Techno Новости

4 of the more emotive tunes from the Jack Sessions; 1 acid & 3 on the deep side that can be used as dj tools or enjoyed as full compositions.

HINOSCH are a duo of Koshiro Hino from Osaka and Stefan Schneider from Düsseldorf, they first (met and) began their collaborative work of musical interaction and exploring contrasting possibilities in 2017. After a number of concerts in the EU and in Japan a debut EP (HINOSCH EP/TAL05) was released in late 2017. Fully instrumental, their first full-length album HANDS offers a more steeply focussed approach than its largely improvised predecessor.

Encouraged by the momentum generated during a number of on-the-spot recordings in Osaka, where Schneider had held a residency in April 2017, the overall sound of the album has been honed down through meticulous studio engineering. One of the outstanding qualities of HANDS certainly is an unprejudiced approach of sound and song structures. The instrumentation is condently reduced to a small range of analogue and digital machines. Snatches of tape-loops deliver lower-pitched vocal and drum machine samples. This characteristic technical set up soon proved ideal in order to dene a tactile vocabulary of fully unsynchronized rhythm patterns. The word tactile perfectly conjures that quality which is the very essence of HANDS. It is the result of the manner in which interdependent threads of rhythm units are deliberately disconnected to form a cohesive, soulful and exible whole. Most tracks on HANDS are devoid of a central motif and examine an unpredictable dialogue. A fantasy of constant change and a search for musical suggestions is the most vital ingredient in this abstract environment.

The album title HANDS refers to physical aspects of electronic music production. Every live concert of Hinosch usually starts out with a hand shake between Hino and Schneider. The general process of collective music making, programming, button pushing, playing, recording, decision making, all demand utmost concentration. The image on the front of the abum sleeve (designed by Takashi Makabe) reects the general approach of HANDS: layers of tuckled fabrics confronting one another to articulate a form for themselves to no other end than their own orchestration.

After having emerged from the ever thrilling Osaka music scene onto the international playgrounds of electronic music just a few years ago Koshiro Hino's solo activities as YPY and his involvement with the band GOAT have already garnered him a very favourable international reception. Stefan Schneider has over the years produced and collaborated with a.o. Joachim Roedelius (Cluster), Arto Lindsay, Klaus Dinger (NEU!), Dieter Moebius (Cluster), Alexander Balanescu, John McEntire (tortoise), Katharina Grosse, Bill Wells and St.Etienne.

'Runs so deep it puts your butt to sleep", to paraphrase actor/musician Ice Cube in his seminal hit It Was a Good Day. And it is a good day for lovers of high-grade house music. Szikra is Kornél Kovács at his most wistfully nostalgic. Ultra-smooth keys offset by noisy lo-fi breakbeats and vocals urging you to git fucked up, like Metro Area caught up... in smoke! All the trademark sounds of the Barnhus massive are present - off-kilter playfulness paired with the cocky swagger of a south Stockholm roughneck and an infectious pop sensibility that lingers in your head long after the needle hits the inner groove. The so-called Bónusz Beat is actually a track in its own right, sacrificing most of the hook and the vocals for a dubby smackdown ripe for adventurous dancefloors. Young Stockholm producer Abdulla Rashim closes out the set with a perfectly horizontal techno groove, using only elements from the original production.

Auf ihrem zweiten gemeinsamen Album "Imagori II" zeigen Hans-Joachim Roedelius (Harmonia, Cluster) und Christoph H. Müller (Gotan Project) neue Facetten ihrer Zusammenarbeit. Die zwölf Stücke pendeln zwischen Zartheit und scharfen Kanten, zwischen Science Fiction und Garten Eden, lassen organische Klangkörper aufkommen, die sich wieder fragmentieren, erschaffen Stimmungen zwischen Melancholie und Euphorie, stets begleitet von jenem filmischen Pathos Roedelius', der ohne große Gesten auskommt und vielmehr die Grenzen des Minimalismus auslotet. Auffällig oft kommt dabei auch Sprache zum Einsatz, so zum Beispiel in der ersten Single "Fractured Being", der Miss Kenichi alias Katrin Hahner ihre Stimme leiht.

Italy's Nuel, aka Manuel Fogliata, pairs swift kicks and balmy tumbles on his 'Toolkit: Selection' for Northern Electronics. Each track in the barrel is a succinct instrument to fold and pinch the dancefloor at every available angle. Whether you are cruising for a heart rate or falling off the grid, Nuel's sun-kissed snapshots are deft cargo.

Unfolding the darkest of dubwise techniques sprawled across shards of post-punk, drone, doom metal and techno, Spiritflesh go six feet deep across a short-run of promo cassettes, a 12 single and now the full-length album.

The latest project to rise out of Bristol, Spiritflesh is the brainchild of Julian 'Dj October' Raymond-Smith and Boris 'Borai' English...
The culmination of countless hours spent in an infamous basement studio full of old machines, BBC-grade reverbs, delays, phasers and little known mixing technique, Spiritflesh are now presenting their eponymous piece.

Taking in a host of sounds, the pair have truly blurred the conventions of influences and spawned a sonic that is all theirs... Phased, delayed and crashed through red-hot electronics, their sonic is at a constant boiling point, doubled in menace via evocation, constantly spewing and spitting like a skeletal, fog-riddled construct of otherwordly ambience, guttural bassline and rhythm.

Dream-like, yet crushingly physical, their sound is a cerebral kind of music that touches, with great conviction, on ideas of life, death and the in-between...

Their self-titled debut LP expands across eight crushing, drone-heavy juju meets techno meditations, exploring the darkest themes of the spiritual world and the open spaces in between.

Served on 180gsm vinyl, mixed at BB studios, mastered and cut by Lewis at Stardelta. Studio Tape-Echo design, served with two colour screenprint, handprinted in Bristol. Edition of 300, housed in anti-static bag, with insert sticker.

Different Circles Round Off Two Techno Killers From Szare On The Label's Surprise 7th Release. Both Big Tunes In Mumdance Sets Of The Past 12 Months, Kodiak And Translocated Arrive Nearly 10 Years Since Szare's Coded Conception As 19.26.1.18.5 For Horizontal Ground To Reaffirm Their Unique Position Within Experimental Bass/techno Dimensions.
Bringing A Mongrel Sense Of Manchester Dance Music To The Plate On Both Sides, Szare Morph Rolling Big Techno With Deft Traces Of Flashcore To Scintillating Impact On Kodiak With Its Searing Paso Doble Breakdown And Bleep Coda Best Compared To Sleeparchive Going In Double Hard With La Peste.
On The Other Side, Translocated Figures A Rugged Calculation Of Staccato Jacking Uk Warehouse Dynamics Rudely Compatible With Mumdance & Logos' Ffs/bmt Bangers And The Wider Different Circles Catalogue, But With A Hypnotic, Industrialized Manchester
Dance Energy That Is Szare To The Core.
There's No Mistaking This Is Szare's Strongest Vinyl Release Yet. Once Again, The Overlaps Of Different Circles' Roots In Classic And Up-to-the-second Uk Dance Music Recombine To Generate Thrilling Mutations That Couldn't Come From Any Other Corner Of The Dance.

