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Last entrance on 12.10.2026
Our beloved C.ru.z is next on Griffé with his Mechanical Wizards EP.
Argentinian producer & DJ, Barcelona based C.ru.z is the co-founder of the 22Recordings imprint. This EP reflects C.ru.z's love for 80's synth/electro music and cinematic experiences. These four tracks dive deeply into spooky moods and emotional melodies with a dark & melancholic touch.
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- A1: D A.N.C.E
- A2: Anything Can Happen
- B1: E-Robots
- B2: SCREAM
These sounds were not made for comfort. They were carved from late-night static, broken machines, and restless hearts.
This record marks the beginning of a catalogue for those who seek meaning in the shadows.
For those who understand that music is not just heard, it is endured, inhabited, and shared.
Use this work to channel the anger and dissonance born from today’s chaotic world, with responsibility, awareness, and resilience.
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Next up, Some Wizardry from our man dot13,
Played by Herodot, Nu Zau & more.
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Dancers of the Grove is the debut release from Colombian talent Dream Architect, mostly known for former releases as Buraye.
This 4-track EP explores the more human side of the floor. Melancholy, tension, release, wrapped in deep basslines and rolling percussion. Designed to hit in a club or deep in the woods, and to linger after: groove-driven, immersive, and quietly intense.
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A further landmark release number hit as we announce our 30th (eeek!) release on home label Rezpektiva. Stepping up for this occasion we present Mystic Base aka Ziggy P, producer and label owner of the original label it was released on in '92, Boo Records out of Düsseldorf. Consisting of three original tracks with magical tendencies that stand out for any time at any place you could argue its sound is more relevant than ever before.
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First released back in 1998, Random Factor's Too Fast Into The Future returns to wax and serves as a reminder of just how far UK mainstay Carl Finlow was already thinking ahead. The album was also a standout moment in the Leeds-based 20/20 Vision label catalogue that threads house, techno and electro into something more unsettled and brilliant. 'Lead Me Blind' and the title track fold processed vocals into stark machine rhythms, while 'First Principles' and 'When Daylight Fades' remain DJ touchstones. There is tension in every bar and introspection rubbing against dancefloor drive. Decades on, it still bangs.
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Belgian independent label De:tuned, founded by Ruben Boons and Bert Hermans, celebrates its 50th release with the long-awaited 10-track studio album 'Analog Days' by Swedish electronic music pioneer Robert Leiner. During the first years of De:tuned, Robert Leiner (aka The Source Experience) played a vital part in kick-starting the label. He also graced the De:tuned parties with his outstanding dj sets and captivating live acts.
Continuing the label's 15th anniversary celebrations, De:tuned and Robert Leiner mark the occasion with an extraordinary collection of mostly hardware productions recorded between 2005 and 2015. These diverse jams have now been mixed and completed for this momentous milestone. On offer a unique interplay of rhythmic movement and soothing sounds, each presenting Robert's distinct characteristics. Enjoy the trip. It has always been there, you just have to discover it!
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!
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Warp have announced a vinyl reissue of The Other People Place's Lifestyles Of The Laptop Café.
The much sought-after LP from Drexciya's James Stinson has been hard to come by for many years, and is rightly considered to be one of the very best electronic albums of all time.
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Boooo ! Spooky Wooky returns with its second release, Fast Blood. A spine-chilling collection of dark beats and eerie atmospheres, for those who crave the thrill of the dark, the unknown, and the mysterious. Let the haunting beats take over and dance !
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Last entrance on 09.10.2026
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The Men You'll Never See are back once again! Detroit In Effect's classic Unseen EP updated for 2019. Includes the Detroit Electrotechno anthem "R U Married".
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One of the rare outing's of Dopplereffekt , the beautiful abstract and hypnotizing "Linear Accelerator" album is getting a proper double vinyl treatment on WeMe records after the initial cd only release on Gigolo in 2003. Linear Accelerator is a continuation of Der Zyklus's Biometry album with its abstract hypnotizing soundscapes and its controled sterile atmopshere. Tracks like the slowly unfolding 21 minute long 'Photo Injector' are unique and all the 6 tracks all are stunning beauties with Myon-Neutrino bridging the gap between the old Dopplereffekt works and the further evolved outings on this album that garantuee a long and tranquilizing trip. Inspired by the high energy particle psychics being explored at DESY, Dopplereffekt appear to be similarly pulling the very fabric of their sounds apart and thinking on a subatomic level. 17 years after its initial release this is still avant garde and one of those few releases that captured the true meaning of techno! Groundbreaking, Astounding, Alienating, but always with a soul!
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2026 Repress
Essential compilation of long lost hard to find Detroit classics! Now & Then features five 90s original tracks and 2 brand new remixes from Detroit In Effect and Terrace. Top that up with 2 unreleased 90's tracks from John and we have the perfect compilation for the true heads, TIP!
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Klasse Wrecks is happy to welcome new Berlin-based producer Jotel California to the family. The emerging young artist provides a strong and varied EP that introduces his deft production skills and understanding of balanced sonics. 'Borrowed Time' traces the lines of traditional electro but stirs the pot with new flavours and the result is something that is both unique and powerful. Late 90s Techno is referenced on the title track, a dark and haunting driver that emerges into euphoria later on in the journey. While the A1 features the cut up vocals of Babyblade and takes the listener on a pulsing trip that thrashes back and forth before restlessly settling down
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Kompromat Is A New Band Formed By Vitalic & Rebeka Warrior. Inspired By Old Berliner Techno, Its Music Fits Somewhere Between Einstürzende Neubauten And Crash Course In Science. Punk, Rock, Dark & Sweet, Kompromat Smells Like A Battle Cry & A Call To Prayer. It Makes You Wanna Lift Your Arms In The Air And Dance While Crying.
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Boisterous stuff out of Uruguay, courtesy of Kalahari debutant Michelle.
An early Nicolas Lutz protégé and live set demolition expert offering hard-edged techno and electro drama, with occasional pitstops into tech house turf. Lean, mean and utterly relentless with it. Pervaded by cranky, unruly dancefloor spectres and haywire cybernetics – all deftly constructed but administered with brute force and controlled ferocity.
Bearing heart and soul at the controls of her 303, it isn’t all full-frontal assault. A fierce feminine energy pervades every nook and cranny, brooding and angsty, totally rooted in that Montevideo warehouse sound. Straddles the beautiful and terrifying with ease.
Machine-powered and ruthless, the Slipknot-sampling closer is a fitting end.
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Haunting electro from Molen on his Craigie Knowes debut ‘Machine Dreams’. Make your way through the mist and fog into the endless depths of the Machine Dream. Sound design build to shake foundations, perfected for home listening and club-destruction alike. Dive in and brave the depths.
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Foundation is set in the future when the world is barely remembered and humans have colonized the galaxy. The record introduces Donnie Ozone, a brilliant visionary rapper and psychohistorian whose job is to use lyrics and rhymes to predict the future. It is divided into six chapters, each showing a part of the bigger picture portrayed on the outstanding cover by Infidel.
Teslasonic gathers together the galaxy's top scientists and artists on a bleak outer planet and sets out to preserve the accumulated knowledge of humankind and begin a new human galactic empire based on Art, Science and Technology. He calls his sanctuary the Foundation and designs it to withstand a dark age of ignorance, barbarism, and warfare that he predicts will last for a long time.
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Orson Bramley aka Transparent Sound needs no introduction as he delivers the instant classic slab of Machine Funk. A foundation machine fueled by infinite creativity. “Manufacture Shit” is a timeless classic for the imminent paradigm shift of what has been called “reality”.
Prepare to recalibrate your senses. Now move your body.
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Now in its tenth year, Frankfurt-based record label Die Orakel has earned itself a strong catalogue of classy releases in a distinct sonic and visual attitude, its latest being a compilation called Braindance.
A fair assumption about Braindance as a genre could be, that it's rather in the zone of kaleidoscopic and whimsical quirktronica, less about IDM's futurist tropes. From Die Orakel's point of view, its very own Braindance compilation marks the label's tenth anniversary by releasing an intense listener's atlas, to its own and their creative collaborators' musical slant of mind.
While much could be said about spectral traces of a leftfield past, nostalgia isn't heard anywhere. The more you listen to this selection, the deeper the tracks plug into your brain—stretching from ethereal harmonic licks rippling with fragile glitches, bleepy to bass-heavy electroid steppers of any BPM range, to abstract-scientific neo-modular artistry.
Die Orakel's Braindance transmission can be had as a 15-track digi-release, as well as a 4-track vinyl EP. Pick either for your library of the future. The Braindance compilation will be released on 16 February 2024.
