handstamped 180grams REPRESS black vinyl
Vol. 3 from the mysterious danish underground label Vibes ltd.
Well known artists serving 4 deep cuts for your pleasure. The label is focussing on downtempo, warm deep, soulful, and sexy House music, limited copys worldwide, heavyweight marbled vinyl, handstamped and numbered.
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A series to push melancholic sounds from our vaults to the universe.
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Cabin Fever steps up the flava for the summertime raver. Recently found DAT tapes hailing straight out of 90's South London. Oi oiiiiiii saveloy !
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We've been meaning to put out some music by our friend Harald ever since we started this wee operation five years ago. Imagine our joy now that we're ready to release not one, but two masterful records signed Mr. Björk! Fritids EP sees Harald bringing his top game to Studio Barnhus: starry-eyed pop melodies, dusty machine riddims and the Maestro's sweet trembling voice, all synched up (sort of) and ready to tell us stories of imperfect love, blossoming Nacka gardens and bicycle rides on wet gravel. Also on this record: Suzanne Kraft jammin' harmonic on the remix, Malin Gabriella Nordin straight up slaying it with the artwork. This 12'' EP is released synchronously with the vinyl exclusive 7'' single Strings Of Harald (BARN 037).
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Vaghe is a man of few words. He wanders, seemingly endlessly, through a lonely, gargantuan labyrinth of concrete and steel, fighting off ghosts and other futuristic nightmares, searching only for something called The Full Stream Ahead. Who is this quiet, determined man and what are these Ghosts he seeks The small communities he finds tucked into the crevices of this towering, dystopic ruin hardly give him leads on his treasure, driving him to find larger enclaves of civilization where people can reveal more about the world he lives in and the quarry he seeks. If Vaghe is going to find the treasure he seeks, he will need more help and information than the inhabitants of these beleaguered outposts can offer. He needs to find a larger cluster of civilization, but he'll have to survive the trip to get there, first... Following his 2014 'Sweet Sixteen', and his 2015 'Abstract Speed + Sound' Other People is pleased to announce The Full Stream Ahead: The Prologue by Turin's Daniele Mana aka Vaghe Stelle. Previously associated with Italian label Gang of Ducks and a current member of production group One Circle with fellow nationals Lorenzo Senni and A:RA, Daniele's roots in the emerging Italian production scene run deep and place him at its center.
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The mysterious UNKNOWN Returns to Championsound for the second part of his numbered tracks series, with more spacious and layered post-everything soundscapes.
The second release from Unknown is a vinyl only release ...
Busy working on an album the four tracks here are part of his #001-#010 series that heralded his existence on youtube. Aside from remixes .. this is the only Unknown material that will be available until a new EP and Album in the spring and later part of the year 2013 .. These tracks were not due for release but he has received a large number of mails enquiring about a release date for them so here is the limited vinyl ..
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David Vunk's Moustache records is back with the New "Moustache X" featuring on A1: Alessandro Adriani - Death Move 1# acid new wave techno rocking hard, A2: ENDFEST - Seutek Boogie Boy (A tribute to Cor Vaandrager) west coast electro pure analogue a true hardware story, B1: Unit Black Flight - Shortwave Radio Antenna Down (Antoni Maiovvi Remix) Love on first sight discovered while playing Magic waves dj set Hassan style B2: D'Evoe - Need U. Chicago franky K. arpeggio 1993 style with twin peaks kinda beautiful strings. Don't sleep on this...... Moustache X = only hits for those who want to be credible. don't play this under 15 years old.
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HouseDeepChicagoTechVinyl Only
The first EP in vinyl only for Onward by Bs As deep.
Fresh sounds with detroit house and 90's styles influences.
Included a great remix by Mike Sharon a.k.a Chrom Owner of Ultra Knites Records."
Additional credits for Onward Recordings mastering studios.
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San Francisco-based DJ/producer Nick Monaco has long been part of the Soul Clap family, releasing his first 12" on the label back in 2012. Mating Call, a double 12" set running at album length, is easily his most expansive release yet. It's typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. It's rooted in Balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. It's hard to accurately describe, but is really rather good; certainly, it's one of Soul Clap's strongest releases of recent times.
