Techno Новости

Constructed in the initial chaos of the pandemic, Baby Blue’s dystopian debut LP “End Of Sleep” finds solace in the unearthly home of Planet Euphorique. 7 offerings from the Canadian artiste dive deep into a heightened reflective state; an amalgamation of memories stitched together via looped dissonance and destruction. A contrast of lightness and dark constantly working against each other and at times in harmony; a familiar connection that can be found in complex electronic music and mental states alike. Strap in and be guided through a wormhole of cyber analog journeys, thematic explorations and catastrophic calls to celestial beings.

Ethereal echoes of LSG break in the opening of the record, fleeting cries nodding to ancestry; yet A Rainy Trip To Netherworld Sequence embraces the storm. Knee jerk kick distortions disrupt the angelic hypnosis; reality rolling through the clouds. The sequential energy continues through A2 and A3, driving and rolling viciously with heavy contorted noise infiltrating the low end whilst flickers of melodious song sail unbothered, thriving amongst the destruction. The Spring Is Coming feels like a seasonal change, a melting and defrosting; thawed harmony shining through; textural and flowing with movement, a perfect bridge.
An arguably more delicate chaos emerges on the B side, elongated pads stream endlessly whilst drums cultivate and expand into sudden frisson. Fragile voices begin to gate and sweep in Equal Parts Damaged, lingering and ringing through ear drums whilst glued in rhythmic unison to induce a state of floating, a game of elevated push and pull. Syncopated howls of distortion leads the closing track, Violet summarizing the brilliantly confronting conversations pulsating through the record.

PE016 urges you to join the otherworldly personal journey and sufferings of Baby Blue, a moment to connect with her meditative dreams and struggles; sonic synergy expanding to anyone with the invitation to surrender.

Uncompromised Speedcore banger. Absolute shaker from Naoto Suzuki aka Smily Slayers...
A must have of a kind : A side brings 2 sweet 240 BPM tunes... The flip comes serious at 300... Fasten your seatbelt !

XK025 sees a fresh label debut in the form of Cloudsteppers - a collaboration between Toronto based artists Ciel and Dan Only. Born out of an impromptu jam session at Dan Only's NDG 208 Studio in late 2019, the pair quickly hit it off. Ciel brought her trusty Korg ESX-1 sampler, and alongside Dan Only's arsenal of vintage synths and samplers, they quickly wrote the first two cuts of what would eventually turn into the first Cloudsteppers EP. After getting great feedback from playing them on tour and sharing with friends, the pair wrote the last two cuts when lockdown restrictions loosened during the summer of 2020.

Both artists are instinctively melodically-inclined producers, so for this release they tried to focus more of their attention on the drums and fx, while limiting the amount of melodic parts in each track. Working within those parameters resulted in what is now their debut EP.

Title track, “The Limit”, is a huge undulating cut of 160bpm energy - it shimmies effortlessly between skittish jungle, breakbeat and techno rhythms, centred around a tripped out sample of Manchester’s finest physicist, Brian Cox. “Slinky Bork” brings a distinctly UK Tech House flavour reminiscent of Housey Doingz, Get Fucked and others of the Wiggle/Euka House era - underpinned by a solid 4x4, subtle rhythms and spacey atmospherics abound.

On the flip, “Diva Loops”goes in hard with a pounding kick, warbling bass and some massive clattering drums before breaking out into a playful melodic refrain. Closing things out, “Trigger Happy” is another functional 4x4 club cut full of skippy tech styles and punchy rhythms. A dreamy melody floats along into a tension building crescendo, complete with massive reese-ish bassline. Big!

Tape

Crazy hardcore... consterning about how Scum bags we are.... FAT for a new generation

Repress

Identified Patient drops another calamitous record on Pinkman - 4 dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.

The 2 revelations from OKUPE productions offers here pure bangers of a kind... with a smily camouflage ambiance. Party time !

Orange Vinyl
The 2 revelations from OKUPE productions offers here pure bangers of a kind... with a smily camouflage ambiance. Party time !

Newskool pumpin tribe, dancefloor outside sunny sound. Free your mind, free your feets, free the people !

Marbled Red Vinyl

New Granulart Limited release from label boss Valentin Corujo aka Kessell (Exium, Polegroup), as on previous Limited serie, pressed on clear & solid red mixed vinyl.

Kaizen, Japanese for continuous improvement, we cannot become what we want to be by remaining what we are, everything can and should be improved.

Early feedbacks from Reeko, Shifted, Marcel Dettmann, James Ruskin, Jonas Kopp, Slam, Dimi Angelis, Jeroen Search, Leiras, Arnaud Le Texier, Pulse One, Alderaan, Par Grindvik, Angel Molina, Peter Van Hoesen, Lewis Fautzi, Pfirter, Quail, Mental Resonance, Marcel Heese, Xhei, Hd Substance, Error Etica, Etapp Kyle, The Noisemaker, Eric Fetcher, Tripeo, Kike Pravda, Stephanie Sykes, Kwartz, Truncate, Sleeparchive, Blawan, Substance aka Dj Pete, Allen, W.I.R.E., NX1, Kr!z, Aiken, Samuli Kemppi, Gareth Wild, P.E.A.R.L., Pacou, Developer, Inigo Kennedy, Luke Slater, Alexander Kowalsky, Eric Cloutier, Francois X, DVS1

LTD 100 copies

Speedcore in a Flashcore way... Speed and psychedlic, melodious or flanged.

Drowned under the beat, the ultra speed repetitive beat... This is not only a musical experience !

Harfloor dancefloor, mental and progressive... a banging universe as promised !

2022 Repress

Unreleased tracks from the vaults of Finlands' finest!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

Pickled People - We all know a few of those, but how many of them were turning out bare bones, stripped & funked out rolling tech-house back in 1996? Not many we reckon! Well, except for the dynamic duo of Terry Francis & Jiten Acharya, ably assisted by the man Bushwacka aka Matthew B on mixdown & engineering duties. This self-titled 12" you have here in your hands is a rare diamond, another set of smooth and acidic jams from London's potent tech-house underground, a rich and rewarding scene, one that is back with a vengeance today with discerning selectors from around the globe tuning into what was making clubs move here in the capital pre-millenium. The beauty of these super rare and expensive to obtain tracks is that they seem to be made with both the DJ and the dancer in mind, meaning - they are fun to mix and blend and drop long arse 10 minutes blend with without ever being boring, AND they are sure as hell fun to dance to in the darkened corners of whatever space you're lucky enough to find yourself in. Not short on the old Funk, this is premier league shit right here, from the dons. Proper subterranean business from that London town. Sure to be in your bag for the next 20 years n'all! 'Pickled People' has been legitimately re-released with the full involvement of Terry Francis & Jiten Acharya for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Nice Acid Techno Tribe with a wicked Trance / Transcore side and an insert to correct false tracklisting on the printed sleeve :)

Acid and hard and experimental and joyfull !!!

