House Vinyl New Releases - News

Label boss Christian Schachta returns once more with two new cuts of grinding bass and razor-sharp percussion for your listening pleasure. contains a remix by patrick lindsey !!!

A chance encounter at university during the Acid House summer of '88 and subsequent bonding over Baby Ford's 'Oochy Koochy' established a life-long friendship between Leicester lads, Jimi O'Callaghan and Al Green. Inspired by the sounds of Detroit, early NY House like Murk and Masters at Work and the emerging UK sounds of LFO, Orbital and Aphex Twin, the pair began DJing and making music as The Wild Geese. Their first EP, 'The Wild Geese EP', was released in 1994 on their own Giddy Goose Recordings imprint. The guys pressed 500 copies and, with Jimi's connections made interning with Pete Tong's FFRR, sold copies direct to London shops. The record sported packaging designed to look like an American 12' and an accompanying press release attributed the EP to a fictitious DJ duo hailing from Wisconsin. Rave reviews followed and a distribution deal was struck with Vital UK, who produced and sold another 500 copies worldwide. Another EP followed a year later. Sadly, plans for a third EP on the label never materialized, but the pair remain close to this day. 24 years later we are honored to reintroduce this genre-defying, uniquely forward-thinking EP to today's dance floors.

Mint Condition - A reissue label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Arnold Jarvis should be a familiar name to you if you're a fan of deep House and classic NJ Garage sounds. The unique voice behind many classics of the genre including the mighty, anthemic 'Take some time out' on NYC's cult Fourth Floor imprint from 1987 as well as lacing Satoshi Tomiie's huge 'And I loved you'. Needless to say Arnold has lived house music, he's been in the game for numerous years and has collaborated with a host of incredible artists including Kerri Chandler, Louie Vega, Dennis Ferrer and too many more to mention! Now, we flashback to London, 1994, Arnold Jarvis records a session with the UK's Ian Tregoning (aka Trego) for the label Subwoofer, a sub-label of Freetown records. Ian Tregoning is an engineer whose pedigree has seen him form an integral part of the massively influential Warriors Dance crew and man the boards for artists like Yello, Carlos Peron, S'Express, Orbital and many more. The record consisted of 4 mixes and dubs of 'The way you', a sublime deep garage groove of the highest degree featuring Tregoning's mixing desk prowess and Jarvis' soulful vocals that never saw the light of day due to some tragic events. Existing only as a white label for the last 20+ years and finding favour among the deepest house diggers 'The way you' is something of a lost gem. It's unknown how many white labels were pressed of this sleeper record but it wasn't a big quantity at all, making this a truly rare and sought after record. Luckily we at Mint Condition HQ can count Ian Tregoning as a close friend and associate and through some discussion the idea was hatched to release 'The way you' 'properly' for the first time, now in 2017. Access to Ian's original DAT's was granted, Arnold came on-board too and gave his blessing and the next thing you know we have this finely crafted, remastered and official version of this lovingly restored lost 12". A piece of mid 90's house history, made available again to a wider audience for the first time. Beautiful. Records like this don't pop up everyday at all.
'The way you' has been legitimately remastered by London's Curve Pusher from the original DAT sources especially for this release. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at Mint Condition!

Vinyl only hand stamped 180g wax. Third release from long standing Fuse London resident Rich NxT's NxT Records. Not to be missed!

Dream Cycle returns with his second instalment on Sneaker Social Club.Offering up 3 distinct moods across the EP - 'Influence" is a stripped back, technoid stepper, "Afters (3am mix)" explores the dubbier side of UKG while "DCYX 5" takes things into more uplifting territory - a skippy piano roller arriving just in time for Summer."