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Last entrance on 08.10.2026
2026 Repress
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
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Last entrance on 07.10.2026
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Mechatronica presents “Residual Future” by Koloah. Across six tracks, Koloah delivers a striking fusion of futuristic electro, bass-heavy rhythms, and expressive vocal experimentation. Combining powerful machine grooves, processed voices, and detailed synth programming, the EP explores the connection between human emotion and technology. From the driving energy of “Graduate” and the vocoder-driven character of “Vocodex” to the deeper moods of “System” and the sharp rhythm of “Edge”, the release moves through a wide spectrum of electronic forms — balancing dancefloor impact with atmosphere, melody, and a strong sense of storytelling. The journey expands further with “Elevator”, a slower, immersive descent built around hypnotic movement, spacious textures, and a more introspective emotional pull. On the other side, “Jump” pushes the pressure higher — a peak-time electro weapon driven by explosive rhythms, heavy low-end force, and Koloah’s unmistakable futuristic energy. Throughout “Residual Future”, vocals become a central element: fragmented, transformed, and woven into the machinery of the tracks. Human traces merge with precise rhythms and futuristic textures, creating a sound world that is both soulful and synthetic. A distinctive statement from Koloah, delivering forward-thinking electro with depth, emotion, and a unique voice-driven identity.
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2025 Repress
The duo's second album, in full.
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- A1: Beat Control
- A2: Message
- A3: Power Tools
- B1: Dreams
- B2: Danger Disco
Logout Record Shop Firenze is happy to present its first official release: LGT 001, signed by Novosti Kulturi. Known for his raw blend of electro, raw synth and underground industrial textures, Novosti Kulturi has been active within the darker electronic circuit through the Waveform community — a cult underground platform and party series connecting artists and dancefloors across Europe and beyond. Alongside connected to legendary German coldwave label Kernkrach, Berlin-based cassette label Detriti Records and London’s Meta Moto. Widely associated with contemporary electro, dark disco, techno and EBM-oriented dancefloors, Novosti Kulturi continues to shape a personal sonic language balancing cold machine-driven rhythms with saturated synth pressure, cinematic atmospheres, tape saturation and distorted nocturnal nostalgia. Built around classic TR drum machines, VCO and DCO synthesizers, 12-bit sampling and tape recordings, Novosti Kulturi operates like a transmission from an unidentified place — where past and future dissolve into raw sonic waves and frequency distortions.
This debut EP delivers five tracks moving across sharp electro rhythms, stripped techno structures and darker EBM-infused territories. Cold machine grooves, industrial tension and late-night melancholia define the release, balancing dancefloor functionality with a distinctly cinematic approach. Influences from electro-industrial, new beat and dark synth-driven club music emerge throughout the record’s sonic palette. With LGT 001, Logout Record Shop introduces a vision centered on artistic identity and storytelling, embracing a broad sonic spectrum rather than a fixed aesthetic direction. The label’s first release reflects this approach through Novosti Kulturi’s personal language — crossing styles, moods and textures while keeping a strong connection to modern underground dancefloors.
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Bristol's Sam Binga & Addison Groove have been friends and collaborators since their 2013 'BS3' EP, released on Modeselektor's '50 Weapons' imprint. This project, the third full-length on Binga’s Pineapple Records, is born from an intense 72-hour session at the legendary Devon Analogue Studios, where the pair were able to explore their mutual love of uptempo machine funk - whether that be Detroit Jit, Chicago
Boxjams or Turbo Electro.
Three days of intense creativity across classic drum machines, vintage analogue synths and rare hardware effects resulted in a collection of raw but powerful audio building blocks - and over the past two years, the pair have been gradually shaping them into what is now a complete project - the BAGS INC album. Across 12 tracks, Binga & Addison explore that exciting space between 140 and 150 bpm - but while it's fast, it's not 'hard'; as you'd expect from the creators, it's still got that wiggle, and the all-important cheekiness for which they're known.
Mastered by Bob Macc @ SC Mastering and cut at the Sony plant in Europe,, the album has immersive and musical detail to warrant deep listening, while maintaining that essential club energy.
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Last entrance on 06.10.2026
Underground electro-cult figures, ALIEN FM (Anthony'Blaktony' Horton & Keith'K-1' Tucker) return to the reactivated Puzzlebox label for 2020...and beyond.
1) "Monochromatic Images"- Flooded with spatial rhythms and atmosphere, the title tracks leads you into the eps theme. Echoed computerized vocals riding into spaced out beats from the two interstellar travelers.
2) "Record Man"- Signature K-1 big beats accompanied by a Blaktony vocal arrangement brings the formula for this 'dedication to vinyl lovers' song worldwide. A salute to the industry standard and new anthem for the format. Featuring a guest appearance by Kelyn McKnight (K-1s daughter).
3) "Out There"- Big, bad jeep-beat drama for heads. Deep and emotionally driven for your mind and body. 4) "Out There (K-1 remix)"- Certified a cosmic ass-whooping' of a track and take no prisoners approach by Dj K-1's remix. Block-rocking beats, futuristic backdrops. Monstrous.
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DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads on the Direct Beat Classics label (including unreleased track from 95).
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In February 2020, Belgian label "KNTXT" will release a new EP by Berlin resident MONOLOC - 'Left The Planet' marks his first release on the label, that previously released label honcho Charlotte de Witte’s Chris Liebing collaboration and her “Pressure” and “Selected” EP's.
“With KNTXT, we aim to be a boutique label that values purity and strength” de Witte says. “Both characteristics that perfectly describe and define Monoloc’s music.”
Aside from being the main output for Charlotte de Witte’s creative endeavors, KNTXT has always aimed to be a breeding ground and safe haven for the unique talent’s that it love and respects. After debuting at a KNTXT event in Fuse back in 2015, Sascha Borchardt a.k.a. Monoloc has been a recurring invitee at the label’s raves.
“For KNTXT this is another amazing step in our label story. Feels great to be releasing new music of this dear friend of the family, after spending some great nights together.” Charlotte concludes. “This upcoming release is very personal to me.”
Monoloc says “After joining Charlotte de Witte on her events and most recently the sold out KNTXT tour, I can say we’re friends. I’m happy to be part of this next step of the label and am very excited and proud of what we’ve created.”
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Hohe Erwartungen sind im Falle des britischen Brüder-Duos Overmono noch untertrieben - in den letzten, für Club-Musik sicher alles andere als leichten Jahren, haben sich die Russell-Brüder zu so etwas wie der Speerspitze der neuen Club-Szene gemausert, vollziehen nun den endgültigen Ausbruch aus der Genre-Schublade und lösen sich auch vom Geheimtipp-Stempel! Am 12. Mai erscheint mit "Good Lies" das langerwartete Debütalbum bei XL Recordings, welches aufgrund seiner emotionalen Tiefe zwischen Beats und Bässen noch lange durch die Straßenschluchten hallt, nachdem das Licht im Club angegangen ist und auch der hartnäckigste Tänzer nach Hause geschickt wurde. Ob auf Kopfhörern, im Club oder der heimischen Anlage - die 13 neuen Overmono-Songs wirken mal als würden verkopfte Jamie xx Dancefloor-Kracher auf den Bass von Mr. Oizo treffen, um im nächsten Moment Stimmungen aufzufangen, den Hörer komplett darin einzuhüllen und dann wieder befreit mit poppigeren House-Versatzstücken glücklich zurück auf die Tanzfläche zu schicken. Nicht umsonst gehören Overmono schon jetzt zu den gefeierten Newcomer-Acts aus UK - die ersten beiden EPs waren in Windeseile ausverkauft, beim prestigeträchtigen DJ Mag Best of British Awards wurden die Russell-Brüder als bester Live-Act ausgezeichnet, bei der ersten eigenen Headliner-Tour im vergangenen Jahr folgten ausverkaufte Shows in London, LA, New York oder zuletzt auch im SchwuZ in Berlin und gefeierte Festival-Auftritte beim Glastonbury, Dekmantel und Movement Festival! Daneben arbeiteten sie an einigen Tracks mit ihrem Label-Kollegen Joy Orbison und veröffentlichten einen "Fabric Presents" DJ-Mix.
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Long-time electro stalwart Carl Finlow is the man behind the Random Factor alias. He started it back in 1994 and it has given rise to four full lengths on 20/20 Vision, which is where he now returns with his first new long player in 15 years. Silencer is a superb return to form with a mix of electro-pop that is laden with indelible melodies, granular vocoders, angelic vocals and the occasion back room, heads down electro banger. As always these cuts are second to none with bumping electro-funkers like 'Adulterant' and celestial trips like 'Lab Grown' perfect for back rooms.
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When a new RAXON release drops it’s always strongly recommended to firmly hold your socks and pants as they might get blown off. And oh dear… We caught him in an extraordinarily randy mood for his 4th outing on our prestigious Speicher series. “Acid Call” is a positively rude high energy funk beast, ready to take dancehalls of any size or color to pieces. With “Don’t Cry Pluto” Raxon turns into a punk version of the legendary Pied Piper, graciously luring us away from this boring village into a world of fun-fueled madness. What a guy, this Raxon!
