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With his impeccable sense of rhythm and combining deep and playful house with madly tweaking synths, 'Eye Light' and 'Silent Sing' are possibly the most exciting house tracks Crackazat has produced so far.

The title track Eye Light is a lesson in how to make house music that both punches and caresses, while the 'It's A Jam' version with its soulful chord progression is perfect for a Sunday afternoon session, Blaze fans take notice.

The b-side opens up with a rework of 'Silent Sing', this version is a proto-techno jazz fest. Ending the 12" is a close friend of Kerri Chandler and Local Talk, Mikael Nordgren aka Tiger Stripes. His remix is a stripped down and dark techno cut with a rolling bassline and tight claps. Very different from the original but yet oh so funky!

In short: Another release that keeps this talented producer one step ahead of the competition. Kiko has created something that's both atmospheric and haunting at the same time. If you've ever searched for a track to play when the sun goes down, here it is. .

Die in Brasilien geborene, in Köln aufgewachsene und in Berlin lebende Künstlerin Dominique Dillon de Byington alias DILLON hatte immer eine klare Vision ihrer Kunst. Zwei Alben hat sie bereits veröffentlich. Für sie selbst sind beide eigentlich eins, denn sie erzählen eine zusammenhängende Geschichte. Live war dies stets spürbar, denn die dunkel melodischen Songs beider Alben bestimmten im magischen Wechselspiel ihre Shows. Als sie 2015 vom Berliner Foreign Affairs Festival gebeten wurde, ein einmaliges Konzert zu entwickeln, entschied sie sich für eine Performance mit einem sechzehnköpfigen Frauenchor, der sie und ihr Kollaborateur und Co-Produzent ihrer ersten beiden Alben, Tamer Fahri Özgönenc im Juli 2015 live im Haus der Berliner Festspiele begleitete. - Ich hatte das Bedürfnis mit Stimmen zu arbeiten und eine weitere Ebene zu kreieren, die zwischen der Elektronik und mir atmet. Das hat mich sehr gereizt, und so haben Tamer und ich gemeinsam den Chor geschrieben und arrangiert.' offenbart Dillon. Der Chor impft ihrer von Klavier und elektronischen Sounds getragenen Musik eine neue körperliche Ebene ein, zwischen der ihre Stimme sehnsüchtig tanzt. Wie natürlich sich das neue Element in ihre dramatisch minimale Musik einfügt, zeigt die nun erscheinende Liveaufnahme des Konzerts. - Als ich begann mein zweites Album - The Unknown' zu schreiben, war mir klar dass es inhaltlich sowie musikalisch die Fortsetzung von - This Silence Kills' werden würde. Nun finden beide Alben nicht nur Live zusammen. Für mich heißt dieses Album - This Silence Kills The Unknown'.' verrät die 28-jährige. Zum Livealbum erscheint zudem ein Konzertfilm vom Auftritt im Haus der Berliner Festspiele. Und 2017 wird ein von seinen Vorgängern völlig losgelöstes 3. Studioalbum erscheinen, das sie selbst als - Liebesalbum' bezeichnet.

coloured vinyl 10" pressing!

Young Romanian producer Iuly.B is rapidly making a name for himself with his distinctive musical style and here he presents a powerful EP for your ears and feet.
Empath is a swirling monster, whilst Barem's remix sees the Minus artist streamline the track and add a driving synth line.
Astronomic is another energetic cut, whilst Franco Cinelli's remix employs dancing keys to great effect.

Support by:
Tini, Raresh, Stacey Pullen, Davide Squillace, Enzo Siragusa, Ralf, Jorge Savoretti, Leon, Giovanni Verrina (All Inn Records) and many others

Vasumitra is built around static drum-kicks and a pulsating bassline countered by atmospheric and murky synth progressions; its repetitive and body-thumping structure rolls deep.
Nublando o Ar rips it from the get-go, with a hyper-funked groove that manages to sustain its rugged-pace and entrancing impact all the way. In the title track Feitiço, Seixlack succeeds in artfully juxtaposing banging riddims with jazzed-out, infectious chords leading nicely to the fourth cut, re-crafted by the mighty Miltiades, with a deep-rooted and slow-burner of a meditation.

