House Vinyl New Releases - News

Frequent collaborators Shaun Reeves and Tuccillo team up on Archie Hamilton’s Moscow Recordings, bringing three intricate cuts plus a remix from Premiesku member Floog.

Both artists have been releasing music for over a decade with Tuccillo making appearances on Inermu, Holic Trax, Djebali and 8bit, whilst Reeves initially burst onto the scene via Raum… music and Wolf + Lamb before co-founding Visionquest where he still continues to release the bulk of his work.

That label is also where the pair initially joined forces and, aside from an outing on One Records and Shantu, where the two have consistently collaborated. Following the release of Archie Hamilton’s debut album, Reeves and Tuccillo now join Moscow Recordings alongside artists like Argy, Noha, Mennie and Floog.

Meandering onwards, ‘Fill Callings’ is a deep and dubby cut with pulsating bass, skipping hats and metallic whirrs. Next, ‘Chaboi’ ups the tempo, implementing a compelling groove whilst deep chords are joined by various tiny elements that pan throughout the mix, leading into ‘Anak’ – a stripped back number with a mean bassline, crystalline stabs and murmuring vocals. On remix duties, Romanian producer Floog adds extra thud to ‘Fill Callings’ courtesy of pronounced kicks and a reverbing snare that drives the track forward whilst a combination of distorted effects squelch and rattle.

After A Few Years On Hiatus, One Electronica Has Gone All Out In With A Heavy Debut 4 Tracker From New Member - Thought Camera. The Young Belfast Born Producer Who Has Been Very Busy In The Studio Putting Together An Arsenal Of Electronic Weapons Has Also Enjoyed An Increase In Popularity And Profile In The Local Scene Due To His Hard Work And Commitment To The Cause. With Such A Strong Release About To Drop In The Next Few Weeks And With More Unreleased Material On Its Way This Guy Is Worth Keeping An Eye On As A Rising Talent.

Without Using Too Many Bullshit Analogies - This Is Release Is Simply Dancefloor Bliss And A Djs Dream That Will Be Keep At The Front Of A Record Box For Years To Come And Could Be A Favourite Among Various Styles. The Title Track Astral Pilot Comes In Strong With Spatial Glitchy Electronic Chatter And Tubular Echoes That Are Pretty Damn Haunting. Headspace Comes In On A2 Which Is The Antithesis Of Serenity And Meditation That The Name Suggests. This Acidic Jack Track Is Upbeat And Laden With Bass Bleeding All Over The Place. Flip It Over And You Have Lifeforms On The B1 Which Is The Most Technical Track On The Release Which Ebbs And Flows Between Solemn And Sombre Leaving You Emotionally Twisted Yet Intrigued - This Is One To Look Out For!!! Obsession Which Aptly Depicts This Track, A Stalker In The Night, Haunting, Imposing, Friday 13th Shit. Not For The Faint Hearted.

From the underground of Stavanger Norway one could expect some serious filth and crunch, but Ullis Tapes issues two soft, gentle and almost slick house tracks with bubling acidic melodies and pads on the A (with Tom Ace from Club No-No 3) and lengthy slow chorded lullaby house on the B feat. Bejjer.

Your West Friends return from a squat soirée with a new contender in tow. With nothing more than a WAV and a dream, Tom Blip is the hero your party deserves. Famed for his Blip Discs filled with rhythm and verve, Blip teleports us to Baltimore on this with one misdemeanour on his record. No slackin' now, this one ain't coming back!

Wow, time flies... our 10th Various Artist release on Muna Musik is ready to go!

Spanish groove master Cuartero, known from Desolat and his own imprint Sanity, presents his new track 'Venty'.

'Adidas feat. Octobertwentyfirst' comes from remarkable German DJ and producer Emanuel Satie, who just recently collaborated with Pete Tong for his latest EP.