My beloved Stake Etop really pushes the limits ! The Molluski track is a blaster too...

The record is Sealed and com with stickers and a Button. Nice and genereous !

Black Vinyl Repress

For the third release on De:tuned we proudly present The Kosmik Kommando AKA Mike Dred. Mike hardly needs an introduction; considered as one of the masters of the Roland TB-303 Mike has been releasing records under various aliases since the early 90s. He has recorded for high profile labels such as R&S and Rephlex as well as his own Machine Codes label. Together, with Aphex Twin, Mike was behind the Universal Indicator releases which are among the most collectible and sought after records in techno history.

De:tuned has worked closely with Mike to develop an 8 track project that gives props to the American Psychologist Timothy Leary and his proposed theory of 'The Eight-Circuit Model of Consciousness'. This model describes 8 circuits of information that operate within the human nervous system. Each circuit refers to a different sphere of activity, enhanced by experimentation with a particular substance. Each circuit also represents a higher stage of evolution than the one before it and the higher the circuit, the fewer the people have activated it as the higher four circuits exist for those who migrate to outer space and live extraterrestrially.

The 8 Models are applied to the track titles that present a varied collection integrating acid house, techno, electro and rave culture.

3 of the tracks on offer here were written exclusively for Mike's live performance at the De:tuned 'Meeting of Minds' event in June 2012, which was Mike's first full live show in 3 years.

This 8 track project will be available on limited 180 gr white double vinyl with label and sleeve artwork by Mike himself. Stay Tuned!

If you don't yet know, Flexi is a record store and music label based in Italy and run by Simone and Lorenzo.

Over the years, Flexi have gained both the respect and recognition of the music scene, earned by almost forty years of experience in the world of music and with the support of many DJs, artists and fans

Finally Flexi Cuts returns with a brand new release pressed on a “raw transparent" vinyl called “Velvet Series” no 2 – six quality tracks from six superb artists for an electronic journey that makes you fly over “velvet”.

Selection of the works wasn't easy; the tracks were chosen tryin' to maintain a high quality level, such as the oldest (v. series part 1) which have been so appreciated out there.

The A side opening is by Bologna-based Brine, with “YR Body” that provides a Juno-ish bassline with a catchy vocal and a jazzy mood.

Then we have “Benerice" from Daughters and Sons (aka the master Luca Fronza) who throws us into a beautiful Detroit-inspired analog jam.

This side ends with our very own Sicily man Manuold with fresh Italo-House vibes absolutely made for the dance floor.

On the B side, welcome back the veterans Tengrams (formerly the Piatto brothers from N.O.I.A Records) with the outstanding "Rapid Eye Movement"… travelling across retro-future influences and 808 patterns… under a dystopian-sci-fi movie theme.

B2 track is by the Calma duo who plays with a few elements to build a neverending techno climax...did you recognise the sample?

The last track is a sort of relaxing downtempo sunset closure complete with bells, from the California producer Gloved Hands, a name that speaks for itself.

Acidcore, Acid Tribe, Transcore Tribe

Repress

Berlin-via-Warsaw high roller of the new generation of techno VTSS aka Martyna Maja returns with a mesmerising 6-track EP titled ‘Borderline Tenderness’, this time from Berlin-Milan label VEYL run by Alex Knoblauch & Maenad Veyl.
Following a tremendously acclaimed collection of releases showcasing her fresh take on dance floor belters through Intrepid Skin, REPITCH, HAVEN and also featuring on KAOS, Monnom Black and Hellcat; this new record expands her horizons to different sides of her odd electronics as in ‘Woah’, while also giving a proper dose of her well-known craft to incorporate hardcore, EBM and acid influences on cheeky techno grooves.
Collaboration with friends and colleagues is key for VTSS in order to evolve. Consequently the EP includes a handful of features from the likes of LSDXOXO, contributing vocals on ‘Goin Nuts’, which is also available as a bonus instrumental version. As well, MOTZ boss Jasmine Azarian appears with spoken word on ‘To Whom All Lovers’ and the blazing ‘MDM508’ with Sonic Groove affiliate Crystal Geometry crown the record of a well-deserved head-bitch in charge.
Cover image taken out of the distinctive world of Tomaso Lisca.

Superb Pumpin dancefloor killerz !!

Red Transparent edition !

Rolling into the spring of 2022, Mosaic turns to Berlin based Yorkshireman and co-founder of Tact Recordings, Fletcher, for Mosaic LTDX6 .

Following his impressive "Mechanical Garden" debut LP on Mosaic DTL, 'Violet Shift' focuses on Fletcher's ability to weave magic for the dancefloor with DeepChord's Mike Schommer adding a contrasting touch of class on the remix.

Title track 'Violet Shift' is a trip into the light fantastic: centring around a delicate fusion of deftly programmed beats and continuously shifting filtered chords. Brought together with muted pulses of sub bass and splashes of effects, it's a masterful exercise in restraint and a true delight with repeat listening.

Taking it the other way, Schommer's remix focuses on a four to the floor journey: adding tribal elements and tight percussion that inject more urgency into the mix. A tough but fair take, you wouldn't expect anything less.

Last but not least, the dawn chorus of 'BOHTS' eases you into the mood with a trimming of airy optimism and brushy bounce to the beats as warm chords sweep their way through.

Thomas P. Heckmann's 30th Anniversary Special Edition ! LTD Splatter Repress !

Out of a mood and while repairing one of his 303 basslines, Heckmann just recorded two Acid-House tracks on the fly and live in his studio !! The result is now presented on Vinyl AFUXTRA release !!!

4 weighty trax from the big & bad SE London based produced, Holloway.
Mastered and cut by Jason @ Transition.

Repress

Lonefront puts out his first EP on wax with Kajunga Records. Two raw and hypnotic techno tracks channeled from deep.

“Additive spectra” uses the basics masterfully to draw in the mind and body and transport the spirit to ancient spaces. A deep kick and bass drive through the whole track while the high end remains sparse with a subtly shifting pulse and restrained hi hats keeping the tension alive.

