Massive Birth bounces on slapped bass, Mod Jazz organ grind, and tumbling percussion. Wielding guitars that cut a Psyche edge. Mind Fair`s remix tames and tinkers with the hand-drums, and focuses on that b-line. Emphasizing its Post-Punk-Funk groove. Sky Dump is Afro Cosmic Prog Rock (think Alan Parsons or Skyy) pushed through Italo machines.
Talorypo pits 80s Pop marimba against a buzzing bionic bass-line. The resulting bubbling, fidgeting Electric Ethno fusion is given a more Industrial bashing by The Warehouse Preservation Society. Step-by-step, hitting a Bobby Orlando / Morroder-on-Mogadon chug.
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In 1992 DJ Duke came up with a Vocal House slammer sung by vocalist E. Scot that has
since became a club classic, being kind of rare. In 2018 Smile for a while decided to
reissue this gem with a well-balanced remaster by Deep House connoisseur Herb LF,
carefully cut by Schnittstelle in Berlin.
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London's Counterfeit Soul gathers some serious hitters for the labels 4th release. Full of the essence of Detroit, Label boss Frazer Campbell kicks of the A side with a Cloud 909 with the legendary Jorge Zamacona injecting the heat for Doom Dub. On the flip Jorge Caiado from Carpet & Snares creates a honey pot of smooth hypnotising chicago house with Ste Roberts closing the release with his signature rawness. A glossy yet textured elegance from these guys. Top tip for the Summer.
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Ilija Rudman presents Andre Espeut 'Tears To Sound'
featuring Ron Trent Mix
Over the last decade and a half, Ilija Rudman has been responsible for many high quality releases, delivering distinctly warm, sun-kissed, analogue-rich material on labels including Bearfunk, Instruments Of Rapture, Compost , 20/20 Vision, Electric Minds, Is It Balearic Recordings, Rong Music , Classic Music Company and of course, his own Red Music imprint.
Even so, the Croatian has rarely made anything quite as deep and sensual as the material showcased on this first full EP for NuNorthern Soul. Top billing must go to the "Aquapella" version of "Tears To Sound", a spellbinding acapella cut that puts the enchanting vocals of storied soul man Andre Espeut front and centre.When Rudman sent the track to old friend Phil Cooper, the NuNorthern Soul boss thought it sounded like something he'd hear from US deep house legend Ron Trent. So, he approached the Prescription co-founder to see if he fancied remixing it. As you might expect, the results are astonishingly good.
Rich in rising and falling new age melodies, darting synthesizer motifs, languid piano flourishes and heavy analogue bass, Trent's wonderfully ultra-deep interpretation naturally gives pride of place to Espeut's seductive vocal. Even by the Chicagoan's infamously high standards, his epic Vocal Mix is incredibly special.
All versions of the single also feature two other original Rudman productions, both of which are wonderfully deep and dreamy. "Distant Feelings" is fluid, deep and yearning, with twinkling electric piano motifs and dreamy chords reclining over sizzling drum machine cymbals, no-nonsense beats and a gently pulsing analogue bassline. Those who enjoy the Balearic side of Rudman's work should also check out "Deep Sensation", a jazzy and breezy fusion of tumbling, vibraphone style melodies, rolling electric piano riffs and rubbery boogie bass. Both tracks are every bit as magical in their own way as the producer's thrilling Andre Espeut collaboration.
After a year long vacation in the Bermuda Triangle the polish electronic music flagship Transatlantyk is back with a new release.
It's new course will for sure again surprise fans of the label.
Sad, disjointed house meets old Russian synthesizers and sighing dogs.
Delirious techno mixes with mutants that crawled out from the ozone holes in the sky. This is the kind of stuff you will find on this 14th release by the label entitled 'Sigh EP'.
The man behind this beautiful mess is Mchy I Porosty, who already made his mark in 2017 with a brilliant debut EP for Brutaz from Warsaw.
It's time to go to the basement it's time to stop staring at the sky.
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Limited edition - only 100 copies Coloured Vinyl
Official License of the 1991 Rare classic house produced by Mike Perras for Bassic records, now Remastered and re-pressed by Flash Forward.
