full Pupp HQ 26th of February 2021

With his deep musical education, Daniel Varga produced under many pseudonyms (Soda), (Borneo und Sporenburg), (Cybordelics) formed in Stuttgart in 1993, (REWORK) or by Toni Mono released on F Communications in 1995, a disc that haunted the dancefloors of the time. Besides countless releases of his compositions, and numerous remixes, he has also contributed to the music of numerous film projects. One of the favourite discs of the founders of the label.

After the two stunning Tenenement Yard albums on Eye4Eye, Altered Natives comes back on Bosconi releasinganother strong three tracker ep full of pagan and mythological inspiration called 'The Fates'. As the artist says,this EP was based on the Moirae, the 3 Greek/Roman goddesses who controlled fate. The Greek word Moirae iterally means a part or portion, and by extension one's portion in life or destiny. They controlled the metaphorical thread of life of every mortal from birth to death, so each track as be named for each one of them: the dark bass house anthem that opens the ep is Nona Clotho, who spun the thread of life from her distaff onto her spindle.

he return on bosconi of the wonderkids from Firenze Sud, Herva and Dukwa (aka Marco D'Aquino) as Life's Track, consists in a explosive blend of pure freestyle ghetto goodness!! Four burning tracks dense of special effects, sound manipulations through tape distortions and pyrotechnic structures: A side starts with the funky builder It Fell Down, a full on, rough and raw ultra filtered disco house dancefloor anthem in the vein of a more warped and f**ked up Bangalter or Shake Shakir, while on the second cut there's the aggressive and drunk ghetto blaster of Come On; On B side instead you'll find the breathtaking groove from the driving acid techno bossa of "Rescue me" and the electro breaks from lost cassettes of the melancholic and dreamy closing ep lullaby "Sometimes They Come Back"..

Martino Marini aka Mass Prod contributed to spread the seeds of the Bosconi Records nationally and internationally. Unforgettable are his early releases 'Bosconi Groove' and 'Paris,Texas' which gained a great success, especially thanks to the track '72 Minutes Of Scrubs A Day'. After many years of studying in consevatory of electronic music and improving his already exceptional skills within music production and composition, between a freaked out IDMish album on his own Wo Land label, releases with Herva on Kontra Musik, Marmo Music with the Tru West- The Leftovers projects and the Nightdrivers records with Rufus, the prodigal son is finally back with an edgy four tracker of pure anti-romanticism named 'Ears In My Eyes': the record starts with the perlonish, groovy and funky minimal house jam of Marmeria Mornings feat Vash (collaborator at Marmeria Studios in Genova and well known synth repairer in Italy), while on the second cut there are the sexy, electroish and ultra catchy SH101 bass line riffs of the title track 'Ears In My Eyes'. On the flip side instead let's get back to some swinging beats with the trippy and mysterious atmospheres of 'Marmeria Nights' while on the final cut more electro with another flying, rough and subliminal machine funk winner to close up this release called 'Aria Fredda'. It's been a long awaited one!

Bosconi gives a warm welcome to the new sonic adventure by label founder Fabio Della Torre and Ennio Colaci better known together as Minimono.Setting aside their old school funk injections for the moment, this time they deliver a fresh, crispy and more synthetic set of tracks where all their recent influences are melting together within an original blend of electro funk, deep n proggy tech house dense of catchy arpeggios, tight grooves for the dance floor and trippy fm synths textures condensed into this Binary Pocket EP.This killer 4 tracker record begins with the smooth journey of "Himself When" through its peaceful mood and driving beat, while second cut named “My Eye On You” goes more into a mental, hectic, broken, acidic and electroish direction. Flip side sees instead the arrival of the arabic and sinister riff of the proto bleep tech track "Please Repeat" and the more spiritual atmosphere of the Nu Era styled jam of "Jacked Pocket" which close up the EP.All the flavor you need here, Minimono knows how to do it, indeed!

After the release on french label Basse Resolution and after a couple of years since his last Ep on Bosconi, having released with the 'Under The Line' track one of the highlights of our latest 10 years compilation and as BSS together with his mates Fabio Della Torre and Mass Prod, Rufus is back on Bosconi with a new four tracker record which goes on a new direction compared to the past music he did. 'Ritual Chants' was mainly recorded in the abandoned industrial area of Milan called Bovisa and probably for this reason the release sounds all around a bit sci fi, cinematic and especially gothic. All begins with the raw techno jam of 'Fast Rituals' where structured mellow and dreamy synth lines combine with the dusty, aggressive and driving rhythmical transportation of its drum section. Fast Rituals is one of those electronic pieces which tells you a story from the beginning till the end, so please pay attention to it. 'Sapere Sparare' looks calmer but actually has the more mental and psychotic feeling of the whole record, driven by an intoxicating and fat bass line, rough jazzy beats and a lot of twisted out fm synths goodness whose times are punctuated twice by the warning female vocal theme of the track. 'Last Shot #5' instead is a jacked out, hypnotic and darker broken house track dense of pumping low ends and subtle but glorious synth riffs properly made for the late hours and totally in the vein of a Baby Ford - Minimal Man production.'Tenebre" closes up the EP with its horror movie atmosphere, drilling drones here and there, big bouncy bass lines, reverberated snares, drama strings and a dominant sinister melody which slightly reminds of some old DBX track.

very limited !! only 100 pieces!!
Rounding up the finest of our rare breeds for a show-stopping steeplechase, Bosconi is proud to invite the world into our

stables to demonstrate the sound we have been rearing for the past five years. Leaping from the stocks in a flurry of highpedigreehouse and techno, our Stallions bring forth the values we hold dear in electronic music, from young foals such as

Herva and Nicholas to seasoned steeds like A Guy Called Gerald and Nick Anthony Simoncino.

