House Vinyl New Releases - News

Bristolian producer Daniel Pearce , aka Eats Everything, has unveiled his remix of the timeless ' U (I Got A Feeling) ' by Scot Project, a release celebrating 25 years of iconic dance label, Positiva Records. Having sound-tracked an array of nights over the last quarter of a century, 2018 marks Positiva's anniversary year, with the Eats remix preceding their upcoming weekend of shows at Ministry of Sound as a very special celebration of their 25th anniversary.Established in 1993, the label sold a staggering 35 million singles in the UK alone and chalked up 14 #1 singles through the past two-and-a-half decades, with 2018 marking a year of celebration. Rolling with a typically infectious bassline, Eats' latest release exhibits a rumbling bassline kept in check by crisp drum patterns.The release follows Dan's huge 2017, which saw the UK innovator play dates at ADE, BPM Festival, The Warehouse Project, and a flurry of Ibiza gigs at various venues, including Amnesia's Elrow, and Carl Cox's GAME OVER residency at Privilege.

This project is produced by a group of young men who call themselves The Black Man's Music Collation for Justice.
The T.B.M.M C (abbreviated) are of African ancestry and reside between the South Bronx and East New York - Brooklyn.
As friends, they always shared similar interest and views on life but are now brought together as collaborators by a driven purpose.
Their immediate focus - is to become the voice for the countless victims that reside within their communities and who like themselves have been victims of hate and crippled by discriminatory tactics,
Lies and mental incarceration-all rooted in the legacy of slavery.

Due to the effects of Slavery too many, if not most African Americans settle for far less than they deserve. Especially in a culture (worldwide) that mostly tries to imitate almost everything African and therefore thrive within their own communities and countless industries. The Black Man's Music Collation find this, amongst so many other things, detrimental to the future of Africans as a whole,
but more locally, keeping their brothers and sisters shackled to the ghettos of America. Therefore, they've decided to try and finally put an end to it-hence House Negro came to be...

House Negro is a Raw House composition that gets straight to the point.
If the above description speaks to your current situation within society, whether you're black, white, Latino or Asian. Well then, it begs the question;

Are You a House Negro

Italy's Cosmic Garden debut on Hot Haus Recs with a mini album of lush-atmospheric-house jams. Produced and conceived in the southern city Bari, home to a burgeoning scene of underground house

Dark Grooves Records starts with the aim to rediscover cult tracks from Deep-House to Uk Garage and old-school Techno. This first release was originally produced in 1994 by Miguel Graça under the alias of "Self Control", three super warm deep-house tracks that are still very strong.

More quality from the Trax vaults. One of the biggest all time house music anthems from Marshall Jefferson, mixed by Ron Hardy and produced by Virgo. Re mastered versions from the Traxbox compilation.

Audio restoration by Arjan Rietvink's Digital Mastering. Released in conjunction with Trax / Harmless.

Enrico Mantini Grabbed 3 Tracks Out Of His Dusty Box Which Were Kept There Since 1991. Did A New Mix Down And An Own Mastering On Top For Us To Share Some Of His Oldschool Vibe. eviva l'italia !!!

The SlothBoogie crew welcomes man of mystery Joe Cleen to the SBEDITZ series with 4 outstanding raw and ready cuts.

Starting us off is the certified disco monster 'Give You All I Got'. Infectious brass, erotic vocals and huge space toms are reworked to launch any dancefloor into the stratosphere! Next up is 'City Nights' a neon soaked snapshot of an 80's nightclub in miami filled with rhythm guitars, slap bass & gliding synths.

Things get emotional on the B-side with 'Dear Lord'... A glorious piano jam laced with dubbed out gospel vocals, shuffling drum machine hats and a pimped out G-Funk synth lead that really takes you to church! Closing out the EP is 'The Fun Part', a bubblin' bass funk groover filled with crisp percussion and jazzy Rhodes licks.