Beginning Of Life is a pice of hystory of the deep house music and will continue to make old and new generations dance.
Big reissue!!!
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Phil Asher & Dwala return with two tracks for moreaboutmusic on two tracks on a London meets Detroit tip.
More material from Phil Asher & Dwala to come later in the year.
Fresh of their most busy year actively djing in Milan and across Europe, Ayce Bio, Turenne and Borbo are ready to launch a new Ep: One track each + a Remix by Bologna's finest producer and vinyl collector DJ Rou.
Mixed and mastered by Reel Mastering, distributed by Rubadub Uk.
Funclab records runs a monthly show on Rocket Radio and a club night at Apollo club, inviting al- ways different dj's and producers to share the decks with them, among others they played with San Proper, Boo Williams, Eclair Fifi and Pangea.
After the first release 'House al dente', they spent one month during the summer touring with a van around Europe to promote the vinyl, going to their favourite radios and vinyl stores to bring it personally, ending at Barrakud festival in Croatia in front of two thousand people with a dj set and set design.
The collective is the real strength behind the newborn record label, collaborating with a lot of local producers they're always working on new things, in the next few months they are going to release also a various and other two eps.
A1 AYCE BIO - COME IN TO GET HER
909 patterns and jazz funk chops with crispy bass cuts, let your children know who play funk.
A2 AYCE BIO - COME IN TO GET HER (DJ ROU REMIX)
Bass infused remix from Bolo's finest producer and collector.
B1 BORBO - STUNTMAN MIKE
Deep atmosphere, '70s hypnotic rhodes with lofi-esque drums and vocal cuts from Grindhouse.
B2 TURENNE - REALLY COOL
Funk/Soul samples with groovy drums and a really cool vocal.
Hélder Russo returns after serious releases on Groovement and Tomorrow Is Now, Kid!. For his fourth 12” EP on Percebes, he’s crafted three solid, deep cuts. Clear homages to the more spiritual side of house and techno from Chicago and Detroit, complete with a killer techno remix by Leonidas (Hobbes Music) that is all about that UR vibe. Can’t be missed!!
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finally repressed!
The newly found PULP imprint is focussed on re-emerging the more classic vibes in deephouse. The first effort sets the example with a 4 track Voyage from RayDilla who has been around since back when the original cradles of house music (Chicago/Detroit) enjoyed their most mythical moments. Back in the 90's Raydilla joined Larry Heard for some production work and got published on one of house music's most respected outlets (Dance Mania). After being off the radar for quite some years RayDilla (Raymond Funnye) re-ignites his releasing schedule with this classic sounding release on the PULP imprint. The 3 original tracks sound like warm classy intergalactic journeys and get complimented by a wonderful ''DaRand Land'' remix, who is most known for his efforts on Chris Gray's infamous Deep4Life label. PULP01 is being launched as a vinyl only limited product. First come first served
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Vick Lavender returns on ANMA with his own two-track EP. Each track is given plenty of space by being pressed on either side of the record allowing the producer to stretch the groove time further. With this, each of the tracks contain intertwining keyboard solos and in-depth exploration between melding warm deep sounds and high-pitched synthesizers, shape-changing pads and other groovilicious sonic licks that are reminiscent of the warmth of the nature’s sunny days.
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Glitterbox are proud to announce the first of two new singles from Horse Meat Disco and founding member of Sister Sledge, Kathy Sledge. Co-produced by Classic Music Company boss Luke Solomon, the nightlife champions have finessed their unstoppable strutting disco style with ‘Falling Deep In Love’, perfectly representing the Glitterbox sound at its freshest on this 12” release, offering a sublime preview to their forthcoming album. Sledge’s unmistakable soulful vocals paired with the impeccable production and live instrumentation give this record that classic disco sound reminiscent of some of Sister Sledge’s classics. On the flip Joey Negro delivers his funk-laden Disco Blend, with the house master demonstrating his spotless knowledge of the genres to create a cut destined to light up Glitterbox dancefloors and beyond.
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Alex Dimou makes a welcome debut on Crosstown Rebels with What Keeps You There with two great remixes from Cevin Fisher and Avidus.