After their stunning 2014 debut EP I.D.', SHADOW MOVEMENT, created by music producers Raphael Bartel and Raul Monteiro, return to the scene with their second single WHALES' released by the label D.O.C. created by acclaimed producer Gui Boratto.

WHALES' was announced at ADE (Amsterdam Dance Event) on 2014 and has been long expected by music lovers.

The new EP has two tracks: WHALES PART ONE' and its progression WHALES PART TWO' and is released on vinyl, in a limited edition.

It will be the fourth release from the label D.O.C., the EP brings all the darkness and deep harmonies with a melodic touch the duo is known for, it's an exciting step for the project and the label alike - we can't wait where they'll go next.

Carving out their own niche with Doumen Records and its main project Praezisa Rapid 3000 since 2013, Simon12345 &
The Lazer twins now join the Holger family with a record that ts the label philosophy quite perfectly. "Cheveux propres,
cheveux gras" is yet another record in between everything: It is loud but with sensitive moments, stomping and danceable,
fuzzy and wild, demanding at times and yet always a pleasure to listen to. An up and down journey o the beaten paths,
wilfully ignoring conventional rules and listening habits. In all that it's typical Holger: A radical statement of self-expression,
full of character and highly personal.

LTD colored vinyl. 4 tracks of spaced-out, moody, atmospheric, Detroit-techno-style tracks. "Verged", originally released on Aesthetic Audio (Detroit) gets a remix by Tang's alter ego, Obsolete Music Technology

We are proud to introduce you our release number six, this is our first Various Artists featuring the cream of the crop in the spanish techno scene. Chords are the main component in this four tracks, deep techno is the style and the makers are Architectural, UnCUT, Eduardo de La Calle and The Transhumans.

Opening A side, Architectural kicks in with Lightning Conductor, a sonic journey thru the deepest side of techno, solid kick drum and hipnotic sequences
are joined by lush and liquid chords and pads that evolve and change constantly during the arrangement creating a dynamic piece of intelligent music as only Juan Rico can make.

On the second cut, the misterious duo UnCUT provide one of their deepest exercises with Deviant, fat kicks again, solid chords, sharp percussions and melodic pads all arranged on a complex timeline that constantly moves and changes.

On B side, Eduardo de la Calle provides an alogue rythm fuelled chord odissey on Under Divinity Laws, as always with this producer, rawness and deepness join together in harmony with a solid step into tradition.

Closing the release, another hidden duo, The Transhumans, sign Food for Silicon Beings, A solid rhythm beat for starting soon joined by subbass frequencies, pads and of course chords, effected and twisted wisely on a complex arrangement.

Four timeless exercises of classic techno, perfect for intelligent dancefloors and skillful dj's.!

The new-comers collective CITIZENS ABOVE SUSPICION delivers a solid 4-trackers, in which 2 tracks are as an homage to the beloved Detroit underground. Effective & functional material for djs, at whatever time of the night. 808 & 909 are the key on this release

Bringing together their eclectic musical background, both individuals behind the recently born artist duo Exponent share a vision of a uniting element in dance music, which is much more defined by atmosphere and its demarcation to mainstream music than by simple genre characteristics. Sometimes broken, sometimes straight - those three tracks end up with a four-to-the-floor attitude, without intending to. Complex and simple at the same time, never letting go of that one hypnotic groove, which keeps us together during those special nights.
22.22. is released on Freakadelle, the record label of the same-named cultural NPO based in Salzburg, Austria.

