Following on from 2 critically acclaimed double EPs in Music For The Uninvited & Rojus, Leon presents his first album proper, expanding on his already well crafted sound to offer an exciting and immersive sonic journey. The album follows a multi layered and ambitious narrative inspired by Leon's grandparents emigration to New York, where they spent nearly a decade living throughout the 1960's.
The story is presented over four different mediums, Literature, Music, Film, and Photography, culminating with a live experience bringing each element together to form a modular and multi-faceted campaign.
As mentioned above, this is a multi-faceted campaign & accompanying the LP will be a Novella written by Leon & his friend. Inspired by the mood and feeling of each chapter of the Novella, Leon has composed music conveying the mood, emotion and flow of the writing which form sonic representations of the narrative. As a scene is set in the literature, or the mood and pace of a chapter changes, so does the music, so every shift in dynamics cleverly complements the writing.
In addition to writing, composing, playing and producing this album, Leon conducted a 10 piece string section headed by arranger and composer Amy Langley. Vynehall also called upon saxophonist and flautist Finn Peters, and jazz pianist Sam Beste to provide additional playing, all mixed with Blue May at the legendary Konk Studio.
The result is an album which displays Vynehall's growth and maturity as a musician and sees him release his first proper debut LP as a fully fledged artist.
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Loco Dice's Desolat label welcomes UK artist wAFF for its next EP, a meaty four tracker by the name of Hanzz Sup. In recent times, wAFF has really established himself as one of the beacons of main room house and techno around the world. From standout sets at key Ibiza clubs to gigs at fabric, London via big underground hits on labels like Drumcode, Cocoon and Hot Creations, he is a real man of the moment. The title track opens the EP in fine style with hulking great big kicks reverberating down low as wonky tones and scattered percussion add more heat. Barreling along and taking no prisoners, it is a hugely physical drum track with spoken word mutterings piling on the pressure. Making just as big an impression but in less direct ways, the shuffling and bubbling 'Karimba' is a skittish, busy affair with tribal drums and vocal chants all layered up into something that is sure to become anthemic in Ibiza this summer. On the flip side 'Hypnotised' works on getting into your brain with tight, scurrying drum and percussive patterns that never let up. It's a dense, busy arrangement that makes for a high octane ride. Last of all 'Inception' takes on more of a house feel, with well swung, low slung drums bringing the groove as hammering hits and frosty synth lines keep busy up top. This is house and techno that makes a big impact from one of the most on point producers out there right now.
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After a liittle hiatus of 2 years the label which was formed back in 2013 by the founder of the ground breaking hedonistic undergound parties Bohemian Grove of the industrial city of Manchester is back. The label will be bringing all kinds of electronic sounds mainly from the reaches of the cities industrial smog but some reaching further around the cosmos. This time we have debuting artist DANE WEAVER with his first release on the label.
Not content with already steering the Vigenere and Oscillat labels and appearing regularly on Will & Ink and Lazare Hoche, Malin Genie has launched his own self-titled label as a vessel for his most intriguing twists on the house and techno template. The record strides in with the tracky tones of "Hypothetical Island Of Stability," a feast of micro pops and squiggles strapped to a rock solid beat. "Fudeoroshi" is more overtly minimalist in nature, using the barest of ingredients to make a potent dancefloor cut. "Bulbocavernosa" opens up the filters and lets a little nasty acid fun and games into the mix, and then "Mer Neith It Es" rounds the record off with a soaring slice of melodic, deep techno that stands confidently apart from the rest of the tracks.
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Moderat are back. With "Reminder" they blend the spacious, highly emotional sounds of modern electronic music with timeless songwriting. Two powerful remixes from Special Request aka Paul Woolford and Answer Code Request take the track to very different dancefloors. Paul Woolford is one of the truly great British DJs and producers. As Bobby Peru he developed a strikingly raw, unexpectedly physical House sound. Lately he caused a stir as Special Request, taking the relentlessly thumping breakbeats of the early nineties to present dancefloors. In his "Special Request Rework" Woolford recreates the song with a highly determined, imperious bass drum, saving the vocal for an even more effective appearance in the break of the track. The looped breakbeat and precise sound splinter from the original version, giving the track unstoppable, trashing energy, making it equally indispensable for Bass Music and for House Music DJs.