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Last entrance on 05.10.2026
Globally adored Spanish techno protagonist Indira Paganotto releases her debut album 'Arte Como Amante' via ARTCORE / PIAS Électronique. It brings together thirteen fearless tracks that stretch way beyond any one genre. It's high-pressure, high-energy, and deeply personal. A full-spectrum dive into the world of one of electronic music's most dynamic artists.
It follows a huge 2025. She debuted at Coachella. Played her first ever b2bs with Armin van Buuren at Sonar and Sara Landry at EXIT. She became the first woman to close Monegros. She held down her first Club Room residency at Hï Ibiza for 14 weeks, and even launched her own creative studio space, ARTOPIA, in Santa Eulalia. Her label ARTCORE the home of this special album also took their presence in the dance world to the next level with their own curated stages at Tomorrowland, Mysteryland and Dreambeach.
Now, she's telling her story. The title 'Arte Como Amante' means 'art as a lover'. For Indira, that's not just a phrase. It's her life. This album has been 14 years in the making. It began in Madrid in 2012, when she was 19, and was completed in 2024. She waited for the right moment. She lived life. She collected experiences. She built the sound. "I know to take 14 years to make an album seems crazy," she says, "but without living those experiences, how could I have made the music about them?"
The result is a diverse, adrenaline-fuelled body of work that hits hard and moves deep.
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La Nota Del Diablo welcomes Lugano's rising talent Matthew Dexter with a diabolical two-tracker that showcases the producer's extensive skills in creating a balance between rich synthesis, intricate construction, drive and ethereal atmospheres, leaning towards the darkness with the dancefloor in mind.
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Last entrance on 02.10.2026
The initiatory journey begins with a key.
A veiled, mysterious key, received as a gift—who knows from whom, or why.
The Veiled Key is the debut EP on Paradisal Records by Edoardo Marino aka Edo Ecker, and it’s also a promise: the promise of unlocking still-unknown sonic doors.
Another artist Made in Sicily, another child of Mount Etna, with a background in classical piano that soon evolved into a remarkable electronic sensitivity.
The record explores dance, techno, and electro textures on the A-side, while the B-side delivers a vocal that lingers in your mind—before closing with a true musical poem.
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- A1: Polka Dot
- A2: Medhadkilled (Ivo Charlie Vega Remix)
- A3: Geisha (芸者)
- A4: The Gate
- B1: Gnostic
- B2: Frenetique
- B3: Frenetique (Charlie Third Round Mix)
- B4: Istanbul Re-Edit
- C1: Acid Charlie
- C2: Machine
- C3: Machine (Ivo Charlie Strandzha Mix)
- C4: =Mirage
- D1: Night Train (Percussive Mix)
- D2: Cesar's Necktie
- D3: Moon
- D4: Home Party
“Futurespective” is a remastered compilation featuring the very best releases from the iconic Bulgarian band Les Animaux Sauvages. For the first time ever, these timeless tracks are available on vinyl. Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).
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After appearing on Vortex Traks’ very first release and later as part of Morphology, Matti Turunen returns with his first full solo record for the label. Tharsis EP showcases his unmistakable approach to melodic electro, blending deep, atmospheric textures with finely tuned drum programming. A collaboration with Dora Gray provides a unique ending note for this 5-track journey.
Limited to 200 copies.
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Since its inception in 2020, Italo Moderni’s energy, spirit and inspiration has been the dancefloor. The darkened bunkers of Belgium, the trembling speakers of Valencia, the warming dawn of Rimini, these influences have been the lifeblood. Solidifying this tireless effort, Mellow Bangers Vol 2 is the label’s most ambitious collection to date.
In celebration of the imprint’s fifth anniversary, four artists gather with every single one united under a rallying cry. From across the globe, machinists have been drawn together to deliver a statement of acid and wave, of electro and synth with flourishes of italo. The shadowy fringes of the floor are well represented, audio artisans like Cyrk serving distorted drums and melodies dripping with menace in the twisted shape of “Double Crash.” The static haze remains with Fragedis’ “Disco Nicotina,” a lancing melody piercing the soaked speakers of this sweaty romp. Label boss, Adrian Marth leads the charge on the flip. “Modernism” is a stripped and playful two-stepper, a two-stepper that Marth beefs into bawdy proportions before balancing the track with crystalline chords. Amongst the litany of talent are musicians who have both inspired Italo Moderni as well as those who have appeared on the label. Antoni Maiovvi fits such a description, the sound sorcerer slicing beats through bittersweet bars in the immersive “Stopping Power.”
Mellow Bangers Vol 2 is a breathless expression of the floor. A contemporary imagining of the racing rhythms and addictive hooks of the 1980s and 1990s. Four works that summarise what Italo Moderni is and will continue to be
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Last entrance on 01.10.2026
2025 Repress!
Re-issue of Drexciya's 4th storm! Another seminal work of 6 Futuristic deep & Drexciyan Electro/Techno tracks. Hypothetical questions translated into music by one of the visionaries of contemporary electronic music. ''Music beamed through Dimensional Waves by Abstract Thought...'' Remastered from the original session tapes.
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Transparent Sound presents - AXIOMATIZE - The Ultra EP
The new Transparent Sound presents series. Axiomatize are will not to be compromised with there. Slipstream the next phase adjust the gauge deliverance. Shacking the cage with the extremely impressive EP thats a must own release.
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Quinoa’s 8th reference goes off the beaten track, literally. Carola (f.k.a. Mägitee), comes at us with four stripped-back cuts that invite us into unexplored emotional realms. Consistent, throbbing, and rich in texture, it contains just enough of everything and not too much of anything.
The story starts on the A side with “Siouxsie”’s melee of drums and swells that instantly transport us to the smokey comfort of a dance floor, lost in the ecstasy of intertwining bodies.
It follows with “0863”, with a name that winks at his roots hailing from the Appenine mountain chain in central Italy. Its warm, intimate touch sets a suspended tone to the release.
On the flip side the energy shifts, with escapism-anthem “Getaway” whose strings and dreary vocals invoke a nostalgia of futures-to-be in places that may never exist.
Finally, the EP closes off with the title track “The Observatory”. Named after the Griffith Park Observatory, a place where he regularly used to wander at night in the company of deer, coyotes, and the Los Angeles lights. Its deep bassline and intense echoes aim to captivate the most avid stargazers.
We hope this music will touch you as much as it touched us.
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- A1: Intro (The Unknown Aquazone)
- A2: Depressurization
- A3: Water Walker
- A4: Mantaray
- B1: Unknown Journey VI
- B2: Unknown Journey VII
- B3: Unknown Journey VIII
- B4: Living On The Edge
- C1: (Unknown Interlude)
- C2: Hydro Cubes
- C3: Unknown Journey IX
- C4: Aquatic Bata Particles
- D1: Sighting In The Abyss
- D2: Black Sea
- D3: Unknown Journey X
- D4: The Last Transmission
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The journey continues... Clone Records continue with the re-issue series of the early catalogue of one of the most groundbreaking and influential techno acts ever... Raw, uncompromising music made with soul and creativity that has always been the trademark of Drexciya. This is the 4th release in the series and contains arguably some of their rarest and most astonishing tracks such as Black Sea, Mantaray, Hydro Cubes and Depressurization.
Design and layout by Klen.
Mastered by Alden Tyrell.
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Signal Threat is the debut vinyl release of DRUUM aka James Orvis, an exhilarating and boisterous chest pumping collection of electro anthems. Raw and packed with energy, DRUUM’s productions are explosive and have serious bite. His sound is distorted and bold unfiltered, drawing inspiration from the infamous electro punk scene where he has carved out a name for himself. His impeccable use of rap vocals is unique and authentic its rhythmic and aggressive.
DRUUM’s bridging of various styles and use of heavy breakbeats are stunningly edgy. Each sound is carefully modulated and designed purposefully; it’s like a cage fight met a high stakes heist, buzzing with ruggedness. As some who have been following DRUUM are aware, he suffered two strokes in 2025. As DRUUM makes a strong recovery, Dionysian Mysteries felt obligated to get a posse of remixers to help raise money and awareness for this bad ass release. An absolute stellar group of producers are behind this release in support of DRUUM. Featuring remixes from the likes of Umwelt and Ben Pest.
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Ivan Iacobucci & Stella Fiore team up again and present their second discography project, a synthesis of their production research.
The duo picks up the rock rhythms of the track "Close di Door" from Perlon 136 and create a new Ep "Rock da Foz", the first record on their new independent label 'Klopfgeist'.
"Rock da Foz" is a bold declaration of mutual and all-encompassing love that comes to life through the two artists' passion for music.
Their common desire for a fresh and unexpected sound has produced an EP that encapsulates a great musical affinity, while being at the same time the result of their different individual paths. This chemistry is what they also create with each of their b2b DJ sets.