For his Studio Barnhus debut, Laurence Guy connects the dots between the lo-fi ambient investigations of
his 2017 album Saw You For The First Time, the warm club sounds heard on All I See Is Her (last year's
standout 12'' for Tokyo's Mule Music), and the London-based dj/producer's long roots in deep drum'n'bass and
dubstep soil.
Those roots, always present as subtle rhythmical traces on Laurence Guy records, now appear more explicitly
than ever, boosting the typically graceful harmonies and sooty samples of Guy's music with a new, profound
energy. From the unswerving neo-jungle of Wildlife, through My Brain Is A Scrambled Egg with its dusty rave
euphorisms, onwards to the hypnotic guitar ballad It's Good To Try, this six-track EP is chock-full of the sort of
unrestrained musical enthusiasm that Studio Barnhus is always on the lookout for.
Making Music Is Bad For Your Self Esteem is at once Guy's most experimental and most personal record yet, an
essential addition to both artist's and label's catalogues.

Original Nutter is Michael King faeaturing UK Apachi's classic Jungle vocal. Initially released as a White Label in 1997 at the height of the first wave of UK Garage. This EP was only pressed in limited amounts and now commands over L80 second hand. This reissue is the result of a chance find of the DAT tape. Remastered and recut by MUSIC PRESERVATION SOCIETY, an essential for any UK Garage fan.

Stockholm-born, London based producer Salary Boy debuts on Astropical with four-tracker, sample friendly EP. The notorious funk-inspired salary sound that we've came to know and love travels deep through the veins of each track. Prepare for ear worms, French filtering and groovy goodness

So Here We Go, Album Number Three By Till Von Sein. Attentive
Observers Of Tilly's Record History Might Notice, Something
Different Is Going On With This Cycle Of Tunes. Other Than The
Constitution Of His Previous Two Full Lengths, ocean' Tends To
Elaborate An Idea, A Pallet Of Sounds, An Overall Aesthetic, That
Come From Just One Place. Appropriate To The Release On Von
Sein's Own Label Imprint Tilly Jam, These Cuts Indeed Feel Like
Proper Jams. Deriving From A Certain Mindset, Building Up A
¢ow, Drifting Into Various Spheres, Delving Into Moods, And
Meanwhile, Forgetting About Time And Principles Of Structure,
Most Of His Previous Efforts Complied With. Surprisingly, No Vox
On Here. But Evidently, The Arrangements, Textures And Sonic
Nuances On ocean' Create A Narrative On Their Own. It Is An
Album That Puts Musicality Over Functionality. An Album To
Immerse Into, A Piece Of Music That Claims Attention And
Rewards With An Embracing Listening Pleasure. aloha', As The
Introducing Track, Sets The Tone Of Ever Reoccurring Leanings
Towards Balearic- And Mellowed Down House- And Funk
In¢uences. neptune' Directly Picks Up, Leading The ¢ow Of
Soothing Harmonies Into Slightly More Dancey Vibes. It's
Meeting The Relaxed Tempo Of cruise Control', Introducing Its
Catchy Synthbass And That Heart Melting Piano Hook. We Couldgo On, How The Funk Bass, The Spaced Out Break, The Tender
Chimes And The Harmonica Solo Of mission Muizenberg' Kind
Of Form The Centre Piece Of This Record, How junjung' Refers To
The Inciting Verve Of A Marching Band And At The Same Time
Grounds The Tune On Warm And Longing Melodies. How la
Boum' Is Bringing A Saturated Kickdrum Into Its Organic ¢ow,
How level 61' Merges G-funk Hints With A Neo-disco Attitude
Or How ocean' Lands This Record On A Dreamlike Loop. Yet, It
Wouldn't Paint The Picture Colourful And Bright Enough. Only
ocean' Itself Can Do. Album (release 22.02.19):

The expectation won't deceive you, as this particular third vinyl only coming from the Romanian label Generatia '90 Records is set as a solo discourse by mister Vlad Dinu.

The Romanian artist has got a proven career as a musician, electronic music producer and DJ. His "13:31" contains 3 absolutely trippy, giveaway and naturally sounding tracks with organic elements as well as amazing melodies and cascades. For those who love a real underground, an unusual attitude - this release will make it all.

We've got: full colour CMYK labels (amazing photography and filter on), black coloured vinyl record, full colour HQ artcover outer-sleeve (matt surface and 300 gm density), black inner-sleeve with anti-static cover and a central hole all inside.

limited to 300 copies. no repress. vinyl only format. no digital promos. no digital release afterwards.