With a knack for creating tracks that not only work well on the dancefloor, but also last long after the release cycle, the mighty Shiba San returns to Dirtybird with two unique bangers you won't soon forget.Leading off the release, 'Don't Talk' doesn't need a vocal to say something. Shiba uses rhythms, beats, reverb and pitch to create an oddball, attention-grabbing techno track that is sure to be around for ages.A mosquito alarm emits a high frequency sound that can be heard by bugs and dogs. But the heavy low end bass on Shiba's second track 'Moskito', has the exact opposite effect and attracts ravers from miles around to the dance floor.

The Cyclist produces, what he has termed, "Tape Throb", musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to.

"Pressing Matters" harks back to the golden age of breakbeat, bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it's a cut that will cross genres with ease.

Robag Wruhme never fails to disappoint as a producer/remixer, his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of "Pressing Matters" masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin.

"Back In '92" will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren't there first time around, it's a cut that's as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums.

Featuring the vocal talents of Tanaya Harper, "Push" closes the EP in fine style, intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX's recent pathos to UK rave culture.

Nun weilen wir mit unserem Festival bereits das 6. Jahr an einem der schönsten Strände im Osten der Insel Rügen, genauer gesagt in Prora. Das Tag Am Meer ist ein familiäres Festival bei dem jeder willkommen ist. Bunt ist deshalb auch die erscheinende Vinyl. In der vierten Version kommen die musikalischen Beiträge von Tagträumer², Stephan Zovsky & Dan Cero sowie Dominik Häring und Steve Cole feat Lara B.Von Deephouse über Techhouse bis hin zu minimalen Klängen erstreckt sich ein breites Spektrum welches sich auch beim Festival am Meer wiederspiegeln wird.

Artwork by TZU TING WANG, Layout/Concept by Fiona Luigi

5 years since Midnight Shift's first release in 2012, the label assembles a collective of artists, most of them are in advance of their full EPs releasing later.

Representing the sounds of the label is this manual of secret moves, up in the sleeves. The mystic motley crew also comprises the alternate sides of familiar faces — Amato (The Hacker), Terry Lamborgini (Marco Bernardi), INNYSTER (Seixlack), Hodge in a new formation with Gramrcy, and an electro moniker from an undisclosed artist: Thermocline. From abstract acrobatics to the abrasive and the ultimate gob smack to the floor — The Midnight Manual.

The 12th Release from GIANT RECORDS is from BASEMENT UK - Abian Saavedra and Brando Morales are two young producers that hail from the Canary islands and both
have a massive love and respect for the early UK HOUSE & GARAGE sound - hence their name. Their track - GANGSTA - lends itself to the above mentioned sound and
could surely stand the test of time among those early classics and it reminds us of an early Grant Nelson Nice&Ripe groove, Wicked swinging drums and hats that all sit comfortably on a low sub bass and spoken word jam.
The next mix of GANGSTA is from long time Giant favorite TOM GILLIERON - Tom's mix is dark and twisted with hidden layers that swell and grow through the track - his mix
builds and builds with a subtle use of the original vocal which then turns into a trippy late night slice of dark magic - Tom's sound is 100% on the button on this mix EXCEPTIONAL !
The following mix is from long standing Tech-House master - JAY TRIPWIRE - Jays mix takes us on a 303 Acid ride into a heady state of affairs, twisting and turning the dial
until the point of break - a serious peak time killer.
The last mix falls on DAVID HOLNESS - keeping the essence of the original but adding more punch and a heavy weight bottom end and sweet Techno pads - that will sure to
rock many a dance floor. Vinyl only - 200 pressed and hand stamped and numbered

Chus + Ceballos join New York label Nervous Records with an infectious single titled 'More I Want U' featuring remixes from house luminaries DJ Pierre and DJ Vibe.

For many years now both Nervous and Chus + Ceballos have been flying the flag for New York's house music scene. However, aside from collaborating on their 'Back On Tracks' mix CDs nearly a decade ago, the two have never teamed up for a release. Having pioneered the Iberican sound, the Spanish DJ/producer duo have indisputably earned themselves legend status as they continue topping the charts whilst headlining the globe's elite venues, not to mention the perpetual success of Chus' renowned label Stereo Productions.