Polyrhythmic, innovative and varied, the courageous EP consists of three tracks. In the first track, 'Rock da Foz', we find distorted guitars that stand in contrast to the sweet and melancholic melodies of the last track "What is inside?". In the middle of the two, 'Brigitte' recalls the elegant Parisian ‘50s with its vocals, inviting you to dance with each repetition of ref. A small journey, leading the listener into a strongly evocative atmosphere, full of energetic, unexpected sounds.
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Flight Mode is proud to present the debut release from label co-founder Jeremy J. Titled Inner Conflict, this five-track EP showcases his ability to fuse deep introspection with club-ready energy, offering a sonic exploration of emotion, technology, and rhythm.
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New series for Jodey Kendrick with volume 1, pure 90s Acid sprinkled with funky rhythms like FSOL, Humanoid and 808 State. Exploring an escalation of breaks that are as sexy as they are captivating and progressive already open that this series will become a classic. Just quality music!
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Larionov lands on Tiger Weeds with 'No Way Back'. A direct, tension driven electro EP shaped by raw sequences, melancholic tones and steady forward motion. Throughout the release, Larionov balances stripped-back introspection with functional dancefloor energy. On remix duties, The Exaltics drags 'Celestial Ocean' into darker territory, applying his signature cinematic pressure to create a heavy, peak time version. No gimmicks. No fillers. No way back.
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Chat Noir opens its 2025 calendar with the fourth chapter of its hors-série imprint, welcoming a striking new EP from Mariiin, the Italian DJ and producer based in London, previously spotted on labels such as Eya Records and Exarde.
Staying true to her signature sound, Mariiin delivers three exclusive tracks lying somewhere between techno and electro. Dark, powerful and hypnotic, these pieces carry a certain atmospheric tension and depth. Each track unfolds with precision and intensity, confirming her status as one to watch in today’s underground club landscape.
To complete the release, Italian artist Otis offers a compelling reinterpretation of False Memory on the B2. His version closes the EP in the best way, adding his unique twist that elevates the original material.
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The legendry Mono Junk on Marcel Dettmann's Bad Manners imprint
Excellent off-kilter Electro / Techno EP
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This reissue of ENV001 "Premise EP" is remastered from the original tapes and features the original artwork by Todd Sines. Featuring a remix from The Connection Machine, the 1995 EP was recorded in Ohio and originally mastered inDetroit by the legendary Ron Murphy. The release marked the end of four years of Geist living the midwest and his return to the metro area of New York City, a dramatic shift that would soon be reflected in Environ's sound.
In 1994, with only a single 12" in his discography, Morgan Geist decided to start his own record label. His debut on Dan Curtin's Metamorphic label was inspired by the sounds of Detroit techno and Chicago house. But Geist was equally fascinated by UK imports from labels like Warp, B12, and ART. He sought to combine these inspirations on the first release of his new label, Environ. Featuring a remix from The Connection Machine, whose unique "Bitflower" was released the year before on Carl Craig's Planet E, "Premise EP" (1995) was recorded in Ohio and mastered in Detroit by the legendary Ron Murphy. The release also marked the end of four years of Geist living the midwest and his return to the metro area of New York City, a dramatic shift that would soon be reflected in Environ's sound. This reissue of ENV001 "Premise EP" is remastered from the original tapes and features the original artwork by Todd Sines.
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R.A.N.D. Muzik Recordings welcomes Australian new comer, Reflex Blue to the label with a solo four tracker of cosmic progressive house.
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No introduction required for the The legendary No Call From New York EP by the uks cult electro act Transparent Sound, the finally reissued for everybody that missed out previously is finally here.
A long time Favourite of Helena Hauff, stingray and B traits the essential track of the year twice on radio one.
Transparent Sound repress this classics slap of forward thinking electro in its original format including remixes from Sync24, Mr Velcro Fastener and Larry McCormick. Grab it quick before its sells out and prices get crazy on discogs again.
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Unknown Artist, unknown label, unknown everything, the only thing we know is that unknown weapons always releases killer tunes.
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BOOOoo! is back with a new VA gathering Ildec, Pagenty, Phase O'Matic, Gogo Gadgeto & label-head BOOH!
The fourth installment has been carefully curated to showcase five distinct facets of the darker side of the electro scene, while maintaining a softer, more accessible edge. Each track is suitable for both daytime and nighttime play.
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- A1: Dani Labb - Inhabitant Of The Sinewave
- A2: Mico Tron - Persecuta
- A3: Cene - Electro Slap
- B1: C RU.Z - Acidfuture
- B2: Lara - Crime Of The Future
Strain presents its second vinyl release: a five-track VA exploring different moments of the dancefloor, from early tension to peak-time intensity. The record brings together producers from Argentina, Italy, and Uruguay, connecting distinct scenes and sensibilities within a cohesive sonic journey.
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- A1: Mich - Ampex
- A2: Lam - Below The Dark
- B1: Vinz - Sin tacto
- B2: Mich - D M
TechnoElectroTechnoTranceTrance
After years of building this project quietly and patiently, ISLA004 feels like a reflection of everything that shaped the island along the way.
Between hypnotic techno, trance, electro and synth-pop influences, this release moves through nostalgic melodies, dark textures and emotional tension balancing moments of introspection with the energy of the dance floor.
More than defining a genre, this VA captures a state of mind: late nights, distant memories and the feeling of getting lost in sound.
A new chapter for the island.
Welcome
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Last entrance on 30.09.2026
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Hallucinations storm the border between wakefulness and sleep. Accurate perceptions give way to distorted visions, senses torn and split through. Borne of mutual inspiration, legendary duo Dopplereffekt and sonic adventurer Objekt present Hypnagogia, a split 12" on Leisure System, with each transmission derived from a shared journey into extrasensory perception and subconscious thought.
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Electron waves rise high.
Paula's eyes half open, heart pounding, as she
seeks the line, carving through the curving crown.
And as the sine collapses she exits as one.
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Last entrance on 29.09.2026
Kashpitzky returns with an era marking new EP on Be As One Imprint, channeling the classic Detroit techno into a modern sonic journey.
Blending driving rhythms with lush orchestration, the release is rich in sweeping strings and cinematic textures, Each track unfolds with emotional depth, balancing raw machine energy and elegant musicality.
The EP pays homage to the golden era of Detroit while pushing its sound into new territory, A timeless yet forward-thinking release, it captures both nostalgia and innovation in equal measure.
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- A1: MG1 (0 43)
- A2: Ionic Funk (20XXX Battle Music) (4 32)
- A3: Krystle (URL Cyber Palace mix) (3 26)
- A4: Ginger Claps (3 06)
- A5: Ghost (3 04)
- B1: Undercover Investigator (GabberTrap mix) (2 06)
- B2: Out By 16 Dead On The Scene (3 28)
- B3: Post Rave Maximalist (2 57)
- B4: Phase A (2 52)
- B5: Freewill (Phase Beta) (2 09)
- C1: Excruciating Deth (Phase Y) (4 54)
- C2: Hidden Power (Phase D) (8 16)
- C3: MG2 (1 04)
- D1: Nightsaber (4 13)
- D2: Lifeforce2 (3 18)
- D3: WLFGRL ACID (3 13)
- D4: Phantasy13 (3 16)
Machine Girl's debut album celebrates its tenth anniversary with a long-awaited reissue, which marks the first time it arrives on CD as well as vinyl. Originally released in 2014, WLFGRL fused footwork, jungle, digital hardcore and rave into a chaotic, euphoric sound that helped launch a global underground movement. The album's packed with raw intensity and plenty of breakcore influence so it introduced a new generation to extreme electronic music and to celebrate its return, a one-off livestreamed show at Brooklyn's Trans-Pecos accompanied the release. As we are reminded listening back now, WLFGRL is a real high-water mark in outsider music culture.
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Two Classic NAD edits here, the B Side a big DJ Harvey play!!!!
DJ Promo Vinyl Only
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- A1: THE BUG – Hooked (Hyams Gym, Leytonstone)
- A2: GHOST DUBS – In The Zone
- A3: THE BUG – Believers (Imperial Gardens, Camberwell)
- B1: GHOST DUBS – Hope
- B2: THE BUG – Burial Skank (Arches, Vauxhall)
- B3: GHOST DUBS – Dub Remote
- C1: THE BUG – Alien Virus (West Indian Centre, Leeds)
- C2: GHOST DUBS – Down
- C3: THE BUG – Militants (The Rocket, Holloway)
- D1: GHOST DUBS – Into The Mystic
- D2: THE BUG – Dread (Mass Brixton)
- D3: GHOST DUBS – Midnight
When Chuck D proclaimed "Bass, how low can you go?" on Public Enemy's anthemic 'Bring the Noise,' maybe he was pre-empting or inciting the 10,000 fathoms-deep, spine-bending basslines and sub-quake tremors of 'Implosion.'