Berlin's Answer Code Request is one of the artists on Berghain's label Ostgut Ton. Pursuing the opposite approach from his British colleague, Answer Code Request does not develop his remix out of a groove, but from the atmosphere, the emotional realm of the track. Artfully orchestrating shreds of Apparat's voice and a series of striking hook lines and synthesizer tracks, Answer Code Request creates one of the most pronounced Techno tracks of this season.
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Senso Sounds collects together two of the key tracks from bossman Oliver Huntemann's new 'Propaganda' album for this 12 inch release. Senso has established itself as a key label in the techno scene and Huntemann's ear for quality remains as sharp as ever. 'Rotlicht' is a precision-honed instrument of techno weaponry - hard as nails and featuring epic and mind-bending breakdowns. Additionally the Egyptian DJ and producer Raxon reworks the track into a deep and solid groover with plenty of attitude. 'Poltergeist' is a journey into Huntemann's feel for sound design and space in a club context, beguiling with its seeming simplicity, before hitting home with shifting, evolving grooves and haunting synth blasts. The young Russian Maksim Dark adds his own interpretation of 'Poltergeist' to the release, edging up the darkness a little more and producing a growling, tough techno workout that will go over big on a lot of floors this year.
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To coincide with their 8th year, Toitoi gear up for their biggest release yet with Ricardo Villalobos & Argenis Brito teaming up under 'Pol & Pox'. 'El Malekon' kicks things off in typically trippy fashion with loose percussive groove and a subdued bassline line whilst disembodied vocals swirl in and out of the mix. 'Rikileaks' conjures up more aquatic joy, this time with a more pronounced male vocal being the centre point to another beautifully meandering 11 minute ride.
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Undo (Gabriel Berlanga) introduces his third album Disconnect, with ten songs written, recorded and produced during 2015 and 2016. On Disconnect Undo blends different influences using both new and old analogue gear combined with digital plug-ins and FX to create his own recognizable sound after more than 10 years on the road.
Opening track "Disconnect" finds Undo playing with psychedelic synths and singing shyly. We also hear vocals but in a very diferent mood onthe funny, funky and sexy "Computer Friends" and on "Autómatas", an electro cut that demands a reaction against the established injustice. There are vocals as well on the last track of the album, this time with an epic vocoder because at the end "We've Got To Fight". Djs will likely gravitate toward the unstoppable trance synth of "The Arptist", the chug-techno tension on "Acid Prophet", the shuffled beats and endless harmony of "Setembre" and the dreamy melodies of "Interferencias" and "Sunmachine".
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"Pole Pole, Mzungu!" - "No stress, stranger!". This motto of the Swahili faithfully follows the exiled Berliner Negativ Dekadent on its extremely strong debut consistently and with great brilliance. The vinyl has two extraordinary, danceable and as idiosyncratic
compositions.Both tracks can be time, but do not lose yourself for your own sake in minimalism, but control targeted at the big picture, the climax to igneous, but self-possessed to tear further. A borderline case - placed somewhere between dark techno and minimal house, certainly with a penchant for drama.
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Monologue is a brand new label founded by the AltaVoz creator Max D. Blas and the producer and Kosmophono label owner Alex Piccini, that comes out of the blocks firing on all cylinders thanks to an essential EP from Ryan Crosson.
Crosson, of course, has long been a part of the Visionquest collective, as well as having his own esteemed back catalogue wth releases on labels like Minus, Mdrnty and Brachtune. The Detroit artist is always evolving, and here shows us his grasp of elastic groove and freaky atmospheres is as strong as ever.
The title track is up first, What State I'm In featuring Cari Golden. It is a high tempo, high intensity track with slick and quick drums and hits and molten sci-fi melodies all racing along and taking you with them. Golden's vocals are hurried in the mix to add extra freakiness and the whole thing really sucks you in.
Dumb Dancin' is up next and is eight minutes of loose limbed and liquid minimal techno. Claps bring funk, the drums are restless and infectious and subtle vocals are like whisps of smoke that come and go to add real steam to the groove. Wonky synths blurt out at the mid-point and are sure to blow minds when heard in some darkened club.
Guti is a long time South American talent with ties to Desolat and Be As One amongst others. Here he remixes the original into something more pumping and heads down, a driving track for the dead of night. All in all this is a fine way to kick off what is sure to be an essential label.