The track 'El Fluvio de la Vida' is another Masterpiece on Muna Musik 010. It has been produced by 'Georgeous' Gorge & 'Mr.Dance' Markus Homm, both known for their releases on 8 Bit, Cecille, and Diynamic.

Last but not least, Belgian DJ Iris Menza. She just released her first song ever on the Amsterdam based label PIV and we are extremely happy that she completes this release with her deep and groovy track 'Shuffle'.

We are super proud to present these four outstanding tracks on one EP!

Presenting a fully legit, remastered and repackaged reissue of this extremely sought after, cult 12" from the Addis Posse featuring unreleased and previously unheard music. Brand new style for 2020.

The Addis Posse was one of the main outfits on this cult label. Featured on this very special EP is the much sought after 'Pirate Acid Mix' of this original breakbeat masterpiece, which has been a huge festival winner with the likes of Peggy Gou, Palms Trax and Josey Rebelle amongst others this summer.

Joined also by a previously unreleased, pulled from DAT tape Alternative Acid Version which has never ever seen or heard before - this is a real treat and one DJs will want to sweat! Across the EP’s 4 cuts are all the 'definitive' versions of this absolute dance floor bomb - WD fashion - right and correct! Essential business, right here!

London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city.

A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books.

The Addis Posse ‘Let The Warriors Dance’ EP is the pure unadulterated WD vibe, featuring original label artwork tweaked by Atelier Superplus and lovingly remastered by Curvepusher, UK.

Special thanks to Nicky Trax & Tony Addis. Proudly distributed by Above Board distribution - 2020 -

Repress

Revered UK label, tastemaker and authority Renaissance, the label that has not only been at the forefront of the electronic DJ scene but documented its navigation into popular culture have honored a landmark 25 years by inviting Hamburg based DJ and super producer Solomun to rework a timeless classic - one of a number of tracks that shaped the labels early years. The timeless classic Jam & Spoon Watch Out For Stella Mix is featured on the B Side.

A constant innovator, Solomun; whom himself has played an equally major role in redefining European house music spoke of the challenge when faced with the prestigious role of reworking one of the most influential tracks in electronic music, for a new generation.

Solomun's enormous and poignant remix has already been a key track for selected DJ's over the last few months including Tale of Us, Dubfire, Maceo Plex, Sasha and Pete Tong whom made it last weeks coveted Essential New Tune.

'Renaissance The ReMix Collection'. Is a concept focused on introducing new ears to seminal tracks that have remained significant and iconic to Renaissance for over two decades. True to form Renaissance highly collectable vinyl products will be beautifully packaged and presented in box set form and available as limited editions.
The series celebrates Renaissance's musical legacy and firmly establishes its future place in the electronic music landscape.

U.K. based label brings out a strictly ltd and deep minimal killer from the Mexican producer who is associated with Vatos Locos.
Heavy plays at Sunwaves festival!

Two tracks that perfectly captured the zeitgeist of the 90's house era.
A must need for those heady educated listeners.

Faze Action return with the 3rd instalment of their 4 part series featuring Zeke Manyika. "Sununguka", sung in Zeke's native Shona, is literally translated to mean, "To unravel oneself and unlock yourself".

It's set over an infectious reggae, boogie rhythm, with an early proto house feel. Featuring backing vocals from Sharon Manyika and heavenly keyboard solos from Rob Lee, this EP is set to take us into summer and beyond.

The package comes with a stunning remix from Alan Dixon who has been lighting up dance floors with his releases on Running Back and more. Here he turns the original into an Italo/electronic Aend of night classics, managing to seamlessly Amerge Zeke's African vocals with a serious bass line, ahead of the curve, contempory production whilst placing the release firmly in the credible main room department.

On "A2" we have Rwendo where Zeke really stretches his songwriting skills as the whole track manages to fuse a variety of rhythms together to create a beautiful downtempo masterpiece.
Finishing off we have the "Special Extended Dub Mix" which strips back the original and turns it into a balearic house gem made for the summer ahead.