Not one to be pigeonholed, highly respected DJ and producer WILL SAUL has always run the gamut of electronic dance music: from deep house to techno and UK bass, his sets and tracks like to rock the boat of any given genre, taking in contemporary impulses as well as classic inspirations. As label honcho for iconic imprints like Simple or Aus Music, he further honed his ear for the perfect groove and was invited to bring his expert selection to the revered DJ Kicks mix series in 2014. A remix collaboration with fellow UK producer October for Michael Mayer's MANTASY REMIXE 2 (KOMPAKT 272) turned out to be a fine first foray into Kompakt territory - now to be succeded by the LOST IN TIME EP, for which he teamed up with Bristol-based soundsmith KOMON. Komon & Will have been collaborating for many years, resulting in tracks on Will's DJ Kicks and remixes for labels such as Ninja Tunes (Kelis) and Houndstooth (Throwing Snow). Komon has been a mainstay on Will's Aus Music imprint, with solo releases and regular collaborations with Appleblim. For Kompakt, they turn in a swooping trio of floor-versed cuts that are no strangers to atmosphere and experimentation, but like to keep the crowd in check with outbursts of pressurized funk. Leading the pack is the title cut featuring quality vocals from BEN WESTBEECH (aka Breach), flanked by the introspective DRONE and immersive mover DIGITAL PARADISE - a versatile and powerful outing from two artists that know perfectly well how to set the scene.
(de) Als einer, der sich nie leicht kategorisieren ließ, hat der hochrespektierte DJ und Produzent WILL SAUL stets die gesamte Bandbreite der elektronischen Tanzmusik zum Thema gemacht: von Deep House zu Techno und UK Bass findet alles den Weg in seine Sets und Tracks, jenseits von Genregrenzen und gerne inspiriert von zeitgenössischen wie klassischen Impulsen. Der Macher hinter gefeierten Labels wie Simple oder Aus Music ist bekannt für sein feines Ohr am Groove der Zeit und hat seine Expertise in 2014 für die berühmte DJ Kicks Mix-Reihe zum Einsatz gebracht. Eine Remix-Kollaboration mit dem befreundeten Klangschmied October für Michael Mayer's MANTASY REMIXE 2 (KOMPAKT 272) entpuppte sich als grossartiger erster Ausflug in Kompakt-Gefilde - nun der Schritt zum eigenen Release mit der LOST IN TIME EP, für die er sich mit dem Bristol-Produzenten KOMON zusammengetan hat. Komon & Will arbeiten seit vielen Jahren zusammen, was bereits zu Tracks auf Will's DJ Kicks and Remixen für Labels wie Ninja Tunes (Kelis) und Houndstooth (Throwing Sbow) geführt hat. Dank seiner Solo-Releases und der Kollaborationen mit Applebim ist Komon ein gern gesehener Gast auf Will's Aus Music. Für Kompakt liefern die beiden ein bissfestes, tanzflur-erprobtes Track-trio ab, das gerne in experimenteller Atmosphähre badet, den Tänzern aber auch gerne mit Hochdruck-Funk Beine macht. Der Titeltrack brilliert mit wundervollen Vocals von BEN WESTBEECH (aka Breach), flankiert vom introspektiven DRONE und dem mitreissenden Schieber DIGITAL PARADISE - eine vielschichtige und kraftvolle Darbietung von zwei Künstlern, die ganz genau wissen wie man den Beat in Szene setzt.

Mana All Nite is another imprint of DJ duo MANAMANA. Next to their artist focused label KANN they are going to establish a new vinyl platform. Mana#2 comes from Leipzig based Perm and New Orleans located Spirituals - two pretty outstanding producers - who serve three different hypnotic vodoo-house bangers.
Read the not included package insert: best use to energize the dance floor!

For the fifth Ep, In Records went to Roumania again. Prolific producer Suolo did what do the best. Finest minimalistic tech !.
Limited to 300 copies.