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Our latest release 'Mila, It's Not Over' comes from the mysterious Ponty Mython (Alex). With roots in St. Petersburg, he now sends us his latest intricately produced works from his studio in Vilnius, Lithuania. Alex joined the Dirt Crew family last year, adding his excellent artist name and ear for exotic samples to our 'Deep Love 10' compilation with his track 'Movin On'. First up on this new release is 'Face Down', a cross-continental collaboration with Tijuana based tastemaker Sebastien Vorhaus. Sebastian and Alex recently dropped their 'Lux or Cairo' EP as a 12' on Quintessentials, and have backed it up with this funked out jam. The remainder of the release has´been no doubt meticulously put together by Alex himself. The record is full of surprises, with audible influences from house, italo and disco, it brims with the unusual and unfamiliar, but is held together with its dance floor propensity. 'Apple Arp' is a joyful excursion, with a bubbling arpeggio, oscillating lead and an irresistible groove. The title track 'Mila, It's Not Over' rolls along with swung live drums and acid touched bass line, before taking an unexpected turn, floating off into an almost cinematic break, where film score woodwinds and strings call out over muted voices. 'Narcolepsy' hosts breezy flute and psychedelic swells of sound and 'Paulette' boasts mesmerizing tuned percussion and singing synth lines. All in all this record is completely unique and full of life, a bizarre and colourful journey into house music, perfect for the party.
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Once a distant message written in the stars, the wisdom of Soul Clap has been beamed down to Earth in the form of EFUNK - Everybody's Freaky Under Natures Kingdom - their debut album on Wolf + Lamb. Now the label presents EFUNK: The Remixes.
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React' is Split Secs' first record of 2015 and the year's first release from the LA duo's Machine Limited imprint.
Composed of Alexandre Mouracade a.k.a SONNS and Travis Kirschbaum (TK DISKO), Split Secs has put out
material on labels such as Throne Of Blood, Kompakt, and Jolly Jams. They've also crafted remixes for Mark E's
Merc label, BPitch Control, Remain, Waze & Odyssey, Future Classic, Pacific Horizons, Clouded Vision, On The
Prowl.. etc.
React' further confirms Split Secs' capabilities in creating all things tough & funky. As usual, Alex and Travis walk
a fine line towards the light, but veer dangerously and deliciously into thee dark. The original mix of React' is
deep house in the classic sense of the genre, a pulsing bassline, which Marshall Jefferson would be proud of,
conspires with rolling drums, drifting atmospherics, a chant repeatedly intoning react' and an ominous, but
extremely sexy, spoken, Italian vocal courtesy of Alona — the sometime chanteuse for 40 Thieves, who carried
out vocal duties on Machine Limited's first release, Slave,' also by Split Secs.
The package comes with three remixes, two by Indonesian producer Jonathan Kusuma, whose Gong 3000' EP
appeared on Cosmo Vitelli's I'm A Cliché label in 2014, and the other by Hardway Bros, aka Sean Johnston,
Weatherall's co-pilot in A Love From Outer Space. Kusuma's first mix is a driving house track with a definite late
'80s warehouse feel that brings early Tommy Musto to mind. The bassline is chunky and surrounded by intricate
and highly danceable drum patterns that wheel and swerve under the vocals. The track builds aggressively with
haunting strings and syndrum hits. It's perfect for peak time play. His second offering is a looser, deeper and
more narcotic effort. It's no less driving than his first mix, but strays into darker territory with an acid-tinged
bassline, rolling toms, plenty of delay on the chant, stabs of electric keys and fantastic drum programming.
The Hardway Bros' mix rounds out this release perfectly by toughening the original bass line even further, making
the beat stomp hard and then throwing in some acid to create a swirling cauldron of phantasmagorical, phuturisic,
phunk phantasticness. You've been given phair warning my phriends, React' will garner what it asks for, a
rousing reaction on the dance floors to which it is applied.
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Warehouse Find! Test Pressing!