On the B side, “South of Forever” is an even more stripped back, slow burner. Nonstop kick and trance inducing percussion anchor the listener in while resonations and reverberations are twisted and mangled to create a strange evolving space out of darkness.

Lonefront is an artist out of MN by way of the bay area. He produces raw explorative techno tracks and performs live using modular hardware. His stripped back productions shift between the speculative future of progress and the drone of decay. Get in tune with carcasses of factories, a chorus of tongues spouting silent mantras, a silent stream of error-riddled program scripts: the flux and snap of trauma incants the noise beyond language that compels movement, and sets you free.

Mobys neuestes Album Reprise - Remixes ist jetzt verfügbar. Das Doppelalbum enthält persönliche Zitate aller beteiligten Remixer, sowie von Moby selbst. Reprise – Remixes erobert ein Grenzland, in dem elektronische und akustische Klänge aufeinandertreffen. Das Album erscheint am 20. Mai 2022 bei Deutsche Grammophon, pünktlich zum Jubiläum von Mobys erster Scheibe, die 1992 erschien.
Zwölf Künstler:innen – zwölf Stimmen: Bambounou, Biscits, Max Cooper, Efdemin, Anfisa Letyago, Mathame, Planningtorock, Topic, Felsmann + Tiley, Peter Gregson und Christian Löffler kommen auf Reprise

– Remixes zusammen. Und auch Moby selbst ist mit vier Remixes dabei.

INCL. MARCEL DETTMANN INTERPRETATIONS

Adiel's Danza Tribale is set to unleash its ninth release by Tamburi Neri with a double EP featuring four original tracks and four remixes by Berlin techno staple and Berghain resident Marcel Dettmann. Tamburi Neri is comprised of Claudio Brioschi and Andrea Barbieri who previously released together on Optimo Music and Ivan Smagghe's Les Disques De La Mort + a recent album on Worst Records, the latter in collaboration with Japanese vocalist Hiroko.

Ø Phase presents Toru Katsuta - "Phenomena" EP for the third release on his Modwerks imprint.

"I first encountered Toru upon exiting a Tokyo DJ booth one evening. He was waiting patiently to pass me a CD of his work along with a polite, hand-written note. The tracks had a uniqueness and an appealing futuristic feel, and thus a few of them became regular fixtures in my DJ sets" - Ø Phase

It was through this initial exposure that Japanese native Toru Katsuta came also to the attention of Charlie M Duff (AKA Matrixxman) and his music gained further broadcasting

(featuring in various podcasts and DJ performances). This eventually lead to an invitation in 2021 to remix for the also up-and-coming Alarico on Matrixxman's The Grid label.

4 dance floor cuts bookended by 2 sci-fi excursions, "Phenomena" EP represents a long overdue showcase of Mr Katsuta's futuristic sound.

Lempuyang's third offering is an outstanding split release between Steve O'Sullivan & Hydergine, label bosses for Mosaic/Bluetrain & Ranges. In 'Binary Riddim' Steve delivers a two-part dub track spanning >13 minutes, seriously heavy in the low end; melancholy strings in the first half, progressing to outright menacing chord stabs in the latter. A versatile track offering something for both warm-up and the dancefloor. Complimenting on the flip are 'Mystic Light' and 'Lunar Eclipse' from Hydergine. Deep, dubby atmospherics meander over a weighty 909 kick on B1. Subtle minimalism a la Terrence Dixon, pitched down on B2. Essential release!

After featuring on the Various Part 2 release in 2020, Keppel returns to Well Street this summer with a full EP of textural perfection. Joining club-focused percussion, dubbed out landscapes and serious sub pressure. Limited pressing!

Mystic Techno Electro bangers by N-Gynn on EYA Records sister label Lonewolf. Not to be missed.

The first EP on Note Variation was prepared by a debut producer, but by no means a newcomer to the broken beats, Subtraxive from Moscow. He brings you closer to the savor of orthodox mid-tempo breakbeat in the British style, inspired by the subtractive synthesis of the eternal classics of Roland, such as SH-101, TB-303, TR-808, TR-909.

Alexander (the real name of Subtraxive) was inspired by the latests music species of the early 00s. Each track is a proven ascetic antidote to the hybrid jumble of genres, but at the same time organically combines with many types of garage and house music for your pleasure of killing it on the dancefloor.

"Circles" steals the show with the mid-tempo sandstorm drums and mantra-spiral bassline. The second track on the release “Unwind”, immediately teleporting you to the end of a night. Subwoofer health test tool. "With You / Without You" opens proceedings with a spiral of haunted acid bass and technoid hihat leaping in energy throughout. "My Flow" is a subtle composition of euphoric synths and well-crafted sub-bass. These nostalgic early morning breaks scattered cut stylishly close off the EP.

Superb tunes, all built in progressive DCT style... Taking their time to develop their memebrane... mambranes that comes to you and hold your brain far away !

Traveling to space, through music.

Vinyl only, limited copies, no digital promotion.

Banging acid fuckerz !!!

We are leaving an imprint and it is our choice what kind of interference is it. The choice is an art of desires and precaution. The one who dances among fire and clouds will know the way out.

Elmo Sarpaniemi (El Mono) and Roope Karhunen (Kaltstam) met at a local Helsinki radio station in 2005, and linked up soon again in 2018 at an afterparty. Fueled by their mutual passion towards only the best genres ever they squeezed out a blend of goa trance, techno, electro, breakbeats and sort of IDM. This steamy session gave birth to the track, “Positive”.

The other ER original ”2G”, sounds more like traditional goa trance, but still… it hardly is. Clocking the rhythm around 140 bpm like the opening track, it kicks in the club doors with a robust bassline, enchanting the cultured dancer with its peculiar melodies, leaving the purists absolutely cold evicting them for a cigarette. Because who gives an oink about purists, right?

This record is also fortunate enough to be blessed with two spectacular remixes. Neri J’s approach is a more dancefloor friendly, yet aetheric version of “Positive”, but don’t get it twisted. It still possesses something very psychedelic and raw. Ilev Luna wraps up the release nicely with his touch, that sounds like an interpretation of modern techno, but in fact this just could be a journey deep into your psyche. BOOM! This slaps.

Mastered by Gabriel Markus

Cover art by Wezardo

Second release of Mokotron on Electro Records after Tatau O Te Po for the Ezzential Electro project. Pure electro music from New Zealand!.

Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits.

