House Vinyl New Releases - News

This is our Fourth Vinyl Release Featuring Dimitri Monev & Glico along with a Third_Child & Zavor remix.

Me and my head" follows Jorge Caiado last year's EP on Groovement - 'Sunny days are coming' - that got support from Andy Weatherall and Heidi on her BBC radio show.
This new 3 track EP showcases Jorge Caiado's love for the underground music scene and the many genres that influence him, both as a producer and DJ.From Jorge Caiado's head to worldwide dance floors, there's a cultural deepness manifesting its power.

Obas Nenor prepares his Nenorion imprint's third release this July with 'Warm Yellow Stickers' EP. Tel-Aviv's own Obas Nenor has been DJing and producing for over two decades with prolific releases on iconic labels such as Moodymann's Mahogani Music, Defected, Strictly Rhythm and Heist Recordings to name a few. For this new release, the talented producer returns to his own Nenorion imprint with a 4-track EP packed with his signature, wild dancefloor goods.

Utilizing a variety of vintage synths, Fender Rhodes, percussions, guitar and bass while bouncing samples back and forth to his trusted MPC3000, Warm Yellow Stickers is as heady as it is club friendly.

The title track Warm Yellow Stickers (Part I & II) kicks things off with enigmatic vocals chops, otherworldly synths and a swinging bass groove all shuffled into a cosmic disco saga that takes on many turns and twists. Next is Everybody which is warm as a summer breeze with its guitar strums, delayed chord stabs and naughty synth gestures.
Love gets real on the flip side with Wrapped in Plastic which features Jenny Penkin on vocals (who collaborated on his recent Defected release titled "My Intuition") and bended keys backed by escalating pads. Last but not least, Movin' wraps things up with a head nodding groove and funky vocoder vocals that will get stuck in your head long after you're done listening.

Vinyl only. After collecting good feedback from Rick Wilhite, Marcellus Pittman and others to the 'Flying with you' EP, Sai finally delivers a new 4 track release named 'Goes into space'. A fine Techno record that will expose his music to wider audience.
Sai has been sculpting a distinctive sound through a number of quality releases and reaches now to maybe his most accomplished work. Deep hypnotic and highly infectious this is a timeless piece of vinyl.'Goes into space' EP is Japan's cutting edge answer to the global electronic music scene.

We're proud to announce something of an all-star cast on this new release from long-standing Delusions duo Session Victim. Continuing to impress and build a seriously loyal and devoted fanbase around the world through their impeccable DJ sets, live show and release and remixes, 2018 has been another stellar year and 2019 looks set to be even stronger. Recent artists to receive the SV Midas touch include KiNK, Folamour and Nebraska and their recently launched vinyl-only label Pen & Paper has already caused a stir since its inception this year, and only three releases in.

On their latest EP, Session Victim bring us the fruits of some heady, late- night jam sessions in their Hamburg studio, calling on their neighbour Erobique for Rhodes duties on Dawn as well as close friends Iron Curtis and Nebraska who bring their own twist to the organic and dubby SV sound. Title track Dawn featuring Nebraska builds on a loose percussive house groove, layering up reversed guitar hits and string chords to form a dense and seductive mood to get lost in.

The Taste Of Life goes on a blunted, jazzy excursion where their beloved Juno 106 takes centre stage and live drums bring a mellow yet dynamic and driving groove.

Flipping over we have Hear The Sun which features Iron Curtis, fresh from his amazing Upstream Colour LP on Ripperton's Tamed Musiq. The trade- mark Session Victim sound is augmented by Iron Curtis' synth explorations and vocoder workout resulting in a deep, uplifting slice of Balearic bliss.

Rounding off the EP is a true master of all things deep and the perfect producer to bring a dubbed-out twist to Dawn - Sven Weisemann. His classic releases such as Emphazised and Slices demonstrate his ability to lure in the listener through long, extended arrangements and here on his remix of Dawn we see an artist who can skilfully create an incredible atmosphere through a stripped back, reductive approach to production.

CVR 009
Tyree- Follow Me
Side A. 1. Original Mix- Raw house track with stripped down jazz vocals
Side A. 2. Acid Mix- Classic acid bassline that really appeals to that original Chicago acid house sound. It's true to it's nature with 808 kick drum resonating thru the track. With small vocal stabs to bring the track to life.

