House Vinyl New Releases - News

Already touted as a match made in heaven, B12 aka Steven Rutter joins CPU with some of his finest output to date. Remaining resolutely true to himself, Rutter delivers a consistent yet distinct E.P. with his signature melodic, pad-heavy dreamscapes and syncopated beats.

Not letting the needs of the dance floor corrupt his production, this E.P. follows Detroit techno's fundamental trajectory of forward thinking, technologically advanced sound palate with emotive yet stark arrangements.

'All Abandon All' is a fierce emotional affair, that straddles both techno and IDM - it's Rutter doing what he does best, a distinctly utopian retro-future.

Electro-Soma & Time Tourist L.P's on Warp have enjoyed legendary status since their release and cemented B12 into the techno hall of fame.

Tracks by B12 were included on Warp's first Artificial Intelligence compilation and thus part of IDM's day zero.

Death in Vegas returns with Transmission, the sixth release from the project begun by Richard Fearless nearly two decades ago. This album forges new miles on the path Fearless carved with Satan's Circus and Trans-Love Energies, and is born of his desire for an ever more raw, refined sound.
United over a love of Throbbing Gristle and Chris and Cosey, Fearless partners with artist and writer Sasha Grey, whose lyrics resonate across the soundscape of visceral techno and unsettling, discordant drones, weaving into a state of dreamlike euphoria. Field recordings of the constant drone of air traffic and incessant noise from the steel factory opposite Fearless' Metal Box studio, as well as the Ballardian landscape in which it's set, all exert their pull on the record, searching for light in the dark.

Mike Ash returns to Super Rhythm Trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. Mike Ash may be familiar from early releases on Moving Shadow and Rising High records under a variety of pseudonyms in the early 90's but in the last 10 years has become synonymous with releasing mind blowing and true Electro under his own name. When he turns his hand to Acid House, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80's and early 90's.

In his own words I tried to keep with the original 1988/1989 vibe. I didn't use any synths / sounds / samples that weren't available past 1990. It's all Juno / SH-101 / 303 / Jupiter / 808 / 909 / 707 / 606 and samples from the Beats Breaks & Scratches vol 1&2'The tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the UK.

Candy Tongue' is the second single taken from the upcoming third studio album 'Lost' by Trentemøller. The beautiful song features the vocals of danish singer/songwriter Marie Fisker. Trentemøller already teamed up with Fisker on a song for the 'Into The Great Wide Yonder' LP and she's also become a firm member of Trentemøller's live band, who are touring the European summer festivals at the moment. 'Candy Tongue' slowly builds from whispered, emotional vocals into a rousing song with oversteering guitars and evoking chants. Following on from the 1st single 'Never Stop Running', the new single also reveals more of the upcoming, curiously awaited new longplayer which breathes all aspects of the electronic years as well as the guitar driven second album - in a new, fresh and light-footed way with a wealth of fantastic songs, incredibly well produced. The new single will be accompanied by beautiful music video, directed and produced by Thomas Jessen.

'Anders Trentemøller transcends genres ... with a cinematic scope', the NME once summarized and he is known for the 'captivating complexity' of his songs and 'melancholic contradictions' in both songwriting and sounddesign. It's been a long and exciting way from his debut long player 'The Last Resort' (2006), through projects like 'The Trentemøller Chronicles' or 'Remixed/Reworked' to his second album 'Into The Great Wide Yonder' (2010).
The musical evolution of the Danish musical mastermind never was a linear 'logical progression' as it is rather characterised by twists and turns and lately maybe most importantly influenced by the development into a fully fledged live band, that meanwhile toured the globe a couple of times with huge success.
With the arrival of Trentemøller's third longplayer 'Lost', which is due for release in September 2013 on Trentemøller's label In My Room, it seems as if everything he's done in the past was destined for leading to the new album. The new album breathes all aspects of the electronic years as well as the guitar driven second album - in a fresh, light-footed way with a wealth of fantastic songs, incredibly well produced.
Now we are happy and proud to present the first single taken off the new album. 'Never Stop Running' is an empathetic, personal, evolving song, that perfectly melts with the expressive vocals of The Drums singer Jonny Pierce with that beautiful melancholia that warms your heart.