Implosion is a crushing split album, appropriately released on The Bug's own PRESSURE label. Mapping out a new form of spectral dub, the sound is deliberately immersive, introverted, and yes, definitely implosive. In pursuit of heavy lids, blurred vision, and merciless bass bin punishment, it’s one part meditation, two parts low-end theory, and essentially a confession of devoted sound system addiction.
As expected from a tag team featuring British soundlab explorer and 'London Zoo' composer Kevin Martin, aka The Bug, and Michael Fiedler, aka Jah Schulz—a long-time graduate of Germany's new school of sound system reggae culture—the duo approaches their target differently yet share the goal of keeping their sound "raw" (Fiedler) and "brutally minimal" (Martin). This proves that opposites can attract, even if their tools are different and their methods sometimes diverge.
From such a disparate combo, hailing from different geographical and aesthetic backgrounds, contrasts are certainly on display, even within each artist's own contributions. From the melancholia and transcendence of 'Alien Virus (West Indian Centre, Leeds),' to the duality of ascension and descension on 'Hope,' or the Sunn 0))) in dub, visceral drone of 'Dread (The End, London),' to the tripped-out repetitions of 'Midnight,' which reinvents Chain Reaction for post-millennials, the result is both sacred and narcotic. Each track illuminates the emotional impact and atmospheric pressure being explored across this deceptively sparse album—a mastery of tone and texture.
This collection might be as reduced, minimal, and deep as The Bug has ever gone, perhaps echoing the solemnity of his recent Kevin Richard Martin Black release and invoking the futurist steppas self-pioneered on his previous Pressure album. Alternatively, Fiedler‘s Ghost Dubs project ventures into his most heavyweight direction yet, which is no mean feat considering his previous, the critically acclaimed album Damaged, was a monstrously massive triumph of analogue weight and enviable sound design.
Implosion is ice-cool, a stark contrast to the warmth and sociability of traditional Jamaican roots and the current trends in digi-dub. Instead, the mood is soaked in tension and intense dread, finding an unexpected melting point where classic dub's stark rhythm attack, isolationist ambience's eerie drift, dub techno's floatation strategies, and even the relentless riffs of doom metal collide. As the bass-obsessed pair drop what is arguably the heaviest ambient dub album to emerge from any electronic sector—a moody counterpoint to The Orb's fluffy clouds, etc, Martin has cited The Roots Radics, Black Jade, and On U Sound's Pounding System as heavily influencing his approach to the album, while Fiedler has expressed his admiration for Adrian Sherwood's productions and Rhythm & Sound's enchanting soundscape. Yet, the super heavyweight pulsations, emotive resonances, and bone-rattling vibrations detonated here effortlessly go far beyond these influences.
Shadowy and elusive, there’s a mysteriousness at this record's core. A haunting moodiness oscillating between nostalgia and future shock. Despite the deadly fixation with SLOW and HEAVY, the album maintains a totally hypnotic swing throughout. Implosion and its lead single 'Imploded Versions' are testaments to being enveloped in bass, seduced by bass, submerged in bass, and utterly crushed by bass, as The Bug and Ghost Dubs seek to craft a new form of dub for zonal headz and Babylon seekers.
Mastered by Stefan Betke (a.k.a. POLE) at Scape Mastering studio, this record is heavy as f-ck without resorting to continuous distortion. It’s low-end worship taken to an absolute extreme, yet remains highly listenable and definitely danceable, albeit at the slowest of paces. Sacred and narcotic, this is low-end worship amplified to the max. Dive in if you dare.
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5th installment of the Xuntanza series of Fanzine Records.
a new gathering of 5 electro wizards as Plant43, Umwelt, Robert Cosmic, BombyxBlow and the Slit Observers.
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Last entrance on 28.09.2026
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Amazingblaze is the latest red-hot new talent to be signed up by Charlotte de Witte's KNTXT label. The Russian artist serves up four fierce techno weapons on his Venture EP, due for release on 25th February 2022.
Though a relative newcomer, Amazingblaze is already making big moves mixing up heavy-hitting hard trance and techno. He has a sound that combines old school influences with new school sound design, and it never fails to captivate the dance floor. On this first EP for KNTXT, all of the signature Amazingblaze essentials are here: weighty drums, massive synths and authentic atmospheres.
Says the artist, "The Venture EP was started when I was living in Saint-Petersburg and there was a pandemic situation. Experimenting with different shades of techno I created a pretty authentic sound which works very well on the dance floor. After leaving Saint-Petersburg I decided to move to Moscow, gladly the pandemic restrictions there were lifted and I became inspired by the new city and parties where I've never been before, I completed the EP adding some new bangers with an already experienced touch.”
Says Charlotte de Witte, “My eye fell on Amazingblaze for the first time during the preparation of my Tomorrowland Around The World Set, where I closed with his beautiful track "Stratosphere". A couple of months later, I fell head over heels in love with his track "Venture", which, I'm proud to announce, turns out to be the title track of the newest EP on KNTXT. Venture captures every crowd of people I’ve played it to, ever since I debuted it in my set at Exit Festival. The entire EP is an out of the box masterpiece.”
First up is the mighty 'Venture' with its pummelling drums and turbo-charged trance stabs. They are bright and bring the energy while a rapped vocal adds something utterly fresh. 'Inner Fire' ups the ante further with a diva female vocal straight from the classic trance era. She brings waves of euphoria and, after a spine tingling breakdown, the machine-gun grooves fire on. There is terrific turbulence in the synth stabs of techno gem 'Flashback' as well as industrial textures and walls of white noise that bring real tension. ‘Neutron’ closes down with the most fierce groove of the lot, this time rippled with cosmic psy trance chords and irresistible video game synths to take you into the next dimension.
Venture EP is a superb outing from Amazingblaze.
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Ltd. to 999 copies, initial copies on black inside milky clear vinyl,
Cititrax present a split EP by two massive talents, Borusiade and The Sixteen Steps. Borusiade, originally from Bucharest, Romania began as a DJ in the early 2000s and then started producing music in 2005. With a background in classical music, she combined her love of raw electronics, obscure themes and melodic lines to create her own signature sound. She has released on the Cómeme label as well as Corresepondent. Infatuation and Confutation are dark, moody and intense tracks that catch you upon first listen. The flip side of the Promises and Infatuation EP features The Sixteen Steps, the brainchild of George Lanham who cut his musical teeth DJing and running events in the south of England. We have been listening to many of his tracks endlessly for a while now. They've also been a highlight of Veronica Vasicka's DJ sets as of late. Signals From The South and Promises On The Run are both immaculately produced, hypnotic, dance floor killers. They are sparse ebm meets smoky warehouse techno, and offer a wonderful contrast to Borusiade's layered emotive tracks that reminisce of an East Village club in the 1980s. Themes of infatuation, appearances, and anonymity appear throughout this EP from the music itself right through to the cover art.
Limited edition vinyl pressing of 999 copies, first 500 copies are pressed on black inside milky clear vinyl (each record is one of a kind), housed in a matte printed sleeve.
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Helena Hauff's Return To Disorder keeps it disordered with legendary producer DeFeKT next up with his vision of twisted electro. 'My Mother' has a dark undercurrent but is doused in synth radiance that provides great comfort, so if you ask us, it's a fitting title. It's texture that again stands out on 'Disastrous Infinity which has a squelch, acidic lead wriggling about the mix, pounding drums and crispy percussion that all pull back to reveal pixel-thin and eerie pads. 'No Coffee' is a dense and gauzy world of ice-cold melody and rigid grooves, and 'Soaked' turns the same vibe up to 11. 'Phaser' and 'Early Morning Tea' close out with opposing energies - raw and prickly, then more smooth and serene.
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HouseElectroTechAcidTechnoTechno
We are proud to welcome Fear-E for his Dark Entries debut ‘Grey Skies In A Dear Green Place’ out February 28th. Fear-E is the moniker of Scott McKay a Glasgow based DJ and producer. Scott has already made a name for himself as one of Glasgow’s most technically-gifted and diverse selectors over the past decade. Then a slew of releases on the home-grown Dixon Avenue Basement Jams and Super Rhythm Trax introduced Fear-E, equally skilled studio operator, to the world.
‘Grey Skies In A Dear Green Place’ contains six club-ready tracks to “smash sound systems and illuminate sweaty warehouses.” The title is a reference to a nickname that Glasgow has, coming from Cumbric, means 'green hollow' or (dear) 'green place'. Layering cut-up vocals with warm thumping beats, Scott creates a stripped-back yet deeply jackin’ vibe. Call these tracks what you will, “acid attacks”, “club destroyers”, “pickle ticklers?!” All songs have been mastered by George Horn at Fantasy Studios. For the cover, Scott commissioned legendary Detroit illustrator Alan Oldham, who’s artwork has graced established an identity for Transmat and DJAX-UP-BEATS, to create a futuristic portrait of Glasgow in black & white and with green kryptonite flourishes by Eloise Leigh.d
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Superbly multifaceted nocturnal sound journey by prolific Swedish producer Peter Benisch, known under the name “Harmon Eyes”. Beautiful synth melodies, powerful drums: three techno/trance tracks from out of space. All tracks freshly remastered. Powerful, unique and must-have EP!