'Willow' has been his most anticipated record to date, and its release will mark more than 12 months since Viken Arman's last EP 'Aragatz'. As you step into the musical world of Viken you will soon find out that the musician has taken an interesting turn in his sound.The EP is building a bridge between the electronic music and the artistic environment Viken grew up with. Whether it
was Jazz or Classical, music was omnipresent in his family, and this EP gives you a chance to catch some of these colours.Viken searches through these cultures to create a powerful musical dialogue giving the impression that these influences are talking to each other. Throught his EP, Viken explores his own identity as both an Armenian and a Parisian, as both a musician and a producer.

Panic Sounds Records is an emerging Berlin-based label ran by Italian producer Lorenzo Panico. Focused on all aspects of house and techno, the label promises a wide remit of different sounds, many of which come to the fore on their debut release, SixFingers' quite brilliant X EP.

Getting us underway is the sounds of Modern Cassette', a minimal effort that chugs along at a steady pace before some elegant keys breathe new life into the equation. Simple yet devilishly effective, it'll tickle any dancefloor it's allowed to let loose on.

Next up is Pleasure MPC zone'. An ode to the ubiquitous MPC sampler, this one is a rollicking journey that's notable for its tight percussion and deep motifs. A harmonious balance between two very different sounds, it combines both with an assured effectiveness that's nothing if not admirable. Much more multilayered than what's come before, it's certainly the most distinct track on display here.

The B side gets going with 'Vivi the Soul', a bleepy techno workout that's crammed with suspense throughout. We're then left with culminating effort Jazz Reverse', a track that does exactly what it says on the tin. A trippy, hazy effort that's full of melancholic wares, it signs off with the sort of distinction that's evident throughout.

Second reissue of Claque Musique's Formes featuring The Museri, Federico Grazzini, Calma and Analog Inside.

After releasing three powerful edits of Fly Free in November 2017, Jon Dixon is back with a new Sampa EP. Inspired by the strong culture and rhythmic grooves of Sao Paulo Brazil, Dixon delivers 4 tracks sure to be a tool for any DJ. With the title track 'Paulista Avenue' already in the rotation of Derrick May, Radio Slave, and Gilles Peterson.

The OUER guys just live down the road from us in Berlin and we have been crossing paths many times these past years so it is with great joy we can finally present a full EP with their unique approach to electronic music on Dirt Crew Recordings. Since their debut on 'HEIST' in 2016 Xaver and Oliver have consistently pushed their sound and production, on their own OUER imprint they released four EP's up till now and the latest called 'E' is just a few weeks old as we speak. The A side opens with the title track 'Stingray Nebula', a bliss composition of layered arpeggios underlined by a deep sub bass, building steadily towards etheric strings setting in and descending again with a break beat ending that builds perfect grounds for the following dance floor stomper 'Undine'. That second A side track is a great mix of Deep House and Electronica and is what makes OUER's music so special, almost entering trance territories here but keeping those Chicago and Detroit references alive. When we head over to the B side we encounter some new tracks that really made us want to release this EP in the first place. The beautiful 'Thales' contains live bass and percussive instrumentation and is a crossover indie-tronica gem. Following that is the deep 'Inside' where an 'emo' piano themed House jam meets clever vocal sampling and filtered synth stabs to produce a great going groove. Closing out we have some real ambience electronica for you in 'Train Ride to Bratsk', again played mostly live and using acoustic instruments recorded in their Berlin studio the OUER guys are crossing borders again and turned out this piece of goodness. Enter the world of OUER, we hope you like it as much as we do!

Wrong Notes is really happy to introduce a new chapter with releases by some artists who really inspired the music line of the Label.
Here we introduce the first one by the master Vick Lavender who leaves a proper soulful house track featuring the celestial voice of Angela Tarrent alias Angel A.

'CHREAL01' is the debut project by Scottish producer Chaotic Reality exploring a meditative side to techno. Written over the course of several months spent living in New York as a resistance to the frenetic pace of a busy environment, 'CHREAL01' contains four tracks that repeat, oscillate and soundtrack a more centred existence.

Inspired by Shinichi Atobe, Avalon Emerson, Newworldaquarium / Ross154 & The 7th Plain. Each track in this self-released record is named after its sequence and operates on a slower tempo, focussing on melody and sound design, with aim to investigate the space between dub techno and early trance.