60 to 170 BPM ultra heavy kicker, full-out acidcore music !

Known for unrelenting drums and cavernous tracks ideal for warehouses, Yuuki Sakai demonstrates a widespread palate of sound, calling upon all his talent to assemble a timeless release for Hidden Recordings.

Old school modafuckin'gabba and Uptempo. Fatal stuff... Printed sleeve. Stricktly Limited, as usual !

AudioHell has started his new "vinyl only' label bearing the name of his recording studio. This new project deviates from the musical genre of his historical label Digital Traffik Recordings.
"Dreaming Parmesan EP" is made along with his dear friend Malatoid and contains 4 pure electronic tracks, full of moog sounds and melodic pads.
On this amazing ep, AudioHell & Malatoid are back to the music scene with a massive analog sound dedicated to the most demanding dance floors... Don't miss this new duo!

We Are So Glad To Welcome Brieuc On His First 12 Inch Release, A Young Artist And Photographer Delivering A Taste Of A Warm Summer Night In His Native Brittany.

Zone Records welcome a real legend in the form of Cardopusher for their next EP, a five track affair that is arresting from the off.

Venezuelan born Cardopusher is now based in Barcelona and co-founded the Classicworks label. His diverse and experimental sound takes him from techno to electro to acid to rave to house, all with his own singular perspective. Always fusing ideas with great skill on labels like Super Rhythm Trax, Zodiac 44 and BNR, he now comes correct for Zone.

Kicking things off is the raw and raucous 'Nothing Left to Believe In.' It is a macho tune with fractured vocals, wild synths and slap funk drums all sounding industrial and tortured. Then comes 'Blast Cut', a more dynamic and stripped back electro groove with a corrugated bassline and metallic synth stabs all sounding informed by the past but looking to a distant future.

UK hardcore classic !

The Cosmic Perspective lands on Eternal Friction Records for the labels second output.

Dark Quadrant takes you once more on a journey into space. Further exploring the boundaries of the techno landscape. Drifting down ever deeper into the incomprehensible vastness of the universe.

Zoo Lab is proud to present the first vinyl and for this, they have decided to focus on the italian duo Dubfluss which have already released in labels like Moan, Serkal and Bla Bla Music, Yoruba Grooves and more. "Sumobooth" and "Falser Lullaby" reflect their typical minimal dub style, rich of synth, variations and vocals. Two tracks are finely worked to have a great impact in the dancefloor. Near them, there are two very characteristic remixers who have proposed their own versions of "Sumobooth": Arado ( Desolat-Moon Harbour ) with a strong techno version played around the world, from India to Germany, and Neverdogs (Moan-Music On), with a classic tech style version played during Music On parties at Amnesia Ibiza.

Great Edits By A Great Artist ! Must Have !

Classic Hardstyle stuff

Fabian Kempe's productions under the name of Korridor have consistently presented a foreboding and striking assembly. Previous appearances on Northern Electronics have taken in stuttering percussive works as well as tense minimalist designs. His debut album 'End of Cycle' applies a breadth of expression to a wide palette of mesmerizing and intense fit-outs that corrode and fortify in equal measure. 'End of Cycle' is born of a deeply personal set of experiences to have marked Kempe's life. Shortcomings and tribulations that have prompted spirals back to starting places and beginnings have informed the mood and missive that his debut album seeks to portray. Taking in themes that stretch from despondency to paranoid elation, Kempe has developed an architecture that lets austerity scream. Stark and synthetic ambient plains lead us out of conditions for communal experience, yet it's these passages that enable the sharp and brooding dancefloor works to deliver the barbed disturbances that they transport.

Persistence is back with the third release, a new split ep with Manuel Di Martino and the Italian duo Asylum with remixes by Johannes Volk and Jeff Rushin. The A side contains the original track of Manuel Di Martino called "Necessary Phase", engaging groove and hypnotic synth are the right adjectives to describe this track. Volk's remix is inspired to the New York Techno scene with stomp drum, raw groove and marked synth. Side B open with "Substance" by Asylum, this track contains dark and closed sounds, a real trip into shadows. Jeff Rushin revisits this creating a very functional tool, and especially the right mix of dark and dancefloor's sounds.

Classic Hardstyle stuff

The incomparable Mark Henning blasts back on Soma with yet another dose of machine funk as he drops the Jaguar EP. Mark has consistently been one of Soma's top artists due to his amazing sound design and keen knowledge of exactly what make a top dance floor track and this latest EP really shows him operating at his highest level.

Mark doesn't waste anytime in getting down business with the elastic funk of title tack Jaguar. Classic drums and one catchy synth hook does the absolute damage on this opener. Ink brings a bit of Chicago style jack to the EP with Henning really working the percussive elements before letting loose with some screaming synth work. On Yes yes, Mark delivers the most melodic sounds of the EP so far, simple and effect percussion backs a extremely well crafted, bouncing hook. Closing of the EP is Atomic and Mark really picks up the pace with this one, definitely heading down a more Techno path. More direct and intensive drums keep the stride whilst subtle vocals, sequenced tones and raw sythn stab delivers the groove.

Henning has once again delivered a very diverse EP that straddles the boundaries between House and Techno perfectly, all brought together with his unique and altogether striking production

Mark Henning opens his 2017 Soma account with the ingenious Expander Six EP furthering his hardware Techno escapades.

Title track Expander Six harks back to classic 90s Techno with heavy beats, deep stabs and deeper vibes. Tides brings pure unadulterated funk as Henning drops some serious, swinging grooves. 1999 follows up perfectly with a more straight to the point club ready banger. The Dogs closes out yet another on point EP from the British producer which sees him upping the pace with some furious drum programming knitted neatly together by some superbly catchy synth work

Henning excels at blurring the line between House and Techno creating space for both in all his work, this well crafted EP typifies his style consummately.

Early support from Jeroen Search, John Osborn, Aubrey, Slam, Thomas Hessler, Rolando, Paula Temple, Eric Cloutier, Regal, Matrixxman, Alex.Do and Ben Sims.

Great Dubby Techsound By Wellknown "Moniker" On This New Imprint.

Rebekah returns to the fold with her second EP on Soma, following her 2015 debut 'Confined Heart'. Staying true to her UK techno roots, the Berlin based artist delivers three monster cuts that exemplify her ferocious sound.

Title track 'Anxiety' has Rebekah firing on all cylinders as raucous synth sequences pulse through wild percussion, never seeming to let up and certainly taking no prisoners. 'The Riddle' continues with similar energy levels as Rebekah infuses pounding rhythms with straight up percussive elements, before taking a perfectly controlled dive into deeper elements - comprising short blasts of subtle pads that give a more emotive side to the track. '19 Grams' rounds of the EP with a little more subdued start, but in true Rebekah fashion, the pace quickly intensifies as shattering hi hats and saw tooth sequences blast in, effortlessly held together by beautifully gliding pads that give a perfect structure.