The vibe of the song is captured in the video by director and cinematographer Frederik Jacobi. Both the song and the video comprehend the question 'Who Am I'. While Trentemøller's song carefully carves out different shades and moods centered around the main motif, Jacobi took his camera to Los Angeles and used it to 'listen' to people and to create a visual space for the song, while the cover image appears courtesy of Asger Carlsen.
'Never Stop Running' will be performed live for the first time on 29th May at the O2 Arena in London when Trentemøller will be supporting the Depeche Mode concert.

DRIVETRAIN (Detroit, USA) - Time'...the gritty opener exudes science with an impenetrable attitude. Derrick Thompson effortlessly transports an unrelenting sub-bass beneath stabs, filtered synths and mysteriously dark vocals.
G-PROD (Bordeaux, FRANCE) - Sub-Atomic Creation'...the brothers Gaugain enthrall us once again with another sleek and polished, late night excursion. Chopping chords piercing through rich, plush strings exemplify a signature technique.
ORLANDO VOORN (Seattle, USA) - Tribulations'...the accomplished techno warrior drops pure non-stop aggressive energy. A merciless kick and ruthless bass line propel the mechanical rhythm turbulance of industrial strength tronic-fusion.
UNDERGROOVE (Tunis, TUNISIA) - Feelin Deep House'...deep and enticing featuring thick pads and seductive syncopation, this journey captivates from the introduction. Elegant and sophisticated wrapped in dynamic detail.
-DEVICE: A production elaborately designed to necessitate movement-

WNCL Recordings enters the next phase of its release programme. Having issued a neat collection of ten 10" singles, the label now launches a series of 4 track 12" EPs. First up is a showcase featuring 4 new cuts by 4 of the label's cornerstone artists. L.A's DON FROTH comes out fighting with the hard-as-nails LIFTIN' WEIGHTS, while MILYOO from Kentucky gets frantic on the raucous PANCAKE. SE27's own WEST NORWOOD CASSETTE LIBRARY offers up WHAT IT IS (MAH VIP), originally created for Mz. Hobbs' Radio 1 show. Rounding things off from Toronto, KNOWING LOOKS gives us CYTAL FINK, angular funk for all discerning discotheques. We hope you will enjoy our show.

A crisp-biscuit Bristol label, opening its account with a deadly brace of stripped-back dub techno.
First off, Peverelist and Andy Mac together, following up their Trilogy Tapes debut with an organic, late-night roller; and then a killer AM on the flip, mesmeric and bumping. Ace.

The second release on IZU Recordings with two rugged & raw gems by Irish Man John Daly.

a special limited coloured 12" vinyl pressing !!!

Its about time to invite on Material-board the Italian dons... Supernova! 1sided track.. Proper TUNE! Not to be missed...

It has been two year's since 124 Recordings first released Joey Kay's 'Toy Piano' and we wanted to produce something special to celebrate our second birthday.So here is 124R 008-eight tracks over two 12" and a limited single sided remix on 7" that represent the many different shades of house music the label has pushed since its beginning's.From the deeper spectrum of Mome,Tom Noir and Desos to the heavier bass leanings of Metta,Leigh D Oliver and Peter Lawrence,there is also the inclusion of a hammer Jay Shaw remix of the lead track that will be available in limited numbers with the doublepack,Many thanks to everyone who has supported the label,we hope you enjoy this release.

Gelert takes a short journey from Nant Peris up to the peak that is Elidir Fawr. We don't know a great deal about Elidir but Elidir was a giant of a man. The 4th highest peak of the 3000's is set at 3029ft (923m) - 3000.4 delivers more nippiness with Luv*Jam inviting tropical heat master Damian Schwartz, and new nipster Jack Beavers to the team. Plus Bob is on hand again as a consistent member of the Rucksack Club. Join the Rucksack Club and collect all 14 peaks along the way, keeping an eye out for the secret peaks beyond. Thanks to Andrew Devine @YSJU.