Track 'One' opens with gentle dancing chords developing over 7 minutes, with subtle nods to Echospace and Black Dog's 'Otaku' over a punchy kick and warm sub. Reverb-licked stabs pass softly in and out the mix and ride over a homogenous chord range, highlighting points in the melody and meandering back into the ether. 'Two' has an introspective focus, rarely reaching more than two kicks per four bars. An arpeggiated lead centres the composition, slowly developing over a thick bassline. Distant snaps and pops season the track and highlight the empty breathing space intentionally left in the production. On the B-Side, 'Three' is characterised by heavily saturated kicks softly thumping under a bubbling melody, broken by echo-delayed stabs varying in form, filter depth and feedback timing. On the closing song 'Four', Chaotic Reality develops and sculpts a stack of delayed chords creating a progressively elevating soundscape. The lead melody chords layer and discord - changing thickness, shape and form throughout - with pseudo kicks acting as a complimentary melody. Here, CR plays with space to creating a hypnotic spacial production akin to Digital Justice or The Orb, with the intention to take the listener to a transcendental state.

The second release on ninih is a package of personal stories by Amsterdam's Eversines, truly captivating the sounds of the ninih label. He masterfully crafts densely layered and brooding soundscapes throughout the EP, appealing to heady listeners and vibing dancefloors alike. Transmissions of deep, swirling, cosmic synths coexist with ominous haunting echoes while warped chords slip in and out of focus. Weaponized experimental electronics blast off in a flurry of hard hitting kicks like a spaceship speeding through a sonic asteroid field before throttling back to an ethereal pace.

G. Family really is family. Pretoria-born cousins Michael G and Jullian Gomes make the kind of deep and emotive house music that befits their close-knit relationship. New Foliage cut People With Bullets is no exception; the track finally hitting a wider audience after its triumphant release early last year on key South African label Soul Candi.

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

From freak-out to chill-out, Montreal's favourite rave band joins NAFF with a debut double LP.

Pleasure Planet is the latest musical venture of Kim Ann Foxman alongside Andrew Potter and Brian Hersey, and enables the trio to express and explore their unique and eclectic musical tastes. Their first release will drop on the brand-new Firehouse imprint, self:timer. 'Pleasure Planet is an extraterrestrial doomsday cult. They do whatever they want and their music is their message to Planet Earth. self:timer is their messenger. The rest doesn't matter.' — Pleasure Planet Pleasure Planet has been a little while in the making. Having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. Pleasure Planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

After a brief wander 'round the garden, Chilean-born Ricardo Tobar returns to the ESP Institute bearing earthly delights. With 2017's Liturgia, he introduced his creative point-of-view—instantly substantiating a sense of rhythm that was deliberately complex yet slightly rough around the edges, while touching upon his musical origins from the guitar-driven corners of psychedelia— however with his debut 2xLP Continuidad, he leaves us gobsmacked and seeking shelter as he leaps from dancefloor comforts and descends into absolute chaos (in more ways than one). Emotionally, the artist has crossed all previously self-imposed and subconscious thresholds, putting his true imagination on display and exposing an unwavering attraction to all things loud, orgasmic and transcendent. He's not subtly hinting at a fetish, but opening his arms wide with conviction, abandoning genre taboos and personally inviting everyone to join his enchanted caravan. Sonically, his appetite for intensity is clear throughout—epic chord changes, ascending peaks in arrangement, accumulating layers of grit that build into impenetrable blankets of distortion and feedback—a kind of aural hedonism that translates visually into the potent video abstractions our Mario Hugo has summoned for the album's packaging. The first single surrounding the Continuidad album is Birds (Continuacio´n), a glorious extension of the album track that conjures imagery of shaman-led rainforest exploration and illustrates the artist's affinity for Latin-American percussion. The flipside is an exclusive non-album cut La Venida Del Mar, a bonafide big room thumper that carries all the rave seasonings we've come to crave from Tobar.

Warehouse Find!

Helsinki-based producer Saine makes his Delusions debut following amazing output on such revered labels as Voyage Recordings, Odd Socks, Omena and Fina. A producer who can flit from hazy instrumental hip hop through to raw, dusty house at the flick of a switch, Saine has built a solid following amongst lovers of left field leanings we've come to expect from the likes of Max Graef, Glenn Astro, Henry Wu and Leon Vynhall.