The EP begins with the enchanting nature of What Keeps You There. A prominent piano roll opens proceedings, with Vili’s moving vocals soon introduced over a chugging bassline. Cevin Fisher’s remix of the title track comes next. A more driving minimal house take on the lead record, subtle kicks converge on rustling percussion, before Vili’s emotive vocals once again form a poignantly heartfelt production. Avidus provide a dance floor-ready rework of the original, that features a mechanical sounding synth and an echoing, electric breakdown, before the EP is rounded off with Let It Be Known, a four-to-the-floor, pumping house cut made up of strong kicks and driving pads.
Alex Dimou is a producer, DJ and remixer whose career has seen him perform all around the global circuit. As a remixer, he has collaborated with the likes of Maya Jane Coles and M.A.N.D.Y, whilst his own releases have found a home on Jamie Jones’ Hottrax as well as renowned Berlin imprint Get Physical Music. Legendary American producer Cevin Fisher has been releasing standout records since 1995, achieving five entries in the UK singles chart between 1998 and 2001. German duo Avidus are regulars on Crosstown Rebels, and continue to run their own imprint Empore Music, which was launched in 2015.
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Franc Spangler makes a welcome and long overdue return to Delusions with a mighty-fine three tracker packed with the good stuff. The throbbing bump of the title track with it’s bouncing square-wave bassline and drifting stabs leads the charge, crunchy hats driving along the groove whilst a cut up vocal ratchets up the energy.
Flipping over we have Somewhere Else, a much deeper and jazzier affair based around a repeating four bar horn part. Never straying too far from the dance floor, Franc keeps things percussive and dynamic whilst conjuring up a moment of musical bliss, chiming synths dripping down like golden rays of sunshine on the densely textured orchestral layers.
Closing off the release, Dreamworld takes us by the hand on a tropical excursion, low slung beats punctuated by echoing xylophone riffs and Apito whistle. Dubby atmospherics and warm Juno106 chords give the track a Balearic mood perfect for the summer months ahead.
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Jayda G veröffentlicht 12” mit Remixen von Honey Dijon, DJ Fett Burger & Dâm-Funk auf Ninja Tune!
Nach dem Jayda Gs Debütalbum „Significant Changes“ von Medien wie der Groove, dem Red Bulletin, Lodown, Musikexpress, Spiegel Online oder dem Greenpeace Magazin hierzulande hoch gelobt wurde veröffentlicht Jayda nun eine Remix 12” Ninja Tune. Neben einem pochenden Remix von Honey Dijon, der Jaydas unbeschwerte Ode an die Tanzfläche, „Stanley's Get Down (No Parking on the DF)“ neu interpretiert und einer Bearbeitung von „Missy Knows What's Up“ durch DJ Fett Burger wird die Remix EP durch Dâm-FunKs berüchtigte "Re-Freaks", für den sich der kalifornische Produzent den Song „Move To The Front“ vorgeknöpft hat, abgerundet.
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With his last Nebulosa EP featured among the Records of The Year Juno Section and played by Derrick May at Boiler Room Las Vegas you would guess APOENA would bring us more on that atmosphere. But what Retoside EP does is dive back into deeper tracks, closer to House with an oldschool US approach.
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Cristalli Liquidi returns to Bordello A Parigi with Ecco I Remix! Alexander Robotnick, Black Spuma and Bottin himself on remix duties. On top the sought after 12 version of the evergreen Volevi Una Hit.
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New 4 tracks Ep by Riccardo Masi alias Reekee. We can also see Erik Rico return to Wrong Notes dropping his voice for the first track of this Ep plus a reinterpretation from the Detroit finest Patrice Scott thru the Sistrum rules on the B side. The other 2 tracks are pure instrumental house delivered from Reekee who did the honors with 2 banging dancefloor tunes.
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To the untrained ear a collaboration between Mosaic boss Steve O'Sullivan and minimal house maestro Ricardo Villalobos may not seem like the most obvious sound clash. However, dig a little deeper and you'll find that both these artists have a long history and shared love of stripped back aesthetics and dubbed out rhythms carving out respective sounds that have never strayed far from their roots.