Andre Lodemann is a highly regarded producer from Berlin whose debut release dropped in 2004 on Mike Grant's legendary Moods & Grooves label.
Last year saw Andre Lodemann release his Innervisions debut Leaving The Comfort Zone EP.
He has remixed for labels such as Innervisions, Buzzin' Fly, Poker Flat and Rebirth.
Squares is a brand new side-project from Fish Go Deep, focusing on completely hardware-based productions and slightly more experimental, left field deep house.
Tony Lionni continues to impress following his Osgut Ton smash Found A Place (which continues to drive dance floors into a frenzy worldwide) with releases on Versatile, Mule, Wave and Madhouse.
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HouseDeepElectronicaAcidNu Disco
Juan Ramos lives on planet Earth but channels voices from the aether. This is his first offering for the ESP Institute. On side A, Last Of The Natives shows us just what we're dealing with, a master manipulator of sound and consciousness. Juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in Juan's demented world, we find ourselves willfully under his control. On side B, Enemy Of Enemy Is Friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. Once settled into his sophisticated rhythm, Juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. We at the ESP Institute are enamored by Juan's seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color SpeedoTM should she wear this summer
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Volume three from the Plastik People Collection Series included's Kerri Chandler with the rare Black Vinyl track "We Can", The flip see's a hard to find Andre Wade & Company track which was a underground garage classic & finally the EP is wrapped up by UK Garage track Madagascar.
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Mister Ho & Heap close their eyes and float downstream. This is their second offering for the ESP Institute. On side A, Feeling Hopeful is a straight-ahead burner comprised of minimal thuds, bumps, honks, blips, bleeps and bloops—a harmonious arrangement of percussive elements and soaring synth chords that feels both slow and fast paced, sunset and sunrise hour, island back roads and traffic in metropolis. On side B, Gis Gis explores a similar notion of contrast, setting a the scene with a driving mechanical hi-hat that never dips below the selection of luscious melodies—a cha-cha bassline, breezy chords and a slippery lead hook that collectively invite us all for poolside Pin~a Coladas at the Ho & Heap villa. These two songs were conceived in the year of the monkey.
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Scott Young's most powerful and personal (he was actually homeless at the time of recording the title track in Berlin) effort to date. No return to the Jive disintegrates a familiar groove into digital detritus, burning down the house (genre) in the process. Homeless' disco dub is mutant and sticky, and already a hit at the best kitchen after parties. Hobo Art by Capablanca & Young. Weirdo magick.
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Bress Underground joined the Suena Hermosa Team with a vinyl only house series, starting with the "Bress Underground EP".
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Just ahead of all the exciting 15 Years of Moon Harbour celebrations planned for later in the
year, Matthias Tanzmann's label continues to evolve with its next great EP. The man behind it is
none other than influential German DJ, writer, producer, label boss and record collector, DJ T.
The two excellent tracks he serves up mark his notable debut on this label, and the package is
completed with a great remix from Emanuel Satie.
DJ T., born Thomas Koch, has been active on the scene for twenty five years now. The German
started out in the mid '80s, and since then has held down various DJ residencies at clubs like
the now legendary Dorian Gray, founded the influential Groove Mag and Get Physical label and
is generally a rightfully respected pillar of the contemporary scene, and it's all thanks to his well
informed DJ sets, full lengths and hot 12's.
His excellent opener here, 'The Growing,' is an arresting bit of tech house with rattling
percussive patterns, a freeform bassline and spoken word vocal snippets that add some late
night mystery. It's robust and fulsome, and is sure to have dance floors locked in as one as
soon as it is dropped. On the flip, T. serves up 'Times We Had'. Another no nonsense and
rugged track, this one has a more nimble bassline that rides up and down next to cute synth
stabs. Overall the vibe is deep and groovy, the track is perfectly propelled by slick kick drums
and the production, along with more carefully treated vocals, really jumps out of the speakers.
Remixing this one is Get Physical live act and DJ Emanuel Satie, who's trips it back to a
spangled bassline, jittery vocal and jostling drum beat that really gets under your skin and
makes you want to move.