A long-time platform for illustrious producers, Nervous Records is now set to release the pair's forthcoming single with remixes from none other than acid house pioneer DJ Pierre and tribal house stalwart DJ Vibe.

Featuring Chus + Ceballos' signature groove-laden percussion, 'More I Want U' is rhythmic with high-octane sounds and a catchy vocal element that comes courtesy of 'Dirty Love' by Sunshine Jones on King Street Records. In his remix DJ Pierre uses murky synths to generate an ominous and twisted aesthetic before DJ Vibe drops thunderous kicks and trippy arpeggiated melodies to conclude the package.

Just a few months after its first release, Nitsa Traxx comes back with a very special 12'.
The project started with a file exchange between Eduardo de La Calle and Ferenc. They decided to work each track on their own side using only a few isolated sounds from the other. This way none of the tracks could never be treated as a full original, but proper remixes of tracks that never existed, building an uncanny, almost dreamlike emotion.
A Side is for Ferenc's 'Parón Largo', where synthetic strings are omnipresent and time and space unbends, evolving to an anticlimax where an eerie vocal and the longest possible drop are the leading trademark. A never ending and emotional standstill that goes deeper than the Mariana Trench.
Eduardo De La Calle uses his distinctive signature sound in the B Side. 'Cloaking Tech D Fly D' is an obsessive yet beautiful track that reminds us of the Somewhere in Detroit series. This is a mental and heart-warming tribute to the Motor City sound that just a producer like Eduardo could do.
Next releases are on the corner already, and we can't wait to share them with you.

repressed !

With releases for the Technasia label Sino, for his own platform Green or remixes for illustrious heavyweights such as Robert Babicz, Alexander Kowalski and Slam, Voorn belongs to those ambassadors of deep, uplifting, perfectly produced but still constantly energetic Tech House, that have set standards.

In its five years DGTL has carved its style and sound worldwide as one of Amsterdam's staple dance music institutions. This year the organisation is deepening its focus and vision. Therefore DGTL is launching its own imprint DGTL Records.
The label builds on the festival's musical theme of an evocative cross section of the sounds and styles; showcasing forward thinking, cutting edge artists.

The one to kick off the new imprint will be the Bulgarian hardware wizard KiNK. Best known for his live performances, teemed with explosive energy, which for a consecutive year puts him to the #1 spot of live acts on RA Poll, he is also one of house's most in demand producers. KiNK has worked with DGTL for quite some time, including last year's audiovisual installation 'Transmission Tower', where the first track 'Neutrino' was born.

The melodic 'Neutrino', kicks off with syncopating bassline. Its interconnecting layers organically jump over and under each other, reflecting the organic character of KiNK's live performances, where every knob touch and turn matters. On the latter, he built the B-sider 'Dynamo': "I loaded my favourite element from Neutrino in my computer and I tweaked the sound through various weird devices in my studio, till it sounded like a completely new track." As usual, he added a few endless loops on the record, "for the adventurous DJs", exclusively for the 12''.
The idea for the DGTL Records artwork is to feature a different visual/graphic artist from the DGTL ART program every year; starting with the cover from Tim Buiting and his graphical visual of the Liege train station, designed by Calatrava for this year's releases.

With their 4th release, Blaq Numbers welcomes Jesse Bru on their original imprint - bringing you a solo EP full of pure blaq gold! The title track was also crowned by a heavily jazzed up remix from Folamour - we hope you enjoy this release just as much as we do!

Early support by:
Sampling as an art, Jaques Renault, Roman Rauch, Kevin Over, Loz Goddard, Black Loops, Cinthie, M.ono, Jad & the, Seb Wildblood, Baldo and many more...

John Digweed's long standing 'Live in...' series continues to Tokyo - "This time we head to Tokyo and to one of the best underground clubs out there. Contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system." - John Digweed This 3-part vinyl sampler, out via Bedrock, captures elements from across Digweed's set - from the deep to the peak and everything in between. Vinyl one see's tracks from Marc Romboy, Molecule, Denis Horvat and Luke Brancaccio & Simon Berry Versus John Digweed & Nick Muir.