Rebekah delivers yet another excellently crafted EP that defines her sound as a producer and also a DJ.

Mastered by Conor Dalton @ Glowcast Mastering

Enigmatic Austin based producer/starlet Samantha Glass untangles their serpentine mind on the ambitious new full length Nine Memories Between Impression & Imprint out October 12, 2018. Since 2010, Beau Devereaux has chronicled their romantic and turbulent process of self-identification as Samantha Glass through the use of electronics, field recordings and a seductive, baritone voice. Abstract soundscapes rise and fall around addictively brooding ballads and introspective monologues as Glass deconstructs themself beneath the weight of their poetry and lyrics. Nine Memories Between Impression & Imprint unveils an allure through vulnerability, elegantly depicting the endless audition of becoming Samantha Glass.

Devereaux came from rural beginnings in the countryside of Wisconsin before spending most of their adult life engrossed in Madison's noise, power violence and punk DIY scenes. They sought to create a balanced form of art representative of their ever fluid sexuality and gender identity while incorporating elements of dark wave, musique concrète and New Age music. Samantha Glass evolved into an outlet for drag-based performance art coupled with drum machines, cassette loops and down-tempo crooning. Through years of touring and a prolific discography, Glass came to be known beyond the Midwest as one of the most dense and multi-layered projects amongst experimental music spheres. This exploratory essence gives Glass a broad crossover appeal as they dive into new territory with each successive release. Narrating a uniquely nuanced perspective on life and art, Glass richly crafts each composition around deeply rooted biographical and contemporary themes, encapsulating a haunting and captivating portrayal of an elaborately creative mind.

Nine Memories Between Impression & Imprint is Devereaux's culminating effort to define Samantha Glass thus far. At times delicately wistful and intensely personal, Glass' emotional tenor is matched by the ingenuity and creativity given to the recording process. Self produced at home, this album embraces experimentation as an elemental part of the writing process. Underwater contact mic recordings share a place alongside warm analog synthesizers as Glass consistently finds ways to incorporate fresh sounds with unorthodox methods of composition. 'Putting the Male to Rest (Pt. 2)' and 'From Behind Our Wings' construct lucid ambient collages out of a vague mixture of samples and live electronics, featuring an illusory feminine voice speaking on behalf of Glass. The songs 'Cruel Anxiety' and 'The Carpenter in Us All' are catchy, beat-driven highlights of cathartic energy that propel the album forward with hypnotic vocals and crushing lyrics. The duality of male to female, spoken to sung and atonal to melodic echoes throughout the albums eight tracks, allowing for satisfying repeat listens and personal connections that go beyond the obvious aesthetics.

Samantha Glass reaches deep within themself to manifest a truly inspiring work of permanence. Nine Memories Between Impression & Imprint surpasses the expectations of long-time fans and recruits the faith of new audiences as Glass reverently embodies an enticing blend of outsider art.

The Leap is the new project of Dutch producers Tripeo & Doka who are now taking the logical next step in their musical journey and present an EP that touches on genres all across the electronic board. The Leap is about more than just music, which will reflect in the track titles. Current developments in the world take center stage and inspiration is taken out of politics, literature, media, (green) activism and much more.

The opening track 'Shock Doctrine' is a slow building yet powerful piece of gloomy, hypnotic techno, followed by the exceptionally deep and undulating 'Borrowed Time' that combines soft atmospheric textures with distinct fragile melodies and could easily be the soundtrack of a dystopian reality. On the flip side the duo showcases once again seamless production skills and with 'Green Capital' they set a nostalgic mood, a trancey journey filled with crisp hi-hats and snares, resulting in an effective techno tool. The mind bending closing track 'Sustainable Communities' creates dance floor tension with its piercing metallic synthlines & just like the whole EP it provokes the listener to think outside of the techno sphere.

The Pulse Projects is the moniker of Albert van Abbe's electro-focused venture. His forthcoming release on Patron Records leans heavily on the gritty and murky sound that we know from the versed producer/DJ, who has been around for quite some time now. 'Soon To Be' is a forceful four-track EP that includes a lot of weighty patterns, compelling soundscapes and some wobbly acid-flecked grooves. But most of all, the EP demonstrates how effective, yet meaningful distorted kicks and breakbeats can be.

This publication from Blind Allies is comprised of 6 tracks. This is the first release from series where records are made on modular synthesizers. It includes a part from live jam by Philet, journey to the world of obscure feeling from Igors Vorobjovs & Void Cells and cosmic adventure by redstripedown. Dancefloor killer by Tunnel, a tale from HHNOI and a flashback to soviet electronic music from Marta SmiLga. This release will take you away to a parallel universe.
Vinyl only.

Versalife (aka Delsin's Conforce) returns to TRUST with 'Nova Prospekt'. Four tracks of broken techno manipulations and deep and sparse far-fiction electro continue to expand Versalife's intricate sound universe. Not one to miss.

An Invitation To Disappear is the debut LP by British electronic musician Inland aka Ed Davenport - and his first release for A-TON. Based on his soundtrack for a video installation by conceptual artist Julian Charrière, Davenport has recast the material and field recordings into eight tracks of rhythmically intricate electronics and spectral, ambient techno, inspired by Charrière's visually striking, 76-minute tracking shot through a palm plantation toward a totemic soundsystem on full blast.
Both the album and original soundtrack were created in response to the 200th anniversary of the eruption of Indonesia's Tambora volcano in 1815, which plunged the world into darkness and caused a series of extreme weather conditions. At the time, the natural climate change crisis resulted in numerous global famines and is known throughout the northern hemisphere as 'The Year Without Summer', with global communities forced to adapt to sudden radical changes in temperature and weather.
An Invitation To Disappear offers a contemporary parallel, leading viewers - and listeners - down a seemingly endless direct path of gridded palms from dawn to dusk; a bio-commercial monoculture where ancient jungle once flourished. Light flickers between rows of fruit-laden trees and a distant fire burns in the undergrowth where the border between natural image and computer simulation breaks down. At the same time, formerly incoherent rumblings of sub-frequencies begin to transform into the contours of rhythm. This is reflected sonically in eight perspectives on the lush, synthetic jungle, made of myriad buzzing fauna, morphing melody and colossal bassweight. All paths lead toward an apocalyptic dancefloor, though speeds vary widely; rhythms dissolve from straight to broken, synth tempos operate by their own internal clocks (and logic). Juxtaposing industrial agriculture with rave culture, the album explores the industrialization and refinement of nature, and the new strange forms emerging from the synthetic grids of both.
As Inland, Davenport has previously contributed soundtracks to other installations by the Swiss-born Charrière, whose artistic practice focuses on bridging environmental science and cultural history, often taking place in remote geophysical locations, including ice fields, volcanos and radioactive sites.
Julian Charrière is a French-Swiss artist based in Berlin. A former student of Olafur Eliasson at the Institut für Raumexperimente, Charrière's art explores post-romantic constructions of nature, staging tensions between deep or geological timescales and those relating to mankind. His work has previously been shown across the globe, including at the main exhibition of the Venice Biennale in 2017, a solo show at Kunsthalle Mainz this past Spring and an upcoming solo show at the Berlinische Galerie opening September 26.
Inland (real name Ed Davenport) is a British producer, DJ and founder of Counterchange Records based in Berlin. Known for his detailed and explorative house and techno releases on his own label, Infrastructure, Naïf and more, Davenport has recently gravitated toward the contemporary art world, finding inspiration in the cross-pollination between Berlin's art and music scenes. Previous sound design collaborations with Charrière have been exhibited in institutions such as the Musée des Beaux-Arts de Lausanne in 2014 and Thyssen- Bornemisza Contemporary in Vienna in 2017.
The gallery version of An Invitation To Disappear premiered this past April at the Kunsthalle Mainz and will be on display at the Berlinische Galerie as part of Charrière's solo exhibition As We Used to Float, opening September 26, 2018. The LP will premier live together with the video installation during a special presentation in Berghain the same day for Berlin Art Week.