Funkyjaws alias Manwoman presents underground Chicago deep house sound, a few hints of the luscious jazzy instrumentals with swinging grooves, deep dive into the world of hard-to-find house classics, while Roland Nights bring some lush late night house, combining a warm bassline with clapping rhythms, shuffling beats, wobbly analog keys, and some great bagpipes. On B side Norwegian nu-disco veteran Rune Lindbaek together with Frisvold inaugurates his new remix for legendary Eddie Matos from Mateo & Matos duo. It's uptempo echo and FX laden remix which is kind of dwarfed in that department by the sprawling, tape delay heavy dub revision.

Must have new Label from Detroit. You may know Meftah from remixing Amp Fiddler on Mahogani Music alongside Jahn Cloud, but this is him self on hoiw own new label. “Music That Excites Me” gives word on what is happening here. Addictive, seductive trips through deepest jazz-inflected house, dusty keys, live bass and loose, expressive percussion intertwine in a mellow, bluesy haze it´s all there reminding among many other on Theo Parrish & Kdj but with a very own , very unique notaton. Needless to say we have only a very limited initial ampount at hand

2x12"

Can music be classic and contemporary at the same time? Can it contain a secret genetic code in which the summary of the past, the present pulse, and the future view are hidden? Be ahead of its time and not lose relevance along the way? "Let’s Call it A Day" the first album collaboration of German authors Move D (David Moufang) and Benjamin Brunn, which first appeared on a CD on Bine Music in 2006, now remastered by Calyx and on Vinyl for the first time ever, proves it is not only possible hypothetically, but can also live amongst us.
This is a complete piece built from seven sections, each one is a microcosm of unique textures, depth, ambience, emotions, programming, looping and melodic rules; Together they are a homogenous creation, a symphony that culminate in dance music experiencing elevation. "Let’s Call it A Day", which in a way is the big brother of "Songs from the Beehive" - their exhilarating installment for Smallville from 2008, is an album above the Zeitgeist. The way Moufang and Brunn fuse different genres together without committing to any musical doctrine, makes them appear prophetic. However, it is in no sense a retrospect feeling; even at the time it was clear that the perceptions, experience, vision, and delicacy of this album were outstanding.
Every element here, every frequency, rhythm, turnaround or keyboard tapping, is the material from which masterpieces are made of. From the opening meditative ever evolving loops of On the Magic Bus to the abstract drones of Grains with its almost nonexistent bass drum - like it was aimed to hit the Ambient-House craze of these past few years; through the mesmerising dubbiness of A, which sounds like a rave ending in an echo chamber and the constant micro-movement of the arpeggios in the title track; Ω, which sounds like a soundtrack for a sinking submarine footage and the ambient downbeat of C-Sick, which melts your heart from within; and finally the closer- the fragile and elegant beauty of Magnetically Leviated Train. More than 76 minutes of diving constantly deeper and deeper.
This new remastered version will feature a brand new and extra glossy Stefan Marx gatefold cover, that will give the perfect visual expression of the album’s timeless music. And If there was ever a downside to "Let’s Call it A Day", it would be its lack of a vinyl edition. Well, this is exactly what we’re sorting now, aren’t we?
Niv Hadas

Continuing the vibe set in motion by number 003, and in a timely shift away from the elevated tempos of the club, Startree slows it down just a bit more for its fourth go-round, raising its sonic ceiling and lowering its floor. The sensuous, broad-minded sound on offer here is the brainchild of one Mr. Eugene Tambourine, a name one can expect to be hearing a lot more from in coming months, given his distinct, energetic-yet-calming amalgam of musical delicacies, perfect for these shifting times.