The British DJ/Producer and Aus alumnus launches the new imprint on December 4th with 'What You Want', a collaborative two tracker with US artist J.Phlip that features a remix from Clone's Vin Sol. Future releases from the label will come from the hotly tipped Sage Caswell, Kalyde, Pierre Codarin and Huxley himself. Having previously run his now defunct Saints & Sonnets imprint with Jimmy Posters, No Idea's Original is Huxley's first solo foray in the world of labels. On the label name, the Aus Music artist is explicit: 'it's called No Idea's Original because I kept getting asked for 'concepts' for things and found it exasperating. Everything has to have an 'original concept' these days, or so people in the music industry will tell you, and it's bollocks - not least because no idea is original these days. Just putting music out or doing parties because you want to and are passionate should be enough' . Comprising two robust, electronic originals from Huxley & J.Phlip and a strident 808-workout remix from Vin Sol,

Straight up Dubby, Techy and Deephouse with beautiful pads and one shots. Bossebollen is a true spooky house anthem with well placed one shot vocals. On the flip we find the more Techy track Time is now and the amazing reprise of Guidance which is a beatless string journey filled with short vocal cuts.

'Singularity' is the third single from New Order's critically acclaimed hit album 'Music Complete'. The track has been highlighted as one of the standout tracks from the album and is now being released as on CD single, 12' and Digital Download with an exclusive remix package. Remixes are provided by Erol Alkan, Mark Reeder, and JS Zeiter. There is also an extended 12' mix of 'Tutti Frutti' by Tom Rowlands which was previously given away free to fans on New Years Eve

What can be said about Dance Mania Simply put, some of the rawest, most jacking HOUSE music ever committed to wax has come out on the Chicago label. "Work It!" from 1994, courtesy of the mighty Parris Mitchell & RJ Hall is slamming, an update of Steve Poindexter's classic "Work That M*therfucker" but done Dance Mania style! Heavyweight stuff. Pair this with "It's Alright" on the flip, which takes a deeper turn and you've got am essential 12" dug deep from within the vaults. This one is rare too! Now it's here again, remastered and reissued with the full consent of Mr.Mitchell too, what's messing with that Essential Chicago business!

One of London's most vital parties, (praised by fact, dummy, dazed & timeout (who named them as one of the highlights of 2012 and ones to watch in 2013 and beyond)): After a sellout first release Rushmore returns to bring you the second instalment of the highly sought after HOT EP series.


The House of Trax policy has big American focus with previous guests including Dj Sliink, Tyree Cooper, Venus X, Zebra Katz, Kingdom, Fatherhood, Traxman and Vjuan Allure. but they don't forget the UK either with appearances from Bok Bok, L-Vis 1990, Jam City & Slackk. 2013 has seen very special appearances from grime godfather Slimzee, Dj assault, Dj Earl and return visits from Venus X and MikeQ also.

With their second year drawing to a close, a capsule clothing range debut, the soundtrack to their very own club catwalk show is HOT 002 . . .

BLOODLINES - juke inspired drums with an unsettlingly happy synth topline evolving into a four to the floor mover.

JUMP SHOT - juke inspired drum patterns, switching to a rolling 4x4 with a hypnotic hook

TURN IT ON - straight up raw, tough basement music.

BITCH PLEASE - hard hitting runway track with energy and drama

IGNITE - sparked up, stripped back, club track

Feedback:

MikeQ: 'I Love the Release, It was definitely different than the first release. My Favourite Track from this one would have to be 'Turn It On' something about that just makes me want to get up and shake! Always eager to hear what you guys come up with and of-course I will be pumping this'

L-Vis 1990: "This release is vital. 'Jump Shot' and 'Bloodlines' have been staples in my sets for over half a year but recently 'Bitch Please' has been seriously destroying the dance floor!"

DJ Haus: 'Man I love it! Will definitely be play these out. Not sure which one I like most"

Acid pa Svenska is a remake of the legendary Jazz pa Svenska record from 1964, a classic jazz record, now re-worked with Roland TB303.