Inner Rebels is a duo from UK & Greece formed by Manos & Rafael Cerato. Passionate about house music between deep and techno sensations. Malatoid Records presents their new track "Tunnel Exit" that is a true deep techno bomb for the dancefloors. This EP lineup is completed by remixers Patrick Podage and Ugur Project.

(comes in different coloured sleeve we cannot guarantee which one you will recieve)

Building on his very sexy works for the Borft weirdos, Jon Doppler's Security is a meeting of Sued's minimal funk sound and the post-acid house trip of early Rephlex. The elasticized acid of Ciphertext, the skanky dub of Wonwah, and the mammoth low end of Lag Down all propel from below, while the swollen synthwork on Hot Sauce and showstopping
MK650 inspire from above. These are late, late night jams that growl ominously in the bassbins, enhancing the foggy atmosphere and begging you to stay for one last dance.

Additional 12" with exclusive tracks from 'Svreca - Arquitectura del Sueno' CD-Mix. Featuring Michal Wolski, Alan Backdrop, Von Grall and Milena Glowacka.

Arkityp, the imprint solely dedicated to Archie Hamilton and Rossko's collaborations, returns in 2018 with its sophomore release - '3 For A Tenner' EP, landing in all good record stores March 19.

Born out of marathon sessions in Hamilton's London based studios, the duo would road-test the outcomes of these endeavours, letting the dancefloors adjudicate the EP's final tracklist, one that elaborates further on the theme of AKTP001 - growing up clubbing in the UK's capital.

Delving deep into the cross-pollinations between minimal, dub techno and tech house, this three tracker celebrates the attitude and energy within England's club culture, a culture that has profoundly impacted the perspective of both label bosses and their production style.

"Swiss electronic artist Marco Repetto is the chromatic brain behind Bigeneric musical project and has a strong background in the burgeoning scenes of minimal synth (Grauzone with Stephan Eicher), early techno (Synectics on Aphex Twins Rephlex imprint) and ambient (Planet Love on Superstition).
After more than 15 years, Marco is now back with an entire 2x12'' Album on cult label Moto Music, the Zurich imprint where he released his first Bigeneric 12''. ""The Compilation"" is a huge recap of his lost and unsigned tapes between his probably most creative time as IDM artist.

Brendon Moeller has essentially spent almost everyday of his life since 1994 in a home recording studio. Through research and practice he has evolved into a prolific producer with 10 full length albums under his belt and dozens of singles and remixes. He has performed live and DJ'ed at Fabric, Berghain and Cielo and then some. His love of a hybrid of hardware and digital resources for production shines through. His music has been championed by the likes of Francois K, Speedy J, Danny Howells, amongst others. An eclectic sensibility stemming from a love of many genres of music is always evident in Brendon's work. - - - SSX represents the Silent Season 10 Year Anniversary Compilation, a series of 12"s celebrating a decade of deeper electronic music. The series features artists whose music continues to inspire the Silent Season journey.

Following on from Acid Jump, which was released back on the label in 2014, Russian-born producer Eskuche returns to Hot Creations with a club-ready solo offering titled Activator.

Speaking of the EP Eskuche reveals that the inspiration came after the Paradise closing party last year. Wanting to make something that would fit the vibe of the DC10 terrace, Activator was born. Eskuche's production style is apparent in his latest output. Title track Activator employs rolling drum pads and a low-slung beat. The bass rumbles on through B-side Pleasure Beat, displaying hints of acid, a prominent percussive section and an eerie, vocal hook.

Since his debut release in 2012, Eskuche has broken through the musical stratosphere. He's had releases on Nervous Records, Materialism and Mr. Nice Guy and These releases have garnered support from some of the industry's most prominent names including Marco Carola, Laurent Garnier and Maya Jane Coles. Last year saw his hit track Freaky Stuff played extensively on BBC Radio 1 and hit the top 5 spot in the Traxsource charts. The Ibiza-based DJ and producer looks set to end 2018 on a high with this release and a debut gig with the Paradise crew at The Brooklyn Mirage lined up.

Belgium based Fabrice Lig is nothing else than a phenomenon of techno music. The list of high profile imprints where he released his music, like Planet E, R&S, KMS, Third Ear and Playhouse is unique.
More than a year has gone by after 'Purple Raw Vol. 2' was dropped on Systematic and since all good things come in threes, it was only a matter of time until he would come up with his third instalment.
The wait is finally over and Fabrice returns with a strong 'Pure Raw

3'
which has no other intention than making you dance through the night. This four-tracker starts with a driving edit of 'Gravitational Voyage' by Joris Voorn and proceeds it´s journey with three tunes full of raw percussions, bumbing sounds and unpredictable arpeggio synthlines.
This EP is just 'Pure Raw'!

In 1996, Gavin and Scott Hardkiss entered the San Francisco Tenderloin studio frequented by the Grateful Dead and Fleetwood Mac and made Acid Funk and various remixes. It's a funny song that references Frankie Bones' This Is Techno and Maurices' This Is Acid and says a lot about a couple of guys drunk on funk who wanted to flip their own sounds. Raw house featuring 808s, 303s and Space Echo churned easy in a whimsical psychedelic cauldron.

Unavailable for 20 years, these remaining copies of the original pressing feature various versions by bothe Hardkiss brothers and an acapella.