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Warehouse Find!
Introducing Satelliet Studio, a multidisciplinary brand established in the world of clubbing and the production of related creations for several years. Satelliet represents a fusion of music and design, with a deep focus on the early underground dance cultures.
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Gal Perez is PRZ (and also Pluto Junkies, and the co-founder of Chateau Royal) and the German has put out a steady, quality stream of sounds since 2017. This outing on Helena Hauff's Return To Disorder is a twisted and acerbic collision of breaks, electro and UK rave. 'Cruising' has alarm sounds and blistering synth textures running through saw-tooth bass and big breaks. 'PIGMENTOR' is all acidic and chuggy while 'The Looper" is heads down, feet marching electro-techno. 'Good Bye' brings some electrified disco futurism to the party for a more colourful and outwardly expressive closer.
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Roberto Costantino, aka Robs, releases his first solo EP. Four distinct tracks that differ in style but are linked by a personal journey.
From ethereal atmospheres to more upbeat and groovy melodies, this EP reflects the signature sound of the artist.
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The Hacker teams up with Rein for ‘We Come Alive’ on Rekids. French producer The Hacker joins forces with vocalist, songwriter, and producer Rein for ‘We Come Alive’ on Rekids, arriving 19th June 2026. A longstanding figure within the underground, The Hacker helped shape the early electroclash movement through his analogue-heavy sound and influential releases on labels including Turbo Recordings and Dark Entries, while Rein has built an international reputation through a darkwave-influenced sound that blurs underground and crossover electronics, alongside releases on Boysnoize Records and live appearances with Front 242 and Nitzer Ebb.
Built as a tribute to the dance floor “We Come Alive” explores the feeling of liberation and connection that only exists late at night. Think an Alison Moyet-inspired vocal over stripped-back machine funk somewhere between LFO and Kraftwerk.” - The Hacker & Rein
The Hacker & Rein’s ‘We Come Alive’ pairs sharp, angular rhythms with punishing low-end pressure as acid lines twist through scintillating percussion and jacked-up drums. Amid the machine-heavy intensity, Rein’s vocals cut through the mix with clarity and emotion, lending a euphoric edge to the track’s raw, strobe-lit energy.
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Last entrance on 25.09.2026
The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.
Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
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Lodig / Dibek re-emerge with a new 12”, expertly delivering that analogue machine funk.
On the A-side, Glass Echoes, features two cuts between techno and electro, navigating between darkness and light, rawness and polished brilliance.
Neon Drive comes in two variations on the flip – dark and extra funky electro driven by conversing baselines, followed by a dubbed-out version designed for those moody late-night moments.
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HouseElectroItaloNu DiscoTechno
Bordello A Parigi welcome the prolific Kirill Junolainen into the fold. He debuts under his Konerytmi alias with four tracks that join the dots of disco, italo, synth pop and wave.
The title piece, “Super Ekstaasi”, is an analogue rollercoaster of emotive lyrics and sparkling synthlines shot through with distant melancholy. The frosty “Klassikkoelokuva” follows. Contrasting its predecessor, this glacial work of electro cuts crystalline chords with crisp claps and bending basslines. Temperatures rise on the flip. Slow and sci-fi inspired, the thoughtful “Hirvijarvi” explores the cosmos through searching synthlines and probing percussion. The gamut of Konerytmic is on display with the finale being no exception. “Uusiaalto” is both brittle and bold. Refracted computer chirps are draped in soaring strings, pinpricks of drum piercing the stern samples that break the delicacy of the track’s composition. Super Ekstaasi through and through.
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TechnoElectroTechnoTranceTrance
For their sixth instalment, Lowlife Cartel follow up to their last two compilations (“Pimps Improvisations” in 2018 and “Omnia Vanitas” in 2020) with a new six-track VA named “Kodoku”; a vortical release, both bold and forward-looking, while fully geared for the club environment. Taking its title from a poisonous magic from the medieval Japanese era obtained by placing several venomous insects in a jar and letting them kill one another until only one survives, “Kodoku” - which interestingly also translates as “solitude” - features a cast of producers old and new to the fold including Saverio Celestri, the faceless △, Prince de Takicardie, Tundramane & Ko$te, Solar Alliance and Shampoo.
A staple element of the Lowlife Cartel bunch, Saverio Celestri paves the way and dishes out one of his signature jagged, EBM-informed weapons in “Sundays”. Through this hotchpotch of acid-steeped bass entangled with a frantic newbeat-ish swing and razor-sharp synthwaves, the Italian producer shows off the raw and playful facets of his craft to optimal effect. Unknown contributor △ clocks in with “Crachats de Lune”, a proper ominous banger going straight for the jugular with its clever mix of dusty, drum-laden churn, processed vox stabs and sci-fi-indebted laser bursts flashing by unrelentingly. Tailored for hi-octane action at the defunct Boccaccio or Hacienda, Prince de Takicardie “Jam’on’Acid (House Mix)” blows the winds of euphoria across the club like it was done in 1995. Vibing to a pulsating mix of rabid snares, 303-vehicled charges and mangled vocal samples on a classic free rave tip, throwback material that packs a punch.
Flip it over and here is North-American duo Tundramane & Ko$te shifting the scope to Memphis chopped-and-screwed in true hardcore fashion. Straight-out aggression, “Brick To The Face” lives up to its title, so expect leaving the place with a few teeth out your mouth and a good concussion, though more side effects could appear over repeated listens. A radical U-turn from the previous, Ute.- related triplet Solar Alliance - alias Ekkel, Oprofessionell and Mikkel Rev - bring their dashing trance touch to the comp with “Quest for Kiba”, an uptemp maelstrom for the senses, swirling and whirling up until space and time make no damn sense any more. Topping off that versatile tour de force, Japanese producer Shampoo adds his delectably sensuous spin on the record with the lush, sample-heavy lo-fi appeal of “四季ノ歌”. Unpolished feelgood vibes, sun- streaked soulfulness and deft-handed MPC wizardry are on the menu for this ultimate ride and jolly finale.
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Last entrance on 24.09.2026
Cultivated Electronics presents For The Floor, a new series of split 12s on its vinyl-only sister label CE LTD. For the Floor is strictly aimed at the dance floor and showcases CE regulars alongside new artists with EPs incoming from DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman, Alex Jann, Cyphon, Obzerv, Maelstrom and Sync 24 x Alienata. Hot on the heels of his latest release on the mighty Tresor, Irish Electro king and CE regular DeFeKT kicks off the series with 2 dancefloor destroyers. "Control Your Mind" rips through with harsh distorted 808s and booming vocals while "Fear and Body" is a spooky, funky electro groover perfect for dark basements. On the flip, CE welcomes back Rico Casazza to the label. Rico continues the electro funk vibes with "Home Here Us", slick beats and a bubbly bass line lay down the backbone of this peak time banger. Things then go deep and trippy and acidic with "Caldo" , a rolling robotic groove made for the club!
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Raw booming electro cuts by Dutch Detroit legend Orlando Voorn, who follows up 2023's 'Outerworld' with his second TRUST release.
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Mystic Transfers is a label focusing on experimental music and club cuts from around the world, taken from the suburbs. MYSTIC VALLEY - Mystic Valley is the new musical project by Andrea B, architect, collector and producer from Florence, Italy. His sound is best described as a melting pot of Italian psychedelic influences, from obscure downtempo to new beat, as well as English breakbeat and German EBM. After years of Tropical Animals he started with Felis Oxiana the project ‘’Galattica’’ and from 2021 is one of the founders of Mizuna. Heading coach of the post punk group Zona Utopica Garantita, he began to work with them since they started to play, and together they launched the label ‘’Mystic Transfers’’, focusing on experimental music and club cuts from around the world.
SPO - Drummer in the ’00 of the underground scene in Florence fond of the 70s Progressive Rock sounds and experimental, co-founder in 2006 of the DIY label La Statua Sommersa Produzioni.
Currently in Florence after the experiences in Rome and 5 years in Berlin with many gigs around Europe and albums with his solo project Die Lust! and the italo-german duo Bloodygrave & Die Lust! establishing itself as a producer and composer in the electronic european musical scene Minimal Wave e Synth Wave. From 2017 began a new solo project named SPO (Solo Per Oggi).
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Last entrance on 23.09.2026
Alt Dub boss Federsen once again joins forces with cv313 and Echospace Detroit to deliver a second instalment in their ‘Altering Dimension’ series, once again merging hazy textural sonics with delicate dub leaning aesthetics.
Detroit’s dub techno lineage continues to evolve as cv313, Stephen Hitchell of Echospace, teams up with Federsen for Altering Dimensions Part Two, another collaborative EP set to land on Federsen’s Alt Dub imprint.
