House Vinyl New Releases - News

NUDIBRANCH Presents - Resin. Having previously released on Tru Thoughts and Brownswood Records, this is the next step in the evolution of musician-producer Ratomagoson’s unique sound.

Featured are three original tracks and a remix by Wah-Wah 45 and Forgot Record’s affiliate Hoffy. Infectious guitars, resonant bass and latin percussion are weaved with cuts of funk drums from the MPC, melting the boundaries between sampled and recorded music.

DJ Support
Skinny Pelembe - Soho Radio - Resin
Elijah Minneli - Soho Radio
Amu//Mizu - Balamii Radio - Resin
Rob Luis - Unfold Radio - Resin
Future Bubblers - WorldWide FM - Choose
Sara El Harrak - Netil Radio

More emotive club tools for the dance floor on the HPNX imprint. Slip-D brings 3 tracks to capture the club or crack on - late night sessions are ahead for his second ep on Hypnoelectronix.

For some the groove cannot be learned or given; it is an inherent and intuitive part of their soul, and it burns bright within Intr0beatz. Three cuts of authentic sample-driven house, laden with swing, and delivered with panache.

To round it off Russia's Scruscru follows on the flip with a characteristically playful rework of Local Fryer.

The third release from FLMB sees two artists given space for their refined and updated tech house outings. Umberto (aka one half of Bologna duo Nudge and owner of 320 kb music) brings the deep bassline and skip of his 90s Italian house heroes to proceedings on 'Restoration', while the bumping low end and syncopated chords of 'Kidz' nod back over the Atlantic to the dusty garage house sounds of New York. On B side, Seafoam Delivers 2 Unrelesed Guidance style cuts from early 2000 Sophisticated Deep.

Having successfully joined forces with Samo DJ on two tidy EPs for Public Possession and the Trilogy Tapes, former cos/mes man 5ive makes his long-awaited solo debut. First up is the undeniably cosmic and spacey deep house chug of "Planet Be", where shimmering synth riffs and bubbly electronics cluster around a sparse, tribal-tinged groove. He successfully breaks up the beats and ups the dreaminess on languid ambient house cut "Almost Heaven", before wrapping what sound like Harmonium lines around a bustling Afro-house groove on "Contrast". 5ive rounds things off in impressive fashion via "Entropy", an ultra-deep affair that sounds like dub techno for the dream house generation.

Under the banner elusive of PBR Streetgangs 'Lost Property'
These 'found items' are rumored to be the work of Bonar Bradberry from his secret vault of special edits, rare works and oddities. This Volume may contain:
A1 An Original work 'Montego' is still very much a loving tribute to Metro Areas classic 'Miura'
A2 is an edit that may be more familiar to most. The Chaplin Bands 'Il Veliero' faithfully edited for club play.
On the flip side we have another faithfully crafted re-edit of Cymande - Brothers On The Slide Then finishing things off, B2 is a is a remix of a rare gem, officially commissioned and then lost to the world of library music 'Restless' is a track from Bernard Fevre's highly prized 1977 album, the original now changing hands for nearly £300.

A mystery label from East Asia. Vinyl only - limited.

From the twilight zone of Rhythm Section International comes a new label for 2017: INTERNATIONAL BLACK. This is the offshoot's 3rd release this year and the machine shows no signs of slowing down. Bradley Zero's ear for new talent continues to pay off as we are introduced to yet another young pair of producers, Mallard & LT, going by the name of 'J DEEP'. Mallard, a 19 yo Jazz student who made a big splash with his debut RS INTL EP, 'Verte', returns with a track aimed more squarely at the dancefloor. Although hypnotic and ethereal, it packs a punch, with the arrangement and musicality belying Mallard's
musical training at Trinity College.
On the flip side, Mallard joins forces with another promising producer who goes by the name 'LT' in their collaborational partnership known as J.Deep. Complex jazz chords swim around 909's to create an elevating techno roller that climbs and climbs only to give way to sparse rave stabs and ecstatic snare patterns.
Tried and tested for the best part of a year, these are 2 serious jams, proven to cause dancefloor frenzy.

Mat Playford brings his ethereal, techno soundscape to Carl Cox and Christopher Coe's Awesome Soundwave imprint. Taken from his forthcoming album on the label, Playford invites Detroit dons Octave One to provide the remix.

'I'm over the moon to have Octave One remixing my work, and to be able to share the start of this project with people. I've enjoyed making it immensely and I'm incredibly grateful to Carl Cox and Chris Coe for the opportunity and support.'
- Mat Playford

Already being supported by the legendary Carl Cox in his DJ sets, Kic 8462852 takes its name from a celestial object that was discovered a number of years ago. The original mix of the track is every bit as otherworldly as its namesake. It's a techno escapade into the outer realms with dreamy and melancholic synths, and pulsating drum pads that push it ever forward. Octave One take the track even further into techno orbit, stripping back some elements and giving full focus to that pounding bass line.