On lead track Act Natural we find Saine in perhaps his heaviest mood to date, delivering a crunchy uptempo house jam which retains his unique sound despite being aimed firmly at the dancefloor. A speaker wobbling eighth note bassline locks down the groove whilst familiar, much-loved frag- ments from the rave days punctuate the crackling beats. Add to this some simple syncopated chords and you have a winning formula for a timeless track which looks to the future whilst respectfully doffing it's cap to the past.

Jus Right continues in a deeper, more musical fashion with Saine getting busy on his synths, building up layers of warm pads and soloing Moog lines. A prominent vocal brings a soulful touch whilst the minimal, almost hihat-less groove adds an original and fresh feel to this blissful track.
Flipping over we have Low Key, a shuffling deep house number loaded with sliced Rhodes samples, echoing vocal hits, clipped percussion and sublime bass. As the atmosphere thickens, everything falls away to silence before rebuilding, creating some nice tension in the arrangement.

Finally we have Pontchartrain offering up an excellent remix of Jus Right. The Detroit native responsible for some mighty fine releases for the likes of Rocksteady Disco, Lovedancing, Soul Clap, Kolour LTD and Whiskey Disco takes things in a more straight-up house direction with heavier beats, 909 hats pushed to the fore and a distinctively old school feel to the mix.

Madhouse has announced the release of '25 Years Of Madhouse (mixed & compiled by Kerri Chandler)'. The anniversary album will be released on 7 September as an individual track digital and CD album, continuous DJ mix from Kerri, and a special 8 track vinyl sampler.

Label co-founder Kerri has lovingly compiled and mixed '25 Years Of Madhouse', fresh from his 2017 landmark DJ-Kicks compilation, sending a track into space with Sonar25, and launching his Underground Kaoz concept with Jeremy Underground. Amongst a wealth of remixed classics from Kerri himself (including Adesse Versions), label heroes Demuja and Kevin Over feature heavily, alongside cuts and remixes from Jerome Sydenham, Dennis Ferrer, Roy Ayers ('Good Vibrations'), DJ Deep, Will Saul, Josh Butler, Jimpster, and many more.

A timeless compilation for the lovers of deep underground House music.

All of the productions are kind of magic and have been supplied world-wide by fine artists from: Estonia, South-Africa, Germany and Iceland.

Deep Inspiration Show Records proudly presents its 1st Vinyl release:
The Various Inspirations Wax Sampler' a compilation that comes up with 5 master pieces from 4 different countries.
A1 is by Neuronphase' from Estonia. Hes smashing here a deep Detroit inspired House track right at ya and has already released two great records on Serie Limitee.
A2 is a slow atmospheric bomb by ìDeep Sentimentsî from Johannesburg/ South-Africa. He´s definitely someone who has a name in his country when it comes to deep underground music. It was definitely about time for his first release on wax!
B1 comes up by Marco Nega' from Germany who isn't new into game too. He already released on labels like Bu-Mako, Batti Batti, Altered Moods Recordings, Underground Quality and many more. Be prepared for a raw but lush sounding romantic profound track. Just the way we love it!
B2 is by Viktor Birgiss' from Iceland. The main guy behind ìLagaffe Talesî delivers a timeless piece of House music with jazzy influences. This one definitely deserves a place on wax!
B3 and the last track on this special compilation is by Roberto Bronco' from Germany. A short but dope sounding infinite track that could last forever! He released his 2nd album some time ago on Lemon Grass Music'.
This is a limited compilation. Only 300 copies world-wide!

Hailing from the Rhythm Plate multiverse, Pressed For Time is one of the many outposts carrying the work of Matlock's finest house music protagonists. Reaching beyond the regular roster of Goshawk, YSE and the full-blown 'Plate, this latest transmission calls on deep cover UK house crew BRS, also known as British Rhythm Services, who step up with some crucial workouts for sophisticated dancefloors. The quartet of Ben Vecara, Rob Evans, Steve Wilson & Dom Thompson have a sizable legacy behind them, not least from the early 00s when they were regularly rolling out releases for the likes of 20:20 Vision, Cyclo and Friends & Families. After a quiet patch their return is marked out by a broad spectrum of deep house delights locked onto the kind of shuffled grooves that Rhythm Plate heads should be more than happy with, and plenty of loose, live-sounding keys to boot.