"First-off, I need to explain something here. I've never made music just to make it. I don't go into the studio and try to produce a "hot track" for the club. I go in when I feel the need to express myself or convey an emotion or situation, then convert it into sound.

Now, a little background:

I was heavily influenced by music as a child. My Mother listened to all types of beats and soulscapes. Whether on vinyl or 8-track (yep, 8-track), I'd watch her play her jams and sink into the music. I enjoyed listening & dancing along but I slowly started to realize it was involuntary. The music was moving me! I now understood...she wasn't listening to the music, she was FEELING the music. Mom noticed me studying the music and expressed to me that it was all about feeling that vibe the song is giving you.

After this, certain music and sounds became my life-soundtrack, the ongoing, evolving score to me growing up in Detroit.

Detroit was/is a hard city so my Mother made sure I wasn't soft...that's for sure. But she also let me know that the universe is bigger than Detroit therefore my dreams should be too. I've lived my life by this and have accomplished more than I ever imagined, all while staying true to myself and my roots.

Living in The D for over 30 years I've been through a lot. Good & bad times, easy days & dark days...but nothing prepared me for April 6, 2015. That's the day my Mom lost her battle with cancer.

It's been EXTREMELY difficult for me to process. One of the first things I did when she passed was went into the studio and created a song for my Mother. I just let it all come out and into the music, and the result was MOM, a new song.

MOM conveys how upset I was/am about losing her, my anger towards the cancer that took her and my heartache. While creating MOM I started to reminisce about all that she's taught me and the great times we had. I think this can be felt about halfway through. And finally I tried my best to convey through sound what I picture as her ascension into Heaven to join the other Angels and my love for her.

This is THEE most personal track I've ever released but my wife Ahnne and I feel that it is alright to share it with the people who've supported my music over the years and understand me.

This track shows that you can be hard and soft at the same time just like my Mother taught me.

I LOVE YOU MOM"

Ferro's first full EP for Infuse finds the Dutch native in fine form with his 'You Are Not Your Mind' EP.
Weaving together intricate rhythms with his honed technical approach the tracks have a distinctly organic feel, equally pleasing at home or in the midst of a hazy dance floor.

One month after the release of 981 Mb RSD EP, we are glad to introduce you to the new Molecule's album: 60° 43' Nord (Deluxe Edition). Some would associate the sounds of the waves to heat and relaxation and rest assured, we're part of them. That being so, some others visualize the sea as a wide playground from which they can pick up the echos to turn them into a deep sound. That is precisely the case of Molecule who decided to record the wild voices of the Atlantic Ocean aboard a 90 metres long fishing boat. The result is made of powerful and danceable techno beats ("8 ZL 40), tracks that will take you directly to the Atlantic's depths ("Abysses"), and harmonious moments of time off ("Le Jardin' or Soleil Bleu"). The whole of the tracks is captivating and flows naturally as we listen to it. You'll find the song Hébrides, present on the 981 Mb EP, as well as the original version of Rockall that you might have heard already as a live version. If you never had the chance to jump onto a 90 metres fishing boat, take your chance, Molecule is inviting you to get on his... The CD1 features the 10 tracks of the album as below, CD2 is live".