Mat Playford's love affair with music began from a very early age. His long and illustrious career has seen him earn not one but two DJ Mag Best Of British nominations as well as holding down a residency for iconic Ibizan brand We Love Space for more than half a decade. 2019 will see Playford forge ahead with his third studio album, Solar, also signed to Awesome Soundwave, and perfecting his live show that will incorporate a dizzying abundance of synthesizers set into a table hand carved out of a fallen tree, found and crafted by Playford himself.

Octave One need little introduction. The irrepressible force of brothers Lenny and Lawrence Burden have produced timeless hits that soundtracked a generation. They've released a slew of club hits on their own 430 West imprint as well as Underground Resistance and Derrick May's Transmat.

DJ Support:
Carl Cox, Octave One, Laurent Garnier

Max D's latest LP is the first full length album on 1432 R. It's a milestone from the Future Times boss, who's been holding it down in his creative corner of electronic music for over a decade. The album opens fast and fierce with I Think Our Souls Are Other People, a storm of live percussion and widescreen drone. And then from track to track, it strips itself down, mellows itself out, and rides on hypnotic loops. Many Any Dolo Brush is something of a cameo from Max’s Dolo Percussion moniker, giving way to the first of three field recording miniatures that glue the album together and provide a sort of romantic center. Fly Around The Room is a true half-time float, with a melody that sits in your ear while drums zip past. Shoutout Seefeel, a 130 mind cleanser, is full of the namesake shoe gaze and thick hovering techno drums. Lullabiological features the keyboards of 1432 R's own Dawit Eklund, wandering off the deep end like some dream that can't be shaken. Cuz It's The Way rounds out the work with a groove made for the dance floor. Max D and 1432 R: we are always on some hopeful shit.

Three tracks of left-of-centre dance music music from the Ears Have Eyes label bosses Murun B and Ivor E.
The track names draw on imagery from hazy memories of cartoons from our childhood. Detroit leaning techno, breakbeat-house and 3am trippy goodness.

Green Brown splattered vinyl

Osunlade returns with yet another full length, MOSS. This one recorded during the head of the Covid 19 lock down. With a sensibility of not knowing how to react, the studio became the voice of choice in understanding and omitting the fears and negative of the unknown. MOSS unlike the 3 other full length projects produced during this time, is a simple track affair., something for the dj’s and those aspiring. Tunes to rock in your sets and /or use as elemental figures for your accapella desires. Either way, this is a simple gesture of the groove and how simplicity rules. Done completely on an ipad with no other gear, this is proof that its not the tool but the mind. We hope you enjoy this offering!
Play it loud!

All aboard the Beyond Paradise escape capsule, as they throw down with a four-track trip of cosmic chuggers from The Local Beatnik.

‘Mountain Walk’ opens up proceedings, a weighty chugfest that stomps through the undergrowth. Tripped out vocals, throbbing bass synths and mystic wobbles, all venturing out of the interstellar jungle. Turning the corner, psychedelic new wave guitars, entrancing drum loops and lustful French phrases meld together for ‘Eskase’, causing kaleidoscopic swirls as far as the eye can see.

Flip it to take a trip to the Far East for ‘Travel’, getting lost along the way and wandering into a parallel universe where sci-fi, synth wielding robots dominant the dancefloors, drum machines are fed acid and disorientated travellers are captured for their musical knowledge. Out of their grasp and heading to relative safety, you stumble across a delectable ‘Eastern Dish’. One fork full, then two, spiced just right and you’re hallucinating to the space-age synths and percussive treats that follow. Sitars flow with steelpans offering a suitably immersive closer for this standout E.P. from The Local Beatnik.

A bit about the artist: Wahono, real name Harsya Wahono is an artist from Indonesia. He graduated from Berklee School of Music studying Jazz Performance. He had a brief stint in NYC working with the good people at Other Records before they unfortunately closed shop in 2016. He is now back in Indonesia where he runs the label Divisi62. This is his first release and we look forward to many more.

Miami's DJ Club 1235 drops 5 club BOMB's on House Crime. Stripped back ghetto houz jack at it's most defined!

For this 10th release, Daydream is very proud and happy to present a solo EP from the great Berlin based talent Sota. After having hosted the talented Dutch producer on two V/A already, it’s a true honor to now have him on board for a full record. Through 4 minimal rollers, Sota carefully crafted the right blend of trippy and more uptempo house cuts filled with raw sounds, infectious groove, bass driven melodies, tight rhythms and deep warm pads. All the Daydream vibe embedded in a strong piece of wax.