This is another landmark EP for both DJ T. and Moon Harbour, and one that couldn't have come
at a better time as Moon Harbour celebrates 15 years at the top of its game.
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Third of a three part EP series leading up to a five 12" vinyl box mandar album!
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London based producer Kaveesh Mangtani aka Mr. Kavalicious fronts up the next vinyl EP on Milan's number 1 house imprint, DaBit Records.
The 'Make Me' EP comprises 2 original cuts from Mr. Kavalicious and 2 remixes of the originals, one from the quality production duo from Munich 'Coeo', the other from the dabit label duo of Nick Morris & Dave Scott.
As you get to know Mr. Kavalicious' productions you realise he is skilled at making the musical elements part of the rhythm of the track. The A side, entitled 'Dragon' is a lush deep house chugger, which perfectly outlines this skill. The Coeo remix, which sits on the same side of the vinyl, takes the fundamental elements of the original and crushes them into a raw and very analogue sounding track. Big pads weave their way around the track, building and crashing into a piano breakdown... This is how you remix a track folks.
On the flip side we have 'Make Me', a much more bouncier affair than the A side, with a thunderous kick and bass combo. Kaveesh has crafter a real house roller here which bridges the gap between the old house aesthetics and new deep house instrumentation. The Italian duo of Nick Morris and Dave Scott are enlisted to remix 'Make Me'. The remix is reminiscent of Kerri Chandler in his pomp. Stripped back to a shuffling drum pattern and bouncing bass line, the Sicilian's layer a house organ on top which really 'completes' the track... kind of like a chef adding the 'secret' ingredient to their recipe.
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The second 12' of 2015 for Call Super sees him contemplating the dancefloor once again, much in the manner of his previous releases 'The Present Tense' and 'Fluenka Mitsu'.
On 'Migrant', the enigmatic artist returns to Houndstooth with two tracks that develop his detailed, quixotic sound with his palette of shady drums and svelte bass work. Dreamlike pieces to rotate you into the night.
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With previous releases on influential labels Hotflush, Aus and Hypercolour, George FitzGerald has joined a new home, signing to Domino offshoot Double Six. Kicking off his inauguration is new single 'I Can Tell (By The Way You Move)', a house cut which set the 7,000+ strong crowd at Ushuaia in Ibiza moving last week as he went back to back with Radio 1's Pete Tong, a relationship that kicked off earlier this year with George's Radio 1 Essential Mix. 'I Can Tell (By The Way You Move)' is available digitally through BeatPort now.
The video for 'I Can Tell (By The Way You Move)' follows a group of hedonistic teenagers roaming the streets of George's adopted hometown, Berlin, to the backdrop of George's infectious rhythms threaded throughout the track. Directed by Alex Southam, the man behind videos for Alt-J, Laura Mvula and Liane La Havas, you can watch the video HERE.
A remix package featuring mixes from Breach, responsible for the aptly titled summer club smash 'Jack', and a remix from Paul Woolford, will be available from the 30th of Sept. Further details to follow shortly.
George continues to play throughout the summer and has started work on his debut album due for release in 2014 through Double Six, where he joins such luminaries as Jon Hopkins and John Cale as part of the extended Domino family. Fitting company for a producer who is destined to be a career artist dedicated to perfecting his craft and raising the bar for his contemporaries.
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Emerald City, the newest label venture from Jamie Jones and Lee Foss delivers a majestic second release with a new collaboration between Jamie Jones himself, DJ/composer Kate Simko & London Electronic Orchestra featuring the vocals of Jem Cooke.
Kate Simko launched her London Electronic Orchestra project in 2014 and have since sold out concerts at the Britten Theatre, National Gallery, and opened the iTunes Festival 2014. Featuring live instrumentation from harp, violins, cellos, and upright bass, they create intimate atmospherics and indelible frequencies in 'One Time Game', a beautiful classic that is paired with a raw 909 club mix. Kate Simko and Jem Cooke first teamed up for their hit song 'Go On Then' that topped the charts in house music in 2012, and subsequently released tracks on Get Physical and No. 19. Jamie invited Kate to play at his Boiler Room in Ibiza last summer, where 'One Time Game' was first performed alongside a string quartet and harp. The track was finished in London at Jamie's studio.