Kämpfer LP is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet.

The epicentre is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs...

Kämpfer LP, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits.

Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era.

Scratching synths, a dark and heavy universe: we can understand Vitalic's crush, who decided to sign the project at the first listening on his label Clivage Music.

Second release on the new RAWAX EAST COAST EDITION comes again from The Arabian Prince And The Sheiks!
It's the 1986 hit "Situation Hot". The re-mastered black vinyl edition will be out in June 2021. Highly recommemded!

Yellow Vinyl

Boody tunes... Defenitly ritch in sounds and structures... With a crazy dynamik made in Marseille ! And visual by master Enki the killer... full of splendid musical and dancefloor tricks ! Fuel you mix !

After releasing an impro-album by Maarja Nuut & Sun Araw in 2020, the newborn Tallinn based label MIDA is back on the racks with a swirly three-tracker 12” by the city's musical units Ajukaja & Ats.

The “signal” referred to in the title is delivered thru a sturdy sequencer built by Andrevski – a true unsung hero of Estonia's underground. It does look a bit like a cash register, but who cares if the outcome sings on the A side like a boozed up stork family flying south in autumn. Following the signal is a ravey synth line that stays put while Ajukaja shakes the drum machines & Ats controls the bleeping bloops & fx-pedals for sweet imperfections.

The B side explores a path of its own: ”Swim” drifts deep in a one-take splashy drum rhythm while silky synths lurk around the edges. “Lock” ties it neatly together with minimal effort, it's a kick-free number that will make you look up at the sky. Yup, the storks are long gone.

Debut release for Ats by the way. Bye & enjoy!

After being heavily supported by Jamie Jones, Fisher, Diplo, Marco Carola on the club scene, accumulating more than 5m global streams and a Beatport #1, the classic 'Somebody To Love' by Italian producer Ben Kim is finally getting vinyl release on Gorgon City's imprint Realm Records.

DJ SUPPORT
The biggest specialist club record of 2021!
Jamie Jones, FISHER, Diplo, Kaskade, Marco Carola, Alesso, Regard, Dombresky

For our first release we've invited our friends CYRK, to contribute to our new project. They are known for their amazing analog live performances, from state of the art Electro, to sophisticated Techno. This EP contains two hypnotic and dubby Techno compositions.

With Carbonisation they've created a shuffling and floating essence, that's perfect to lead you into other spheres. In Recrystalization, sounds move and evolve around a straight pounding beat and burst repeatedly into stunning breaks.

On Top Californian Techno heavyweight Drumcell adds his own touch, by remixing Carbonisation, needless to say, it's a peak time Techno banger. Ravn Jonassen provides the second remix, he adds a more trippy feeling to Recrystalization with some insane synthesizer action.

When Techno was born, it was a save haven for likeminded people, who created their own futuristic statement. A few masterminds have put their focus on groundbreaking new music, that created a journey for all those who where willing to follow them into the dark basements and abandoned Warehouses. Reaching together a higher state of consciousness, while celebrating love and humanity. We think nowadays it's still important to not forget, where Techno came from, it's punk, it's political, it's machine music for human hearts.

180g Red Vinyl 2022 repress

When we started working on the planning of this third chapter of the series, we were looking for an artist with whom there was a special bond, of friendship, affection and respect, but above all young.
We get to the name of FLAWS, an artist who complies with the aforementioned and who is working constantly and meticulously on his productions.

This is how 'Unseen World' was born, a release composed of 5 original tracks, full of strength, mysticism, depth, and faithful to our ideals, a classic groove that blends perfectly with the futuristic proposal of this young English artist.

Our 2 previous editions were absolutely amazing works and with wonderful results, by CRAVO and Albert Chiovenda, in this new installment FLAWS has been up to what we can define as 'elegant sound'

Contrasts have always been very important to ANAØH's philosophy and that is why we once again looked for the Remixers that will participate in the B-side of the physical release to be a mix between young artists who are doing extraordinary things and consecrated artists, unique and whom We owe inspiration, gratitude and respect.
Mark Broom, The Advent, Arthur Robert, Staffan Linzatti, Dig-it are in charge of contributing their wonderful works and particular vision to redesign the original tracks... The result is phenomenal, a balanced release, full of strength, and a special magic based on love that can be created when different generations of talent meet.

Thanks to each of them for believing in the project and making it something wonderful.

On July 22nd Mutant Joe unveils his debut release for Evar, 'Wrong Way Out', an EP that twists rap, electro and breaks out of shape with cool malice.

Since his arrival on the scene with a pair of 2019 releases for UK-based label Natural Sciences, the Brisbane-based producer's output has spanned underground trap,gabber, electro, jungle,breaks and various global club mutations, repackaged and delivered with a unique sense of impending threat and unhinged delight.

Mutant Joe repurposes mechanical SFX, stock horror movie samples, feedbacking hardware and crunching percussion to create a dark and theatrical soundworld. Building on his earlier work with underground trap artists like Freddie Dredd and TRiPPJONES, opener 'Bangin On' sees Joe revisit his love for dirty-south-indebted electro hybrids, combining fizzing bass and steely beats, plus rhymes courtesy of a close friend, Atlanta rapper Apoc Krysis. 'Static Effect' deploys similar Drexciyan influences, its overheating 808s colliding with aquatic machinery and disembodied vocal chops.

'Eyes Without a Face' presents a unique take on some classical rave combinations, with rolling, metallic jungle breaks, footwork-esque kicks and tightly layered, redlining hardware. The pace eases off on the ominous and aptly-named 'The Living Dead', a low slung, off-kilter breakbeat weapon. The EP closes with a pair of remixes: a twisted dungeon-rave tool by Ukrainian D&B specialist Limewax, and a tightly wound, detailed broken techno workout by EVAR regular Wheez-ie.

'Wrong Way Out' offers six wildly different approaches, united by Joe's mastery of gothic-horror sound design and unique ear for soundtracking end-of-night deviance. It's a cross-section of the sound Mutant Joe has so quickly made his own: unclassifiable, unrelenting and darkly euphoric.

Repress

"Work out your own salvation, with fear and trembling"

Two years since the debut record on Secession, Volster returns with the new EP on his self owned imprint. This personal record marks an artist's evolution sonically while still retaining that signature textured sound he's capable of delivering. The remix is classic Setaoc Mass, no-nonsense sharp techno cut ready to shake the club floors as soon as they are ready to open again.