It all began about ten years ago in a basement in the heart of Rome; the story of a crew of people who followed a musical ideal and created an original sound and an unmistakable style.
After the return of Modern Heads with Outis 006 "Chapter II", memories once again led me to friends I made during the period of the first productions on Elettronica Romana, and I asked them for personal interpretations of the track "Beginning". From the youngest Claudio PRC to the veterans Donato Dozzy and Giorgio Gigli, all together on an amazing release.
Dino Sabatini

Remastered Classic Reissue with added modern remix of We Are Creators in the old style but with benefits of modern technology.

Remastered and recut by MUSIC PRESERVATION SOCIETY

Here comes a magestic repress from Spud tunes released originaly on Bassquick 05, Underground Techno Movement 01, Ummologik 03

Quote From Flyer Doctor Cee

"From the mists of time of the rave scene comes an old white label dance classic by the Temple of Life - Spencer ee, Flying Doctor Cee, Robin ee and TMS1.

The 'Look at Their Eyes it's Ecstasy' sample are the dulcet tones of Robin ee, and an original performance not a sample. By 1989 we were all locked into Centre Force FM 88.3 along with a host of other illegal pirate stations, including our own Dance Zone FM. Our first live gig as Temple of Life live gig was at Pitsea Leisure Centre in Essex called Time Zone. Around 1990 the next gig Time Zone 2 was at the Civic Hall, Grays in Essex with a 10K rig.

The tracks on the EDP EP were recorded in the loft space studio via an Atari ST, Casio FZ1, Electronic Dream Plant Synth, Roland 202, TB303, and some beat loops and TMS1 on the Technics 1210's.

This was our one and only release on vinyl, now repressed and remastered. We lived and breathed this scene.....aah the halcyon daze of dancing through the whole night to sunrise and beyond."

Flyingdoctorcee May, 2017

And here we are with another mentalistic fantastic Various , as all the rest of vinyl releases vinyl only release. No digital promo , no soundcloud , no previews nothing just the vinyl and its music as we believe that this is the only way to get exclusive tracks in this format. This time we selected carefully the tracks and artists where you can find Bolumar known for his past releases in labels like Amam or Act Natural among others the new comers Mobile Soul System and a digital bonus the 12 minute remix David Delgado has done to label boss Eddy Romero that yes this one will be released in digital. So we are laying to you about vinyl only No the rest of the vinyl are exclusive vinyl tracks so you not going to find them no where except in this limited copies release.

Continuing on from the success of DFR001and their cutting edge acid house nights the Downfall crew smack you right between the eyes once again with another raw, Jackin' red hot release. The Hydrochloric Substance EP. It's not surprising as all of them are veterans of the 1980's London acid house scene and quite frankly nobody knows it better. The......EP hits you right between the eyes and carries on straight from the last release, this time also incorporating the likes of Type 303 and Nuff Trip along with ConSequence and The Auditor.

tribecore perfect item. Dj tool bllody killerz

Old school Y2K minimal tribe stuff... Colelctor.

Russian tribecore banging tunes, quiet evolutive and hardfloor...

The first release on Tava Discs arrives courtesy of label-founder Beigean, confidently establishing their remit of discovering and showcasing charismatic house and techno from a gritty, DIY perspective. Influenced by a diverse joyful musical upbringing of East Coast hip-hop, turn of the millennium tribal techno, UK bass, Punjabi folk and Bollywood disco, each of the four tracks on Beigean's EP flawlessly but daringly weave each of these specific musical avenues into hyper-specific and utterly physical tapestries of sound, road-tested and engineered to turn open-minded dancefloors outside of their heads.

The record's unrelenting focus on groove is immediately established by a vintage disco bassline on Baat, one that's suddenly submerged in reverb and reintroduced with a stuttering, echo-laden female vocal chop, one of many elements cribbed from the vast, all-vinyl Bollywood soundtrack archive of Beigean's father. Here, these audience-pleasing chorus lines are respectfully blended with a very different purpose, building to a memorable disco climax and stitched together with an authentic reel-to-reel appeal. On Kyaa, a punchy, admirably bouncy bassline rides another obscure musical number, one that's soon buried under a cresting wave of acidic feedback, creating a weightless moment of sensory rave pleasure from the most unexpected of sources.

Beginning the reverse trip, 'Geet' takes things in a tougher, trippier and more percussive direction, constantly pushing and pulling tension built around corresponding male and female vocal samples. Here, a tough UK attitude immediately makes its presence known in the hard-hitting drum work, playfully offset by grandiose and grainy interjections from the vintage peak of Indian cinema. The EP concludes with 'Mein', arguably the more uncompromising and dense moment of the record, creating a constantly unfolding and kinetic distillation of Beigean's notable influences, and delivering each transformed through layers of reverb and distortion, then uplifted by a cosmic, Buchla-like synth interjection.

Rooted in a cross-generational and cross-cultural heritage specific to UK dance and rave culture, Beigean's debut EP announces a new talent with an irresistible perspective.

Dark Folk hardcore, doom downtempo... The fruit of an encounter between the msuciian and the label. Check their catalog... Loads of punk and Post Punk releases... also the are Books editors... superb project also thanks to the sound that is totally clean compared to some of the Fifthe Era productions... BRILIIANT ! Must Have !

Raving Collision 's sound ! First track is a pure Hangar raver masterpiece, in the dark old school way.. And B-side is a stable groover opening on some acid percussive high time after a while... both tunes are totally big efficient DJ Tools, cut 45 RPM for a loud sound !

Modern Frenchcore sound melted with a bit of that Raw kick. Dancefloor !

tribecore perfect item. Dj tool bllody killerz

Genom Grundet is the new release by Swedish analogue explorer Ekolali on new imprint Patience. A pulsing, entrancing study in sustain and release that washes over in ecstatic waves throughout it's 35 minute duration, Genom Grundet is a shimmering summation of Ekolali's approach and an auspicious blueprint for the virgin NYC-based label.
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Recorded on a modest setup at his almost-off-grid compound in rural Möljeryd, Sweden, Genom Grundent (Through The Shallows) gently bubbles with a sampled stream, baked tape delay, droning broken organ and pitch-shifted rhythm, blooming with vocoder chants and klassic kosmische guitar as the track unfolds. Repetitive to the point of rapture, Genom Grundet reveals it's wonders over subsequent meditations.

Mattias Lagerkvist has previously issued similarly potent musical balms as Ekolali via Bakk and Not Not Fun.

Patience is a new outlet for artists to explore ideas further and longer than they otherwise might imagine. Inspired by the music we like to listen to - with E2-E4 representing the format's high tide mark - each release will be one artist's deep dive down one inspirational wormhole - or two different interpretations thereof - spread across two sides of vinyl. Throw it on, lock in, bliss out.

Dancefloor banger from Guigoo, Floxy and Sasio. Dfefenitly between hardfoor and tribecore... The Narkotek sound !

Hot-off-the-press, a solid piece of dance brilliance courtesy of G-Man and Francesco Bonora bringing you three mood-inducing tracks for the all-nighters.