A defining figure in the genre, cv313 has long shaped its language through seminal works like Seconds to Forever and the Dimensional Space LP, fusing enveloping atmospheres with tactile rhythmic structures. Alongside him here,
Federsen whose music can also be found on Echospace Detroit as well as Grayscale, Synchrophone, Lempuyang and Avant Roots, has carved out a distinct voice rooted in precision and analogue-rich depth. Altering Dimensions Part Two again captures the intersection of these two perspectives, linking Detroit’s enduring sonic heritage with a refined, forward-facing approach to dub techno.
‘First Dimension’ opens the release, laying down heavy doses of sub bass, bubbling percussion and ever evolving, murky dub echoes amidst a crisp, stripped-down rhythm section.
‘Second Dimension’ follows and leans into vacillating atmospherics, a swaying bottom end groove and hypnotic, subtle evolution that’s synonymous with the cv313 sound.
‘Third Dimension’ kicks off the b-side next, further embracing this introspective and immersive style as textural elements shift and mutate atop intricately modulating percussive hits, bubbling synth tones and weighty low-end percussion.
‘Fourth Dimension’ then concludes the release, reducing things down to bare bones of hypntic dub, embracing a beatless construction the composition relies on spatial depth, nuanced delays and an underlying tension that decays
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2026 Repress!
A wild Paling appears! TAFKAMP presents Irv Da Perv coming thru with The Most Wanted Digital Dubplates Vol. 2 on the Paling Trax Limited imprint. A selection of essential ghetto-influenced bangers on this 6-tracker EP - all killer no filler!
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TechnoElectroBeatsBreak-BeatSynth
LN013 presents a four-track electro compilation entitled Network Not Found. On the A1, Watts provides an electro-funk workout reminiscent of early Kraftwerk. Modulating basslines, delayed breakbeats, and haunting synths call back to early tropes of the sound while contributing to and reinventing the style. LA's 5tr8tch debuts his future classic, "Sleight of Hand." This track delivers tight 808 programming and unique sound design that takes the listener on a timeless journey. The B1 features The Advent and Zein in classic Kombination Research fashion—advanced B-side business for true lovers of the movement. Pulling from the Teknotika archives, GiGi Galaxy provides a rare DAT recording from 1997. The track's growling bassline, warm 808 beats, and experimental sound design take the listener on an ever-changing journey.
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Last entrance on 22.09.2026
Detroit meets the West Coast! DJ Maaco (Detroit in Effect) and Alden Tyrell commanding you to get on the dance floor. Resistance is futile against the Grays...
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Electro bass cyperpunks from down under, Assembler Code & Jensen Interceptor, team up again for "NRG LVLS" on TRUST. Four heavy-duty tracks might overclock neural interfaces with drilling synths, twitchy funk and high-pressure electro rhythms. Welcome to the Sprawl...
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Audiotech is one of the many visionary aliases of Juan Atkins, the Detroit pioneer widely recognized as one of the originators of techno. Originally released in 1987 on Express Records, "I'm Your Audio Tech" captures a crucial moment in the evolution of electronic music -- when raw machine funk and futuristic minimalism merged to form the Detroit sound. Now, nearly four decades later, this classic returns newly remastered and presented for the first time on Metroplex, the label founded by Atkins himself. The reissue preserves the deep pulse and metallic warmth of the original, giving new clarity to its hypnotic basslines and mechanized rhythm patterns that defined an era of innovation. A timeless piece of Detroit's musical DNA -- meticulously restored for a new generation of listeners and collectors.
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Returning to Winthorpe after a five-year hiatus, Irish electro producer DeFeKT delivers a heavyweight 12-inch packed with four cuts of his unmistakable electro-techno hybrid sound, reaffirming his status as a true underground craftsman. Opening with the low-slung bass bounce of "It's Down", before sliding into the Detroit-influenced groove of "Your Body Will Learn", from there DeFeKT turns up the tension with the twisted, menacing pulse of Overcome before closing the release in epic fashion with the widescreen synth swagger of "Always"! A confident, statement from an artist firmly back in his element.
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Syncrophone proudly presents 'Proceed with Caution' by Detroit's Filthiest. This 4-track catalog masterpiece is a rhythmic exploration, featuring infectious funk-infused beats and a distinctive style that pays homage to the city's illustrious musical heritage. Detroit's Filthiest seamlessly blends tradition with innovation, creating an electrifying experience that echoes the Motor City's iconic sound.
Feedbacks :
Luke Slater : dope
Serge (Clone) : Sick release! Another banger from Dj Nasty!
Elena Colombi (NTS) : Check Out the Technique is great!
Lukas Wigflex (Wigflex) : wonk
Tijana T : huge fan!
Hodge (Livity Sound) : lovely
Eclair Fifi (Lucky Me / NTS) : fk yeah 5/5
Monty Luke (Rekids / Black Catalogue) : fear in your eyes is a banger
Dave Clarke (white noise radio) : Will support ! Love the first track
Marcel Dettmann : thx
Machine Woman (Take Away Jazz Records) : cool
Ben Sims : Technique is my pick, thx!
Will Hofbauer (Third Place, Wisdom Teeth, Rinse) : very slick
Blasha & Allatt (Meat Free) : Fire! Up In Smoke + Nuttin But Chedda are the ones for me :) Thanks, Steffi x
Lena Willikens (Cómeme) : Fear In Your Eyes for me!
Lauren Flax (The Lot Radio/ Young Turks / K7) : incredible EP, thanks!
David Martin (Dimensions Soundsystem) : his is superb. Love it! Thanks DM
Amy Dabbs (Shall Not Fade, Distant Horizons, SlothBoogie, ) : Beautifully sleazy - love it
Bloody Mary (Dame-Music) : track 2 :))) thanks
DMX Krew (Breakin Records / Fresh Up) : Nice trax :) Will try to fit in my December show for Rinse FM.
mi-el (NTS show) : heavy
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Juan Atkins returns as Model 500 with I.D.L.E., a transmission rooted in Detroit's original machine language. Pulsing basslines and crystalline sequences unfold with the precision and restraint that have defined the Model 500 signal for decades. The package expands with two reinterpretations from different corners of the electro-techno continuum. DJ Stingray pushes the track into high-velocity orbit, sharpening the rhythms into a relentless futurist propulsion. FJAAK reshape the material with their unmistakable Berlin energy, driving the groove deeper into warehouse territory while keeping the circuitry alive. A meeting point between generations, I.D.L.E. continues the Metroplex tradition: forward motion, mechanical soul, and signals from the future.
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TechnoElectroTechnoExperimental
Eaux proudly announces a new collaborative mini-album from label boss Rrose and Polygonia. Containing six tracks and over 40 minutes of music housed in a fully printed sleeve with artwork by Jon-Paul Villegas, the record focuses squarely on the dancefloor while infusing it with the kinds of psychoactive drones, intricate polyrhythms, and relentless modulations that have come to identify both of their approaches to sound. Featured heavily are their shared interests in sonic shapes that resemble natural forms and conjure tactile feelings, in this case related to themes of skin-like surfaces and circulatory systems experienced simultaneously on a micro and macro level. While several of the tracks hover in a flexible tempo range between 125 and 130 bpm, "Stretcher" reaches up to 142, and the closing track "Vena Cava" trades the kick drums for spectrally processed percussion and endlessly diverging high-frequency pulses.
The story behind the release starts in 2022, when Rrose reached out to Polygonia after noticing that her tracks were appearing in their sets more frequently than any other artist. Never before had Rrose proposed a collaboration with someone they hadn't met before, but there was such an obvious connection in their approach to sound that it felt necessary. As it turns out, Polygonia had only become interested in techno after hearing Rrose perform at a festival in 2018. It all made sense, and they began sharing sketches and unfinished ideas with each other, trading them back and forth until they reached completion. Without any announcement of their collaboration, the two artists have since been asked to share the stage together several times. It seems there are other people out there sensing a connection...
Bios:
RROSE
Rrose is an alias of the multi-disciplinary artist Seth Horvitz, born and raised in California, and currently based in London. Active since 2011, the Rrose project explores the intersection of hypnotic techno, experimental composition and psychoacoustic phenomena with a meticulous touch. The first major breakthrough was 2012's "Waterfall" for Sandwell District which followed "Motormouth Variations," a collaborative project with composer, improviser, and activist Bob Ostertag. After the shuttering of Sandwell District, Rrose established Eaux, a home for further solo productions and collaborations. Building on his studies in electronic composition and history at Mills College, Rrose's electronic pieces blur the lines between thrillingly claustrophobic club tracks and destabilizing sound art explorations. In 2015, she released an extended version of James Tenney's postcard composition "Having Never Written a Note For Percussion" for solo gong, and in 2018 collaborated with Charlemagne Palestine on "The Goldennn Meeenn + Sheeenn" for two grand pianos. These works overlapped with the development of Rrose's singular techno: EPs like "Vanishing Pools," "The Ends of Weather" and "Arc Unknown" as well as 2019's debut LP "Hymn to Moisture" and last year's follow up "Please Touch." Rrose is also active as a touring DJ and live performer, equally comfortable commanding sweaty warehouse dancefloors and seated audiences in historic concert halls. Appearances include Unsound, Atonal, Semibreve, Dekmantel, Mutek, Sonic Acts, Nuit Sonore, Mostra, Parallel, Theatre Graslin, Nextones, and Berghain.