Erste Ep Des Mitbegründers Des Berliner Electronic-labels Keinemusik, Adam Port, Für Diynamic. Der Titeltrack Ist Eine Auswahl Solomuns Für Seinen "gta V" Mix Aus Den Tiefen Der Keinemusik-archive Aus Einer Zeit, Als Das Label Noch Im Stadtbad Wedding Beheimatet War. Zufälligerweise War Auch Ein Zweiter Track, Die Hypnotische Ethno-hymne "november", Fertig Produziert, Der Adam Ports Diynamic-ep Abrundet.

Brand new warped & acid Techno tunes out of the chamber. A 3-Tracker EP full of contrasts between raw sinister 303 lines, mellow chord pads and cranking beats madness.

Earlier this year Radio Slave kicked off his Rekids catalogue with the introduction of an exciting new talent (and good friend of the shop!) named Peggy Gou. Now we are delighted to announce that her second release is landing on our White label imprint here at Phonica!

'Day Without Yesterday' begins with filtered down congas, a strong kick drum and some steady shakers to create the backbone of this Detroit-style House jam. Once the groove is established Peggy brings in a cool bass-line that's reminiscent of old school Rick Wade cuts and tops it all off with some sparse keys and crisp high hats.

'Six O Six' on the flip hears Peggy entering into more acidic territory filled with modular mutation and driving percussion. Peggy also shows off her vocal talents as she gives the listener a counting lesson in her native Korean tongue over the fine analogue house production.

After the success of the first experiment, Politics Of Dancing jumps on the collaboration mission for a second time and invites fellow Parisian dons D'Julz and Oleg Poliakov to get deep in the studio. Bass Culture boss D'Julz takes on the A side, and the results are a sleek, measured trip through minimal house with a dubby garnish. Oleg Poliakov's contribution takes on a woozier atmosphere thanks to a wobbly synth lolling through the track, but of course this is still crisp, functional dance music for the long haul dancefloor. Now we just have to wait to see who POD snap up next.

His self-titled 4-track debut EP on Magnetron Music sounds both flourishing and refreshing due to its warm, lush and deeply layered sound. All of these factors combined connect the dots between the contemporary Amsterdam club sound, the quietness of Relmer's origins in the Dutch meadows, and the sun-kissed beaches of Brazil.

Relmer International's productions prove to be just as diverse as his DJ-sets. On his self-titled debut EP, he creates floor-fillers and balearic beach openers. Inspired and mentored by veterans like Fatima Yamaha, Rimer London and Tako Reyenga, and as one of the instigators of Amsterdam-based rave party and DJ-collective Noclubs, Relmer International builds a bridge between producers and DJs from now and then.

Thomas Rooge aka Phil Evans. Closing the Thomas Rooge Chapter

Slow Down is a new vinyl only label. We love house music, and this our playground! We don't want you to focus on who made the tracks, we want you to feel the music!
This is the first release, proper old school Chi-town/NY vibey stuff. Limited press!

repressed !

L'Atelier hit back to the Roots For Bloom roster with a killer groove to start things off, sexy, moving and one to get any floor going. Jamie Trench follows with a nod to the old school of 80s drum machines and twisted vocal hits, with a disco twinge on the break. Oli Furness refurns after appearing on the last shag this one following in the same suite, heavy drums, killer sampling and an absolute heater. Ghetto Chords are the new boys on the block here for RootsForBloom bringing up the b side with a jazz, piano infused hit. Again anyone who knows the series will be all over this.

Dawn Notes' anticipated second release comes from Chicago house music legend Wyndell Long. Long has released music with iconic labels such as Peace Frog, Djax, Primate and R&S. Keeping with the soulful side of deep house and techno music, Long has composed four timeless tracks for Vincent Floyd's eclectic label. 'Enter The Maze' is a musical journey into the unknown.

We introduce Comfort Zone, a young producer from Montreal, who has been making music for around 7 years now. He is inspired by "music from late 90s/early 00s video game soundtracks and the occasional snippets of electronic music I heard as a kid". We find that statement very much reflected in this release, as he masters the challenge of blending mysterious samples and different styles to form harmonious compositions.
On one side of the 4-track EP we have 2 groovy House tracks, reminiscent of early 2000s House by the likes of Lance DeSardi, Ian Pooley and Atjazz, on the other side 2 classic Jungle tracks which uphold our tradition of releasing timeless music.

DOTHEDU gets back on the dance floors with a new deep, house, proper late night, bass driven limited 300 copies 4 songs ep.