Sullric is the result of a daylong session at the end of 2016 where the pair plugged in, switched on and set everything to cycle: recording several hours' worth of material to tape with an edit of their favourite passage worked into two versions in post-production.
As you'd expect from anything Villalobos turns his hands to, the sound palette is fully laden with dreamy tinges of warped audio, pulsating synthesis and psychedelic tinges that are as equal as they are diverse never failing to surprise. O'Sullivan's input shines through in the rhythmic feel and the application of effects throughout, holding the entire track together as they hit on a moment that truly captures the spirit of joint electronic enterprise.
The Side A edit totals 10 mins and leads with lighter touch hat work that evolves in layers and builds, focusing more on the bass edged tones and vocals that envelope the senses throughout: the use of meditative gongs and a large stringed breakdown cutting through the mix to maximum effect.
Side B, titled the deeper dub, stretches over 12 mins and is slightly denser in feel as the rhythmic chug is brought to the fore - driving the track into a sparser territory that gives more ground and emphasis to the breakdowns when they drop. Either way, if you're seeking some heavy beats with weird shit on top look no further.
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With a prolific output of such a consistently high standard many do not realise that Art Of Tones has never released a solo artist album, but with this new LP on Local Talk that is soon to change.
Investing blood, sweat and tears Art Of Tones has spent many hours on this debut album release, which is not just a selection of club tracks, but a storytelling piece of music where each track compliments the others.
The opening cut 'Prolegomenes' welcomes you into the project with jokes about sampling, showing a light-hearted attitude to the fact samples make up a large percentage of this warm and jazzy album.
After the enticing intro track comes the funk-filled and familiar style of house that Art Of Tones fans both love and respect, with upbeat melodies and infectious grooves it's fair to say this release is a real feel good mood lifter.
Tracks like 'Keep On Having Fun' also remind us of Art Of Tones' eclectic style leaning more towards hip hop and disco to break up the overall sound, and make it a complete listening experience spanning a variety of genres. With touches of gospel, funk, soul and jazz this album of a melting pot of styles that with house music at its core, showcasing Art Of Tones to be one the most talented guys out there right now.
Although it's primarily made with home listening in mind all the tracks on this album would also rock a dance floor !
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Point of View is a new parallel project by Cognitiva Records.
It is a limited series of 150 hand-signed "7inch" copies.
Each release will compare two artists, different points of view with the same pattern. side A Beraber - Shades Play
Beraber is an Amsterdam based producer and dj that made his debut with this moniker on La Freund Recordings. He has a bi-monthly show on Red Light Radio.
This time he has delivered a special groovy production with deeply roots in 90s italian house. A rich and full sound with few elements; it's his goal. 'Shades Play' is mainly Juno-6, Korg M1 and TR-707.
PLEASE NOTE - REPRESS IS IN PLAIN SLEEVE !!!
Cuthead have, over the last few years released all kinds of gritty house and hip hop beats but normally through his friends over at Uncanny Valley.We're now overjoyed to offer you his first EP on Local Talk and honestly, it's everything we could've hoped for.
Spread out over four tracks you get a real dirty basement jam (Fuck That Shit), a sample friendly house nugget (Get Down) and a melodic 4/4 tune that sounds like if Cuthead and our old friend HNNY hooked up in the studio together
It got that lil' sweet twist we all love! To round off the EP we also included something extra special for the beat heads, a jazzy instrumental hip hop number (What Can I Say). A pretty good debut on Local Talk if you ask us
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The two dirty birdies from Hageby are back with the Back In The Day EP!
The title cut flips a classic Brooklyn funk sample into a deep house burner, Last Night really gives it to us (baby), and Estrelar showcases the groovy disco side of the 'wo.
Rounding out the EP is a Daniel Leseman remix that reworks the title track into a completely fresh production, bringing the deep dance floor heat for which the FOUK member and Outplay Records co-boss is known. All killa no filla!
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1nce Again presents the second volume of the DJ Duke Presents Freedom - Closer Remixes.
This time we have two stunning remixes from Sean McCabe and the Klubb Kidz Skool Vocal version remastered.
These two remixes for 1nce Again are on the money and packed with good vibes. The NY Garage Mix takes us into classic house terrain with it's bump and shufYle and the Club Mix is a joyful house-meets-garage monster with a healthy amount of soul.