It's heartening to see an artist strike upon an idea, an aesthetic, an approach of some kind, and channel that into a cohesive catalogue of work, not least when it's one of your mates. To the outside world Rhythmic Theory appears to operate with a shroud of mystery around him, but to us he's a long-standing patron and parental figure in the development of Idle Hands. From the first strains of murky, UK-rooted techno that emerged from his enviable studio, it was clear that this was an artist who had finally found that elusive creative purpose in which to channel his imagination. Now after bearing down heavy on our own label, his own label, BRSTL, Happy Skull, Ancient Monarchy and A14 over the past four years, it's a true pleasure to be presenting Rhythmic Theory's debut album. You can never be sure quite how an artist will tackle the challenge of the long player, but the Bristol scene stalwart has delivered a concise artistic statement that builds on the themes laid out in his prior singles while capitalising on the wider space in which to express himself. The strings that linger in the upper reaches of the frequency band on "Longevity" call out to the sci-fi yearning of early Detroit techno, but laced with a very British bitterness. The blown out piano chords and sultry sax licks of "Waldrons Lament" evoke seedy late nights and '90s sample culture in an utterly haunting fashion. The gently lilting pads on "Interlude" swoop down in a reverie so blissful it's hard not to reach for the nearest hammock. This is an album of deeply emotional music. It's not all heartfelt niceties and eye-welling moods though. Rhythmic Theory did after all come to light (or should that be dark) in the gloomy alleyways of UK soundsystem music begat from dubstep and all that other stuff. "Creeper" is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. It's worth noting how much attention has been given to shorter vignettes. As well as the aforementioned, cryptically titled "Interlude", "Work Of Fiction" and "End (of Forever)" both give insights into the places Rhythmic Theory cares to roam beyond the structure of a long form track. These are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. In the end, even at its most monochromatic, nothing is black and white on Rhythmic Theory's debut album, and that's just fine with us.

Warehouse Find!

Son Of Sound aka Henry Maldonado has been producing influential house music dating back right back to 1991.
He has released on Strictly Rhythm as House 2 House, Maxi Records as Deja Vu and MAW Records as Rhythm Section.
Son Of Sound has recently appeared on Tirk and Local Talk before dropping the bomb that is Jewel Eye Nights on Jus Ed's Underground Quality. He also has releases scheduled for later in the year on Razor n Tape and City Fly.
Currently working on a collaboration EP with Recloose for his own District 30 Label. Henry is also host of the highly regarded 'Hit It and Quit It' radio show on The Lot and East Village radio with Recloose and Private Panther.

Living, breathing, electronica made from field recordings, live drums and classical instrumentation for fans of Herbert, Brandt Brauer Frick and Dj Koze.
Limited to 500 copies and includes download code for entire release Living, breathing electronica as indebted to techno as it is improvised orchestration, 'The New Cycle' blends Suokas' evocative field recordings, percussion and piano playing with whirring instrumental compositions written for violin, cello, contrabass, flute, saxophone and traditional Karelian instruments myankeri and liru."The idea was to make an electronic album without electronics," Suokas says of the album, a process that involved disseminating live instrumental recordings and reshaping them into rhythmic techno patterns. "The result sounds like a surrealistic imitation, you can't actually name what you hear."

MOTHER RECORDINGS says hello to summer!
Yes, open your arms and embrace young gun MARTIN WASLWESKI from Hallewood. With releases on Hommage and Monaberry he is one to watch this year in House and underground electronical music scene 2015.
BLOWISH gets things started with a chunky kick lead beat, sizzling hats and a repetive piano chord that instantly provide a high rush of energy. The track works around a deadly combination of tension and suspense! After the long break as the groove kicks back, a bouncy and melodic baseline push your hip to the dancefloor.
BEAUTYHELL is a declaration of love. Close your eyes and dream on, a track full of emotions and feelings. Long built up with harmonic melodies, smooth guitar riffs accompanying with happy vocals shouts. Exctasy pur, a need track for every festival.

The boys are back in town! Here we find label man NHAN SOLO, once again teaming up with regular MOTHER RECORDINGS contributor, DILBY. The HOME EP demonstrates why these two have been running the charts in 2015 and is set to be
their biggest and baddest release yet.HOME If you have been searching for that summer hit to rock every floor, from open-air
terraces to the sweaty main rooms, look no further. A rising arp and vocal shots tease in the track until the hook, bass and beat explode out of the first break. The energy builds through the track with big drums and rough chords until the massive main break provides the payoff with all hands reaching for the ceiling. This has been well tested and proven in the club and does the damage every time! MY LOVE Here we see Nhan and Dilby offer up a no nonsense club jam with MY LOVE. It is purely heads down, asses up, sweat it out business here. The intricate drums and and hypnotising synths intertwine to create a an ever evolving atmosphere atop a devastatingly chunky beat and bass combo. A catchy vocal sample is teased in and out to perfection as lush pads ride the groove. MY LOVE is a cool and understated
record sure to fit into every DJ's arsenal.