The A1 Lick The Gloom featuring Natasha leads to a sexy, lost and deep love experience which walks us into the dirty licked and thick Feel The Lick.

The journey continues with the substantial Magic Lick which hits the heads and gets us into the contorted, delayed and brain taking Licking Swear.

B3 Licking voices softens the listening with a fusion of the 4 tracks voices.

All covers have been individually treated and crafted by DOTHEDU adopting the serygraph printing technique and using different type of textiles and colour combinations for each copy.
All copies are different from each other and unique.

The journey back into the vaults of seminal Italian house music label Vibraphone Records continues apace with this gem from 1993. K2 was a one-off project for central label figures The True Underground Sound of Rome, and this Loss Of Gravity 12" represents one of the most sought after rarities from the Vibraphone catalogue. The on-point breakbeats of "The Journey", the wistful tones of "In My Garden", the plush ambient refrains of "Lirica" - every inch of this record is steeped in class that belies the age of the music. Need we say more - this is a buy on sight reissue that won't stick around for long.

A fresh balearic production born during summer 2018, while breathing our hometown's tropical breeze in Italy.

'Jacking industrial knees-up meets formal idiosyncrasy in this banging collaboration between Deapmash and Aquarian, with massive kicks, quaking breakbeats and soaring atmospherics.'

Over the past few months, Bajram Bili has been a revelation at Lumière Noire. On the labels compilation From Above, the French producer drew praise from listeners, DJs and critics alike with the eight housey, cerebral minutes of his contribution, Restart.
Bajram Bili is far from being a newcomer: Adrien Gachet has been making music under the exotic moniker for several years, combining krautrock and IDM influences into a rather convoluted genre. On his previous album, 2017s Remembered Waves, he had opted for a metamorphosis, bringing a new sense of freedom to club music, and this debut Lumière Noire EP is bound to elicit further interest in the artist.
Stretching over nine minutes, the playful No Fugue is complemented by a vocal track that seems to encourage the listener to visit the euphoric spaces in between. The Dantean, techno-accented Fluttering maintains this unsettling pace and amplifies, building up anticipation by bouncing from hot to cold and culminating in an epic journey. The beatless Mother presents a complete change of scenery, with Gachet offering up a contemplative composition haunted by tinges of Vangelis and Carpenter. With its acid accents, red-hot closing track Divided Flash completes the EPs musical register, closing the ambitious four-track arc and leaving the listener hoping for more and soon..

Blair French returns to Rocksteady Disco after last year's brilliant Standing Still Is An Illusion for another 12' of mind, body, and soul music. 'Public Park' starts off the release, with flutes, guitars, and African marimbas abound, presenting itself as the song of the summer. 'Spirit Guides' follows, taking listeners and dancers on a spiritual afro jazz odyssey. The flip features two versions of 'Public Beach', a communal ecstatic dance meets Detroit Jit footwork cut with a massive bassline, pulsing percussion, and harmonized chanting, constructed for open-minded dance floors and deejays. Limited to 300 vinyl, TIP!

Italian artist Fede Lng takes to his own Axe On Wax imprint to deliver the second release on its AxeOnWaxWhite sublabel, which comes complete with a deep, acidic and bumping dancefloor weapon featuring Yaeji titled 'Looking From Above'.
With material landing on labels like Nervous, Who's Susan and Blaq Numbers, as well as his own label, Fede Lng is quickly becoming a fixture in the global underground scene. This latest collaboration with the exciting talent Yaeji further showcase why he's one to keep an eye on moving forward.

'Since 'Play the Game' was first released, dance music has become the biggest youth-cultural phenomenon in the world. Kenny's music, DJ sets and club nights played an important part in that story. As decades pass, our only tangible legacy is what we create. 'Play The Game' marks a space in time - forever timeless. But most importantly, it's great music that'll make you dance.' — Claire Hughes

Kenny Hawkes was one of the pioneering artists in British dance music. Influenced by the sounds of Hip Hop, Ska, Motown and Dub Reggae as he grew up, he became manager of legendary pirate radio station Girls FM in the 90's, where he became close friends with Classic boss Luke Solomon. The pair went on to run the longest running mid-week house night in London, Space at Bar Rumba. Sadly Kenny died on 10th June 2011, and Luke has spent a number of years helping his daughter Inez gather all of her Dad's assets, and with her approval, Classic are releasing this single as a tribute to the legendary Dark Knight of House Music. Featuring the smooth vocals of South African artist Louise Carver, the 12' package contains the extended version of this classic house track. The Space Children Extended Love Mix also features, as Luke Solomon, Jonny Rock & Leon Oakey lovingly remix their dear friend's record, giving a multitude of nods to Kenny's DJ sets and musical style.