A Yine example of less-is-more jack magic.
Last but not least and to bring back some classic flavour there's the Klubb Kidz Skool Vocal. 90s house magic!.
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The album is the accomplishment of Flavia Lazzarinis twenty years work. It is an experimental project in which the artist explores Electronic Musics new frontiers hosting wide influences from house music to the garage/Chicago/Detroit sounds belonging to the late 80' and early 90'. Dj, remixer, producer, Flavia Lazzarini is one of the first Italian women DJ and one of the most famous in the Italian and International scene.In 1999 she founded GLAMnight and in 2001 Glamda, two production houses which branded memorable live and dj sets, to which famous international musicians and video artists were invited.Aubergine signs Flavia Lazzarinis further step in musical production. The 11 original tracks are the result of the latest two years of explorations.
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Lee Burridge has teamed up with Belgian vocalist Lost Desert for Melt - the British-born artist’s debut studio album, released via his own All Day I Dream imprint on 19th July.
Underpinned by downtempo melodies and understated grooves, the 10-track LP seeks to recapture the feel of Burridge’s fabled All Day I Dream parties, and features collaborations with contemporaries Simon Vuarambon and Junior. The mysterious Lost Desert, real name Patrick Bruyndonx, also provides backing vocals throughout. A deeply contemplative release, Melt conveys a complex blend of warmth, beauty, sadness and melancholy throughout.
“Music is a beautiful escape for so many of us. A place where strangers meet strangers and strangers make new friends. An initial way to bond. It speaks the same language that's understood by people from far and wide. It’s an experience shared. One between you and the artist or you and a crowd of hundreds or thousands,” explains Burridge, as he delves into the creative process behind the album.
“Melt hopes to create a connection. With it. With others. We both feel that musical music evokes a special kind of magic that instills itself deep in your soul. If you truly connect with it it stays with you forever. It marks a moment or moments that you shared with it and with others on your journey through life . This was one of our motivations when we wrote each track and the album as a full storytelling experience.”
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Roots for Blooms latest in a long heritage of hefty packages might be one of the weightiest yet. Marz Attacks turn up with 3 deliciously deep productions. Thick pad work, keys and piano sit easily alongside and a classy cut of diva vocals. Completing the package we have substantial remixes from Folamour and the man JT himself.
Luke Solomun
loving this - super great'
Nicole Moudaber
love it'
Jacques Renault
Dig this Byron Bay track, will test out!'
Norm De plume
The Folamour remix is the one for me.'
Horse Meat Disco
pretty cool and groovy'
Kolour LTD
wow .. if you cant get with a bit of this then whats it
going to take'
Jimpster
Sounding like a strong EP to me! Love Jamie's edit and
the Folamour remix rocking it too.'
DJ T
thank you for the music!'
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Tartelet Records once again nailing down the good stuff, as NU GUINEA step up with a stunning EP !
Last years self titled EP on the Early Sounds label stood out a mile and became a cult classic amongst those lucky enough to scoop a copy The tantalisingly tropical House on offer there informs this excellent EP too. The beautifully dislocated & mid-tempo 'Bouganvilles Live' lays out some warm analogue textures across a live percussion base, while the Vocal Edit of title track Nu World ploughs a similar furrow to early Metro Area, with rich musical synth work over a pacey Afro groove and undeniable Jazz-Funk flair. The Flute Mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer ! Exotica Dance Club sounds like Herbie visited the Salsoul studios with his banks of modular gear and jammed out into the small hours, as we head home on the beatless Outro, all synth washes and lavish ear candy Another superb release on this ever-impressive label.
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In Records continues his musical trip and stops this time in Sweden (Malmö). Rimbaudian is an artist that we don't need to present anymore, surely one of the most gifted producers of his generation. He Keeps soaking up the best in deep, souful techno. This is a very special release perfect for techno and house lovers alike
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Queen & Disco Records returns with the natural successor to the throne, Royalty of Funk Vol.2.
ROF Vol.2 follows the same path forged by its predecessor, with Alan Mooney's Edits leading you into the musical journey to follow with the imperious By My Side. What better way to kick off proceedings than the King of Pop himself, cut in such a way that it's just as unrecognisable as he was at the end of it all. A real sexy number that does the great man justice on every level.