Since its inception in 2011 the Fuse label has grown to be one of the leading voices in the dance music underground, originally kicking off with co-founder Enzo Siragusa's 'The Sagamore EP', subsequent releases were kept strictly in-house with productions from the roster of resident DJs that feature at their
London based daytime raves (Seb Zito, Rich NxT etc).

In 2013 offshoot label 'Infuse' was initiated as a way of harnessing
production talent from around the globe.

As a celebration of reaching 5 years of releases, a three part vinyl only EP is to be released featuring tracks from the established Fuse roster as well as a few new additions.

The third & final EP features Rich NxT, OdD & Rossko, Archie Hamilton & Sam Bellis

STRICTLY VINYL ONLY!

After a two year gap Clio is back on Metroline Limited after producing two of the most successful releases from the label's extensive catalogue: For Sure Baby (2010) and Do It EP (2012). In the opening track, The Beautiful Forces, Blade Runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station. On a more Chicago tip, Something Like That is a collaboration with French groove master Loquace. The result is a loose, flowing house jam, which as the lyrics tell you, is all about vibe - it doesn't have to be planned... it's just how you feel! The legendary Thomas Schumacher turns out a serious burner on the flip with his remix of The Beautiful Forces, bringing the vocals up in the mix and throwing in a pumping b-line to keep things moving nicely. Swiss rising star Yvan Genkins takes on marginalising the Chi-town flavour of the original and working the elements up into a eyes-down Tresor-style techno monster. Classic 909 hits, a satisfying low-end rumble... it doesn't get more floor-friendly than this.

Having honed his craft with some choice releases on the likes of Toy Tonics, Razor N Tape, Quintessentials and Shall Not Fade, home to his forthcoming debut LP, Bogota-born and based house DJ and producer Felipe Gordon now steps up on Fluid Funk with the six-track "Sincopa Liquida" EP, featuring New York / Detroit / Atlanta legend Kai Alce and London's funk master Aroop Roy on remix duty.

First in line, "Sincopa Liquida" treats us to a carnival of soulful Rhodes stabs, jazz trumpet solos a la Saint-Germain and accordion-like groove, all infused with a subtle retro charm. Evoking the classic French sound from the Roule years, "Samplin' N' Slappin'" comes in two versions - the original relying on a much syncopated swing, complete with mangled vocals and strings, whilst Aroop Roy's rework turns it into a more straightforward DJ-friendly weapon, sure to up the room's temperature effortlessly.

Flip sides and here comes the deeper "Obtuso", a vibrant throwback to Chicago house's heyday; its rough shuffling rhythm and muscular bass beautifully contrasting with the brittleness of crystalline piano chords and trumpet echoes out a smokey jazz-club backroom. The lush and dreamy "Evolving Textures" then heads for a more luminous, light-hearted pathway, where bouncy piano chords dance along discreet slap-bass riffs, as Kai Alce revisits the track into a more physical, jacking house number - preserving the original's weightless elegance, whilst breathing in further floor-ready character into the cut.

Early support from: Ron Trent, Basement Jaxx (Felix Buxton), Josh Wink, Jimpster, Osunlade, Fred Everything, Groove Armada (Tom Findlay), Vince Watson, Luke Solomon, Jimpster, Mr. V., Kate Hutchinson (WorldWide FM) and more.

Down & Out is the first studio based album produced by Joe Newham , released under the stage name Gavinco. This album is a electronic production with the combination of an Acid Jazz instrumentation alongside. The album consists of eight tracks that include a varied amount of musical genres from Acid Jazz , Deep House , Downtempo & Electronica.

Mermaids return to the sacred black wax after a five year break. It appears to have been time well spent, as their sound has matured into a rhythmic, expansive feast.

Coming on like a psychotropic, hallucinatory distillation of their anything-goes More Ritual show on Netil Radio, this action-packed EP is an evocative, cosmic journey that defies classification. There are sprinkles of deep house, disco and bass with a tropical, outward looking feel.

Opening track Crystal Eyes patiently broods it’s way up the energy ladder, winding around birdsong, field recordings, flamenco guitars and ear-worm grade drum patterns that grow into a propulsive, bass-driven finale.

Find The Light merges a driving a low-end with plaintive keys and sparkling percussion; high-energy dreamer music for weary-legged dancers.

The B-side kicks the mission off into a voodoo state with Raising The Altar; a mysterious and intrepid slo-mo juggernaut that carries the listener through a shamanic odyssey with enough sway to topple a pyramid.