John Digweed's long standing 'Live in...' series continues to Tokyo - "This time we head to Tokyo and to one of the best underground clubs out there. Contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system.' - John Digweed This 3-part vinyl sampler, out via Bedrock, captures elements from across Digweed's set - from the deep to the peak and everything in between. Vinyl two see's tracks from Marc Romboy, Robert Babicz and Luke Brancaccio & Simon Berry Feat. JJD.

John Digweed's long standing 'Live in...' series continues to Tokyo - "This time we head to Tokyo and to one of the best underground clubs out there. Contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system.' - John Digweed This 3-part vinyl sampler, out via Bedrock, captures elements from across Digweed's set - from the deep to the peak and everything in between. Vinyl three see's tracks from Renato Cohen, Edit Select, Jimmy Van M & Juan Hansen and Pascal FEOS.

After their stunning debut on ART, electro purveyors LONDON MODULAR ALLIANCE return as they keep up their unstoppable momentum on the contemporary electronic scene. With a slew of high profile live shows behind and in front of them - LMA go from strength to strength as evidenced by this 5 track EP spanning deep, emotive ambience all the way to heavy wobble electro bass. Unmissable!!

As the wind whistles through your hair, everything passes you by in a blur. Faster and faster you go, faster and more terrifyingly into the abyss you fall. You scream with a mixture of panic and joyful abandon half wanting this to never end but knowing that it will anytime now: a smile creeps across your face. And as it ends, you breathe a sigh of relief, wistfully remembering with powerful emotive accuracy before hurriedly joining the back of the queue for another go - after all, it's just a ride. Life is very much like the 'Blitzbahn'. It goes up and down, round and round and for much of the ride, we never know what's going to happen. Here on his fifth studio album, Oliver Schories explores all the fun of the fair across 13 expansive cuts that showcase his incredible knack for straddling that House/Techno mid-point with consummate ease. Some artists take years to craft their albums, agonising over every detail before, frustratingly, deleting the whole project and starting again. Oliver, however, is as prolific as he is confident of his ability to construct the kind of dance floor bombs that have helped him to build a significant head of steam in the underground.

Four tracks to jack to, from label bosses Posthuman. 'Wake Up' and 'Jet Set' on a stripped house tip, 'Usurpate Acid' bringing the 303 trap action slow and heavy.

Rod Malmok (aka ROD from previous Klockworks fame) kicks off the eponymous label with his debut-album Back To Square One.

STRICTLY STRICTLY is a new label with 4 heavy MPC-based house-jams by Berlin-based producer RWIN. Strictly emotional affect with lush and spheric sedatives on the a-side and strictly dance-floor material on the b-side where he prays for jack and compels to move.

The German Sebastian Beus, Based In Ibiza-spain, Get Out With 'the Day After' Ep For His Debut On Wats Records.
The Ep Expresses Widely His Personal And Professional Paths Combining Theoretical Background With Personal And Artistic Maturity And Represents A Mix Of Three Distinctive Aspects Of His Life: An Open Vision, A Certain Freedom, A Specific Place.

The rising London based label is quickly defining his own and unique sound laying down the law with another live jam recorded 4 tracks release by his own boss DOTHEDU.Following the success of the first release, Senseverse Records has came back with Lost Acids EP, a rough lost minded trip with an unusual sense of refinement. The producer lets the trip's curtain rise with Lost Acids which takes us to a gloomy hidden place on the edge of the house and techno roots with a banging 909 and crescendo 303 which dives smoothly into the background own producer's voice, Colombine Acids explores the happier stage of the trip and keeps the sound on the thin line in between the 2 genres with his fat kick and the flying and clashing crashes.
The B1 throws us right back deep into the dark with a slowed down and mentally twisted remix by the very well known producer Florian Kupfer. Finally Early Acids rings down the curtain's trip with some fine classic house music sonorities that lead us to a dreamy and dancy closing.