Vincenzo de Bull then comes flying out the traps with the percussion laden, feel-good summer number, Don't Tell Me, Tell Her, that instantly puts a smile on the face. Housey in it's arrangement this will feel at home on any dance floor!
Flip it over and you're immediately hit by a wall of bass in the form of Napoleon's Gotta Keep Moving. Cries of 'Dance!', followed by punchy brass notes get the toes tappin to this delightful Costa Rican import! The Queen & Disco round things off with the enticing Satisfy. A track that completely and utterly fulfils it's calling to satisfy it's listeners. A Heavily layered track with sumptuous vocals. This is undoubtably the prime-time treat of the show!
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If an artist strives to leave a mark on music he must be more concerned with his character than his reputation. In that regard, Sander Mölder makes the perfect example. Hailing from Estonia, Sander has worked his way through a classical formation after thirteen years of cello tuition, which allowed him to perform at London's Royal Albert Hall as part of a chamber orchestra and at Red Bull Music Academy in 2012.
With roots in funk, garage and deep house, Sander style is not confined by genre barriers, but whatever he does, there's a definitive soul element to it. Originally surfacing in 2013 and played by legendary British selector Gilles Peterson and BBC 1 host Mary-Anne Hobbs, 'In Your Eyes' gets an official release on Rebirth in 2014 with a strong remix package. The first 10" part includes mixes from Eddie Fowlkes and Lay-Far.
Detroit master of Technosoul Eddie Fowlkes follows his hot 'Something Special' tune with a great mix, cutting the original vocals and synth parts and delivering a strong version, that sounds already hot for the summer days.
The Moscow-based dj and produce Lay-Far is on the B side showing again his talent for deep 'n slow disco vibe fusing deep rhythms, jazz, funk and soul.
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Hot off the press comes a brand-new label from veteran of the scene, Stefano Ritteri, showcasing his trademark love for obscure samples and synthesiser exploration.
The title track is a sumptuous amalgamation of analogue synths, far-reaching, left leaning samples and crisp-as-you-like drum programming. It's weird and wonderful - enticing you deeper and deeper with every added element, from the wonky glitches, to the fuzzed out, Middle Eastern guitar and exotic vocals refrains.
Take to the B side and you're hit with a rhythmic workout combining modular electronics, sci-fi infused samples and intergalactic synthwork. Rounding off the e.p. 'It isn't about that' is a downtempo beatsy number, laced with dubbed out effects and an introspective monologue about the merits of music as medium of expression.
DJ Support:
Axel Boman, Butch, Kincaid , Bawrut
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The first of 5 Vinyl Samplers Taken From John Digweed's 'Live In South Beach' compilation. Handpicked by The main man himself featuring Omid 16b, Montel, John Belk & Pedro Aguiar...
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Originally designed as a series to run concurrently with the Livity Sound label as an outlet that shares and reflects it's ideas and aesthetics, the Reverse series has evolved in to an institution of cutting edge UK dance music in its own right, featuring releases from the likes of Batu, Bruce, Forest Drive West and Hodge.
The series returns with a debut 12” from Bristol duo Cando following in that lineage of purpose built dance floor tracks. Cando's combination of percussion driven tracks and mystical hooks root them firmly in a Bristol tradition.
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2015 saw Damian Lazarus create his most ambitious project to date in The Ancient Moons, producing a full-length album 'Message From The Other Side' Co-produced by James Ford (Simian Mobile Disco, Arctic Monkeys, Florence & The Machine), with a wide assortment of vocalists and collaborators from around the world. They went on to support Roisin Murphy on tour, gain wide acclaim from the likes and Lazarus became the final cover-star of the year in the UK's Mixmag magazine.
Now the tracks from 'Message The Other Side' have been reinterpreted by an assortment of producers for a Remix Album. Three of these remixes will be released as an EP entitled 'Remixes From The Other Side (Part I)', featuring remixes from Red Axes, Acid Pauli and Mehmet Asian. The Second Remix EP will following in a few weeks. Watch this space..
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