For Those That Knoe delves deeper into the archives once more to repackage a bundle of hard to find cuts on vinyl that have been staple supplies in Ben's record bag over the years.
The early to mid 2000s was a period of minimal techno overload, finding quality house music then was a challenge compared to today. Rather than follow the herd, some European producers took influence from the original minimal pioneers and fused those approaches with house music themes in order to push a unique sound of the era. They turned minimal on its head and gave took it in a different direction. Canson from Switzerland released a handful of records between 2002 and 2005 that were a prime example of this aesthetic. Stripped back beats with syncopated melodies - perfect cuts for those early sets or hazy morning sessions. The three tracks featured on this compilation were originally released on two solo EPs for Canson: Itsudemo and Holiday Plug In, both of which have claimed squatter's rights in my record bag for almost 15 years. I don't think I've played one early slot or house set without one of them. This record is quite a personal one for me as it's a representation of my deeper sound as a DJ. Now the original records are a little hard to find so I'm so glad to share my choice picks of Canson's material on a my label.

Following the truly epic and immersive opus 'Trinidad' last year, Ezikiel returns to AJ Christou's Celesta with sense-surging transglobal trip. Destination: southeast Europe, please welcome 'The Woman From Balkan'.... Gradually measured and comfortably off grid, there's a welcoming openness to the groove before the string bass twangs and lolls in the cavernous spaces among the rhythmic elements. Piece by piece the puzzle forms before the full vocal and gadulka strings swoon in and sweep you away in a Balkan sunset...

Remix wise Ezikiel's long-time friend Luciano saddles up for an equally mesmerizing ride into the mountains. Easing us in with dusky atmospherics and soft breaks he gently brings in the night as more instruments are drawn out across the eight and a half minutes. Piqued with progressive, starlit charm, it comes in both a full floor-bound version and a hypnotic, rolling percussive dub. Hot creative wAFF takes the controls for the final leg of our Balkan sojourn. A more direct, soul stirring perspective, here he navigates us with a warm jacking beat that's relentlessly robust but still spacious enough for wild strands of percussion to whip around it. With great dynamic switches between the full vocal and strings then suddenly dropping to a naked bassline, this is one of wAFF's more charming floor burners to date. Yet another fine trip and three exceptional re-routes, who knows where Celesta will take us next

ILO & OOFT! connect on this limited vinyl-only release for the deep dancefloor.

This is the first release of Mate House music label based in Madrid. Opens with two House tracks of the master of Detroit Javonntte, "Tomorrow's People" moved us the dancefloor with their nice strings and "Mile Davis 77" will make us vibrate to the jazz rhythm. From Madrid Jesus Gonsev a great artist in the Deep house scene, presents "Spectre" a awesome trip for the cosmos and finally share the last track "Feel The Beat In The Air" with Javonntte.

Nebraska assembles a crack team of international dance floor talent to remix his own back catalogue for the fourth release on Friends & Relations. Session Victim totally transform the raw breakbeat of 'Pintxos' into something more cinematic and widescreen whilst maintaining a latin piquancy from the original. Mr Beatnick's take on 'Rat Boogie' beautifully dubs-up the source material, weaving in cosmic synth lines and coaxing its essential bounce up to a higher tempo. Marcel Vogel rounds off this great package with a heavily grooved, lascivious cut-up of 'Keep What Ya Got'... music for your hips. Limited vinyl, no digital - get it while you can, folks.

ncouraged by the high demand for 'Foundations Vol.1', which saw DJ Spinna and Kai Alce join forces to release the Cajmere classic 'Brighter Days' on 7' vinyl, the second volume of
'Foundations' sees the pair digging even deeper into House music history, selecting a pair of tracks from Chicago legend Tyree Cooper. The first cut on our strictly limited 7' pressing was
originally named 'Video Crash', then re-titled 'Acid Crash' on a bootleg version released around the same time. Whichever name you prefer, this 1988 track hails from an era of creative oneupmanship in the Chicago underground. The story goes that Marshall Jefferson and/or Lil' Louis created a jam called 'Video Clash' in the mid 80s (there's still some controversy about who made it, so we'll say no more). Keen to go one better, Tyree hit the studio to make a track called 'Video Crash' and in the process he created one of the most potent and recognizable Acid House tracks of all time. On the flip side and originally released back in '89 is Joe Smooth's 'Too Deep' mix of another Tyree classic: 'Hardcore Hip House'. A crossover anthem, Tyree's original version paired rap vocals and James Brown cutups with raw House beats. Fellow Chicago DJ Joe Smooth shows off the
flawless, crisp production abilities that would later see him producing for Destiny's Child, New Order and Whitney Houston with this superb, timeless Deep House remix

limited warehousefind !