It is the beginning of a new ride, every stallion has its own peculiarities, its color and its preferences: the house sounds of

Riccio and San Proper & The Clover deliver the power of Apacz (022), while those Bass of the Brothers in low (Alex Picone

and Mass Prod) strengthen the security of the black Neged (023). The Raw sound of the I.F.M. duet (Marcello Napoletano and

Fran Mela) instigate the oddity of Teona (024) since the epic ride of Athena (025) made between the dub techno sounds of

Ennio Colaci and the Detroit/Chicago atmospheres of The Oliverwho Factory and Nick Anthony Simoncino. Like every time

you ride a new stallion, is an experience that shakes your legs but eventually restores trust and desire, feeling and loyalty in

the race towards new musical interpretations.

It is better to let the horse follow his own path, and pretend it's yours. There is no secret more intimate than that between a

rider and his horse. (Robert Smith Surtees)

Teona will lead the third and penultimate Stallions gallop along with home Bosconi Records. Starting from Dry Scream by Alex Picone, a forest full of warm sounds and rough that only analogue instruments and a tape recording can give. Follows, always on side A, Quanto tempo ci rimane a track of the mysterious matrix Nightdrivers edited in terms of house by label boss Fabio Corcos. The vinyl rotates, thoroughbred gallop in the B side, where they find themselves in a syncopated bassline with

Dirty Vibes of I.F.Ms, aka Marcello Napoletano and Fran Mela, and a broken rhythm and essential characterized by a hypnotic groove that aims at creating an atmosphere featuring in Dark Clouds, produced by young people from home Bosconi, Herva and Marco D'aquino aka Life'S Track..

For the fourth and final round of the Stallions compilation, Bosconi Records closes in style with Athena: muscular four tracks that run between Detroit and Chicago sounds, Dub and Ambient aiming at the discovery of new, unexplored horizons. Selected big stallions, which feature the best of their talent trying to cover up unknown journey and territories but leading to surprising results. The Oliverwho Factory with a rousing Mind Free, Nick Anthony Simoncino of an entrancing and picturesque Tramonto Techno, Nicholas with a soaring and disruptive From Somewhere Else and Ennio Colaci on beautifully

nuanced Hinterland, close one of the most interesting art projects in recent years increasingly raising even more Bosconi Records in the Olympus of globality.

This is a city of contradicting systems and clashing elements. Its morphology becomes a direct representation of a poly-rhythmic frenzy, avoiding any attempt of crystallization into a single entity. Hi hats become columns, snares turn into repeating arcades and drum kicks form encompassing volumes.
This is the architecture of the absurd, where reality as a single vision is no longer possible. As music helps us escape our bound dimension through obsessive repetitions, this city wants to be a materialization of this transcendental power.

Timeless, raw and obscure melodies composed by Moray. Tomoki Tamura and Los Pastores remixed Checking Defaults and My System respectively.

Mastered and engineered in Mexico by Sidartha Siliceo.

Pressed in Germany.

Original artwork cover by Three Fingerz Workshop, London.

Phonk D is back on Exploited’s hallowed Black Jukebox series following the success of his #29 takeover earlier this year. You just can’t keep a good man down...

‘Let’s Shake’ leads the way with serious funk intent, mixing a thumping MJ-esque bassline with some of that late ‘70s / early ‘80s synth magic. Phasing guitar licks sidle up against spunky horn swells and sassy vocal blasts. It’s a track that has ‘party-starter’ written all over it.

‘Reality Dance’ is a chuggier beast, building slowly through looping guitar-and-bass plucks until a feel-good melody emerges. This low-slung, low-tempo groove is in no hurry to lay out its funky machinations, making for a perfect early-evening floor-filler as cocktail glasses clink and glitterballs bling.

‘Players Anthem’ chunks things up with conga-inflected groove and an arpeggiated bassline throb underpinning swooning female vocal harmonies. It rocks a simple arrangement that lets the groove do the talking, with sustained string notes adding an element of tension at the requisite moments.

‘No Limits’ sees Phonk D team up with old sparring partner Sascha Ciminiera for another hot collab. The bouncing off-beat groove pumps pleasingly in classic disco fashion, with a joyous mood built through Rhodesy chords and a scintillating synth line. Swelling horns are buried deep in the mix in the second half to help propel the track highe

collecting orders for repress

For our 9th release we welcome the French code programmer and electro producer Prince de Takicardie. An atypical release for Twig, always seeking for upcoming and talented artists.

Titonton Duvante's Residual imprint has long been considered one of the most respected house-leaning labels in the game. Over the course of the past two decades, the Ohio-based label has housed works from some of the scene's foremost players, with the likes of Boo Williams, John Tejada, Demarkus Lewis and Volcov among those who've repped the tight-knit label with distinction. The label's latest is another high point for all concerned. A V/A featuring the works of Duvante & Andreas Saag as well as Garrett David, Todd Sines (under his .xtrak alias) and Fym, it's a wonderfully varied and exciting release that speaks volumes of the label's ability to consistently churn out top drawer house music.

"Cosmic Shit" is the debut EP of Chronic, Mazette Records' founders.

The french duo produces a progressive EP that goes from deep house music with acid influences to minimal or even broken rhythms.

A long journey and long months of work to finally bring a new touch to the house music that we know so well.

Cosmic Shit reminds of this craze they have for electronic music that pushed them to see this far. For them, it's the beginning of a new era.

the 1st Funkenflug Various Artist Compilation contains a Deep Orchestra of tracks on a 200 pieces pressed limited Vinyl Edition.