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Co´meme writes a new chapter of its own history, introducing a new artwork, a new logotype and new music starting with these three Various Artists EPs. We have decided to call it 'Solidarity Forever' as a motivator for our everyday actions, and as a reminder of why we are doing what we do.
These 12's will introduce artists new to the label, new collaborations and new approaches from Co´meme members already familiar to you.Volume One will feature tracks by MATIAS AGUAYO, KATERINA, DANIEL MALOSO x RED AXES and GLADKAZUKA, you will be able to hear heavy modern latin riddims, technotic melancholia, lysergic disco fantasy and post internet underground funk - utopian music against dystopian times.And this is only the beginning.
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Metereze follows its karmic path of delivering stomping dance floor oriented cuts,this time with the help of John Dimas' expressed into the Telexistence EP.
Working both as access keys as well as soul transporters, the 4 tracks are a peek into an alternate reality, where room filling baselines go as mood uplifters along with the textured chords that submerge the crowd into the deep waters of dreamy house music.
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Essential repress of 1992 Trax / Saber rarity. Ace & Sandman aka the mighty Virgo 4 with some ultra-deep machine jams drenched in soul. A truly unique release that across 3 tracks shows the sophisticated style and musicality that are trademarks of the classic Virgo sound. This is one for all the box-jammers, deep house heads and Chicago aficionados. You need this one. Flawless all the way down from the top. Remastered and repressed legitimately by Above Board distribution from the original source materials. Classic material.
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Breach returns with his first solo release since 2015 and with it a return to his roots as Breach. NKDLTD001 brings two deep, dark, moody tracks to the table plus a fantastic Mark E remix to boot.
Initially described as 'superlative 25th century electronic exotica' by Cowboy Rhythmbox themselves, the fourth EP from Phantasy's in-house trouble and hitmakers received support from top jocks including Dixon, Jackmaster and Marcel Dettmann. Now, it's dynamic lead track is rejigged, expanded upon and shot through with analogue energy by two equally inventive producer pairings. Fellow outsiders on the inside of the house of house, Israel's finest Red Axes take the first turn, coaxing the cosmos out of the original and allowing the bewildering vocal samples to lead the way through waves of more than pleasurable cosmic tension. Soon, with the timing just right, feet to pedals and strobe to hand, the pair unleash a series of distorted guitar licks that blow dust off the stacks, even throwing in a sharp blast of their trademark surrealist vocals for extra freaky FX. On the flip, Marvin and Guy zone out and hone in on the original's EBM-indebted elements to contribute a trippy, wave-riding electro rework that oscillates irresistibly. Teasing listeners with a playful, almost naive synth line, the mood shimmers instead with uncompromising acid, as the pair ultimately push the modulars into strange and hypnotic territories to get lost in.
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Producer and vocalist Kevin Knapp delivers his killer new single Blah Blah Blah, returning to the Hot Creations fold after last years vocal feature on Jamie Jones' Positive Pressure. Here, Jamie returns the favour, partnering with another label favourite, Detlef, to supply a monster of a remix.
Finding time in his hectic schedule of touring the world, running various record labels and his Paradise parties, Jamie Jones teams up with one of his Paradise residents Detlef to deliver an audacious remix, perfect for the twilight hours. Hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. Greek artist Detlef shot into the limelight in recent years with releases and remixes on labels like Hot Creations, Relief, Knee Deep In Sound, Moon Harbour, and Defected.
Kevin Knapp gained attention with a string collaborations with Audiojack (Gruuv, 2012), Matt Tolfrey (Leftroom, 2012) and his debut Hot Creations cut with Richy Ahmed (2013). A prolific producer and featured vocalist since 2011, Kevin has released on the likes of Hottrax, Crosstown Rebels, Dirtybird, Mother Recordings and more.
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Under cover for many years, this Affie Yusuf two tracker finally sees the light of day on the acclaimed Mindyourhead imprint. Comes on a generally deep green, mixed colour marbled 12'' vinyl.
Affie Yusuf paved the way UK Acid House scene and so much more, releasing Techno and Acid throughout his career. Mindyourhead Records recognises that sometimes you need to look a little bit into the past to move ahead and has re-launched the label with this vinyl only release.
'Parrot Soup' is a fine example of just how a track title can have absolutely no relevance to the music whatsoever. This is a lovingly constructed example of how to convey images with sound; this music renders images brimming with joy and loss, icy cold chills and the warmth of the first rays of sun on a spring morning. Tight, punchy drums with crisp 808 snares and driving toms lovingly complimented with dream-like pad sequences, soul searching strings and lush bassline form a quality crossover track that will appeal to lovers of many styles of Techno and House.