Widely regarded as the leader of the new sound of house, Jamie Jones is renowned for his pioneering music; his cross genre band, Hot Natured; his ground-breaking label, Hot Creations; and his world-renowned event series, Paradise.
Kate Simko has carved an international career as an electronic music producer, film composer, live performer, and DJ. Getting her start on Ghostly alongside Matthew Dear and Ryan Elliot, Kate has since released on Get Physical, HelloRepeat, Leftroom, and No. 19, and was named one of Chicago's Top 10 DJs by XLR8R. This fall Kate has an album upcoming on Sasha's label Last Night on Earth, and her debut London Electronic Orchestra EP on the Vinyl Factory. Jem Cooke is a singer-songwriter from London, recently signed to Sony ATV through Naughty Songs.The artwork was created by Peter Nudo who was also used for the previous Emerald City release.
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A firm favourite in the Hot Creations camp, Jey Kurmis is back on board the label following his recent 'Kari EP' with another killer release in the form of the
'Not Too Flabbeh' EP. The release features two-standout originals, with a heavy duty re-edit of a third original from label boss Jamie Jones
'Not too Flabbeh' features Belgium producers Nukov & Yelmet, creating a bona fide 'hit!' complete with tongue in cheek, catchy vocals, rolling bass, and infectious groove, it's a winner! Jamie Jones steps up again, this time to do a reedit of 'Farno, a four to the floor edgy killer. Last up is 'Monkle' with its tripped vocals and old school stabs!
Having honed his production skills for seven years, Jey Kurmis is really starting to see the fruits of his labour. His career has steadily been on the rise from his first release on Phobic Records to his artist defining EP for Hot Creations last year, and particularly since he joined the NGE Agency. Other productions can be found on the likes of VIVa Music, Resonance Records and Wow! Recordings with wide support including Heidi, Jamie Jones, Claude Von Stroke & Skream
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Phoenix Knight was born in May 1992 at the infamous Castlemorton free festival slap bang in the middle of Digs & Woosh's now legendary set on the DiY Soundsystem.
Hand reared on Strictly Rhythm and Henry Street joints specially imported from the US East Coast, he soon became well acquainted with the skippy high hats, offbeat snares and wailing vocals of the emerging nineties Deep House sound.
After settling in the UK's musical answer to Chicago...Nottingham, he spent the next few years of his childhood being dragged around many of the area's underground house events in quarries, fields, moors and warehouses staged by free party warriors Smokescreen, Spoof, Giddy Fruit, Quadrant and many others.
However, after consuming far too many party cabbages, a group of local house producers decided that an intervention was necessary, placing young Phoenix in a stasis, of which he only reappeared from recently.
Upon his reawaking, Phoenix was under house arrest, with his only company being some classic house tools of the trade. The SP1200, TR909, S3000XL, Juno 106, and JV1080 may or may not have been used during the creation of his subsequent works, produced during this period of enforced captivity.
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Truesoul Records are proud to announce the release of 'Let Your Soul Outside', the debut album from Reset Robot in April 2014.
Behind the Reset Robot project is Dave Robertson, a producer who has released standout singles on labels like Dogmatik, Intacto and Adam Beyer's Truesoul imprint over the past 5 years. Now he steps up with his debut album, the stunning 'Let Your Soul Outside'.
The LP was written at Reset Robot's home studio in Portsmouth and is an album of fascinating textures inspired by "all the music I listen to and love!" says the producer himself. "I've wanted to do this for a long time and all of a sudden I had 8 or 9 tracks together which were a little bit different. I added a few more and asked a close friend, Tom Powell from Mister Woo, to add vocals to a couple of them and it was ready."
The result is a full length that touches on many different moods and emotions, starting with the melodically soothing tech funk of 'Guitar Man'. Tracks like 'Little Alice' then pick up the momentum thanks to slick beats and crisp percussion and 'Sizzler' introduces a soulful vocal element over more tortured sounding, synth-laden grooves.