4x12" Box !!!

Warehouse Find!

Time flies when you're having fun and we can't fathom how this can be Ben Sun's 5th EP for Delusions Of Grandeur but it's true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we're sure that's about to change with this incredible new three tracker.

Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it's destined to liberate.

Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew.

Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90's deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

Local Talk is proud to present the second 10" release featuring music by Kyoto Jazz Sextet.

Mission is another track taken from their second album 'Unity' released on Blue Note in 2017.
This time the remix torch is passed from Ron Trent to Jaxx Madicine. The Milanese trio remix has a feel of confidence and charge which allows it an accessibility and artistic integrity that shines through immediately, it takes you to another place.

London house & garage sounds drawing on influences from the past and mixing them with the future.

Having been around for almost a full calendar year, the sub-label PNP has already made quite the name for itself during the past several months. Managed by producer Fede Lng, this imprint is a spin-off of his already successful parent label Axe On Wax, which is responsible for exposing the world to such artists like Kirk The Flirt, Jesse Bru, Trudge, and Mall Grab.
Although Axe On Wax specializes in a more traditional sense of house music, PNP appears to be all about the disco - a way in which Fede and his friends can release edits of their favorite tunes of old. For DJs looking to spice up their sets with unadulterated funk, look no further than their upcoming record PNP 003, which features songs by Tom Jay, Braga Circuit, Pacific Bureau, and Fede Lng himself.

An ode to a special place and time. Label-founder Dj Balduin is presenting 6 songs of dreamy ambient and house on his debut Mini-album.

Ichisan is Slovenian Igor Skafar, and Igor´s Trademark Sound is heavenly electronic blissed spaced out house with a sick amount of grooves layerd in. Fab earlier releases on the grand Airtight and Unter the Shade labels tell musical tales of this. And so it went that Hoppsa fascinatd us yet againy with it´s mesmerizing 80´s synth hook that you want to simply lock in and play away all day and night... while Kristina is an unmistakably Philly Affair with an edge, and edge, that means deep depth and a serious build between the woobly - and that is what we like! not being able to decide which one to favour, eventually, we released both. here´s to YOU!

Hailing from Japan, Iori Wakasa is a name that has been gathering a great deal of hype over the past few years - and with good reason. Having built up his skills as a majorly talented DJ in Tokyo spinning a wide range of sounds and styles, his reputation continues to grow at pace thanks to a string of amazing releases on labels such as Highgrade and WirSindEins in recent years - not to mention strong support by some of the scene's biggest names. Here he proves what all the fuss is about - a stunning three track EP on Steve Bug's Dessous Recordings. 'Be There' starts things off right - uber deep vibes throughout, with bubbling synths and spacey effects, all tied together by a hypnotic Chandler-esque rhythm track. 'Give Me' continues the vibe, deep and jazzy chords punctuate the shuffling rhythm and trippy vocal samples add a layer of wonkiness that will see this get a lot of attention. 'Feel It Dizzy' strips things down a notch, a bass heavy dancefloor filler with dubbed out percussion, effects and vocals snippets. A triumphant EP from Iori Wakasa - truly one to watch.

Berlin-based producer and DJ Kevin Over has been on the rise over the past few years with a steady stream of output on the likes of Gerd's 4Lux, Dj Steaw's House Puff and of course Madhouse where he returns to here following last years 'Where To Begin' EP.

The original mix of 'Penthouse Boogie' opens with jangling metallic percussion, thunderous sub tones and dusty drums driving the groove whilst an amalgamation of choppy chords and stabs ebb and flow amongst hypnotic pads, hooky vocals and jazzy marimba tones.

Seven Davis Jr's remix of 'Penthouse Boogie' follows, taking a more raw and stripped-back approach with a gritty drum groove, skippy hats at the forefront whilst easing in the original's vocal chant, resonant pad swells, wandering marimba tones and a fresh, bumpy bass line.

Title-track 'Lavender' then rounds out the package on a Garage tip with swinging broken drums, hooky vocal phrases, murky bass tones and organ stabs.