Ikaruslifts you relentlessly over warm padded beats, driving you higher until you are soaring in layers of percussive space. Labyrinth inspires and provokes with melodic comfort meshed with prodding synths, while drum ridden Syrinx delivers the big room bounce that brings the energy and urgency, only letting you catch your breath during the breaks of splintering audio waves. Ba Boom!

Laurent Garnier: Very cool 3 tracker -- NICE ONE
2000 And One: Great EP, full support
Gel Abril: all 3 are super!
Carlo Lio: dope as always from G
Luca Agnelli: nice pack, ikarus my fav
Luigi Madonna: Thanks for the music
Spencer Parker: ikarus is great ! thx !! :)
Andre Crom: Really loving this!
Mihai Popoviciu: nice tracks! will try!
Fideles: cool ep.
Arjun Vagale: Labyrynth is killer
Wehbba: Ikarus is really cool
Ian O' Donovan: Very nice Ep. Lovely sounds. Thx
Raresh: will check! thanks
Stacey Pullen: cool thanks
Dan Curtin: liking all of these tracks, mood and drive in all these tracks working for me, thanks! Fav is Ikarus
Danny Tenaglia: thanks!!
The Black Dog: Will try for Dogma.
Arnaud Le Texier: Cool. Thx
Luciano Esse: Nice EP! Ikarus is my pick!
Bryan Zentz: Yes! Syrinx is the one for me here. thanks!
Khat Muzique: This is what I call an EP. Impossible to pick just one fav but Syrinx maybe match better with me. Thanks for the music!

This is the 3rd release on RIOT Radio Records, an independent techno label based in Scotland.Ingen is an Edinburgh based producer who's sound is one of harsh complex poly-rhythms and soundscapes that crosses over into the darker realms of techno. 

Over the years he's appeared on many respected labels and also works regularly on projects with some of the worlds techno elite.

For those lucky enough to see him battering out his stunning live sets, playing alongside such lumineries as Surgeon, Whitehouse and The Advent, these humbled few know exactly what extremes Ingen is capable of reaching to crush your senses into submission.

On this release, along with the original version of 'Haste Makes Waste', there are remixes of this beast of track by Lag, Martyn Hare, Paul Birken, Duellist and the RIOT remix (ingeneered by Taser), each one taking the original composition down a different track. 

The INGENeers have spoken.

Having recently been remixed by Radio Slave, Ozel AB and FC Kahuna on Phantasy, James Welsh returns to the label with 'Zurich/A65'. Anoth-er expertly executed two-track primed for the club but infused with detail and sheer personality, it further cements his idiosyncratic and forward-thinking interpretation of techno, industrial and experimental electronic styles. Opening the EP, 'Zurich' takes an infectious, urgent bassline and gradu-ally expands into a weightless landscape. Slowly revealing it's rhythmic intent, it seamlessly blends a distinct melancholy with intensity, which, like the best of Welsh's work so far, is both wistful and physical. Appropriate to its namesake, 'A65' sets the scene by sampling the un-mistakable sound of speeding Yorkshire traffic, opening up a breathless musical autobahn, driven by luminescent synths that pulse with euphoria and energy.

We are proud to announce the kick-off of a new Dynamic Reflections subseries: Dynamic Reflection LTD. A series that is set to explore a broad spectrum of electronic music, and aims to cross the barrier between the club floors and home listening. And to start in a proper fashion, we launch the LTD-series with a very special vinyl + full digital album package by Jonas Korbl.

Three years in the making, this anticipated album chronicles the musical, and in many ways, spiritual coming-of-age of Jonas Korbl. Having started producing house music at a very young age, this debut album under his birth name signifies a new direction for the young Dutchman. In these pieces you hear him shaking off the restraints of formulaic working, opting for more experimental paths instead. You could say Discovered 5 is a story about learning about music; An expression of the author's experience in broadening his horizons.

In the full release Korbl presents nine tracks with a sleek and undeniably dark aesthetic, taking you from ambient soundscapes to main room techno and back, touching down in Berlin and London along the way. Downtempo excursions comfortably rub shoulders with rough-and-tumble club destroyers, but as varied and idiosyncratic as the album is, the music feels far from contrived. Instead, the variation keeps you engaged, with the quieter moments acting as a counterweight to the pieces with a more straightforward approach. Somehow he manages to make all these different places and moods uniquely his own.

The most remarkable thing about this LP is Korbl's uncanny ability to take familiar elements and bending them to his will, creating a new context for the listener to experience his personal brand of electronic music in. The adventurous DJ will surely find a track to create that special dance floor moment on the vinyl release, containing four club-ready tracks. However, for the full experience the entire album is a must-listen, connecting the dots between the highlights placed on the physical LP. All in all, this debut bodes very well. With skills and experience beyond his years, Korbl's star is sure to only rise from here.

B side brings two tunes 165/170 BPM, mental tribe reminding me DSP stuff. A-side is a 190BPM progressive Harfloor stuff. A good record bringing some open air festival music style.

Amsterdam's Man With No Shadow makes his debut on OFF Recordings.
- Apatik is a piece of relentless mainroom techno, a thumping kick and saturated drums meet an
energetic and ever-modulating synth lead.
- Hell's Bells is a more toolish affair, perfect to build the night or the later hours.
The same goes for - Free Love . A timeless tool.
Germany's Drumcomplex turns - Hell's Bells into another peaktime stomper.
A highly functional EP and convincing label debut.

Vinyl Only - LTD 200 copies - 125 BPM Techno, deep and dancefloor... Superb machinery, produced by Mik Izif (Physicial, Alternative) and Dolby D (Dolma, FT Sound...)... 2 very good producer and at least a fat press cut at Shane The Cutter's place... Tunes are just crazy with one Bass Techno on the A and one broken techno turning 4/4 after the first break and returning break after the second brak... Too Good !!! LIMITED 200 COPIES !

incl remix by Josh Wink !

Up next on the AdMaiora catalogue is an exclusive Italian project. Two young djs, producers and long time friends Nicola Calbi and Luky got together for 'Miami Force 89'. With releases on some of the most prestigious tech-house imprints, including 'Wow! Recordings' and 'Sanity', the fellow Italians unleash another powerful EP.

First entitled main 'Miami Force 89' is clearly immersed in the atmospheres of the late 80's. Unceasing female vocal loop meets tasty groove, hi-octave vibrato lead and a mighty kick and bass combination, making you feel like you're driving a supercar in the sunny East Coast.

The second original called 'Machine Gun' is a total gunpowder track, with a super-fat kick drum, aggressive vocal samples and rampant synths. Nicola and Luky go harder than ever, delivering a great tech-house stomper.

On the remix duty we warmly welcome Berlin hero Philip Bader and Italian duo Alfa Romero. The guys from Alfa Romero have already worked with Italian veteran Davide Squillace, and got remixed by Robert Dietz, Betoko and Snilloc. In their version of 'Miami Force 89' they go deeper and deeper, concentrating their idea in a long break which is characterized by touching brass, melodic pads and cinematic atmospheres.