It's not all full on dancefloor material though, with tracks like 'Desi Beats' it allows you a little time to breath thanks to their more widescreen and laidback vibe, whilst 'Sausage' strikes a truly emotive pose that has your thoughts turning inwards.
With this album Reset Robot proves both his range and his dexterity - no two tracks sound the same, and instead the Portsmouth producer explores every nook and cranny with a fine attention to detail that really makes the whole thing sing. 'Let Your Soul Outside' is a stellar achievement.
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Hot Creations favourite Robert James makes his debut on VIVa with three original tracks and heavyweights Groove Armada are onboard to deliver 'Terrace' and 'Dub' remixes.
'Seagate' captures the energy of the sunshine with licking hi-hats, rolling grooves and unforgettable vocals. The feel-good 'House Invader' rides a swinging bassline and sharp kick, while Groove Armada's 'Terrace Mix' strips solid percussion into a dramatic synth affair, and a digital 'Dub Mix' is also on the agenda. On his third original production, Robert James delivers more sonic bassline action with 'Feel That Way'.
First surfacing amidst a new wave of talent on Lee Foss and Jamie Jones' Hot Creations, Robert James has gone on to DJ at hot-spots all over the globe as well as release on labels like Culprit, Saved, Silver Network and the legendary Strictly Rhythm. He also holds a highly honoured residency at Jamie Jones' Paradise at DC10.
Formed in the mid 1990s, diverse duo Groove Armada has had numerous chart successes. Recently they held a residency on BBC 6 Music's 6 Mix and this summer sees a new album / remix album dropping on Moda Black. STING
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The mighty Visionquest get set to release the highly anticipated 'Rain' from young shining star Subb-an. A monster of a release, the A-side features the haunting vocals of Visionquest favourites Footprintz, while the B-side welcomes a collaboration with Holland's Tom Trago featuring label co-founder and No.1 Seth Troxler on vocals. Released as a digital only, Subban's partner in crime Adam Shelton steps in for remix duty and rounds of what is undoubtedly set to be a special release for all involved.
Having spent the last few years paving out his distinctive driving style with huge releases on labels such as Crosstown Rebels, Culprit, Spectral Sound and his own One Records, it may come as a surprise that for the A-side of the release Subb-an steps into new territory to deliver a truly mesmerising slice of modern electronica on a closer tip to his recent remixes of Lana Del Ray and Jamie Woon. Written over a year ago and feeling that 'Rain' was a really special track, there was much deliberation over finding the perfect vocalist. With previous smash hit releases on the label and a debut album on the way, the idea of Footprintz materialised and everything simply fell into place. Captivating synths glide across a bed of dreamy deep chords and subtle percussive passages, while the signature sound of the haunting Footprintz vocals swirl through the deeper vortex. Keeping things tight within the family, label partner and best friend Adam Shelton delivers a stunning remix of 'Rain' to be released as a digital only.
On the flip the talented producer teams up with Rush Hour favourite Tom Trago to unleash the powerful 'Time'. The track was born through a bond that formed when Trago was asked to remix one of Subb-an's first big releases, 'What I Do' on Culprit LA. Becoming friends the pair soon found their way into the studio to master up a dance floor weapon that is highly sophisticated and intricate in production, building with tension and suspense as hypnotic waves are thrown into the equation. The thought provoking vocals spoken by Seth Troxler send the track into new dimension and with these three heavy weights involved; it's set to be a big one.
The past few years have seen a rapid rise to fame for the Birmingham bred Subb-an and with this monumental release and huge plans in place for the coming year including the 10 Years Of Crosstown World Tour and a debut artist album, there's no hiding the fact that Subb-an's stardom will continue to soar.
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With MAGNUM Vol. I, D.O.C. Records has positioned it self as the home for both veteran and freshman artists; a well-needed break from the labels regular routine that was put to good use, resulting in one of the most defying releases to date.
Filled with exclusive brand new tracks from Monolink, AnT, L_cio, M.A.S., Shadow Movement, Elekfantz, HNQO, Come and Hell, Monotype this V.A. meets the high demands of the music scene, thanks to a particularly strong line-up showcasing both the best sellers and the personal favorites of the last two label years.