The four-tracker release will land this spring on both vinyl and digital medium with some digital bonus remixes from talented and should be on everyone's watchlist artists, Alarico and Assumption.

First co edition between Soil and Fill Lex records. Bestial Mouth’s creations in the last two years, the INSHROUDSS EP and the RESURRECTEDINBLACK LP, are the phoenix cries of the project’s rebirth under the guiding hand of vocalist Lynette Cerezo, melding noise and darkwave pop into a theatre of skin-shredding catharsis that brings the project’s post-punk roots to new levels of club-ready destruction—equal parts intensity and accessibility.

THOUSANDNEEDLES pierces that veil with warped reimaginings of both releases, from a diverse selection of artists in the dark underground. Each brings their own unique twist, whether it’s to a dance ritual of pounding EBM and industrialized techno, fog-shrouded darkwave dives, cosmic washes of synthpop bliss, or soul-smashing noise dredged from a sewer cathedral. Dance through the pain, and make new paths of your scars.

German Army is a two-piece from the San Gabriel Valley and one of the loudest voices in the underground tape scene. Raised on Sydney Possuelo and Paulo Freore, their catalogue seeks to critique U.S imperialism and nationalism while bringing attention to endangered culture and ecology around the globe.
credits

FACT’s Patch Notes is a performance series that celebrates the art of making electronic music with hardware.

As part of the practice behind Hélène Vogelsinger’s modular synthesizer compositions, she explores abandoned places, connecting with their energies to create immersive moments.

For her Patch Notes performance, she serendipitously stumbled across an abandoned castle in the French countryside.

“The installation and the recording session are always a process within the process, which takes a few hours. Technically it requires a good organisation: three modular cases and hundred of cables, a generator, a camera, lights and again so many cables,” she says.

“It is something really intense, especially in those types of abandoned places, where you have to avoid a lot of obstacles. I love the fact that they have layers of stories and histories, with different occupants, often crossing times, and always full of beautiful and melancholic poetry.”

repressed !

Originally designed as a friend-to-friend, unofficial comp to be played on your car system by the parking lot of some local minimarket with the woofers set to eleven, mullet in the wind and cans of energy drinks pouring, J-ZBEL's longed-for debut LP 'Dog's Fart Is So Bad The Cat Throws Up' (we'll leave you judge as to whether we're talking Schrödinger vs Pavlov theories here) is due for imminent landing in all good record stores, as foretold by a Mayan prophecy from circa 2000 BC.
Delving in iconoclastic themes and pop culture at its most sketchy and accidentally inspiring, the enigmatic Lyon-based trio enters the melee all horsepowers roaring and laser-guns blazing - delivering twelve cuts that span the broadest sonic spectrum as they fracture their way across changing sonic reliefs, from trancey
adrenaline rushes to 303-driven dance epics, through hyperfuturistic hardcore turns and further knee-buckling, breaksy manoeuvres.
Fruit of their trademark hybrid live and studio approach, some of the album's tracks were originally and exclusively conceived for live use, whilst another part has been produced in the studio from start to finish. The Easternmost-sounding jacking tune and album highlight 'Sebulba' feat. (faux-)Bristolian from a different mother Simo Cell was actually recorded last year during the latter's residency at Trempolino, in Nantes.
Layered with a richly hued palette of elements, J-ZBEL’s debut long-player melds choice samples of video-game soundtracks (check the Metal Gear alert noise and Mortal Kombat samples on 'Bertrand Au Mont D'Or' and 'Mortel Kombat'), playful polyrhythmic touches ('Le Riddim du Bardouin'), no-nonsense Goa trance inspiration ('Tunnel Vision'), but also liquid DnB and organically-grown junglisms ('Pardon Mouloud', 'Excremangue', 'Diablo Verde Part II') and - to top it all off in the most spectacular manner - the stadium-sized gabber madness of 'The J-ZBEL Anthem', sure to leave wisps of vapour in its wake.

The two original cuts on the B side from Jheal Bashta are exploited as raw material by Aiken and Exium to create two outstanding remixes, which are a faithful and genuine reflection of a bygone era. We’re thrilled to welcome Aiken and Exium to Traces Records.

The four Spaniards ready their hydraulic hammers to shake the ground with four cuts of classic 90s techno, melancholic electro and touches of IDM.

Next to this ore body, there is a digi-only track with a suffocating atmosphere and coal-ripping bass line, called “Seismicity”.

* Following their appearance on Dimensions Recordings' debut release, the three part compilation 'An Introduction', with the twisted 'Crosstalk', London Modular Alliance step up to the plate with their first full EP for the label.

* The 'Hands & Brains EP' further demonstrates the skills that the London based trio are becoming renowned for. As the minds behind the fantastic London Modular store in London specialising in modular equipment, often supplied to a host of well known musicians, it's unsurprising to hear that the guys are serious gear heads, what is surprising is the quality and consistency of their growing output!

* Across four tracks the London Modular Alliance team demonstrate their complete mastery of the electro form with four varied cuts. From the breaky, bubbling, modern acid of lead track, 'Hands & Brains' to the Drexciyan underwater inspirations of the closing track, 'Forbidden' and the brooding machine drone of 'I Settled for Her Leftovers', it's clear that the future of the genre belongs to London Modular Alliance and it's in very safe hands...

* London Modular Alliance are taking their impressive live set up to Dimensions Festival this year to unleash their mastery at the Croatian fortress site.

LCE is a well known and highly beloved house duo from berlin
consisting of Norman Webber and Marco Resmann.

repressed !

From Our Garden To Yours, Doof Deep

Soft Armour is Christian Hougaard, a Danish producer. 'Multi Terrain' is his debut full length, after two ep's. The album is a mesmerizing marriage between ambient and IDM, loaded with soundscapes, field recordings, bass lines and dynamic electronic percussion. That being said, don't expect typical techno, drum & bass or dubstep beats. The ones on this album seem to breathe their own air, go their own way and drag you into an immersive audio adventure. Think Autechre, µ-Ziq or Squarepusher, that will get you closer to the sounds on this album.

Surge causes a wave of gridlocked analogue pulses that are bound to wreak havoc. VOLT006 brings four tracks that guarantee outrageous energy levels that will steer dancers into momentary oblivion. Buckle up for a blazing furnace of prime time rave sounds by Swart, REMY-X, Chlär and Julian Muller.