Philip Bader closes the thing with the final track of the B side. He's been around for the last 10 years with appearances in almost the biggest labels such as 'Suara', 'This and That', 'Snatch!' and 'Moon Harbour' to name a few. His remix for 'Machine Gun' is pure killer material as he definitely adds fire on this one: since the beginning of the track, the heavy kicks and the harsh usage of the vocal parts turn the original into a military gear assault weapon. The gloomy groove and the grumpy synth-line do the rest, revealing once again the real raw nature of the track.

Get in the car, we're goin' to the Cirque Du Freque, starring Normal Ones, Deepchord, and Lost Lake. A journey from the murky depths to the boogie caves, from your pals at Make Mistakes.

On the A side, Deepchord crafts a driving, shifting, wall of noise. Melodic stabs and resonant fuzz coat a pulsing beat and

bass. Hypnotic and divine, Deepchord's take on the original is a potent, psychedelic tool for the late night warehouse dance floor.

The original shines bright, a playful groove with an undercurrent of menace. With that sweet, sweet growling bass, and tip-a-tap percs, skittering all about, Cirque Du Freque brings the dirty heat. Cirque du Freque carries an old school vibe, with modern sensibilities; a memorable jam for sweaty frantic, nights.

Every time the label features Lost Lake, he delivers an original, compelling dance floor jam, while retaining a warm, familial vibe. You'll know it when you hear it, as Lost Lake's pure electro funk works its way through your soul. One of those tracks you drop down into to relieve some pressure in the room, a deep sigh of release in preparation for the next round.

As always, Make Mistakes brings high quality and varied content to the table. Cirque du Freque is another versatile, high quality record, that any DJ can stick in their crate knowing it'll find a way to fill a special moment in any night.

Obrotka is one of Budapest's main stay DJ's. A member of the Astronaut music events team, as well a tried dancefloor entertainer. He invites Horatio to deliver remixes... and the larger than life eastern European who runs Natural Rhythm label arrives boasting two remixes!
First up his 'Budapest' remix, and he takes the energy levels up and delivers a chunky peak time techno rework.
Secondly his 'Bucharest' remix for deeper and tripped out moments, deep and devastating!
Rounding things off we find Obrotka's own dub of his Hafen City. This is a rather sparse and chunky deep techie vibed goodie. Filled with bleepy low end and skippy beats melt as spacious fx adds depth.

Early Support: Joris Voorn, Karotte, Cevin Fisher, Erick Morillo, DJ T., Sante, Jamie Stevens, Anderson Noise, Trent Cantrelle, Habischman, Paul Hazendonk, Marc Poppcke, Kellie Allen, Raw District, Rob Cockerton, Argenis Brito, Javier Benitez, Gel Abril, Vincenzo D'Amico, Steve Parry, Chris Fortier, Holger Zilske, Demarzo, Dj Dep, Lonya, Right On, Simeon Belle, Alex Fish, Den Dannis, Javier Orduna,

As the second release of 2018, Skudge delivers two cuts of bouncing and straight forward leaning techno for the purists.
Quasi reminds us of the mid-90s US styled Techno from the likes of Synewave and even some Robert Hood tracks from that era, but optimized for the floors of today.
On the B-side, Parallel goes into familiar Skudge territory, with a brooding and haunting atmosphere - twisted up with some of that well-known funk that Skudge has been pushing for a decade now.

Second GOST instrument is made by Karelia's finest Sergey Suokas. The 'A" side titled "Reka Vremeni' (the River of Time in Russian) represents one deep repetitive techno story, carefully crafted with high attention to details. "B" side comes with a dubbed experimental groove. Limited 180g. 10'' coloured vinyl, hand stamped.

Vinyl only release signed by one of our favourite artists at the moment, Third Child.
The Italian artist known for his unique style, had his music released on label such as Fasten musique, Only 300 and Inwave just to name a few.
With "Moving Space" Third Child is delivering 3 original tracks really different from each others but suitable for different moments, hours or situations in the party.
Closing things nicely this time is Topper, also known for his Dead Rail. The Italian born Berlin based artists had his music released on label such as All Inn Black, Sleep Is Commercial and Vekton.

Acid techno and acidcore... that sucks !

Both KiNK and Thomas P. Heckmann need no introduction. Bloody Mary has followed their music for many years and the Melting Point EP marks the coming together of Mary with two of her most respected acid producers, all on the one record.

Industrial techno masterpiece ! Ultra limited edition offering some deejay exclusives tunes... Superb sleeve ! Masterpiece under all aspects !

Microclimat is a free party project organized in collaboration with its participants in parks, forests, ice rinks, wharfs, underground, wasteland and boats of the Paris region since 2012. The artists on this record have all performed live in our parties.

Microclimat est un projet de fête libre organisé en collaboration avec ses participants dans des parcs, forêts, patinoires, quais, souterrains, friches et bateaux de la région parisienne depuis 2012. Les artistes de ce disque se sont tous produit en live chez nous.

Acid melodious first tune is a bloody pearl... Superb collab ! The other tunes are pure discoveries with some rare artists on vinyl... Masterpiece !

There are some tunes that rock around so hard... like Ascender did, or like Popof And Noisebuilder did ... A long time ago CYB-X Sound system did a pure jewel of a tune... but this one, from another member of the sound is just a blaster... At a even higher level ! This EP also offers 2 remixes from Brent Brain and FML 010 : one in a tribe hardfloor acid way and one in a Hackney Hardest way... 165 to 175 BPM fiull-on record ! MUST HAVE !

Old School Gabber ! Classics !

First side brings 2 superb Hard Techno fat kickers. The flip goes Tribe in a more evident way, to the Hardfloor !

First track from Rhythm Storm brings some old school tribe techno, dry kick and some italians samples...

Second track goes more energik, with some electro background and a Pumpin nervous kick "à la LSDF" from Trashwasher.

Third tune is cool Joke of tribecore sampling an old tune from Pierre Bachelet ^^

Last track brings a cool dancefloor tribe sober track... Easy baby !

Superb Hardcore Album... With liitle intros and Outros... and special short cuts at the end of each side. FAT !

Hardcore.

Classic over the classic.. Not that easy to define : is this Frenchcore No certainly not ... is this Tribecore Nope... Is this Hardcore , YESSSSS !!!!!!!!!!!

Fatal Number 7 ! Dancefloor and round kicks, Sweet and progressives... Old school never die !

RSF invites MELLY for an harfloor acid music ! BANGING !

Low Fi Gabber speed killerz made out of Playstation 1 E-Music... The Crazy shit...

The heavy industrial crunch and rubbery synths of FRAK's trademark sounds come to Hypercolour with the four track 'Berga Magic' EP.

The Swedish techno trio have been active since the late 1980s, issuing cassette tapes (and later, vinyl) filled with blueprint techno and electronica on their own Börft Records label. Following in the footsteps of Severed Heads, D.A.F. and Devo, FRAK have truly embraced performance art and experimental minimalism over the years, never compromising, always innovating.