1X each customer"!

Dan Shake returns for his highly anticipated forth release on his label with support from the likes of Jackmaster, Radio Slave and Moxie. Limited to 300 white labels until the full release later this year.

Through this 4th release, Moonrise Hill Material provides one of its co-founders, Ethyène, with an opportunity to deliver an EP carved around his fascination with groove, sampling and skyscrapers.
Always mindful of bringing together his love for the bumpiness of Street-Life Music and the absolute sensitivity of Black Music, this maxi allows the producer to confront the listener with his realities, between new territories exploration and eternal urban nostalgia.

Persies is a new party oriented edits label focused on re­working, re­touching and re­purposing an eclectic selection of gems for the dancefloor. Beefed up, pared­down and dangerous. Vinyl only white label, 200 press.
Thank U Mum' ­ features a cultured dancefloor retouch of St Germain's classic Thank U Mum

Youandewan makes his Voyage debut with Luna Via, a three track EP sitting comfortably at home, above the ether.
The opening piece is spread across the A side, with two separate interpretations, 'Ciel' and 'Vessel'. 'Ciel' is the faster, uplifting predecessor to 'Vessel', which remains slow and nostalgic. On the flip, a touch of familiarity with the antonymously named Stranger (Glad Eye), a surging take on house music and Youandewan's various influences.
Luna Via is also accompanied by a full sleeve interpretation by Melbourne's Sprinkles.

London-based producer, Sam Russo, drops the 'Wanderer' EP via the Air London imprint this October, backed with a remix from the ever on-point, John Tejada. ... .. Title track 'To The Brink' kicks things off here, and Russo opts for a warbling arpeggiated synth chord as the driving force, running alongside gritty drum samples programmed in a bumpy, off-kilter fashion. Things steadily bloom in this state as the envelope of the arp line subtly blooms, dark, low-end tones are worked in, and the latter stages introduce glitched-outatmospherics, adding a further weight to an already infectious, energetic record. The original mix of 'Wanderer' follows, Russo opts for a more stripped-back, dubbed-out vibe this time. ... Last up to close the release is John Tejada's reshape of 'Wanderer', as with most things Tejada puts his ears to, the interpretation is unique and instilled with a rugged production appeal. ...

Triphouse Rotterdam picks up the pace with head honcho Steven Pieters dropping his long awaited debut solo EP following shortly after Shobba's Cosmic Jungle. After having released on Wolfskuil Ltd, Kindisch and other labels over the last couple of years, the time is right to utilise the crews own label for his solo four tracker. Don't Try To Understand It features a selection of tracks he made over the past three years and much in line with his dj sets contains a wide palette of influences ranging from deep atmospheric house to acid and UK rave.

The freshest fresh from Elusive. We've got two exciting newcomers on this record! Radkovski and Ki.Mi. have both been sending some positive deep vibes out to the world for quite a while now, and it's now time for you to hear and believe it, as quality of there productions speaks for itself. On the flip side label owner Slavaki supplies you with even more power for the dance floor, unveiling one of melodic tech dance monsters that will
leave no one standing by the bar. Please welcome Regeneration VA as we move on to our 20th release!

A proper compilation including the future sound of Argentina coming right from the center of the Republic.
CRUDEZA CORDOBESA is a statement that togetherness is needed to make a musical SCENE alive !
Eight tracks from different interpreters of the south american mood and groove to the world.

1x per customer!

*Limited to 300 copies* "Last Night" featured in Prosumer's landmark Litte White Earbuds podcast - the last of 200 curated by the influential blog. Featuring a combination of Jill Scott's smooth vocals, shuffling percussion and saintly keys, it's easy to see why this track has seen enduring support from the likes of the one-time Berghain resident, as well as Alex Nut and other NTS DJs. "That Good Thing" marries another RnB vocal to a rough-and-ready beat to maximum party-starting effect.

big with: Chateau Flight, Dungeon Acid, Axel Boman, TM404, Top Nice, Sling & Samo,..
Tripping Dub Tekkno excursion, in full extended versions from Stockholm's own - Isaac Spayes. Dug out from his archives, 150 copies worldwide, no digital sales.