Producer duo Greg Wheeler and Dean Slydell spent a lot of time on the A3 road back in the nineties, which runs from London to Portsmouth. The trax for Molar's third strike date from the same period. House gourmets know their sought after releases from the mid-nineties on UK’s Ferox Records. Molar is very happy to present four diverse tracks that were produced between 1995 and 1998 that have now been carefully remastered for the „A3 EP“.
From the rather cheerful house groover „Changing Places (Edit)" and the deep head nodder "Telling Lies" on the A-side to the technoid, slightly reminiscent of Italian Onirico "First Contact" and the freshening breaky "OpenGL" on the B-side - there is something for everyone on MOL03 again!

Incl. Robert Armani, Van Czar, Samuel L Session, Waffensupermarkt rmxs

Limited to 100 numbered copies. Early support from Cristian Varela, Robert Armani, Van Czar, Richie Hawtin, Joseph Capriati.. We present TPMP our Chinese artist album strengthen with Robert Armani remix alongside Van Czar, a groovy remix by Swedish Samuel L Session and our German label friend Waffensupermarkt.

Cali Lanauze's Opulence label comes correct with the first in a new series of compilations called Sensory. Volume 1 brings together a red hot selection of talents from around the world, with slick house and techno in many forms all represented.

Those contributing include the boss himself plus Chicago legend DJ Sneak, Detroit's Ryan Crosson, French house giant DJ W!ld, Germany's Andre Buljat, Italian born minimalist Cesare vs Disorder, Peruvian duo Deaf Pillow and cult Romanian Kozo.

Kozo steps up first with ‘See A Man About A Horse’, a woozy and deep cut filled with gorgeous pads. The prolific and game changing DJ W!ld then offers a more driving number, with metallic drums and smooth loops getting deep into your psyche. The boss's own ‘SixFourtyTwo’ is a dreamy and pad laced deep house classic, then DJ Sneak comes on strong with his fluttering percussion, deep rooted Chicago drums and sci-fi effects to get you in the groove.

Cesare vs Disorder – ‘Aquele Dia Na Piscina’ is a more tripped out and synthetic affair with brooding pads and crisp kick drums powering things along, before the stripped back afterparty vibe continues with the edgy and eerie ‘Change Your Mind’ from Ryan Crosson, which has cascading drums and drilling bass. Deaf Pillow keep you locked with the ghoulish voices and rugged synths of their ‘Devil's Head’, a paranoid cut with an unsettling atmosphere, and Andre Buljat's ‘Telescope’ rounds things out with the futuristic synth patterns and roaming drums of this deep techno roller.

This is an excellent eight track overview of the brilliantly broad Opulence sound and is jam packed with essential cuts.


Support by: Raresh, Archie Hamilton, Cristi Cons, Tripmastaz, Danny Tenaglia, Joseph Capriati, Stacey Pullen, Dan Ghenacia, Demuir.

DGTL Records - the official label arm of Dutch festival giant DGTL - marks its fifth anniversary in style with brand new album ‘5YRS of DGTL Records’. The 14-track long player is released on April 29th as a 4x 12” vinyl set and drops digitally across 4 separate EP releases between February 18 and April 1.

5YRS of DGTL Records is a perfect reflection of not just of the label itself but also its global event patron: headliners sitting equally alongside local talent and up-and-coming acts.. Holding a great variety of forward-thinking house and techno, the label stays true to the same formula of the festival shows. Over the past five years, DGTL Records has grown into its own as a fully-fledged musical arm of the overall DGTL musical experience, introducing new sounds and acts to an international audience.

For promising Dutch DJ/producers Coloray, Tjade, Nicky Elisabeth and Lucky Done Gone, this will be their first release on DGTL Records, while the likes of Deniro and JP Enfant are already familiar names to label fans, having previously released EPs on the label. All are linked to promising rising international talent such as Jimi Jules, Kino Todo and Terr and to DGTL 'veterans' such as Adriatique, Dax J, Roman Flugel and Frank Wiedemann & Trikk, who have been part of the DGTL family for years.

Once the digital EPs are fully released, '5YRS of DGTL Records' will be available as a very special commemorative 4x12" vinyl release. Presented in a tri-fold cover, the LP will feature artwork by Eric Smilde, who has incorporated the distinctive elements of DGTL festival at the NDSM Docklands into a 3D design. Known for its sustainable ambitions, DGTL continues along that path with this vinyl release, choosing to work with Deepgrooves, the world’s greenest vinyl pressing plant thanks to their innovative and leading working method. The vinyl will be ready on the weekend of DGTL AMS 2022 at the NDSM Docklands and will be available there for the first time.

Dancefloor Freetekno sound. A new crew joining the Tikal sound familly !

Big Hands teams up with trumpeter Abraham Parker on Trule with a trio of deep, dubbed out percussion jams. Layers of drums and sparse synth work overlaid with Abrahams jazz inflected trumpet parts, all run through with dubwise echoes.

Al Wootton provides a minimal techno dub remix on the B-side.

Wicked Freetekno EP, Pumpin inna pampa !

Following seminal releases on Novi Svijet, Veyl and Live Adult Entertainment, DJ Loser makes his Forbidden Planet debut with “Illusion Hunt” an album of killer rave, trance and techno cuts in his signature style.

Based in Thessaloniki, Greece, Dj Loser has had a significant impact on the international underground scene as a key figure in the modern revival of a darker, more hardcore techno sound. Unsurprisingly, his releases on Live Adult Entertainment are almost impossible to get your hands on.
The album itself features nine tracks which range from jacking trance & techno (e.g. Bad Standard, End of Hypnosis) to hip-hop/dnb inspired cuts (Illusion Hunt) and even ethereal soundscapes (Godknights Stigma, Synethesia Symptom).
This is a release you won’t want to miss.

Repress!

Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music.
Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100 metre-high aluminium pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The eect is no less thrilling than crucial, as it presents an essential DJ of our times.
Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem "Intellectual Killer". Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions.
Helena Hauff and Morah, Umwelt, Machino, Galaxian and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop’s “Mayhem” under the name Esoterik, “City Of Boom” by DJ Godfather & DJ Starski, Nasenbluten’s “Intellectual Killer“ and "After Dark” produced collaboratively by Andrea Parker and David Morley.

Born in the US but now very much a resident of Berlin, Julie Marghilano is a trained violinist whose otherworldly take on house and techno never fail to impress. The owner of the Sol Asylum label, Julie tends to adhere to a quality-over-quantity approach to production, only perking up every now and then but ensuring when she does so that’s it’s worth the wait. And such is the case with her latest, the brilliant sounds of ‘Time In Space’. Marghilano’s first return to her label since last year’s exceptional ‘Mercury Jasmine’, ‘Time in Space’ is vintage Marghilano: high on atmospherics and imbued with subtleties from the get-go, this is well-honed music of the sort the obsessive audiophiles in particular are sure to devour.
 