“A Rising Sign“ somehow recalls salsa without using any drums, as it does house music without employing a kick. Don’t ask how, just let it groove and try to figure out why your ass wants to move despite the absence of almost all of the hallmarks of today’s “dance music”. All except for the outsize bassline which holds it all down firmly to the floor while playful electric piano chords punctuate and add blocks of color to a an idyllic soundscape animated by cascading chimes, glockenspiel, bell, synth and zither. This is a warm, sonic bath you’ll no doubt wish lasted longer.

“Le Lagon Noir” began for Eugene as an instrumental rendition of Laurie Anderson’s “Blue Lagoon” but is, here, reincarnated in the form of a louche, mystical, serpentine groove which wouldn’t sound out of place at an aquatic rollerdisco. Its lyrics have been revived, translated into French and voiced by the inimitable Camille Vourzay in her smoldering, dusky spoken tones. Bright and mysterious synth textures wash the rich, mid-tempo jam in a lunar haze while pattering percussion adds earth to compliment the water.

“Keep my Light” beautifully reframes a lyrical reference to the pop-gospel standard “I’ll Keep my Light in my Window” within a deceptively empty-yet-full bed of softly-rendered drum machine programming and shimmering metallic textures. Its wistful synth work hits that ever-elusive, melancholic magic spot between loneliness and abundant love.

Eugene's composition "Love Is On The One (No Rues It's True)" concludes the record, bringing the sentiment back home to where the heart is. Yevhen Bubon's vocals lead this softly jubilant celebration of a bond between souls. Using a palette which suggests both Logg and Larry Heard and lyrics which may provoke a tear, this is space-y, groove-laden music for both earthly and cosmic lovers alike.

Startree is delighted to present Eugene’s unique sound to the world as a continuing statement of its musical intentions and its simple desire to inspire and have a good time.

Seemingly drawing from a slightly different well of influence from that seen across their prolific back catalogue, the Aarhus duo going by the less common shroud of Palta & Ti have hereby woven together a stylistically varied yet tonally concentric 3 track EP. Having produced a wealth of some of the most lovingly referential and consistent music of recent times, the tracks making up Palta og Ti på den Tolvte Ø are slightly harder to pin down to exact genre markers. Each song is busy yet never overcrowded with elements; building concise and playful grooves which if forced we would say positions them somewhere in the ambient space between jazzy-improv-house and dubby, hypnotic electronics. That's as absolute in adjectives as we would ever care to be... Expertly crafted both technically and musically, we are more than excited to be able to present this to you as our fifth installment

Here is the 6th release on P.O.D CROSS, where production and Dj duo Politics Of Dancing (S.M.A.L.L & Paco) hook up in the studio with their friends. On this one, we have on the A Side, French Berliner Okain, and on the B side, English producer / Dj, Rowlanz. 100% european house music, tailored for worldwide dance floors.

House music at its finest. Finally the next TW Limited Record is here. It contains for tracks of the up coming album “Love Filter” from Thomas Wood.
For lovers only!

Bass Cadet Records returns with a strong EP from its founders Arcarsenal.

New Greg Gauthier on Qalomota Records!
After 'Better' with Kenny bobien here is the new production from this famous French DJ/Producer. 'Fast Forward' introducing the female
singer Asha is a perfect vocal for deep house lovers. Sweet and groovy Greg and Asha give you an exclusive taste of house music feeling.
Only on Qalomota Records!

Coladera is a merge of friendship and talent formed by Vitor Santana from Brazil and Joao Pires from Portugal. Both artists were eager to create a sound which they felt was missing in the Lusophone world: a true refelection between Portugal, Brazil and West Africa, especially Cape Verde and Angola.

With their latest Album "Lá Dôtu Lado" ("There on the other side") they created an authentic example of their dream, featuring songs which emphasizes the close musical and cultural ties within the Atlantic triangle. An epiphany on both sides of the Atlantic were the goddess called Yemajá on one side and Kianda on the other side. both are associated with the water and feminine mysteries.

LA’s Cromie joins Detroit imprint Clave House to release four mesmerizing cuts entitled ‘Root Bulb’.