The 'Berga Magic' EP comes brimming with raw analogue explorations and delightfully incongruous noise.

Description: (199X) is a new record label from Reykjavík, Iceland but based in Copenhagen, Denmark focusing on releasing electronic music by Icelandic and international artists. Each release is pressed on high quality 180g vinyl limited to 500 copies, also available digitally. Each album cover has hand drawn artwork by M. Kristensen.

The first release on (199X) is from a musician born in Zürich, Switzerland who's name is Mateo Hurtado. For the last 2 years Hurtado has been posting tracks and live improvisations on Youtube and Soundcloud made with his modular and hardware gear as well playing all over Europe. This EP by Hurtado includes four tracks recorded live with heavy bass, dark-atmospheric repetitive sounds that make the perfect experimental ambient techno with minimal post processing.

Mythologen, Aka Alexander Palmestal Follows Last Year's Debut Album 'mythologen' With The 12'' Ep 'church Music'. This Ep Is A Love Declaration To Londons Club Scenes And Some Of The Titles Are Named After Parts Of Districts In South East London.
The Tracks On This Record Are Free And Loose In Its Melodies And You Hear That Palmestal Has Worked On Pure Intuition In The Song Making Process, Inspired By The Surrounding Smells, Sounds And People. As Explosively Impressing As The Album Was, Is Also 'church Music' And The Airy, Uplifting Sound That Has Become Part Of Mythologens Trademark, Is Developed With A Sacral Touch.
Alexander Palmestal Have Since The Days Of Pistol Disco In The Early 2000's Been One Step Ahead Of Most Acts In Leftfield And House Music And Have Created An Own Musical Space To Exist In - Something Most Artist Never Achieve! 'church Music' Consolidates Mythologen's Position As Both A Guardian And An Innovator Of Modern Dance Music

Honey Soundsystem met October (aka Jules) while on a one-night affair in Bristol in which he immediately dragged us from an artist dinner to the saddest Bear bar in the UK. After a few pints, vetting his taste for drag, boys, and girls that make love to boys who make love to boys, Jules confessed he has always wanted to release on HNYTRX. And so the hazing began, a year of torturing yet another sexy-stranger into refreshing, reminding, and refining a flurry of demos into the army of skeleton soldiers you now have in possession. Money drops, midnight withdrawals, 4 crisp singles: this is the Pay Day EP — gonna make that dance-floor 'cha-ching' bitch!

A lot of people hate October so... that is why we are releasing this record in September. But seriously though, upon cracking open this 4 track EP you might wish you had saved the vacuum seal just a couple days longer, keeping these ghosts contained until the month where screaming winds strip trees nude

OCAD is a label established in 2016 by Toke Klinke and Rebecca Broe that empahsizes high quality and originality in electronic music.

Vinyl 1:

A1 :
Red Meat Therapy - Brim
An absolutely hypnotic track, completely stripped down to the core of what really makes your mind and soul dance
on the floor

A2:
Petar Cvetkovic - This
Groovy and sexy beats combined with clever dirty samples and thrills


B1:
Le Dixsco & Roberto Apodaca & Guti Legatto - Horror at camp jelly jam
Three great minds put together to make a dance floor bomb with lots of low end bass and suspence


B2 :
Derek Marin & Margery - Externals
Fast, loud and high energy techno, a real club banger

Vinyl 2 :

C1 :
P.E.T - Z4995
Sexy grooves, powerful low end - this track is a mover

C2 :
Sasha Sidi & Ayrton - Transition
A dreamy, hypnotic and moving track - just what the floor needs at 6 a.m.

D1 :
Vedran Komm - Divelism
Big sound, powerful low end grooves, and a lot of suspence

D2 :
Jemil Deep - Rotate
Great deep sound combined with sexy rotating grooves

The never-ending underground speech has been made on more time by Weltschmerz, owner of the label Complatt, and this time Complatt's second vinyl record goes extremely high and represents the quality of Weltschmerz's vision. The early bird support came by a number of a top underground people of the scene, so the CTTV002 is considered to be quite successful.

The inaugural release on enigmatic conceptual artist and Freerotation regular Aboutface's new label Coordinates- a limited physical release series exclusively showcasing his music and original art, depicting conceptual themes and exploring the aural terrain of two sets of location coordinates around the world. Coordinates #1 explores ultra-sonic bat recordings from Lincolnshire, England, and ancient mayan culture from the Chiapas region, Mexico.

AN INCREDIBLE JOURNEY IN THE KINGDOM OF GROOVE. A SYNTHESIS BETWEEN THE FORCES OF NATURE AND THE RHYTHM OF BIT. INTUITION AND TALENT TO SHOT THE MOST DEEPEST STORE IN YOUR DREAMS....DEVELOPER!!!!!!!

A dream within a dream.

finally repressed !

Volupso 5 brings Roan Elia to the fray with 2 quality minimal grooves. The EP named after the
track Woo D has been superbly remixed by Alexkid. Roan has supported some of the most curren
names in 2015 notably Raresh & Petre whilst Alexkid needs no introduction, he recently released
on Fuse with Enzo Siragusa.

The Secret Mystery School alias was created for the inaugural release on Crash Reserve Records. Four untitled dance tracks to get feet slippin' and mindz trippin'. Acid flavoured House and Techno to set the tone for a foreboding, futuristic reality. Dystopian sounds for a dystopian age.

Legendary duo S.E.S strikes once again. Tobias Schmidt and Neil Landstrumms, now 25 years old, project is returning once more. With releases on labels such as ShipRec, Sativae, Scandinavia to name a few, we now have the honor to have them on Varvet. 4 tracks of experimental techno/electro/breaks all with the S.E.S. funk, punk and BASS.

New label with 3 strong House tracks!

Gregor Tresher selects the 9. volume of tracks which are breaking new soil for him. The lucky ones are Etai Tarazi, The Yellowheads, Rob Hes and Paul Nazca. Curious to know which one you prefer

Slidebar is back with a relaunch project to follow the path of our previous Slidebar releases, a kick ass 12' filled with groove plundering variety of techno styles from producers you know and love. For the relaunch release - Assault On Preset 13 EP - we have 4 tracks from Paul Birken, Dave Tarrida & Tobias Schmidt, Subhead and Ben Pest.

Repress

Animistic Beliefs is a Rotterdam-based music duo that produces a lush and heavy tapestry of hypnotising electro sounds from their old drum computers and (modular) synthesizers. They are nominated for the Rotterdam Music Awards in the category "Most Promising Act 2017"! Also they played some nice live sets at festivals like AmsterdamDanceEvent or Modular Festival 2017 and now we are happy to release the debut of this creative duo on our Sublabel "Between Places". The EP comes with 5 heavy, tuneful and hypnotising electro tracks you definitely have to hear!