Gilded Key closes the set with an uplifting, strings and percussion drenched groover that will leave you grinning widely, still drenched in the steam-heat of the ritual.

With early support from The Revenge, Rune Lindbaek, Andrew Thomson, Esa, Auntie Flo, Jaye Ward & more.

Equilibrium is the 3rd De la Groove vinyl focusing on guest and worldwide producers.

This time, we have the great pleasure to welcome the legend Don Carlos, alongside modern producers Sean McCabe, Reelsoul, Xxxy. We also have the pleasure to welcome again Art Of Tones, and a special track from Davide Fiorese and Peppe Citarella.

Vinyl opens on Don Carlos - Kissing, a soft and soulful italian influenced House track with many hints of Italo disco. A very dreamy dancefloor filler topped with awesome vocals from Don collection. 2nd comes Sean McCabe - Take It On Up in a broken house and rythm' beat, surfing on some rich chords progression and productions tips. Half relaxing, half banging, it's a nice journey to the soulful paradise. A3 closes the vinyl on Peppe Citarella & Davide FIorese - Organ Ride part II, a delicious groover journey among organ epic solos, covering a very tight bass-drum swinging base.

B1 opens the other face with Art of Tones - Freaky music. A groovy goes funky track resolutely aimed at shaking clubs and audience, with a heavy support of synth stabs on a grinding bass and loud drum section. On B2, Reelsoul delivers delicate soulful productions, with countless rhodes section and solos, an hear delight from the early afternoon chill to the latest moment of the night for a clean journey to the sun. B3 Xxxy - Eroma provides a touch of Lo-Fi and raw house, banging on beats and large pads touches, and a delicious piano moment for piano-lovers.

Timeless classics.

Three tracks from house music masters: Ron Trent and Chez Damier.
All "hard to find" versions. Enjoy!

LTD random marbled vinyl

Friends, it is time for a finish. Here's the seventh and last chapter of the festivities that we put together for our 50th catalogue number. Once again, the mighty graphics wizards Doppeldenk from Leipzig provided us with a delightfull artwork. And once again, you'll get a record that sports a kaleidoscope of sophisticated dance music from Uncanny Valley veterans and newcomers. This time with the emphasis on bright and positive timbres which can be associated with the colour yellow. Cuthead starts things with a bang and his PARTY CHORDS set the tone perfectly (including neck pain after nodding your head to the beat like there's no tomorrow). If chords could be president this would get a lot of votes. Massimiliano Pagliara shifts down a gear with the acoustic road trip SUNSET FUNK, a masterfully arranged track, made up for driving around on your bike, skateboard or whatever vehicle you are using to get from A to B. The slow and sexy IWESU YEWISU from the soul brothers of Duererstuben is a longtime favorite in the Uncanny Valley headquarters. We are super happy that this groover will finally see the light of day. Panthera Krause provides the subtle but euphoric THE NAKED NOW, a House music lesson that's bubbling under the surface. And finally, Uncanny Valley first-timer Daniela Da Luz closes the record with WHEN YOU GO ALL IN AND WAIT, a drum heavy but also embracing excursion into your own neural circuit

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A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

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Cosmic Garden returns to the mothership after a little hiatus, with 3 new jazz-funk cuts, followed by a superb remix by Chicago's very own Glenn Underground.

Having regularly played and partied together over the years, the 2020 lockdown enabled Dennis Cruz and Josh Butler to finally have the time to collaborate. Resulting in Ahora Todo Va, the first single from Dennis Cruz’s debut album, set for release on Crosstown Rebels this coming summer. UK favourites and label affiliates Gorgon City provide the remix.

If music can be used as medicine, then Ahora Todo Va will heal the darkest of days. Opening the track and setting the scene for what is to come, an excitable crowd can be heard lapping up the voice of an energetic performer. The duo make full use of a range of instruments, from the sophisticated piano keys, rhythm infused drums and increase of excitement throughout resulting in a triumphant crescendo.

At the forefront of the global house scene is Spanish DJ and producer Dennis Cruz, with a number of accolades under his belt. Gaining support across the board, Cruz has released on Solid Grooves, Moon Harbour and Hot Creations among others, and an ever-increasing list of Beatport #1’s resulting in him being one of the highest selling tech house artists. Since bursting onto the scene in 2013 with the acclaimed Got A Feeling, Josh Butler has been a prominent figure in the dance scene. Remixing the likes of Fatboy Slim, Carl Cox and Joris Voorn whilst also warming up for the multi-grammy award winning Nile Rodgers and Chic. Josh has released EPs on Rejected, Defected, Poker Flat, Kaoz Theory and more.