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POLYGONIA
Polygonia represents a multidisciplinary music and art project conceived by Lindsey Wang from Munich, Germany.
She draws inspiration from her many years of practicing various acoustic instruments and her keen interest for other cultural forms of expression, which she translates into the digital language of electronic music and art.
Her productions' soundscape exudes a mystical, organic quality, featuring intricate and compelling rhythms. Polygonia's sound palette ranges from energetic, groovy Deep Techno, Downtempo, Grey Area to textural and/or harmonic Ambient. Besides, she is not afraid to include influences from the genres House, Drum and Bass, Electro etc.. In addition inspiration from nature play a major role in many of her productions. Exemplary for her style are for instance her 'Otro Mundo' EP (2023) on Bambounou's Bambel Imprint, her 'Bloom' EP (2022) on the American record label Sure Thing, the release 'Deformed Human Nature' (2021) on her own label IO, as well as the album 'Abbilder einer vergessenen Welt' (2021) on the Korean label Huinali.
Her DJ and live sets too reflect her passion for different genres. Depending on the time of day and setting, Polygonia shows a different musical side. What unites all her dance music sets is the hypnotizing effect that invites to completely lose oneself in the world of sounds for a longer period of time. Several voices from the audience also confirm that the musician always tells a complex story within her mixes, allowing for very clear highs and lows. In the same set there can be very harmonic passages, which provide emotional moments and on the other hand extremely texture-heavy dark tracks, which establish a connection with the subconscious and put the listener in a kind of trance.
Polygonia has already visited numerous of prestigious venues. She is now a regular at Tresor or Berghain in Berlin and additionally started her residency in 2023 at Munich-based BLITZ club.
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Tom Carruthers returns on Syncrophone with Move My Body, his second EP delivering four raw, club-ready cuts with sharp grooves and a no-frills old-school touch.
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The eight long play on the label comes from none other than UK electro royalty – Transparent Sound. If you have been following the music world for a while, then you would know this name as it’s been on the radars since the 1994. From the beginning it was a synergy between two artists Orson Bramley and Martin Brown, now the project solely run by Orson and he is presenting us Potent Mystery, an electro album in the best possible execution of this genre filled with melody and mystery. For the remix duties stepped up Acidulant the Maltese based hardware guru and the master of live sets from Bristol – Ben Pest. Each of these men and stellar artists have spent numerous years perfecting the craft of the electronic music which have resulted of this album being born as we can hear it now. Electro. Magnetic. Radiation.
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White Lunar, an underground electronic music label from Seoul, South Korea.
Founded by Lyumin and Oho, is excited to release its first project.
This debut features four talented artists in the world Oho, ffrvnco, Stefano Andriezzi, and Jucid. Each artist brings their own unique sound, creating a diverse and powerful collection of tracks.
Get ready to experience a fresh and energetic mix of electronic music from these rising artists.
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One of the most prolific electro artists of his generation, Boris Bunnik aka Versalife, returns to TRUST with an exceptional soundtrack for the algorithmic hellscape we live in. As neofeudalist power structures solidify around us, Versalife's tracks remain in constant flux. Subtle tonal shifts and undulating synth currents create tension and beauty while crisp machine beats provide the clockwork rhythm for humanity's march into the singularity.
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After a long hiatus, artist Yu returns with a new EP featuring four tracks in which he has finally been able to fully express his vision of sound. The album features hypnotic rhythms that move from dark atmospheres to moments of light, alternating between darker sounds and more lively and happy moments. Definitely suitable for the dance floor, but with emotional aspects that make each track a complete experience for the listener.
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As Flight Mode unveils its ninth physical release, Belgian‑Moroccan DJ and producer Zaatar presents a five‑track EP that naturally bridges her universe with that of the label. The result is a meeting point of visions, blurring stylistic boundaries once again.
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Last entrance on 21.09.2026
SAIS005.5 — a companion piece to the PMA EP by B-2DEP’T released on SAISEI earlier this year — is a unique one-sided 10” EP featuring a remix by Uruguayan producer Z@p.
The Phonoteque resident reworks ‘BSMH’ with a classic 80s electro beat and bassline, funking up the groove for all the breakdancers in the crowd. The original vocodered lyrics — “Body/Sonic/Mental/Health” — resonate today as much as they did back in 1993, acting as a mantra for a new rave generation.
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This mini album was originally published on Semantica Records in 2010 as a extremely limited 100 copy only reference. 12 years later we recover this for the Drivecom’s catalogue and fans of the label. This is a re-press edition with a new mastering and cutting, focused in the audio quality more than trying to get a maximum volume or gain. So this is one of the reasons that the side A cutting is trying to keep the tracks in the outside area of the vinyl in the most possible way, trying to avoid distortions or other artifacts from the inner vinyl curvature.
This 12” contains the same tracks on vinyl as the original edition but a couple of bonuses as a digital download. Those tracks called "Axonal Destruction (1999 Rework)" and "Automatic Reconstruction" were never released.
Note: For the people who purchase a physical copy in the shops, please take a picture of your purchase and share it on social networks, then we’ll send you a special download code.
In the musical eld, this reference was introduced with minimal and repetitive mental synth lines, mainly triggered from TB303 sequenced lines as the vertebral spinae, slow and progressive cadence rhythms with a touch of experimental electro and vocoders on board, exception is the rst tittle “Ultralink” which gives the name to the reference and it’s also the most club-oriented track in the mini album. About the thematic is all surrounded of such as mental driving musical lines so all the tittles were focused in the neuroscience
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To submit or to surrender? Robert Johnson resident Oskar Offermann doesn’t have the answers, and that’s kind of the point. Things change: one moment you’re touring the globe as a recognizable face of one of the greatest clubs in the world, the next you’ve started a new life as a teacher. How do you handle that shift? On this record, Offermann doesn’t offer solutions so much as trace his own way through it, reflecting the whole process in his music and creative work.
Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.
Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.
Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!
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American DJ and producer PTHGN joins the Fides Records family with his debut EP Binary Operation, marking the 17th release for the label.
The 5-track Binary Operation EP underscores PTHNG's profound grasp of classic Detroit electro.
With his lively basslines, pulsating drum breaks, long and dreamy pads, and unique urban vocal snippets, he crafts timeless dancefloor anthems. His use of retro-futuristic electronic leads and SFX adds an edgy dynamism into the EP, further establishing PTHNG as a fresh force to be reckoned with in the electro scene.
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The Hacker and Italo Moderni join forces with a masterful electro EP, guided by the French G.O.A.T. from Grenoble. Infused with techno vibes and featuring a remix by the renowned Terence Fixmer, this EP is a testament to the cutting-edge fusion of styles. Drawing inspiration from Liaisons Dangereuses, The Hacker weaves intricate basslines and rhythms, exemplified in the track ‘No Señor.’ ‘Me and My Sequencer Part 1 and Part 2’ unveils a clandestine narrative, a hidden tale shared only between The Hacker and his synthesizers—revealing the magical connection cultivated over the years.
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Inspired by Front 242, Skinny Puppy and Clock DVA, Arno and Tibor were fellow students at the Center of Electronic Music (CEM) in Arnhem, Netherlands during the mid 80's.
After getting a record deal with the Belgian Antler Subway, and started producing their first EP, originally meant as EBM. But since they were in the middle of proceeding, they took the chance to incorporate some of those influences in their first record, 'Force D'Inquisition', in 1990, which became one of the earliest Dutch house records.
Track A2 is the legendary 'Apocalypse', which was quite a hit at the time both in the EBM and acid scene, with gentlemen like Frankie Knuckles playing it in his sets.
Arno Peeters was later part of Random XS and Urban Electro and worked solo as Spasms on Djax-Up-Beats.
In memory of Tibor Fülöp, 17-03-2010.
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Last entrance on 17.09.2026
Blind Harmonies returns with its second release, this time welcoming Argentinian & Berlin based artist Augusto Taito for a powerful and deeply detailed EP. Built around four carefully crafted tracks, the release moves through driving rhythms, dynamic grooves and refined sound design, balancing raw club energy with subtle textures and hypnotic movement. Each track carries Augusto’s distinctive approach, functional yet emotional, precise yet alive. Alongside the driving moments, the EP also reveals a more personal side through a melodic piece filled with introspection and meaning, adding depth and contrast to the journey. A release designed for both the dance floor and deeper listening.
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