Having Already Gained Support From The Likes Of Dixon, Ame And Red Axes, Scatcity Records' Latest Offering From Ivory Is Already On The Way To Cause A Serious Stir This Summer. Opening Up With The Title Track, 'mindfulness', Ivory Lays Down A Crunchy Synth Roller, Overlapped Against A Range Of Warm And Bright Melodic Chord Sequences, Before Throwing You Back Into A Deep Groove.
Moving Onto'quiet In Her Shadow', Elusive Synth Line Minimalistic Percussive Elements, Progressive With Teasing Chordal Changes And Ever Developing Reverb Echoes.on The Flipside, 'everything Is Illuminated'is A Force Tobe Reckoned With, As Deep And Eerie Drone Synth Bounce Up The Menacing Chugs Of Drum And Bass Line.floyd Lavine Steps Upto Close The Ep, With His Take On Mindfulness; Rounding Off With A Calmer Experience, As Enriched Saw Synths Ease You Off Into The Sunrise, Rounding Off Another Spectacular Release From The Scatcity Crew.

New album is split across a series of 4 ltd 12" singles.

Serge Devant returns to one of his favoured label's with his White Groove EP, delivering a pair of deep, textured tracks that'll vitalise any rigid dancefloor. Archie Hamilton makes his Crosstown Rebels debut and supplies a punchy, tripped-out revision of lead track, White Groove.

White Groove is an absorbing mix of rumbling sub bass, soft, textured percussion, and ethereal pads. Loose percussion and a tough kick carve out the initial vibe on Connect To Server. A hypnotising, low-riding synth is the final layer and helps generate even more groove into this peak time roller.

Archie Hamilton switches up White Groove, revising the bassline into a buzzing, forward pushing rhythm but retains the mystical feel of the original, bolstering the whirring pads and using intricate percussive sounds and FX.

Serge Devant hails from Brooklyn, New York and released his seminal track Fearing Love in 2015 on Emerald City. Since then he's been championed by Damian Lazarus, a firm favourite on both Crosstown Rebels and Rebellion, whilst also receiving plaudits for his releases on Knee Deep In Sound and Circus Recordings. Moscow Records, Moss.Co and Arkityp owner Archie Hamilton is one of the UK's most promising talents, consistently releasing high quality house and techno on the likes of Get Physical, Fuse London, 2020 Vision, Fear of Flying among others.

Recorded in an ageing holiday park during off-season, Center Parcs is the debut LP by Dutch artists Betonkust & Palmbomen II; a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. With a shared passion for experimental music, and gnarled Dutch electro, the duo have crafted an LP of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time Center Parcs setting.
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Palmbomen II a.k.a. Kai Hugo, is the electronic-focused, alter-ego of Palmbomen. Existing in his secondary iteration, Palmbomen II gained notoriety for his alternative, warped style, having released two LPs, both receiving critical acclaim. Originally from the Netherlands and now living in Los Angeles, his musical relationship with Betonkust stretches back several years, leading to a unique live, and studio-working symbiosis. Meanwhile Betonkust — hailing from the westerly Dutch shores — has been notching up kudos points with his Detroit-like analogue sound. Having found their studio-synchronicity, the duo have already notched up a couple of select EP releases, plus a featured track on Dekmantel's 10 year anniversary series.

'It's a weird environment, but we like it,' Palmbomen II says about Center Parcs, where the album was recorded. Originally built in the 70s, Center Parcs De Eemhof in Zeewolde provides a pseudo-tropical environment for vacationing families, with an ageing, ersatz jungle; its faux decor gradually fading to grey. Recorded during the winter, the two Dutch men took-up home in one the park's chalets with select hardware — predominately synths and drum machines — and recorded all of their progress to tape. Being the only occupants in the melancholic, somber settings, the duo made an LP that was reflective of the unpretentious surroundings. 'Some people think it's ironic, but this is not a tongue-in-cheek joke,' Hugo says about the record. 'There's sadness here that people try not to hide.'