The first 100 copies are numbered and signed by Matthias Tanzmann!!!

Moon Harbour is delighted to announce the Autumn 2016 release of Momentum, the second full length album from label boss Matthias Tanzmann. Arriving eight years after his debut LP Restless, the outstanding follow-up impressively demonstrates that his artistic restlessness has not been decreasing over the last couple of years. On the contrary, Momentum undoubtedly proves once more that Matthias' impact on the scene is still steadily growing with an end not in sight and that his efforts to advance are ever moving forward.


Recent times have found Matthias having huge success via fruitful collaborations with the likes of Martin Buttrich, Davide Squillace and Daniel Stefanik, amongst others, but now back on his own and more energetic than ever, he is firing on all cylinders as a solo artist. Loosely rooted in a variety of house styles, Momentum shows a subtle return to some of Tanzmann's earliest musical roots. Just as Matthias declares himself, 'It is stuff to listen to at home, stuff I like to listen to away from the club', before adding that, 'of course, it also contains tracks that are 100% what I love playing in my DJ sets.'


The ten track release is an impulsive and emotionally moving affair that offers a fantastic snapshot into the current musical mind of the artist. With a process initially starting during his times abroad in Thailand and South America, this most coherent and complete album has been slowly coming together over the last five years. In customary manner, the album is quite different to a normal EP from the German producer, given that it features plenty of deeper and more cerebral moments than most of his past works.


With a perfect mixture between listening pleasure and pure dancefloor material, Momentum contains tracks ranging from deep and broody house style with warm pads streaming over infectious drums to serene and atmospheric jams with real funk in their bones. Next to more downtempo sultry house vibes, the harder, more freaky tunes will get floors bumping with their punchy drums, wiggling synths, drilling bass and loopy vocal sounds. With more soul infused party grooves rounding up the experience, the release truly brings along the whole range of carefully plotted ups and downs necessary for casting the listener under a hypnotic and heartfelt spell of house music.


The album will be celebrated with a worldwide release tour from October to December 2016, highlighting once more that only a few have the exact same sense of electronic music artistry as this man does.

Flexi Cuts is a non-label, based in a cozy record store in North East Italy.

We open the doors to a collective way of making dance music, for those who feel they have something to tell, with taste and spirit of cooperation.

We are glad to introduce this first Flex001 by Relative & Lazy Snail on the dub: in this 12' only vinyl (very very limited) each track is an introspective search of the key sound and of course the right mood. Don't forget the deep inspirations, the rhythm together with the Blablabla... and so on... Essentially something that makes your body move.

The proper vibe for a proper dance.

Unknown Label rises from the need to move away from the conventional music industry and to find a place where the music speaks for itself, where artists can go beyond their limits and fully express their potential.

Our aim is to constantly better ourselves by the continuous experimentation in the deeper side of music, delivering to you something new, real and unfiltered like a diamond in the rough.
Here's our first release: a VA including in the front side the Deep Tech Records boss Duky and the italian Mr Deka, in the back side a full swiss lineup, Nekow & And.re (Newfact/Sidefact) and ! feat She Nionika & Nia BlaQ.
1x each customer, no repress

Her beauty too radiant to be beheld. Stark and striking, at once an object of desire and lust. Carved by the hand of a king, brought to life by the gods; hers is a story now captured in modern day ivory; vinyl. Her image, one that embodies earth and heaven, now marries two worlds; Eastern atmospherics and Western aromatics. Like the first glimpse of the fabled temptress, these first sounds of Galatea will never to be forgotten.

Andreas Gehm is known for his fierce, unapologetic acid style. But the Cologne man does have a more mellow side, a smoother side, and that's what this three tracker is. Of course, smooth Gehm still has some rough edges. 'Yellow Flowers' combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. Malice and menace rear their ashen faces for the evil machinations of 'Late At Night', muffled vocals and sharpened snares glinting in the streetlights. Safety arrives in the form of the aptly titled 'Less Violence'. Rhythms are still rough edged, melodies still have an underhanded element. Yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out

Cosmic sounds of Tokyo meets the tranquillity of Nordic house music! Aniara continues their sweet label with a guest release by Auji from Tokyo! Two cosmic house trips into space that comes with an additioanl remix by the Aniara guys that's adding a little spice and extra punch for the dancefloor!. Killer combo!