A familiar face in the Los Angeles house scene, Nikola Hlady aka Cromie has established himself through his talents and graft in the studio showcasing his distinctive deep house rhythms, clever chord progressions and focus on charismatic sound design. His previous releases on Material Image, Amadeus Records and These Things Take Time join hypnotically driven atmospheres with captivating rhythms creating forward- thinking yet classically-minded sonics. His ‘Root Bulb’ EP sees the LA producer join the Clave House family accompanying artists such as Ali Berger, Pascäal, 外神 deepspace, Appian, Gerald Norton, Segv and Berndt.

Cromie's ‘Root Bulb’ EP picks up where his 2018 releases left off, taking inspiration from the Southern California landscape that surrounds him, with its juxtaposition of endless expanses of concrete amidst its staggeringly diverse flora and famous sunshine.
‘Root Bulb’ kicks things off with absorbing pads layered over rough and raw percussion with angelic textures in the distance before ‘Lilac’ delivers breaks-tinged drums, a catchy, buried sample, infectious synth notes and warming melodies inviting the listener’s focus.

‘Aristocrat Motel’ maintains the enrapturing ambience by fusing pulsating bass shoots, alleviating tones and charming, earworm keys offering a club-focussed yet introspective track until ‘Root Bulb (Grove Mix)’ rounds off proceedings with downtempo broken-beat grooves, tantalising vibrations and undulating, cosmic elements.

TONE SERIES is glad to present you the 5th EP TS06 (TS06) of its soulful and colorful release series.

London based artist Fede Lng is back on Axe Traxx with his 'Shaolin 808' Ep. The Ep features a collaboration with Miami artist Mojeaux called 'Prove Yourself' - 80s music lovers might spot some samples they know in there.
The original track get a smooth remix by the Alabama house master Byron The Aquarius who's just fresh off his Apron Records Debut.
The B Side sounds more like what Fede's been working on lately in the studio with his analog machines, 'Broken Miami' is the most melancholic track of the Ep and with it's broken rhythms it ties itself to a more recognizable and highly pleasurable sphere, while the B2 is more hard hitting and club ready.

Depth & Weight out of Ireland deliver with 4 fresh across the board tracks fitting house, electro, experimental and leftfield guises. With support across the board among the underground key players in 2018, DW001 is a various artist release representing the sound that started the journey of Depth & Weight. Lovingly mastered by Sven Weisemann, Berlin.
Not previously available in stores.

Mr. Crux a producer from a small town in the South of Wales. He's been making music as Mr Crux for about 6-7 years, mainly inspired by artists like Tycho, Four Tet, Bonobo, Jamie XX as well as a lot of traditional folk music and hip hop. "This EP was made when I got my hands on a large collection of old house, techno and garage records from the 90's and early 2000's. I sampled a lot of short vocal sounds, percussion, atmospheres and layered them with some live synth sounds. I tried to make something that sounded melodic and emotional but still had a bouncy rhythm at it's heart." Warm nostalgic house beats grabbing back to the past with beautiful samples and banging drums. Beautiful tracks for summer festivals or late night drives.

Pale Springs Records proudly presents its second release 'The Suburbs EP'. Label boss Niles Cooper is back with a four-tracker, this time stepping into the realms of breakbeat and dub techno.

A1 is a laidback 90's type breakbeat groove, lush with ethereal pads and flutes.

A2 is an atmospheric dub track, with punchy drums and heavy chord stabs. Layered on top is a gospel vocal that loops in and out of the groove.

B1 is a moody techno track with a rolling kickdrum and celestial pads. Distorted horns and nostalgic vocal snippets emerge from the murky depths, making it an emotional ten minute ride.

B2 closes off the EP on an eerie vibe. Dusty breakbeat drums are layered with an ominous pad and distorted leads. Airy vocals cry out on top of sizzling hi-hats, while white noise crackles swoop in and out. Vinyl only.