Everything on Center Parcs was recorded on hardware, in the moment; 'real jams' as the guys describe them. No computers. It was through this in-the-present-process that led to the recondite, lo-fi shoegaze record, reflective of their shared influences — from the likes of I-F. through to Cocteau Twins. Opener '24x33', has a reverberated VHS aesthetic; 'De rust die je zocht' ('The peace you were looking for') sounds like an angelic score to a forgotten family game show; 'Nintendo Pantera' a solemn, upbeat Detroit-retroffited-vapourware melody. The album is a follow up to the Center Parcs EP - the producer's debut cassette release on Canadian label 1080p in 2016. This will be the first time that these tracks have been made widely available, and on vinyl release, and is seen by both artists as a chance to expand on the moment that they captured together - to share the beautiful-tristesse with all.

Breach is back with his second release of the year on his new imprint NKDLTD. On NKDLTD002 Breach delivers a two tracker entitled 'Turtle Dance' which continues where he left off in quality but stylistically stepping into warmer tones for the summer months. NKDLTD001 saw the first release from the Amsterdam based producer in three years and with it a return to Breach's roots. Deep, dark & moody tracks which went on to resonate with a broad selection of artists including Benji B who went on to play it numerous times on his seminal BBC Radio 1 show.

Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, Bob Moses, Frank & Tony, DJ Aakmael, Desert Sound Colony and Aris Kindt, to name a few. Harris' own output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound. Now we are proud to present his new solo single, the first since the release of 'Minutes of Sleep', 'Minor Forms'which includes two remarkable remixes by Valentino Mora. 'More We Cannot Do' is a perfect example of Harris' feel for depth and dynamics - a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by New York player Will Shore. 'Minor Forms', the EP's title track is cut from similar cloth - emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Joining Harris is Greg Paulus on Trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

After his separation from Playhouse in 2007 and the rather longish break that followed it, it looks as if Isolée has finally found their new homebase with Pampa Records. Evidence of this may be found in such unprejudiced tracks as 'Taktell", a single extracted from the album 'Well-Spent Youth' . As is tyical for Isolée, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage. Now his second EP on Pampa is being released, and 'Allowance' doesn't leave an inch of a doubt where the road is headed. Without making any concessions to the needs of a DJ, from bar one the theme is being introduced in all its inherent necessity and then continually established until a seemingly worn-out, mainstream, pop autotune voice settles upon the cosy bass bed just like a cherry on the cake. We haven't known Isolée anywhere near as free and poppy in a very long time. A more mix-friendly version of the track will be available for digital download. 'You Could Do Your Memories' lures the listener away into a daydream, as if he suddenly found himself in an unknown place at a new-wave party that cannot possibly have happened the way it did. 'Wobble", on the other hand, leaves only few questions unanswered, the party definitely looks familiar, and just when we reach that point where the funk motif resulting from the fusion of bassline and chords is threatening to wear us down, we are being released.

limited marbled white vinyl pressing!




Movida präsentiert 2 Remixe des Tracks - La Movida' den es im Original auf dem dritten Teil der Compilation (Movida010-3) zu hören gab. Auf der A Seite findet ihr einen sehr deepen und spacigen Techno Remix von Wigbert (Sono Vivo / Levelnonzero), der dem ganzen seine eigene Note dazu gibt.
Auf der B Seite ein klassicher Dub Remix, den es bewusst nur für Vinyl Liebhaber geben wird, der sicherlich seine Anhänger finden wird.
Movida Records presents 2 remixes from the track 'La Movida' which was original released on the part 3 of the compilation (movida010-3).
On the a-side you have that remix from Wigbert (Sono Vivo / Levelnonzero) which is a very deep and spacin' trip to the next dimension.
On the flipside you have an classic Dub Remix which is done exclusive for all vinyl lovers and will not be released digital.