Mihalis Safras returns to Definition this spring with an original,
one-track EP, 'Nasty'. Right from the start Mihalis introduces us to a playful bassline and rising percussion. Utilizing a cheerful vocal
sample throughout adds to the cheerful vibe while pushing the track higher until the break reduces the track to an itchy rhythmic synth before jumping back in and finishing the job.

Definition is proud to present Raffa FL & Di Chiara Brothers' latest
collaboration, 'All About That Bass', a 2 track house EP with plenty of groove. The title track is up first, featuring a fitting vocal to set the mood and, yes, plenty of bass to shake your booty. The second track leads in with clean and crisp percussion making it a perfect track to lay down mid set. It goes on to introduce a bubbling bassline and beautiful pads set under vintage hip-hop samples throughout.

For their next release, Zone Records welcome legendary French producer, remixer, singer, songwriter and emblematic musical star Arnaud Rebotini for a fascinating four track EP. Alongside the standout music, the artwork for the EP is a photo of a suitably impressive sculpture of Arnaud that the label have had specially commissioned for the release.
Arnaud Rebotini has done it all, from pioneering electronic works to teaming up with chamber orchestras. A real synth wizard and mesmeric live performer who has remixed everyone from Depeche Mode to Nitzer Ebb, Bloc Party to Rammstein, he is an award winning musician who also started the seminal Black Strobe group and has had his music used on a number of films such as The Wolf of Wall Street. As such, from experimental pop to death metal, electro to soundtracks, he has done it all. Now he returns to his good friends at Zone Music for another sterling EP.
Opener 'Danger Zone' is a frazzled electro house cut with whirring machines, pixelated synths and blasts of bass that are physical and menacing. Muffled robot vocals lend it a dehumanised feel and sheet metal textures and rushing pads all ensure it goes off with a bang.
The writhing 'Freudian Slip' is a comparatively deeper cut, with sombre chords adding a sense of finality to chattering snares, gurgling bass and loopy kicks. It's a fulsome track for making people move whilst 'Seeking Happiness' is a vocal led jam with punky drums, twanging synths and oodles of attitude in the crashing hits. It's dark yet uplifting and makes for a nice change of pace to the EP. Lastly, 'Forza Maradonna' is a chugging, cosmic disco delight with slick drums and retro-future synths all fleshed out with fat bass, filter sweeps and raining melodies.
This is a varied and vital EP that is full of the unique machine made charm that has ensured Arnaud Rebotini is one of the key electronic proponents of his day.

finally the remixes for the album René Bourgeois, Rich Vom Dorf, Daniel Boon, Funkwerkstatt!

'TT/Dok' is Kenton Slash Demon's third EP on Future Classic, and is set for release 04 March 2016. The two track EP is set to hold down the same amount of anticipation and support of precious offerings of the Danish duo. This release affirms again the strength of Kenton Slash Demon's organic and futuristic sound, and their obvious skills take their productions further than the typical frame and dramaturgy of a club track. They want to create soundtracks for clubs as well as music that you can listen to on your home stereo, thus blurring the space between the public and private experience.

This is the first vinyl only release of Jelly Beast Recordings. They invited artists with a great undergroud reputation,
Massimo Cassini, Dan Noel, Sonartek and Andreas Bermann.

repressed !

Oxia remixed! Yes yes... No more words for the remixes by:
Paul C & Paolo Martini, Wehbba and System2. Heavy charts by Jamie Jones!