LumièresLaNuit is glad to welcome back French Berlin-based music producer and live performer Roisner. One year after his Piano
Roll EP (LLN003) that was released on the occasion of LumièresLaNuit's I anniversary, Roisner delivers this time a more dance floor-
driven EP while keeping some basic components that make his Piano Roll release so poignant and touching.
On the A side, Interstellar is a collaboration between Roisner and the French artist Sibéri. Interstellar is a journey that starts as
an invitation into a meditation state of mind, then slowly the rhythm takeover the pad, the kick and an other layer of percussions
bring you "back to earth".
Then, the B-side opens with Comet that proposes here a more dance floor mood with strong linear rhythms and dreamy melodies.
The gripping sub-bass line is the result of experimenting a patch of the modular system. Finally, the EP concludes with Shooting
Star, a rather mind-blowing and rocking song with a soft melody. Shooting Star remembers us directly of Roisner's Piano Rool, a
poignant and gut-wrenching track.

Shift Imprint release #005 presents some seriously crafted House Music from one of Detroit’s true pioneers, Santonio Echols.
With a record catalog that runs back to 1987, Santonio knows a thing or two about how to make a dance floor sweat!
To complete the release, Amsterdam’s Nathan Surreal delivers his deep interpretation of a track called “The Burner”, and it just feels like the perfect vibe to wrap up this record that Santonio himself considers to be one of his best.

Jon Tye and Pete Fowler have been making music as Seahawks for a decade now. Given the sounds they’ve been exploring over those ten years it was a cosmic inevitability that they would be asked to contribute to the catalogue of the legendary library label KPM.

They replied with Island Visions, an exploration of sound for vision where they construct “audio micro-worlds to explore and inhabit”. A way to transport the listener away from the everyday without the bother of getting on an aeroplane. Mind travel is space travel after all, and much better for the environment.

Mostly recorded at The Centre Of Sound in Cornwall, with additional recording at Studio 34 in London, Jon and Pete’s travelling companions on this particular trip were boogie wunderkind Sven Atterton on fretless bass and keys, Nick Mackrory on percussion and the Seahawks live team of Dan Hillman and Alik Peters-Deacon.

From the grooves of Brian Bennett to the moog vibrations of Mike Vickers, the lush textures of Les Baxter to the experimental sounds of Delia Deryshire and David Vorhaus, this new music channels sounds and moods from across the KPM universe.

The spacious “Hot Sand Shuffle” opens the record with some of Seahawks’ familiar “deck-shoegaze”. The slinky digi-dub of “Sky Blue Sky” follows, gently encouraging us to lay back and relax. “Mystic Beach” is a refreshing ocean spray of a synthetic groove that clears the head, priming a pathway to receive “Crystal Forest”, a new age house groove of birds and flutes.

Dense, deep and dreamlike, “Distant Shore” is ambient rainforest house with a 90s vibe, its dense foliage clearing to let us bask in the shimmer and shine of “River Run”. Hang drum, electric gamelan, flute and loon close side A.

Side B bounces into being with “Catch A Wave”, an upbeat beach groover of synthetic guitar, effervescent synth and snappy drums. Equatorial bubbler “Paradise Bird Bath” soon glides in with marimba, crisp beats and fat synth bass. Fender rhodes, space echo and fretless bass make “Smooth Runnings” a laid-back poolside groove.

“Spirits Have Flown” conjures a hazy vibe with marimba, sax, synth funk bass and chilled beats before “Rolling Deep” serves up a light cocktail of sultry rhythms, refreshing textures, cooling sax and fretless bass. Almost-title track “Island Blues” brings the horizontal poolside feels with melodic chimes, oboe and more fretless bass for maximum vibrations. The marina drone of modular electronics, celestial trumpet and jungle ambience pay the album’s final respects to the cosmos on “Sun Salute”.