We kick off with the sounds of the title track. A humid, sticky, afterparty-focused gem, it boasts a Perlon-esque sensibility that sees it merge the colourful and the unusual. A dizzying, hypnotic cut that’s both unpredictable and highly enjoyable, it gets us off off to a flying start here. ‘Eclipse’ follows a more stringent techno path, although it too is another track that maintains its own singular vibe. A bumping, groove-heavy cut that’s characterised by its weighty vibes and dramatic overtones, it’s exactly the sort of track that will sound just right during the night’s more tripped-out hours.
 
The B side gets underway courtesy of ‘Planet Minor’, a stifling cut that’s designed to leave listeners in a haze. The sort of tough-to-pigeonhole track with which the producer is best known for, it sticks out from the crowd thanks to a firmn refusal to stand still and a willingness to try something different. The record then closes out soon after with ’Said and Done’, an emotive, introspective deep house cut that showcases Marghilano’s many influences. Haunting but beautiful, it’s drenched in positive vibes and is a joy to behold throughout the course of its almost six minutes.

Minimal house supergroup Mandar have been on a roll since they launched Oscillat back in 2014, but this release ranks among their highlights to date. The dream team of Lazare Hoche, Malin Genie and S.A.M originally released "Poisoned Words" as the B side to their String Theory 12" in May 2018, and now they revisit the track with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, finding a singular voice within the context of minimal techno, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.

Veyl is pleased to welcome Marco Freivogel’s Prequel Tapes for an immense 8 song release, 'The Golden Cage'. Completing an album cycle of themes and exploration which began with 2015’s 'Inner Systems', 'The Golden Cage' is perhaps Prequel Tapes’ most diverse and expansive work - utilising the artist’s own vocals for the first time and evolving his production and sound to new, uncharted dimensions.

Working off the trauma of his father’s suicide, 'The Golden Cage' was spawned from a hyper-realistic dream experience which revealed the artist’s path, catalysing new productions and techniques. The result is a striking work of unconventional electronics that journeys through rhythms, atmospheres and experimentations. A true narrative of a continuously challenging personal journey Beginning with the tension-building, free flow of 'My Turn', we then delve into grief and anger with 'I Hate You', which transforms into the pulsating tempos of 'Stranger or Lover'. The glistening nostalgia of 'Last Things' marks the halfway point before grappling with the heavy introversion of 'Alone' and devious energy of 'Mind Corner'. Nearing the end of our trip, 'Without Remission' uncovers the most dance floor tuned
piece while finally the title track closes things out with an energy that will linger long after you’ve listened.

Originally released in the year 2000, the album represents a pivotal moment in the emergence of the “Birmingham Sound”; a stripped-back sub-genre of Techno, pioneered around this time in the English hub by artists such as Regis, Female, and Surgeon.

Influenced more by Industrial, Music Concrete, and EBM than from the melodic sounds of its Detroit predecessor, Regis later described the music as being made with a fractured pop sensibility which created a sound that may be faceless but by design loses none of the soul of its American counterpart.

Nowhere is this sonic changing of the guard more apparent than in opening track, Washing My Hands, which sets the stage with a vignette of field recordings: arc welders, water boilers and other sounds reminiscent of industrial workshops reframe your senses, placing your mind into a familiar yet unsettling dreamlike space. From this sound- scape emerges a high-pitched, vitreous noise heralding the jarring introduction of Let Them Bleed, the first of several trance-inducing tracks on the album such as Join Us In Paradise, and Guiltless, which layer percussive and sampled loops creating what Peter Sutton (aka Female) described as exotic hypnotics.

This remastered edition of Againstnature also features the additional track, Theme From Streetwalker, previously only available on Volume 6 of the Tresor Compilation series.

The DSP crew comes here with a superb mental new EP, totally in their style

A new album of all original music and the first release by Steve Moore (Zombi, Lovelock, etc.) on Pittsburgh Tracks.

A new addition to the label’s extended family, Tracey arrives on Dial with his debut LP, Biostar. Following previous releases on Aus Music, Voyage Direct and Intergraded, ‘Biostar’ pushes the technical and emotional craft of this vital young producer in exciting new directions, submerging listeners in thirteen tracks of sublime electro, ambient experimentation and warm, tonal techno. Based in the Netherlands, Tracey’s music is undoubtedly indebted to a legacy of emotive electronic music, the sort whose stark futurist vision cannot be equalled. Instead he strives and succeeds to create something personal and charismatic from a perhaps familiar palette of sounds. Somewhere between experimentation and understated songwriting, ‘Biostar’ is a worthy edition to Dial’s legacy of unique, artist-led albums. In the tradition of established Dial artists such as Lawrence, Roman Flugel and Efdemin, Tracey’s immediately apparent strength is an almost supernatural ability to conjure affecting and memorable melodies with minimalist intent, often just utilising the raw textures of his machines. From album-opener ‘THRRVL’, Tracey tracks the initially gentle undulations of his studio seemingly waking to life, plotting a neat melodic shuffle on ‘TRR’ and then, by, ‘CCLRT’, something dense, trippy and yearning. From hereon in, ‘Biostar’ plots an intriguing course through hypnotic, clockwork crunch (‘THWRD’), to Drexciyan submersion (‘HDRCSTCS’) and rhythmic experimentation on ‘PHTCPHRK’. Some of the more affecting moments on ‘Biostar’ emerge from it’s more obtuse sections; ‘DTFNK’ deciphers a surprisingly catchy melody among waves of scrambled signals, while the initially skittish ‘DRMRBT’ blossoms into an electro lullaby at 126bpm. By the arrival of wistful closing track ‘CLSTLBNG’, listeners are likely to emerge content from the deepest exploration yet of Tracey’s unique analogue ecosystem.

Following the soothing 'Landscapes Of The Future' compilation, featuring selected ambient works by Argentina's nest (Jonas Kopp, Gustavo Lamas, Leonel Castillo...)
GREENER RECORDS is proud to present its rst split EP, with label boss ANDRES ZACCO and brother in soul FRANCO CINELLI.

Acid techno banger... Classic and efficient... Under the bridge...