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Our second vinyl release 'Apus La Cariera' comes from Mihai Pol and it is an organic reinterpretation of the musical influences that Mihai gathered and perfected him as an newly emerging artist.
TRCKV02 is harmonious flared release with sounds pitching having been placed in a frenziedly yet smart allegory, only to create a well rounded three track release. 'Apus La Cariera' follows a mystical allure to its journey, whereas 'Raw' is more of an unpolished track, especially aimed to be a rough piece of the release. 'Prepareu' on the other hand intrigues the B-side with an uneven story to tell.
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Indigenous Electronic is a recently launched vinyl only label, seeking to showcase a combination of both known and undiscovered talent. The label's first release is a 4 track ep, by Siamak Amidi, the creative director of Analog Room in Dubai, as well as a producer, dj and Volt music label boss. The EP reflects the producer's experience with the confluence of both analog and digital synthesis. The A side presenting newer material with the B side some of his older unreleased works. "Unconditional Love" a stripped down affair, deep, dynamic and ethereal without ever losing the focus on the groove with it's tight production. "Retro Floor Vison Aspect" takes us further into trippier post 5am territory, also stripped yet with enough going on to keep the senses tantalized, the standout hook to the bassline, swirling micro electronics with a variated jacking high hat, tried and tested. Siamak's "Tool" is a deep techy driving affair, with light haunting pads above and throughout track with original use of effects on the high end percussion. "You Think You Know It" is a rolling percussive track that comfortably rides the boundary between house and techno, with well defined low end and sweeping synth pads that once again demonstrates Amidi's abilities in the mix down to not swamp the track or dilute the groove. An EP for the dj's dj.
The second release of Supergenius Records showcases Too Smooth Christ's houz crafts. Four mysterious Jams conceived as encounters between fuzzy darkness and brighter bittersweet melodies. Cold Sept, a short drumless tracks closes the ep.
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'Solidarity Forever Vol. III' Co´meme is the last chapter of this series, in which Co´meme introduces new artwork, a new logotype and three Various Artists EPs. 'Solidarity Forever' is a motivator for our everyday actions, and a reminder of why we are doing what we do, 'Solidarity Forever' is Co´meme's commitment to the reconstruction of underground culture. The last EP, Volume 3, features music by RIZU X (Laredo, TX/Nuevo Laredo, MX), ANA HELDER (Rosario, Argentina), AYE AYE (Vaparai´so, Chile), Christian S (Cologne, Germany) and Katerina (Helsinki / Sofia). You will be able to hear Texmex Hardcore Industrial, New German Hot Wave, Psychedelic Seaside Dub, Motivating Rebel Techno, and Highly Sensitive Low Tech Jazz - here's more utopian music against dystopian times. Welcome to volume three...
youANDme is a duo that has long been associated with the Berlin scene and quality house and techno. They have released on the likes of Cocoon and Desolat amongst others, and run their own Rotary Cocktail label, plus Polymorph and a few other mysterious outlets. Picking up props from big name players and at home remixing the likes of Seth Troxler and Lawrence, this pair has nearly a decade in the game behind them, and it shows in their accomplished sounds.
Opener 'PPPPP (Diva Mix)' is a truly compelling house track with an effortlessly groovy feel, disco fried stabs and smooth wood block hits that glide the thing along. It is party starting yet subtle, big yet clever and has some firing vocal samples to really set the track alight.
The just as essential Drunken Diva Mix is a rework that has playful drums dropping in and out, bigger stabs and more cut up energy thanks to lots of careful tweaks. It is freewheeling and charming and cannot fail to make you move. Lastly, an instrumental version is supplied for purely physical dance floor deployment, and is sure to be devastating.
Early support coming from the likes of Dubfire, Groove Armada, tINI, Huxley, Visionquest, Jon Dasilva and more
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Stock find from this in-demand 2010 release! A spacier sound from GB cruising in more of an electronic club groove. "The Expander" side has the busier approach while the flip sides "The Dreamer" is well, dreamier and a bit lighter. Well recommended - Tip!
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After Gunnar Stillers latest release- the Upon You 050- had been served together with Marcus Meinhardt, wich grew on quite a few dancefloors to a club hit, everyone is of course curious to know what he will put on the dancing feet next.