Like many KPM suites, this is a record of two distinct sides. The sunrise of side A brings a deep meditation, a journey within to renew the jaded self. Side B refreshes with cocktails by the pool and a chance to groove away the evening at some sunset beach party before dancing under the stars in the house of dreams.

Pete’s front cover for the LP is part map, part postcard: “the record has five different sections and I wanted to reference those in the worlds they created, musically and physically. From beach campfire, to poolside hanging and nighttime dancing. A kind of portal to those places and the pictures they inspired in my mind. All places we’d like to be in this turbulent year”. The track descriptions on the back help guide the way.

2020 marks 10 years since Ocean Trippin’, the first Seahawks release, and Island Visions is the perfect distillation of the sounds, sights, textures and moods that Jon and Pete have been exploring over the last decade. Sunrise to sunset condensed to two sides of an LP. The normal rules of space and time don’t apply here.

This is the first time Be With has worked with Seahawks, but individually Jon and Pete have been members of the extended Be With family since forever (Pete did those posters for our Ned Doheny tour and we worked with Jon on the vinyl version of Hatchback’s Colors Of The Sun). Of course we were going to put this out on vinyl.

Mastered by balearic engineer of choice (and Be With’s regular audio co-pilot) Simon Francis, cut by the legendary Pete Norman and pressed in the Netherlands by Record Industry, the sonic frequencies of these Island Visions have been precision tuned and encoded for optimum travelling conditions. Take the trip.

Stay On Sight Recordings, the signature label from Skin On Skin, announce their first single release with ‘Save Me’ on 12” vinyl and digital streaming. Slowing down the pace of his previous heavy-hitters for two sweetheart dance tracks that have been favourites of nearly every S.O.S set over the past two years, the title track was the first ever made under the Skin On Skin moniker while the B side, ‘Way Ur Touchin Me’ is a perfectly paired swooner dug out of the archives.

As Electronic Music knows no creative boundaries, Spiral Deluxe is clearly a profound and convincing example of what is possible in the times we live in today. Traditionally, they would be considered a musical quartet. Each of the 4 members contributing to make a special joint effort - the meeting of minds from different spectrums of the musical sphere, but if you move in closer to examine how each have modified the way they communicate in order to play with each other, its astonishing because it shows a entirely new platform on how collaborating can be from now on. Spiral Deluxe is a pure as it gets ! A longtime vision of their drummer/percussionist and Jeff Mills - yes, that Jeff Mills ! Before becoming the world renown and groundbreaking DJ, producer and artist he is recognized for, he was a drummer in his youth, which carried on up until he began DJing in the late 1970s. Since then, he had always carried idea to get back to his musical roots. This longtime dream began to surface a few years ago when Mills was bestowed a 'white card' residency at the Museum du Le Louvre in Paris. It was there that he found the opportunity to form a band for one night and it opened the doors to a chance to materialize his dream. Since then, the formation has carefully evolved into one might describe as a 'super band' - a group of highly skilled musicians, working together to reach a higher level of creativity. For example, although members are using electronic instruments, there is no MIDI syncing connection.

Each plays their instrument un-attached as if any Jazz or Rock band would play together. Each having a vast amount of experience in live and studio projects, this release displays their wealth of skill and musical knowledge that comes from Jazz, Funk, Pop, Gospel, Detroit Techno and all forms of House Music.

Two raw extended trips from the mind of STL in a rare foray beyond his self-run Something imprint. Stephan Laubner applies his usual auteur principles to these groove experiments, whose sounds circle round each other cagily, rough meeting smooth, organic meeting synthetic, all combining in a propulsive form that's classic STL. Shifty hats on 'Crank Notion' provide an insistent shuffle through which nauseous pads plot a dissonant course. 'Neat Buzzl' is a grimier excursion in the undergrowth, little creatures scurrying left and right while the kick maintains its forward stomp. Join STL and Assemble Music in these off-map excursions and see where you emerge.