So here we are with another first – the next vinyl debut on Cheezy Crust Records as well as thefirst ever release for the two-piece project that is CVSO which is their „Basic Cuts EP“.
Comprised of Mainz / Germany-based producers Mint Huus who made his solo debut on Cheezy Crust in 2019 and Get In Touch head honcho Willberg their joint venture project CVSO caters a total of four tracks on limited to 200 copies 12“ vinyl, all aptly named after their individual
placement and position on the actual record itself.
Mastered by electronic music legend and pioneer Thomas P. Heckmann the trademark sound of CVSO presented on this EP is informed by classic early to mid-90s Techno and Intelligent Techno vibes with its ever evolving flow and stripped down aesthetic which fuses subtle harmonic changes, spatial meanderings within the stereo field as well as a hypnotic, time-dissolving attitude for heavy dancefloor abuse.
This said, CVSO are aiming for nothing less than their introduction to the ivy league of Techno with these „Basic Cuts“, providing classy, absolutely timeless and expertly assembled DJ tools which are aiming to perfectly blend in with and match the vibe of all those now classic tunes that have never left a DJs bag for a quarter of a century or more, even though CVSO are tackling their sound design and production approach with a modern contemporary twist.

A mixture of a few well-chosen percussion elements, a
steady groove and cleverly constructed harmonies creates
Eddi Shkiper's clean, hypnotic yet positive signature sound
ubiquitous in the vast array of tracks he has released,
especially over the course of the last year. With "Le Reveur
EP", the ambitious Siberian-based artist takes us into a world
of bright and spiritual dreams. Roger Gerressen (Yoyaku,
Sushitec Records, Irenic) enhances the EP with his dub
rework of “Le Reveur”. The four-tracker is the second release
of the new Salin Records sub-label Salin Deep. Each record
sleeve is hand-printed by Daria Salin (limited edition of 300).

Zosimos is a vinyl-only label based in Miami, FL.
Second release comes from Feph & Mr. Tron.
Catered to DJs and meant for the club.
Extended DJ tools, Made in USA.
300 copies

black Vinyl

New Maastricht-based label with a release from the mysterious J.S. Zeiter.

Greener Records was founded in January 2008 by Andrés Zacco. It is the place where he gives his vision about techno music. The label was created for the purpose of gathering the strong family of artists Andres Zacco shares with Lucas Mari, Franco Cinelli or here, Leonel Castillo, all of them who share the same purpose. Greener is influenced by sounds originated in Detroit and Chicago techno, creating its own powerful fusion of digital techno and trippy consistencies

We are very happy to announce two ep's by the genious Frank Heinrich on our label!

Renart, A Young Producer, Is One Of The Proudest Representatives Of The New French Techno Scene.

Known For His Excellent Work In Production, It Is On Stage That He Impresses The Most, With Intense Sets With Textures Worked And Tinged With Trance, Just Like His Lives, True Techno Epics.

Music With Mythological Accents, Renart Connects Several Eps Since 2010, Both At Cracki Records, Versatile, Dawn Records, Or Fragrant Harbor Recently.

Inspired By The Ancient Techno, Renart Romanesque And Traditional Music Sounds Sometimes Oriental, Renart Tells A Story Of Hypnosis And Psyche, Made Of Throbbing Repetitions, Reminiscences Of Happy Mornings Where The Stars Are Dying.

The 3rd release on PROLETARIJAT is about to continue the story about Sev Dah's vision of todays values of techno.
Mental and driving but simple and yet emotional is the concept of PROLETARIJAT003, and Sev Dah did the job on the
A side with "Pledge" - the synth is hypnotising but yet forward going, a true Techno banger thats order is to transform
your reality.
"The Universal Mother" on A2 is an emotional experimental/ambient vision of unity and brotherhood.

B side's "Sloga" is the more simple side of 003 but also the most powerful story that Sev is telling here.

Musical storyteller ´Solee´ takes us on the 4th Future Romance journey with two brandnew tracks called "Sternstunde" and "Exhilaration", both packed with euphoric melodies and some extra drive for the deeper dancefloors.

DJ and producer ´Shall Ocin´, wellknown for his stirring productions on labels like Ellum, Atlant, Drumcode or his own imprint Clash Lion accompanies us as a remixer for this release and turns "Exhilaration" skillful into a true peaktime belter!

Early DJ support by Adam Beyer, Adriatique, Kevin De Vries, Hunter/Game, Edu Imbernon, Fur Coat, James Zabiela, Undercatt, Magdalena, Eelke Kleijn and more...

treibender basslauf mit netten sounds finally repressed

4 jack trax including a stripped down remix from Jimmy Edgar.

The solid Spanish producer is back. He presents three tracks with his unique style that is clean and repetitive.

- vinyl only -

Part 2 from this highly in demand 10” series of 3 releases. Limited hand stamped copies..

Mark Du Mosch is a master of electronics. Gracing a glut of labels in a career spanning more than a decade, he arrives at Schrödinger’s Box with a very special release. Presence is a fiver tracker of enviable quality. Set in the canon of warm techno, Du Mosch focuses on melody and texture. “Studio M Uno” is bright and unassuming, “Koriander” both assured and fragile. The tracks on offer feel like the musical accompaniment to a Summer’s day, a time where cares are in the present and future worries do not exist. The unseen complexities of the everyday are an audio focus, the intertwined interplay of drum patterns in “Mrk I Utilities” and the mechanical dawn of the title piece throb with a human pulse. Always present, but never imposed, is the techno composition that brought this dutchman to the attention of so many. This is plain to hear in the diverse threads that are collected to produce the rich and varied closer, “Too Much.”

Land Of Lovers and Hammers is a release that shows the limitless possibilities that an album by an artist with a precise and sufficiently defined musical concept can accommodate.
SOJ always works within an industrial sound context, but his works can be based only on small details that finally lead us back to this countercultural environment, elements of this genre, which later feed on other external nuances.

Infidel Bodies is the record label that publishes this new reference from the head of Soil Records. Its 10 original tracks combine different rhythmic structures with harmonic textures, each of them has a different charisma than the rest, with influences from styles such as dark ambient, techno or experimental electronics, and with quite different composition patterns. To the 10 original tracks must be added 4 versions of WLDV, Unconscious, IV Horsemen and Filmmaker.

Words by Ximo Noguera from Industrial Complexx


credits
All tracks are produced by Yan Broch
Mastered at Red Dungeon (Naples)
Artwork by Threeam
Layout and cassette design by Erminio Granata