Marko Nastic's third edition of Easy Tiger brings together some of the finest artists of the genre.

Each true to their own style, V.I.C.A.R.I., Marc & Nils and Sakro take their interpretations of Marko's bold, housey, morning inspired tune.

V.I.C.A.R.I. keeps it low, tuned to afterparties mood, while Sakro and Marc & Nils orientate their remixes more to club, prime time grooves, encircling the EP to four completely different tunes, set for different moods and individual preferences.

- Schwarzes 12' Vinyl inklusive Downloadcode und Artwork von Brooke.

We are extremely excited to announce the soon coming double album release of the Bayara Citizens 'Elektrik Afrika LP. It's a specially designed Gate Fold Jacket, which includes 2 X 12' Vinyl's.
Included with this package are extended DJ Versions that have been played and tested by the likes of Joaquin Joe Claussell, Timmy Registford, Louie Vega and Ron Trent to name a few. Also Included are two of Joe Claussell's eagerly anticipated secret weapons. The Long versions of 'Mofo Congoietric' and 'Hillbilly Afrika'
The Package also contains the highly sought-after Dub Mix of 'Bambara.' Until now this version was released back in the day only as a limited 12'.

We heard all the request for a repress and so here it will come.
And Now for the Fun Part...We placed inside each LP package A Special Individualized Download Code, which will lead to one of 10 individually mixed versions of a track from the Album, which will be mixed specific only to the code found. Also amongst the 300 records produced there will exist only 25 Unique codes. The prize for whom ever finds one of the 25 codes will be A specially made personalized mix that will be pressed on a 10 'Acetate and sent directly to the consumer. HAPPY HUNTING...

* Five years have passed since the first release of Nowadays Records.Launched with Fakear's signature (seen on Ninja Tune), the label founded by oOgo and Chomsky from La Fine Equipe has seen the growth of many projects such as Clément Bazin, Everydayz, Phazz (who produced for Travis Porter, did remixes for Soulection, Interscope and Mad Decent), Leska, Jumo and many others, all of them carried by the irreplaceable quartet of La Fine Equipe.

Five years during which Nowadays Records released 75 EPs and LPs, toured in and outside of France, and generated several hundred millions stream plays.With its heart in the right place, its eyes on the emerging scene and its ears open on the world, Nowadays built itself a singular and racy identity through the time. Fed by inspirations like Stone Throw, Ninja Tune or Warp, the label places itself as an ambassador of a fast growing scene, defending it through its shows, releases, and events like the two Boiler Room shows in Paris and London.Without sticking itself to a musical gender, Nowadays keeps on widening its horizons by working with foreign artists and mixing the inspirations through its releases, driven by its sound and visual trademarks and aesthetics.

In order to celebrate those five years spent defending as many projects as musical crushes they had, and to thank its community made of more than 150 000 followers around the world, Nowadays unveils the 'Nowadays V', double album with a digital and physical release on November 30th.Through this compilation, Nowadays gathers on one side the tracks that marked its history and, on the other side, unreleased tracks that sometimes lead to collaborations such as the one between Clément Bazin and Leska, or the one between Fakear and La Fine Equipe.

Gifted Culture reveals the last EP of the trilogy featuring three improvised jam sessions of the collective. This time the ghetto beat maker Christopher Rau joins the crew in Berlin Mitte. Christopher, Autre and Two Thou start diving into slow, detached dreamy atmospheres eventually exploding into frenetic floor killer breaks. The music recorded in the session represent the perpetual dialog between the artists, resulting in an eclectic and variegate piece of music.

Urban Imagery - the reflection of the struggles and emotions of the inner city through music.

Darand Land presents a new perspective of deep house where focal points converge and give way to layers of harmonic tension and emotion supported by nuanced drum grooves. In his words, it is a nod to early 90s urban house with postmodern anglings.