Die in Brasilien geborene, in Köln aufgewachsene und in Berlin lebende Künstlerin Dominique Dillon de Byington alias DILLON hatte immer eine klare Vision ihrer Kunst. Zwei Alben hat sie bereits veröffentlich. Für sie selbst sind beide eigentlich eins, denn sie erzählen eine zusammenhängende Geschichte. Live war dies stets spürbar, denn die dunkel melodischen Songs beider Alben bestimmten im magischen Wechselspiel ihre Shows. Als sie 2015 vom Berliner Foreign Affairs Festival gebeten wurde, ein einmaliges Konzert zu entwickeln, entschied sie sich für eine Performance mit einem sechzehnköpfigen Frauenchor, der sie und ihr Kollaborateur und Co-Produzent ihrer ersten beiden Alben, Tamer Fahri Özgönenc im Juli 2015 live im Haus der Berliner Festspiele begleitete. - Ich hatte das Bedürfnis mit Stimmen zu arbeiten und eine weitere Ebene zu kreieren, die zwischen der Elektronik und mir atmet. Das hat mich sehr gereizt, und so haben Tamer und ich gemeinsam den Chor geschrieben und arrangiert.' offenbart Dillon. Der Chor impft ihrer von Klavier und elektronischen Sounds getragenen Musik eine neue körperliche Ebene ein, zwischen der ihre Stimme sehnsüchtig tanzt. Wie natürlich sich das neue Element in ihre dramatisch minimale Musik einfügt, zeigt die nun erscheinende Liveaufnahme des Konzerts. - Als ich begann mein zweites Album - The Unknown' zu schreiben, war mir klar dass es inhaltlich sowie musikalisch die Fortsetzung von - This Silence Kills' werden würde. Nun finden beide Alben nicht nur Live zusammen. Für mich heißt dieses Album - This Silence Kills The Unknown'.' verrät die 28-jährige. Zum Livealbum erscheint zudem ein Konzertfilm vom Auftritt im Haus der Berliner Festspiele. Und 2017 wird ein von seinen Vorgängern völlig losgelöstes 3. Studioalbum erscheinen, das sie selbst als - Liebesalbum' bezeichnet.

Janette Jnett Pitruzzello is considered something of a legend in her home city of Melbourne, where she's been DJing for well over two decades. Here, she delivers her debut solo EP, featuring a quartet of tracks co-produced by Maurice Fulton. The latter also delivers a solo mix of opener Reflection", which adds a little leftfield disco sparkle and percussive sweatiness to an otherwise organ-heavy deep house groove. There's a similarly cheery, funky and disco-tinged feel to the rolling, cut-up house goodness of Swangzipani". Elsewhere, the duo gets a little stranger in pursuit of dancefloor thrills, Bubbles Away' is deliciously dark, wonky and intergalactic, while Judge Not' wanders off into head-nodding, instrumental hip-hop territory.

Expanded re mastered edition of Farley's classic "No Vocals Necessary" EP from 1988. 2 x 12" ranging from distorted acid to funked up disco filtered excursions. Essential!

Brooding, delicate earworms, pulsating electronic beats and a coolly honed falsetto: these are the building blocks of Gundelach's debut EP. Ever since the DJ- turned artist left the booth for the studio his life has become very different. He has gone from recording in his bedroom to playing for crowds of 1500+ in the span of a year. His singles have topped Hype Machine, garnered massive radio play in Norway and seen him hailed as one of Norway's rising stars by the likes of Spotify, Tidal and Apple Music. A collection of songs he wrote and demoed with his friend and band mate PålUlvikRokseth were sent to producer Joel Ford, which formed the basis of his self-titled debut EP. The day Kai flew to New York to produce and record the EP with Joel he learned of the tragic passing of a close friend, leading to the songs being tinged with melancholy, introspection and beauty.