Diynamic's sister label 2DIY4 is ready to unleash its next great release, and this time it is a remix EP that revisits the fine original work of Abby's 'Halo' track. Abby is an experimental, four piece Berlin-based band who had great success with their 'Halo' cut. Now Diynamic regulars Thyladomid and H.O.S.H. both remix it.
The track is included in original form to get things going and is a stirring, deeply moody electronic cut with emotive vocals, lush guitars and floating atmospheres that really sweep you up. It has slowly tumbling beats that move you from one place to another and glistens and glows with rich musicality.
H.O.S.H.'s Boy Mix layers in some frazzled chords, a rising sense of tension and big rubbery drums. The vocals remain in refracted form and nervy, knife edgy synth sounds really make the track sound urgent and compelling - it is sure to rule on dance floors as a result. The Girl Mix is another texture affair with squelch percussion and whirring machines married to lush organic synths and pads. Pitched down vocals lend it a Diynamic feel and once again this epic bit of tech is sure to wander all over the world this late summer. Thyladomid then remixes with a melancholic, low slung style that really sucks you in. Piano chords and long tailed pads wrap round the rubber beats and you surf along, deep in thought.This is a stunning package full of real emotion that is sure to make for some teary moments on the dance floor.

"Techno that tumbles towards ecstasy, courtesy of Matthew Dear." Pitchfork on Audion's 'Suck­sh' 2005.

Matthew Dear's Audion project stands proudly at the intersection between art and hedonism, realised over a decade long dedication to powerful and relevant dance music. Growing out of the vibrant DIY Detroit underground, Audion and his contemporaries were free to feed o- the energy reverberating from UK and European dancefloors, but singular in their desire to create their own sound and spirit. An Audion release is techno in it's purest sense - whether it's pushing the bombastic limits, spinning the dancefloor out of control or elegantly toying with just a few sonic elements.

'Alpha' is Audion's ­rst artist album in 10 years and comes at the end of a period of fevered activity. The collective body of work standing as a marker in time and a de­ning moment in the life of the artist. Drowning out the noise of the outside world, 'Alpha' was a puzzle pieced together sonically in the shadows and wildly brought to life in a matter of weeks. The artwork for 'Alpha' has again been realised by Will Calcutt, Dear's long-time collaborator, who has a visual plan for the music that matches the sonic vision, completing the ­nal critical piece of the puzzle.

Mugwump's Subfield label introduces its first signings with the Belgian-Italo duo Front De Cadeaux (brilliantly named after the Belgian EBM pioneer group FRONT 242).
Front De Cadeaux are DJ Athome & DJ Hugosan.
Hugo runs the Roccodisco label with Italian disco mastermind Rodion (Gomma/Nein) while Belgian killer DJ Athome has been spinning Italo wave & House in Brussels since the 90's. They expertly produced their own brand of "Supreme Rallentato", which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with Subfield's mission statement of covering subgenres.
Their 2 first outings on Roccodisco have been remixed by Fabrizio Mammarella and Optimo's JD Twitch, and a staple in Ivan Smagghe's sets. This full Ep on Subfield features 2 original F2C obscene & dirty slo-mo tracks at their most playful, "Ouvre Ta Bouche" and "Front De Cadeaux Theme" plus the magnificent dub-house of "Killers".
Remixes comes courtesy of Factory Floor's Gabe Gurnsey (DFA) in a quite brutal bleep-techno mood and Manchester's nu-balearic kingpin Ruf Dug (Music For Dreams), getting into what he described as a " 808 snare roll warehouse analog fucked-up version".
Don't sleep, it's a biggie.

After 5 years of Exploration, it's time for the first album on the label. Johannes Volk proudly presents Mutual Codes, a conceptual album which contains 12 tracks between detroit infected techno and experimental classical compositions. Colourful synth adventures which take you on a journey to far away galaxies and beyond.