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Beef Records' latest 12" brings a flavour of the underground sound of Sydney. Jaded & James Petrou are two guys behind the city's infamous party Kinky Disco and have now locked themselves down in the studio to produce two hypnotic underground cuts. 'Toni's Pain'is a moody, chugging deep house cut using a sample of Toni Braxton that twists her up in all sorts of new ways, while 'Rollin Stone' gives similar treatment to The Temptations/The Undisputed Truth's classic vocal. The title track comes backed by two of the most in demand artists right now - INXEC and No Artificial Colours. First remixer INXEC (aka Chris Sylvester) is in a white-hot streak of form at the moment with particular highlights on Crosstown Rebels and Leftroom. The second remix is by the No Artificial Colours duo who are equally on form with recent plays of their groovy tracks by Jamie Jones, Lee Foss and Maya Jane Coles. The NAC remix of 'Toni's Pain' is getting great support already and has been licensed for a future Ministry Of Sound compilation.
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Following on from the success of his highly sought-after EP 2 Late 4 Love and subsequent rise into super-stardom, Acid Waxa presents 4 brand spanking new tracks from man of the match - Roy Of The Ravers!
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"Next Mr KS & Friends release by rising star RQZ from Cluj-Napoca in Romania. Resident of Club MIDI and Mioritmic festival. EP already supported by Petre Inspirescu and friends!"
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Unblock Music comes back again stronger with its reference 003 , Retro City Ep, spicing up the electronic with three new cuts of one of its most self-wise producers: Tomoki Tamura , label boss of the mighty Holic Trax.The title track to the EP " Retro City" , with taste of acid house lines , analogue machine and mix of vinyl samples wrestling each other for control , here Tomoki builds an absolutely mental stuff.Among the tracks is "Eee Something" Rmx , this cut reflects the imprint from Unblock label boss Tuccillo , whose eclectic discography has earned him a well deserved international following in the last years old school house sound that allowed to breathe in a warm, enveloping sound, there's not a weak point on here.Finally the " 12 " to listen the "Eee Something" Original and its secret weapon , the intriguing Rmx of Djebali that has its own distinctive flavor full of emotion and musical invention.In this latest offering of Unblock Music.Tuccillo and the camp around him , individually as well as their labels and frequent collaborators are continuously releasing solid electronic music and the result is simply brilliant.
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Tribute for our beloved Clubs, where every night we express ourselves and grow as artists and human beings, while discovering music and connecting with each other, sharing unique feelings and emotions.
4CLB delivers non-compromising quality music for the modern dance floors around the world, straight from the Argentina's heart.
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Crosstown Rebels deliver their next album in the form of a masterful offering from Chic Miniature. The cosmic duo, Ernesto Ferreyra and Guillaume Coutu Dumont make a welcome return to the label with eight tracks of melodic bliss.Fourteen years in the making, a thread of mystery weaves its way through the tapestry of this melancholic LP. It's a true journey through a sublime sonic soundscape. Opening track Adormecido is shrouded in mystery, closely followed by Miso Drunky with its tribal drums and dramatic synth stabs. Kaléidoscope bubbles up next, swiftly followed by Tilt with its genteel cowbell. Then comes Año Uno the first track created back in 2004 with its impressive church-like bells. Suki Ni is twinkling and sublime that flows into the delicate groove of Let It Slide, which samples an ambient rain storm. The album closes on La Sandunga gracefully littered with plentiful percussion.Of the album, the pair explain how they were 'raised on old technology and integrated the newer technology in our everyday lives as it was developing' a fact that is clearly apparent upon listening to the album. They give a sonic hat tip to their 'love of melancholic melodies....almost always rooted in the past, but to us, no time is attached. Are the new machines dreaming about the past, or are the new ones contemplating the future that lays ahead'. The album proves their ability to fuse the new with the old to create an album bursting with timeless tracks.Ernesto Ferreyra and Guillaume Coutu Dumont's partnership is a true meeting of musical minds. Their first release was gifted to us way back in 2005- the Conexio´n Califa EP released on German imprint Raum Musik. Since then they've released on Musique Risque´e as well as a previous EP on Crosstown Rebels. Individually, they've released a plethora of music with Ferreyra also heading up his own label Loosen Up Records and Guillaume signing music to Musique Risquée amongst others.