What's most striking, however, is how a pool of artists as distinct as L_cio, AnT, Monotype, Elekfantz or M.A.S. can find harmony in diversity, aiming to define D.O.C.s current sound, the different family-members did wonderful and powerful tracks easily reaching their goals.
In this release D.O.C. Records has definitely established it self as a label to be watched as one of the bets for the years to come.
This compilation is a must-have for anybody that has been following D.O.C. in the past years and for anyone that wants to start following now. It´s a milestone in the label´s history and all in all it´s the best gift you could imagine.
Owned and engineered one of today's most beloved techno/house producers, GUI BORATTO, D.O.C. is a platform created to support and develop Brazilian underground talent.
D.O.C MAGNUM VOL. 1 is the perfect introduction to the label family and getting to know about Brazil's thriving electronic music. Features exclusive tracks you will only find on this collection.
Packaged in gorgeous gatefold 3LP vinyl - limited to 500 copies!!
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MMUSIC is a Modern Day Music vinyl imprint, Paying a 12" respect to quality productions, compiled together, for a must have vinyl record.
A1 Written & Produced by Daniel Wilde, Remix by Jay Tripwire.
A2 Written & Produced by Monaque, Remix by Neil Quigley
B1 Written & Produced by Latin Intelligent, Remix Mobius Strum
B2 Written & Produced by Derek Marin & Lux Comms, Vocals by Lux Comms
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It has been a while since we put out the first record on our van doumen' sublabel. But the time has come to do it once again. It features surprisingly well-known artists for Doumen standards, such as NYC prodigy Photay, psychedelic LA beatmaker Ras G, Studio Barnhuis darling Kornél Kovács and Leipzig legend Leibniz. All are remixing original Doumen releases. So I guess your are old enough to decide for yourself if you find that interesting.
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WARNING! This is the long awaited artist Album from Brasil finest... Volkoder.
This double Pack on Material is set to be the release of the year for our label since 10 out of 10 tracks are just dope tunes! You ready to join for a flashback to 1991
TIP
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Milanese House imprint 'Dabit Records' welcomes Accatone in to their ever growing stable of talented producers. The Portuguese house maestro (José Reis to his friends) made a quiet start to the year, but has started racking up the releases in recent months, turning out a thoughtful techy 4 tracker on Apparel Music and a deep, vocal laden EP on Hudd Traxx. First up on the EP we have 'Get Outta Dat Hole' - A funked out bass guitar hook sits just below the drums, pulling the track on with an almost locomotive urgency. The mellifluous vocal is the real gem of this track, sporadically coming in and out of the hypnotic drums. Next on the EP is 'What Tha Fuck'. Another rolling deep house track, this time sampling the vocal hook from a certain tribe's mission... This is the more upbeat track of the two originals on the EP. On the flip side we have two remixes, the first coming by way of two Sicilian house legends 'Nick Morris & Dave Scott'. The pair bring some Latin percussion & years of experience to the table in a remix that wouldn't sound out of place on a St. Germain album. The second remix comes from Metropolitan label bosses 'Mattei & Omich'. This remix has been made in the aesthetic of the pairs label... peak time dancefloor tackle, big breakdowns & happy ravers. A fantastic EP, which ticks all the right boxes and shows the growing maturity of a relatively young label.
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London based punk duo Black Volume are not easy to classify.
Their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. Their B Series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result.
Black Rubber is James Brown wearing black leather at 40ºC (in the shade) while suffering a mental breakdown. Excentric melodies sliding down rhythmic dislexia. Negative Return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage
With The Future we enter a romantic dystopia. Sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines.
Streetfight evoques a desolate landscape, devastated and radioactive. Distant echoes from an extinguished human race that left behind only majestic rusty ruins.
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Hidden away in the vaults of the (not so) mysterious Bufiman, these almost lost recordings will see new light through our little imprint in the middle of June! Released with the spiritual and physical approval of Dusseldorf - Malmo Love Association (DMLA) Production: Jan Schulte
Art work: Ivar Lantz
Mastering: Carsten Dambkes
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