13 years ago, while Jerome Derradji was Djing in Liverpool, he was approached by a young lad named Andy Ash.

Andy handed Jerome a CD. It was so great that all the tunes ended up on “Carnival De L’Spirit”, his (now legendary) debut D12” for Stilove4music.

In the last decade, Andy has been releasing critically acclaimed House and Disco 12”s on some of the best labels on the planet such as On The Prowl, Delusions of Grandeur, Dessous, People Must Jam and many others.

Finally on March 29th, Andy will drop “Not At Home”, his first (official) full length on Still Music.

In more than a decade, Andy’s production has matured and evolved. It is now more sonically subtle,
superbly arranged and it seamlessly brings you straight to Detroit, Chicago and New York with the perfect blend of Disco, Garage, Acid and House.

“Not At Home” is a fantastic DLP with 6 songs that showcase how much Andy has mastered his craft while staying true to his roots. This is how real house music sounds like.

To top it off, Andy, who is also a fantastic painter, created his own artwork which perfectly matches his music. (Fans of Keith Haring will not be disappointed….)

With “Not At Home” Andy demonstrates incredible maturity, creativity and talent.

As usual, this release is limited to 500 copies on vinyl.

Without bottle opener

The eighth chapter of the Apparel Wax saga brings with it, as always, a multitude of sounds and suggestions. The masked producer always manages to renew himself, bringing something new and special to each record but always remaining faithful to his musical line. APLWAX008 will be released in January and consists of four tracks: the first is a track with a very marked dynamics and is characterized by a solid rhythm section, a bass line that recalls the UK garage, vocal samples and a beautiful harmonic evolution produced by evolving chords. The second track, A2, winks at Jazz and Soul with a production rich in rhythmic virtuosity, keyboard solos and an almost hypnotic vocal loop while the second side starts with B1, which takes us back to an imaginary dancefloor with a powerful beat and airy disco chords. The EP closes with B2 that softens the tones giving a more intimate, classy and deep end, with references to Funk and R&B. In short, an EP that touches many genres while remaining compact as a whole. Another small masterpiece of production and music selection by Apparel Wax.

After his 2 first EPs on AOC Records, Bellaire's coming back with a 3rd one composed together

with his friend Georges. Fully written by both artists, their EP "Contrasts" mixes their respective influences of jazz, soul and electro to bring out the best of each genre in an emotional house trip.

incl. Jazzanova Remix

Reflections Of Yesterday is a new label with an eye on the future and a subtle nod to the past.

Al Bradley has done some mighty fine releases for Midnight Social Recordings, Muzik & Friends Records, Bass Clef Music and his own 3AM Recordings with a penchant for all things Deep and Dubby his tracks were a perfect fit for the first release on Reflections Of Yesterday.

Scott Hallam has had releases on Axia Records, The North Remembers, Epoque Music, Parrish Digital, and Sub-Urban Undertones Recordings. Although known for his love of full on Acid House, his tracks here delve significantly deeper as he crosses genres with ease.


"Excellent 12. In my opinion, there’s just not enough of this type of music being released. Emotive rich sounds coupled with lush analog bass lines take the listener on one of those deep journeys thatonly music made by people who understand house can make"
Paul Wise (Placid)

Pale Blue Dot is excellent. Builds up nicely, real future classic Chicago/Detroit crossover.
Modern Senses is absolutely class - love it - like a nite drive through a futuristic city - wonderful,
bass line is analogue heaven.
Derek Carr

Extremely solid release starting off with two tracks by Al Bradley 'Pale Blue Dot' which carries on
the early house style but in a much deeper way. Then we have Chicago house vibes on 'In Flagrante Delicto' with its dreamy pads and subtle acid towards the end of the track.
On the flip there's two tracks by Scott Hallam with the latin percussion filled 80's inspired 'Kettle
Crusader' followed by the gorgeous, almost Yello Magic Orchestra-esque 'Modern Senses' showing how versatile he is as a producer. All four tracks are pure quality.
Mark Archer

In today's age we get mindful of life and love. The now rare nights of the true hedonist. A hero who's not afraid of the consequences. Who is ready to live that full life. To push the mind and senses of joy. No rules. Just reality. Wildness. Nothing can be stopped. Rule that Mystery.

Jacques Renault returns for a third Take Away serving and it's as fabulous the previous meals.

As always when Jacques serves up something it's solid, gutsy stuff without dogma.

Dishing up a four course meal is not an easy task, you have to prepare and pick the very best ingredients, luckily this is the best of that, complete with the depth of musical flavour that only comes with a little age.

Mr Renault hits the sweet spot once again.

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