The EP is a six song window into Gundelach, a producer influenced by the likes of Aphex Twin and Boards of Canada but also a songwriter taken by the lyrics of Elliot Smith. It is a promising beginning for an artist at the early stages of what is poised to be a long and illustrious career. Co-produced by Kai and Joel Ford (Oneohtrix Point Never, Cyril Hahn, Com Truise) and engineered/mixed by Al Carlson (Tim Hecker, Ariel Pink) it is an organically composed electronic pop record that feels both vintage and contemporary. Gundelach may easily draw comparisons to many modern artists but his sound and his vision are wholly his own.

Ian Blevins is the keeper of the jewel in the crown. This is his second offering for the ESP Institute. Picking up right where we left off, side A unleashes another explosive big room belter with Resumé—a driving rhythmic monster that takes advantage of the whips and cracks in Ian's drum machine arsenal, while warm chords lay a foundation for a quirky lead melody and rubbery pulse to dance upon. Akin to Hannibal, Blevins' ESP Institute debut in 2015, the arrangement here toys with us before revealing the true guts of the track—this time characterized halfway through by a punctuating gangster piano hook. On side B, Poor Old Head utilizes Ian's signature drum styling we've come to adore, but here he establishes swells of melancholy via bending notes that meow and purr, beautifully ebbing and flowing though an array of incongruous dial tones and bells—shakey and barely out of sync, yet cradling a loosely drawn chord progression.
These two songs will smack you up before they rub you down.

Luca C & Brigante return under their Invisible Cities guise, alongside close friend Ali Love, for the final installment in their three part single series. Following remixes from Ivan Smagghe and The Mole on the first two parts, 'Sunkissed' wraps up the series with remixes from Mad Professor and Apiento & LX.
Luca C & Brigante first appeared as Invisible Cities on Southern Fried Records in 2011, until 2015 saw them revive the project for a trio of releases on their own Double Drop label. 'Sunkissed' sees the collective produce a slow burning single of intricate drum patterns and subtle background riffs, assisted by the floating vocals of Ali Love. Ali Love first collaborated with Invisible Cities on 'The Beach' on their first EP release, and returns with another tribute to the eternal summer.
Apiento & LX (check their classic 'The Orange Place') then manipulate the track towards dancefloor domains using enticing bongos, wonky synths and echoing. Proper ALFOS tackle. Finally, the legendary Mad Professor arrives in a rare remix outing to deliver two imaginative dub versions, which both loop the original's principle melody whilst stretching it's aesthetics to give it his own inimitable signature.

No.19 Music offer up the first new single from Kenny Glasgow since his departure from Art Department earlier this year, giving a sneak preview of what to expect from his forthcoming LP 'Circus Tales'.

Kenny Glasgow has spent the last 5 years as one half of dance music duo Art Department, releasing records on some of the biggest labels around and maintaining a tour schedule that encompassed almost every key festival and club on the planet. Spring 2015 saw Glasgow and musical partner Jonny White go their separate ways with Kenny returning to his solo roots with a raft of new material inspired by his time on the road and forged in his new Toronto studio.

The new year will see Kenny come home to No.19 Music for his second solo album, the follow up to 2009's stunning 'Taste of the Low Life' and in anticipation of this the label now offer up the first single in the shape of 'In Too Deep'.

The release opens with 'Sexxy', a pulsating electronic opus that marries deep rolling rhythms with subtle melodies and some wonderfully disembodied saxophone lines. Hypnotic and genuinely enchanting, this is a record that offers up a perfect balance of musicality and dancefloor sensibilities and is sure to be hit in and out of the club.

The flipside sees Glasgow lay down title track 'In Too Deep', a spacious and ethereal offering built around a soundscape of rich undulating bass, razor sharp percussion and understated layers of effects. Simple vocal incantations join the mix to bring a sense of human warmth and the overall effect is mermerising.

Expectations are bound to be high for the first solo release from Kenny Glasgow in many years but this point perfect single exceeds them at every turn, delivering something truly special.