the original version comes along in a detroitish influenced & postmodern shape of proper house music.
And as if the Original track wouldn't already be enough, our 6th release furthermore delivers an outstanding & epic kind of a Remix by no other than "Mr. DiscoRoute" himself - so please fasten your electronic-seatbelts for LEGOWELT's emotional interpretation of "Devil may care"! You will get the full amount of what you expect - gnarly modern, yet old-schoolish'esque acid house fueled electrotechno at its best early support from Nick Curly, Sis, Mihalis Safras, Claude VonStroke, Richie Hawtin, Osunlade, M.A.N.D.Y., Andre Kronert, Ivan Smagghe, Meat, Matt Star, Motorcitysoul, Mirco Violi, Franklin De Costa, Giovanni Damico, Franksen, Metrica

POPOF's illustrious label FORM Music is set to release a special vinyl only compilation showcasing some of the imprint's mosT exciting artists entitled, 'Reformers'.Since its formation in 2009, FORM Music has rapidly established itself as one of the most innovative and ambitious Dance labels,working alongside both established and new artists including Julian Jeweil, Sébastien Léger, Animal & Me, Mendo, Philip Bader, Petar Dundov, DJ Fronter and Jay Lumen as well as the label's head honcho himself, POPOF. Kicking the four track package off is POPOF's sublime rework of Julian Jeweil's acclaimed dancefloor destroyer 'Chrome', which is perfectly followed by the pounding Drum-and-Bass-tinged-Techno workout 'Shadow Tactics', created by Slovenia's pioneering DJ/producer UMEK. Julian Jeweil's 'Midi' continues the release, seeing the talented Frenchman utilising synths with real expertise and blending Electronic nuances with melodic percussive elements to bring us nicely on to the compilation's closing track, the deep and trippy
Tech House gem 'Slush Fund' by Berlin-based Simina Grigoriu.

After his amazing summer release "Gimme some muah" on Brise records (with support from Sven Väth, Marco Carola and Loco Dice) Mirco Veitengruber strikes back with his next house bomb on Movida records. On B1 you'll find a trippy Basti Grub Remix, who had releases on Desolat, Cocoon Recordings (Compilation J) and many other well-known labels. He gave that track his special Grub-esque note. And please check also A2....cause we really like Dave - our good friend and a very good dj - with his first production ever !!!Supported and played by : Reboot, Nick Curly, Richie Hawtin, Brothers Vibe, Mirco Violi, Meat, Jacuzzi Boys, Ilario Alicante, Hugo, Soemone Else, Ivan Smagghe, Monika Kruse, Daniel Mehlhart, Kaisedisco, C-Rock, Paco Osuna, Pascal FEOS, Abnormal Boyz, Luc Ringeisen, Franksen

German producer Christian Burkhardt teams up with fellow countrymen Chris Wood & Meat for a three-track release on Jamie Jones' Hottrax this May.
Burkhardt has been flying the flag for minimalist electronic music for a decade now, releasing on labels such as Cocoon, Oslo and Pressure Traxx. Likewise, Freebase Records founders Meat + Chris Wood have been purveying deep and minimal cuts individually since the '00s, joining forces in 2009 before releasing on labels like Desolat, Housewax and Tiefschwarz' Souvenir. Between the three of them they've continually garnered support from the upper echelons of House and Techno, making regular appearances in the sets of names like Ricardo Villalobos, Sven Väth, Seth Troxler and Jamie Jones.
Intricate percussion and a compelling bassline make up the foundation of 'Closer 2 U' as an echoing vocal and tense strings operate throughout. Meanwhile, 'Plain' is a more downtempo cut in comparison with its dusky atmospherics and distorted spoken word samples that subtly permeate throughout the mix. On the flip, 'Trumpad' is deep and dubby whilst integrating trippy synths and mesmerizing effects for a rhythmic conclusion.