Tripmastaz' label Plant 74 has been launched back in 2009 as a platform for young artists worldwide.
Since then it's catalogue got licensed by !K7, Defected, Cocoon, Ministry of Sound to name a few.

2017 is the time to get vinyl lovers their hands on vinyl only mix series of the best tracks from Plant 74's back catalogue as well as new unreleased music. That's our give back love affair with supporters :)

Short Attention, a new Mexican record label, appears for the first time in the vinyl world with a solid release in charge of Chicagodeep, co-owner of Perpetual Rhythms a respected record label from Chicago, putting Mexico in the radar of underground music.
Chicagodeep brings us 4 high quality tracks. Side A kicks things off with the electric synths and solid base of 'Flying Waltz' followed by the deep pads and a very powerful piano from 'Control Substance'. Side B show us a very powerfull drums and a growing sick base inside the track of 'Sofia's Rage' that is maybe the crown jewel. To finish we have '11th Chamber' a classic deep space vibe, where intergalactic chords and bubbly electronics gets equal. All four tracks are top notch.

On Pedro Vian's second album, the now Amsterdam-based artist opens up a new sonic chapter of his life, running through depths of emotions and feelings, traversing moments of euphoria, fury, serenity, hope and love. Recorded between 2014 and 2018, the self titled LP opens with a melodic flourish, drops down through mournful vocal driven pieces and lands on fast moving synths across a set of 12 deeply personal tracks.

A follow up to Vian's 2016 acclaimed debut album 'Beautiful Things You Left Us For Memories' - supported by Pitchfork, RA, XLR8R, Ransom Note, The Quietus, NTS - this sophomore LP shows the breadth and maturity of Vian's sound, falling in between the cracks of downtempo electronica, ambient and post rock. Pedro discloses: 'I have tried to be sincere, transparent and pure. During the recording process I have avoided artificiality. I do not like the overproduction of music. I like to feel the naturalness and the essence of the beat of the instruments. I like to look inside until I find something real with which to communicate'.

'Pedro Vian' arrives on Vian's own Modern Obscure Music imprint, home to like-minded artists such as Jamal Moss, Gavin Russom, Tevo Howard, Ivy Barkakati, Eterna and Sau Poler. Vian initially cut his teeth in the Barcelona scene, first as part of the duo Aster with JMII on Hivern Discs and Jamal Moss' Mathematics then as a solo producer on his own Modern Obscure Music, MM Discos and Spring Theory.

A truly poetic record that works in a club as well as on a romantic walk. Pure house bliss ...

If you do not know the basics, you cannot do the math - Belgian underground DJ mainstay Red D is starting Red Basics as a means to provide an outlet for his solo work. Forever inspired by a wealth of music from around the world the city of Detroit is where he always ends up and that is exactly the inspiration you will hear on this maiden release of the series. ‘Red Basics 1’ is a deep percussive house excursion with hints of Patrice Scott and Marcellus Pittman and ‘Red Basics 2’ moves into Robert Hood-styled gospel techno territory. Detroit love is where it’s at!

12" with transparent sleeve, 180g Vinyl First 12 from The Press Group from co founder Rupert Marnie
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. 'Masala EP' is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Benjamin Vigneron, also known as Vronsky, was born in 1991 in Aix-en-Provence, France.
As a Teenager, drawn simultaneously to Visual Arts, Cinema and Musiproduction, he made his first contact with Techno by working for a local club as a graphic designer. During his 20s, while living between Montreal, Canada and Marseille, France, it was revealed to Benjamin he suffered from a heavy bipolar disorder. As a reaction, he started losing himself in free parties and increasingly dangerous habits.

Gradually learning to love himself despite his flaws, he kicked his risk-taking after he realized the love of music prevailed over anything else.
Equipped with a strong desire to share his vision despite not being able to perform as a DJ, Benjamin started a youtube channel and a collective named Listening Blue.